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Herbert Yost

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of many theatre actors and producers, performing on screen in the new medium of film was an inferior, far less prestigious occupation than acting on stage in the "legitimate" theatre. Yost therefore adopted the name Barry O'Moore during his early years as a film actor to distinguish his screen work from his stage career, allegedly in an effort to conceal his identity and, at least to some degree, to distance himself professionally "from the shame of the cinema". Nevertheless, Yost during the motion-picture portion of his career was not credited as Barry O'Moore in all of his films or referred to consistently as O'Moore in studio production records or in release advertisements in either the silent or sound eras. Yet, outside the film industry, in the realm of theatre, he was invariably credited for decades as Herbert Yost in his many Broadway roles and in other stage productions.
340: 639: 882: 874: 1975: 437:, released on September 14. In both films Yost is credited as Bertram Yost rather than by his previously noted screen name Barry O'Moore. After the release of those shorts, he took time away from films to return to stage acting. Upon his return to Edison in 1912, he began performing again in studio productions and was then credited consistently as Barry O'Moore. From 1912 through 1914, Yost was cast in nearly 90 one-reelers for Edison and in a wide assortment of roles, including as the character Nelson Wales in a series of dramatic shorts. 262: 441: 311:
Biograph production records, contemporary personal notes, period correspondence, or footage from a surviving film in which the actor is clearly identifiable. Some modern filmographies relating to Yost or to his screen name Barry O'Moore include his casting in some 1908 and 1909 Biograph releases but do so without any source citations. One modern reference–the 1985 volume
446: 442: 443: 604:, complimented Yost's portrayal of the "bashful bridegroom" Richard Kettle as one of the bright, "amusing" parts in the production. By the standards of the day, the play was a long-running hit with 160 performances at the Hackett Theatre before moving in April to the Playhouse Theatre for additional presentations. 1900: 865:. Concerned about Herbert, she quickly returned to their room at the nearby Bristol Hotel, where she found him unconscious on the floor. It was reported that Yost died in the room a short time later, after midnight, on October 23. Additional reports at the time cited "a heart ailment" as Yost's cause of death. 559:
During his early years acting in motion pictures, Yost periodically suspended his screen work to perform again on stage, sometimes for extended periods. He took such time away in 1910 and 1911, which explains the lack of entries for those years in his available filmographies. After the release of his
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Yost's greatest film success credited as O'Moore and his most notable casting while working at Edison occurred in 1914, when he starred in a dozen comedy shorts portraying the "amateur detective" Octavius. Characterized as a wealthy young man and a "gentle and genial idiot", Octavius was presented as
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Yost married only once. In February 1916, he wed Agnes Scott, who was a native of Tennessee and also a professional stage actor. The couple remained together until Herbert's death nearly three decades later. Federal census records and other official records indicate that they had no children and for
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The use of a screen name to hide or obscure one's identity proved to be an irrelevant issue for Yost at Biograph. The company, as a matter of official policy, did not publicly identify its performers and production crews, not even Griffith himself, with on-screen credits or in film advertisements in
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By 1908, with more than a decade of experience traveling and performing with various companies, Yost had established himself a "considerable reputation" as a stage actor. Near the end of that year he began working as well in the rapidly expanding motion-picture industry. At that time, in the opinion
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actors". Reportedly, to reduce the risk of tarnishing his reputation as a professional actor by being identified as a screen performer, Yost often billed himself as "Barry O'Moore" while working in films. He was ultimately cast in scores of motion pictures in the early silent era, although with the
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like his older siblings Walter and Harry. Harry, in fact, guided or "sponsored" his little brother's entry into performing on stage by getting Herbert a job in 1897 with the Murray-Hart Comedy Company, which specialized in "one-night stands". In its travels to various cities and towns, that troupe
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The studio's non-credit policy for its film personnel, especially for actors, was enforced for many years in an effort by Biograph to keep production costs down or at least steady. Such use of "anonymous players" was rooted in the company's belief that the more celebrity actors attained, the more
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provided audiences with some context for storylines, but Yost, like other screen actors of that period, had to convey his characters' intent and emotions solely through facial expressions, hand gestures, and by other subtle and exaggerated body movements. In his first few films for Biograph, Yost
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Mr. Yost was one actor who used a different name for his picture work. He called himself "Barry O'Moore" in the movies. Not that he felt the movies beneath him, but he was nervous about the future reaction. He showed good foresight. For as soon as the big theatrical producers got wind of the fact
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Yost spent the vast majority of the final 30 years of his career acting on stage, but he did return very briefly to films during the early sound era. Recordings of his voice are therefore preserved in at least three screen productions in which he was cast and also credited as Herbert Yost. Those
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Since Biograph did not publicly credit its actors on screen or acknowledge them in print prior to 1913, confirming the casting and presence of any one of the company's actors in a production prior to that year requires direct references to a performer in primary-source material such as original
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A full, accurate accounting of any actor's filmography from the early 1900s is made more difficult by the large number of American films that are lost from that era. Identifications of specific cast members in any single production can also be hard to verify and often impossible to cite with
390:, who is portrayed on screen by Linda Arvidson. Copies of this film survive, and they show that Yost in his 19th-century costume, wig, mustache, and makeup presents a very credible representation of Poe. A few other examples of 1909 releases in which Yost performed at Biograph are the comedy 445: 1233:
When Biograph's film about Edgar Allan Poe was released in February 1909 and throughout its theatrical run, the short was consistently identified and advertised with Poe's middle name misspelled in the production's official title in which an "e" instead of the correct second "a" is used:
631:'s four-act comedy. The newspaper also reported, "The most distinguished performance of the evening is given by Herbert Yost", adding that "He plays throughout with a complete understanding that is reflected in every slightest tone and gesture." In summarizing the actor's abilities, 654:. He continued to be cast in play after play, further enhancing his reputation as a seasoned, reliable stage performer whether working in comedies, farces, or in a range of drama types. Some of the Broadway productions in which he was cast in the late 1910s and 1920s include 1343:"Tenth Census of the United States: 1880", digital image of original enumeration page, Peter Yost family, 9 June 1880, Covington, Kenton County, Kentucky; microfilm files, National Archives and Records Administration (NARA), Washington, D.C. Copy of NARA microfilm files in 173:
between November 1908 and July 1915. By the time he began working in the film industry, Yost already had more than a decade of stage experience in hundreds of dramatic and comedic roles and was widely regarded in the theatre community "as one of the country's finest
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certainty, for many surviving production records provide few details. Also, Biograph and some other early studios, as a matter of company policy for years, did not publicly credit its performers or identify them in film-related news or in advertisements in either
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in Manhattan on March 14, 1944, and Yost performed not only there during the production's one-year run in New York but also during the play's subsequent tour, which continued across the country until July 1945, ending just three months before the actor's death.
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After one full season working for Murray-Hart, Yost joined the Frost Stock Company and did a multitude of jobs in its traveling shows for a salary of six dollars a week ($ 200 today). He portrayed several characters in the company's staging of
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occupied most of Yost's professional time in 1911, but he did return to screen acting to work in a variety of releases for Edison Studios from 1912 to mid-1915. In 1914 he took time away again from films to accept a role in the Broadway play
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Even though Yost was a highly experienced theatre actor by 1908, the performance techniques required for silent films were very different from those used on stage, with the most obvious difference being the total absence of spoken dialogue.
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in which Yost had co-starred on Broadway in 1911. The 1915 film version was the veteran actor's last screen performance of the silent era and one in which he was credited as Herbert Yost, no longer as Barry O'Moore. After the release of
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A listing of O'Moore's (Yost's) motion pictures can be compiled by referencing various release schedules, reviews, and profiles of Edison films cited in trade publications and newspapers published between January 1912 and January
359:, which was filmed at Biograph's Manhattan studio on December 8 and 21, 1908 and released the following month, on January 18. Griffith cast Yost in that short to serve simply as one guest among a small crowd of partygoers. 281:, who was just beginning his legendary career as a film director. Under contract to produce at least two motion pictures and sometimes as many as three pictures each week for the company, Griffith was given a "virtual 386:, which has a running time less than seven minutes, is loosely based on actual events in the life of the 19th-century American writer and poet. More specifically, the film's action focuses on the death of Poe's wife 852:. In that capacity he convened meetings at the Unity Center in New York City and later established near his home in Old Greenwich an affiliated chapel, where he often conducted services and hosted related events. 1861:, highlights and some details of Yost's credited performances on Broadway (not all covering period 1914-1945). Internet Broadway Database (IBDB), The Broadway League, Manhattan, New York. Retrieved 25 April 2021. 444: 1907:, 22 April 1945, image 96. Herbert Yost credited as among principal supporting characters. "Chronicling America: Historic American Newspapers", Library of Congress (LC), Washington, D.C. Retrieved 2 May 2021. 583:
in Manhattan on January 2, 1911. The play was a critical and popular success and brought the actor very positive notices from New York City's top reviewers. In an assessment of the production's premiere,
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served as minor supporting characters, likely casting assignments made by Griffith to acclimate the veteran stage actor to film sets and performance methods before placing him in starring roles.
417:, released in July 1909. Shortly after completing the latter film, the now-experienced screen actor signed a contract to work for Edison Studios, also located at that time in New York City, in 1928:"Sixteenth Census of the United States: 1940", digital image of original enumeration page, Herbert and Agnes Yost, 27 April 1940, Greenwich Town, Fairfield County, Connecticut. NARA, FamS. 1754: 1523: 297:–Arvidson's 1925 memoir about the early years of the American film industry–she takes exception to accounts that Yost adopted a screen name to avoid the "shame" of working in films: 44: 503:, Yost did not return to films for another 14 years. Until 1929 he devoted himself solely to acting on stage. Still, he received excellent reviews in his final silent production. 319:. Those papers include details on Biograph's development of Griffith's scenarios as well as casting and filming schedules. The company's "Cameraman's Register" for 1899–1911, its 232:, and giving concerts following every performance. By 1901, Yost had left Frost to work for seven years with a series of other stock companies in Philadelphia, Boston, Cleveland, 179:
exceptions of appearing in three more films in the sound era, Yost spent the remaining decades of his career acting in major theatre productions, almost exclusively on Broadway.
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When away from his stage roles and film-making, Yost spent much of his personal time presenting lectures about theatrical history as well as writing several plays, including
1903:", advertisement for the play's presentation at Cass Theatre in Detroit, Michigan in April 1945 after its very successful run on Broadway; advertisement published in the 1300: 269:
In October 1908, Yost joined the growing number of "photoplayers" at the Biograph Company, which then had its headquarters and main studio inside a sprawling, renovated
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trade publications or newspapers. Such public recognition of cast and crew would not begin at Biograph until 1913, nearly four years after Yost left the company.
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focused special attention on the performances of two cast members, noting that the players "who seemed to win from the audience the most favor were
147:; December 8, 1879 – October 23, 1945) was an American actor who in a career that spanned nearly half a century performed predominantly on stage in 729:(1931). More Broadway roles for Yost followed as did more accolades from reviewers. Some of the additional productions in which he was cast were 1268:
stage role in the play's 1915 screen adaptation produced by the World Film Manufacturing Company. That 1915 release was Yost's last silent film.
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Historical Newspapers (ProQuestHN), Ann Arbor, Michigan; subscription access through The University of North Carolina at Chapel Hill Library.
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observes, "Mr. Yost is the better fun maker for the screen. He knows how to inject a laugh. Hardy often aims for one but must be assisted."
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from 1908 through 1912, entries in contemporary studio directories, and print copies of Biograph's 1908 and 1909 releases preserved in the
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in that listing. Yost's casting in that production is not found in any of the numerous primary sources cited in the noted 1985 reference
1790:"STAGE FRIGHT SEALS YOUNG AUTHOR'S LIPS: Bartholomae Is Dumb Before Plaudits Marking the Success of "Overnight" at Hackett...", review, 2040: 2035: 191:
Bennett) and Peter H. Yost. The following year, the decennial federal census documents the Yost family living in northern Kentucky, in
2025: 461:] ability as a sleuth" to solve crimes and mysteries. Edison's bumbling screen character is described further in a 1914 issue of 855:
According to his obituaries, in Manhattan on the evening of October 22, 1945, Yost failed to meet his wife Agnes as planned at the
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in his portrayal of the "disappointed uncle" Charles Dow Hanlon. Yost was next cast as David Crampton in another Broadway comedy,
515:", the "two comedians" who in the trade paper's opinion "take the picture along." In distinguishing the two actors' performances, 1586: 1573:
searches throughout volume for related films. Washington, D.C.: Motion Picture, Broadcasting, and Recorded Sound Division, 1985.
1570: 285:" by Biograph to make all decisions regarding story, casting and shooting. It was therefore Griffith who officially hired Yost. 482:
Following his work as Octavius, O'Moore in early 1915 co-starred in his final two motion pictures for Edison: the drama shorts
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office issued an edict that any actor who worked in moving pictures could not work for them. But the edict was shortly revoked.
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store. After working in the family business in his youth, Herbert at age 17 chose to leave home and pursue a career in
783:, Yost continued his Broadway career into the 1940s. Additional roles for him followed in the Broadway productions of 429:
Once he joined Edison in August 1909, Yost performed in only two shorts for the remainder of that year: in the comedy
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in which he is among a group of Confederate and Union soldiers. His second verified role is in the 10-minute drama
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provide documentation that Yost performed in no less than 20 productions for Biograph during his employment there.
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Advertisement for releases by Edison Studios with Yost credited as Barry O'Moore (left image, seated), April 1914
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first two shorts for Edison in 1909, Yost soon embarked on a tour to perform with his future wife Agnes Scott in
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When Yost was working at Biograph, the corporation's full title was the American Mutoscope and Biograph Company.
881: 2000: 1481: 795:(1942). Two years later he made his final stage appearances as the "Tragic Gentleman" in the three-act comedy 315:
by Cooper C. Graham and others–relies heavily for its content on the D. W. Griffith Papers preserved at the
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through a bed of violets." O'Moore's first short as Octavius in the studio's popular "Adventure" series is
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New York theatre reviews in 1911 and later references to the play cite its title in two different forms:
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that their actors were working in moving picture studios, they decided to put a crimp in the idea. The
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PLAY complete Edison film in which Barry O'Moore (Yost) portrays "Octavius" (1914); runtime 00:13:47.
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Born in Harrison, Ohio, in December 1879, Herbert was the youngest of three sons of Angeline Leona (
1770: 1718: 1639: 1472:). Metuchen, New Jersey and London: The Scarecrow Press, 1985, pp. 1-3. IA. Retrieved 6 April 2021. 569: 387: 1919:, Carl Bennett, The Silent Film Company, Washington State, United States. Retrieved 26 April 2021. 1778: 1766: 1734: 1527: 1508: 1377: 1213: 861: 779:
With decades of stage experience and being well known among theatre companies as an accomplished
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Review headline praising Yost's performance at the Punch and Judy Theatre in New York City, 1914
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As of April 2021, the Internet Movie Database (IMDb) incorrectly lists this film's title as
844:, which was produced and presented in Southern theatres. He also served for many years as a 1995: 1990: 961: 564:, a "sentimental playet" that they presented at the Grand Opera House in Indianapolis, the 494:
to co-star in just one production, a five-reel film adaptation of the popular stage comedy
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Yost's first confirmed screen appearance for Biograph is in the 14-minute Civil War drama
8: 1974: 1701: 1005: 856: 816: 808: 324: 192: 623:, another stage production that garnered him rave reviews for his role as Alfred Scott. 1181: 916: 888:
of Barry O'Moore (bottom, center) featured among other "leading" film comedians of 1915
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Biograph's 14th Street studio in Manhattan, where Yost performed in his first films
166: 152: 1966: 1301:"Inside the Playbill: Morning's at Seven - Opening Night at the Longacre Theatre" 935: 780: 722: 714: 580: 303: 1434:. New York: E. P. Dutton and Company, 1925, p. 76. IA. Retrieved 20 April 2021. 804: 290: 278: 170: 71: 575:
In late 1910, Yost accepted an important role in the three-act Broadway farce
195:, where Herbert's father owned and operated a prosperous retail grocery and a 1984: 800: 628: 627:
included "HERBERT YOST EXCELS" in bold print in the heading of its review of
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Early Motion Pictures: The Paper Print Collection in the Library of Congress
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Graham, Cooper C.; Steve Higgins, Elaine Mancini, and JoĂŁo Luiz Viera.
885: 812: 614: 332: 270: 162: 1492:(1999) about Biograph's policy of using anonymous or "unnamed" actors. 528:
releases are "his talking picture debut", which is the two-reel short
1672:, volume II, March–August, 1914, p. 301. IA. Retrieved 26 April 2021. 991: 834: 418: 274: 196: 156: 1382: 1870:"Theater News/'I Want My Wife' Will Open Tonight at the Liberty", 395: 43: 1687:(Chicago), 13 March 1915, p. 385; "For His Mother (1915)", IMDb. 1490:
Florence Lawrence, the Biograph Girl: America's First Movie Star
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recognized him as one of the "standouts" in the Broadway comedy
1488:(Chicago), 5 April 1913, p. 222. IA; refer to Kelly R. Brown's 205: 1803:"THE DRAMA/'Over Night' is Presented at the Hackett Theatre", 635:
stated, "Mr. Yost is a most gifted and intelligent comedian."
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Condon, Charles R. "Edison Offers Another Mary Fuller Film",
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focuses special attention on cast members "Herbert Yost and
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having "sublime confidence in his own marvellous [
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productions. Yost also acted in motion pictures, mostly in
1375:"Herbert A. Yost Dies; Character Actor was 65", obituary, 1755:"Fast and Loose (1930)" and "The Age of Innocence (1934)" 1511:(IMDb), Amazon, Seattle Washington. Retrieved 1 May 2021. 1331:(IA), San Francisco, California. Retrieved 21 April 2021. 1325:
A Million and One Nights: A History of the Motion Picture
930: 522: 457: 378: 1530:(AFI), Los Angeles, California. Retrieved 22 April 2021. 646:
In 1915, almost immediately after his acclaimed work in
1944:, 31 October 1945, p. 61. IA. Retrieved April 29, 2021. 592:
and Herbert A. Yost." In another Manhattan review, the
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After Yost performed in two other supporting roles, in
1781:, 5 February 1910, p. 31. IA. Retrieved 28 April 2021. 240:
and the character Jimmy Burnett in the Broadway drama
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Yost (left) as Edgar Allan Poe in 1909 Biograph short
1725:, 31 December 1915, p. 24. IA. Retrieved 7 May 2021. 713:
Yost began the decade of the 1930s co-starring with
182: 1414:. New York: Farrar, Straus and Giroux, 1970, p. 61. 774: 607: 424: 370:, Griffith assigned him to star in the 1909 short 1224:or in the cited Library of Congress film records. 1212:In its online filmography for Barry O'Moore, the 1982: 1741:, 15 February 1930, p. 70; "Along The Rialto", 382:]. Released by Biograph on February 8, the 1394:"'The Measure of a Man' Produced at Weber's", 277:. It was there where Yost started working for 256: 1666:"Barry O'Moore: 'Octavius–Amateur Detective'" 1428:"Chapter X: Wardrobe–and a Few Personalities" 1745:(New York, N.Y.), 8 December 1929, p. 5. IA. 1339: 1337: 1094:The Adventure of the Absent-Minded Professor 859:following her performance there in the play 833:, located about 40 miles northeast of lower 1406: 1404: 1973: 1422: 1420: 1216:(IMDb) includes the 1908 Biograph release 823: 650:, Yost performed yet again on Broadway in 554: 42: 1891:(New York City), 23 February 1938, p. 58. 1777:(New York City), 22 January 1920, p. 33; 1577:Digital Library. Retrieved 29 April 2021. 1334: 1315: 1313: 1203:money they wanted for their performances. 433:, released on September 3, and the drama 1830: 1828: 1826: 1661: 1659: 1401: 1371: 1369: 1367: 1365: 1363: 1361: 1359: 1357: 1355: 1353: 880: 872: 637: 465:as being someone who "could not trail a 439: 338: 260: 1854: 1852: 1850: 1848: 1846: 1844: 1713: 1711: 1500: 1498: 1475: 1466:D. W. Griffith and the Biograph Company 1454: 1437: 1417: 1222:D. W. Griffith and the Biograph Company 868: 507:in its December 31, 1915 assessment of 313:D. W. Griffith and the Biograph Company 14: 1983: 1838:, 11 November 1914, p. 13. ProQuestHN. 1771:"INDIANAPOLIS, IND./GRAND OPERA HOUSE" 1735:"SOUND SHORTS/Love, Honor and Oh Baby" 1519: 1517: 1310: 1124:The Adventure of the Wrong Santa Claus 1112:The Adventure of the Smuggled Diamonds 1082:The Adventure of the Counterfeit Money 523:Brief return to films, 1929–1930, 1934 476:The Adventure of the Wrong Santa Claus 473:, released in January 1914; his last, 1823: 1810: 1656: 1412:D. W. Griffith: The Years at Biograph 1350: 413:; and Yost's final film for company, 1841: 1820:, 5 February 1915, p. 5. ProQuestHN. 1794:, 3 January 1911, p. 12. ProQuestHN. 1708: 1559: 1495: 1398:, 21 October 1906, p. 9. ProQuestHN. 1279:"The Adventure of the Stolen Papers" 1106:The Adventure of the Hasty Elopement 1058:The Adventure of the Actress' Jewels 771:from November 1939 to January 1940. 471:The Adventure of the Actress' Jewels 1874:, 20 March 1930, p. 20. ProQuestHN. 1807:, 4 January 1911, p. 7. ProQuestHN. 1514: 1088:The Adventure of the Missing Legacy 1076:The Adventure of the Stolen Slipper 409:, a drama with the "Biograph Girl" 24: 1885:"Plays on Broadway/WINE OF CHOICE" 1026:Tis An Ill Wind That Blows No Good 273:mansion at 11 East 14th Street in 25: 2057: 2041:20th-century American male actors 2036:19th-century American male actors 1951: 204:presented single performances of 183:Early life and early stage career 2026:American male silent film actors 1321:"Griffith Evolves Screen Syntax" 1070:The Adventure of the Alarm Clock 1931: 1922: 1910: 1894: 1877: 1864: 1797: 1784: 1760: 1748: 1728: 1690: 1675: 1646: 1631: 1618: 1609: 1592: 1580: 1546: 1533: 1449:D.W. Griffith: An American Life 1271: 1258: 1241: 1227: 1206: 1196: 1187: 1140:(1915) as Richard Kettle (1915) 1100:The Adventure of the Pickpocket 1064:The Adventure of the Extra Baby 775:Final stage performances, 1940s 608:More Broadway roles, 1914–1930s 572:, and at other major theatres. 425:Edison Studios, 1909, 1912–1915 244:at Weber's Music Hall in 1906. 1816:"Minute Visits In The Wings", 1705:, 25 December 1915, p. 83. IA. 1482:"Biograph Identities Revealed" 1388: 1294: 1173: 1118:The Adventure of the Lost Wife 13: 1: 1303:, profile of Herbert Yost in 1287: 767:, which was presented at the 2016:Fictional amateur detectives 1697:"Six World Film Features..." 1264:Yost would reprise his 1911 909:The Fascinating Mrs. Francis 364:The Fascinating Mrs. Francis 7: 1901:"Jacobowsky and the Colonel 896:(1908) as Civil War soldier 568:in Chicago, the Orpheum in 257:Biograph Company, 1908–1909 10: 2062: 2031:People from Harrison, Ohio 2006:American male stage actors 1971:Internet Broadway Database 1769:, 15 January 1910, p. 26; 1432:When the Movies Were Young 1381:, 25 October 1945, p. 20. 831:Old Greenwich, Connecticut 797:Jacobowsky and the Colonel 295:When the Movies Were Young 2021:American male film actors 1779:"HARRISBURG, PA./ORPHEUM" 1719:"Film Reviews/Over Night" 1670:Illustrated Films Monthly 1637:Published release dates, 1038:The Cardinal's Conspiracy 811:. That play, directed by 648:The Marriage of Columbine 621:The Marriage of Columbine 463:Illustrated Films Monthly 415:The Cardinal's Conspiracy 126: 122:(m. 1916–1945; his death) 116: 108: 100: 80: 53: 41: 34: 1640:The Moving Picture World 1166: 1162:(1934) as Howard Welland 1154:(1930) as George Crafton 1144:Love, Honor and Oh! Baby 600:"commonplace" but, like 570:Harrisburg, Pennsylvania 530:Love, Honor and Oh! Baby 247: 2046:Broadway theatre people 1872:New York Herald Tribune 1528:American Film Institute 1509:Internet Movie Database 1378:New York Herald Tribune 1214:Internet Movie Database 1131:The Man Who Disappeared 941:Politician's Love Story 824:Personal life and death 725:. He then performed in 717:in the Broadway comedy 704:What the Doctor Ordered 555:Continuing stage career 92:New York City, New York 1615:Schickel, pp. 135-136. 1445:Chapter Six: "Mastery" 1052:The Little Woolen Shoe 965:as Harry Colton (1909) 901:The Criminal Hypnotist 889: 878: 850:Practical Christianity 829:many years resided in 643: 579:, which opened at the 492:World Film Corporation 451: 356:The Criminal Hypnotist 344: 308: 266: 2001:Male actors from Ohio 1905:Detroit Evening Times 1410:Henderson, Robert M. 1146:(1929) as Mr. Welland 1045:What Happened to Mary 1019:A Troublesome Satchel 970:The Road to the Heart 904:(1909) as party guest 884: 876: 789:Ring Around Elizabeth 641: 449: 400:The Road to the Heart 342: 299: 264: 1159:The Age of Innocence 869:Selected filmography 548:The Age of Innocence 479:, in December 1914. 317:Museum of Modern Art 242:The Measure of a Man 222:The Three Musketeers 1739:Motion Picture News 1702:Motion Picture News 1624:Graham and others, 1598:Graham and others, 1552:Graham and others, 1539:Graham and others, 1443:Schickel, Richard. 999:The Light That Came 955:The Medicine Bottle 920:(1909) as a tourist 912:(1909) as young man 857:46th Street Theatre 817:Martin Beck Theatre 815:, premiered at the 751:The Masque of Kings 688:The Enchanted April 490:. He then moved to 325:Library of Congress 1836:The New York Times 1818:The New York Times 1792:The New York Times 1767:"CHICAGO/MAJESTIC" 1396:The New York Times 1182:trade publications 1120:(1914) as Octavius 1114:(1914) as Octavius 1108:(1914) as Octavius 1102:(1914) as Octavius 1096:(1914) as Octavius 1090:(1914) as Octavius 1084:(1914) as Octavius 1078:(1914) as Octavius 1072:(1914) as Octavius 1066:(1914) as Octavius 1060:(1914) as Octavius 1040:(1909) as the king 917:The Brahma Diamond 890: 879: 842:No Roof Big Enough 764:Morning's at Seven 676:Why Men Leave Home 672:A Bachelor's Night 668:The Young Visitors 644: 633:The New York Times 625:The New York Times 586:The New York Times 452: 368:The Brahma Diamond 345: 321:Biograph Bulletins 267: 210:When London Sleeps 139:(also credited as 18:Barry O'Moore 1938:"Herbert A. Yost" 1643:, September 1909. 1426:Arvidson, Linda. 743:Battleship Gertie 700:One Glorious Hour 664:Polly With a Past 590:Margaret Lawrence 484:The Master Mummer 447: 435:The Little Sister 411:Florence Lawrence 238:The Military Maid 214:A Life for a Life 134: 133: 109:Years active 104:Actor, playwright 58:Herbert Alms Yost 16:(Redirected from 2053: 2011:Biograph Company 1977: 1945: 1935: 1929: 1926: 1920: 1914: 1908: 1898: 1892: 1883:"Ibee" (1938). 1881: 1875: 1868: 1862: 1856: 1839: 1832: 1821: 1814: 1808: 1805:New York Tribune 1801: 1795: 1788: 1782: 1764: 1758: 1752: 1746: 1732: 1726: 1715: 1706: 1694: 1688: 1679: 1673: 1663: 1654: 1650: 1644: 1635: 1629: 1622: 1616: 1613: 1607: 1596: 1590: 1584: 1578: 1563: 1557: 1550: 1544: 1537: 1531: 1521: 1512: 1502: 1493: 1479: 1473: 1458: 1452: 1441: 1435: 1424: 1415: 1408: 1399: 1392: 1386: 1373: 1348: 1341: 1332: 1329:Internet Archive 1319:Ramsaye, Terry. 1317: 1308: 1298: 1281: 1275: 1269: 1262: 1256: 1245: 1239: 1231: 1225: 1210: 1204: 1200: 1194: 1191: 1185: 1177: 1006:The Roue's Heart 979:(1909) as Carlos 977:The Eavesdropper 948:The Golden Louis 934:] (1909) as 862:Dark of the Moon 769:Longacre Theatre 753:(1937). In 1938 660:The Morris Dance 656:In for the Night 594:New York Tribune 562:The Wall Between 542:(1930); and the 467:limberger cheese 448: 431:Ethel's Luncheon 392:The Suicide Club 384:historical drama 167:Biograph Company 165:released by the 151:and in numerous 87: 84:October 23, 1945 68:December 8, 1879 67: 65: 46: 32: 31: 21: 2061: 2060: 2056: 2055: 2054: 2052: 2051: 2050: 1981: 1980: 1954: 1949: 1948: 1936: 1932: 1927: 1923: 1915: 1911: 1899: 1895: 1882: 1878: 1869: 1865: 1857: 1842: 1833: 1824: 1815: 1811: 1802: 1798: 1789: 1785: 1765: 1761: 1753: 1749: 1733: 1729: 1716: 1709: 1695: 1691: 1680: 1676: 1664: 1657: 1651: 1647: 1636: 1632: 1623: 1619: 1614: 1610: 1597: 1593: 1585: 1581: 1565:Niver, Kemp R. 1564: 1560: 1551: 1547: 1538: 1534: 1526:, filmography, 1522: 1515: 1507:, filmography, 1505:"Barry O'Moore" 1503: 1496: 1480: 1476: 1459: 1455: 1442: 1438: 1425: 1418: 1409: 1402: 1393: 1389: 1374: 1351: 1342: 1335: 1318: 1311: 1299: 1295: 1290: 1285: 1284: 1276: 1272: 1263: 1259: 1246: 1242: 1236:Edgar Allen Poe 1232: 1228: 1211: 1207: 1201: 1197: 1192: 1188: 1178: 1174: 1169: 936:Edgar Allan Poe 925:Edgar Allen Poe 871: 826: 793:The Cat Screams 781:character actor 777: 723:Liberty Theatre 715:Spring Byington 708:Congratulations 652:The Clever Ones 612:The success of 610: 581:Hackett Theatre 557: 525: 440: 427: 373:Edgar Allen Poe 304:Charles Frohman 259: 250: 226:The Two Orphans 185: 149:stock companies 121: 96: 94: 89: 85: 76: 74: 69: 63: 61: 60: 59: 49: 37: 28: 23: 22: 15: 12: 11: 5: 2059: 2049: 2048: 2043: 2038: 2033: 2028: 2023: 2018: 2013: 2008: 2003: 1998: 1993: 1979: 1978: 1964: 1953: 1952:External links 1950: 1947: 1946: 1940:, obituaries, 1930: 1921: 1917:"Herbert Yost" 1909: 1893: 1876: 1863: 1859:"Herbert Yost" 1840: 1822: 1809: 1796: 1783: 1759: 1747: 1743:The Film Daily 1727: 1707: 1689: 1674: 1655: 1645: 1630: 1626:pp. 34-67, 308 1617: 1608: 1591: 1589:, pp. 126-127. 1579: 1571:"Herbert Yost" 1558: 1545: 1532: 1524:"Herbert Yost" 1513: 1494: 1474: 1462:"Introduction" 1453: 1436: 1416: 1400: 1387: 1349: 1333: 1309: 1292: 1291: 1289: 1286: 1283: 1282: 1270: 1257: 1240: 1226: 1205: 1195: 1186: 1184:or newspapers. 1171: 1170: 1168: 1165: 1164: 1163: 1155: 1151:Fast and Loose 1147: 1141: 1135: 1127: 1121: 1115: 1109: 1103: 1097: 1091: 1085: 1079: 1073: 1067: 1061: 1055: 1049: 1041: 1035: 1029: 1022: 1016: 1010: 1002: 996: 988: 980: 974: 973:(1909) as JosĂ© 966: 958: 952: 944: 938: 921: 913: 905: 897: 870: 867: 825: 822: 805:Oskar Karlweis 785:My Fair Ladies 776: 773: 759:Wine of Choice 727:Rock Me, Julie 721:(1930) at the 719:I Want My Wife 684:The Comedienne 609: 606: 556: 553: 539:Fast and Loose 524: 521: 488:For His Mother 426: 423: 388:Virginia Clemm 291:Linda Arvidson 279:D. W. Griffith 258: 255: 249: 246: 208:plays such as 184: 181: 171:Edison Studios 132: 131: 128: 124: 123: 118: 114: 113: 110: 106: 105: 102: 98: 97: 90: 88:(aged 65) 82: 78: 77: 72:Harrison, Ohio 70: 57: 55: 51: 50: 47: 39: 38: 35: 27:American actor 26: 9: 6: 4: 3: 2: 2058: 2047: 2044: 2042: 2039: 2037: 2034: 2032: 2029: 2027: 2024: 2022: 2019: 2017: 2014: 2012: 2009: 2007: 2004: 2002: 1999: 1997: 1994: 1992: 1989: 1988: 1986: 1976: 1972: 1968: 1965: 1963: 1959: 1956: 1955: 1943: 1939: 1934: 1925: 1918: 1913: 1906: 1902: 1897: 1890: 1886: 1880: 1873: 1867: 1860: 1855: 1853: 1851: 1849: 1847: 1845: 1837: 1831: 1829: 1827: 1819: 1813: 1806: 1800: 1793: 1787: 1780: 1776: 1772: 1768: 1763: 1756: 1751: 1744: 1740: 1736: 1731: 1724: 1720: 1714: 1712: 1704: 1703: 1698: 1693: 1686: 1685: 1678: 1671: 1667: 1662: 1660: 1649: 1642: 1641: 1634: 1627: 1621: 1612: 1605: 1601: 1595: 1588: 1583: 1576: 1572: 1568: 1562: 1555: 1549: 1542: 1536: 1529: 1525: 1520: 1518: 1510: 1506: 1501: 1499: 1491: 1487: 1483: 1478: 1471: 1467: 1463: 1457: 1450: 1446: 1440: 1433: 1429: 1423: 1421: 1413: 1407: 1405: 1397: 1391: 1384: 1380: 1379: 1372: 1370: 1368: 1366: 1364: 1362: 1360: 1358: 1356: 1354: 1346: 1340: 1338: 1330: 1326: 1322: 1316: 1314: 1306: 1302: 1297: 1293: 1280: 1274: 1267: 1261: 1254: 1250: 1244: 1237: 1230: 1223: 1219: 1215: 1209: 1199: 1190: 1183: 1176: 1172: 1161: 1160: 1156: 1153: 1152: 1148: 1145: 1142: 1139: 1136: 1133: 1132: 1128: 1125: 1122: 1119: 1116: 1113: 1110: 1107: 1104: 1101: 1098: 1095: 1092: 1089: 1086: 1083: 1080: 1077: 1074: 1071: 1068: 1065: 1062: 1059: 1056: 1053: 1050: 1047: 1046: 1042: 1039: 1036: 1033: 1030: 1027: 1023: 1020: 1017: 1014: 1011: 1008: 1007: 1003: 1000: 997: 995:as Jim (1909) 994: 993: 989: 986: 985: 981: 978: 975: 972: 971: 967: 964: 963: 962:The Deception 959: 956: 953: 950: 949: 945: 942: 939: 937: 933: 932: 927: 926: 922: 919: 918: 914: 911: 910: 906: 903: 902: 898: 895: 894:The Guerrilla 892: 891: 887: 883: 875: 866: 864: 863: 858: 853: 851: 847: 843: 838: 836: 832: 821: 818: 814: 810: 806: 802: 801:Louis Calhern 798: 794: 790: 786: 782: 772: 770: 766: 765: 760: 756: 752: 748: 747:End of Summer 744: 740: 736: 732: 728: 724: 720: 716: 711: 709: 705: 701: 697: 696:A Proud Woman 693: 692:The Goat Song 689: 685: 681: 677: 673: 669: 665: 661: 657: 653: 649: 640: 636: 634: 630: 629:Harold Chapin 626: 622: 617: 616: 605: 603: 599: 595: 591: 587: 582: 578: 573: 571: 567: 563: 552: 550: 549: 545: 544:romance drama 541: 540: 535: 531: 520: 518: 514: 510: 506: 502: 497: 493: 489: 485: 480: 478: 477: 472: 468: 464: 460: 459: 438: 436: 432: 422: 420: 416: 412: 408: 407: 406:The Deception 402: 401: 397: 393: 389: 385: 381: 380: 375: 374: 369: 365: 360: 358: 357: 352: 351: 350:The Guerrilla 341: 337: 334: 328: 326: 322: 318: 314: 307: 305: 298: 296: 292: 286: 284: 283:carte blanche 280: 276: 272: 263: 254: 245: 243: 239: 235: 231: 230:intermissions 227: 223: 217: 215: 211: 207: 202: 201:show business 198: 194: 190: 180: 177: 172: 168: 164: 161: 158: 154: 150: 146: 142: 141:Barry O'Moore 138: 129: 125: 119: 115: 111: 107: 103: 101:Occupation(s) 99: 95:United States 93: 83: 79: 75:United States 73: 56: 52: 48:Yost, c. 1911 45: 40: 33: 30: 19: 1967:Herbert Yost 1958:Herbert Yost 1941: 1933: 1924: 1912: 1904: 1896: 1888: 1879: 1871: 1866: 1835: 1817: 1812: 1804: 1799: 1791: 1786: 1774: 1762: 1750: 1742: 1738: 1730: 1722: 1700: 1692: 1682: 1677: 1669: 1648: 1638: 1633: 1620: 1611: 1594: 1582: 1566: 1561: 1548: 1535: 1489: 1485: 1477: 1469: 1465: 1456: 1448: 1439: 1431: 1411: 1395: 1390: 1376: 1345:FamilySearch 1324: 1304: 1296: 1273: 1265: 1260: 1252: 1248: 1243: 1235: 1229: 1221: 1217: 1208: 1198: 1189: 1175: 1157: 1149: 1143: 1137: 1129: 1123: 1117: 1111: 1105: 1099: 1093: 1087: 1081: 1075: 1069: 1063: 1057: 1051: 1043: 1037: 1032:Suicide Club 1031: 1025: 1018: 1013:Faded Lilies 1012: 1004: 998: 990: 984:At the Altar 982: 976: 968: 960: 954: 946: 940: 929: 923: 915: 907: 899: 893: 860: 854: 846:lay preacher 841: 839: 827: 799:co-starring 796: 792: 791:(1941), and 788: 784: 778: 762: 758: 754: 750: 746: 742: 738: 734: 730: 726: 718: 712: 707: 706:(1927), and 703: 699: 695: 691: 687: 683: 680:The New Poor 679: 675: 671: 667: 663: 659: 655: 651: 647: 645: 632: 624: 620: 613: 611: 601: 597: 593: 585: 576: 574: 561: 558: 546: 537: 532:(1929); the 529: 526: 516: 513:Sam B. Hardy 508: 504: 500: 495: 487: 483: 481: 474: 470: 462: 456: 453: 434: 430: 428: 414: 404: 398: 391: 377: 371: 367: 363: 361: 354: 348: 346: 329: 320: 312: 309: 300: 294: 287: 268: 251: 241: 237: 225: 221: 218: 213: 209: 186: 145:Bertram Yost 144: 140: 137:Herbert Yost 136: 135: 86:(1945-10-23) 36:Herbert Yost 29: 1996:1945 deaths 1991:1879 births 735:The Red Cat 333:Intertitles 120:Agnes Scott 1985:Categories 1887:, review, 1684:Motography 1575:HathiTrust 1486:Motography 1470:DWG&BC 1288:References 1266:Over Night 1249:Over Night 1138:Over Night 928: [ 886:Caricature 813:Elia Kazan 731:John Brown 615:Over Night 598:Over Night 577:Over Night 509:Over Night 501:Over Night 496:Over Night 376: [ 271:brownstone 64:1879-12-08 1253:Overnight 992:Lucky Jim 835:Manhattan 809:Annabella 739:Post Road 602:The Times 419:the Bronx 275:Manhattan 206:satirical 197:dry goods 193:Covington 117:Spouse(s) 112:1897–1945 1541:pp. 4-10 1383:ProQuest 1305:Playbill 787:(1941), 745:(1935), 741:(1934), 737:(1934), 733:(1934), 710:(1929). 702:(1927), 698:(1926), 694:(1926), 690:(1924), 686:(1924), 682:(1924), 678:(1922), 674:(1921), 670:(1920), 666:(1917), 662:(1917), 658:(1917), 566:Majestic 551:(1934). 157:one-reel 153:Broadway 127:Children 1969:at the 1942:Variety 1889:Variety 1775:Variety 1723:Variety 1347:(FamS). 1218:Ingrate 755:Variety 749:(1936) 536:comedy 534:feature 517:Variety 505:Variety 396:dramedy 1757:, AFI. 1717:Rime. 1600:pp. 34 1554:p. 308 1134:(1914) 1126:(1914) 1054:(1912) 1048:(1912) 1034:(1909) 1028:(1909) 1021:(1909) 1015:(1909) 1009:(1909) 1001:(1909) 987:(1909) 957:(1909) 951:(1909) 943:(1909) 807:, and 596:found 394:; the 234:Toledo 163:shorts 160:silent 1653:1915. 1587:Niver 1167:Notes 366:and 248:Films 176:stock 1962:IMDb 1251:and 848:for 486:and 224:and 212:and 169:and 143:and 130:None 81:Died 54:Born 1960:at 1604:308 1468:] ( 931:sic 458:sic 379:sic 189:nĂ©e 1987:: 1843:^ 1825:^ 1773:, 1737:, 1721:, 1710:^ 1699:, 1668:, 1658:^ 1602:, 1569:, 1516:^ 1497:^ 1484:, 1464:, 1447:, 1430:, 1419:^ 1403:^ 1352:^ 1336:^ 1323:, 1312:^ 837:. 803:, 421:. 403:; 216:. 1628:. 1606:. 1556:. 1543:. 1255:. 1238:. 1024:' 66:) 62:( 20:)

Index

Barry O'Moore

Harrison, Ohio
New York City, New York
stock companies
Broadway
one-reel
silent
shorts
Biograph Company
Edison Studios
stock
née
Covington
dry goods
show business
satirical
intermissions
Toledo

brownstone
Manhattan
D. W. Griffith
carte blanche
Linda Arvidson
Charles Frohman
Museum of Modern Art
Library of Congress
Intertitles

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