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Chair was subsequently put into production by
Established & Sons who also produced Barber Osgerby's aluminium Zero-In table as part of their launch collection in 2005. That table's construction employed automotive industry welding and polishing techniques never before applied to furniture manufacturing. These techniques were employed again in 2007 when Barber Osgerby were commissioned to design the entrance foyer desk for the
241:, as part of an ongoing programme of renovation. The only definitive criterion for the pieces was that they be made of oak. Solid oak is heavy and a key requirement for furniture was that it was light and easily manoeuvrable. This was resolved by the engineering of the design, resulting in the slender form of the bench.
219:
Much of Barber and
Osgerby's early work involved the shaping of sheet material such as perspex and plywood, influenced by the white card that they had used frequently in architectural model making. The Loop table evolved into a series of products that shared the same plywood loop construction while
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in Milan exploring how electronics could be better integrated within contemporary home interiors through a series of conceptual objects that employed Sony's new sound technologies. Another investigation, this time into school furniture and how movement in a chair can aid concentration, resulted in
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in
Portland Place, London resulting in a contemporary reception desk wrapped in a skin of hand-beaten stainless steel, mirror-polished to reflect its surroundings. Similarly, though now employing aerospace engineering techniques, Barber Osgerby's Iris tables for Established & Sons in 2008 were
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Close to wood workshops, Barber & Osgerby learned a lot about furniture making and particularly about plywood. This informed both the small architectural projects they focused on at the time and their first furniture piece, the Loop Table, originally designed for the lobby of a restaurant but
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Barber and
Osgerby have received numerous awards including the ICFF Editors Award for Best New Designer in 1998, the Jerwood Prize for Applied Arts in 2004 for a body of work judged to ‘combine clarity, coherence and beauty’, "Designers of the Future" at Design Basel/Miami in 2006, and the Design
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and exhibited during the festival in the
Victoria & Albert Museum's John Madejski Garden. The following year saw Barber Osgerby's design of a £2 coin for The Royal Mint, commemorating 150 years of the London Underground, depicting the familiar image of a Tube train emerging from a tunnel, the
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in
Bexhill-on-Sea. The resulting aluminium armchairs were in two versions, the restaurant version was upholstered while the external version featured a powder-coated finish and perforated seat and back, capable of enduring the coastal exposure to on the pavilion's outdoor terraces. The De La Warr
54:
studio founded in 1996 by
British designers Edward Barber and Jay Osgerby. Historically named variously Barber Osgerby Associates, BOA, Barber & Osgerby and BarberOsgerby, the practice has been called Barber Osgerby since 2008. Barber and Osgerby's work encompasses interiors,
355:
that was introduced in 2015 and updated in 2021; the
Pacific office chair for Knoll, and the Tibbo family of outdoor furniture for Dedon both in 2016; the Bellhop series of lamps for Flos from 2017, including the Bellhop floor in 2021 and a limited edition with
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was launched in 2007, it seemingly marked a return to the folded form but had evolved from a series of ideas for lights conceived in the early 2000s and from 2007 Barber & Osgerby embraced a broadening range of products, projects and techniques.
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By 2001, Barber
Osgerby Associates were "turning away work" and split the practice with the architecture and interior design studio renamed Universal and the furniture and industrial design studio renamed Barber Osgerby.
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Barber and
Osgerby are also founders of Universal Design Studio, a London-based architecture and interior design studio, and Map Project Office, a London-based industrial design consultancy focused on design strategy.
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Barber & Osgerby's first furniture to use solid wood was the oak Home Table in 2000, initially conceived for their own homes. In 2002 the pair were asked to design new furniture for the 13th century St. Thomas’
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workshops in Turnham Green, Chiswick and worked on variety of hospitality, residential and office architectural projects, their architectural work supporting their furniture design during this period.
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the Flight Stool in 1998, the Pilot Table in 1999 and Stencil Screen in 2000 employed the similar materials and processes. The Shell Table in 2000, which was nominated for the
281:: Lantern Marine, a limited edition collection of large vases composed of coloured interlocking components. In 2010 they created an experimental installation for
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1305:"BarberOsgerby's immersive installation at the V&A offers a new perspective on the London museum | Design | Wallpaper* Magazine"
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In 2007 they were awarded the status of Royal Designers for Industry and in 2013 Edward Barber and Jay Osgerby were both appointed
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and are past recipients of the Jerwood Applied Arts prize. Both are Honorary Doctors of Arts, and Osgerby is an Honorary Fellow of
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In 2005 Barber and Osgerby moved on from wood, fulfilling a commission to design a new chair for the newly restored modernist
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82:. The pair have lectured internationally and their work is held in permanent collections around the world including the
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Barber & Osgerby's range of work expanded further to encompass an ongoing collaboration on porcelain tile with
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subsequently manufactured by Isokon. The Loop Table was shown at the London Design Fair in 1997, spotted by
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milled in sections from solid aluminum, anodized and joined with hidden bolts and tightened using magnets.
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outer ring of the coin being used graphically to suggest the tunnel walls. A further commission for the
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among others. They have also designed works for private commissions, and for public spaces such as the
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in London. The two met while studying for their Master's degrees in Architecture at London's
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1155:"Contemplating Monolithic Design by Sony & BarberOsgerby", Dezeen, 15 April 2010
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Barber Osgerby Associates was originally based out of Barber and Osgerby's flat in
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followed in 2014, Barber Osgerby designed the installation 'Double Space' at the
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1419:"Barber and Osgerby create chair for Emeco that can be endlessly recycled"
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977:"Barber Osgerby to design new furniture for the Café Bar and balconies"
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Works in marble followed in 2012 including the pair's first design for
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London Organising Committee of the Olympic and Paralympic Games (LOCOG)
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in 2011 and relaunched from recycled plastic as the Tip Ton RE in 2020.
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in 2020; and the On & On family of recyclable stacking chairs for
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In 2009, Barber and Osgerby launched their first major commission for
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424:"In Conversation With Barber Osgerby: The Design Darlings of London"
316:. The Torch was named the Design Museum's 2012 Design of the Year.
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Kennedy, Maev; arts; correspondent, heritage (13 September 2004).
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Birch-plywood kitchen by Barber Osgerby Associates, London 1999
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678:"Bent on success: curvy furniture and clean, simple interiors"
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and a £2 coin commemorating the 150th anniversary of the
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De La Warr Pavilion and terrace with De La Warr Chairs
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and introduced into the Cappellini catalogue in 1997.
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London Underground commemorative two pound coin (2013)
133:. Significant projects include the Tip Ton chair for
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Barber & Osgerby's first lamp, the Tab lamp for
905:"People & Practices: Barber Osgerby Associates"
343:started from 2013; the AXOR One shower control for
301:Tip Ton Chairs in the Vitra Conference Pavilion by
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101:Barber and Osgerby have developed collections for
1089:"British designers Edward Barber and Jay Osgerby"
700:"British designers Edward Barber and Jay Osgerby"
63:as well as art and architectural-scale projects.
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823:The Design Work of Edward Barber and Jay Osgerby
768:The Design Work of Edward Barber and Jay Osgerby
290:the forward-tilting Tip Ton chair launched with
127:The Royal Institute of British Architects (RIBA)
656:"Barber Osgerby celebrate 25 years partnership"
373:Week Awards: Best Furniture Designer in 2015.
172:in 1969, completed a foundation art program at
402:"Barber Osgerby Ltd, Company number 06035400"
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259:Royal Institute of British Architects (RIBA)
747:"Barber Osgerby Restoration in East London"
1303:Magazine, Wallpaper* (18 September 2014).
378:Officer of the Order of the British Empire
351:in 2015; the Olio range of tableware from
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117:, Venini and Established & Sons, and
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1190:"Barber Osgerby Olympic Torch Designers"
1087:Mun-delsalle, Y-Jean (25 January 2019).
857:"Barber Osgerby Shell Table & Chair"
698:Mun-delsalle, Y-Jean (25 January 2019).
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1566:The Brits Who Designed the Modern World
1541:(Supplement). 15 June 2013. p. 12.
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560:"Plywood maestros win top design award"
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1602:Design companies of the United Kingdom
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1521:(Supplement). 15 June 2013. p. 9.
726:"Studio visit with Barber and Osgerby"
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449:"Current Royal Designers for Industry"
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1587:British companies established in 1996
1237:"Barber Osgerby Western Façade bench"
384:for services to the design industry.
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1592:Design companies established in 1996
878:Davison, Nicola (6 September 2016).
308:In 2011, Barber and Osgerby won the
164:in 1969, studied interior design at
1445:"Barber Osgerby wins Jerwood Prize"
1258:"Barber Osgerby design new £2 coin"
1135:"Lanterne Marine by Barber Osgerby"
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612:Chandran, Govind (1 January 2012).
470:"Barber Osgerby wins Jerwood Prize"
24:
1114:"Studio Visit with Barber Osgerby"
1067:"Reception Desk by Barber Osgerby"
614:"The man behind the Olympic torch"
422:Sharma, Atish (29 December 2023).
76:Royal Designers for Industry (RDI)
27:British industrial design company
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1216:"Beazley Design of the Year 2012"
676:Niesewand, Nonie (31 July 1998).
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1568:Artsnight – Series 4: 7, BBC Two
1168:"Barber Osgerby's Tip Ton Chair"
880:"Designers Barber & Osgerby"
287:Salone Internazionale del Mobile
188:Early architecture and furniture
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1019:"De la Warr Pavilion Armchair"
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176:and studied product design at
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347:in 2015; the Pilot chair for
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1622:Royal Designers for Industry
1617:British industrial designers
142:Olympic and Paralympic torch
84:Victoria & Albert Museum
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1612:British furniture designers
998:"De La Warr Pavilion Chair"
931:"Barber Osgerby Home Table"
10:
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312:competition to design the
196:. The studio moved to the
88:Metropolitan Museum of Art
1471:"Designers of the Future"
1045:"Zero In, Barber Osgerby"
635:"Our Alumni: Jay Osgerby"
517:"Universal Design Studio"
314:London 2012 Olympic Torch
174:Oxford Brookes University
43:London 2012 Olympic Torch
1330:"Lane by Barber Osgerby"
935:Contemporary Design News
96:Art Institute of Chicago
1597:Industrial design firms
1561:Universal Design Studio
825:. Rizzoli, 2011, p. 19.
770:. Rizzoli, 2011, p. 21.
724:Birman, Sujata (2017).
168:. Jay Osgerby, born in
160:Edward Barber, born in
1373:"Supreme Bellhop Lamp"
330:London Design Festival
325:London Design Festival
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90:, New York; London's
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1492:"Timeline of Awards"
956:"Barber and Osgerby"
802:"Barber and Osgerby"
496:"Barber and Osgerby"
239:Portsmouth Cathedral
182:Royal College of Art
178:Ravensbourne College
131:Portsmouth Cathedral
18:Barber & Osgerby
1451:. 16 September 2004
1025:. 16 September 2004
884:The Financial Times
836:"Loop Coffee Table"
781:"Loop Coffee Table"
476:. 16 September 2004
254:De La Warr Pavilion
123:De La Warr Pavilion
1538:The London Gazette
1518:The London Gazette
909:Architects Journal
597:has generic name (
368:Awards and honours
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146:London Underground
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50:is a London-based
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37:
1627:Product designers
1582:English designers
1394:"Emeco Designers"
1283:barberosgerby.com
1170:. 26 October 2020
214:Giulio Cappellini
166:Leeds Polytechnic
52:industrial design
16:(Redirected from
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1550:External links
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1425:. 5 April 2019
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1196:. 11 July 2012
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911:. 26 July 2001
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194:Trellick Tower
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103:B&B Italia
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