74:, right from the ancient to modern times, with an emphasis on establishing that modern Indian instruments have their origins in ancient Indian, rather than in Muslim and Western, culture. The book has always been in great demand by scholars and musicians for it also gives insight into fundamentals of playing instruments and traces the development in content along with that of the instrument.
225:
highlighting the interdependence of evolution of instruments with texts mentioning them. The curve of development being successive, often provided a method to arrange two texts. Finally it established the ancient principles of Indian music in the light of reason rather than tradition or mere
19:
180:
The structure of instruments in their modern evolution is discussed in the ninth chapter, with ample details for building them from scratch despite there being meager details available in ancient texts. This chapter discusses several modern instruments like
217:
Iconic and aesthetic elements of instruments have been discussed in the thirteenth chapter. Instruments are a vehicle conveying essential nature of others to the artiste while transporting his emotions to
167:(Idiophonic or stroke-based instruments) in India have taken various forms—wood on wood, metal on metal and possible combinations. These are discussed in sixth chapter.
402:
121:
105:
395:
214:
A modern scientific classification of instruments based on intensity, pitch, range etc. has been envisaged in the twelfth chapter.
150:
instruments of all types belonging to ancient and middle period are described and their playing style discussed in fifth chapter.
348:
318:
909:
914:
388:
411:
174:, Ghunghru Tarang, Kans Tarang etc. having evolved in medieval to modern period, are documented in the seventh chapter.
302:
40:
873:
339:
86:
The first deals with discussion of music; its elemental essence; its relation to life and theories of its evolution.
929:
924:
67:, as "the most complete, authoritative work ever published on the history of Indian musical instruments."
246:
64:
222:
521:
208:
The Tenth chapter contains a discussion on availability and evolution of the content for instruments.
361:
430:
211:
The
Eleventh chapter examines the genre of folk-music and evaluates the role of folk-instruments.
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294:
919:
624:
177:
A comparative study is made of ancient, medieval and modern instruments in eighth chapter.
8:
290:
71:
576:
440:
263:
101:
55:. The first edition was published in 1973, the second in 2002. The book was written in
48:
47:. It was published under the Lokodya Granthmala series (Granthak / Volume No.: 346) of
821:
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760:
670:
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298:
283:
36:
255:
158:
322:
878:
536:
349:
A collection of
Compositions of Sangeetendu Dr. Lalmani Misra by Dr. Pushpa Basu.
244:
Tewari, Laxmi G. (September 1974). "Bharatiya
Sangeet Vadya by Lalmani Misra".
852:
588:
366:
182:
133:
113:
374:
903:
750:
380:
319:"Excerpts from Bharatiya Sangeet Vadya - Ektantri Veena By Dr. Lalmani Misra"
44:
89:
The second chapter examines the primary elements of singing, instrument and
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675:
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117:
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371:. Dr. Ragini Trivedi. Hindi Madhyam Karyanvaya Nideshalaya: Delhi. 2010.
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Musical instruments that are not mentioned in classical texts like
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have been individually taken up apart from some minor instruments.
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Madhukali -- Organization in memory of
Sangeetendu Lalmani Misra
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The concluding chapter rearranges the whole gamut of
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70:The book carries an exhaustive documentation of
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285:Sitar and Sarod in the 18th and 19th Centuries
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403:
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93:and categorizes the musical instruments.
35:(Indian Musical Instruments) is a book (
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59:. It was described in a 1974 review in
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347:. Ratna Publications: Varanasi. 2007.
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96:Third chapter describes in detail the
384:
280:
13:
375:Sitar Compositions in Ome Swarlipi
14:
941:
333:
161:) of ancient and medieval period.
146:(literally Sound on striking) or
780:Non-Membranous Percussion (Ghan)
644:Membranous Percussion (Avanaddh)
82:The book has fourteen chapters:
311:
274:
237:
1:
230:
7:
910:Hindustani music literature
867:Historical/possibly extinct
77:
65:Society for Ethnomusicology
10:
946:
915:Indian musical instruments
412:Indian musical instruments
223:Indian musical instruments
26:(भारतीय संगीत वाद्य), 2002
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835:
779:
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602:
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153:Fifth chapter deals with
136:. Almost fifty different
843:Bharatiya Sangeet Vadya
377:. Ragini Trivedi. 2010.
356:Bharatiya Sangeet Vadya
340:Links to musical pieces
32:Bharatiya Sangeet Vadya
24:Bharatiya Sangeet Vadya
930:2002 non-fiction books
925:1973 non-fiction books
848:Indian classical music
603:Bowed Stringed (Vitat)
500:Plucked Stringed (Tat)
368:Raga Vibodh: Misrabani
27:
281:Miner, Allyn (1997).
63:, the journal of the
21:
291:Motilal Banarsidass
72:musical instruments
577:Electronic tanpura
102:string instruments
49:Bharatiya Jnanpith
28:
897:
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761:Jori (instrument)
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405:
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321:. Archived from
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159:wind instruments
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537:Saraswati veena
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247:Ethnomusicology
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61:Ethnomusicology
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853:Music of India
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354:Excerpts from
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345:Raga-Rupanjali
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334:External links
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325:on 2008-09-08.
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260:10.2307/850527
254:(3): 458–459.
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183:Vichitra Veena
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144:Avanaddh Vadya
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134:Vichitra Veena
114:Ektantri Veena
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419:Wind (Sushir)
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45:Lalmani Misra
43:) written by
42:
41:81-263-0727-7
38:
34:
33:
25:
20:
16:
884:Kinnari vina
874:Ālāpiṇī vīṇā
842:
651:Anandalahari
517:Gottuvadhyam
367:
355:
344:
323:the original
313:
284:
276:
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164:
155:Sushir Vadya
154:
143:
97:
81:
69:
60:
31:
30:
29:
23:
15:
920:Music books
889:Pinaka vina
527:Rudra veena
226:convention.
187:Rudra Veena
904:Categories
802:Jal tarang
567:Swarmandal
547:Seni Rebab
476:Shruti box
451:Nadaswaram
293:. p.
231:References
218:listeners.
172:Jal tarang
165:Ghan Vadya
148:percussion
731:Mridangam
431:Harmonium
130:Saraswati
122:Ghoshvati
116:to Kand,
98:Tat-Vadya
53:New Delhi
812:Khanjani
797:Ghungroo
741:Pakhawaj
562:Swarabat
557:Surbahar
106:Analambi
78:Chapters
22:Cover -
827:Morsing
822:Manjira
817:Khartal
721:Mardala
701:Kanjira
625:Sarinda
620:Sarangi
610:Dilruba
572:Tanpura
532:Santoor
471:Shehnai
466:Shankha
426:Bansuri
199:Santoor
195:Dilruba
118:Kinnari
110:Alapini
858:Jivari
807:Kartal
792:Ghatam
787:Chimta
771:Udukai
751:Sambal
736:Nagada
726:Mizhav
706:Khamak
696:Edakka
691:Dholki
686:Dholak
666:Damaru
661:Chenda
656:Chande
635:Violin
512:Ektara
507:Dotara
486:Tharai
481:Sringa
446:Kuzhal
436:Karnay
301:
268:850527
266:
138:veenas
39:
836:Other
766:Tavil
756:Tabla
746:Parai
716:Madal
676:Duggi
671:Dhaak
615:Esraj
584:Veena
552:Sitar
542:Sarod
461:Pungi
456:Nafir
441:Kombu
264:JSTOR
203:Sitar
191:Sarod
126:Rudra
104:from
91:dance
57:Hindi
711:Khol
681:Dhol
630:Taus
594:Yazh
522:Pena
491:Venu
299:ISBN
205:etc.
132:and
37:ISBN
256:doi
100:or
906::
297:.
295:25
289:.
262:.
252:18
250:.
201:,
197:,
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189:,
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128:,
124:,
120:,
112:,
108:,
51:,
404:e
397:t
390:v
307:.
270:.
258::
157:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
