Bajirao Mastani - Knowledge

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which he said was "draining and tiring in every way". For portraying Bajirao, Singh's preparations required him to isolate himself from his own being and living like Bajirao. He instructed the crew members to address him as Bajirao, which helped him to remain in his character. Singh would not respond to people who used his real name. He said, "It takes a lot of work and effort to be different from whom I am, and two hours to get ready, complete with makeup and the heavy costumes. After all this, if someone just tells me, Ranveer, your shot is ready! all that goes to waste." Padukone found her character to be very relatable, saying, "She was so brave, strong, determined and yet fragile and vulnerable". She was also inspired by her character and found playing the role challenging; it was physically demanding and required a lot of dancing. Padukone said the character had different layers; "One minute she goes on the battlefield, the next minute she's romancing him". Chopra was drawn towards the film because of her character which she thought was "very heart-breaking". She said playing Kashibai was "emotionally difficult" and a complete contrast to the strong women she has portrayed in most of her films. She described her character as someone who is "heartbroken, a silent sufferer, dignified, resilient, can't take charge of her life, goes with whatever life throws her way. Just grace under fire."

1414:. Chatterjee found the war sequences challenging and faced many difficulties while filming in the deserts of Rajasthan. Wanting to break with norms, Bhansali wanted a night-time war sequence; lighting a large, open field became very difficult and visibility issues were inevitable. Bhansali wanted very clear images. Instead, they decided to shoot these scenes in the morning, aiming for a twilight look. The main war scene featuring 800 extras, 500 horses and twenty-five elephants was filmed over twenty days near Jaipur. The extras would begin costuming, which included beards for the Mughals, moustaches for the Marathas, armours, helmets and uniforms, at 04:00 for the start of filming at 08:00. After finishing the shoot, the costumes would be washed in readiness for 04:00 the following day. Kaushal has said extensive research was done before filming the war sequences, and a rough graph was designed nine months before the filming. However, the entire sequence could not be filmed in one take on location and was completed later in a studio in Film City, and was enhanced in post production. 1367: 1125:. Only earthen diyas and torches were used to light the sets. Silken saris were used, with bedsheets and hand-painted walls with 18th century motifs added. Craftsmen were hired to recreate 18th-century textures, fabrics, weaponry, jewellery and furniture. Almost 30,000 oil lamps were made for the film and 500 suits of armour were designed for the war scenes. There were also headgear and boots worn in that period. The armour and headgear weighed between ten-twenty kilos and two kilos, respectively. The team also designed props including different types of tents, lighting props, and elephant and horse decors for the war sequences. The props were made in Mumbai and had to be taken to Rajasthan, the outdoor location. 913:. Kapadia said writing the screenplay was a difficult task and a huge responsibility considering the historical context. Kapadia and Bhansali had consistently worked on the script since its conception, refining several aspects of the film. Considering the script was written twelve years before, several changes were made to it, such as the decreasing the length and increasing the pace to suit the modern audiences. Although adapted from the novel, the romance between the film's protagonists has not been well documented in history books or archives and several versions of the story exist. Many cinematic liberties were taken to build drama and highlight incidents. 1085:; he engaged Dhatrak, who joined Iyengar and Sawant. Bhansali then shared the script with the art directors and described his vision and the scale of the production. Pre-production work started as early as February 2014, continued as the shoot progressed and lasted until the filming was complete in October 2015; it lasted nineteen months. Before pre-production work started, the art directors discussed with Bhansali about how much of the film would be filmed on set and outdoor locations, giving them an idea to how many sets they needed to create. Once the number of sets and location shots was decided, the production moved forward. 2204: 7153: 7137: 7110: 1118:

More than 700 design stencils were used to decorate the hall. Although the mirror hall was a Mughal concept, the art directors designed it to look like Maratha architecture. Mastani Mahal was built as an amalgamation of Rajput and Maratha architecture. The exterior of Mastani Mahal was built as a part of Shaniwar Wada, whereas the interiors of were built on separate sets consisting of a courtyard and bedroom. Mastani's room in Bundelkhand was crafted using a mix of Persian, Mughal and Rajput motifs and architecture.

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at night was created using visual effects. Splashing waves, falling rain falling (except for the water falling on Singh and the night sky were created in post production. The scenes that were shot on set and featured outside views, such as views from windows, were completed in post production. For dark, emotional scenes, a low-key background was created, whereas bright, colourful backgrounds were created with effects for light scenes. The film was edited by Rajesh G. Pandey.

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depicted in history books, and little was known about it. He had long admired the Maratha backdrop and the different religions of the protagonists—Bajirao was Hindu and Mastani was Muslim—which further drove his interest towards knowing more and telling the story. He saw it as a chance to comment on religion and love, saying, "In those times, people were offended by the same things that offend them today. Through this film, I want to show that love is the greatest religion."

952: 1089: 1141:. Modi designed clothes for the three lead characters and Basu designed for the supporting cast. The costumes for extras and war extras were done by Ajay and Chandrakant, respectively. Bhansali had detailed script-reading sessions with the designers to help them understand the characters, their emotions and personalities, which would mirror the costumes and the grandeur of the 18th century. Basu started her research by visiting several ancient monuments such as the 1352:. Later that month, Singh joined the shoot. Most of the film was shot on the highly detailed sets. In late November, Chopra fainted on the set due to exhaustion while filming a scene that needed to be filmed ten times continuously. A doctor was called and filming stopped for some time but she later resumed the shoot. Padukone joined the cast for two days during late December 2014 and resumed shooting in April 2015 after completing work for her other projects. 894:. After the project was shelved, Bhansali said he struggled to put the film together and that he considered the project impossible to make. Nevertheless, he clung to his ambition to make the film someday, saying, "there is magic to it". Some film industry professionals believed it would never be made, calling it "jinxed". Bhansali always believed in the project, assuring himself the script was so powerful he had to make it one day. He told 2188:

not known. Some have claimed she died from shock; other accounts say she committed suicide. The film portrays Mastani being chained at the time of her death but she was never chained and she and Kashibai were both present at Bajirao's last rites. After the death of Mastani, Kashibai raised Mastani's son as her own, which is not shown in the film. Other inaccuracies include Mastani playing a

2151:; women were not given many privileges and rights, and most of the sources from that period are accounts of political battles, revenues and socio-economic records. Palande-Datar also said that there is no evidence of the way Bajirao and Mastani's political marriage became part of folklore and was later transformed into a symbolic representation of great romance. Historian 1636:

liberty was taken by the director. Though not against the release of the film, the descendants publicly asked the makers to remove those two songs and screen the film for them so they could review and suggest Bhansali remove other "objectionable content" from the film. Bhansali did not respond. Additionally, a petition was filed by an activist in

866:(2002) and had officially announced it in 2003, with filming scheduled to begin in May 2004. The film, however, was shelved indefinitely. Reports about a possible revival had made headlines ever since; Bhansali had planned to revive it every other year but the project never came to fruition. In an interview with 31: 1873:

was unimpressed with the film for favoring visual splendour over storyline, rating it 2.5 stars out of 5. He praised Chopra and Singh, calling them "terrific", but criticized Padukone's performance, writing "Padukone look giddily entranced, there are times when she appears completely lost. It doesn't

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Bhansali wanted a grand opening title design, which the team decided to create using animation. They crafted hand-drawn storyboards and drew a narration of Bajirao and his kingdom, and designed it digitally using animation within a limited timeline. A sequence in which Singh crosses the sea in a boat

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were the choreographers for the film's song sequences. Bhansali chose D'Souza, who had only choreographed modern dance numbers at that time, to choreograph the song "Pinga", which took weeks to complete. Chopra and Padukone had to rehearse for several days before shooting. The filming was challenging

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Singh has described his character as a "true Maratha", saying, "The deeper I get into it the more I realise what a great man he was. It is a great honour to be selected to play this character." He has said he always wanted to transform himself into a character and playing Bajirao gave him that scope,

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also said the play portrayed them as star crossed lovers and others playwrights followed Kantikar, making it as familiar to Marathi audiences as that of other epic romances. By the 1930s, a number of historical novels that also added to the "myth-making" were written, fascinating another generation.

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also rated the film 3.5 out of 5, calling it "an experience", and Bhansali "a master love-storyteller". She praised the performance, saying, "Singh, Padukone, Chopra shine ... while Azmi plays the intimidating matriarch with elan"; thought she thought the editing "could have been much crisper".

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plays out a like an operatic, swooning, feverish love poem." She felt that Singh wasn't "instantly convincing", but nonetheless praised him (as the film progressed) for "combin towering strength with aching vulnerability and helplessness", Chopra for having the "maximum impact" despite fewer scenes,

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and learnt about Maratha architecture. When the film was shelved, they continued to research and formed a portfolio, hoping to approach other filmmakers for work. Several years later, when they heard about the revival, they met Bhansali, who was impressed by their research and presentation. Bhansali

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by Balaji while Bajirao was on military campaign, as opposed to film's depiction of Mastani's imprisonment. The film shows Bajirao and Mastani dying at the same time in different places, which did not happen in reality. Bajirao died a few days earlier than Mastani; however the cause of her death is

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Because of this lack of information, Bhansali took liberties with historical facts and exaggerated a few things for cinematic effects. A disclaimer on the film's credits stated it does not claim to be historically accurate. The dance sequences have been widely seen as "fictional" and "out of place"

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then converted into night. Arrows flying over the battlefield were created using CGI whereas the army, soldiers and horses were multiplied. The war close-up shots were filmed in a studio but were later mixed with the war scenes to form a detailed scene. In some shots, the sky was digitally replaced

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Before starting the film, the team discussed which parts of it had to be filmed and which parts needed to be made using visual effects. They decided that only sequences that were considered difficult or impossible to film would be created using visual effects in post production. In one sequence, it

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and the Aaina Mahal, both of which were "high on grandeur and intricacy". The Shaniwar Wada set was the biggest set they had constructed; it took 45,000 planks and 600 workers a day to erect. It was constructed on Sunil Maidan, one of the biggest open spaces in Film City and took forty-five days to

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after finishing every film he made in-between, saying "I kept trying to revive it over and over again, but if there is one thing that filmmaking has taught me, it's that every film has its own destiny. And I strongly believe that the souls of ... Bajirao, Mastani and Kashibai wanted us to make

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Determined to pursue her love, Mastani arrives in Pune but is treated harshly by Bajirao's mother Radhabai and accommodated in the palace for dancers, as Radhabai refuses to accept her as a daughter-in-law. Mastani tolerates this and adamantly expresses her desire to be with Bajirao; Bajirao chides

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was one of the most anticipated releases of 2015. Special care was taken to avoid leaks during production; everything was done in secrecy. On 15 July 2015, a day before the teaser release, producers Eros International shared the first images of the three characters and a teaser poster of the film.

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and torches used to light up the background would snuff. The song was shot at night on an open-air set decorated with diyas and torches, many of which would snuff out while filming the song. When it was suggested snuffed diyas should be corrected in post production, Bhansali outright refused. More

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Aina Mahal took 4,500 planks, with a hundred workers per day. The set was given a lotus-like design, with walls, ceiling and floor made out of handmade mud embedded with sparkling mirror designs. The replica of Aina Mahal was constructed in forty days, with more than 30,000 square feet of mirrors.

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and Satara, studying fortifications, baston walls and city gates to understand the interior and exterior designs of the ancient period and incorporated those ideas into building Kashibai's villa. Lotus motifs on mud-clad walls and handmade textures were used to give the set a realistic appearance.

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The descendants of Bajirao, Kashibai and Mastani expressed their disapproval of "Malhari" and "Pinga" dance sequences, the midriff-baring saris worn by Kashibai and Mastani in the song "Pinga", a dialogue deeming it "vulgar" and a "private moment" shown in the trailer, claiming excessive creative

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with a large flare in that period, so it was eminent for Bajirao's character. A wide palette of solid colours, such as white and cream, were used for the sombre and emotional scenes whereas red, orange, blue and deep purple were used for the celebratory scenes. For designing the Bajirao's armour,

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gave a highly positive review, praising the "elegantly arranged and opulently orchestrated" songs and writing, "exhilarating soundtrack ... recreates an era gone-by through sounds that are authentic ... yet operatic, steeped in the classical ethos, yet contemporary". Joginder Tuteja of

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Primarily known for making romantic dramas, Bhansali was intrigued about the romance between "two people who defied everything, just to be in love with each other", and was excited to tell a 200-year-old story. He wanted to show the relationship between Bajirao and Mastani because it was rarely

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described the film as "artistic, but exhausting" and was critical of the film's length. He praised the cinematography, production design and performances; he credited Chopra for bringing "grace to the character, and practically steal the film"; Padukone for bringing "heft" to her fight scenes,

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Once Bajirao leaves, his mother and Nana Saheb imprison Mastani and her son. After Bajirao receives the news, he singlehandedly defeats Nasir Jung's army in his rage but is grievously injured. At Bajirao's deathbed, Kashibai sends a letter pleading with his mother to release Mastani so that he

2140:, the "love story" of Bajirao and Mastani is "almost entirely fictional", writing that even the most reliable sources do not give details about the nature of their relationship. There has been controversy over Mastani's true lineage; two accounts of Mastani exist – one which says she was a 4948: 2159:, that the public fascination started after their romanticisation began in the 1890s, more than 150 years after they had died, after Marathi playwrights began writing a series of nationalistic plays based on the historical figures. The first such play that portrayed them as a 4918: 622:, the vengeful son of the Nizam. Before leaving, he meets Kashibai in deference to the tradition that the wife see her husband into battle. In tears, Kashibai explains that Bajirao broke her heart and took her pride in what he has done, and compares their love with that of 2176:

in historical context. Bajirao's dance sequence in "Malhari" has been criticized, saying a chief minister such as Bajirao would never dance in public. Similarly, the "Pinga" dance sequence between Kashibai and Mastani has been deemed "inappropriate" for women of that era.

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The effects included the creation of interior architecture, backgrounds, set extensions and war weapons; changes to lighting and time of day, weather effects and the multiplication of army soldiers. The opening night-time war scene, which had 300 visual effects shots, was

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from Pune and Shri Hari Jewellers from Delhi, were hired. The costume and production designers also researched in museums, art galleries, history books, paintings, palaces, temples and forts to study the textiles, colour palettes and artwork of the ancient Maratha Empire.

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The film gives a more of a personal account of Bajirao's life, which is hard to prove since it has not been covered much by the historians. Bhansali has said it was his interpretation of how Bajirao was in his home and in personal life, and there was no way to know that.

898:, "Honestly, I want very few things in life ... so I know that I am resilient enough to get them all! Deep down, I kept asking for the universe to let me make this film. When you dream very genuinely, then I believe you also get the power to fulfill it. In pursuing 1624:, the interactive game requires its players to fight enemies as Peshwa Bajirao. A multi-city press tour, which saw Singh and Padukone visiting several cities, was designed to promote the film. Chopra, who could not be in India for the promotions as she was filming for 1363:. Crowd scenes were also filmed there. Singh fell off a horse while filming an action sequence and was rushed to hospital; he was not seriously injured. In May 2015, however, he injured his shoulder and needed surgery; he resumed shooting after break of two months. 3968: 1790:

also gave 4 stars out of 5, pointing out its "outstanding" cinematography and writing, "Every visual resembles a grand painting – courts with shadows and chandeliers, courtiers with tilaks and teers, chambers gleaming with mirrors, skies blushing with passion."

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playing Baji Rao's first wife Kashibai. However, the idea was scrapped when Khan and Kapoor signed other films together. Bhansali wanted to be the first director to showcase their pairing. Hence, the film was shelved and Bhansali went on to direct other films.

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also gave 4 stars out of 5 and said, "An outright outshining piece of art made unblemished, sprinkled with sincerity and discipline of acting – this love folklore will restore the drama lovers, back in their ‘expectation’ block". Shubha Shetty-Saha of

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The sound recording was done on location. Sound designer Nihar Ranjan Samal said they had to be careful that sounds of vehicles and honking did not make their way into the recording. A number of scenes needed re-recording because of some disturbance.

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dance lessons. In preparation for her role of Kashibai, Chopra had 15 days of language training in the Peshwai Marathi dialect spoken during the time of the ascension of the Peshwas to perfect the accent. Azmi shaved her head completely for her role.

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recovers. Nana Saheb burns the letter, though Mastani's son is set free. Bajirao, delirious from his illness, hallucinates and dies as Kashibai helplessly watches; at the same time, Mastani dies in captivity. The ill-fated lovers are united in death.

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to narrate it with the writer Prakash Kapadia; Bhansali was adamant in his choice of Chopra, who recalled, "The rest of the film hadn't been cast yet. My picture would be there and the pictures for Bajirao and Mastani would keep changing."

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called the teaser "regal, grand and breathtaking", and wrote that it had all the signature Bhansali elements such as "the big sets, larger than life characters, lots of colours and a tragic love story in the midst of all this grandeur".

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teaser is a burst of colours and action reminiscent of the 18th century". In early November 2015, characters posters of the three characters were also unveiled. The trailer was released on 20 November 2015 and was also well received.

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called the film a "historical leap", and wrote, "Bhansali returns with another visual spectacle that willfully takes liberties with the past that it depicts. But it does manage to engage even as it exhausts." Conversely, Raja Sen of

586:, and returns successful. Through her Aaina Mahal, a pregnant Kashibai sees Bajirao embracing Mastani, who is also expecting. Heartbroken, she leaves for her mother's home, and returns months later with her newborn son, who is named 399:

was released on 18 December 2015 and was praised for Bhansali's direction, various technical achievements, and the performances of the cast. The film has also been noted for its scale, grandeur and attention to detail. Recipient of

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being approached for the film made headlines in February. Devgn dropped out of the film, however, due to differences with Bhansali about several terms of his contract, such as dates and remuneration. Bhansali offered the role to

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and CGI forts were added in others. Similarly, the climax sequence, which was shot live in water, was enhanced using CGI horses, arrows and fireballs. The climax scene took around twenty days to complete with fine details.

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festival. She saves Mastani by relaying this to an unaware Bajirao, who promptly rescues them. To keep Mastani safe and grant her a royal home, Bajirao builds a palace for her. He later leaves for the battlefield to defeat

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was impossible to control the movements of the 300–400 horses standing at one position in a battle scene; this sequence was filmed with a small number of horses and was later enhanced in post production.

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on the film. Iyengar and Sawant had heard about the film while working on another film, when it was first announced. Having never met Bhansali, they started researching on their own by visiting Pune and

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in her persistence, reminding her he is already married and will never fully be hers; his court will also never respect her. Mastani agrees to these conditions so Bajirao declares her his second wife.

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gave a rating of 3.5 out of 5, calling it "high on classical base" and saying half of the compositions were situational and narrative-based that can "be expected to make a good impression on screen".

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is visited by her widowed friend Bhanu, whose husband, accused of spying, was ordered to be executed by Bajirao. She predicts that just as she yearns for her husband, Kashibai will yearn for Bajirao.

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Chopra was the first actor to be cast in the film; Bhansali wanted Kashibai to be cast first, only after which he could decide whom to cast for the title roles. Bhansali, who produced Chopra-starrer

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356.2 crore. The overseas collections comprised earnings from five major markets; United States and Canada, United Kingdom, Middle-east, Australia and the rest of the world; with earnings of

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Considering its scale, the film required detailed and extravagant pre-production work, which required extensive research and planning. Saloni Dhatrak, Sriram Iyengar and Sujeet Sawant worked as

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46.77 crore nett. In its opening weekend, the film debuted at number 10 at the U.S. box office and at number 7 at the UK box office. The film's worldwide opening weekend earning was over

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with bright colours such as yellows, hot pink, emerald green and purple, inspired from the Raja Ravi Varma paintings, for Chopra. The custom-made nine-yard saris were weaved by craftsmen from

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had the potential to be a terrific historical. You want to be transported. What it ends up being is a costume drama: too many costumes, too much revved-up, empty drama, and too little plot."

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Expensive and real jewellery was used in the film. The designers created the jewellery for each character. Modi said they did not want to compromise, so the best materials such as real Basra

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and that dancing was not physically possible for her. While some historians have claimed both women met socially only once; others have said they never met at all. Mastani was put under

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gave the album 4.5 out of 5, calling it "unforgettable" and complimented the use of musical instruments and orchestration, noting portions of the score as the most significant standout.

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seeking stay on the film for the two aforementioned songs, accusing it of "distorting history"; the High Court rejected the petition and refused to interfere with the film's release.

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build. Kashibai's room was the first set to be constructed, which was approved after navigating through twenty-five designs. The art directors did architectural research from Pune,

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The three-minute teaser trailer, with only one line of dialogue, was released on 16 July 2015. The teaser garnered high praise from all quarters and was deemed "grand" and "epic".

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Along with the art directors, nineteen art assistant directors, including architects, designers, sketch artists and props artists, were involved. Twenty-two sets were created in

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of Bajirao, Kashibai and Mastani, the graphic series narrates the tales of Bajirao's heroism and his relationship with his two wives. This was followed by a video game titled

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was the visual effects supervisor; the effects took eight months and a team of sixty artists to create. Although the film was shot on highly detailed sets, visual effects and

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70 crore, respectively. The film was released on 18 December 2015 on 2,700 screens worldwide. Although the makers had booked the date a year in advance, the makers of

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Conceived as early as the 1990s, Bhansali announced the film in 2003 but production was delayed several times due to its changing cast. A passion project for Bhansali,

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was cast to play Kashibai, Bajirao's first wife. In July 2014, it was officially confirmed that Singh, Padukone and Chopra were finalised to play the principal roles.

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gave 4 stars out of 5, describing it as "a cinematic gem", and wrote that "fascinating characters and inspirational sub-plots advances into a stunning culmination".

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Ruhani Begum. Impressed by her skills as a warrior, Bajirao assists her with his army and defeats the invaders. Chhatrasal is overjoyed and insists Bajirao to spend

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with them. Mastani and Bajirao fall in love during this time and he gives her his dagger, unaware that it is a symbol of marriage among the Rajputs. Back home in

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embellished with jewellery such as uncut diamonds and pearls was designed. For one of the Mastani costumes, Modi designed a five-layered outfit consisting of an

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All of the actors had to undergo training before filming began; Singh and Padukone learned sword-fighting, horse-riding and the ancient Indian martial art

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175 crore nett. In its fifth weekend, the film continued to perform well in India, with the best fifth-weekend collections of all the 2015 releases.

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12.8 crore nett on its opening day, which was the tenth-highest of the year. On its second day the film saw growth in its collection as it collected

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The soundtrack album was well received by music critics, who praised the soulful compositions and called them "melodious and fresh". R. M. Vijayakar of

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for the eponymous roles, but could not cast them together after their highly publicised break-up. Khan then tried to suggest his then-girlfriend

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Some historians have said that apart from the inappropriateness of a woman of Kashibai's stature dancing in public, she suffered from a type of

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at weekends and return to Montreal on weekdays for her series, returning to India in the second week of October to complete the final schedule.

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160 crore. Its first week domestic collection was the fourth-highest of the year. Revenues grew nearly 20% on its second Friday, earning

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were used to give the royal look needed for the characters. Traditional Marathi-style jewellery was used to style Kashibai, while for Mastani

1204:; they were made a little lighter than usual to avoid making Chopra look large on screen. For making the saris, fabrics such as silk, muslin, 1031:

joined the cast as an antagonist. In November 2014, the casting of Bajirao's sisters were finalised; Sukhada Khandkekar was ast as Anubai and

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although he found her character to be "strictly one-dimensional and tedious"; and Singh for finding his character's hidden vulnerabilities.

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sword was also made for him. For Mastani, Modi used a mix of Persian and Muslim clothing of muslin, khadi and thin chanderi fabrics, with

6959: 6018: 4065: 2664: 2583: 2375: 2053: 2936: 7390: 5768: 5471: 3194: 2077: 2057: 453: 429: 6763: 6244: 5715: 5422: 4163: 6364: 5363: 4717: 1208:

and chanderi worn in that period were designed. For one song sequence featuring Chopra, Modi had created six sets of the same sari.

8111: 8101: 8091: 6827: 2097: 3385: 1933:, the third-highest-grossing Bollywood film in overseas markets in 2015, the ninth-highest-grossing Bollywood film and one of the 8186: 6301:"Bajirao Mastani opening weekend box office collection: Ranveer starrer unstoppable in India; crosses Rs 50 crore mark worldwide" 6222: 2249: 3882: 2496: 1104:

following a flow chart that included around 960 sketches and countless layouts. The two biggest sets were the exact replicas of

939:

for the role of Mastani but things did not materialise. When the film was finally announced in 2003, Bhansali had cast Khan and

8066: 8051: 8031: 6853: 6045: 2113: 2045: 413: 6921: 5611: 5568: 2322: 1829:

gave 3.5 stars out of 5, and wrote, "Sanjay Leela Bhansali in his characteristic style narrates his version of the story in a

951: 8166: 8141: 8046: 8036: 7383: 6733: 2222: 1934: 598:

priest refuses to conduct the Hindu naming ceremony on the grounds that Krishna Rao is illegitimate, Bajirao renames his son

4812: 2344: 6695: 2271: 2245: 2217: 4649: 2550: 8021: 7173: 7069: 4522:"NY VFXWAALA takes filmmaking to another level with 'Bajirao Mastani'; Sanjay Leela Bhansali's belief in VFX strengthens" 3071: 3041: 1644: 4583: 1466:

was incorporated in post-production to enhance the imagery for the scenes that were impossible to shoot in live action.

8171: 8151: 3521: 1563:

also gave it a 3.5 out of 5, noting its distinct sound and its "balance between restraint and exuberance" and wrote, "

8096: 4685: 1975:

84.36 crore nett in the first week at the domestic box office, while the first-week worldwide collections were over

8071: 6823: 3662: 2695:"Bajirao Mastani: After Aishwarya Rai Bachchan walked out, Salman Khan wanted Katrina Kaif to be his leading lady?" 2069: 591: 437: 5448: 856:

had tried to make a film about the two historical figures but they were never made. Bhansali had intended to make

7311: 6443:"Box office collection: 'Bajirao Mastani' records 4th highest first week income; set for a strong second weekend" 1930: 425: 3716: 884:, Bhansali revived the project in 2014; the film was reported to be an adaptation of the Marathi-language novel 630:. She asks him never to enter her chamber again, and a teary-eyed Bajirao accepts, apologising for hurting her. 8086: 7252: 7166: 2089: 2033: 909:

Prakash R. Kapadia wrote the screenplay. The makers acquired the rights of the novel and worked with historian

3018: 8181: 8176: 7545: 7489: 6790: 6665: 5769:"Bajirao Mastani review: This gloriously epic Priyanka, Deepika and Ranveer-starrer is the best film of 2015" 4168: 2073: 1161:

caves, which gave her some perspective of ancient Maharastrian culture. She also travelled to cities such as

583: 441: 5898:"'Bajirao Mastani' movie review: Avant-garde folklore, gleaming through Ranveer's eyes and Deepika's sweat!" 1794: 8116: 8041: 7410: 7354: 2699: 2105: 2065: 1488: 433: 289: 6636: 5924: 3666: 1121:

All of the sets were furnished with opulent objects and props to give the interiors a feel of the ancient

8026: 7756: 5988: 2093: 1685:

decided to release their film on the same date, causing a highly publicized clash between the two films.

1054:. Singh was also required to learn Marathi and shave his head for the part, whereas Padukone had to take 468: 2147:

According to historian Saili Palande-Datar, very little is known about the women of that era due to the

1184:

and gold wires were used to weave the costumes. Since no pictures of Kashibai existed, the paintings of

8161: 8106: 2085: 1763:, Subhash K. Jha gave it 5 stars out of 5, calling it a "masterpiece", and comparing it favorably with 1463: 386: 1999:

55.2 crore. The film registered the fourth-highest third-week collections of all time, earning a

1663:

145 crore. Even before its release, the film recovered almost all of its production costs –

1402:

Sham Kaushal co-ordinated the action sequences for the war scenes. Three war sequences were filmed in

8146: 7636: 7449: 6271:"Bajirao Mastani 2nd-day box office collection: Ranveer-Deepika's film shows good growth on Saturday" 3883:"Dressing Up the Marathas: Anju Modi on how she dressed up Deepika as Mastani and Ranveer as Bajirao" 2401: 2109: 2037: 1960:

91.5 crore. The film remained very strong on its first Monday, dropping by only 15% and earning

500:. As a test, Bajirao is asked to split a peacock feather with an arrow. He succeeds and is given the 5874: 4624: 3920: 7895: 7823: 7220: 6390: 6140: 5499:"We had announced our dates earlier: Producer Krishika Lulla on 'Bajirao Mastani', 'Dilwale' clash" 2452: 1256:

and its derivatives such trailing shararas, shararas with less flare and crinkled shararas made of

1001: 868: 862: 4974:"'Bajirao Mastani' teaser: Watch Ranveer Singh, Deepika Padukone and Priyanka Chopra's royal saga" 4320:"'Bajirao Mastani' Shooting Continues in Jaipur without Lead Actor Ranveer Singh [PHOTOS]" 3561: 5681: 4005: 2981: 2764: 2591: 1724:

version was released at the same time. The film was also released digitally on platforms such as

1517:, Shashi Suman, Kunal Pandit, Prithvi Gandharva, Kanika Joshi, Rashi Raagga, Geetikka Manjrekar, 5633: 3804: 3760: 2457: 983:, but he had to turn down the role over scheduling issues. The next month, it was reported that 7788: 7748: 7732: 7700: 7212: 7115: 6669: 6602: 6550: 6524: 6416: 6192: 6166: 6108:"Bajirao Mastani review: Deepika Padukone, Ranveer Singh's movie ends up being a costume drama" 4588: 4036:"Priyanka Chopra's 'princely' start to 'Bajirao Mastani', gives us a glimpse of her royal look" 2527: 2365: 2029: 1501:

and the soundtrack album was composed by Bhansali. The lyrics are written by Siddharth–Garima,

1433:

for Chopra and Padukone; they had to shoot for the dance sequences multiple times whenever the

1324: 923: 7142: 6576: 6472: 6022: 5530:"The clash between Bajirao Mastani and Dilwale is inevitable, but who will emerge victorious?" 5418: 7807: 7740: 7497: 7204: 7189: 1779:

gave 4.5 stars out of 5, terming it "soaring, searing and visually sumptuous", and writing, "

1345: 840: 831: 746: 374: 281: 44: 5419:"What are the budgets of Dilwale and Bajirao Mastaani and how will they share 5000 screens?" 4813:"'Bajirao Mastani' music review: swings between sombre, earthy, poignant, soulful and brash" 4548:"Sanjay Leela Bhansali gets Remo D'Souza to shed his urban choreographer image with 'Pinga'" 3204: 2824:"Sushant Singh Rajput was offered Ramleela, Bajirao Mastani, Padmaavat: Bhansali tells cops" 7692: 7553: 5368: 2850:"Sushant Singh Rajput dropped out of Ram-Leela, Half Girlfriend and more films. Here's why" 2634: 2136: 2061: 1429: 1383: 1273: 1039:

was cast to play Maratha Emperor Chhattrapati Shahu. It was announced in January 2015 that

980: 421: 409: 7152: 7136: 6498: 6218: 5707: 602:, deciding he will be raised Muslim. A few years later, Kashibai and Bajirao's eldest son 8: 8016: 7983: 7585: 7561: 7521: 7276: 7109: 4780:"Bajirao Mastani music review: The soundtrack melodiously connects the past with present" 1681: 1454:

The film contains 1,400 visual effects shots. The company that worked on the effects was

1072: 2314: 1188:

were used as a reference for designing her looks and costumes. Modi had designed eighty

7935: 7911: 7780: 7716: 7668: 7660: 7644: 7620: 7473: 7433: 5573: 5564: 5060:"Beautiful Yet Fierce : Deepika Padukone As Mastani on the Bajirao Mastani Poster" 4350:"Ranveer Singh injured while shooting for Bajirao Mastani, thanks his fans for concern" 2937:"It's Confirmed: Ranveer, Deepika and Priyanka to Star in Bhansali's 'Bajirao Mastani'" 2732: 2629: 2134:, who is regarded as an authority on the Peshwas. According to an article published by 1948:

15.52 crore nett. The film showed further growth on its third day as it collected

1786: 1697: 1559: 1142: 1040: 1011:

joined the cast in the late August 2014. In late September 2014, it was confirmed that

891: 759: 705: 575: 325: 309: 285: 277: 172: 73: 2241: 7919: 7847: 7569: 7513: 7228: 7121: 7104: 6632: 5869: 4690: 4103: 3199: 3137: 2976: 2486: 2370: 2100:(Chopra). The film also won a leading 13 awards from a leading 18 nominations at the 1637: 1553: 1377:

Chopra resumed filming in the first week of April 2015 for a month. While working on

1337: 1252:

hand embroidery to depict her half-Muslim heritage. Padukone was predominantly given

1150: 1101: 793: 737: 483: 378: 125: 5659: 5603: 2203: 7863: 7772: 7244: 7126: 5218: 4848: 4381:"Bajirao Mastani: Here's how Ranveer Singh returned to shoot, post shoulder injury" 2876:"Ranveer Singh, Deepika Padukone to romance again in Bhansali's 'Bajirao Mastani'?" 2318: 2209: 2152: 2101: 1530: 1257: 1231: 1036: 975: 966:

Over the following 10 years, media speculation about the production and casting of

959: 881: 733: 662: 614: 599: 366: 329: 317: 297: 101: 8122:

Films whose production designer won the Best Production Design National Film Award

5958:"Bajirao Mastani review: Ranveer, Deepika, Priyanka shine in this epic love story" 1438:

than twelve people would run around the set with candles and oil to relight them.

8062:

Films featuring a Best Supporting Actress National Film Award-winning performance

7855: 7831: 7764: 7708: 7406: 7319: 7295: 7148: 7132: 5738:"Colors to air multi-National Award winning film 'Bajirao Mastani' on 23rd April" 3618:"Exclusive Photos: Know how the Bajirao Mastani set was created from the makers!" 3297: 2345:"Courtesans in Bollywood: How the tawaif transitioned into 'modern' Indian woman" 1798: 1775: 1709: 1668: 1617: 1498: 1421: 1185: 1028: 996: 988: 771: 763: 742: 719: 672: 603: 579: 445: 390: 321: 301: 153: 105: 6332:"Star Wars: The Force Awakens gives UK box office a spectacular shot in the arm" 877:

this film only now." In the process, the film became a passion project for him.

7628: 7505: 7425: 7375: 7327: 3622: 2482: 2144:

and Bajirao's mistress or concubine, and another that is depicted in the film.

1874:

help that she's entirely eaten up by Chopra, who, while not in the title, owns

1770: 1522: 1514: 1506: 1417: 1407: 1122: 1024: 1020: 940: 849: 786: 656: 536: 480: 382: 370: 343: 902:, I have been resilient and very focused. I have sacrificed a lot of things". 8010: 7684: 7481: 7335: 7303: 6014: 5397:"Bajirao Mastani: Bombay HC okays release of film over petition seeking stay" 5154:"Watch: 'Blazing Bajirao' – Bollywood's first-of-its-kind graphic web-series" 3013: 2131: 2081: 1857: 1850: 1765: 1629: 1601: 1505:

and Prashant Ingole. The album consists of ten original songs with vocals by

1471: 1316: 1312: 1283: 1105: 1093: 1077: 1051: 1032: 984: 955: 932: 910: 644: 607: 571: 552: 369:

before being revived in 2014. Extensive research was done before moving into

293: 97: 87: 8132:

Films featuring a Best Choreography National Film Award-winning choreography

5364:"Historians know very little about Mastani—or her relationship with Bajirao" 1905:

102.2 crore in the overseas market for a worldwide box office gross of over

1344:

XT lenses. Chatterjee had done extensive research before starting the film.

8077:

Films whose cinematographer won the Best Cinematography National Film Award

7943: 7871: 7529: 7457: 6336: 5860: 5444: 4721: 4289:"Ranveer Looks Super Excited As The Bajirao Mastani Shoot Begins in Jaipur" 2184: 2160: 1809: 1526: 1510: 1459: 1239: 1158: 1154: 1016: 1008: 944: 936: 853: 845: 715: 709: 696: 684: 587: 313: 4941:"Spectacular, epic, stunning: B-Town blown away by Bajirao Mastani teaser" 3452:"Ranveer Singh: 'Bajirao Mastani' Was So Draining and Tiring in Every Way" 2272:"5 big-budget Bollywood films of last 5 years: Dhoom 3 to Bajirao Mastani" 2157:

Creative Pasts: Historical Memory and Identity in Western India, 1700–1960

838:

and his second wife Mastani even before he had directed his first feature

7593: 5004:"Photos : Ranveer Singh Unveils A 60-ft Poster Of 'Bajirao Mastani'" 4911:"Bajirao Mastani teaser: Ranveer, Deepika, Priyanka in a riot of colours" 4876:"Presenting the first look of Sanjay Leela Bhansali's 'Baajirao Mastani'" 3721: 2796: 2276: 2126: 1835: 1621: 1588: 1502: 1455: 1434: 1411: 1219: 1138: 1044: 928: 886: 801: 780: 520: 334: 115: 67: 30: 7158: 7098: 6831: 2728:"11 Lesser Known Facts About Bajirao Mastani That Are Beyond Intriguing" 2130:, whose accuracy has long been questioned. Bhansali consulted historian 613:

Kashibai is informed of a plan to murder Mastani and her son during the

610:

and expresses his hatred of Mastani for breaking his mother's marriage.

7839: 7676: 7652: 7362: 5800:"Bajirao Mastani review by Anupama Chopra: Soaring, searing, sumptuous" 5607: 5214:"Eros looks at small towns for last leg of 'Bajirao Mastani' marketing" 4411:"Back to roots: Priyanka to begin shooting of Bajirao Mastani in April" 4227:"Deepika Padukone joins beau Ranveer Singh for 'Bajirao Mastani' shoot" 4134:"Major portions of Bajirao Mastani shoot in Mumbai's Film City studios" 4009: 2491: 1995:

141 crore nett. In the second week, the film earned approximately

1869: 1784:

and called Padukone "riveting". However, she criticized Azmi's acting.

1534: 1494: 1425: 1341: 1235: 1189: 1012: 971: 835: 812: 805: 775: 755: 751: 725: 690: 680: 619: 556: 532: 516: 305: 5472:"Box Office – Know How Much Bajirao Mastani Needs To Earn To Be A Hit" 3961:"Exclusive: Fashion designer Anju Modi decodes Bajirao Mastani's look" 2625:"Casting was the difficult part of 'Bajirao Mastani': Prakash Kapadia" 7991: 7975: 7959: 7465: 7268: 7236: 7065:"Rare manuscripts of Peshwa history lie wrapped in government apathy" 6809: 4784: 4749:"'Bajirao Mastani' Music Review: An Unforgettable Stunner of a Score" 3847: 2180: 2148: 1862: 1737: 1717: 1546: 1518: 1403: 1371: 1356: 1193: 1177:

to gather more knowledge about the history of clothing and textiles.

1174: 1134: 700: 648: 540: 523:

requests Bajirao's help to fight invaders. She reveals herself to be

497: 493: 351: 274: 6245:"Bajirao Mastani Has A Good Day 1 – 10th Highest Opener of the Year" 5120:"Watch: 'Blazing Bajirao' graphic series impresses in first episode" 4442:"7 Facts About Priyanka Chopra's 'Quantico' We Bet You Didn't Know!" 1991:

5.25 crore on the second Monday for an eleven-day domestic total of

1805:) received widespread praise and several awards for her performance. 1088: 7879: 7577: 5711: 5277: 4200: 3566: 2192:, an instrument that originated in Europe during the 19th century. 1818: 1729: 1721: 1567:

sounds fresh, like carefully restored music from Bajirao's times".

1388: 1381:, Chopra was simultaneously filming the American television series 1225: 1201: 1166: 676: 505: 459:

The film was also very successful at the box office, grossing over

2972:"Did 'Bajirao Mastani' for Sanjay Leela Bhansali: Priyanka Chopra" 2665:"Here's Why Bhansali Took Almost a Decade to Make Bajirao Mastani" 1716:

widescreen format; bonus content included documentaries about the

1628:, promoted the film in the United States at a press conference in 1323:

Jewellery was used. Several Indian jewellery designers, including

7967: 7887: 7612: 7441: 6960:"Do You Know Bajirao's Mastani Well? We Did Some Digging For You" 6926: 6473:"Bajirao Has Growth On Day Eight Dilwale Flat – Box Office India" 6365:"Bajirao Mastani Has Superb Hold On 1st Monday at the Box Office" 5929: 3488:"I expect people to be speechless after watching Bajirao Mastani" 2189: 2064:

and went on to win a leading 9 awards at the ceremony, including

1825: 1705: 1297: 1265: 1261: 1253: 1249: 1197: 1180:

About 300 costumes were designed for the three leads alone. Real

1170: 1082: 666: 627: 623: 595: 524: 355: 5183:"After Web Series, Eros Now Launches 'Blazing Bajirao-The Game'" 4472:"Priyanka Chopra to be back in Bollywood after Quantico success" 4099:"'Bajirao Mastani' could've been shot better: Sudeep Chatterjee" 3133:""I've waited long to work with Mr. Bhansali" – Aditya Pancholi" 3102:"Tanvi Azmi to play Ranveer Singh's mother in 'Bajirao Mastani'" 2584:"People Said Bajirao Mastani Was Jinxed, Says Director Bhansali" 1720:, its sets, costumes, music, movie images and deleted scenes. A 1659:

20 crore for marketing and advertisements; its total budget was

1608:

was released digitally in November 2015. Featuring the animated

987:

was in talks to play Bajirao. The same month, reports suggested

7903: 7815: 3325:"Ranveer Singh to go bald, learn Marathi for 'Bajirao Mastani'" 2554: 2141: 1929:

18.5 crore, respectively. As of September 2017, it is the

1725: 1609: 1581: 1360: 1349: 1308: 1287: 1162: 1055: 652: 528: 512: 488: 347: 8082:

Films whose director won the Best Director National Film Award

4258:"Deepika Padukone in Rajasthan to shoot for 'Bajirao Mastani'" 3293:"Deepika Padukone to learn sword-fighting for Bajirao Mastani" 582:, will not attack them. Bajirao leaves to confront the Nizam, 559:(Hall of Mirrors), which allows her to see him from her room. 7951: 7724: 7537: 6884:"Check out which movie won big at IIFA 2016 Technical awards" 4197:"Priyanka Chopra faints while shooting for 'Bajirao Mastani'" 3416:"Playing Bajirao was an intense experience for Ranveer Singh" 1348:

began on 9 October 2014 with Chopra on the set in Film City,

1320: 1301: 1213: 1205: 1110: 567: 270: 242: 6756:"Full list of winners of the 61st Britannia Filmfare Awards" 5569:"'Dilwale,' 'Bajirao Mastani' Carve up Bollywood Box Office" 3356:"Priyanka Chopra learns Peshwai Marathi for Bajirao Mastani" 1446:

was shot in 217 days between October 2014 and October 2015.

1027:

had also been considered for the role. The following month,

6077:"Review: Priyanka, Ranveer are terrific in Bajirao Mastani" 2587: 1967:

The film maintained its strong box office run on weekdays.

1845: 1713: 1269: 1181: 1043:

was chosen to play Bajirao's younger brother Chimaji Appa.

551:, Kashibai greets Bajirao with a tour of their newly built 548: 544: 5278:

Ganesan, Ranjita; Trivedi, Shashikant (12 December 2015).

5086:"Trailer of Sanjay Leela Bhansali's 'Bajirao Mastani' out" 3262:"Ranveer and Deepika to train in Kathak and Kalaripayattu" 1728:. It is also available on the company's streaming service 1667:

120 crore – from sales of its satellite rights,

1391:, requiring much back-and forth travel. She would act for 970:

continued. After the film was revived in 2014, reports of

834:

had conceived the historical romance about Maratha Peshwa

420:(Azmi). The film received a leading 14 nominations at the 1987:

31.1 crore in its second weekend and collected a further

1701: 6551:"Bajirao Mastani Has Fourth Best Third Week Of All Time" 2760:"Ajay Devgn-Deepika Padukone in and as Bajirao Mastani?" 8127:

Films that won the Best Audiography National Film Award

6922:"Priyanka Chopra: How do we know Bajirao didn't dance?" 4844:"Sanjay Leela Bhansali fortifies Bajirao Mastani sets" 4718:"Bajirao Mastani (Original Motion Picture Soundtrack)" 1736:

had its world television premiere on 23 April 2016 on

1708:

on 18 March 2016. The DVD version was released in all

1458:; this was the biggest projects they had undertaken. 444:(Singh) and Best Supporting Actress (Chopra). At the 7029:"11 Things You Need To Know About The Real Kashibai" 6726:"Nominations for the 61st Britannia Filmfare Awards" 4066:"It's magical: Priyanka on shooting Bajirao Mastani" 3843:"Bajirao Mastani: Maratha history meets Nizami sway" 2199: 2060:. The film received a leading 14 nominations at the 1952:

18.45 crore nett to take its first weekend total to

1756:received widespread critical acclaim upon release. 1015:

was cast for the role of Bajirao's mother Radhabai;

6525:"Bajirao Mastani Second Week Territorial Breakdown" 5246:"Priyanka Chopra promotes 'Bajirao Mastani' in NYC" 5030:"Priyanka Chopra reveals gorgeous Kashi Bai poster" 4164:"Ranveer Singh shaves his head for Bajirao Mastani" 2003:27 crore. After its fourth week collection of 1355:Outdoor location filming began in February 2015 at 1291: 1277: 1243: 6417:"Bajirao Mastani First Week Territorial Breakdown" 3611: 3609: 4093: 4091: 3653: 3651: 3649: 3647: 3645: 3607: 3605: 3603: 3601: 3599: 3597: 3595: 3593: 3591: 3589: 3555: 3553: 3551: 3549: 3547: 2792:"Here's why Ajay Devgn didn't do Bajirao Mastani" 2080:(Chopra). It received 13 nominations at the 22nd 8008: 7405: 7023: 7021: 7019: 6994:"Bajirao Mastani a hit-job on the great Maratha" 6854:"IIFA Awards 2016: The Complete List of Winners" 6141:"Dilwale v Bajirao Mastani Worldwide Comparison" 5113: 5111: 4679: 4677: 4675: 4673: 4671: 3195:"Mahesh Manjrekar joins cast of Bajirao Mastani" 7058: 7056: 7054: 6391:"Bajirao Mastani Has Very Strong Weekday Trend" 3659:"Behind the visual splendor of Bajirao Mastani" 2551:"Bhansali's 'Bajirao Mastani' might be revived" 2487:"I believe in Black as much as Bajirao Mastani" 2360: 2358: 2356: 2354: 2007:7 crore, the film's domestic earnings stood at 1882:was also disappointed with the film, writing, " 1264:for just one scene. She was also given Odhnis, 381:, with some portions being filmed on location. 6577:"Bajirao Mastani Hits 175 Crore in Four Weeks" 4088: 3642: 3586: 3544: 3108:. Indo-Asian News Service. 27 September 2014. 2906:"Priyanka Chopra to join Bajirao Mastani cast" 1931:fourth-highest-grossing Bollywood film of 2015 1897:was a major commercial success, grossing over 1370:Some of the outdoor scenes were filmed at the 1147:Chhatrapati Shivaji Maharaj Vastu Sangrahalaya 432:(Azmi), and won a leading 9 awards, including 7391: 7174: 7016: 6696:"'Bajirao Mastani' Dominates Filmfare Awards" 6629:"10th Asian Film Awards Nominees and Winners" 5108: 4668: 3515: 3513: 2966: 2964: 2962: 2021:List of accolades received by Bajirao Mastani 1689:had to share the 5,000 domestic screens with 1600:As a part of the promotions, a multi-episode 872:, Bhansali spoke about his intention to make 7051: 5955: 5563: 5280:"Why Bajirao Mastani has upset two families" 4107:. Indo-Asian News Service. 3 February 2016. 4072:. Indo-Asian News Service. 11 October 2014. 3042:"'I'm a modern girl. I can beat up people!'" 2520:"Sanjay Leela Bhansali on 'Bajirao Mastani'" 2351: 6659:"Winners of 63rd National Film Awards 2015" 5922: 5559: 5557: 5555: 3914: 3912: 3910: 3908: 3876: 3874: 3872: 3870: 3841:Dundoo, Sangeetha Devi (16 December 2015). 3794: 3714: 3710: 3708: 3706: 3704: 3422:. Press Trust of India. 17 September 2015. 1983:12.5 crore nett. The film earned over 590:. Mastani also gives birth to a son, named 7398: 7384: 7181: 7167: 7151: 7135: 7108: 6992:Sharma, Manimugdha S. (25 December 2015). 6987: 6985: 5986: 5147: 5145: 4968: 4966: 4905: 4903: 4901: 4644: 4642: 3746: 3744: 3702: 3700: 3698: 3696: 3694: 3692: 3690: 3688: 3686: 3684: 3510: 3386:"Tanvi Azmi goes bald for Bajirao Mastani" 2959: 2619: 2617: 2615: 2613: 2578: 2576: 2441: 2439: 2437: 2435: 2433: 2431: 2429: 2427: 2425: 2423: 2119: 29: 7188: 6957: 6915: 6913: 6911: 6909: 6135: 6133: 5496: 5357: 5355: 5353: 5351: 5349: 5347: 5345: 5343: 5341: 5313: 4746: 4581: 4519: 3954: 3952: 3950: 3948: 3946: 3795:Chakraborty, Saionee (20 December 2015). 3751:Mazumdar, Ratnalekha (19 December 2015). 3717:"How Bhansali tried hard to make history" 3519: 3481: 3479: 3477: 3449: 1096:was the biggest set created for the film. 921:Bhansali originally wanted to repeat his 844:in 1996. Several other directors such as 6828:International Indian Film Academy Awards 6603:"Bajirao Mastani Fifth Weekend Business" 6499:"Bajirao Mastani Second Monday Business" 5956:Bhattacharya, Ananya (18 October 2015). 5923:Shetty-Saha, Shubha (18 December 2015). 5552: 5273: 5271: 4652:. Animation Express. 10 September 2016. 4577: 4575: 4573: 4128: 4126: 4000: 3998: 3996: 3994: 3992: 3990: 3988: 3986: 3905: 3867: 3750: 3290: 3255: 3253: 3225: 2477: 2475: 2402:"6 Epic Films That Took Forever To Make" 1793: 1570: 1365: 1331: 1087: 950: 16:2015 Indian epic historical romance film 8057:Films directed by Sanjay Leela Bhansali 6982: 6958:Rattanpal, Divyani (20 December 2015). 6953: 6951: 6949: 5829:Das, Srijana Mitra (18 December 2015). 5598: 5596: 5309: 5307: 5305: 5177: 5175: 5142: 5117: 4963: 4898: 4841: 4810: 4639: 4520:Rodrigues, Ronald (10 September 2016). 4378: 4317: 3881:Joy, Jagmeeta Thind (21 October 2015). 3836: 3834: 3832: 3830: 3828: 3826: 3824: 3822: 3790: 3788: 3786: 3784: 3782: 3780: 3778: 3741: 3715:Jhunjunwala, Udita (13 December 2015). 3681: 3353: 2934: 2658: 2656: 2610: 2573: 2420: 2036:, and won Best Special Effects. At the 469:4th highest grossing Hindi film of 2015 8009: 7062: 6991: 6906: 6693: 6501:. Box Office India. 29 December 2015. 6419:. Box Office India. 28 December 2015. 6393:. Box Office India. 25 December 2015. 6371:from the original on 16 September 2016 6362: 6143:. Box Office India. 10 February 2016. 6130: 6013: 5987:Chatterjee, Saibal (18 October 2015). 5895: 5859: 5797: 5688:from the original on 11 September 2017 5614:from the original on 23 September 2015 5469: 5407:from the original on 2 September 2017. 5338: 5151: 5096:from the original on 11 September 2017 4728:from the original on 11 September 2017 4683: 4614: 4515: 4513: 4511: 4509: 4507: 4505: 4503: 4501: 4499: 4497: 4391:from the original on 11 September 2017 3943: 3855:from the original on 11 September 2017 3840: 3615: 3559: 3522:"'I'm looking for global domination!'" 3474: 3445: 3443: 3441: 3354:Rakshit, Nayandeep (30 October 2014). 3259: 3228:"Vaibbhav joins SLB's Bajirao Mastani" 3052:from the original on 16 September 2017 3009:"I am a greedy actor: Priyanka Chopra" 3006: 2947:from the original on 18 September 2014 2725: 2662: 2548: 2517: 1000:(2014), went on to that film's set in 492:, the equivalent of a prime minister. 7379: 7162: 7063:Hamine, Prashant (15 December 2015). 6920:Jore, Dharmendra (10 December 2015). 6609:from the original on 4 September 2017 6605:. Box Office India. 18 January 2015. 6583:from the original on 4 September 2017 6579:. Box Office India. 15 January 2016. 6557:from the original on 4 September 2017 6531:from the original on 4 September 2017 6479:from the original on 26 December 2015 6453:from the original on 28 December 2015 6423:from the original on 4 September 2017 6397:from the original on 4 September 2017 6363:Tuteja, Joginder (22 December 2015). 6344:from the original on 4 September 2017 6251:from the original on 20 December 2015 6199:from the original on 4 September 2017 6173:from the original on 4 September 2017 6147:from the original on 4 September 2017 6118:from the original on 18 December 2015 6105: 6087:from the original on 20 December 2015 6056:from the original on 18 December 2015 6043: 5995:from the original on 18 December 2015 5968:from the original on 18 December 2015 5937:from the original on 20 December 2015 5904:from the original on 20 December 2015 5841:from the original on 19 December 2015 5718:from the original on 3 September 2017 5640:from the original on 3 September 2017 5581:from the original on 4 September 2017 5540:from the original on 4 September 2017 5509:from the original on 4 September 2017 5478:from the original on 22 December 2015 5425:from the original on 19 December 2015 5421:. Box Office India. 9 December 2015. 5361: 5268: 5256:from the original on 4 September 2017 5226:from the original on 4 September 2017 5193:from the original on 4 September 2017 5160:from the original on 4 September 2017 5040:from the original on 3 September 2017 4984:from the original on 3 September 2017 4951:from the original on 1 September 2015 4921:from the original on 12 December 2015 4886:from the original on 3 September 2017 4856:from the original on 3 September 2017 4811:Khurana, Suanshu (28 November 2015). 4684:Tuteja, Joginder (30 November 2015). 4596:from the original on 2 September 2017 4584:"Production Designers: Scene Sealers" 4570: 4558:from the original on 21 November 2015 4528:from the original on 2 September 2017 4482:from the original on 2 September 2017 4452:from the original on 2 September 2017 4421:from the original on 27 December 2015 4379:Nijhara, Apoorva (1 September 2015). 4330:from the original on 2 September 2017 4299:from the original on 2 September 2017 4268:from the original on 2 September 2017 4255: 4237:from the original on 28 December 2014 4207:from the original on 2 September 2017 4176:from the original on 2 September 2017 4144:from the original on 16 December 2014 4123: 4111:from the original on 2 September 2017 4046:from the original on 2 September 2017 3983: 3931:from the original on 1 September 2017 3918: 3893:from the original on 1 September 2017 3729:from the original on 1 September 2017 3485: 3331:. Press Trust of India. 17 May 2014. 3305:from the original on 22 December 2015 3272:from the original on 21 December 2015 3250: 3175:from the original on 13 November 2014 3145:from the original on 2 September 2017 3039: 2499:from the original on 29 November 2014 2472: 2399: 2378:from the original on 2 September 2017 2309: 2307: 2305: 2303: 2301: 2299: 2252:from the original on 22 December 2015 2223:List of highest-grossing Indian films 1133:The film's costumes were designed by 8137:Films set in the Maratha Confederacy 7070:The Afternoon Despatch & Courier 7039:from the original on 7 February 2017 7004:from the original on 26 October 2017 6970:from the original on 24 October 2017 6946: 6934:from the original on 23 October 2016 6919: 6553:. Box Office India. 8 January 2016. 6527:. Box Office India. 4 January 2016. 6329: 6225:from the original on 16 October 2016 6046:"Bajirao Mastani: A historical leap" 5896:Sharma, Drishti (18 December 2015). 5810:from the original on 16 January 2016 5798:Chopra, Anupama (22 December 2015). 5593: 5497:Sahadevan, Sonup (15 October 2015). 5470:Burman, Shalini (15 December 2015). 5394: 5326:from the original on 5 December 2015 5314:Sahadevan, Sonup (4 December 2015). 5302: 5172: 5130:from the original on 9 November 2015 4778:Jha, Subhash K. (27 November 2015). 4747:Vijayakar, R.M. (27 November 2015). 4439: 4360:from the original on 26 January 2016 4318:Goswami, Parismita (18 March 2015). 4286: 4194: 4076:from the original on 3 December 2014 3971:from the original on 19 October 2016 3958: 3819: 3775: 3630:from the original on 2 February 2017 3450:Vijayakar, R.M. (16 December 2015). 3426:from the original on 23 October 2017 3291:Awaasthi, Kavita (23 January 2015). 2653: 2395: 2393: 2246:British Board of Film Classification 2218:List of Asian historical drama films 2124:The film was adapted from the novel 1748: 1655:125 crore to make and an additional 1645:most expensive Hindi films ever made 1604: – India's first – titled 962:were cast to play the titular roles. 722:: Kashibai and Bajirao's first son. 606:, known as Nana Saheb, returns from 8157:Films adapted into television shows 6694:Frater, Patrick (18 January 2016). 6505:from the original on 2 January 2016 6074: 6044:Joshi, Namrata (19 December 2015). 5828: 5767:Jha, Subhash K. (19 October 2015). 5766: 5528:Jha, Subhash K. (9 December 2015). 5527: 5445:"Highest Budget Movies Of All Time" 5362:Chari, Mridula (16 December 2015). 5211: 4823:from the original on 26 August 2017 4777: 4698:from the original on 22 August 2017 4582:Chaudhuri, Mohini (11 March 2016). 4494: 4287:Dutt, Shobhita (18 February 2015). 3880: 3616:Mandal, Manisha (9 December 2015). 3574:from the original on 31 August 2017 3486:Patel, Jahnavi (17 December 2015). 3438: 3335:from the original on 26 August 2014 3238:from the original on 26 August 2016 3226:Kulkarni, Pooja (10 January 2015). 3130: 3112:from the original on 31 August 2017 2935:Goswami, Parismita (17 July 2014). 2886:from the original on 31 August 2017 2740:from the original on 31 August 2017 2707:from the original on 31 August 2017 2675:from the original on 31 August 2017 2641:from the original on 30 August 2017 2598:from the original on 31 August 2017 2561:from the original on 30 August 2017 2481: 2445: 2408:from the original on 30 August 2017 2400:Ghosh, Shingita (6 December 2016). 1671:and overseas rights being sold for 659:and Kashibai and Mastani's husband. 13: 6804:"22nd Annual Star Screen Awards". 6330:Gant, Charles (22 December 2015). 6106:Gupta, Shubhra (19 October 2015). 6021:. RajeevMasand.com. Archived from 5925:"'Bajirao Mastani' – Movie Review" 5748:from the original on 27 April 2016 5684:. iTunes Store. 18 December 2015. 5290:from the original on 23 April 2017 5152:Sankar, Gayatri (24 August 2015). 5118:Kaushal, Ruchi (6 November 2015). 4842:Thakkar, Mehul S. (25 July 2015). 4650:"VFX Breakdown of Bajirao Mastani" 4615:Ambaly, Anwesha (1 January 2016). 3560:Rathod, Kinnari (8 January 2016). 3532:from the original on 20 April 2016 3520:Rajendran, P. (17 December 2015). 3498:from the original on 20 April 2016 3366:from the original on 3 August 2015 3203:. 22 December 2014. Archived from 3131:Jha, Subhash K. (2 October 2014). 3040:Patel, Jahnavi (2 December 2017). 2988:from the original on 15 April 2016 2916:from the original on 31 March 2015 2804:from the original on 4 August 2015 2772:from the original on 3 August 2015 2296: 2284:from the original on 21 April 2021 1449: 463:356.2 crore against the budget of 377:took place on sets constructed in 253: 14: 8198: 7092: 6762:. 15 January 2016. Archived from 6732:. 11 January 2016. Archived from 6311:from the original on 5 March 2016 6281:from the original on 5 March 2016 6219:"Top Worldwide Grossers All Time" 5779:from the original on 8 April 2016 5451:from the original on 19 June 2017 5066:from the original on 15 July 2017 4792:from the original on 28 July 2017 4759:from the original on 28 July 2017 4656:from the original on 17 June 2017 4440:Dutt, Shobhita (2 October 2015). 4195:Mudi, Aparna (26 November 2014). 4006:"ALEXA XT on Indian film Bajirao" 3919:Bhatt, Henal (10 November 2015). 3462:from the original on 13 July 2016 3396:from the original on 15 July 2015 3072:"Milind Soman in Bajirao Mastani" 2549:Sharma, Test (1 September 2011). 2446:Roy, Priyanka (2 December 2015). 2390: 2366:"Bajirao Mastani Cast & Crew" 2325:from the original on 15 June 2017 1533:. The soundtrack was released by 1066: 1047:was cast as the film's narrator. 1035:as Bhiubai. The following month, 798:Snehlata Girish Vasaikar as Bhanu 504:title. Ten years later, his wife 354:(1700–1740) and his second wife, 6876: 6864:from the original on 10 May 2017 6846: 6816: 6797: 6778: 6748: 6718: 6687: 6651: 6621: 6595: 6569: 6543: 6517: 6491: 6465: 6435: 6409: 6383: 6356: 6323: 6293: 6263: 6237: 6211: 6185: 6159: 6099: 6068: 6037: 6007: 5980: 5949: 5916: 5889: 5853: 5822: 5791: 5760: 5730: 5700: 5674: 5652: 5626: 5395:Khan, Aamir (19 December 2015). 5010:from the original on 5 July 2017 4016:from the original on 8 July 2017 3663:Autodesk Media and Entertainment 3165:"Meet Ranveer's Marathi sisters" 3082:from the original on 8 June 2017 2663:Thakur, Bibhuti (21 July 2015). 2202: 2092:(Bhansali), and won 7 including 1616:the next month. Released on the 8112:Indian interfaith romance films 8102:Indian biographical drama films 8092:Indian historical romance films 7312:Shirin Farhad Ki Toh Nikal Padi 6894:from the original on 6 May 2017 6706:from the original on 4 May 2016 5521: 5490: 5463: 5437: 5411: 5388: 5376:from the original on 3 May 2017 5238: 5205: 5078: 5052: 5022: 4996: 4933: 4868: 4835: 4804: 4771: 4740: 4710: 4608: 4540: 4464: 4433: 4403: 4372: 4342: 4311: 4280: 4249: 4219: 4188: 4156: 4058: 4028: 3408: 3378: 3347: 3317: 3284: 3219: 3187: 3157: 3124: 3094: 3064: 3033: 3000: 2928: 2898: 2868: 2842: 2816: 2784: 2752: 2719: 2687: 2542: 1592:wrote, "With its royal canvas, 880:After spending eleven years in 566:The Marathas prepare to attack 393:to enhance a number of scenes. 8187:Films set in the Mughal Empire 7253:Goliyon Ki Raasleela Ram-Leela 5989:"Bajirao Mastani Movie Review" 5831:"Bajirao Mastani Movie Review" 5212:Jha, Lata (10 December 2015). 4686:"Bajirao Mastani Music Review" 4256:Bajwa, Dimpal (1 April 2014). 3260:Pathak, Ankur (18 July 2014). 3007:Madhav, Ram (7 January 2016). 2511: 2337: 2264: 2234: 2028:received 5 nominations at the 826: 693:as Radhabai: Bajirao's mother. 324:in supporting roles. Based on 1: 8067:Films set in the 18th century 8052:Films based on Marathi novels 8032:2015 biographical drama films 7490:Jis Desh Mein Ganga Behti Hai 6791:Sony Entertainment Television 6666:Directorate of Film Festivals 6167:"Top Worldwide Grossers 2015" 6075:Sen, Raja (8 December 2015). 3753:"Bong girl's Bajirao connect" 2726:Sharma, Isha (15 July 2015). 2228: 2044:received 7 awards, including 1935:highest-grossing Indian films 1889: 1482: 821: 467:145 crore, thus becoming the 8167:Films shot in Madhya Pradesh 8142:Films set in Rajput kingdoms 8047:Films based on Indian novels 8037:2010s historical drama films 6447:International Business Times 6305:International Business Times 6275:International Business Times 6247:. Koimoi. 19 December 2015. 6193:"Top Overseas Grossers 2015" 5660:"Bajirao Mastani VCD (2015)" 5604:"Bajirao Mastani DVD (2015)" 4324:International Business Times 3959:Goel, Hemul (23 July 2015). 2941:International Business Times 2700:International Business Times 2014: 1901:254 crore in India and over 1743: 1497:of the film was composed by 1489:Bajirao Mastani (soundtrack) 768:Sukhada Khandkekar as Anubai 574:, but must first ensure the 527:, the daughter of the Hindu 7: 7757:Dilwale Dulhania Le Jayenge 5062:. Koimoi. 9 November 2015. 5006:. Koimoi. 5 November 2015. 2195: 1700:, the film was released on 1300:dupatta, sharara and inner 1292: 1278: 1244: 1128: 943:in the titular roles, with 712:: Bajirao's younger brother 679:: Bajirao's first wife and 450:Best Actor – Male (Critics) 10: 8203: 8022:2010s Hindi-language films 4617:"Odia man on Bajirao high" 2518:Adarsh, Taran (May 2003). 2018: 1614:Blazing Bajirao – The Game 1529:, Ganesh Chandanshive and 1486: 1190:nauvari or nine-yard saris 916: 342:narrates the story of the 284:, who co-produced it with 196:18 December 2015 8172:Films shot in Maharashtra 8152:Films adapted into comics 7799: 7637:Main Tulsi Tere Aangan Ki 7604: 7450:Jhanak Jhanak Payal Baaje 7417: 7346: 7287: 7196: 6824:"Nominations 2016 – IIFA" 5634:"Bajirao Mastani Blu-ray" 2038:63rd National Film Awards 1472:filmed in bright daylight 1428:, Shampa Gopikrishna and 249: 236: 228: 220: 210: 187: 179: 159: 139: 131: 121: 111: 93: 79: 62: 50: 40: 35:Theatrical release poster 28: 23: 8097:History of India on film 7896:Zindagi Na Milegi Dobara 6785:"61st Filmfare Awards". 5865:"Bajirao Mastani Review" 2167:(1892) by N B Kanitkar. 1081:wanted more research on 669:: Bajirao's second wife. 8072:Films shot in Rajasthan 6888:Daily News and Analysis 4231:Daily News and Analysis 3360:Daily News and Analysis 2982:Indo-Asian News Service 2765:Daily News and Analysis 2592:Indo-Asian News Service 2120:Historical inaccuracies 2114:Best Supporting Actress 2098:Best Supporting Actress 2078:Best Supporting Actress 2050:Best Supporting Actress 1964:10.25 crore nett. 637: 474: 430:Best Supporting Actress 418:Best Supporting Actress 365:spent over a decade in 7789:Hum Dil De Chuke Sanam 7749:Hum Aapke Hain Koun..! 7733:Jo Jeeta Wohi Sikandar 7701:Qayamat Se Qayamat Tak 7213:Hum Dil De Chuke Sanam 2030:10th Asian Film Awards 1806: 1712:as a two-disc pack in 1374: 1097: 963: 924:Hum Dil De Chuke Sanam 578:, the Muslim ruler of 479:In 1720, the court of 8087:Historical epic films 7808:Kaho Naa... Pyaar Hai 7741:Hum Hain Rahi Pyar Ke 7498:Sahib Bibi Aur Ghulam 7205:Khamoshi: The Musical 7190:Sanjay Leela Bhansali 4524:. Animation Express. 4169:The Financial Express 1797: 1571:Marketing and release 1369: 1346:Principal photography 1332:Principal photography 1311:, antique stones and 1211:Peshwas used to wear 1091: 954: 860:after the release of 841:Khamoshi: The Musical 832:Sanjay Leela Bhansali 747:Shripatrao Pratinidhi 701:Ambaji Pant Purandare 570:, the capital of the 494:Ambaji Pant Purandare 375:Principal photography 282:Sanjay Leela Bhansali 147:Sanjay Leela Bhansali 83:Sanjay Leela Bhansali 56:Sanjay Leela Bhansali 45:Sanjay Leela Bhansali 8182:Films shot in Jaipur 8177:Films shot in Mumbai 7693:Ram Teri Ganga Maili 6475:. Box Office India. 6307:. 21 December 2015. 6277:. 20 December 2015. 6221:. Box Office India. 6195:. Box Office India. 6169:. Box Office India. 5567:(21 December 2015). 5447:. Box Office India. 5252:. 11 December 2015. 5092:. 20 November 2015. 4724:. 24 November 2015. 4554:. 19 November 2015. 4356:. 28 February 2018. 4233:. 24 December 2014. 4140:. 11 December 2014. 3921:"Designing grandeur" 2984:. 30 November 2015. 2768:. 15 February 2014. 2703:. 16 December 2015. 2637:. 23 November 2015. 2635:Press Trust of India 2594:. 31 December 2015. 2448:"Bhansali's Bajirao" 2374:. 18 December 2015. 2062:61st Filmfare Awards 1878:." Shubhra Gupta of 1537:on 31 October 2015. 1430:Pandit Birju Maharaj 1340:shot the film using 1073:production designers 981:Sushant Singh Rajput 728:as Young Nana Saheb 511:While travelling to 422:61st Filmfare Awards 410:National Film Awards 168:Bhansali Productions 8117:Romantic epic films 8042:Films about royalty 7984:Gangubai Kathiawadi 7522:Himalay Ki God Mein 7288:Films produced only 7277:Gangubai Kathiawadi 6808:. 31 January 2016. 6789:. 7 February 2016. 6025:on 20 December 2015 6017:(8 December 2015). 5863:(18 October 2015). 5565:Ramachandran, Naman 5189:. 8 December 2015. 5036:. 8 November 2015. 4627:on 2 September 2017 4172:. 22 October 2014. 3807:on 1 September 2017 3763:on 1 September 2017 3207:on 22 December 2014 3171:. 6 November 2014. 2054:Best Cinematography 1940:The film collected 1521:, Shreyas Puranik, 454:Best Actor – Female 170:Amber Entertainment 58:Mallika Dutt Gharde 8027:2010s Indian films 7912:Bhaag Milkha Bhaag 7781:Kuch Kuch Hota Hai 7077:on 14 January 2016 7035:. 5 January 2016. 7033:The Times of India 6998:The Times of India 6112:The Indian Express 5877:on 1 November 2015 5835:The Times of India 5742:The Times of India 5503:The Indian Express 5401:The Indian Express 5320:The Indian Express 5124:The Times of India 4817:The Indian Express 4552:The Times of India 4478:. 5 October 2015. 4446:The Times of India 4293:The Times of India 4262:The Indian Express 4138:The Indian Express 4042:. 9 October 2014. 4040:The Indian Express 3887:The Indian Express 3797:"The Bajirao look" 3562:"Sets that appeal" 3390:The Indian Express 3329:The Indian Express 3266:The Times of India 3232:The Times of India 3169:The Times of India 3106:The Indian Express 3078:. 29 August 2014. 3076:The Indian Express 3021:on 23 October 2017 2880:The Indian Express 2800:. 22 August 2014. 2733:The Times of India 2630:The Indian Express 2404:. Film Companion. 2155:notes in her book 2058:Best Art Direction 2056:(Chatterjee), and 1880:The Indian Express 1807: 1787:The Times of India 1718:making of the film 1693:in a 40:60 ratio. 1602:graphic web series 1560:The Indian Express 1375: 1260:. She was given a 1143:Chowmahalla Palace 1098: 1041:Vaibhav Tatwawaadi 964: 927:(1999) pairing of 892:Nagnath S. Inamdar 706:Vaibhav Tatwawaadi 496:nominates a young 326:Nagnath S. Inamdar 310:Vaibhav Tatwawaadi 286:Eros International 278:historical romance 183:Eros International 173:Eros International 74:Nagnath S. Inamdar 54:Prakash R. Kapadia 8162:Films set in Pune 8107:Indian epic films 8002: 8001: 7373: 7372: 7347:Television series 7122:Bollywood Hungama 6675:on 7 October 2016 6633:Asian Film Awards 5870:Bollywood Hungama 5744:. 18 April 2016. 5708:"Bajirao Mastani" 5682:"Bajirao Mastani" 5284:Business Standard 4691:Bollywood Hungama 4417:. 21 March 2015. 4104:Business Standard 3669:on 31 August 2017 3200:Bollywood Hungama 3138:Bollywood Hungama 2980:. Mumbai, India. 2977:Business Standard 2912:. 24 March 2014. 2524:Bollywood Hungama 2460:on 30 August 2017 2371:Bollywood Hungama 2315:"Bajirao Mastani" 2242:"Bajirao Mastani" 1814:Bollywood Hungama 1749:Critical response 1638:Bombay High Court 1554:Bollywood Hungama 1338:Sudeep Chatterjee 1272:, floor-skimming 1238:were employed. A 1151:Salar Jung Museum 811:Kaartik Ahuja as 804:as the narrator ( 794:Malhar Rao Holkar 738:Chhatrapati Shahu 584:Qamar ud-Din Khan 484:Chhatrapati Shahu 452:and Padukone won 402:several accolades 292:. The film stars 288:and composed its 280:film directed by 269:is a 2015 Indian 262: 261: 126:Sudeep Chatterjee 8194: 8147:2015 drama films 7864:Taare Zameen Par 7773:Dil To Pagal Hai 7400: 7393: 7386: 7377: 7376: 7355:Saraswatichandra 7183: 7176: 7169: 7160: 7159: 7155: 7139: 7112: 7087: 7086: 7084: 7082: 7073:. Archived from 7060: 7049: 7048: 7046: 7044: 7025: 7014: 7013: 7011: 7009: 6989: 6980: 6979: 6977: 6975: 6955: 6944: 6943: 6941: 6939: 6917: 6904: 6903: 6901: 6899: 6890:. 25 June 2016. 6880: 6874: 6873: 6871: 6869: 6860:. 26 June 2016. 6850: 6844: 6843: 6841: 6839: 6830:. Archived from 6820: 6814: 6813: 6801: 6795: 6794: 6782: 6776: 6775: 6773: 6771: 6766:on 16 March 2016 6752: 6746: 6745: 6743: 6741: 6736:on 15 March 2016 6722: 6716: 6715: 6713: 6711: 6691: 6685: 6684: 6682: 6680: 6674: 6668:. Archived from 6663: 6655: 6649: 6648: 6646: 6644: 6635:. Archived from 6625: 6619: 6618: 6616: 6614: 6599: 6593: 6592: 6590: 6588: 6573: 6567: 6566: 6564: 6562: 6547: 6541: 6540: 6538: 6536: 6521: 6515: 6514: 6512: 6510: 6495: 6489: 6488: 6486: 6484: 6469: 6463: 6462: 6460: 6458: 6439: 6433: 6432: 6430: 6428: 6413: 6407: 6406: 6404: 6402: 6387: 6381: 6380: 6378: 6376: 6360: 6354: 6353: 6351: 6349: 6327: 6321: 6320: 6318: 6316: 6297: 6291: 6290: 6288: 6286: 6267: 6261: 6260: 6258: 6256: 6241: 6235: 6234: 6232: 6230: 6215: 6209: 6208: 6206: 6204: 6189: 6183: 6182: 6180: 6178: 6163: 6157: 6156: 6154: 6152: 6137: 6128: 6127: 6125: 6123: 6103: 6097: 6096: 6094: 6092: 6072: 6066: 6065: 6063: 6061: 6041: 6035: 6034: 6032: 6030: 6011: 6005: 6004: 6002: 6000: 5984: 5978: 5977: 5975: 5973: 5953: 5947: 5946: 5944: 5942: 5920: 5914: 5913: 5911: 5909: 5893: 5887: 5886: 5884: 5882: 5873:. Archived from 5857: 5851: 5850: 5848: 5846: 5826: 5820: 5819: 5817: 5815: 5795: 5789: 5788: 5786: 5784: 5764: 5758: 5757: 5755: 5753: 5734: 5728: 5727: 5725: 5723: 5704: 5698: 5697: 5695: 5693: 5678: 5672: 5671: 5669: 5667: 5656: 5650: 5649: 5647: 5645: 5630: 5624: 5623: 5621: 5619: 5600: 5591: 5590: 5588: 5586: 5561: 5550: 5549: 5547: 5545: 5525: 5519: 5518: 5516: 5514: 5494: 5488: 5487: 5485: 5483: 5467: 5461: 5460: 5458: 5456: 5441: 5435: 5434: 5432: 5430: 5415: 5409: 5408: 5392: 5386: 5385: 5383: 5381: 5359: 5336: 5335: 5333: 5331: 5311: 5300: 5299: 5297: 5295: 5275: 5266: 5265: 5263: 5261: 5250:Deccan Chronicle 5242: 5236: 5235: 5233: 5231: 5209: 5203: 5202: 5200: 5198: 5179: 5170: 5169: 5167: 5165: 5149: 5140: 5139: 5137: 5135: 5115: 5106: 5105: 5103: 5101: 5082: 5076: 5075: 5073: 5071: 5056: 5050: 5049: 5047: 5045: 5034:Deccan Chronicle 5026: 5020: 5019: 5017: 5015: 5000: 4994: 4993: 4991: 4989: 4980:. 16 July 2015. 4970: 4961: 4960: 4958: 4956: 4947:. 17 July 2015. 4937: 4931: 4930: 4928: 4926: 4917:. 16 July 2015. 4907: 4896: 4895: 4893: 4891: 4882:. 15 July 2015. 4872: 4866: 4865: 4863: 4861: 4849:Deccan Chronicle 4839: 4833: 4832: 4830: 4828: 4808: 4802: 4801: 4799: 4797: 4775: 4769: 4768: 4766: 4764: 4744: 4738: 4737: 4735: 4733: 4714: 4708: 4707: 4705: 4703: 4681: 4666: 4665: 4663: 4661: 4646: 4637: 4636: 4634: 4632: 4623:. Archived from 4612: 4606: 4605: 4603: 4601: 4579: 4568: 4567: 4565: 4563: 4544: 4538: 4537: 4535: 4533: 4517: 4492: 4491: 4489: 4487: 4468: 4462: 4461: 4459: 4457: 4437: 4431: 4430: 4428: 4426: 4407: 4401: 4400: 4398: 4396: 4376: 4370: 4369: 4367: 4365: 4346: 4340: 4339: 4337: 4335: 4315: 4309: 4308: 4306: 4304: 4284: 4278: 4277: 4275: 4273: 4253: 4247: 4246: 4244: 4242: 4223: 4217: 4216: 4214: 4212: 4192: 4186: 4185: 4183: 4181: 4160: 4154: 4153: 4151: 4149: 4130: 4121: 4120: 4118: 4116: 4095: 4086: 4085: 4083: 4081: 4062: 4056: 4055: 4053: 4051: 4032: 4026: 4025: 4023: 4021: 4002: 3981: 3980: 3978: 3976: 3956: 3941: 3940: 3938: 3936: 3916: 3903: 3902: 3900: 3898: 3878: 3865: 3864: 3862: 3860: 3838: 3817: 3816: 3814: 3812: 3803:. Archived from 3792: 3773: 3772: 3770: 3768: 3759:. Archived from 3748: 3739: 3738: 3736: 3734: 3712: 3679: 3678: 3676: 3674: 3665:. Archived from 3655: 3640: 3639: 3637: 3635: 3613: 3584: 3583: 3581: 3579: 3557: 3542: 3541: 3539: 3537: 3517: 3508: 3507: 3505: 3503: 3483: 3472: 3471: 3469: 3467: 3447: 3436: 3435: 3433: 3431: 3412: 3406: 3405: 3403: 3401: 3382: 3376: 3375: 3373: 3371: 3351: 3345: 3344: 3342: 3340: 3321: 3315: 3314: 3312: 3310: 3288: 3282: 3281: 3279: 3277: 3257: 3248: 3247: 3245: 3243: 3223: 3217: 3216: 3214: 3212: 3191: 3185: 3184: 3182: 3180: 3161: 3155: 3154: 3152: 3150: 3128: 3122: 3121: 3119: 3117: 3098: 3092: 3091: 3089: 3087: 3068: 3062: 3061: 3059: 3057: 3037: 3031: 3030: 3028: 3026: 3017:. Archived from 3004: 2998: 2997: 2995: 2993: 2968: 2957: 2956: 2954: 2952: 2932: 2926: 2925: 2923: 2921: 2902: 2896: 2895: 2893: 2891: 2882:. 7 March 2014. 2872: 2866: 2865: 2863: 2861: 2846: 2840: 2839: 2837: 2835: 2820: 2814: 2813: 2811: 2809: 2788: 2782: 2781: 2779: 2777: 2756: 2750: 2749: 2747: 2745: 2723: 2717: 2716: 2714: 2712: 2691: 2685: 2684: 2682: 2680: 2660: 2651: 2650: 2648: 2646: 2621: 2608: 2607: 2605: 2603: 2580: 2571: 2570: 2568: 2566: 2546: 2540: 2539: 2537: 2535: 2530:on 6 August 2003 2526:. Archived from 2515: 2509: 2508: 2506: 2504: 2485:(18 July 2003). 2479: 2470: 2469: 2467: 2465: 2456:. Archived from 2443: 2418: 2417: 2415: 2413: 2397: 2388: 2387: 2385: 2383: 2362: 2349: 2348: 2341: 2335: 2334: 2332: 2330: 2319:Box Office India 2311: 2294: 2293: 2291: 2289: 2280:. January 2017. 2268: 2262: 2261: 2259: 2257: 2238: 2212: 2210:Bollywood portal 2207: 2206: 2153:Prachi Deshpande 2102:17th IIFA Awards 2010: 2006: 2002: 1998: 1994: 1990: 1986: 1982: 1978: 1974: 1963: 1959: 1955: 1951: 1947: 1943: 1928: 1924: 1920: 1916: 1912: 1908: 1904: 1900: 1803:pictured in 2011 1678: 1674: 1666: 1662: 1658: 1654: 1531:Sukhwinder Singh 1336:Cinematographer 1296:jacket, a woven 1295: 1281: 1247: 1037:Mahesh Manjrekar 976:Deepika Padukone 960:Deepika Padukone 882:development hell 792:Ganesh Yadav as 789:as Krishna Bhatt 734:Mahesh Manjrekar 663:Deepika Padukone 615:Ganesh Chaturthi 600:Shamsher Bahadur 466: 462: 367:development hell 318:Mahesh Manjrekar 298:Deepika Padukone 258: 255: 245: 203: 201: 135:Rajesh G. Pandey 102:Deepika Padukone 33: 21: 20: 8202: 8201: 8197: 8196: 8195: 8193: 8192: 8191: 8007: 8006: 8003: 7998: 7928:Bajirao Mastani 7856:Rang De Basanti 7832:Koi... Mil Gaya 7795: 7765:Raja Hindustani 7709:Maine Pyar Kiya 7600: 7413: 7404: 7374: 7369: 7342: 7296:My Friend Pinto 7283: 7261:Bajirao Mastani 7192: 7187: 7149:Box Office Mojo 7144:Bajirao Mastani 7133:Rotten Tomatoes 7128:Bajirao Mastani 7117:Bajirao Mastani 7100:Bajirao Mastani 7095: 7090: 7080: 7078: 7061: 7052: 7042: 7040: 7027: 7026: 7017: 7007: 7005: 6990: 6983: 6973: 6971: 6956: 6947: 6937: 6935: 6918: 6907: 6897: 6895: 6882: 6881: 6877: 6867: 6865: 6852: 6851: 6847: 6837: 6835: 6822: 6821: 6817: 6803: 6802: 6798: 6787:Filmfare Awards 6784: 6783: 6779: 6769: 6767: 6754: 6753: 6749: 6739: 6737: 6724: 6723: 6719: 6709: 6707: 6692: 6688: 6678: 6676: 6672: 6661: 6657: 6656: 6652: 6642: 6640: 6627: 6626: 6622: 6612: 6610: 6601: 6600: 6596: 6586: 6584: 6575: 6574: 6570: 6560: 6558: 6549: 6548: 6544: 6534: 6532: 6523: 6522: 6518: 6508: 6506: 6497: 6496: 6492: 6482: 6480: 6471: 6470: 6466: 6456: 6454: 6441: 6440: 6436: 6426: 6424: 6415: 6414: 6410: 6400: 6398: 6389: 6388: 6384: 6374: 6372: 6361: 6357: 6347: 6345: 6328: 6324: 6314: 6312: 6299: 6298: 6294: 6284: 6282: 6269: 6268: 6264: 6254: 6252: 6243: 6242: 6238: 6228: 6226: 6217: 6216: 6212: 6202: 6200: 6191: 6190: 6186: 6176: 6174: 6165: 6164: 6160: 6150: 6148: 6139: 6138: 6131: 6121: 6119: 6104: 6100: 6090: 6088: 6073: 6069: 6059: 6057: 6042: 6038: 6028: 6026: 6012: 6008: 5998: 5996: 5985: 5981: 5971: 5969: 5954: 5950: 5940: 5938: 5921: 5917: 5907: 5905: 5894: 5890: 5880: 5878: 5858: 5854: 5844: 5842: 5827: 5823: 5813: 5811: 5804:Hindustan Times 5796: 5792: 5782: 5780: 5765: 5761: 5751: 5749: 5736: 5735: 5731: 5721: 5719: 5706: 5705: 5701: 5691: 5689: 5680: 5679: 5675: 5665: 5663: 5658: 5657: 5653: 5643: 5641: 5636:. Blu-ray.com. 5632: 5631: 5627: 5617: 5615: 5602: 5601: 5594: 5584: 5582: 5562: 5553: 5543: 5541: 5526: 5522: 5512: 5510: 5495: 5491: 5481: 5479: 5468: 5464: 5454: 5452: 5443: 5442: 5438: 5428: 5426: 5417: 5416: 5412: 5393: 5389: 5379: 5377: 5360: 5339: 5329: 5327: 5312: 5303: 5293: 5291: 5276: 5269: 5259: 5257: 5244: 5243: 5239: 5229: 5227: 5210: 5206: 5196: 5194: 5181: 5180: 5173: 5163: 5161: 5150: 5143: 5133: 5131: 5116: 5109: 5099: 5097: 5084: 5083: 5079: 5069: 5067: 5058: 5057: 5053: 5043: 5041: 5028: 5027: 5023: 5013: 5011: 5002: 5001: 4997: 4987: 4985: 4972: 4971: 4964: 4954: 4952: 4939: 4938: 4934: 4924: 4922: 4909: 4908: 4899: 4889: 4887: 4874: 4873: 4869: 4859: 4857: 4840: 4836: 4826: 4824: 4809: 4805: 4795: 4793: 4776: 4772: 4762: 4760: 4745: 4741: 4731: 4729: 4716: 4715: 4711: 4701: 4699: 4682: 4669: 4659: 4657: 4648: 4647: 4640: 4630: 4628: 4613: 4609: 4599: 4597: 4580: 4571: 4561: 4559: 4546: 4545: 4541: 4531: 4529: 4518: 4495: 4485: 4483: 4476:Hindustan Times 4470: 4469: 4465: 4455: 4453: 4438: 4434: 4424: 4422: 4409: 4408: 4404: 4394: 4392: 4377: 4373: 4363: 4361: 4348: 4347: 4343: 4333: 4331: 4316: 4312: 4302: 4300: 4285: 4281: 4271: 4269: 4254: 4250: 4240: 4238: 4225: 4224: 4220: 4210: 4208: 4193: 4189: 4179: 4177: 4162: 4161: 4157: 4147: 4145: 4132: 4131: 4124: 4114: 4112: 4097: 4096: 4089: 4079: 4077: 4064: 4063: 4059: 4049: 4047: 4034: 4033: 4029: 4019: 4017: 4004: 4003: 3984: 3974: 3972: 3957: 3944: 3934: 3932: 3917: 3906: 3896: 3894: 3879: 3868: 3858: 3856: 3839: 3820: 3810: 3808: 3793: 3776: 3766: 3764: 3749: 3742: 3732: 3730: 3713: 3682: 3672: 3670: 3657: 3656: 3643: 3633: 3631: 3614: 3587: 3577: 3575: 3558: 3545: 3535: 3533: 3518: 3511: 3501: 3499: 3484: 3475: 3465: 3463: 3448: 3439: 3429: 3427: 3414: 3413: 3409: 3399: 3397: 3384: 3383: 3379: 3369: 3367: 3352: 3348: 3338: 3336: 3323: 3322: 3318: 3308: 3306: 3298:Hindustan Times 3289: 3285: 3275: 3273: 3258: 3251: 3241: 3239: 3224: 3220: 3210: 3208: 3193: 3192: 3188: 3178: 3176: 3163: 3162: 3158: 3148: 3146: 3129: 3125: 3115: 3113: 3100: 3099: 3095: 3085: 3083: 3070: 3069: 3065: 3055: 3053: 3038: 3034: 3024: 3022: 3005: 3001: 2991: 2989: 2970: 2969: 2960: 2950: 2948: 2933: 2929: 2919: 2917: 2904: 2903: 2899: 2889: 2887: 2874: 2873: 2869: 2859: 2857: 2854:Hindustan Times 2848: 2847: 2843: 2833: 2831: 2822: 2821: 2817: 2807: 2805: 2790: 2789: 2785: 2775: 2773: 2758: 2757: 2753: 2743: 2741: 2724: 2720: 2710: 2708: 2693: 2692: 2688: 2678: 2676: 2661: 2654: 2644: 2642: 2623: 2622: 2611: 2601: 2599: 2582: 2581: 2574: 2564: 2562: 2547: 2543: 2533: 2531: 2516: 2512: 2502: 2500: 2483:Jha, Subhash K. 2480: 2473: 2463: 2461: 2444: 2421: 2411: 2409: 2398: 2391: 2381: 2379: 2364: 2363: 2352: 2343: 2342: 2338: 2328: 2326: 2313: 2312: 2297: 2287: 2285: 2270: 2269: 2265: 2255: 2253: 2240: 2239: 2235: 2231: 2208: 2201: 2198: 2165:Bajirao-Mastani 2122: 2042:Bajirao Mastani 2026:Bajirao Mastani 2023: 2017: 2008: 2004: 2000: 1996: 1992: 1988: 1984: 1980: 1976: 1972: 1969:Bajirao Mastani 1961: 1957: 1953: 1949: 1945: 1941: 1926: 1922: 1918: 1914: 1910: 1906: 1902: 1898: 1895:Bajirao Mastani 1892: 1884:Bajirao Mastani 1876:Bajirao Mastani 1799:Priyanka Chopra 1781:Bajirao Mastani 1776:Hindustan Times 1754:Bajirao Mastani 1751: 1746: 1734:Bajirao Mastani 1698:Eros Home Video 1696:Distributed by 1687:Bajirao Mastani 1676: 1672: 1664: 1660: 1656: 1652: 1649:Bajirao Mastani 1606:Blazing Bajirao 1594:Bajirao Mastani 1576:Bajirao Mastani 1573: 1565:Bajirao Mastani 1499:Sanchit Balhara 1491: 1485: 1452: 1450:Post-production 1444:Bajirao Mastani 1393:Bajirao Mastani 1379:Bajirao Mastani 1334: 1186:Raja Ravi Varma 1131: 1069: 1029:Aditya Pancholi 989:Priyanka Chopra 968:Bajirao Mastani 919: 900:Bajirao Mastani 874:Bajirao Mastani 858:Bajirao Mastani 829: 824: 817: 772:Benjamin Gilani 743:Aditya Pancholi 673:Priyanka Chopra 640: 604:Balaji Baji Rao 477: 464: 460: 446:Zee Cine Awards 428:(Padukone) and 416:(Bhansali) and 406:Bajirao Mastani 397:Bajirao Mastani 391:post-production 363:Bajirao Mastani 340:Bajirao Mastani 322:Aditya Pancholi 302:Priyanka Chopra 266:Bajirao Mastani 256: 240: 213: 206: 199: 197: 190: 175: 171: 169: 164: 162: 154:Sanchit Balhara 152: 148: 146: 106:Priyanka Chopra 104: 100: 86: 84: 71: 57: 55: 36: 24:Bajirao Mastani 17: 12: 11: 5: 8200: 8190: 8189: 8184: 8179: 8174: 8169: 8164: 8159: 8154: 8149: 8144: 8139: 8134: 8129: 8124: 8119: 8114: 8109: 8104: 8099: 8094: 8089: 8084: 8079: 8074: 8069: 8064: 8059: 8054: 8049: 8044: 8039: 8034: 8029: 8024: 8019: 8000: 7999: 7997: 7996: 7988: 7980: 7972: 7964: 7956: 7948: 7940: 7932: 7924: 7916: 7908: 7900: 7892: 7884: 7876: 7868: 7860: 7852: 7844: 7836: 7828: 7820: 7812: 7803: 7801: 7797: 7796: 7794: 7793: 7785: 7777: 7769: 7761: 7753: 7745: 7737: 7729: 7721: 7713: 7705: 7697: 7689: 7681: 7673: 7665: 7657: 7649: 7641: 7633: 7625: 7617: 7608: 7606: 7602: 7601: 7599: 7598: 7590: 7582: 7574: 7566: 7558: 7550: 7542: 7534: 7526: 7518: 7510: 7502: 7494: 7486: 7478: 7470: 7462: 7454: 7446: 7438: 7430: 7426:Do Bigha Zamin 7421: 7419: 7415: 7414: 7407:Filmfare Award 7403: 7402: 7395: 7388: 7380: 7371: 7370: 7368: 7367: 7359: 7350: 7348: 7344: 7343: 7341: 7340: 7332: 7328:Gabbar Is Back 7324: 7316: 7308: 7300: 7291: 7289: 7285: 7284: 7282: 7281: 7273: 7265: 7257: 7249: 7241: 7233: 7225: 7217: 7209: 7200: 7198: 7197:Films directed 7194: 7193: 7186: 7185: 7178: 7171: 7163: 7157: 7156: 7140: 7124: 7113: 7094: 7093:External links 7091: 7089: 7088: 7050: 7015: 6981: 6945: 6905: 6875: 6845: 6834:on 27 May 2016 6815: 6796: 6777: 6747: 6717: 6686: 6650: 6639:on 22 May 2016 6620: 6594: 6568: 6542: 6516: 6490: 6464: 6434: 6408: 6382: 6355: 6322: 6292: 6262: 6236: 6210: 6184: 6158: 6129: 6098: 6067: 6036: 6019:"Grace Period" 6015:Masand, Rajeev 6006: 5979: 5948: 5915: 5888: 5852: 5821: 5790: 5759: 5729: 5699: 5673: 5651: 5625: 5592: 5551: 5520: 5489: 5462: 5436: 5410: 5387: 5337: 5301: 5267: 5237: 5204: 5171: 5141: 5107: 5077: 5051: 5021: 4995: 4962: 4932: 4897: 4867: 4834: 4803: 4770: 4739: 4709: 4667: 4638: 4607: 4569: 4539: 4493: 4463: 4432: 4402: 4371: 4341: 4310: 4279: 4248: 4218: 4187: 4155: 4122: 4087: 4057: 4027: 3982: 3942: 3904: 3866: 3818: 3774: 3740: 3680: 3641: 3623:Dainik Bhaskar 3585: 3543: 3509: 3473: 3437: 3407: 3377: 3346: 3316: 3283: 3249: 3218: 3186: 3156: 3123: 3093: 3063: 3032: 2999: 2958: 2927: 2897: 2867: 2856:. 13 June 2021 2841: 2815: 2783: 2751: 2718: 2686: 2652: 2609: 2572: 2541: 2510: 2471: 2419: 2389: 2350: 2336: 2295: 2263: 2232: 2230: 2227: 2226: 2225: 2220: 2214: 2213: 2197: 2194: 2121: 2118: 2019:Main article: 2016: 2013: 1925:5.7 crore and 1891: 1888: 1771:Anupama Chopra 1750: 1747: 1745: 1742: 1572: 1569: 1523:Vaishali Mhade 1515:Vishal Dadlani 1507:Shreya Ghoshal 1495:original score 1487:Main article: 1484: 1481: 1451: 1448: 1418:Ganesh Acharya 1408:Madhya Pradesh 1333: 1330: 1313:uncut diamonds 1284:Farshi Pajamas 1130: 1127: 1123:Maratha empire 1068: 1067:Pre-production 1065: 1025:Supriya Pathak 1021:Dimple Kapadia 941:Kareena Kapoor 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