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399:(1855–1925), a prominent Canadian artist who encouraged them to explore new modernistic approaches to painting. In an era when women artists were viewed as little more than hobbyists and were left out of the mainstream world of professional art, the Beaver Hall Group was the first Canadian artists association in which women played a central role. Importantly, they not only painted but also exhibited and sold their work. Most of the women affiliated with the Beaver Hall Group chose to remain unmarried.
37:
470:, and over the years Jackson maintained the contact between Toronto and Montreal, supporting and stimulating the Montreal artists through regular visits and correspondence. He kept them informed of events in Toronto and arranged for their works to be included in the Group of Seven exhibitions. Both the
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The current understanding of the Beaver Hall Group as a group of
Montreal-based women painters can be traced back to Norah McCullough's (National Gallery of Canada liaison to Western Canada) 1966 traveling exhibition "The Beaver Hall Hill Group". Until that time, the ten women who had continued their
505:
More recently, curators have discovered a new dimension of
Canadian modernism in the Beaver Hall Group. In contrast to the familiar modernist icons of the Toronto-based Group of Seven, the Montreal Beaver Hall painters were occupied with distinctly urban subjects: industry, fashion, and city life.
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emphasized the right of the artist to paint what they feel "with utter disregard for what has hitherto been considered requisite to the acceptance of the work at the recognized art exhibitions in
Canadian centres. 'Schools' and 'isms' do not trouble us," Jackson stressed, "individual expression is
510:
at the
Montreal Museum of Fine Arts, co-curator Brian Foss said, "As fascinating and important as the Group of Seven was, it wasn't the only word on Canadian Modernism. Hopefully visitors will be struck by the extraordinary vibrancy, diversity and sheer quality of the art, and will come away with
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The association only survived for three years, during which time they held only four exhibitions with many different artists exhibiting among them. In 1924, the Beaver Hall Group gave up their rented studio but maintained their working studios at home. Many of the women from the Beaver Hall Group
356:(Although she never showed in any of the group's exhibitions and was not an official member, she was allied with them in her aesthetic aims and through friendships, including with Mabel Lockerby and Sarah Robertson.)
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informal network after the disbanding of the formal Beaver Hall Group had not had a name for their association. McCollough's aim was to expose the talent of Quebec's women artists to western Canada.
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and
Jacques Des Rochers, has changed the perception of the group to a new realization of the group's activities and all its artist members or those who were closely associated with the group.
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studio where its members shared space. It counted among the founding members eleven men and eight women. In addition to Hewton, Holgate, May and Newton, original members included
502:
had told her about the original Beaver Hall Group and the name of the group became somehow confused with the name of the street, which is how the exhibition got its name.
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in 1933, to provide exhibition opportunities. Nevertheless, Group artists maintained an informal association into the early 1960s.
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internationally. When the Group of Seven formally disbanded in 1932, the women of the Beaver Hall Group helped establish the
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modernism. They painted a variety of subjects, including portraits, landscapes, urban scenes and still lifes, in a mix of
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enhanced admiration for the real contributions
Montreal artists made to Modernist art in this country."
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The first Beaver Hall exhibition took place
January 17, 1921. In his opening speech,
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833:"Jazz Age Montreal and the Beaver Hall Group: Canada's Other Modernist Art Movement"
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The group was formally founded in May 1920, inaugurated through the efforts of
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painters who met in the late 1910s while studying art at a school run by the
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The ten female artists who were part of the Beaver Hall Group are:
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our chief concern". He identified its goals as being those of the
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Professional Native Indian
Artists Inc. (Indian Group of Seven)
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810:. Toronto, Ontario, Canada: Dundurn Press. pp. 12–13.
535:. Montreal, Quebec, Canada: VĂ©hicule Press. p. 175.
589:. Toronto, Ontario, Canada: Dundurn Press. p. 13.
562:. Toronto, Ontario, Canada: Dundurn Press. p. 16.
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All ten of the group's participants had studied under
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The Women of Beaver Hall: Canadian modernist painters
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The women of Beaver Hall: Canadian modernist painters
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The women of Beaver Hall: Canadian modernist painters
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The women of Beaver Hall: Canadian modernist painters
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863:The Beaver Hall Group: 1920s Modernism in Montreal
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861:Des Rochers, Jacques and Brian Foss (2015).
646:. Montreal, Quebec, Canada: VĂ©hicule Press.
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478:gave generous coverage to the vernissage.
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789:: CS1 maint: archived copy as title (
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831:Singhal, Sheila (December 14, 2015).
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700:. Toronto: Art Canada Institute.
673:. Toronto: Art Canada Institute.
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616:. Toronto: Art Canada Institute.
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906:Prudence Heward: Life & Work
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1156:Emma Lake Artist's Workshops
839:. National Gallery of Canada
737:. 2016-03-04. Archived from
720:Alicia Boutilier, Review of
482:exhibited with the all-male
454:and President of the group,
404:Montreal Museum of Fine Arts
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69:Eastern Group of Painters
1493:History of art in Canada
1483:Anglophone Quebec people
1171:Maritime Art Association
935:Walters, Evelyn (2005),
920:Walters, Evelyn (2017).
889:Prakash, A. K. (2008).
865:. Black Dog Publishing.
804:Walters, Evelyn (2005).
583:Walters, Evelyn (2005).
556:Walters, Evelyn (2005).
331:and traditional styles.
1473:Canadian women painters
424:Randolph Stanley Hewton
1060:Lilias Torrance Newton
910:Art Canada Institute.
903:Skelly, Julia (2015).
694:Skelly, Julia (2015).
667:Skelly, Julia (2015).
610:Skelly, Julia (2015).
436:Lilias Torrance Newton
375:Lilias Torrance Newton
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1314:NSCAD conceptual art
972:NFB Collections page
177:NSCAD conceptual art
1488:Culture of Montreal
1405:Canadian art awards
879:. VĂ©hicule Press.
735:"Mayberry Fine Art"
1283:London Regionalism
452:Albert H. Robinson
132:London Regionalism
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924:, Dundurn Press,
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893:. Firefly Books.
871:978-1-908966-93-3
707:978-1-4871-0073-5
680:978-1-4871-0073-5
623:978-1-4871-0073-5
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