29:
457:
292:
393:
448:, with an audience reception that author Norman Zierold described as "more polite than enthusiastic." She later retired from acting. UCLA used appearance at the theatre as evidence an actor was working, for example noting in 1935 that young actor Morton Kiger gained stage experience there. It was also a place for New York actors to continue to work on stage while on the opposite coast.
480:
as they readied an old horse car for a fundraising fair to be held on the Harold Lloyd
Studios lot. The president and chair of the board from 1931 until at least 1936 was listed as Golda Madden Craig, and she coordinated the fair with Lloyd's mother Elisabeth Fraser Lloyd. The little theatre movement
409:
noted that
Hinsdell expected to use film actors in the plays to make it a showcase that would attract talent scouts. It also functioned as a way for actors to get back in front of studio eyes after a hiatus, and to demonstrate their vocal skills for the newer medium of sound movies. For example, Gene
137:
estate, and inviting him to be in one of the plays when the theatre would be established in the future. In 1935 Hollywood correspondent Dan Thomas wrote that they chose
Beverly Hills because more cinema stars lived there than in Hollywood, and the whole point of the endeavor was involving the stars
112:
Before the theatre opened, it had been rumored around
Hollywood as on its way, a natural extension of a national trend called the little theatre movement. It was likely inspired by the enormous success of the Hollywood Community Theater (1917-1922), founded by noted drama teacher
366:. One starlet named Maxine Fife appeared there in 1943 when she was just a senior in high school. Her subsequent movie studio contract required a judge's signature because she was under age. She certainly wasn't the youngest to launch her career there, however. In 1945
374:
also appeared there as a teenager in 1945, starring in one of the then-popular campus comedies. An actor named Howard
Johnson produced a play there when he was a youth, saving $ 125 from his allowance (the anecdote may be tongue-in-cheek) for the expenses of the
436:– who happened to be her mother's second husband – noted that she hoped to use that stage to show that she could transition to the talking pictures, presumably because it was a place to hear their voices. Also making a rough transition from silent film,
472:
for influence. In 1938, an architecture magazine announced that Edwin Drake was renovating the "old" Beverly Hills Little
Theatre building for his own group, the Patio Playhouse, but it is unclear when the Little Theatre actually changed locations.
467:
In 1935 a new theatre (the same playhouse in an improved venue) was announced as forthcoming, presumably at the Santa Monica boulevard address, and it was said to cost an estimated $ 100,000. Boosters hoped it would rival New York's
484:
Players could participate in an annual drama tournament hosted by the Los
Angeles County Drama Association showing some of the reach of the little theatre movement in California. In 1933 the
653:
Franc Dillon would go on to join an all-woman publicity team of the J. Walter
Thompson company. The team was created and headed by Maxine Smith. "From the Production Centers: In Hollywood,"
882:
129:, who was one of the earliest supporters and possibly a founder. Referring to her as "one of the fond parents of the Beverly Hill Little Theatre movement," he reported her speaking to
356:, Marguerite Lamar, Robert Grandin, and Eloise Horton, accompanied by Arthur Carr and a string ensemble and emceed by Durward Grinstead, offered a night of "opera vignettes" in 1937.
1126:
1082:
1171:
1189:
217:
theatre in New York, "The
Drunkard Repents." The 19th-century version was a morality play that was one of the most successful ever until the theatrical version of
915:
1403:
1364:
553:
687:
1290:
632:
1418:
1211:
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299:, opposite his father Frank Craven. The year before, he got his first stage experience at the Beverly Hills Little Theatre for Professionals.
1254:
1034:
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989:
959:
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173:
described as one "who teaches the M-G-M starlets to say 'a-a-a-a—' and pull in the 'tummy.'" It starred Marion
Clayton, J. Irving White,
668:
1408:
1101:
87:. The venue was a 400-seat theater, with the names of the founder-subscribers inscribed on the backs of the seats. An article in
432:, all of which were turned into talking films in the mid-1930s. She acted at the Little Theatre in 1932. Columnist and producer
1413:
255:, Adele St. Maur, Beth Alden, and Viola Moore. That same year, immediately following the production, it offered John Entenza's
1155:
840:
214:
221:, but different adapters such as Les Smith in the 30s and Ruth Marion McElroy in the 40s turned it into a popular comedy.
464:
For three years, from 1932 to 1935, with its partner Vine Street Theatre, it also produced films under the name Mirror.
1147:
Starlet: Biographies, Filmographies, TV Credits and Photos of 54 Famous and Not so Famous Leading Ladies of the Sixties
416:
91:
stated that Lloyd's mother Elisabeth Fraser Lloyd (listed as Sarah Elisabeth Fraser), Gladys Lloyd Cassell (wife of
793:
357:
1332:
528:, and a surprise guest performance by the Beverly Hills Little Theatre for Professionals. They competed for the
1102:"Beloved scatterbrain: Wacky or wistful? Marie Wilson ia a little of both, and Hollywood's best new comedy bet"
143:
1172:"Lila Leeds Insists that Her Home is No 'Marijuana Shack': Rented it because it's 'so feminine,' she says"
688:"Little Girl, Don't Cry! Hollywood deals harshly with wild-eyed youngsters who want to be slinky heroines"
80:
308:
303:
It was a place for young stars to showcase their talents in the hope of being discovered. In 1937, actor
361:
28:
1007:
460:
Mildred Davis Lloyd, for whom the theatre prize was named, and little theatre co-founder Harold Lloyd.
209:
was discovered while performing there in 1934. In 1933, 1934, and 1935 it performed a money-earner, "
347:
76:
174:
68:
476:
In 1936 two of the theatre's actors, Martha Chapin and Elaine Johnson, were photographed by the
400:
276:
178:
84:
206:
156:
427:
411:
263:, Grace Hale, and Robert Hoover, directed by Alexander Leftwich. In 1935, it also produced
218:
186:
8:
304:
166:
488:
listed twelve little theaters in its region alone, including the Monrovia Players with
422:
339:
280:
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92:
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830:
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appeared in three plays there, leading to a contract with Warner Brothers for 1938's
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747:
Heroes, Heavies and Sagebrush: A Pictorial History of the "B" Western Players
529:
469:
367:
326:, who was said in her obituary to have acted in Coward plays at the theatre.
323:
260:
248:
193:
was also performed in December 1933, directed again by Hinsdell and starring
114:
1317:"Horse Car Being Washed Up for Benefit, County Fair to be Given at Studio".
401:
A place to transition from stage to film, or from silent to talking pictures
125:," reported overhearing a woman who wrote features for the movie magazines,
386:
385:. He was discovered by John Cousins of the Musart and went on to work with
353:
335:
272:
268:
210:
182:
152:
126:
72:
405:
The theatre filled a necessary gap between stage and film. From its start
343:
232:
148:
414:, used to star in silent films based on her grandmother's books such as
749:. South Brunswick and New York: A. S. Barnes & Company. p. 44.
437:
410:
Stratton (stage name of Gene Stratton Monroe), granddaughter of author
371:
79:. It was originally at the Wilkes Vine Street Theatre, now renamed the
1301:(2–3): 6. July 1938 – via The Internet Archive (misdated 1926).
338:. Elinor Davenport began there in 1937, later performing in the 1942
554:"Bronze Monikers: Harold Lloyd No. 1 on Seatbacks of Bevhills Midge"
902:
The Best Plays of 1934-35, and the Yearbook of the Drama in America
778:
The Best Plays of 1934-35, and the Yearbook of the Drama in America
169:
dramatic coach, director, and UCLA lecturer Oliver Hinsdell, a man
122:
883:"Stage Event Due Tonight: Vine-Street Will House 'Widow in Green'"
117:, that no longer had a permanent building after losing its lease.
960:"'Summer Storm' Opens at South Pasadena Little Theatre June 23"
1150:. Jefferson, North Carolina; London: McFarland. p. 202.
283:
was listed as having performed there sometime prior to 1938.
239:
there in 1934. In June 1935 it produced Lea Freeman's comedy
138:
in stage productions, and inviting scouts to see the shows.
57:
Harold Lloyd (pictured with wife Mildred Davis Lloyd in 1926)
392:
370:
had her first stage role at the Little Theatre at age five.
832:
Frank Borzage: The Life and Films of a Hollywood Romantic
521:
1255:"Wide Variety of Experience Shown in Play's Minor Roles"
83:, and some years later moved to a renovated location on
964:
The Highland Park News-Herald (Los Angeles, California)
1035:"Cal York's Gossip of Hollywood, Photoplay's Newsreel"
99:
served on the "coin-raising" (fundraising) committee.
835:. Jefferson, North Carolina: McFarland. p. 400.
764:. New York: Quigley Publishing Company. p. 324.
1259:The California Daily Bruin (UCLA campus newspaper)
1190:"Romantic Hero Now Really Character Man, Says One"
979:, New York Theatre Program Corporation, 1938, 22.
267:, again directed by Dickson Morgan, and starring
227:was tried out there in 1934 before moving to the
1395:
1112:(3): 34–35, 76–77 – via Internet Archive.
710:"Molnar's 'Good Fairy' for Beverly Hills Group"
516:, the University Dramatic Society of UCLA with
504:, the Dramateurs Polytechnic High School with
65:Beverly Hills Little Theatre for Professionals
1337:. Hollywood Herald, Limited. 1931. p. 8.
857:"Hollywood Vine Street Quits Films for Legit"
794:"Sophistication Marks Naive Play of the '90s"
492:, the University College Players of USC with
1045:(4): 30–31 – via The Internet Archive.
744:
481:was also listed as a potential beneficiary.
590:Thomas, Dan (10 May 1935). "Movie Gossip".
508:, the Beverly Hills Community Players with
243:, directed by Dickson Morgan, and starring
1404:Theatres in Los Angeles County, California
1243:. Chicago: H. Regnery Company. p. 55.
745:McClure, Arthur F.; Jones, Ken D. (1972).
698:(4): 108 – via The Internet Archive.
609:"Film Training School (con't from page 1)"
500:, the Little Theatre of the Verdugos with
259:, starring Paul De Ricon, Lora Treadwell,
27:
673:The San Mateo Times and Daily News Leader
643:(4): 50 – via The Internet Archive.
1099:
524:, the Touchstone Drama Shop of USC with
455:
391:
290:
286:
1236:
1143:
666:
532:trophy, named for Harold Lloyd's wife.
512:, the San Pedro Repertory Players with
496:, the Inglewood Community Players with
1396:
1209:
1083:"Music and Musicians: Words and Music"
904:. Dodd, Mead, and Company. p. 31.
899:
828:
774:
589:
141:One of its earliest plays in 1932 was
1419:Regional theatre in the United States
1351:"Annual Drama Tournament Next Week".
1346:
1344:
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1310:
1308:
1205:
1203:
1121:
1119:
946:The Covina Argus (Covina, California)
352:. A group of young singers including
330:also performed there in 1937, as did
201:, Mary Jo Ellis, William Burenn, and
1100:Cheatham, Maude (May–October 1938).
1032:
791:
762:International Motion Picture Almanac
630:
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1353:The Los Angeles Evening Post-Record
812:"Rogers in 'Ah' Grabs Big $ 13,000"
792:M., E.; D., H. (8 September 1944).
781:. New York: Dodd, Mead. p. 31.
759:
295:John Craven (right) on Broadway in
213:," along with a companion piece at
71:, was a playhouse founded by actor
13:
1341:
1305:
1295:California Arts & Architecture
1240:Sex Goddesses of the Silent Screen
1200:
1116:
444:in 1934, while she was married to
322:, the latter also (possibly) with
14:
1430:
1409:1931 establishments in California
685:
667:Carroll, Harrison (16 May 1932).
619:
598:
572:
541:
67:, which grew out of a nationwide
1273:"'Legion' Okay in L.A., $ 6,200"
1196:. 24 September 1941. p. 11.
996:. 19 September 2008. p. 13.
916:"Coast (Cast?) "Notorious Lady""
669:"Behind the Scenes in Hollywood"
121:pseudonymous gossip columnist, "
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486:Los Angeles Evening Post-Record
1355:. 18 February 1933. p. 5.
1261:. 20 November 1935. p. 4.
1210:Meehan, Leo (9 January 1932).
1178:. 3 September 1948. p. 2.
1127:"Court Approves Film Contract"
1089:. 14 February 1937. p. 5.
734:. 5 December 1933. p. 52.
720:
702:
679:
660:
647:
615:. 8 December 1931. p. 21.
107:
1:
1414:Performing arts in California
1063:. 20 October 1937. p. 11
535:
1133:. 31 March 1943. p. 10.
716:. 28 March 1933. p. 45.
631:York, Cal (September 1928).
560:. 30 October 1934. p. 3
277:Cumnock School of Expression
20:Beverly Hills Little Theatre
7:
1237:Zierold, Norman J. (1973).
1022:– via Newspapers.com.
990:"Jordan, Joanne (obituary)"
948:. 26 April 1935. p. 5.
900:Mantle, Burns, ed. (1935).
633:"Gossip of All the Studios"
16:Playhouse in California, US
10:
1435:
1321:. 11 July 1936. p. 3.
1279:. 5 June 1935. p. 47.
1014:. 13 June 1937. p. 36
966:. 20 June 1938. p. 7.
889:. 3 June 1935. p. 19.
818:. 5 June 1934. p. 55.
657:, 22 December 1943, p. 32.
102:
1012:The Philadelphia Inquirer
922:. 5 June 1935. p. 44
863:. 22 May 1935. p. 54
451:
81:Ricardo Montalbán Theater
77:Beverly Hills, California
51:
47:Beverly Hills, California
43:
35:
26:
1033:York, Cal (April 1937).
334:, with Roger Kendal and
155:. In 1933 they produced
275:. Alice Martino of the
185:, Sidney Christie, and
69:little theatre movement
829:Dumont, Hervé (2006).
775:Mantle, Burns (1935).
760:Ramsays, Terry (ed.).
461:
397:
300:
85:Santa Monica Boulevard
75:and others in 1931 in
1319:The Los Angeles Times
1216:Motion Picture Herald
1194:The Los Angeles Times
1176:The Los Angeles Times
1144:Holston, Kim (2000).
1131:The Los Angeles Times
1087:The Los Angeles Times
994:The Los Angeles Times
887:The Los Angeles Times
459:
395:
294:
287:Young talent showcase
147:, based on a play by
1380:34.1002°N 118.3266°W
798:The Carmel Pine Cone
592:The Bradenton Herald
412:Gene Stratton-Porter
310:The Thirteenth Chair
187:Francesca Braggiotti
1376: /
530:Mildred Davis Lloyd
307:performed there in
229:Hollywood Playhouse
23:
1385:34.1002; -118.3266
1008:"Wicked Hollywood"
462:
440:appeared there in
417:Keeper of the Bees
398:
349:I Married an Angel
340:Jeanette MacDonald
301:
281:Pasadena Playhouse
251:, Colin Campbell,
235:directed the play
93:Edward G. Robinson
19:
1157:978-0-7864-0935-8
842:978-0-7864-2187-9
506:The Geranium Lady
478:Los Angeles Times
265:The Bellamy Trial
253:Kathleen Lockhart
219:Uncle Tom's Cabin
195:Patsy Ruth Miller
144:The Perfect Alibi
61:
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22:for Professionals
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514:The Monkey's Paw
490:Sad About Europe
434:James Leo Meehan
257:A Notorious Lady
241:A Widow in Green
135:Estelle Taylor's
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363:Boy Meets Girl
332:Claire Windsor
328:Margaret Early
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225:Bitter Harvest
179:Richard Tucker
165:, directed by
158:The Good Fairy
131:Kenneth Harlan
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