504:, stated, "If we see a long gallery of unmatched characters in his stories and novels, where each person is present with his class and family; pleasures and pains of his town and district; the whole world of perversions and contradictions; it is because the reservoir of his (Bhisham Sahni's) experience was vast and abundant. At the request of his father – would anyone believe? – he dabbled in business, in which he was a miserable failure. With his high-spirits and passion for life of the common people, he traveled through villages and towns of Punjab with the IPTA theatre group; then began to teach to earn a living; and then lived in the USSR for seven years as a Hindi translator. This sprawling reservoir of experience collected in the hustle-bustle of various occupations ultimately filtered down into his stories and novels, without which, as we realize today, the world of Hindi prose would have been deprived and desolate. The 'simplicity of his work comes from hard layers of experience, which distinguish and separate it from other works of 'simplified realism. ... "Bhisham Sahni is able to express the terrifying tragedy of Partition with an extraordinary compassion in his stories.
508:('We have reached Amritsar') is one such exceptional work where Bhisham gets away from the external reality and points to the bloody fissures etched on people's psyche. This is possible only for a writer who, in the darkness of historic events has seen the sudden 'accidents' that happen inside human hearts from up close." ... "After reading his last collection of stories Daayan (Witch), I was amazed that even after so many years there seemed no repetition or staleness in his writing. Each of his stories seemed to bring something sudden from newer directions, which was as new for him as it was unexpected for us. That Bhisham never paused, never halted in such a long creative journey is a big achievement; but what is bigger perhaps is that his life nurtured his work and his work nurtured his life, both nurtured each other continuously.
514:, "Bhisham Sahni's name is etched so deeply into the twentieth century of Hindi literature that it cannot be erased. With Independence and till the 11th. July 2003, this name has been synonymous with Hindi story and playwriting. Bhisham Sahni had gained such an unmatched popularity that all kinds of readers awaited his new creations and each and every word of his was read. There was no need to ask a general reader if he had read this or that writing by Bhisham. It was possible to begin a sudden discussion on his stories or novels. Such a rare readerly privilege was either available to
218:(IPTA), an organization with which his brother, Balraj Sahni was already closely associated. He worked both as an actor and a director. At a later stage, he directed a drama ‘Bhoot Gari’. This was adapted for the stage by film director, screenwriter, novelist, and journalist Khwaja Ahmed Abbas. As an actor, he appeared in several films, including Saeed Mirza's Mohan Joshi Hazir Ho! (1984), Tamas (1986), Kumar Shahani's Kasba (1991), Bernardo Bertolucci's Little Buddha (1993), and Aparna Sen's
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229:. Thereafter, he left Bombay for Punjab where he worked briefly as a lecturer, first in a college at Ambala and then at Khalsa College, Amritsar. At this time he was involved in organizing the Punjab College Teachers’ Union and also continued with IPTA work. In 1952 he moved to Delhi and was appointed Lecturer in English at Delhi College (now Zakir Husain College), University of Delhi.
529:(The Pasts of the Present), is a beautiful culmination of a lifetime of excellent writing. Apart from giving us an intimate account of some of the salient phases of his life, it epitomizes his literary qualities. It is full of fun and insights; it is variegated; it is fair; it is unsmug; it is absorbing; it is also his farewell to his family, his milieu, his readers, and his friends.
389:(Mayyadas's Castle) was one of his finest literary creation, the backdrop of this narrative is historical and depicts the age when the Khalsa Raj was vanquished in Punjab and the British were taking over. This novel is a saga of changing social order and decadent set of values. He wrote the screenplay for Kumar Shahani's film,
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During his lifetime, Bhisham Sahni won several Awards including
Shiromani Writers Award,1979, Uttar Pradesh Government Award for Tamas, 1975, Colour of Nation Award at International Theatre Festival, Russia for Play Madhavi by Rashi Bunny,2004, Madhya Pradesh Kala Sahitya Parishad Award, for his play
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Bhisham Sahni was one of the most prolific writers of Hindi literature. Krishan Baldev Vaid said, "His voice, both as a writer and a man, was serene and pure and resonant with humane reassurances. His immense popularity was not a result of any pandering to vulgar tastes but a reward for his literary
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From 1956 to 1963 he worked as a translator at the
Foreign Languages Publishing House in Moscow, and translated some important works into Hindi, including Lev Tolstoy’s short stories and his novel Resurrection. On his return to India, Bhisham Sahni resumed teaching at Delhi College, and also edited
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Bhisham Sahni was associated with several literary and cultural organizations. He was
General Secretary of the All India Progressive Writers Association (1975–85) and Acting General Secretary of the Afro-Asian Writer’ Association and was also associated with the editing of their journal Lotus. He
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portrays the horrors of senseless communal politics of violence and hatred; and the tragic aftermath – death, destruction, forced migration and the partition of a country. It has been translated to
English, French, German, Japanese and many Indian languages including Tamil,Gujarati, Malayalam,
537:, is for me the most moving part of this self-portrait. With characteristic elegance and an unfailing eye for significant detail, the elderly author looks back with nostalgic longing at the world of his childhood and achieves a small but brilliant portrait of the artist as a little child.
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He begins at the beginning and ends very near the end. The book glows with the sense of ending without, however, any trace of morbidity or self-pity. The early part, where
Bhisham tenderly evokes his earliest memories and records his childhood in an affectionate middle-class family in
440:(1993). it was adapted into Kashmiri as "Waqtsaaz" by Manzoor Ahmad Mir and was performed by the Artists participating in month-long Educational Theatre workshop organized by National School of Drama, at Srinagar Kashmir under the Direction of Sh. M. K. Raina in the year 2004.
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He joined the struggle for Indian independence. At the time of
Partition, he was an active member of the Indian National Congress and organized relief work for the refugees when riots broke out in Rawalpindi in March 1947. In 1948 Bhisham Sahni started working with the
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for literature in 1998, Shalaka Samman, New Delhi 1999=2000, Maithlisharan Gupta Samman, Madhya
Pradesh, 2000–2001, Sangeet Natak Academy Award 2001, Sir Syed National Award for best Hindi Fiction Writer 2002, and India's highest literary award the
403:. Although Sahni had been writing stories for a long time, he received recognition as a story writer only after the publication of his story ‘Chief Ki Daawat’(The Chief’s Party) in the Kahani magazine in 1956.
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merits—his sharp wit, his gentle irony, his all-pervasive humor, his penetrating insight into character, his mastery as a raconteur, and his profound grasp of the yearnings of the human heart.
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the reputed literary magazine Nai
Kahaniyan from 1965 to 1967. He retired from service in 1980. Sahni was fluent in Punjabi, English, Urdu, Sanskrit, and Hindi.
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was the founder and chairman of 'SAHMAT', an organization promoting cross-cultural understanding, founded in memory of the murdered theatre artist and activist
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554:'Hanush', 1975 the Lotus Award from the Afro-Asian Writers' Association, 1981 and the Soviet Land Nehru Award, 1983, and finally the
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Bhisham Sahni talking about his personal experience of
Partition and the writing of his Partition novel 'Tamas'
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Krishan Baldev Vaid. "Bhisham Sahni's last published book, an autobiography with the quiet title
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As a result of his association with IPTA, he left the
Congress and joined the
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as a solo play. This solo won many awards in international theatre festivals
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Sahni's prolific career as a writer also included six other Hindi novels:
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rep. with Bapi Bose. This is a very popular play among theatre groups
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593:. Ministry of Home Affairs, Government of India. 2015. Archived from
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in 2002. He was the younger brother of the noted Hindi film actor,
168:(8 August 1915 – 11 July 2003) was an Indian writer, playwright in
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828:. Outlookindia.com. Translated from Outlook Saptahik, 28 July 2003
816:. Outlookindia.com. Translated from Outlook Saptahik, 28 July 2003
253:(Darkness, Ignorance 1974) is a novel based on the riots of 1947
178:("Darkness, Ignorance"), a powerful and passionate account of the
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and an actor, most famous for his novel and television screenplay
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Recipients of the Padma Bhushan in literature & education
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804:. Outlookindia.com (28 July 2003). Retrieved on 2018-11-06.
774:"Bhisham Sahni's Madhavi by Rashi Bunny at British Council"
210:, and a Ph.D. from Punjab University, Chandigarh in 1958.
912:'The Boss Came to Dinner' at Foundation of SAARC writers
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released a commemorative postage stamp to honour Sahni.
751:"Madhavi solo by Rashi Bunny: The story of every woman"
436:(1977), staged by theatre director Rajindra Nath and
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728:"'Kabira Khada Bazaar Mein' Revived after 23 Years"
717:. Loc.gov (8 August 1915). Retrieved on 2018-11-06.
873:"A life of commitment: Bhisham Sahni, 1915 – 2003"
917:Govind Nihalani speaks of Bhisham Sahni and Tamas
858:. Philamirror.info. Retrieved on 6 November 2018.
416:, Penguin 2016) and the biography of his brother
2864:Recipients of the Sahitya Akademi Award in Hindi
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453:and Abhijeet Choudhary have performed this play.
2929:20th-century Indian dramatists and playwrights
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2939:Recipients of the Sangeet Natak Akademi Award
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883:on 29 October 2006. Retrieved 22 August 2006.
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2869:Recipients of the Sahitya Akademi Fellowship
2944:People from Punjab Province (British India)
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446:(1981): Many Indian theatre directors like
381:, a collection of children's short stories
202:Bhisham Sahni was born on 8 August 1915 in
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715:Bhishma Sahni at U.S. Library of Congress
461:(1982): First staged by theatre director
274:for literature and was later made into a
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894:(Chandigarh). Retrieved 31 August 2006.
2859:Indian male dramatists and playwrights
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406:Bhisham Sahni wrote his autobiography
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1742:Kuppali Venkatappa Puttappa 'Kuvempu'
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1184:Vishnu Vaman Shirwadkar (Kusumagraj)
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886:Bhatnagar, Ashwini (27 July 2003).
361:(1996) ; five plays including
290:, are also based on the Partition.
216:Indian People’s Theatre Association
16:Indian writer, playwright and actor
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2919:Academic staff of Delhi University
776:. Anand Foundation. Archived from
282:. Two of his masterpiece stories,
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2058:Santeshivara Lingannaiah Bhyrappa
871:Sharma, Rajendra (19 July 2003).
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619:Paul, Shyno Baby (11 July 2020).
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2904:Hindi dramatists and playwrights
814:The Face's Memory, Memory's Face
689:Kumar, Kuldeep (7 August 2015).
266:Kashmiri, Marathi and Manipuri.
2934:20th-century Indian male actors
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2160:Ananda Coomaraswamy Fellowship
1189:Kuthur Ramakrishnan Srinivasan
765:
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549:Sahni on a 2017 stamp of India
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2924:20th-century Indian novelists
1391:Sivaramakrishna Chandrasekhar
573:
983:Purushottam Laxman Deshpande
960:award recipients (1990–1999)
879:magazine. Archived from the
664:"HOBBIES | mystudyroom"
197:
186:for literature in 1998, and
7:
1901:Ramchandra Narayan Dandekar
1797:Thakazhi Sivasankara Pillai
838:Sahitya Akademi Fellowships
802:Trailings Of A Lonely Voice
691:"The shine beyond darkness"
479:(1993): First performed by
465:. Later US-trained actress
10:
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1789:Laxmanshastri Balaji Joshi
1628:Sahitya Akademi Fellowship
1315:Dalsukh Dahyabhai Malvania
1300:Ramachandra Datatraya Lele
1285:Krishnaswamy Kasturirangan
561:Sahitya Akademi Fellowship
395:(1991), which is based on
249:Bhisham Sahni's epic work
188:Sahitya Akademi Fellowship
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2899:Indian communist writers
2099:Daniel H. H. Ingalls Sr.
2068:Nirendranath Chakravarty
1734:Atmaram Ravaji Deshpande
1702:Masti Venkatesha Iyengar
1696:Kalindi Charan Panigrahi
1678:Viswanatha Satyanarayana
1652:Tarasankar Bandyopadhyay
1642:Sarvepalli Radhakrishnan
826:The Light Shall Shine On
481:National School of Drama
427:
227:Communist Party of India
143:Communist Party of India
2478:Sarveshwar Dayal Saxena
2437:Sudama Panday 'Dhoomil'
2268:Ramdhari Singh 'Dinkar'
2010:Chandranath Mishra Amar
1958:Bhadriraju Krishnamurti
1883:Gunturu Seshendra Sarma
1771:K. R. Srinivasa Iyengar
1728:T. P. Meenakshisundaram
1666:Vaikom Muhammad Basheer
1547:# Posthumous conferral
1220:Bijoy Chandra Bhagavati
888:"Commoners' chronicler"
650:22 October 2006 at the
444:Kabira Khada Bazar Mein
367:Kabira Khada Bazar Mein
2894:Indian Marxist writers
2879:Pahari Pothwari people
2849:Hindi-language writers
2844:People from Rawalpindi
2429:Bharat Bhushan Agarwal
2421:Shamsher Bahadur Singh
2397:Shivmangal Singh Suman
2349:Harivansh Rai Bachchan
2244:Vasudeva Saran Agrawal
1785:Vinayaka Krishna Gokak
1714:Vasudev Vishnu Mirashi
1532:Shivmangal Singh Suman
1497:Sohrab Pirojsha Godrej
1466:Panangipalli Venugopal
1441:Vaidyeswaran Rajaraman
1406:Gurbaksh Singh Dhillon
1360:Brihaspati Dev Triguna
1204:Jiwan Singh Umranangal
1124:Narayan Singh Manaklao
1023:Hirendranath Mukherjee
550:
385:. But his novel named
257:which he witnessed at
2914:Indian male novelists
2389:Hazari Prasad Dwivedi
2381:Bhawani Prasad Mishra
2295:Bhagwati Charan Verma
2218:Sahitya Akademi Award
2095:Edward C. Dimock, Jr.
2089:Léopold Sédar Senghor
1451:Vempati Chinna Satyam
1431:Rajendra Singh Paroda
1335:Setumadhavarao Pagadi
1013:Bimal Krishna Matilal
978:Bimal Kumar Bachhawat
548:
272:Sahitya Akademi Award
182:. He was awarded the
2777:Nand Kishore Acharya
2252:Acharya Narendra Dev
2236:Makhanlal Chaturvedi
2167:Senake Bandaranayake
2139:Premchand Fellowship
2044:M. T. Vasudevan Nair
1932:Govind Chandra Pande
1895:N. Khelchandra Singh
1879:K. S. Narasimhaswamy
1865:Sachidananda Routray
1857:Subhash Mukhopadhyay
1827:Kanhu Charan Mohanty
1823:Vishnu Bhikaji Kolte
1365:K. Venkatalakshamma
1290:Triloki Nath Khoshoo
1230:Hariprasad Chaurasia
1154:Shakuntala Paranjpye
843:30 June 2007 at the
506:Amritsar Aa Gaya Hai
288:Amritsar Aa Gaya Hai
2737:Ramesh Chandra Shah
2721:Chandrakant Devtale
2665:Manohar Shyam Joshi
2542:Girija Kumar Mathur
2032:Raghuveer Chaudhari
1990:Kartar Singh Duggal
1950:U. R. Ananthamurthy
1831:P. T. Narasimhachar
1775:K. Shivaram Karanth
1537:Ram Kinkar Upadhyay
1386:U. R. Ananthamurthy
1235:Thayil John Cherian
2804:Daya Prakash Sinha
2761:Ramesh Kuntal Megh
2606:Vinod Kumar Shukla
2470:Harishankar Parsai
2287:Sumitranandan Pant
2260:Rahul Sankrityayan
2052:Satya Vrat Shastri
2040:Sitakant Mahapatra
1853:Vidya Niwas Mishra
1801:Annada Shankar Ray
1660:C. Rajagopalachari
1656:Sumitranandan Pant
1522:Vidya Niwas Mishra
1456:Laxmi Mall Singhvi
1350:Mrinalini Sarabhai
1340:Hasmukhbhai Parekh
1270:Hakim Abdul Hameed
1129:Muthu Krishna Mani
1028:C. D. Narasimhaiah
898:Watch Tamas online
600:on 15 October 2015
551:
541:Awards and honours
520:Harishankar Parsai
255:Partition of India
180:Partition of India
2821:
2820:
2534:Shiv Prasad Singh
2502:Kedarnath Agarwal
2184:
2183:
2113:Vassilis Vitsaxis
2062:C. Narayana Reddy
2000:Gopi Chand Narang
1819:Qurratulain Hyder
1594:
1593:
1512:D. C. Kizhakemuri
1345:C. Narayana Reddy
1240:Ranjan Roy Daniel
1169:Basavaraj Rajguru
1159:Bindeshwar Pathak
1149:Manubhai Pancholi
1043:Trilochan Pradhan
1038:Kunwar Singh Negi
1018:Sumant Moolgaokar
753:. Hindustan Times
485:Swatantra Theatre
422:Balraj My Brother
220:Mr. and Mrs. Iyer
163:
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2175:Azad N. Shamatov
2129:Abhimanyu Unnuth
2117:Eugene Chelyshev
2082:Honorary Fellows
1994:Ravindra Kelekar
1980:Vishnu Prabhakar
1936:Nilamani Phookan
1922:Ram Nath Shastri
1891:Ram Vilas Sharma
1875:Syed Abdul Malik
1849:Vinda Karandikar
1767:Umashankar Joshi
1688:Gopinath Kaviraj
1670:Firaq Gorakhpuri
1621:
1614:
1607:
1598:
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1426:G. Madhavan Nair
1310:Syed Abdul Malik
1194:Ale Ahmad Suroor
1174:Prathap C. Reddy
1139:Fali Sam Nariman
1068:M. R. Srinivasan
1063:Julius Silverman
1033:M. S. Narasimhan
988:L. K. Doraiswamy
973:Rajanikant Arole
951:
944:
937:
928:
927:
859:
853:
847:
835:
829:
823:
817:
811:
805:
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790:
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686:
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670:on 2 August 2014
666:. Archived from
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584:
566:On 31 May 2017,
387:Mayyadas Ki Mari
307:Mayyadas Ki Madi
85:
74:
49:
47:
35:
21:
20:
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2713:Kashinath Singh
2707:
2699:
2697:Kailash Vajpeyi
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2635:
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2625:Manglesh Dabral
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2550:Giriraj Kishore
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2333:Jainendra Kumar
2327:
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2319:S. H. V. Agyeya
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2275:
2270:
2262:
2254:
2246:
2238:
2224:
2215:
2185:
2180:
2155:
2146:Intizar Hussain
2134:
2123:Ronald E. Asher
2077:
2026:Khushwant Singh
2022:Kedarnath Singh
2018:Bholabhai Patel
1910:
1839:Harbhajan Singh
1755:
1738:Jainendra Kumar
1630:
1625:
1595:
1590:
1541:
1482:S. S. Badrinath
1470:
1374:
1355:Gursaran Talwar
1325:M. Sarada Menon
1255:Khem Singh Gill
1208:
1199:Leslie Swindale
1077:
1073:M. S. Valiathan
961:
955:
868:
863:
862:
856:Contact Support
854:
850:
845:Wayback Machine
836:
832:
824:
820:
812:
808:
800:
793:
783:
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772:Drama Critics.
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730:. Outlook India
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280:Govind Nihalani
276:television film
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139:Political party
114:
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2884:Punjabi Hindus
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2579:
2574:Kunwar Narayan
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2510:Shrikant Verma
2507:
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2354:
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2341:Amritlal Nagar
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2150:Kishwar Naheed
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2103:Kamil Zvelebil
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2014:Kunwar Narayan
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2004:Ramakanta Rath
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1954:Vijaydan Detha
1943:
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1918:
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1911:
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1815:Ashapurna Devi
1804:
1793:Amritlal Nagar
1781:Mulk Raj Anand
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1750:Mahadevi Varma
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1008:R. N. Malhotra
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791:
780:on 11 May 2008
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588:"Padma Awards"
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500:Noted Writer,
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492:Literary style
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383:Gulal ka keel'
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65:(present-day
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61:British India
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50:8 August 1915
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38:
34:
29:
25:Bhisham Sahni
22:
19:
2789:2020–present
2729:Mridula Garg
2705:Uday Prakash
2641:Rajesh Joshi
2633:Alka Saraogi
2518:Naresh Mehta
2494:Nirmal Verma
2404:
2373:Namvar Singh
2302:
1970:Nirmal Verma
1939:
1915:2001–present
1648:D. R. Bendre
1445:
1421:K. M. Mathew
1164:Samta Prasad
1099:N. S. Bendre
1058:Arun Shourie
993:Nikhil Ghosh
891:
876:
851:
833:
821:
809:
782:. Retrieved
778:the original
767:
755:. Retrieved
749:Mita Kapur.
744:
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722:
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694:
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668:the original
658:
640:
628:. Retrieved
624:
614:
602:. Retrieved
595:the original
582:
565:
552:
531:
527:Aaj Ke Ateet
526:
524:
510:
505:
502:Nirmal Verma
499:
495:
476:
470:
456:
443:
433:
421:
418:Balraj Sahni
411:
408:Aaj Ke Ateet
407:
405:
401:In the Gully
400:
390:
386:
382:
378:
374:
370:
366:
362:
358:
357:(1989), and
354:
350:
347:Shobha Yatra
346:
342:
338:
334:
330:
327:Bhagya Rekha
326:
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318:
314:
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287:
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262:
250:
248:
235:
231:
224:
212:
201:
192:Balraj Sahni
173:
165:
164:
153:Balraj Sahni
84:(2003-07-11)
82:11 July 2003
18:
2839:2003 deaths
2834:1915 births
2303:Not awarded
2171:Chie Nakane
2036:Arjan Hasid
1986:Anita Desai
1905:Rehman Rahi
1845:Jayakanthan
1746:V. Raghavan
1718:Sukumar Sen
1517:Ashok Kumar
1265:Anna Hazare
1134:Ram Narayan
1119:Dilip Kumar
1053:Sukumar Sen
998:B. K. Goyal
892:The Tribune
784:23 December
467:Rashi Bunny
451:Arvind Gaur
438:Arvind Gaur
424:(English).
331:Pahla patha
313:(1993) and
278:in 1987 by
119:Nationality
2828:Categories
2649:Kamleshwar
2598:Arun Kamal
2463:Trilochan
2107:Ji Xianlin
1928:Kaifi Azmi
1370:C. R. Vyas
734:2 December
574:References
568:India Post
535:Rawalpindi
518:or, after
512:Kamleshwar
469:performed
448:M.K. Raina
259:Rawalpindi
204:Rawalpindi
108:playwright
99:Occupation
53:Rawalpindi
46:1915-08-08
2449:1980–1999
2326:Nagendra
2311:Amrit Rai
2280:1960–1979
2229:1955–1959
1976:Manoj Das
1760:1981–2000
1635:1968–1980
1586:2020–2029
1581:2010–2019
1576:2000–2009
1571:1990–1999
1566:1980–1989
1561:1970–1979
1556:1960–1969
1551:1954–1959
1411:H. K. Dua
1144:Kapil Dev
877:Frontline
695:The Hindu
563:in 2002.
516:Premchand
399:'s story,
351:Nishachar
198:Biography
155:(brother)
149:Relatives
130:1955–2003
2681:Amarkant
2148:(2005),
2048:Asit Rai
1861:Raja Rao
1807:Nagarjun
1275:Jaggayya
881:original
841:Archived
674:9 August
648:Archived
379:Alamgeer
353:(1983),
349:(1981),
345:(1978),
343:Wang Chu
341:(1973),
337:(1966),
333:(1956),
329:(1953),
309:(1987),
305:(1979),
301:(1971),
297:(1967),
295:Jharokhe
222:(2002).
71:Pakistan
2796:Anamika
2413:Yashpal
1946:Kovilan
1330:Naushad
700:19 July
630:19 July
604:21 July
471:Madhavi
458:Madhavi
434:Hanoosh
371:Madhavi
363:Hanoosh
339:Patrian
323:Nilofar
303:Basanti
2813:(2022)
2807:(2021)
2799:(2020)
2780:(2019)
2772:(2018)
2764:(2017)
2756:(2016)
2748:(2015)
2740:(2014)
2732:(2013)
2724:(2012)
2716:(2011)
2708:(2010)
2700:(2009)
2692:(2008)
2684:(2007)
2676:(2006)
2668:(2005)
2660:(2004)
2652:(2003)
2644:(2002)
2636:(2001)
2628:(2000)
2609:(1999)
2601:(1998)
2593:(1997)
2585:(1996)
2577:(1995)
2569:(1994)
2561:(1993)
2553:(1992)
2545:(1991)
2537:(1990)
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2521:(1988)
2513:(1987)
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2497:(1985)
2489:(1984)
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2473:(1982)
2465:(1981)
2459:(1980)
2440:(1979)
2432:(1978)
2424:(1977)
2416:(1976)
2408:(1975)
2400:(1974)
2392:(1973)
2384:(1972)
2376:(1971)
2368:(1970)
2360:(1969)
2352:(1968)
2344:(1967)
2336:(1966)
2328:(1965)
2322:(1964)
2314:(1963)
2306:(1962)
2298:(1961)
2290:(1960)
2271:(1959)
2263:(1958)
2255:(1957)
2247:(1956)
2239:(1955)
2177:(1996)
2152:(2016)
2131:(2013)
2125:(2007)
2119:(2002)
2109:(1996)
2091:(1974)
2074:(2016)
2064:(2014)
2054:(2013)
2028:(2010)
2006:(2009)
1996:(2007)
1982:(2006)
1972:(2004)
1942:(2002)
1924:(2001)
1907:(2000)
1897:(1999)
1871:(1996)
1841:(1994)
1803:(1989)
1777:(1985)
1752:(1979)
1730:(1975)
1724:(1973)
1698:(1971)
1680:(1970)
1662:(1969)
1644:(1968)
1048:N. Ram
1003:Jasraj
757:10 May
477:Muavze
375:Muavze
359:Daayan
319:Nilima
315:Neeloo
299:Kadian
208:Lahore
127:Period
122:Indian
105:Writer
67:Punjab
57:Punjab
2222:Hindi
645:Tamas
598:(PDF)
591:(PDF)
428:Plays
392:Kasba
311:Kunto
268:Tamas
263:Tamas
251:Tamas
175:Tamas
170:Hindi
111:actor
93:India
89:Delhi
2220:for
1475:1999
1379:1998
1213:1992
1082:1991
966:1990
907:IMDb
786:2008
759:2010
736:2015
702:2020
676:2014
632:2020
606:2015
355:Pali
286:and
284:Pali
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40:Born
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