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admirably. As a native product he should be proud of his exploits. He is entirely unorthodox in his methods, because be there an accepted way to do things he will do it the opposite and get away with it. In work he is an object lesson to some of the producers and on location is more often than not taken for the chief mechanist, as he is busy here and there arranging props, adjusting lights and doing a hundred and one things that a producer ought not to do. He usually writes his own scenarios, but possibly uses them to paper the walls of his office, since on location this useful adjunct is usually conspicuous by its absence of be it there it is camouflaged as portion of the properties, or as a rest for the cameramen, or anything but its proper use, and he relies on his memory solely for the movements of his characters. He claims to make pictures on a basis of sound economy which permits him to release the same at a reasonable price to the showmen.
439:) then "I will know that the time has come to acknowledge defeat as an Australian picture producer. On the other hand, if I find a reasonable market in England, I intend to enter into some sort of partnership arrangement with an English producing company which will release four or six Australian productions each year... Failing some such assurance of an outside market, I will discontinue production indefinitely. We cannot now produce solely for the local market, cost of production is too high."
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them, but it is a fact that they have all made money for
Beaumont Smith and the showmen who have screened them, and what more could any man ask... Exactly what there is about the Beaumont Smith films it is hard to say. There was with some of the earliest a crudeness that was apparent, yet they are all devised with cunning that speaks of showmanship of the highest degree and as such they get over flaws and all and the general impression defies criticism.
497:
Beau Smith still remains to prove beyond a shadow of doubt that the moving picture industry in
Australia is a healthy and profitable game. So far he has not created an epic. He has never set himself out to do so. He aims to produce marketable pictures for Australian audiences and so far has succeeded
581:
tracked down a collection of 300 reels of Smith's films, including all his features. However, when the researchers arrived to collect it they were told that the entire collection had been burnt within the previous weeks, on the advice of an insurance company because of the film's inflammable nature.
238:
Smith toured Europe in 1909 and 1911. During the latter visit he arranged for a
European troupe of midgets, "Tiny Town", to tour Australia. It was enormously successful, making a profit of 425%. Smith later toured the show in South Africa, where it was a success, and Canada, where it flopped due to
149:
Though he is by no means the pioneer of
Australian motion picture producers, he is the daddy of them all by I'eason of the number of films he has produced ... He is his own financier and has not found it necessary to float a company to stand behind his products. There are many who sneer at some of
430:
In April 1922 Smith was about to go to London. He said his "future production plans hinge entirely on whether I can market some of my pictures in
England or not." Smith declared that if out of his twelve films he "failed to market at least three"
401:
In July 1920 he was called "the only really independent picture producer in
Australia. He is sole proprietor of his producing business, using no outside capital, so is in a position to turn out just what class of picture he chooses. "
141:
within one month for budgets ranging from £600 to £1,200. His wife Elsie would comment on his scripts and his brother Gordon looked after company finances. He was sometimes known as "One Shot Beau" or "That'll Do Beau".
507:
Shrinking profits led to Smith retiring from film-making in 1925. He moved to New
Zealand and became managing director of Williamson Films (New Zealand) Ltd (later J. C. Williamson Picture Corporation Ltd), Wellington.
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reported that "Smith, who has turned out more winners than any other producer in this country, reckons that unless fresh arrangements are made by the booking houses the day of the
Australian film is numbered."
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in 1917. He went on to become one of the most prolific and popular
Australian filmmakers of the silent era. Among his films were adaptations of the works of
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Smith was married to Elsie
Fleming from 1911 until his death. She was often an uncredited contributor with his work, helping him write scripts.
1936:
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He went back to Williamsons but eventually he and his wife sold their interests in 1937 for £15,000 with an additional £7,000.
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Smith recommenced production in October. He spent a number of months in Hollywood, then returned to Australia to make
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In May 1919 Smith ceased producing films until better terms for exhibiting them could be found.
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Smith won writing competitions as a teenager. He first worked as a journalist, writing for
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1544:, National Centre of Biography, Australian National University, accessed 17 January 2012.
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Smith was famous for making his films quickly – sometimes he would complete shooting and
1062:. Vol. LVIII, no. 3555. New South Wales, Australia. 14 March 1907. p. 22
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1490:. Vol. XIX, no. 45. New South Wales, Australia. 8 January 1938. p. 3
1350:. Vol. I, no. 36. New South Wales, Australia. 1 November 1919. p. 20
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943:. Vol. XXXIX, no. 11, 686. South Australia. 20 September 1902. p. 3
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1266:. Vol. XXX, no. 8. New South Wales, Australia. 24 April 1948. p. 7
1177:. Vol. XXX, no. 7. New South Wales, Australia. 17 April 1948. p. 7
1034:. Vol. XXX, no. 6. New South Wales, Australia. 10 April 1948. p. 7
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Smith moved into theatre, becoming secretary for theatrical entrepreneur
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1462:. No. 2208. New South Wales, Australia. 1 January 1931. p. 7
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421:(which Smith had previously adapted for the stage). He made the drama
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565:, St Leonards. He was survived by his wife Elsie. He was cremated at
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235:. He also worked as press secretary for Anderson's representative.
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1225:"Bert Bailey Started In Melodrama And Made A Fortune From A Beard"
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and adapted several of his stories for stage and film, including
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Smith travelled to New Zealand to make the inter-racial romance
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into a play and toured it in 1914–15. He also wrote a play with
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opposition from existing circuses. He also toured a show by the
1647:(MORNING. ed.). Warragul, Vic. 28 November 1916. p. 3
855:(753 (1 August 1934)), Sydney: Everyones Ltd, nla.obj-577458642
208:
1380:(20 ( 21 July 1920)), Sydney: Everyones Ltd, nla.obj-556982404
266:
In 1914 he went into theatre management. He toured the plays
182:. When he was around 19 he established a small newspaper,
1406:, Sydney: Everyones Ltd, 26 April 1922, nla.obj-557581724
359:
Smith's first non-Hayseed film was a wartime melodrama,
884:, Sydney: Everyones Ltd, 20 May 1925, nla.obj-560031143
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as a writer and advertising manager. He also worked at
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Smith tried playwriting, working on an adaptation of
102:(15 August 1885 – 2 January 1950), was an Australian
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1560:Government Gazette of the State of New South Wales
167:. He was educated at East Adelaide Public School.
1555:"Re will of Frank Beaumont Smith, late of Dormie"
433:The Man From Snowy River'’, ‘'A Maid of Maoriland
190:region, which had a short run. Smith then helped
1908:
935:"Soldiers of the Pen. Literary Society's Report"
338:. It was successful and Smith followed it with
1721:
442:Smith then returned to Hayseed comedies with
163:, named after a popular singer at the time,
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470:(1924). He then made two comedies starring
371:(1919), a race horse story, and the comedy
1728:
1714:
1655:– via National Library of Australia.
1627:– via National Library of Australia.
1599:– via National Library of Australia.
1571:– via National Library of Australia.
1538:'Smith, Frank Beaumont (Beau) (1885–1950)'
1526:– via National Library of Australia.
1498:– via National Library of Australia.
1470:– via National Library of Australia.
1442:– via National Library of Australia.
1358:– via National Library of Australia.
1330:– via National Library of Australia.
1302:– via National Library of Australia.
1274:– via National Library of Australia.
1241:– via National Library of Australia.
1213:– via National Library of Australia.
1185:– via National Library of Australia.
1154:– via National Library of Australia.
1126:– via National Library of Australia.
1098:– via National Library of Australia.
1070:– via National Library of Australia.
1042:– via National Library of Australia.
1007:– via National Library of Australia.
979:– via National Library of Australia.
951:– via National Library of Australia.
923:– via National Library of Australia.
817:– via National Library of Australia.
1434:. Melbourne. 14 November 1925. p. 22
832:Australian Cinema: The First Eighty Years
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553:His brother Gordon managed his finances.
1563:. No. 87. 26 May 1950. p. 1699
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1146:. Adelaide. 20 September 1913. p. 1
1118:. Melbourne. 7 December 1911. p. 33
154:
130:featured the first screen appearance of
1619:. Adelaide. 23 December 1916. p. 4
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845:"Men of the Meg No. 3...Beaumont Smith"
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145:A 1925 profile on the director stated:
93:Elsie Fleming (m. 1911–1950; his death)
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1294:. Adelaide. 7 February 1914. p. 6
1205:. Adelaide. 31 August 1907. p. 12
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516:Smith returned to filmmaking to make
1937:People from Hallett, South Australia
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417:(1921), adapted from the stories of
16:Australian film director (1885–1950)
1258:"How Dad and Mum Went on the Stage"
454:(1923). He made two films starring
411:(1921), then back in Australia did
13:
1683:Australian Dictionary of Biography
1542:Australian Dictionary of Biography
1233:. Sydney. 5 April 1953. p. 12
1090:. Adelaide. 16 May 1908. p. 7
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1948:
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1454:"J. C. Williamson N. Z. Ventures"
907:"A Travelogue on Life in Bohemia"
679:(1921) – based on the stories of
1400:"Beaumont Smith Goes to England"
830:Graham Shirley and Brian Adams,
561:Smith died on 2 January 1950 in
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1701:National Film and Sound Archive
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834:, Currency Press, 1989 p 50-51.
722:(1924) – based on the story by
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1766:The Hayseeds' Back-blocks Show
1322:. 5 September 1922. p. 10
1286:"Beaumont Smith's Enterprises"
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652:(1920) – based on the poem by
609:The Hayseeds' Back-blocks Show
526:his first lead in a film, and
350:(1917), shot in Brisbane, and
347:The Hayseeds' Back-blocks Show
320:
1:
1591:. 9 December 1970. p. 13
1588:The Australian Women's Weekly
1482:"J. C. Williamson Share Deal"
1026:"The Story of Beaumont Smith"
786:
579:National Library of Australia
356:(1918), filmed in Melbourne.
289:He was a fan of the works of
1426:"J. C. Williamson Films Ltd"
1314:"Henry Lawson State Funeral"
1169:"Big Game Hunting in London"
567:Northern Suburbs Crematorium
365:(1918). He followed it with
66:St Leonards, New South Wales
7:
1774:The Hayseeds' Melbourne Cup
1758:The Hayseeds Come to Sydney
878:"Consistent Beaumont Smith"
617:The Hayseeds' Melbourne Cup
601:The Hayseeds Come to Sydney
353:The Hayseeds' Melbourne Cup
341:The Hayseeds Come to Sydney
109:Smith made his first film,
100:Frank Beaumont "Beau" Smith
10:
1953:
1922:Film directors from Sydney
660:A Journey through Filmland
563:Royal North Shore Hospital
1917:Australian film directors
1750:Our Friends, the Hayseeds
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1319:The Sydney Morning Herald
940:The Express and Telegraph
593:Our Friends, the Hayseeds
572:
327:Our Friends, the Hayseeds
112:Our Friends, the Hayseeds
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1830:The Gentleman Bushranger
1806:The Man from Snowy River
1679:Beaumont Smith biography
1583:"That Sentimental Bloke"
780:Joe Wilson and His Mates
768:Seven Little Australians
762:Selected theatre credits
687:The Gentleman Bushranger
649:The Man from Snowy River
556:
437:The Gentleman Bushranger
424:The Gentleman Bushranger
395:The Man from Snowy River
344:(1917), shot in Sydney,
336:Seven Little Australians
302:Seven Little Australians
161:Hallett, South Australia
47:Hallett, South Australia
1611:"While the Billy Boils"
801:"Pioneer of Films Dies"
311:Two Battlers and a Bear
1878:The Adventures of Algy
1644:West Gippsland Gazette
738:The Adventures of Algy
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483:The Adventures of Algy
276:No Mother to Guide Her
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1822:While the Billy Boils
1138:"Beaumont Smith Back"
963:"Soldiers of the Pen"
774:While the Billy Boils
676:While the Billy Boils
495:
414:While the Billy Boils
332:While the Billy Boils
296:While the Billy Boils
155:Early life and career
147:
1846:Prehistoric Hayseeds
1838:Townies and Hayseeds
1697:Beaumont Smith items
703:Prehistoric Hayseeds
695:Townies and Hayseeds
663:(1921) – documentary
586:Selected filmography
512:Return to filmmaking
451:Prehistoric Hayseeds
445:Townies and Hayseeds
280:A Girl's Cross Roads
211:in 1907 to work for
33:Frank Beaumont Smith
782:(1916) – adaptation
776:(1916) – adaptation
1736:Films directed by
1510:"Greenroom Gossip"
542:, Sydney in 1938.
315:Stop Your Nonsense
263:to great success.
159:Smith was born in
124:. His 1933 comedy
77:Director, producer
1904:
1903:
1536:Shirley, Graham,
1414:– via Trove
1388:– via Trove
1230:The Sunday Herald
1059:Freeman's Journal
991:"Junior Regiment"
892:– via Trove
863:– via Trove
203:Smith moved from
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82:Years active
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1894:Splendid Fellows
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754:Splendid Fellows
529:Splendid Fellows
377:(1919) starring
313:, and a review,
299:. Smith adapted
252:On Our Selection
233:William Anderson
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522:(1933), giving
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503:J C Williamsons
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477:Hullo Marmaduke
461:The Digger Earl
456:Arthur Tauchert
362:Satan in Sydney
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1664:External links
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1487:Smith's Weekly
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538:He retired to
524:Cecil Kellaway
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472:Claude Dampier
374:Barry Butts In
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274:by Rex Beach,
244:Muriel Matters
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184:Seaside Topics
165:Armes Beaumont
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132:Cecil Kellaway
118:Banjo Paterson
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62:(aged 64)
58:2 January 1950
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43:15 August 1885
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23:Beaumont Smith
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1370:"The Screen"
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1202:The Register
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1087:The Register
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746:The Hayseeds
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291:Henry Lawson
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284:The Glad Eye
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127:The Hayseeds
125:
122:Henry Lawson
110:
108:
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98:
60:(1950-01-02)
1932:1950 deaths
1927:1885 births
1790:Desert Gold
1342:"Screenery"
1110:"Tiny Town"
633:Desert Gold
480:(1925) and
464:(1924) and
448:(1923) and
368:Desert Gold
321:Film career
272:The Barrier
261:Bert Bailey
257:Steele Rudd
241:suffragette
68:, Australia
49:, Australia
1911:Categories
1651:21 January
1623:21 January
1595:17 January
1438:17 January
1326:21 January
1298:17 January
1237:17 January
1209:17 January
1150:17 January
1122:26 October
1115:Table Talk
1094:17 January
1054:"Personal"
787:References
197:The Gadfly
173:The Critic
39:1885-08-15
1431:The Argus
1404:Everyones
1374:Everyones
882:Everyones
849:Everyones
491:Everyones
186:, in the
85:1913–1938
1616:The Mail
1522:14 April
1494:14 April
1466:14 April
1384:23 March
1291:The Mail
1270:14 April
1181:14 April
1143:The Mail
1066:14 April
1038:14 April
1003:14 April
975:14 April
947:14 April
919:14 April
859:23 March
813:14 April
532:(1934).
489:In 1925
486:(1925).
427:(1922),
398:(1920).
270:(1914),
205:Adelaide
1699:at the
1567:22 July
1410:20 July
1354:24 July
888:20 July
806:The Sun
540:Killara
1897:(1934)
1889:(1933)
1881:(1925)
1873:(1925)
1865:(1924)
1857:(1924)
1849:(1923)
1841:(1923)
1833:(1922)
1825:(1921)
1817:(1921)
1809:(1920)
1801:(1919)
1793:(1919)
1785:(1918)
1777:(1918)
1769:(1917)
1761:(1917)
1753:(1917)
770:(1916)
757:(1934)
749:(1933)
741:(1925)
733:(1925)
714:(1924)
706:(1923)
698:(1923)
690:(1922)
671:(1921)
644:(1919)
636:(1919)
628:(1918)
620:(1918)
612:(1917)
604:(1917)
596:(1917)
573:Legacy
435:, and
209:Sydney
194:found
90:Spouse
1692:Trove
1515:Punch
557:Death
268:Mr Wu
1674:IMDb
1653:2012
1625:2012
1597:2012
1569:2017
1524:2018
1496:2018
1468:2018
1440:2012
1412:2024
1386:2024
1356:2019
1328:2012
1300:2012
1272:2018
1239:2012
1211:2012
1183:2018
1152:2012
1124:2014
1096:2012
1068:2018
1040:2018
1005:2018
977:2018
949:2018
921:2018
890:2024
861:2024
815:2018
577:The
334:and
282:and
176:and
120:and
55:Died
29:Born
1862:Joe
1690:at
1681:at
1672:at
719:Joe
467:Joe
255:by
207:to
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