277:. In the part on the departure of Aymeri's children: Aymeri sends six of his sons out to seek their own fiefs, while keeping the youngest son Guibert. The sons are successful and eventually come to the court of Charlemagne in Paris. In the part on the Siege of Narbonne: taking advantage of the departure of the sons, the Saracens attack Narbonne and nail Guibert to a cross. The youngest son is saved however, and races to the court to seek help, but he learns that Charlemagne has died, leaving his son Louis emperor. The seven sons and Louis' army eventually defeat the Saracens.
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178:. After various adventures, including difficulties with a German lord named Savari (to whom Hermengarde had been promised previously) and attacks from the Saracens, the marriage occurs. The poem ends with a prediction about their future children, seven boys and five girls. The poem was reworked into two prose versions in the 15th century.
305:. The poem comprises 4,176 decasyllable verses grouped into assonanced and rhymed laisses. In this poem: at the end of his life, Aymeri battles to retake his city (he and his knights resort to dressing as women) and then must battle the Sagittaires, pagan
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to whichever of his knights will conquer it, but all the knights refuse because of their despair, except for the young Aymeri. Once he becomes lord of the city, Aymeri seeks the hand of
Hermengarde, daughter of Didier, sister of Boniface the king of the
237:) and the title has lent itself to the entire cycle, called "the Narbonnais Cycle", which is itself often grouped with the "Cycle of Guilluame d'Orange" (itself part of the greater "
73:, marries a princess named Hermengarde or Hermenjart, and fathers seven sons (Guibert, Bernart, Guillaume, Garin, Hernaut, Beuve and Aymer), the most famous being
229:. The poem comprises 8,063 decasyllable verses grouped into assonanced laisses. The manuscripts which contain the work all place it alongside other texts (
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was once considered to contain two distinct parts (before the critical edition of H. Suchier in 1898), and they have received their own titles:
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contains, toward the end of that poem, the taking of
Narbonne and Aymeri receiving it at his father's behest (laisses 285-318,
309:, to save fourteen thousand maidens. In the end, Aymeri and two of his sons are mortally wounded and buried in Narbonne.
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53:. In the legendary material, as elaborated and expanded in various medieval texts, Aymeri is a knight in the time of
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follows in four of the five extant manuscripts of this poem). The poem comprises 4,708 verses grouped into 122
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except for a short six syllable line at the end of each laisse (a similar use of shorter lines appears in the
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205:, also by Bertrand de Bar-sur-Aube. In that poem, he incites his four uncles to war against the Emperor.
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The "Aymeri" of the poems may be conflated with a later historic figure,
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was made in the 15th century. The work was also adapted by the
Italian
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16:"Narbonnais" redirects here. For the inhabitants of the city, see
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Aymeri de
Narbonne is also the hero of a (probable 13th century)
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https://www.rialfri.eu/rialfriWP/opere/chanson-de-roland-v-4
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is the hero of an eponymic early 13th century (c.1205-1225)
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A History of Old French
Literature from the Origins to 1300
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431:. Collection: La Pochothèque. Paris: Fayard, 1992.
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429:Dictionnaire des lettres françaises: Le Moyen Age
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65:. He is son of Hernaut and the grandson of
427:Geneviève Hasenohr and Michel Zink, eds.
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225:(c.1210) by an anonymous author from the
353:Hasenohr, 119, for most of this summary.
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251:The Departure of the Children of Aymeri
111:(based on earlier poems) attributed to
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273:around 1410 for his prose version
196:The character also appears in the
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247:Le Département des Enfanz Aymeri
448:. New York: F.S. Crofts, 1938.
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215:The hero also appears in the
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69:. He conquers the city of
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239:Geste of Garin de Monglane
92:from around 1106 to 1134.
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294:Mort Aymeri (de Narbonne)
165:and offers the city as a
161:, comes upon the city of
485:Characters in epic poems
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113:Bertrand de Bar-sur-Aube
63:Battle of Roncevaux Pass
40:is a legendary hero of
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265:. A prose version of
259:The Siege of Narbonne
132:; the verses are all
115:(author, as well, of
86:Aimery II of Narbonne
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255:Le Siège de Narbonne
148:Chanson de Guillaume
90:Viscount of Narbonne
23:For other uses, see
455:Aymeri of Narbonne.
299:The Death of Aymeri
271:Andrea da Barberino
480:13th-century books
235:Siège de Barbastre
231:Aymeri de Narbonne
187:The Song of Roland
158:The Song of Roland
153:Aymeri de Narbonne
123:Aymeri de Narbonne
104:Aymeri de Narbonne
97:Aymeri de Narbonne
75:Guillaume d'Orange
38:Aymeri de Narbonne
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25:Aimery of Narbonne
470:Chansons de geste
381:Hasenohr, 1055-6.
138:chansons de geste
79:chansons de geste
67:Garin de Monglane
57:'s wars with the
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282:Mort Aymeri
227:Brie region
55:Charlemagne
464:Categories
419:References
267:Narbonnais
243:Narbonnais
222:Narbonnais
210:Narbonnais
61:after the
42:Old French
291:entitled
263:The Hague
219:entitled
307:centaurs
183:Venice 4
172:Lombards
163:Narbonne
145:and the
142:Aliscans
71:Narbonne
59:Saracens
49:and the
18:Narbonne
151:). In
130:laisses
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253:) and
127:rhymed
121:which
313:Notes
241:").
176:Pavia
433:ISBN
181:The
167:fief
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174:in
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