264:. Finding they shared a similar philosophy, Rhodes and McLaren went into business collaborating on the T-shirts which were sold in the shop. Westwood wanted to expand the sleeveless T-shirt clothing line and Rhodes was an ideal colleague with his silk screen printing skill and whose 'complex meandering discourse threw up many new ideas'. The T-shirt 'You're Gonna Wake Up One Morning and Know What Side of The Bed You've Been Lying On' was created and printed by Rhodes and uses his handwriting. McLaren explained that Rhodes' idea was 'to create a dialogue'. Rhodes has described the difference between himself and McLaren: 'Malcolm likes to titillate but I get down to substance'.
2777:
554:”, was co-written by Strummer and Rhodes and described by Strummer as the 'last great Clash song'. Critic Samuels Lennox described it as a "tuneful, beautifully crafted overview of social decay in England, where political philosophies joust for hegemony while the country sinks into ignominious decline and millions of youths turn to
374:, The Black Arabs and other musical projects. The intro to The Specials' version of "Gangsters" released in 1979 begins with the line: "Bernie Rhodes knows: don't argue!". Dexys Midnight Runners' single "Dance Stance" was released in 1979 on the Oddball Productions label owned by Rhodes. He later signed the group to EMI Records.
328:
Strummer credits Rhodes as his mentor, stating "He constructed The Clash and focused our energies and we repaid him by being really good at what we did". Rhodes told them to write about social issues occurring at the time, i.e., the housing problems, lack of education, dead-end futures. Strummer said
135:
Rhodes was an important force behind The Clash not only managing their business but also guiding their marketing and creative direction. Disagreement with the group about direction led to his sacking by the Clash in 1979. Rhodes meantime continued with other successful signings to his label
Oddball
455:
Strummer said if Rhodes did not come back and manage the Clash he would quit. Once back, Rhodes decided to remix "Magnificent 7". A 12" single dance remix "Magnificent Dance" was released on 12 April 1981. Production was credited to 'Pepe Unidos', a pseudonym for
Strummer, Rhodes and Paul Simonon.
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who promised to allow the group to do what they wanted on record and CBS would promote it. After a couple of albums, including their first, which Rhodes helped produce with Mickey Foote, he felt the group were drifting away from their street ideals and they parted company in late 1978.
593:
where Doug Watts, lead singer of the band Naked Truth, asked him for help. Rhodes brought in a new bass player and rehearsed the band over several months. He independently produced the album 'Green with Rage', and secured a deal for the band with Sony
Records.
558:." In 2017, the journalist Bill Wyman praised Rhodes' production, writing that his "sound collage and the gentle, troubled synth lines undergird the song unerringly, and for once the group-shouted chorus, though still over-loud, conveys some wan meaning."
335:
stated that Rhodes "set up the whole punk scene basically. He saw how non-musicians like myself and John (Lydon) could contribute". Rhodes called his friend Guy
Stevens in, to produce the Polydor recordings in 1977. The group later used Stevens to produce
159:, and Watts from Detroit. During this period Rhodes built and operated from his Camden studio Rehearsal Rehearsals, in what became Camden Market. The area around the studio became a well known hangout for punks and contributed to the growth of Camden as a
324:
T-shirts when he approached Rhodes after a Sex
Pistols gig thinking he was a keyboard player. They started talking about groups and the relationship was the starting point for what would eventually become The Clash.
307:
Lydon says that Rhodes 'was important to me in so many ways.... He would indicate to me where the problems with the
Pistols would be in the future. He would sow a seed and then wait to see if I would pick up on it.'
624:
Rhodes launched the website cancerclash.com in June 2022 to ‘dynamically demystify the world of cancer’ and provide a cultural space to deal with the impact of the disease. Rhodes was diagnosed with cancer in 2016.
518:
Paul
Simonon states that Rhodes was not aware he and Joe were going to sack Mick Jones nor was he in favour of that action. (The sacking took place in 1983). However, Simonon says Jones did not know this until the
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Mick Jones said 'Bernie came back on the scene because people thought that we'd gotten out of control and the first thing he wanted to do was book us for seven nights in New York'. The residency at
304:
in the local
Roebuck pub that evening. After this get-together, Rhodes had Lydon come back to the shop to audition for the role of singer. As a result, Lydon became lead singer of the group.
288:
describes Rhodes' contribution as making them understand the importance of being clear cut. "He (Rhodes) had a real ability for making people decide exactly what they were trying to do."
500:. 'I endeavoured to get these guys on like Grandmaster Flash, not that most of the audience liked them but that led to a helluvalot'. The record company were not behind the triple album
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385:, was produced by Rhodes and released by Oddball in 1980. Rhodes also introduced the idea of using a Burundi drum beat to Malcolm McLaren who gave it to
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scene in the United
Kingdom from the middle 1970s. He is most associated with two of the UK's best known and influential punk bands, the
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where he remained until he was 15. His mother worked long hours for
Huntsman's tailors in Saville Row making suits for people like
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Productions and major record companies. In 1981 singer Joe Strummer demanded his return to the Clash or he would quit the group.
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award for a children's educational toy he designed using newly developed plastic techniques. In the early 1970s Rhodes had a
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in the first two weeks of June 1981 was organised by Rhodes on his return as manager of The Clash. Support acts included
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is a band manager, designer, studio owner, record producer and songwriter who was integral to the development of the
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1223:"Former manager of The Clash Bernard Rhodes announced new cancer website that aims to demystify the disease"
547:) was produced by Rhodes under the name of 'Jose Unidos'. He also co-wrote all of the songs with Strummer.
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447:". McLusky says, "Bernard never got the credit for things that were his. He has been the undefined force".
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496:. Rhodes states that it was because of these Bonds NYC shows that the public became more interested in
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selling his hand printed silk screen designs on shirts and T-shirts, plus a selection of rare vintage
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said that Rhodes gave him a break at Club Left in 1981 and then got a deal and success for his band
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would emerge. Rhodes took the group under his wing while McLaren was in New York looking after the
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states that with the Bonds NYC residency, The Clash 'clawed their way back into the Premiership'.
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In the early 1960s Rhodes and Pearse shared a flat at 68 Hamilton Terrace, St Johns Wood, London.
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states that he was wearing a 'I Hate Pink Floyd' T-shirt when he was spotted by Rhodes on the
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After his offer to co-manage Sex Pistols was rejected by McLaren, Rhodes was instrumental in
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On 25 January 1977, Rhodes signed The Clash to CBS Records with CBS Records UK chairman
182:, east London. He says he never knew his father. He was placed in a Jewish orphanage in
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Samuels, Lennox. "The Clash's New Album Proves Musically Apt, Politically Irrelevant".
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and arranging the audition which led to his joining the Sex Pistols. Rhodes introduced
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Holden & Van Schreven, Michael & Keld (August 1993). "Def by Misadventure".
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that Rhodes was the only one who understood how one should go about getting known.
443:, who enjoyed mainstream success on both sides of the Atlantic with their single "
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Righi, Len (20 April 1984). "Joe Strummer tells why the Clash is carrying on".
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1828:"Clash manager's racist outburst a reminder not to get rose-tinted about punk"
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221:(who Rhodes later brought in to produce The Clash) were regular visitors.
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From his Rehearsal Rehearsals studio, Rhodes nurtured and managed groups
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Pepe Unidos also produced "The Cool Out", a re-mix of "The Call Up".
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1414:
The Clash FAQ: All That's Left to Know About the Clash City Rockers
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from the original on 11 October 2017. Retrieved 10 February 2019
405:
During the late seventies he opened Club Left in Wardour Street
248:
During this period he became re-acquainted with an old friend,
242:
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from the original on 19 April 2019. Retrieved 10 February 2019
1127:
from the original on 5 January 2019. Retrieved 7 January 2017
433:. The regular house band was Vic Godard and the Subway Sect.
167:
1950:
320:'s formation in 1976. Mick Jones was wearing one of Rhodes'
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had become a hangout for a bunch of teenagers from whom the
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646:"Me, Punk and the World: Bernard Rhodes in Conversation"
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In 2014 Rhodes designed a range of biker T-shirts for
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The song has inspired many other artists, including
108:, Rhodes was responsible for discovering him in the
1815:"The surreal day we laid the old anarchist to rest"
870:
747:
166:He is also known in Brazil for his friendship with
52:
Designer, band manager, record producer, songwriter
1802:"Vivienne Westwood in Malcolm McLaren funeral row"
735:
663:
139:Rhodes nurtured and managed other bands including
1612:Westwood & Kelly, Vivienne & Ian (2014).
1334:Passion Is a Fashion: The Real Story of The Clash
901:
2793:
1564:(2nd ed.). Richmond: Reynolds & Hearn.
1390:(5th revised ed.). London: Helter Skelter.
606:, Britain's oldest motorcycle clothing company.
1885:"Last chance to see – Entertaining the Nation"
1724:
1534:(US ed.). Chicago: Chicago Review Press.
1188:139 the Clash Songs, Ranked from Worst to Best
589:In 1990, Rhodes relocated from Los Angeles to
194:where Rhodes' friend John Pearse who co-owned
1966:
1509:England's Dreaming: Sex Pistols and Punk Rock
1113:; Newman, Jason; Weingarten, Christopher R. "
577:in England in the 1980s, in reference to the
170:and baptising the band "Brothers of Brazil".
1891:. The Jewish Museum London. 27 January 2012.
1865:"Ex-Clash manager causes uproar with N-word"
1764:Fisher, Judith (March 1992). "Naked Truth".
1744:
1637:Out of Control: The Last Days of "The Clash"
1109:Gehr, Richard; Greene, Andy; Harris, Keith;
1908:Redemption Song: The Ballad of Joe Strummer
1812:
1973:
1959:
1863:
1388:The Clash: Return of the Last Gang in Town
1156:
346:to produce the single "Complete Control".
1777:. No. 8. van Schreven & Westall.
1529:
815:
2812:English people of Russian-Jewish descent
1904:
1825:
1763:
1662:
1586:
1494:The Clash: All the Albums, All the Songs
1209:
1135:
1133:
1088:
962:
950:
1556:
1449:Culture Clash: Dread Meets Punk Rockers
1426:
1416:. Milwaukee, WI: Backbeat Books, 2016.
1331:
993:
941:, 14 April 2020. Retrieved 6 April 2021
895:
864:
827:
769:. Omnibus Press, 2003. ASIN: B00GS97DIY
729:
717:
702:
687:
2794:
1772:
1746:"The Clash – Super Black Market Clash"
1506:
1294:1988: The New Wave Punk Rock Explosion
1015:, 26 July 1986 – via Rock's Backpages
981:
803:
778:
753:
523:induction after Joe Strummer's death.
450:
417:, Tom Cat, Lady Blue, Johnny Britton,
2592:Joe Strummer: The Future Is Unwritten
1954:
1854:
1738:Culture > Music > Label of love
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832:. London: Omnibus Press. p. 32.
741:
672:
1845:
1794:"Clash Culture – Central St Martins"
1385:
1287:
1094:
640:
638:
613:invited him to give a talk entitled
229:Towards the late 1960s Rhodes won a
1587:Vermorel, Fred & Judy (1987) .
1532:Pretty Vacant: A History of UK Punk
1469:Rotten:No Irish, No Blacks, No Dogs
1180:
1141:Why the Clash are still Rock Titans
999:
296:. Rhodes insisted he meet McLaren,
13:
1897:
1365:The Clash Photographs by Bob Gruen
1165:
1115:22 Terrible Songs by Great Artists
1103:
1027:Andersen, Mark. Heibutzki, Ralph.
526:
409:. Club Left performances included
14:
2848:
2676:The Good, the Bad & the Queen
2295:(White Man) In Hammersmith Palais
1935:
635:
513:
506:recorded in Rhodes's absence but
2776:
2775:
2152:The Story of the Clash, Volume 1
1496:. London: Voyageur Press, 2018.
783:. London: Adelita. p. 137.
1871:. CMU Music Network. 4 May 2007
1813:O'Hagan, Sean (25 April 2010).
1791:
1693:The Clash: Westway to the World
1639:. London: Moving Target Books.
1233:
1215:
1021:
925:
821:
772:
224:
1826:Pattison, Louis (7 May 2007).
1734:"Label of Love: 2Tone Records"
1452:. London: SAF Publishing Ltd.
1139:Spencer, Neil; Brown, James. "
759:
459:
284:. Original Sex Pistols member
267:
1:
2837:Fashion designers from London
1980:
1732:Adams, Owen (30 March 2009).
628:
173:
155:, The Lous, The Black Arabs,
2393:Should I Stay or Should I Go
1748:. Punknews.org. 24 May 2002.
1590:Sex Pistols The Inside Story
400:
357:
311:
7:
2698:The Joe Strummer Foundation
2120:From Here to Eternity: Live
1783:"Gangsters by The Specials"
1725:Web, journals and magazines
565:who used the title for his
389:. This led to the sound of
237:in the Antiquarius Market,
10:
2853:
1252:
1007:Joe Strummer: Good Ol' Joe
830:I was a teenage Sex Pistol
530:
521:Rock and Roll Hall of Fame
391:Kings of the Wild Frontier
256:who were operating out of
2771:
2656:The Latino Rockabilly War
2608:
2560:
2460:I'm So Bored with the USA
2430:
2258:
2233:
2136:
2111:
2058:
1988:
1869:CMU Daily – On The Inside
1846:"Bernard Rhodes speaks".
1700:; Dorismo; Uptown Films.
1530:Strongman, Phil (2008) .
597:
466:Bond International Casino
70:
66:
56:
48:
40:
30:
23:
2181:Super Black Market Clash
1905:Salewicz, Chris (2006).
1850:. July 2007. p. 18.
1698:Sony Music Entertainment
1593:(3rd ed.). London:
1336:(4th ed.). London:
584:
537:The Clash's last album,
2509:Lost in the Supermarket
1911:. New York: Macmillan.
1656:Films and documentaries
1427:Knowles, Chris (2003).
1174:The Dallas Morning News
1017:(subscription required)
767:New Romantics: The Look
2807:English music managers
1473:Hodder & Stoughton
1386:Gray, Marcus (2005) .
1332:Gilbert, Pat (2005) .
828:Matlock, Glen (1990).
615:Me, Punk and the World
533:This Is England (song)
372:Dexys Midnight Runners
149:Dexys Midnight Runners
2578:Concert for Kampuchea
2372:The Magnificent Seven
1696:(DVD). New York, NY:
1635:White, Vince (2007).
1162:Popoff (2018), p. 226
1031:. Akashic Books, 2018
779:Gorman, Paul (2006).
550:The standout track, “
383:What's the Matter Boy
342:. He also sought out
178:Rhodes was raised in
157:Twenty Flight Rockers
16:English music manager
2585:Westway to the World
2439:Career Opportunities
2127:Live at Shea Stadium
2074:Give 'Em Enough Rope
1507:Savage, Jon (1991).
1467:Lydon, John (1993).
1431:. London: PageFree.
1297:. London: Hawthorn.
1100:Jucha (2016), p. 334
543:(1985), (originally
198:was her apprentice.
2822:People from Stepney
2693:Rock Against Racism
2687:Spirit of St. Louis
2551:Overpowered by Funk
2379:This Is Radio Clash
2217:The Clash Hits Back
2188:The Essential Clash
1446:Letts, Don (2007).
1429:Clash City Showdown
1363:Gruen, Bob (2001).
1265:Clash, The (2008).
1196:, 11 October 2017.
1149:, 29 October 2006.
1091:, pp. 373–375.
1012:New Musical Express
855:, pp. 117–118.
569:centering on young
451:Return to the Clash
377:The first album by
344:Lee 'Scratch' Perry
252:and his girlfriend
196:Granny Takes a Trip
2646:Big Audio Dynamite
2544:Washington Bullets
2495:Brand New Cadillac
2481:Police and Thieves
2288:Clash City Rockers
2249:The Cost of Living
2224:5 Album Studio Set
2145:Black Market Clash
1766:Riff Raff Magazine
1562:The Complete Clash
1319:on 26 October 2007
1177:, 24 November 1985
474:The Sugarhill Gang
192:Hawes & Curtis
2789:
2788:
2488:Jail Guitar Doors
2446:Capital Radio One
2421:Return to Brixton
2309:English Civil War
2166:Clash on Broadway
1918:978-0-571-21178-4
1646:978-0-9555-0380-1
1614:Vivienne Westwood
1541:978-1-55652-752-4
1513:Faber & Faber
1502:978-0-7603-5934-1
1459:978-0-946719-89-1
1438:978-1-5896-1138-2
1422:978-1-4803-6450-9
1280:978-1-84354-788-4
818:, pp. 84–85.
609:In May 2016, the
567:movie and TV show
470:Grandmaster Flash
395:Adam and the Ants
351:Maurice Oberstein
254:Vivienne Westwood
84:
83:
2844:
2779:
2778:
2641:Public Image Ltd
2609:Related articles
2523:Rudie Can't Fail
2474:London's Burning
2407:Straight to Hell
2386:Know Your Rights
2316:I Fought the Law
2281:Complete Control
1975:
1968:
1961:
1952:
1951:
1947:
1946:
1944:Official website
1930:
1892:
1880:
1878:
1876:
1860:
1857:The Morning Call
1851:
1842:
1840:
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1822:
1809:
1808:. 23 April 2010.
1797:
1786:
1785:. Songfacts.com.
1778:
1769:
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2516:Revolution Rock
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2414:This Is England
2400:Rock the Casbah
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1942:
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1900:
1898:Further reading
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1800:
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1708:
1666:; Rick Elgood,
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1627:9781-44-7254126
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552:This Is England
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2159:1977 Revisited
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1369:Omnibus Press
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983:
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963:Vermorel 1987
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951:Vermorel 1987
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76:bernardrhodes
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49:Occupation(s)
47:
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39:
35:
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22:
19:
2817:English Jews
2702:
2685:
2626:Band members
2597:
2590:
2583:
2576:
2569:
2323:Groovy Times
2247:
2240:
2222:
2215:
2210:Sound System
2208:
2200:
2193:
2186:
2179:
2171:
2164:
2157:
2150:
2143:
2137:Compilations
2125:
2118:
2102:Cut the Crap
2100:
2093:
2086:
2079:
2072:
2065:
2030:Keith Levene
2022:Terry Chimes
2020:
2013:
2008:Paul Simonon
2006:
1999:
1994:Joe Strummer
1992:
1907:
1888:
1873:. Retrieved
1868:
1856:
1847:
1835:. Retrieved
1832:The Guardian
1831:
1819:The Observer
1818:
1806:Daily Mirror
1805:
1774:
1765:
1754:
1737:
1691:
1684:Terry Chimes
1676:Paul Simonon
1668:Joe Strummer
1636:
1613:
1589:
1561:
1531:
1508:
1493:
1468:
1448:
1428:
1413:
1387:
1364:
1333:
1323:19 September
1321:. Retrieved
1317:the original
1293:
1266:
1235:
1226:
1217:
1205:
1191:
1182:
1172:
1167:
1158:
1146:The Guardian
1144:
1118:
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1028:
1023:
1010:
1001:
994:Gilbert 2005
989:
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896:Gilbert 2005
891:
865:Gilbert 2005
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811:
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780:
774:
766:
761:
749:
737:
730:Gilbert 2005
725:
718:Gilbert 2005
703:Gilbert 2005
688:Knowles 2003
653:. Retrieved
623:
619:Punk 1976-78
618:
614:
608:
601:
588:
579:Cut the Crap
578:
560:
549:
544:
540:Cut the Crap
538:
536:
517:
501:
494:Funkapolitan
463:
454:
437:Sean McLusky
435:
427:Georgie Fame
415:Anne Pigalle
404:
390:
382:
376:
368:The Specials
361:
348:
337:
333:Paul Simonon
331:
327:
321:
315:
306:
286:Glen Matlock
271:
247:
228:
225:Early career
200:
184:South London
177:
165:
145:The Specials
138:
134:
128:then formed
126:Keith Levene
122:Paul Simonon
114:Joe Strummer
89:
88:
62:1960-present
58:Years active
18:
2832:1944 births
2763:Futura 2000
2758:Ellen Foley
2753:Mikey Dread
2733:Kosmo Vinyl
2728:Guy Stevens
2713:Alex Michon
2616:Discography
2599:London Town
2467:Janie Jones
2431:Other songs
2358:The Call Up
2202:The Singles
2195:Singles Box
2173:The Singles
2112:Live albums
2095:Combat Rock
2088:Sandinista!
2050:Vince White
2040:Pete Howard
1338:Aurum Press
1241:cancerclash
982:G Spot 1993
933:Subway Sect
804:Savage 1991
754:Savage 1991
508:Kosmo Vinyl
503:Sandinista!
460:Bond's, NYC
379:Subway Sect
364:Subway Sect
298:Steve Jones
278:Sex Pistols
268:Sex Pistols
258:Let It Rock
219:Guy Stevens
211:Mickey Finn
209:, musician
203:Mick Jagger
141:Subway Sect
124:, who with
98:Sex Pistols
2796:Categories
2748:Tymon Dogg
2661:The Pogues
2651:Havana 3am
2631:The 101ers
2453:Garageland
2351:Bankrobber
2267:White Riot
2035:Rob Harper
2001:Mick Jones
1672:Mick Jones
1616:. London:
1511:. London:
1471:. London:
1367:. London:
1269:. London:
1077:Gruen 2001
1065:Gruen 2001
1053:Gruen 2001
1041:Clash 2008
965:, p.
920:White 2007
908:Adams 2009
884:Clash 2008
853:Lydon 1993
742:Letts 2007
673:Lydon 1993
629:References
482:Bad Brains
423:Bananarama
393:(1980) by
294:Kings Road
290:John Lydon
262:Kings Road
207:Marc Bolan
190:and later
188:Cary Grant
174:Early life
118:Mick Jones
110:Kings Road
106:John Lydon
32:Birth name
2802:The Clash
2708:Don Letts
2636:London SS
2337:Clampdown
2302:Tommy Gun
2067:The Clash
1982:The Clash
1875:7 January
1688:The Clash
1664:Letts Don
1560:(2004) .
1550:173299117
1267:The Clash
621:exhibit.
575:Oi! punks
571:skinheads
490:Lee Perry
411:Dig Wayne
401:Club Left
358:1979–1981
318:The Clash
312:The Clash
302:Paul Cook
272:By 1975,
245:records.
153:Jo Boxers
130:The Clash
102:The Clash
94:punk rock
2781:Category
2681:Gorillaz
2571:Rude Boy
1927:76794852
1716:49798077
1690:(2001).
1580:63129186
1406:60668626
1356:61177239
1313:79262599
1291:(1977).
1198:Archived
1151:Archived
1125:Archived
781:The Look
556:the dole
441:JoBoxers
387:Adam Ant
2259:Singles
1618:Picador
1253:Sources
1193:Vulture
655:2 April
498:hip hop
486:Joe Ely
322:Wake Up
239:Chelsea
180:Stepney
71:Website
44:England
2205:(2007)
2176:(1991)
1925:
1915:
1796:. RFB.
1775:G Spot
1714:
1704:
1643:
1624:
1601:
1578:
1568:
1548:
1538:
1519:
1500:
1479:
1456:
1435:
1420:
1404:
1394:
1375:
1354:
1344:
1311:
1301:
1277:
836:
787:
598:Recent
581:song.
243:reggae
163:area.
2621:Songs
2562:Films
1837:6 May
1258:Books
585:Watts
168:Supla
1923:OCLC
1913:ISBN
1889:News
1877:2013
1848:Mojo
1839:2012
1712:OCLC
1702:ISBN
1641:ISBN
1622:ISBN
1599:ISBN
1576:OCLC
1566:ISBN
1546:OCLC
1536:ISBN
1517:ISBN
1498:ISBN
1477:ISBN
1454:ISBN
1433:ISBN
1418:ISBN
1402:OCLC
1392:ISBN
1373:ISBN
1352:OCLC
1342:ISBN
1325:2011
1309:OCLC
1299:ISBN
1275:ISBN
1243:.com
834:ISBN
785:ISBN
657:2020
573:and
492:and
429:and
419:Sade
407:Soho
300:and
235:shop
217:and
120:and
100:and
78:.com
41:Born
1190:".
1143:".
1117:".
1009:".
967:236
935:".
274:SEX
161:hip
116:to
2798::
1921:.
1887:.
1867:.
1830:.
1817:.
1804:.
1736:.
1710:.
1686:,
1682:,
1678:,
1674:,
1670:,
1620:.
1597:.
1574:.
1544:.
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1492:.
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1400:.
1371:.
1350:.
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1307:.
1273:.
1225:.
1132:^
974:^
872:^
710:^
695:^
680:^
665:^
648:.
637:^
488:,
480:,
476:,
472:,
425:,
421:,
413:,
397:.
381:,
370:,
366:,
213:,
205:,
151:,
147:,
143:,
132:.
2553:"
2549:"
2546:"
2542:"
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2535:"
2532:"
2528:"
2525:"
2521:"
2518:"
2514:"
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2500:"
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2398:"
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2297:"
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2279:"
2276:"
2272:"
2269:"
2265:"
1974:e
1967:t
1960:v
1929:.
1879:.
1859:.
1841:.
1821:.
1768:.
1740:.
1718:.
1649:.
1630:.
1607:.
1582:.
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1485:.
1462:.
1441:.
1408:.
1381:.
1358:.
1327:.
1283:.
1212:.
969:.
931:"
910:.
842:.
793:.
659:.
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