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265:. At the outset of the play, Leonato welcomes a group of soldiers to his home including Benedick, with whom Beatrice has a "merry war".. Beatrice used to date Benedick, so upon their reunion Beatrice and Benedick resume fighting with each other and both declare their disinterest in marriage and the opposite sex. The prince,
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some hesitation, Beatrice reveals that she feels the same way. Benedick tells
Beatrice that he will do anything for her and she asks that he "Kill Claudio". Benedick denies her request and she rages at him about the injustices perpetrated against her cousin. Benedick eventually agrees, albeit reluctantly, to kill Claudio.
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Hero, who is engaged to a young soldier, Claudio, is left at the altar and accused of being unfaithful. Beatrice is unquestioning about Hero's innocence and plays along in the friar's plan to fake Hero's death to prove her innocence. After the wedding, Benedick tells
Beatrice that he loves her. After
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Feminist critics argue that
Beatrice's wit and female power only serve to enable and maintain male power. In this interpretation, Beatrice's marriage at the end of the play represents her ultimately losing her power in order to become a wife. These critics see Beatrice and Benedick's marriage at the
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Craik argues that
Beatrice's "revengeful invective against Claudio ... does not justify itself" (p. 314) because Beatrice is wrong in her judgment of Claudio's guilt. I agree that Beatrice is too passionate, too much inclined to help Don John's feast of malice to its conclusion, but Claudio is not,
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Some critics have argued that
Beatrice's "Kill Claudio" line exposes the violence that underpins chivalric ideals. William Babula argues that by demanding that Benedick kill Claudio, Beatrice refuses to be categorized and avoids the simplicity of a label such as "shrew". Some scholars condemn "Kill
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One of the reoccurring questions asked by generations of performers and directors is whether
Beatrice and Benedick actually have feelings for each other or are merely tricked into an illusion of love. Scholars such as Richard Henze see the deception of Beatrice and Benedick, that by which they are
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Later, Benedick tells
Beatrice he has challenged Claudio to a duel, though she finds this insufficient. Hero is proven innocent and ends up marrying Claudio before Benedick needs to act on his promise. After some pretending, Beatrice and Benedick are compelled to admit to their true feelings when
269:, enlists everyone to trick Beatrice and Benedick into falling in love. Hero and her gentlewoman Ursula gull Beatrice by discussing Benedick's infatuation with her knowing that Beatrice will overhear. Their trickery is successful and Beatrice vows to requite Benedick's love.
456:. There were some difficulties in adapting the character of Beatrice to the Huangmei opera format because Beatrice's audacity in deciding to remain single is incompatible with the traditional Huangmei setting of feudal China. To account for Beatrice's behaviour,
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in Vienna in 2006. Von
Poelnitz's Beatrice was criticized for being unable to keep up with the men in the production. A critic described the show as a "männerverliebtes Männerspiel" (a men's game of men in love). In 2013, Eva Meckbach played Beatrice in the
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In act 4, scene 1, Beatrice famously asks
Benedick to "Kill Claudio". The last portion of act 4, scene 1 is often referred to as the "Kill Claudio" sequence and has been the subject of much discussion among both actors and scholars.
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starred Magda Cnudde as
Beatrice. According to one review, the bustle of the farcical tone of the majority of the play drowned out the tension and emotion of the church scene featuring Beatrice's line "Kill Claudio".
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Later in the scene, Beatrice repeats the phrase "that I were a man!" Phillip Collington claims that "Beatrice wishes she were a man because she wants Benedick to punish those who merely pretend to be men".
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Benedick. Engravings from the nineteenth century of Anna Cora Ritchie in the role of Beatrice survive, but there is no additional information about Ritchie's performance. In the late nineteenth century,
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739:. This production was set in the late 1990s and transformed Beatrice into an up-and-coming stand-up comic. The show began with a ten-minute set of Beatrice's comedy co-written by Balkan and Napoli.
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character. During the play, she is tricked into falling in love with Benedick, a soldier with whom she has a "merry war", after rumours are spread that they are in love with each other.
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Regardless of whether Beatrice can be considered a contemporary feminist, she certainly disrupted conventional sixteenth-century gender norms. Some argue that Beatrice appropriates
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meaning voyager or traveller. Beatrice also means "she who blesses" or "blesser" in Latin. This meaning is especially relevant given that the name Benedick means "blessed".
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Scholars following in Scott's footsteps believing Beatrice to be inspired by Emilia Pia, have interpreted Beatrice's concealment of her love for Benedict as a form of
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of "the disdainful woman of courtly love", suggesting that she was perhaps inspired by Petrarch. Some critics suggest the Beatrice/Benedick plot has its origins in
129:. Atypically for romantic heroines of the sixteenth century, she is feisty and sharp-witted; these characteristics have led some scholars to label Beatrice a
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795:. While eavesdropping and being tricked into thinking that Benedick is in love with her, Beatrice hides behind a bush which is subsequently watered by Hero.
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because she does not take a disguise but instead shows her intellect and claims space in male-dominated society. Beatrice has also been compared to
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299:. Cedric Watts noted that during the twentieth century, more and more performances favoured a feminist Beatrice with an increased combativeness.
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led to believe the other is in love with them, serves as an end to their individual self-deceptions that they are not in love with each other.
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series of televised Shakespeare adaptations. In ShakespeaRe-Told, Beatrice is a news anchor at the fictitious local news show Wessex Tonight.
431:, the characters were all given Japanese names. Beatrice was called Tori. Because of the change of setting from Messina under Spanish rule to
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love letters they have written are revealed by Hero and Claudio. With their love revealed, Beatrice and Benedick marry, concluding the play.
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Mueller, Martin (1994). "Shakespeare's Sleeping Beauties: The Sources of "Much Ado about Nothing" and the Play of Their Repetitions".
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featured Maggie Smith as Beatrice. The production was adapted from the performance at the Old Vic and was directed for television by
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339:. C. T. Prouty argues that Beatrice and Benedick are a pair of true lovers and are thereby the antithesis of Claudio and Hero's "
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Collington, Philip D. (2006). ""Stuffed with All Honourable Virtues": "Much Ado about Nothing" and "The Book of the Courtier"".
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Prouty, C. T. (1941). "George Whetstone, Peter Beverly, and the Sources of "Much Ado about Nothing" Author(s): C. T. Prouty".
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543:'s Benedick at the Lyceum. In 1903, Olive Kennett portrayed Beatrice. Two years later, Beatrice was played by H. B. Tree.
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McManus, Caroline (2003). "Subverting Romantic Comedy: Edith Wharton's Reading of Shakespeare in "The House of Mirth"".
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Harriett Maire played Beatrice in the web series "Nothing Much To Do". "Nothing Much To Do" is a modern adaptation of
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language and thereby places herself among male society. Her speech is more typical of male characters of the period.
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Friedman, Michael D. (1990). ""Hush'd on Purpose to Grace Harmony": Wives and Silence in "Much Ado about Nothing"".
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was nominated for a "Best Performance by a Leading Actress in a Play" Tony for her portrayal of Beatrice. In 1985,
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Cook, Carol (1986). ""The Sign and Semblance of Her Honor": Reading Gender Difference in Much Ado about Nothing".
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Cook, Carol (1986). ""The Sign and Semblance of Her Honor": Reading Gender Difference in Much Ado about Nothing".
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Gough, Melinda J. (1999). ""Her Filthy Feature Open Showne" in Ariosto, Spenser, and "Much Ado about Nothing"".
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Japan, Beatrice's line "Kill Claudio" made contextual sense due to the Japanese kinship system and principle of
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as well as Rosaline and Berowne are seen by some to be Shakespeare's precursors to Beatrice and Benedick.
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played Beatrice at the York Shakespeare Festival in 2004 in Ontario. The production was set during the
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3788:"'Anyone but You' Trailer: Sydney Sweeney and Glen Powell Show Off Their Chemistry in Steamy Rom-Com"
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Langham Bennett, Mackie (July 8, 1937). "Shakespeare's "Much Ado" and ITS Possible Italian Sources".
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Langham Bennett, Mackie (July 8, 1937). "Shakespeare's "Much Ado" and ITS Possible Italian Sources".
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play's conclusion as representing a curing of social abnormality. On the other-hand, critics such as
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set immediately after World War II. Norris's Beatrice was described as performing "verbal jujitsu".
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2258:. with introduction by Williams, Travis D. (3rd ed.). Cambridge University Press. p. 12.
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of the play. Alison Findley referred to Beatrice as "a conduit for the film's emotional energy".
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Claudio" as being overly harsh in light of the fact that Claudio was tricked into defaming Hero.
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played Beatrice at the Old Vic in 1965. This production was broadcast for television in 1967.
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Jackson, Russell (2003). "Shakespeare at Stratford-upon-Avon: Summer and Winter, 2002–2003".
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2307:"Much Ado about Nothing, Anna Cora Ritchie as Beatrice, 1819-1870 | Shakespeare's Staging"
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Friedman, Michael D. (1990). "'Hush'd on Purpose to Grace Harmony': Wives and Silence in
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The London stage, 1900-1909 : a calendar of productions, performers, and personnel
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The London stage, 1900-1909 : a calendar of productions, performers, and personnel
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864:. This production continued, with Mansurova playing Beatrice, for at least five years.
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Beatrice lives with her uncle Leonato and his daughter, Hero, who is her cousin, in
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1619:"The Stage Representation of the 'Kill Claudio' Sequence in Much Ado About Nothing"
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Here; He Will Co-Star for 8 Weeks with Margaret Leighton – Equity Accuses League"
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3568:"All-black 'Much Ado About Nothing' brings Shakespeare into 21st century on PBS"
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2520:"Felicity Kendal: 'No, I'm not obedient and nice ... I'm utterly independent'"
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Shakespeare, William (2012) . "Introduction: Sources". In Mares, F. H. (ed.).
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Crichton, Andrew B. (1975). "Hercules Shaven: A Centering Mythic Metaphor in
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237:) as Shakespeare's precursors to the witty pairing of Beatrice and Benedick.
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Peide, Zha; Jia, Tian (1988). "Shakespeare in Traditional Chinese Operas".
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played Beatrice on Broadway in 1959. In 1960, Leighton was nominated for a
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3362:"This Much Ado About Nothing gives Shakespeare a 1990s romcom sensibility"
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Geoff, Chapman (May 30, 1991). "Monette makes much of Ado About Nothing".
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2494:"Dame Again - Early 'lost' Maggie Smith appearance painstakingly restored"
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Jacobs, Laurence H. (1981). "Shakespeare in the San Francisco Bay Area".
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in Stratford, Ontario, Beatrice has been played by Jane Casson (1971),
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Collington, Philip D. (2006). "'Stuffed with All Honourable Virtues':
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Babula, William (1976). ""Much Ado about Nothing" and the Spectator".
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Shakespeare likely would have first encountered the name Beatrice in
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A Directory of Shakespeare in Performance 1970-1990: Canada and USA
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A Directory of Shakespeare in Performance 1970-1990: Canada and USA
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A Directory of Shakespeare in Performance 1970-1990: Canada and USA
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A Directory of Shakespeare in Performance 1970-1990: Canada and USA
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A Directory of Shakespeare in Performance 1970-1990: Canada and USA
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Social abnormality has been cured, then, in Beatrice and Benedick;
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played Beatrice with the American Conservatory Theater. In 1988,
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is the Italian form of Beatrix which likely comes from the Latin
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in which the character of Beatrice represents divine knowledge.
720:. Kate Eastwood Norris played Beatrice in a 2005 production of
453:
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Henze, Richard (1971). "Deception in Much Ado about Nothing".
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Henze, Richard (1971). "Deception in Much Ado about Nothing".
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At the Royal Shakespeare Company, Beatrice has been played by
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for "Best Actress" in 1987 for her performance as Beatrice in
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review – Mel Giedroyc blazes through Great Sicilian Bake Off"
125:. In the play, she is the niece of Leonato and the cousin of
3732:
Much Ado About Nothing: a guide to the play and performance
3551:
Teachout, Terry (June 19, 2014). "Much Ado About Nothing".
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3863:"Nothing Much To Do Official Trailer | The Candle Wasters"
3837:"Timeless Tales With a Modern Twist in 'ShakespeaRe-Told'"
3703:"Much Ado About Nothing movie review (1993) | Roger Ebert"
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The earliest known UK broadcast television performance of
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Tony for "Best Performance by a Leading Actress in a Play"
3211:. Vol. 2. Palgrave Macmillan Limited. p. 208.
3176:. Vol. 2. Palgrave Macmillan Limited. p. 205.
3141:. Vol. 2. Palgrave Macmillan Limited. p. 202.
3106:. Vol. 2. Palgrave Macmillan Limited. p. 201.
3071:. Vol. 2. Palgrave Macmillan Limited. p. 198.
2369:(3rd ed.). Cambridge University Press. p. 15.
205:. Walter N. King described Beatrice as representing the
3275:"Much Ado: Stratford Festival's Much Ado About Nothing"
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Hunt, Maurice (2000). "The Reclamation of Language in
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Much Ado About Nothing (The New Cambridge Shakespeare)
844:, was later broadcast on television as part of PBS's “
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In 2007, Tracy Michelle Arnold played Beatrice at the
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was set in China without specifying the time period.
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first suggested in 1901 that Beatrice is modelled on
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Beatrice has been portrayed by many actors including
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King, Walter N. (1964). "Much Ado About Something".
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King, Walter N. (1964). "Much Ado About Something".
3649:Blum, Eugene (July 1945). "Shakspere in the USSR".
2174:"'Erbin. Alleinerbin.': Shakespeare im Burgtheater"
1975:Ruru, Li (1995). "The Bard in the Middle Kingdom".
1473:William, Shakespeare (2003) . Watts, Cedric (ed.).
929:, whose plot progression was largely derivative of
776:was nominated for the same award for her Beatrice.
710:(1998), Deborah Hay (2012), and Maev Beaty (2023).
1182:"Meaning, origin and history of the name Beatrice"
412:. Zhu's performance was heavily influenced by the
2365:Shakespeare, William (2018). Mares, F. H. (ed.).
2279:Shakespeare, William (1997). Cox, John F. (ed.).
2254:Shakespeare, William (2018). Mares, F. H. (ed.).
1500:Shakespeare, William (1997). Cox, John F. (ed.).
1206:"Meaning, origin and history of the name Beatrix"
802:Tracy Michelle Arnold as Beatrice in 2007 at the
702:(1980), Tana Hicken (1983), Tandy Cronyn (1987),
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2102:De Vos, Jozef (1984). "Shakespeare in Belgium".
378:due to their shared shrewishness. Katherina and
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1090:
735:'s production with Shakespeare in High Park in
3532:PlayShakespeare.com: Free Shakespeare Resource
840:in New York City. The production, directed by
665:. In 2017, Beatriz Romilly played Beatrice at
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919:played Bea—a character based on Beatrice— in
3205:Goodland, Katharine; O'Connor, John (2010).
3170:Goodland, Katharine; O'Connor, John (2010).
3135:Goodland, Katharine; O'Connor, John (2010).
3100:Goodland, Katharine; O'Connor, John (2010).
3065:Goodland, Katharine; O'Connor, John (2010).
2020:Fleck, Agnes (1981). "A Japanese Much Ado".
1866:SEL: Studies in English Literature 1500–1900
1758:SEL: Studies in English Literature 1500–1900
1660:SEL: Studies in English Literature 1500–1900
956:played a modernized Beatrice as part of the
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646:played Beatrice in a production directed by
295:and John Crick have described Beatrice as a
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638:As part of the Royal Shakespeare Company's
476:Christiane von Poelnitz played Beatrice in
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2285:. Cambridge University Press. p. 13.
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909:, Beatrice was played by American actress
37:
3620:. Rowman & Littlefield. p. 280.
3424:"Much Ado About Nothing Tony Awards Info"
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1506:. Cambridge University Press. p. 5.
590:Laurence Olivier Award for "Best Actress"
501:, both Beatrice and Benedick sang a lot.
354:claims that Beatrice is unlike Rosaline (
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3618:Historical dictionary of Russian theatre
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3456:: A March In Ragtime to Broadway and TV"
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1941:Texas Studies in Literature and Language
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872:In the 1964 German language adaptation,
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623:. The same year, Beatrice was played by
539:performed the role of Beatrice opposite
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347:Comparison to other Shakespeare heroines
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3035:"Mel Giedroyc lacks key ingredients in
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2182:(in Austrian German). December 11, 2006
2030:(3). Oxford University Press: 365–367.
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749:(right) as Beatrice on Broadway in 1959
603:played Beatrice in a production at the
222:Some critics see Rosalind and Berowne (
4201:Literary characters introduced in 1599
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3341:Hocking, Bree (October 25, 2005). "In
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2149:"Theatertreffen - Viel Lärm um nichts"
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596:for 'Best Shakespearean Performance'.
385:
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3914:"[REVIEW] Nothing Much To Do"
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2394:. Scarecrow Press. pp. 161–162.
2229:Tuschick, Jamal (September 4, 2013).
2019:
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1629:. Cambridge University Press: 27–36.
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669:. This production was set in Mexico.
452:. The role of Beatrice was played by
326:
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3651:The Shakespeare Association Bulletin
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3566:Dickie, George (November 17, 2019).
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2768:Chappet, Marie-Claire (2011-10-04).
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2576:"The top ten Beatrice and Benedicks"
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3526:Cleaveland, Carrie (25 June 2007).
2741:Greenstreet, Rosanna (2012-08-03).
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1479:. Wordsworth Classics. p. 15.
832:played Beatrice in a production of
592:and was the first woman to win the
256:
43:A stipple engraving of Beatrice by
13:
3835:Stanley, Alessandra (2006-08-04).
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497:. In this production, directed by
14:
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2605:Berg, Fredric (1989). "Review of
1001:
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3786:Flam, Charna (19 October 2023).
3755:Shoard, Catherine (2012-09-13).
2427:. Scarecrow Press. p. 230.
753:
680:
4206:Female Shakespearean characters
3912:Gergorio, Trisha (2015-12-03).
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3593:"Much Ado About Nothing (1936)"
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3093:
3058:
3033:Mountford, Fiona (2018-04-19).
3026:
2992:
2961:
2927:
2893:
2862:
2823:
2789:
2770:"Tamsin Greig: career timeline"
2761:
2734:
2700:
2647:
2568:
2538:
2511:
2461:"Best Shakespeare productions:
2449:
2416:
2383:
2358:
2323:
2299:
2272:
2247:
2222:
2193:
2166:
2140:
2095:
2050:
2013:
1968:
1927:
1900:
1857:
1814:
1796:
1749:
1694:
1651:
1610:
1571:
1520:
1493:
1466:
1415:
1367:
1318:
836:featuring an all-black cast at
673:played Beatrice in 2018 at the
526:In the 1700s, a woman known as
228:) and Katherina and Petruchio (
2869:Cavendish, Lucy (2012-07-26).
2518:Pilkington, Sue (2015-12-01).
1222:
1198:
1174:
1160:. Cambridge University Press.
1107:
1084:
1039:
588:(2006). Greig was awarded the
1:
3701:Ebert, Roger (May 21, 1993).
3528:"'Much Ado' Deserves its Due"
974:
923:'s 2023 romantic comedy film
793:New York Shakespeare Festival
594:Critic's Circle Theatre Award
517:
3360:Maga, Carly (13 July 2019).
2875:: Much ado about Meera Syal"
2716:, Swan, Stratford-upon-Avon"
2231:"Die SchaubĂĽhne als Cabaret"
619:in a production directed by
115:is a fictional character in
7:
3616:Senelick, Laurence (2015).
817:played Beatrice in 2014 at
631:'s Benedick as directed by
280:
10:
4227:
1810:Folger Shakespeare Library
1635:10.1017/CCOL0521227534.003
1314:Folger Shakespeare Library
997:Folger Shakespeare Library
640:World Shakespeare Festival
390:
175:
4160:
4117:
4086:
4058:
4025:
4018:
4007:
3976:
3744:– via Google Books.
2968:Wolf, Matt (2017-08-24).
2550:"Googie Withers obituary"
2153:www.berlinerfestspiele.de
937:Television and Web Series
878:, Beatrice was played by
851:
685:
530:played Beatrice opposite
463:
97:
92:
62:
52:
36:
26:
21:
4211:Fictional Italian people
4174:Curiosity killed the cat
4103:The Boys Are Coming Home
3726:Findlay, Alison (2011).
2311:shakespeare.berkeley.edu
1827:The Book of the Courtier
903:2012 film adaptation of
811:American Players Theater
804:American Players Theater
427:, the Japanese title of
410:Shanghai Theatre Academy
408:(Shanghai drama) at the
202:The Book of the Courtier
3728:"5. The Play on Screen"
3553:The Wall Street Journal
3300:"Spotlight: Maev Beaty"
2743:"Q&A: Tamsin Greig"
2423:Wearing, J. P. (2013).
2390:Wearing, J. P. (2013).
1704:South Atlantic Bulletin
867:
860:played Beatrice at the
838:Shakespeare in the Park
821:under the direction of
819:Shakespeare in the Park
787:played Beatrice at the
661:under the direction of
657:played Beatrice at the
395:
375:The Taming of the Shrew
240:
93:In-universe information
4126:The Law Against Lovers
4075:Much Ado About Nothing
3969:Much Ado About Nothing
3816:Much Ado About Nothing
3759:Much Ado About Nothing
3734:. Palgrave Macmillan.
3037:Much Ado About Nothing
3006:Much Ado About Nothing
2972:Much Ado About Nothing
2941:Much Ado About Nothing
2907:Much Ado About Nothing
2873:Much Ado About Nothing
2841:Much Ado About Nothing
2837:Much Ado About Nothing
2803:Much Ado About Nothing
2714:Much Ado About Nothing
2607:Much Ado About Nothing
2463:Much Ado About Nothing
2367:Much Ado About Nothing
2282:Much Ado About Nothing
2256:Much Ado About Nothing
2203:Much Ado About Nothing
2147:Festspiele, Berliner.
1936:Much Ado About Nothing
1823:Much Ado About Nothing
1804:Much Ado About Nothing
1580:Much Ado about Nothing
1503:Much Ado About Nothing
1476:Much Ado About Nothing
1327:Much Ado About Nothing
1308:Much Ado About Nothing
991:Much Ado About Nothing
965:Much Ado About Nothing
943:Much Ado About Nothing
931:Much Ado About Nothing
906:Much Ado About Nothing
834:Much Ado About Nothing
806:
750:
722:Much Ado About Nothing
675:Rose Theatre, Kingston
555:Evening Standard Award
523:
482:Much Ado About Nothing
458:Much Ado About Nothing
446:Much Ado About Nothing
429:Much Ado About Nothing
197:Baldassare Castiglione
122:Much Ado About Nothing
29:Much Ado About Nothing
3484:Shakespeare Quarterly
3428:www.broadwayworld.com
3304:Intermission Magazine
3263:. September 10, 1998.
2670:10.1353/shq.2003.0073
2657:Shakespeare Quarterly
2105:Shakespeare Quarterly
2060:Shakespeare Quarterly
2023:Shakespeare Quarterly
1978:Asian Theatre Journal
1377:Shakespeare Quarterly
1049:Shakespeare Quarterly
801:
765:for her performance.
745:
561:'s production at the
512:
504:
468:In 1983, the Belgian
404:played Beatrice with
341:mariage de convenance
117:William Shakespeare's
4067:Béatrice et Bénédict
3889:"Nothing Much To Do"
2584:. London. 2013-09-19
2332:Studies in Philology
2235:www.kultura-extra.de
1909:Studies in Philology
1831:Studies in Philology
1791:therefore, innocent.
1584:Studies in Philology
1013:Studies in Philology
858:Tsetsiliya Mansurova
516:(right) as Beatrice
499:Marius von Mayenburg
357:Love's Labour's Lost
225:Love's Labour's Lost
207:Petrarchan archetype
45:Alessandro Zaffonato
4142:Imogen Says Nothing
3964:William Shakespeare
3685:Viel Lärm um nichts
3000:Billington, Michael
2935:Billington, Michael
2901:Billington, Michael
2880:The Daily Telegraph
2797:Billington, Michael
2708:Billington, Michael
2457:Billington, Michael
1617:Cox, J. F. (1980).
888:played Beatrice in
880:Christel Bodenstein
875:Viel Lärm um nichts
731:played Beatrice in
667:Shakespeare's Globe
617:Shakespeare's Globe
615:played Beatrice at
495:Viel Lärm um Nichts
478:Viel Lärm um Nichts
470:Veel Leven om Niets
423:1979 production of
414:Stanislavski system
386:Performance history
234:Taming of the Shrew
199:'s Emilia Pia from
57:William Shakespeare
16:Fictional character
3893:The Candle Wasters
3842:The New York Times
3707:www.rogerebert.com
3461:The New York Times
3400:The New York Times
3391:"Gielgud to Bring
2979:The New York Times
2805:/ Olivier, London"
1623:Shakespeare Survey
1279:Studies in English
1093:Studies in English
862:Vakhtangov Theatre
846:Great Performances
807:
751:
692:Stratford Festival
650:and set in India.
524:
327:Love and deception
286:Feminist critiques
193:Mary Augusta Scott
4188:
4187:
4113:
4112:
3627:978-1-4422-4927-1
3597:www.vakhtangov.ru
3324:"Out of Town: ".
3218:978-1-349-60041-0
3183:978-1-349-60041-0
3148:978-1-349-60041-0
3113:978-1-349-60041-0
3078:978-1-349-60041-0
2970:"A Mexican-Style
2843:, Globe – review"
2801:"Theatre review:
2434:978-0-8108-9294-1
2401:978-0-8108-9294-1
1167:978-0-521-53250-1
947:Franco Zeffirelli
789:Delacorte Theatre
781:Barbara Dirickson
759:Margaret Leighton
747:Margaret Leighton
718:Spanish Civil War
448:was adapted into
110:
109:
4218:
4023:
4022:
4013:
3957:
3950:
3943:
3934:
3933:
3928:
3927:
3925:
3924:
3909:
3903:
3902:
3900:
3899:
3885:
3879:
3878:
3876:
3874:
3859:
3853:
3852:
3850:
3849:
3832:
3826:
3825:
3824:
3823:
3811:
3805:
3804:
3802:
3800:
3783:
3777:
3776:
3774:
3773:
3752:
3746:
3745:
3723:
3717:
3716:
3714:
3713:
3698:
3692:
3681:
3675:
3674:
3646:
3640:
3639:
3613:
3607:
3606:
3604:
3603:
3589:
3583:
3582:
3580:
3578:
3563:
3557:
3556:
3548:
3542:
3541:
3539:
3538:
3523:
3517:
3516:
3478:
3472:
3471:
3469:
3468:
3444:
3438:
3437:
3435:
3434:
3420:
3411:
3410:
3408:
3407:
3383:
3377:
3376:
3374:
3372:
3366:The Toronto Star
3357:
3351:
3350:
3338:
3332:
3331:
3330:. July 15, 2004.
3321:
3315:
3314:
3312:
3311:
3296:
3290:
3289:
3287:
3286:
3279:Critics at Large
3271:
3265:
3264:
3254:
3248:
3247:
3237:
3231:
3230:
3202:
3196:
3195:
3167:
3161:
3160:
3132:
3126:
3125:
3097:
3091:
3090:
3062:
3056:
3055:
3053:
3052:
3044:Evening Standard
3030:
3024:
3023:
3021:
3020:
2996:
2990:
2989:
2987:
2986:
2965:
2959:
2958:
2956:
2955:
2931:
2925:
2924:
2922:
2921:
2897:
2891:
2890:
2888:
2887:
2866:
2860:
2859:
2857:
2856:
2827:
2821:
2820:
2818:
2817:
2793:
2787:
2786:
2784:
2783:
2765:
2759:
2758:
2756:
2755:
2738:
2732:
2731:
2729:
2728:
2704:
2698:
2697:
2651:
2645:
2644:
2602:
2593:
2592:
2590:
2589:
2572:
2566:
2565:
2563:
2562:
2542:
2536:
2535:
2533:
2532:
2515:
2509:
2508:
2506:
2504:
2490:
2481:
2480:
2478:
2477:
2453:
2447:
2446:
2420:
2414:
2413:
2387:
2381:
2380:
2362:
2356:
2355:
2327:
2321:
2320:
2318:
2317:
2303:
2297:
2296:
2276:
2270:
2269:
2251:
2245:
2244:
2242:
2241:
2226:
2220:
2219:
2217:
2216:
2197:
2191:
2190:
2188:
2187:
2170:
2164:
2163:
2161:
2160:
2144:
2138:
2137:
2099:
2093:
2092:
2054:
2048:
2047:
2017:
2011:
2010:
1972:
1966:
1965:
1931:
1925:
1924:
1904:
1898:
1897:
1861:
1855:
1854:
1818:
1812:
1806: 4.1/317–331
1800:
1794:
1793:
1753:
1747:
1746:
1728:
1698:
1692:
1691:
1655:
1649:
1648:
1614:
1608:
1607:
1575:
1569:
1568:
1524:
1518:
1517:
1497:
1491:
1490:
1470:
1464:
1463:
1419:
1413:
1412:
1371:
1365:
1364:
1322:
1316:
1304:
1291:
1290:
1274:
1265:
1264:
1226:
1220:
1219:
1217:
1216:
1202:
1196:
1195:
1193:
1192:
1178:
1172:
1171:
1151:
1142:
1141:
1117:Modern Philology
1111:
1105:
1104:
1088:
1082:
1081:
1043:
1037:
1036:
1008:
999:
987:
958:ShakespeaRe-Told
770:Kathleen Widdoes
655:Vanessa Redgrave
605:National Theatre
559:Elijah Moshinsky
553:was awarded the
528:Frances Abington
522:
519:
421:Terrence Knapp's
352:G. Wilson Knight
257:Role in the play
138:Frances Abington
41:
19:
18:
4226:
4225:
4221:
4220:
4219:
4217:
4216:
4215:
4191:
4190:
4189:
4184:
4156:
4109:
4082:
4054:
4014:
4005:
3972:
3961:
3931:
3922:
3920:
3910:
3906:
3897:
3895:
3887:
3886:
3882:
3872:
3870:
3869:. July 27, 2014
3861:
3860:
3856:
3847:
3845:
3833:
3829:
3821:
3819:
3813:
3812:
3808:
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3796:
3784:
3780:
3771:
3769:
3753:
3749:
3742:
3724:
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3711:
3709:
3699:
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3682:
3678:
3647:
3643:
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3614:
3610:
3601:
3599:
3591:
3590:
3586:
3576:
3574:
3564:
3560:
3549:
3545:
3536:
3534:
3524:
3520:
3497:10.2307/2870048
3479:
3475:
3466:
3464:
3445:
3441:
3432:
3430:
3422:
3421:
3414:
3405:
3403:
3384:
3380:
3370:
3368:
3358:
3354:
3339:
3335:
3323:
3322:
3318:
3309:
3307:
3298:
3297:
3293:
3284:
3282:
3273:
3272:
3268:
3256:
3255:
3251:
3238:
3234:
3219:
3203:
3199:
3184:
3168:
3164:
3149:
3133:
3129:
3114:
3098:
3094:
3079:
3063:
3059:
3050:
3048:
3031:
3027:
3018:
3016:
2997:
2993:
2984:
2982:
2966:
2962:
2953:
2951:
2932:
2928:
2919:
2917:
2898:
2894:
2885:
2883:
2867:
2863:
2854:
2852:
2831:Clapp, Susannah
2828:
2824:
2815:
2813:
2794:
2790:
2781:
2779:
2766:
2762:
2753:
2751:
2739:
2735:
2726:
2724:
2705:
2701:
2652:
2648:
2625:10.2307/3208191
2612:Theatre Journal
2603:
2596:
2587:
2585:
2574:
2573:
2569:
2560:
2558:
2543:
2539:
2530:
2528:
2516:
2512:
2502:
2500:
2492:
2491:
2484:
2475:
2473:
2454:
2450:
2435:
2421:
2417:
2402:
2388:
2384:
2377:
2363:
2359:
2328:
2324:
2315:
2313:
2305:
2304:
2300:
2293:
2277:
2273:
2266:
2252:
2248:
2239:
2237:
2227:
2223:
2214:
2212:
2199:
2198:
2194:
2185:
2183:
2172:
2171:
2167:
2158:
2156:
2145:
2141:
2118:10.2307/2870168
2100:
2096:
2073:10.2307/2870631
2055:
2051:
2036:10.2307/2870258
2018:
2014:
1991:10.2307/1124468
1973:
1969:
1932:
1928:
1905:
1901:
1862:
1858:
1819:
1815:
1801:
1797:
1754:
1750:
1717:10.2307/3198969
1699:
1695:
1672:10.2307/1556305
1656:
1652:
1645:
1615:
1611:
1576:
1572:
1525:
1521:
1514:
1498:
1494:
1487:
1471:
1467:
1430:(2): 190, 201.
1420:
1416:
1390:10.2307/2868316
1372:
1368:
1345:10.2307/3208080
1332:Theatre Journal
1323:
1319:
1305:
1294:
1275:
1268:
1245:10.2307/3208080
1232:Theatre Journal
1227:
1223:
1214:
1212:
1210:Behind the Name
1204:
1203:
1199:
1190:
1188:
1186:Behind the Name
1180:
1179:
1175:
1168:
1152:
1145:
1112:
1108:
1089:
1085:
1062:10.2307/2868316
1044:
1040:
1009:
1002:
988:
981:
977:
939:
894:1993 adaptation
890:Kenneth Branagh
870:
854:
830:Danielle Brooks
791:as part of the
756:
688:
683:
609:Nicholas Hytner
551:Felicity Kendal
532:David Garrick's
520:
507:
466:
398:
393:
388:
349:
329:
312:
293:Barbara Everett
288:
283:
259:
243:
216:Orlando Furioso
178:
166:Danielle Brooks
106:Leonato (uncle)
105:
85:
81:
77:
73:
69:
48:
17:
12:
11:
5:
4224:
4214:
4213:
4208:
4203:
4186:
4185:
4183:
4182:
4177:
4170:
4164:
4162:
4158:
4157:
4155:
4154:
4150:Anyone but You
4146:
4138:
4134:Dil Chahta Hai
4130:
4121:
4119:
4115:
4114:
4111:
4110:
4108:
4107:
4099:
4090:
4088:
4084:
4083:
4081:
4080:
4071:
4062:
4060:
4056:
4055:
4053:
4052:
4047:
4041:
4036:
4029:
4027:
4020:
4016:
4015:
4008:
4006:
4004:
4003:
3998:
3993:
3988:
3982:
3980:
3974:
3973:
3960:
3959:
3952:
3945:
3937:
3930:
3929:
3918:The Silhouette
3904:
3880:
3854:
3827:
3806:
3778:
3747:
3741:978-0230222618
3740:
3718:
3693:
3676:
3641:
3626:
3608:
3584:
3558:
3543:
3518:
3491:(2): 263–267.
3473:
3450:(1972-12-04).
3439:
3412:
3389:(1959-04-14).
3378:
3352:
3333:
3316:
3291:
3266:
3249:
3232:
3217:
3197:
3182:
3162:
3147:
3127:
3112:
3092:
3077:
3057:
3025:
3002:(2018-04-19).
2991:
2960:
2937:(2013-09-19).
2926:
2903:(2012-08-02).
2892:
2861:
2833:(2011-06-04).
2822:
2799:(2007-12-19).
2788:
2760:
2733:
2710:(2006-05-19).
2699:
2664:(2): 167–185.
2646:
2619:(3): 403–405.
2594:
2567:
2548:(2011-07-16).
2546:Barker, Dennis
2537:
2510:
2482:
2459:(2014-04-17).
2448:
2433:
2415:
2400:
2382:
2375:
2357:
2322:
2298:
2291:
2271:
2264:
2246:
2221:
2192:
2165:
2139:
2112:(4): 466–467.
2094:
2067:(2): 204–211.
2049:
2012:
1967:
1926:
1899:
1878:10.2307/450059
1872:(2): 187–201.
1856:
1813:
1795:
1770:10.2307/450059
1748:
1693:
1650:
1643:
1609:
1570:
1541:10.2307/462403
1519:
1512:
1492:
1485:
1465:
1436:10.2307/462403
1414:
1366:
1339:(3): 350–351.
1317:
1292:
1266:
1239:(3): 350–363.
1221:
1197:
1173:
1166:
1143:
1106:
1083:
1038:
1019:(3): 281–312.
1000:
978:
976:
973:
938:
935:
926:Anyone But You
917:Sydney Sweeney
869:
866:
853:
850:
813:in Wisconsin.
755:
752:
687:
684:
682:
679:
625:Catherine Tate
582:Harriet Walter
570:Googie Withers
563:Strand Theatre
506:
503:
493:production of
465:
462:
450:Huangmei opera
397:
394:
392:
389:
387:
384:
364:As You Like It
348:
345:
328:
325:
311:
310:"Kill Claudio"
308:
287:
284:
282:
279:
263:Messina, Italy
258:
255:
242:
239:
177:
174:
162:Catherine Tate
108:
107:
99:
95:
94:
90:
89:
87:Sydney Sweeney
79:Catherine Tate
64:
60:
59:
54:
50:
49:
42:
34:
33:
24:
23:
15:
9:
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4:
3:
2:
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3668:
3664:
3660:
3657:(3): 99–102.
3656:
3652:
3645:
3637:
3633:
3629:
3623:
3619:
3612:
3598:
3594:
3588:
3573:
3572:Boston Herald
3569:
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3253:
3246:. p. C1.
3245:
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2896:
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2842:
2839:, Wyndham's;
2838:
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2812:
2811:
2806:
2804:
2798:
2792:
2777:
2776:
2775:The Telegraph
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2581:The Telegraph
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1992:
1988:
1984:
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1971:
1963:
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1513:0-521-59822-2
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986:
984:
979:
972:
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967:told through
966:
961:
959:
955:
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948:
944:
934:
932:
928:
927:
922:
918:
914:
912:
908:
907:
902:
901:Joss Whedon's
897:
895:
891:
887:
886:Emma Thompson
883:
881:
877:
876:
865:
863:
859:
849:
847:
843:
839:
835:
831:
826:
824:
820:
816:
812:
805:
800:
796:
794:
790:
786:
785:Blythe Danner
782:
777:
775:
774:Sinéad Cusack
771:
766:
764:
760:
754:United States
748:
744:
740:
738:
734:
730:
725:
723:
719:
715:
714:Camilla Scott
711:
709:
705:
704:Goldie Semple
701:
697:
693:
681:North America
678:
676:
672:
668:
664:
660:
656:
651:
649:
645:
641:
636:
634:
630:
629:David Tennant
626:
622:
621:Jeremy Herrin
618:
614:
610:
606:
602:
601:Zoë Wanamaker
597:
595:
591:
587:
583:
579:
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571:
566:
564:
560:
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426:
422:
417:
415:
411:
407:
406:Shanghai xiju
403:
383:
381:
377:
376:
371:
367:
365:
359:
358:
353:
344:
342:
338:
333:
324:
320:
316:
307:
305:
300:
298:
297:protofeminist
294:
278:
274:
270:
268:
264:
254:
252:
248:
238:
236:
235:
232:
227:
226:
220:
218:
217:
212:
208:
204:
203:
198:
194:
190:
188:
187:
186:Divine Comedy
183:
173:
171:
167:
163:
159:
158:Emma Thompson
155:
151:
147:
143:
139:
134:
132:
131:protofeminist
128:
124:
123:
118:
114:
103:
100:
96:
91:
88:
84:
80:
76:
75:Emma Thompson
72:
68:
65:
61:
58:
55:
51:
46:
40:
35:
31:
30:
25:
20:
4148:
4140:
4132:
4124:
4101:
4093:
4074:
4065:
3985:
3967:
3921:. Retrieved
3917:
3907:
3896:. Retrieved
3892:
3883:
3873:February 14,
3871:. Retrieved
3866:
3857:
3846:. Retrieved
3840:
3830:
3820:, retrieved
3815:
3809:
3797:. Retrieved
3791:
3781:
3770:. Retrieved
3766:The Guardian
3764:
3758:
3750:
3731:
3721:
3710:. Retrieved
3706:
3696:
3684:
3679:
3654:
3650:
3644:
3617:
3611:
3600:. Retrieved
3596:
3587:
3575:. Retrieved
3571:
3561:
3552:
3546:
3535:. Retrieved
3531:
3521:
3488:
3482:
3476:
3465:. Retrieved
3459:
3453:
3442:
3431:. Retrieved
3427:
3404:. Retrieved
3398:
3392:
3387:Zolotow, Sam
3381:
3369:. Retrieved
3365:
3355:
3346:
3342:
3336:
3327:Toronto Star
3325:
3319:
3308:. Retrieved
3306:. 2023-06-23
3303:
3294:
3283:. Retrieved
3281:. 2012-07-06
3278:
3269:
3260:Toronto Star
3258:
3252:
3243:Toronto Star
3241:
3235:
3207:
3200:
3172:
3165:
3137:
3130:
3102:
3095:
3067:
3060:
3049:. Retrieved
3042:
3036:
3028:
3017:. Retrieved
3013:The Guardian
3011:
3005:
2994:
2983:. Retrieved
2977:
2971:
2963:
2952:. Retrieved
2948:The Guardian
2946:
2940:
2929:
2918:. Retrieved
2914:The Guardian
2912:
2906:
2895:
2884:. Retrieved
2878:
2872:
2864:
2853:. Retrieved
2848:The Observer
2846:
2840:
2836:
2825:
2814:. Retrieved
2810:The Guardian
2808:
2802:
2791:
2780:. Retrieved
2773:
2763:
2752:. Retrieved
2748:The Guardian
2746:
2736:
2725:. Retrieved
2721:The Guardian
2719:
2713:
2702:
2661:
2655:
2649:
2616:
2610:
2606:
2586:. Retrieved
2579:
2570:
2559:. Retrieved
2555:The Guardian
2553:
2540:
2529:. Retrieved
2525:The Guardian
2523:
2513:
2501:. Retrieved
2497:
2474:. Retrieved
2470:The Guardian
2468:
2462:
2451:
2424:
2418:
2391:
2385:
2366:
2360:
2335:
2331:
2325:
2314:. Retrieved
2310:
2301:
2281:
2274:
2255:
2249:
2238:. Retrieved
2234:
2224:
2213:. Retrieved
2202:
2195:
2184:. Retrieved
2179:Der Standard
2177:
2168:
2157:. Retrieved
2152:
2142:
2109:
2103:
2097:
2064:
2058:
2052:
2027:
2021:
2015:
1985:(1): 63–64.
1982:
1976:
1970:
1945:
1939:
1935:
1929:
1912:
1908:
1902:
1869:
1865:
1859:
1834:
1830:
1826:
1822:
1816:
1803:
1798:
1789:
1761:
1757:
1751:
1708:
1702:
1696:
1663:
1659:
1653:
1626:
1622:
1612:
1587:
1583:
1579:
1573:
1532:
1528:
1522:
1502:
1495:
1475:
1468:
1427:
1423:
1417:
1409:
1381:
1375:
1369:
1336:
1330:
1326:
1320:
1310: 4.1/303
1307:
1278:
1236:
1230:
1224:
1213:. Retrieved
1209:
1200:
1189:. Retrieved
1185:
1176:
1156:
1121:
1115:
1109:
1092:
1086:
1053:
1047:
1041:
1016:
1012:
990:
964:
962:
954:Sarah Parish
951:
942:
940:
930:
924:
915:
904:
898:
884:
873:
871:
855:
833:
827:
823:Jack O'Brien
808:
778:
767:
757:
726:
721:
712:
708:Martha Henry
700:Maggie Smith
696:Martha Henry
689:
671:Mel Giedroyc
663:Mark Rylance
652:
637:
633:Josie Rourke
607:directed by
598:
586:Tamsin Greig
584:(2002), and
578:Maggie Steed
567:
547:Maggie Smith
545:
541:Henry Irving
525:
494:
481:
480:(German for
477:
475:
469:
467:
457:
445:
443:
436:
428:
424:
418:
405:
399:
373:
363:
355:
350:
334:
330:
321:
317:
313:
301:
289:
275:
271:
260:
250:
244:
233:
230:
223:
221:
214:
200:
191:
184:
179:
154:Tamsin Greig
150:Maggie Smith
135:
120:
112:
111:
71:Tamsin Greig
63:Portrayed by
27:
4168:Dogberryism
4118:Adaptations
4019:Adaptations
3577:February 1,
3452:"Making of
3448:Gussow, Mel
2155:(in German)
1726:10211.1/874
993: 1.1/60
733:Liza Balkan
729:Rose Napoli
611:. In 2011,
537:Ellen Terry
521: 1870
514:Ellen Terry
486:Burgtheater
416:of acting.
337:sprezzatura
142:Ellen Terry
67:Ellen Terry
4195:Categories
3978:Characters
3923:2020-02-15
3898:2020-02-15
3848:2020-02-15
3822:2020-02-15
3772:2020-02-15
3712:2020-02-15
3602:2020-02-15
3537:2020-02-15
3467:2020-02-15
3433:2020-02-15
3406:2020-02-15
3310:2024-02-24
3285:2020-07-05
3227:1104727347
3192:1104727347
3157:1104727347
3122:1104727347
3087:1104727347
3051:2020-02-15
3019:2020-02-15
2985:2020-02-15
2954:2020-02-15
2920:2020-02-15
2886:2020-02-15
2855:2020-02-15
2816:2020-02-15
2782:2020-02-15
2754:2020-02-15
2727:2020-02-15
2588:2020-07-04
2561:2020-02-15
2531:2020-02-15
2476:2020-02-15
2316:2020-02-15
2240:2020-02-15
2215:2020-02-15
2209:SchaubĂĽhne
2186:2020-02-15
2159:2020-02-15
1948:(4): 621.
1837:(3): 299.
1764:(2): 194.
1590:(2): 166.
1535:(2): 190.
1486:1853262544
1384:(3): 155.
1281:(17): 69.
1215:2020-02-15
1191:2020-02-15
1124:(3): 297.
1095:(17): 74.
1056:(3): 147.
975:References
921:Will Gluck
848:” series.
842:Kenny Leon
648:Iqbal Khan
644:Meera Syal
574:Judi Dench
491:SchaubĂĽhne
441:(honour).
425:Karasawagi
402:Zhu Xijuan
362:Rosalind (
146:Judi Dench
53:Created by
4180:Pleaching
3991:Don Pedro
3799:7 January
3761:– review"
3663:0270-8604
3636:919002430
3505:0037-3222
3347:Roll Call
2943:– review"
2909:– review"
2694:191531623
2678:0037-3222
2633:0192-2882
2443:870291821
2410:870291821
2344:0039-3738
2338:(1): 91.
2126:0037-3222
2081:0037-3222
1999:0742-5457
1954:0040-4691
1886:0039-3657
1843:0039-3738
1778:0039-3657
1735:0038-2868
1711:(1): 14.
1680:0039-3657
1666:(1): 54.
1596:0039-3738
1565:163904688
1549:0030-8129
1460:163904688
1444:0030-8129
1398:0037-3222
1353:0192-2882
1253:0192-2882
1130:0026-8232
1070:0037-3222
1025:0039-3738
952:In 2005,
911:Amy Acker
856:In 1936,
828:In 2019,
815:Lily Rabe
779:In 1980,
768:In 1973,
727:In 2019,
653:In 2013,
642:in 2012,
627:opposite
599:In 2007,
484:) at the
444:In 1986,
400:In 1961,
380:Petruchio
370:Katherina
267:Don Pedro
245:The name
170:Amy Acker
104:(cousin)
98:Relatives
83:Amy Acker
32:character
4095:Much Ado
3996:Dogberry
3986:Beatrice
3671:23675387
3454:Much Ado
3393:Much Ado
3343:Much Ado
3047:. London
2851:. London
2778:. London
1962:40754348
1287:20779485
1101:20779485
706:(1991),
698:(1977),
613:Eve Best
580:(1988),
576:(1976),
572:(1958),
433:Meji-era
281:Analysis
247:Beatrice
113:Beatrice
22:Beatrice
4161:Related
4087:Musical
4077:(opera)
3867:YouTube
3793:Variety
3513:2870048
2686:3844174
2641:3208191
2352:4174750
2134:2870168
2089:2870631
2044:2870258
2007:1124468
1921:4172526
1915:: 220.
1851:4174852
1743:3198969
1688:1556305
1604:4174665
1406:2868316
1361:3208080
1261:3208080
1078:2868316
1033:4174852
737:Toronto
690:At the
659:Old Vic
438:bushido
391:Theatre
304:phallic
211:Ariosto
182:Dante's
176:Origins
4153:(2023)
4145:(2017)
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