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716:. Six years later the same words were chosen as the title of Apple’s survey exhibition curated by Christina Barton at the Auckland Art Gallery. A large version of the text in Apple’s familiar typeface, was mounted at the gallery’s entrance. In recognition of the close collaboration behind its creation and presentation over 35 years, this time a credit line included Curnow’s name alongside Apple’s. ( See also:
218:, but left secondary school aged 15 without qualifications. He took a job as a technician for a paint manufacturer in 1951 where he developed a proportional system of mixing paint rather than colour matching by eye. He then worked as a junior in design and advertising notably designing the Farmers Department Store logo. Bates attended evening classes at
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put it, he was not just fascinated by the making of art but by ‘the whole ecology of it.’ An example is the development of Apple’s relationship with Terry
Maitland, an Auckland signwriter. Maitland recalls first working with Apple on an advertising job in 1981 and soon after that beginning their long
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in New York City at 161 West Twenty-third Street in order, as he stated, "to provide an independent and experimental alternative space for the presentation of own work and the work of others." Initially, the exhibition space was part of his own studio. During its four years, Apple produced 35 works
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A pivotal event in his career was the 1964 exhibit "The
American Supermarket", a show held in Paul Bianchini's Upper East Side gallery. The show was presented as a typical small supermarket environment, except that everything in it – the produce, canned goods, meat, posters on the wall, etc. – was
693:. They started working together in the late-1970s and Curnow went on to collaborate on many of the works Apple made while in New Zealand. Acting as ‘minder’, advisor, copywriter and commentator, Curnow worked with Apple on the development of ideas and strategies such as
664:, a close friend of his, to write it for him. He also drew from his early experience in advertising to adapt some of the industry’s collaborative production techniques and began to outsource the making of his own work to highly skilled professionals.
608:. The occasion of the retrospective also saw the commercial launch of Billy Apple Ciders and an application developed by the Albert Eden Local Board called the Billy Apple Compass which could be used to navigate the artist's public sculptures.
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and the New
Zealand horticulture research centre to develop an apple that could be named "Billy Apple". In 2001 Apple created a company, "Billy Apple Ltd", in anticipation of securing licensing of the marketing rights over this new apple.
477:. In 1983 he produced a solid gold apple for former Auckland Coin & Bullion Exchange Director, Ray Smith, valued at $ (NZ)85,000 – the most expensive work made by a living New Zealander at the time and a significant precursor to
550:, the documentary tells the story of Billy Apple's life from his POP period through his involvement with the conceptual art movement in New York City during the 1970s to his current "horticultural/art" Apple endeavours.
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738:(2010) a cell line from Apple's cells was created using a virus to alter Apple's cells, so that they would keep regenerating forever. The cell lines - named formally after Billy Apple® - are held at the
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Although many artists use fabricators to make their work, Apple was always fascinated by a deeper blurring of the conventional boundaries between artists and the art infrastructure. As art historian
588:. Apple had a citywide presence during the retrospective with many other institutions and galleries in the city independently holding presentations of the artist's work at the same time including
561:, covering the activities undertaken by the artist in the not-for-profit gallery he ran from 161 West 23rd Street. Later in 2009 the Witte de With Centre for Contemporary Art (now known as the
660:, Billy Apple explored and tested the space between the conception and implementation of an art object or project. For example, when he came to write his thesis presentation, he asked
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magazine, art critic
Anthony Byrt opined: 'It's the most complex and radical project Apple has been involved in since the name change. It's also how the brand will outlast the body.'
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2068:. Zoë. Gray, Nicolaus Schlafhausen, Monika Szewczyk, Centre For Contemporary Art Wittie De With. Rotterdam: Wittie De With, Centre For Contemporary Art. 2009. pp. 9–10.
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at Peter Webb gallery in 1980 was made up of a series of artworks that were actual receipts for the payment given to the artist. This work progressed on to a series called
1256:. Zoë. Gray, Nicolaus Schlafhausen, Monika Szewczyk, Centre For Contemporary Art Wittie De With. Rotterdam: Wittie De With, Centre For Contemporary Art. 2009. p. 18.
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from 1967 to 1969. The exhibition included Hulme's $ 1.5 million McLaren M8A-2 racing car and text works that refer to the tracks raced and the two drivers' cars' livery.
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411:. In 1975 Apple returned to New Zealand for the first time in sixteen years. During the visit, he embarked on a national exhibition tour with support from the
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to become part of the gallery’s permanent collection Apple was invited to a tour again over the summer of 1979 and 1980. The exhibition he toured was called
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2135:. Wystan Curnow, Gregory Burke, Wellington City Art Gallery. Wellington, N.Z.: Wellington City Art Gallery, Wellington City Council. 1991. pp. 8–19.
134:; 31 December 1935 – 6 September 2021) was a New Zealand artist whose work is associated with the London, Auckland and New York schools of
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in 1985. It was also used as the text on a large billboard-sized work in central
Rotterdam in 2009 as part of Apple’s two-part survey exhibition at the
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The artist had a long-standing interest and involvement in motor racing, which was acknowledged with two vehicles from his own collection in the 1991
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He returned to New
Zealand permanently in 1990 and lived in Auckland. In 1991 the Wellington City Art Gallery staged a decade survey of his work:
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diagram. Hilton says the works are designed to provoke debate around scientific advances and the ethical challenges they create. Writing in
1452:. Wystan Curnow, Gregory Burke, Wellington City Art Gallery. Wellington, N.Z.: Wellington City Art Gallery, Wellington City Council. 1991.
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before opening the second of the seven New York Not-for-Profit spaces in 1969. His work is held in the permanent collections of
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Oppenheimer, Robin (March/April 2007). "Video
Installation: Characteristics of an Expanding Medium". After Image 34 (5): 14–18.
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Bates conceived a new artistic persona and on
Thanksgiving Day, November 22, 1962, he bleached his hair and eyebrows with Lady
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360:), which showed a collection of neon light sculptures, was held at the Howard Wise Gallery, a fore-runner to the organisation
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1808:"Spotlight: A Show in London Pays Tribute to the Bright Ideas of Billy Apple, Whose Neon Sculptures Were Ahead of the Pack"
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423:. Controversy followed when the local fire Department asked for it to be removed and again when O’Reilly arranged for
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2043:"Towards the Centre: The Given as an Art-Political Statement Billy Apple, Artist; Wystan Curnow, Author"
573:, surveyed the artist's entire practice from inception as his own brand to the present day; the second,
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suburb of Royal Oak on 31 December 1935, the eldest child of Marija (née Petrie, originally
Petrich, of
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then secretary of the RCA painting school and David
Hockney are the subjects of Anthony Byrt's book,
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on the main staircase of the Govett-Brewster Art Gallery, at that time under the directorship of
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s was included in a 2013 exhibition which reconsidered the influence of the Howard Wise Gallery.
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During the 1980s, Apple's practice focused on the economics of the art world. The exhibition
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Since his death in 2021, Apple continues to have solo exhibitions around the world. Such as
277:, which unearths a more interesting and complicated picture for the development of pop art.
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Apple died on the morning of 6 September 2021 following a "short illness". He was 85.
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He announced his self-branding name change publicly in 1963 in his first solo show –
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association during which Maitland produced all of Apple’s signature style canvases.
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survey and the accompanying publication. This interest was brought to the fore with
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In 1959 he left New Zealand on a New Zealand Government scholarship to study at the
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2294:"Five top Kiwi artists earn the title of Icon from the New Zealand Arts Foundation"
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1601:"Billy Apple® A History of the Brand - Exhibitions - Program - FKA Witte de With"
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469:. Other important series of works by Apple that began in the 1980s include
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1983:"Interview with Terry Maitland, signwriter, on working with Billy Apple"
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In 2009 Apple donated blood to the New Zealand artist and scientist Dr
596:, Melanie Roger Gallery, Starkwhite, Gow Langsford Gallery, as well as
546:. Produced by Spacific Films and directed by award-winning filmmaker,
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In 2015, Apple was the subject of a major retrospective exhibition at
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In 2008, Apple was the subject of a feature-length documentary called
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766:(2014) the artist presents Apple's personal genetic information in a
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565:) in Amsterdam presented a major exhibition in two parts, curated by
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269:, Jan Bensemann, and Jerry Pethick.. His relationship with novelist
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431:. During each tour, he exhibited in spaces throughout the country.
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Wane, Joanna; Nicholls, Jenny (October 2015). "Getting Personal".
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734:, leading to a series of three science/art projects by Hilton. In
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Nicholls, Jenny (May 2010). "The Weird World of Art + Science".
1498:. Department of the Prime Minister and Cabinet. 31 December 2004
750:, in the United States. In the second work, Hilton commissioned
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As good as gold : Billy Apple, Art Transactions, 1981-1991
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As good as gold : Billy Apple, Art Transactions, 1981-1991
974:"'Ground-breaking' New Zealand artist Billy Apple dies aged 85"
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In 1974, Apple's first major survey exhibition was held at the
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created by prominent pop artists of the time, including Apple,
352:, both at The Bianchini Gallery. Then in 1967, the exhibition
1946:"Are Fabricators the Most Important People in the Art World?"
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754:-based New Zealand Genomics Ltd to sequence Apple's entire
1648:"Billy Apple®: The Artist Has to Live Like Everybody Else"
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Treasures from the Museum of New Zealand Te Papa Tongarewa
2113:"Billy Apple: The Artist Has to Live Like Everybody Else"
954:. Vol. 66, no. 309. 31 December 1935. p. 1
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1965:"From the MTG: Billy Apple a successful creative export"
1619:"Billy Apple® Revealed / Concealed | Witte de with"
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Sold on Apple : the complete Wystan Curnow writings
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in the venue and hosted work by other artists including
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movement in the 1970s. He worked alongside artists like
1520:(Wellington: Wellington City Art Gallery, 1991), 13–14.
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As Good As Gold: Billy Apple Art Transactions 1981–1991
1165:"Press release: Howard Wise Gallery: Exploring the New"
494:
As Good as Gold: Billy Apple Art Transactions 1981–1991
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exhibitions alongside Frank Bowling, Jonathan Kingdon,
1192:"'Howard Wise: Exploring the New' at Moeller Fine Art"
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Apple was one of the artists who pioneered the use of
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The mirror steamed over: love and pop in London, 1962
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Apple’s longest serving and closest collaborator was
527:, presented at Two Rooms in 2008 as a tribute to the
454:(2011), a sculpture by Billy Apple installed outside
1102:"Artist Billy Apple, pioneer in pop art, dies at 85"
1040:. Auckland, New Zealand: Auckland University Press.
646:
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The Mirror Seemed Over: Love and Pop in London, 1962
257:. During this time, he frequently exhibited in the
226:, a graduate of the Royal College of Art in London.
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Rigorous idea-driven works across many fields of art
889:"Billy Apple, 'giant of New Zealand art', has died"
689:an art critic, curator and poet who taught at the
2025:"Report: The Given as an Art Political Statement"
788:, an honour limited to 20 living New Zealanders.
415:. The same year Apple installed his installation
241:and went on to become one of a new generation of
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860:Museum of New Zealand Te Papa Tongarewa (2005).
94:, London, postgraduate diploma in graphic design
1418:"Tales of Gold, Billy Apple with Wystan Curnow"
1362:. Auckland Art Gallery Toi Tamaki. p. 60.
1222:. Auckland University Press. pp. 125–135.
531:, and particularly to the motoring triumphs of
2684:People educated at Mount Albert Grammar School
2228:"Artist's 46-year-old loo paper to be studied"
1320:"Billy Apple Sculpture Annoyed Fire Brigade".
344:in art. This was seen in the 1965 exhibitions
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2319:"Artist Billy Apple dies after short illness"
1692:"Billy Apple: Sound Works 1968-2015 - Te Uru"
1393:"Tales of Gold: The Tale of Ray, at Artspace"
443:Apple circa 1993, at an Art for AIDS function
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708:Apple and Curnow first developed the phrase
784:In 2018, Apple was named as an Icon by the
2674:Officers of the New Zealand Order of Merit
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710:The artist has to live like everybody else
703:The artist has to live like everybody else
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1081:10.1093/gao/9781884446054.article.t003469
742:'s School of Biological Sciences and the
714:Witte de With Center for Contemporary Art
510:Officer of the New Zealand Order of Merit
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485:. The gold apple was later exhibited at
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1806:Network, Artnet Gallery (6 June 2022).
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1551:Issue 4 August/September 2008, 106–109.
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695:The Given as an Art Political Statement
429:The Given as an Art Political Statement
156:Scottish National Gallery of Modern Art
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214:origin) and Albert Bates. He attended
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1587:"Billy Apple | Adam Art Gallery"
1112:from the original on 6 September 2021
986:from the original on 6 September 2021
719:Wystan Curnow Talks About Billy Apple
594:Te Uru Waitakere Contemporary Gallery
2388:Arts Foundation of New Zealand Icons
2193:Morton, Frances (May 2010). "Arts".
1943:
1927:"Billy Apple: Goodwill Is Important"
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1672:from the original on 5 February 2019
1516:Gregory Burke, "Exchange Value", in
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922:"Portrait of an artist: Billy Apple"
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764:The Analysis of Billy Apple's Genome
496:. Negotiations are underway between
301:'s Gallery One, London. He moved to
736:The Immortalisation of Billy Apple®
571:Billy Apple: A History of the Brand
196:Stedelijk Museum voor Actuele Kunst
13:
2659:Alumni of the Royal College of Art
2110:
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1547:Andrew Clifford, "Billy Apple" in
762:. In the third of Hilton's works,
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1391:Clifford, Andrew (16 June 2004).
848:
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656:Starting with his studies at the
647:Billy Apple and his collaborators
582:Auckland Art Gallery Toi o Tamaki
245:, which included amongst others,
2669:New Zealand contemporary artists
2004:"Post-object and Conceptual Art"
1858:"Billy Apple: Divine Proportion"
1190:Russeth, Andrew (9 April 2013).
1008:New Zealand Sculpture: A History
744:American Type Culture Collection
680:
600:in association with Starkwhite,
409:From Barrie Bates to Billy Apple
371:In 1969, the artist established
354:Unidentified Fluorescent Objects
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1883:"Billy Apple and Wystan Curnow"
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1710:"Gallery Abstracts 2011 - 2015"
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1666:"ARTSPACE - Billy Apple®, SUCK"
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1140:. 18 March 1966. Archived from
1094:
760:The Digitisation of Billy Apple
633:Billy Apple®: Divine Proportion
559:Billy Apple: New York 1969–1973
413:Queen Elizabeth II Arts Council
2292:Wenman, Eleanor (9 May 2018).
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786:Arts Foundation of New Zealand
289:Instant Cremé Whip and became
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16:New Zealand artist (1935–2021)
1:
2268:"Metro | The immortal artist"
1925:Byrt, Anthony (Spring 2021).
1750:www.gowlangsfordgallery.co.nz
1336:"Govett-Brewster Art Gallery"
864:. Te Papa Press. p. 69.
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557:staged the survey exhibition
481:'s 2007 diamond skull titled
377:alternative exhibition spaces
206:Barrie Bates was born in the
201:
176:National Gallery of Australia
1944:Hass, Nancy (22 June 2018).
1496:"New Year honours list 2005"
1219:Billy Apple : life/work
1132:"A Times Square of the Mind"
613:Billy Apple®: Rainbows 1965,
555:Adam Art Gallery, Wellington
7:
2256:. November 2017. p. 8.
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295:Apple Sees Red: Live Stills
216:Mount Albert Grammar School
10:
2700:
2252:"Contributors biography".
1764:"Billy Apple in Rarotonga"
1531:"The Bruce and Denny Show"
1216:Barton, Christina (2020).
435:Billy Apple in New Zealand
263:Young Commonwealth Artists
160:Philadelphia Museum of Art
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1013:Auckland University Press
779:
508:, Apple was appointed an
172:Detroit Institute of Arts
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1566:NZONSCREEN IWI WHITIĀHUA
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525:The Bruce and Denny Show
362:Electronic Arts Intermix
220:Elam School of Fine Arts
188:Christchurch Art Gallery
1746:"Gow Langsford Gallery"
1714:melanierogergallery.com
1356:Curnow, Wystan (2015).
1073:Oxford University Press
1061:Curnow, Wystan (2003).
512:, for services to art.
2163:: CS1 maint: others (
2096:: CS1 maint: others (
1905:"The Wednesday Review"
1480:: CS1 maint: others (
1284:: CS1 maint: others (
1036:Byrt, Anthony (2020).
1005:Dunn, Michael (2002).
894:The New Zealand Herald
838:, Taschen, 2003, p78.
811:Institutional critique
740:University of Auckland
691:University of Auckland
458:
444:
364:(EAI). One of Apple's
192:University of Auckland
168:Chrysler Museum of Art
138:in the 1960s and NY's
2654:Artists from Auckland
2618:Arnold Manaaki Wilson
1789:"Billy Apple Compass"
506:2005 New Year Honours
498:Saatchi & Saatchi
450:
442:
2117:The Pantograph Punch
1931:Art News New Zealand
1652:Auckland Art Gallery
1625:on 20 September 2015
1324:. 30 September 1975.
1108:. 6 September 2021.
982:. 6 September 2021.
658:Royal College of Art
567:Nicolaus Schafhausen
563:Kunstinstituut Melly
259:Young Contemporaries
231:Royal College of Art
184:Auckland Art Gallery
92:Royal College of Art
2598:Diggeress Te Kanawa
1793:Billy Apple Compass
1562:"Being Billy Apple"
1300:"Neon Accumulation"
1144:on 28 October 2010.
615:The Mayor Gallery,
483:For the Love of God
475:From the Collection
375:, one of the first
2664:Conceptual artists
2325:. 5 September 2021
2272:www.metromag.co.nz
2031:(15). Summer 1980.
1428:on 9 February 2013
926:New Zealand Herald
897:. 5 September 2021
834:Tilman Osterwold,
575:Revealed/Concealed
459:
445:
405:Serpentine Gallery
2631:
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2553:Pakariki Harrison
2538:Marti Friedlander
2487:Gillian Whitehead
2254:North & South
2213:North & South
2180:North & South
2111:Libeau, Frances.
2075:978-90-73362-89-5
1963:MacKinnon, Toni.
1369:978-0-86463-302-6
1263:978-90-73362-89-5
1229:978-1-77671-053-9
1106:Radio New Zealand
1068:Oxford Art Online
1047:978-1-86940-910-4
1022:978-1-86940-277-8
621:New York Rainbows
544:Being Billy Apple
425:Neon Accumulation
417:Neon Accumulation
164:Guggenheim Museum
120:
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2508:Barbara Anderson
2417:Jacqueline Fahey
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1505:
1503:
1492:
1486:
1485:
1479:
1471:
1444:
1438:
1437:
1435:
1433:
1424:. Archived from
1414:
1408:
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1187:
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1178:
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1167:. Archived from
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876:
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857:
846:
832:
752:Otago University
674:Christina Barton
471:Golden Rectangle
390:Davi Det Hompson
331:James Rosenquist
129:
82:
79:6 September 2021
64:31 December 1935
63:
61:
42:
32:
21:
20:
2699:
2698:
2694:
2693:
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2548:Alexander Grant
2491:
2452:Donald McIntyre
2390:
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2105:
2089:
2088:
2076:
2062:
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2057:
2047:
2045:
2041:
2040:
2036:
2029:Art New Zealand
2023:
2022:
2018:
2008:
2006:
2002:
2001:
1997:
1987:
1985:
1981:
1980:
1976:
1961:
1957:
1942:
1938:
1923:
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1909:
1907:
1901:
1897:
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1885:
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1876:
1866:
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1856:
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1841:
1839:
1833:"Rainbows 1965"
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1787:
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1113:
1100:
1099:
1095:
1085:
1083:
1059:
1055:
1048:
1034:
1030:
1023:
1015:. p. 125.
1003:
999:
989:
987:
972:
971:
967:
957:
955:
946:
945:
941:
931:
929:
928:. 14 March 2015
920:
919:
910:
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898:
887:
886:
879:
872:
858:
849:
833:
829:
824:
802:
794:
782:
728:
726:Dr Craig Hilton
683:
670:
654:
649:
625:Bergman Gallery
598:Bergman Gallery
521:The Art Circuit
517:As Good as Gold
452:The Corner Post
437:
382:Geoff Hendricks
346:Apples to Xerox
315:Claes Oldenburg
299:Victor Musgrave
283:
222:, where he met
204:
125:
80:
71:
65:
59:
57:
56:
55:
45:
33:
28:
26:
17:
12:
11:
5:
2697:
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2620:
2615:
2610:
2605:
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2595:
2590:
2585:
2580:
2575:
2573:Milan Mrkusich
2570:
2565:
2560:
2555:
2550:
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2484:
2479:
2474:
2469:
2464:
2462:Kiri Te Kanawa
2459:
2454:
2449:
2444:
2439:
2434:
2432:Patricia Grace
2429:
2424:
2419:
2414:
2409:
2404:
2398:
2396:
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2384:
2383:
2376:
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2355:
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2342:External links
2340:
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2016:
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1950:New York Times
1936:
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1208:
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1171:on 1 July 2013
1156:
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1063:"Apple, Billy"
1053:
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939:
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806:Conceptual art
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682:
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669:
668:Terry Maitland
666:
653:
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635:, Starkwhite,
436:
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319:Tom Wesselmann
282:
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140:Conceptual Art
118:
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115:Conceptual art
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99:Known for
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83:(aged 85)
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2623:Cliff Whiting
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2543:Peter Godfrey
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2298:Dominion Post
2295:
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2255:
2248:
2233:
2229:
2223:
2216:. p. 48.
2215:
2214:
2206:
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2181:
2174:
2166:
2160:
2152:
2148:
2144:
2142:0-908818-15-7
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2085:
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2044:
2038:
2030:
2026:
2020:
2005:
1999:
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1978:
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1966:
1959:
1951:
1947:
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1932:
1928:
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1794:
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1769:
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1759:
1751:
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1741:
1733:
1729:
1728:"Exhibitions"
1723:
1715:
1711:
1705:
1697:
1693:
1687:
1671:
1667:
1661:
1653:
1649:
1643:
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1606:
1605:www.fkawdw.nl
1602:
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1459:0-908818-15-7
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952:Auckland Star
949:
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696:
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687:Wystan Curnow
681:Wystan Curnow
678:
675:
665:
663:
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644:
642:
638:
634:
631:in 2022, and
630:
627:, Rarotonga,
626:
622:
618:
614:
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607:
603:
599:
595:
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584:, curated by
583:
578:
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553:In 2009, the
551:
549:
548:Leanne Pooley
545:
540:
538:
534:
533:Bruce McLaren
530:
529:McLaren brand
526:
522:
518:
513:
511:
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355:
351:
350:Neon Rainbows
347:
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332:
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324:
320:
316:
312:
306:
304:
303:New York City
300:
296:
292:
288:
278:
276:
272:
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260:
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251:Frank Bowling
248:
247:Derek Boshier
244:
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239:David Hockney
236:
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148:David Hockney
145:
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109:
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97:
93:
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70:, New Zealand
69:
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44:Apple in 2018
41:
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31:
22:
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2608:Miles Warren
2603:Hone Tuwhare
2583:Geoff Murphy
2578:Donald Munro
2563:Russell Kerr
2558:Ralph Hotere
2518:Ian Athfield
2512:
2477:Albert Wendt
2472:Gillian Weir
2447:Bill Manhire
2407:Jane Campion
2402:Sandy Adsett
2327:. Retrieved
2322:
2313:
2301:. Retrieved
2297:
2287:
2275:. Retrieved
2271:
2262:
2253:
2247:
2235:. Retrieved
2231:
2222:
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2205:
2194:
2188:
2179:
2173:
2131:
2125:
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2106:
2064:
2058:
2046:. Retrieved
2037:
2028:
2019:
2007:. Retrieved
1998:
1986:. Retrieved
1977:
1968:
1958:
1949:
1939:
1930:
1920:
1908:. Retrieved
1903:Wedde, Ian.
1898:
1886:. Retrieved
1877:
1865:. Retrieved
1861:
1852:
1840:. Retrieved
1836:
1827:
1815:. Retrieved
1811:
1801:
1792:
1783:
1773:28 September
1771:. Retrieved
1767:
1758:
1749:
1740:
1731:
1722:
1713:
1704:
1695:
1686:
1674:. Retrieved
1660:
1651:
1627:. Retrieved
1623:the original
1613:
1604:
1595:
1581:
1569:. Retrieved
1565:
1556:
1548:
1543:
1534:
1525:
1517:
1512:
1500:. Retrieved
1490:
1448:
1442:
1430:. Retrieved
1426:the original
1421:
1412:
1400:. Retrieved
1396:
1386:
1358:
1351:
1339:. Retrieved
1330:
1322:Evening Post
1321:
1315:
1303:. Retrieved
1294:
1252:
1246:
1218:
1211:
1199:. Retrieved
1195:
1185:
1173:. Retrieved
1169:the original
1159:
1150:
1142:the original
1135:
1126:
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1096:
1084:. Retrieved
1066:
1056:
1037:
1031:
1007:
1000:
988:. Retrieved
979:The Guardian
977:
968:
958:15 September
956:. Retrieved
951:
942:
932:15 September
930:. Retrieved
925:
899:. Retrieved
892:
861:
835:
830:
795:
783:
772:
763:
759:
735:
732:Craig Hilton
729:
717:
709:
707:
702:
698:
694:
684:
671:
655:
632:
629:Cook Islands
620:
612:
610:
606:Cook Islands
579:
574:
570:
569:; the first
558:
552:
543:
541:
524:
520:
516:
514:
503:
493:
491:
479:Damien Hirst
474:
470:
467:Transactions
466:
463:Art for Sale
462:
460:
451:
428:
424:
421:Ron O'Reilly
416:
408:
402:
394:Larry Miller
372:
370:
365:
357:
353:
349:
345:
339:
335:Robert Watts
323:Jasper Johns
307:
294:
291:Billy Apple.
290:
284:
274:
267:Bill Culbert
262:
258:
255:Pauline Boty
235:Ridley Scott
228:
224:Robert Ellis
205:
198:in Belgium.
152:Tate Britain
132:Barrie Bates
131:
122:
121:
81:(2021-09-06)
54:Barrie Bates
18:
2679:Pop artists
2649:2021 deaths
2644:1935 births
2588:Don Peebles
2533:Janet Frame
2513:Billy Apple
2482:Robin White
2467:Greer Twiss
2437:Fred Graham
2427:Maurice Gee
2329:5 September
2303:6 September
2277:28 November
2237:28 November
2065:Billy Apple
1867:13 December
1842:13 December
1817:13 December
1812:Artnet News
1502:6 September
1341:30 December
1305:30 December
1253:Billy Apple
1196:GalleristNY
1116:6 September
1086:6 September
990:6 September
901:6 September
641:New Zealand
590:Artspace NZ
586:Tina Barton
537:Denny Hulme
473:series and
407:in London:
311:Andy Warhol
281:Billy Apple
243:pop artists
144:Andy Warhol
123:Billy Apple
25:Billy Apple
2638:Categories
2613:Ans Westra
2593:Don Selwyn
2528:Len Castle
2422:Fatu Feu'u
2412:Joy Cowley
1862:Mutual Art
1732:Starkwhite
1676:5 February
1432:23 October
1402:23 October
1238:1224361137
822:References
327:Mary Inman
202:Early life
194:, and the
60:1935-12-31
2503:Jim Allen
2457:Sam Neill
2232:NZ Herald
2159:cite book
2092:cite book
2084:458769322
1571:16 August
1549:Art World
1535:Two Rooms
1476:cite book
1397:NZ Herald
1378:921144004
1280:cite book
1272:458769322
643:in 2023.
619:in 2022,
602:Rarotonga
456:Eden Park
398:Jerry Vis
386:Mac Adams
305:in 1964.
88:Education
2496:Deceased
2151:33455133
2048:13 April
2009:13 April
1988:13 April
1910:13 April
1888:13 April
1670:Archived
1468:33455133
1422:Artspace
1110:Archived
984:Archived
948:"Births"
800:See also
748:Virginia
662:Ann Quin
652:Ann Quin
637:Auckland
487:Artspace
271:Ann Quin
212:Croatian
208:Auckland
107:Movement
68:Auckland
1629:11 July
1201:12 June
1175:12 June
836:Pop Art
816:Pop art
504:In the
287:Clairol
180:Te Papa
136:pop art
111:Pop art
2395:Living
2149:
2139:
2082:
2072:
1837:Artnow
1768:Artnow
1466:
1456:
1376:
1366:
1270:
1260:
1236:
1226:
1044:
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