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also received some exposure to Ba Nyan while both of them were at the
Institute of Art during the Japanese occupation period (above), but Aung Soe was very young then, barely 20, and their time together at the Academy was very short. As Aung Soe's path as an intensely modernist (abstract) painter, or
311:
Ba Nyan played a key role in introducing western techniques to
Myanmar artists. He also had a significant influence on the manner in which teaching was handed down in Burma for he retained the master-apprentice form of instruction, which had always been a feature of the older more Traditional schools
245:
in person, after he had saved one of the king's relatives from drowning. When he returned to Burma in 1930, his experience in London had earned him a formidable reputation and he was able to mount one-man art exhibitions and received various commissions from the government and wealthy patrons.
230:(1867-1933). He returned in 1925 full of enthusiasm about western oil painting techniques, and began depicting the Burmese countryside in the style of conservative British landscape artists. In 1928 he went back to London, and on this visit became acquainted with the famous muralist
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studied with Ba Nyan on an ad hoc basis; but there is no question that Ngwe Gaing's three or four years of studying with Ba Nyan on weekends had a large influence on Ngwe Gaing, who became regarded as the leading painter in Burma after Ba Nyan died.
324:, in that order, although Myat Kyaw's period of study with Ba Nyan was short. As Myat Kyaw's interest in painting was in the commercial rather than fine-art vein, Ba Nyan sent Myat Kyaw for further study to
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in 1897. He displayed his talent for painting at an early age, and for four years studied the skills of applying color and painting traditional motifs under Po Maung. He was noticed by the
52:
286:. By those who saw the last painting, it was considered one of Ba Nyan's most powerful works. Presumably, it is still in the Collection of the Japanese Imperial Household.
354:
as a painter in the
Traditional mode, shows no clear influence of Ba Nyan, it is strictly speculation to wonder of the effects Ba Nyan may have had on Aung Soe.
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became major painters of Burma, and Myat Kyaw, if not a major painter of Burma, became a major figure and force in the
Burmese painting community.
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178:. His oil paintings were quiet and academic in their style, but display occasional flashes of virtuosity and brilliance in bold,
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In 1935 he married Sein Khaing. In 1939 he became principal of the Art School for
Myanmar students. In 1944, during the
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258:, Ba Nyan led a group of artists that opened an Institute of Art, becoming the principal of the academy with
226:. Later he moved to the Yellow Door Fine Arts School, where he received personal instruction from the artist
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of painting in Burma. Ba Nyan taught six pupils full-time who lived with him in his home: Aye Maung,
218:, founded in 1913, assisted in the development of Burmese artists, and in 1921 helped him go to the
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district officer who persuaded the government to support him in studying at the Norman School in
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Ba Lwin. He was then appointed assistant drawing master at the Yangon High School.
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Ranard, Andrew (2009). "Mood and
Methodology: Genesis of the Rangoon School".
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72:
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Ba Nyan died on 12 October 1945 in Ga Doe
Village, shortly after the end of
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as instructors. During this period, the war-time prime minister of Burma, U
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20:
472:
Jyväskylä (Finland) Yliopisto (1995). "U Ba Nyan and the Burma Art Club".
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274:, the Japanese Prime Minister, and a third painting, a landscape of the
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techniques, on permanent display in the
National Museum of Myanmar.
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painter who has been called the greatest name in modern painting in
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744:"REMINISCHNCES OF MYANMAR ART - ARTIST U AUNG KHIN (MANLADAY)"
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328:, whose interest in the early years was in commercial work.
814:"U Ba Nyan's tomb was rediscovered - Irrawaddy in Burmese"
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635:
On
Burmese Painters, Sculptors, and Architects, Vol. 1
832:
Burmese Painting : A Linear and Lateral History
289:Another masterpiece by Ba Nyan is his oil painting
238:, who helped him to take part in art exhibitions.
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182:brushstroke and skillful handling of the medium.
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504:. Times Books International. pp. 158, 216.
190:Ba Nyan was the fourth of six children, born in
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682:Myanmar painting: from worship to self-imaging
542:Burmese Painting: A Linear and Lateral History
680:; Sein Myo Myint (U.); Thanegi (Ma.) (2006).
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293:(1933) of his father, done with heavy use of
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633:Nyan Shein (1998). "U Ba Nyan (1897-1945)".
502:Journeys through Southeast Asia: ceritalah 2
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474:Jyväskylä studies in the arts, Issues 46-47
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544:. Silkworm Books. pp. 91–113, 240.
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789:"A brief history of Myanmar modern art"
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234:and the head of the Royal Art Academy,
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851:U Ba Nyan: His Life and His Paintings
791:. Chris Dodge Gallery. Archived from
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385:(Yangon) Universities Central Library
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626:
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834:. Silkworm Books. pp. 91–113.
684:. Education Pub. House. p. 53.
13:
14:
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616:U Ba Nyan: His Life and Paintings
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170:; 1897 – 12 October 1945) was a
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892:Burmese people of World War II
370:Museum and Library Collections
1:
887:20th-century Burmese painters
882:People from Ayeyarwady Region
652:U THEIN HAN (February 1958).
476:. Yliopisto. pp. 74–76.
185:
357:
7:
713:Maung Lu Zaw (April 2000).
389:
16:Burmese painter (1897–1945)
10:
908:
696:"Ngwe Gaing (1901 - 1967)"
654:"Contemporary Burmese Art"
376:National Museum of Myanmar
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31:. There is no family name.
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575:"U BA NYAN (1897 - 1945)"
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79:
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41:
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316:, Thein Tan, Myat Kyaw,
715:"He Was a Great Artist"
442:Frank Spenlove-Spenlove
236:Sir William Rothenstein
228:Frank Spenlove-Spenlove
540:Andrew Ranard (2009).
280:Night of the Shwedagon
764:"Bogalay Kyaw Hlaing"
719:Myanmar Perspectives
396:M.T. Hla (U Tun Hla)
381:Singapore Art Museum
220:Royal College of Art
122:Royal College of Art
641:. pp. 121–124.
431:Thein Han (painter)
346:Bogalay Kyaw Hlaing
256:Japanese occupation
56:Self-portrait, 1937
849:Min Naing (1974).
614:Min Naing (1974).
232:Sir Frank Brangwyn
126:Yellow Door School
841:978-974-9511-76-3
577:. Thavibu Gallery
551:978-974-9511-76-3
278:Pagoda, entitled
241:He also met King
167:[ba̰ɲàɰ̃]
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131:Known for
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95:Ga Doe Village
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91:(aged 48)
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250:Back in Burma
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824:Bibliography
808:
797:. Retrieved
793:the original
787:Ma Thanegi.
782:
771:. Retrieved
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747:. Retrieved
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727:. Retrieved
723:the original
718:
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661:. Retrieved
658:The Atlantic
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579:. Retrieved
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364:World War II
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189:
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21:Burmese name
877:1897 births
872:1945 deaths
437:Kyaw Hlaing
296:chiaroscuro
200:Mawlamyaing
106:Nationality
866:Categories
799:2010-11-15
773:2010-11-13
768:Yadanapura
749:2010-11-13
729:2010-11-13
663:2010-11-13
581:2010-11-13
411:Ngwe Gaing
342:Ngwe Gaing
326:Ngwe Gaing
186:Early life
163:pronounced
99:Mawlamyine
87:1945-10-13
25:given name
426:Aung Khin
406:Saya Myit
358:His death
338:Aung Khin
330:Thein Han
322:Aung Khin
314:Thein Han
276:Shwedagon
124:(London)
114:Education
700:Gael Art
435:Bogalay
390:See also
351:Aung Soe
284:Hirohito
243:George V
192:Pantanaw
141:Movement
135:Painting
69:Pantanaw
38:Ba Nyan
19:In this
416:San Win
301:impasto
264:San Win
210:Success
180:impasto
176:Myanmar
172:Burmese
155:Burmese
151:Ba Nyan
109:Burmese
85: (
29:Ba Nyan
838:
548:
508:
480:
421:Ba Kyi
401:Ba Zaw
336:, and
334:Ba Kyi
320:, and
318:Ba Kyi
307:Legacy
291:U Ba O
268:Ba Maw
260:Ba Kyi
224:London
202:under
196:Maubin
23:, the
453:Notes
159:ဘဉာဏ်
42:ဘဉာဏ်
836:ISBN
546:ISBN
506:ISBN
478:ISBN
344:and
299:and
262:and
214:The
204:Saya
80:Died
65:1897
62:Born
222:in
27:is
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