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created the necessary conditions for a vast expansion in civic construction. Commissions for government offices, town halls, churches for private benefactors, railway termini were all put out to tender and competing architects required draughtsmen to illustrate their plans. In 1866 Haig met architect
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117:; 10 November 1835 –23 August 1921) was a Swedish-born artist, illustrator and architect. His paintings, illustrations and etchings, undertaken for himself and on behalf of many of the foremost architects of the Victorian period made him "the
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Haig developed a second career as an etcher and his drawings and lithographs of
European castles, palaces, landscapes and cathedrals became hugely popular in late-Victorian England. He was elected as a member of the
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in the year of his death, Maurice Adams wrote that "his architectural draughtsmanship ranks without a doubt amongst the foremost of his time and his graphic capability remains unique."
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The middle years of the nineteenth century saw an explosion in the practice of architectural competitions. The wealth generated by the empire and the
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shipbuilders. But his interests had turned to architecture and in 1859, he undertook a new apprenticeship as a draughtsman in the offices of the
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Haig was mostly a resident of
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501:"Church of All Saints, Grayswood Road, Grayswood (Grade II) (1243910)"
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All Saints Church designed by Haig in his adopted village of
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elements". Haig is buried in the graveyard. The church is a Grade II
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Axel Haig and the
Victorian Vision of the Middle Ages page 17
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Axel Haig and the
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Axel Haig and the
Victorian Vision of the Middle Ages
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Journal of the Royal
Institute of British Architects
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330:Haig's illustration for the Summer Smoking Room at
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149:(1811–1887), who ran a private drawing school at
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161:for a further period of training at a firm of
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157:. In 1856 he went to
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363:References
284:Vernacular
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187:The Strand
155:Karlskrona
573:(1971) .
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163:Clydeside
139:Ă–stergarn
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76:, England
70:Grayswood
22:Axel Haig
119:Piranesi
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305:Gallery
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143:Gotland
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