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255:, possibly under the influence of both. The walls of the room are painted so that when one stands toward the left, one has the illusion that one is standing in an open-air terrace, lined by pillars, looking out over a continuous landscape. The decoration of the façade, the work of Peruzzi, has almost entirely vanished, but it is documented by an anonymous French artist in a drawing, now held by the New York Metropolitan Museum of Art
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at Siena. As our master interested himself in the decorative art also, he exercised a strong influence in this direction, not only by his own decorative paintings but also by furnishing designs for craftsmen of various kinds. While primarily known as an architect, one of his great loves was drawing.
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many artists were employed, and just as the style of the villa in no wise recalls the old castellated type of country-house, so the paintings in harmony with the pleasure-loving spirits of the time were thoroughly antique and uninspired by
358:(1535) located now on the 19th-century Corso Vittorio Emanuele, is well known for its curving facade, ingenious planning, and architecturally rich interior. The exterior details display a
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where he was employed as architect to the
Republic. For the Sienese he built new fortifications for the city and designed (though did not build) a remarkable dam on the Bruna River near
443:
Sebastiano Serlio, Sebastiano Serlio on
Architecture: Books I-V of Tutte l'opere d'architettura et prospetiva, trans. Vaughan Hart and Peter Hicks (New Haven, Yale Univ. Press: 1996).
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247:. Some of the frescoed paintings which adorn the interior rooms are by Peruzzi. One example is the Sala delle Prospettive, in which Peruzzi revived the perspective schemes of
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The Mystic
Marriage of Saint Catherine, 1502-1503: Baldassare Peruzzi (Italian, 1481-1573):Tempura and Oil on panel, transferred to masonite:Diameter: 24 ½ in. (62.2 cm)
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in
Florence. He was especially well known for his extraordinary studies of antique buildings, as seen in The Mystic Marriage of Saint Catherine (1502–1503) in the
202:. He seems to have moved back to Rome permanently by 1535. He died there the following year and was buried in the Rotunda of the Pantheon, near Raphael.
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Ann C. Hupert, Becoming an
Architect in Renaissance Italy: Art, Science and the Career of Baldassare Peruzzi (New Haven, Yale University Press: 2015)
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His extraordinary pen and ink drawings for the basilica of St. Peter's are preserved in the Prints and
Drawings Collection of the
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in Rome. He then stopped painting until requested by his superiors at San Romano di Lucca to paint the organ doors of the church.
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was also an architect. Another son, Onorio, learned painting from his father, then became a
Dominican priest in the convent of
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Wolfgang Lotz and
Deborah Howard, Architecture In Italy 1500-1600 (New Haven, Yale Univ. Press: 1995): 1-98.
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330:. That Peruzzi improved as time went on is evident in his later works, e.g., the "Madonna with Saints" in
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498:, a collection catalog containing information about Peruzzi and his works (see index; plates 86–107).
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Almost all art critics ascribe the design of the Villa Chigi in Rome, now known more commonly as the
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The
History of Painting, Sculpture, Architecture, Graving, and of Those who have Excelled in them
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456: This article incorporates text from a publication now in the
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Web
Gallery of Art: Perspective View of the Sala delle Prospettive
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Memorie dei più insigni pittori, scultori e architetti Dominicani
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Lives of the Most Excellent Painters, Sculptors, and Architects
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Bust and Epitaph in the Rotunda of the Pantheon, Rome, Italy.
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Peruzzi had produced a mosaic ceiling for the church of
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Italian Paintings: Sienese and Central Italian Schools
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434:, CLASSROOM RESOURCE SHEET, Allen Memorial Art Museum
373:, published in Venice beginning in the early 1530s.
413:, Volume 1, by P. Vincenzo Marchese, pages 337-337.
472:. Vol. 11. New York: Robert Appleton Company.
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154:(7 March 1481 – 6 January 1536) was an Italian
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279:. On a plate-glass vault Peruzzi painted the
489:The Catholic Encyclopedia:Baldassare Peruzzi
194:. He returned to his native Siena after the
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354:His final architectural masterpiece, the
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228:Design and decoration of Villa Farnesina
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209:(Chapel of St John the Baptist) in the
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336:Augustus and the Tiburtine Sibyl
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258:. To decorate this villa on the
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885:1481 births
869:Visual arts
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770:(1509–1524)
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283:, with the
192:St. Peter's
95:Nationality
879:Categories
377:References
306:Other work
200:Giuncarico
827:The Lives
742:Mona Lisa
678:Tamagnino
673:Il Sodoma
552:Giorgione
360:Mannerist
281:firmament
265:Christian
238:pilasters
172:Sovicille
156:architect
144:Mannerism
857:Painting
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285:zodiacal
253:Mantegna
216:His son
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180:Bramante
168:frazione
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160:painter
99:Italian
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567:Titian
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720:Pietà
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