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three stories and intro segments in the
English-language version of the film. The company re-arranged the order of the stories to start with "The Drop of Water", followed by "The Telephone" and then "The Wurdalak". Changes were then made to the plots, the most extensively edited being "The Telephone". In "The Telephone" any suggestion of a lesbian relationship between Rosy and Mary and references to prostitution were removed. The character of Frank is also no longer a pimp but a ghost who leaves behind a note that eerily writes itself as soon as the envelope it is contained in is opened. A new character is introduced named "The Colonel" who is Rosy's neighbor in the film. "The Wurdalak" features alternative cuts of certain scenes and has violence trimmed from the Italian version. "The Drop of Water" features the fewest changes from the Italian version. American International Pictures reshot the wraparounds with Boris Karloff in Los Angeles. It is unknown who directed these scenes.
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a fly. Chester takes the ring home to her flat and witnesses strange events. The fly returns and continues to pester her and the lights in her apartment go out as the sound of the dripping water is heard from various locations. Chester sees the woman's corpse lying on her bed. It rises and floats towards her. Chester begs for forgiveness but the corpse appears to strangle her - in reality she strangles herself. The next morning, the concierge discovers
Chester's body and calls the police. The pathologist arrives to examine the body and only finds a small bruise on her left finger where the ring had been. As the doctor announces this observation, the concierge appears distressed and hears the dripping of water.
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523:, a living cadaver who feeds on human blood, especially of loved ones. At midnight, Gorca returns to the cottage with a sour demeanor and unkempt appearance. After the family goes to sleep, Ivan and Pietro are attacked by Gorca, who flees the cottage with Ivan. Giorgio chases after Gorca but only returns with Ivan's corpse. Giorgio plans to stab Ivan in the heart as he has done for Pietro to prevent him from reviving as a Wurdalak, but is prevented from doing so by his hysterical wife. The two agree to give their son a burial.
947:, which led to him having to rely on oxygen tanks after production ended. Bava was initially going to end the film on a shot of Jacqueline Pierreux's dead character. On the last day of filming, Billitteri suggested to not end the film on such a bleak image and told Bava to change it. Bava changed the ending to Boris Karloff's character of Gorka on horseback who cautions the audience to watch out for vampires. The camera then pans back revealing he is on a stuffed horse revealing the studio set and simulated effects.
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sleeps, Sdenka walks outside and finds Gorca and his family surrounding her. Vladimir awakens and searches for Sdenka, finding her lying in her bed at home. She begs him to leave but
Vladimir refuses, saying he would rather die than lose her. As Vladimir embraces her she bites his neck while the rest of her family watch through the window.
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later, Frank calls again, promising that no matter what Rosy does he will have his revenge. Rosy doesn't realize that Mary is impersonating Frank on the telephone. Mary arrives at Rosy's apartment and attempts to calm Rosy's nerves. Mary provides Rosy with a large knife for protection before she goes to sleep.
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days. Giorgio offers a room to D'Urfe and introduces him to the rest of the family: his wife Maria, their young son Ivan, Giorgio's younger brother Pietro, and sister Sdenka. They all await the return of
Giorgio, Pietro and Sdenka's father, Gorca, who has gone hunting for a Turkish brigand who's actually a
814:. The film's opening credits credit the stories as "The Drop of Water" by Anton Chekov, "The Telephone" by F.G. Snyder and "Sem'ya vurdalaka" by Aleksey Tolstoy. Bava later took credit for the original story of "The Drop of Water", but Italian critic Antonio Bruscini traced its origins to a story titled "
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gave the film three and a half stars out of five, stating "There are small twists in all three stories, but for the most part, the segments suggest where they're headed early" and that the dialogue in the film is "sparse, and doesn't shy away from any exploitable elements, from scantily clad women to
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wrote in a retrospective review of the
English dub, that "The Drop of Water" is the best of the three stories, and was described as "Bava's most simply frightening work." "The Telephone" was dismissed as being "less satisfying", stating that American International Pictures' attempt at re-writing the
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described Baxter's score as "inappropriate" with "each shock is accompanied by overdone 'scary music'". Both the
Italian- and English-language films have a different look. Bava supervised the Italian-language version at Technicolor Roma under his own supervision, while American International Pictures
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In 1910s London, Nurse Helen
Chester is called by the maid of an elderly medium to prepare the latter's corpse for burial. As she dresses the body, she notices a sapphire ring on its finger. Chester steals it, accidentally tipping over a glass of water which drips on the floor; she is then annoyed by
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That same night, their child appears outside and begs to be invited in. Giorgio is stabbed by his wife while she attempts to let in her son. On opening the door, she is greeted by Gorca, who bites her. Vladimir and Sdenka flee from their home and hide in the ruins of a deserted monastery. As
Vladimir
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follows many production trends of
Italian films of the era. These co-productions were influenced by the lack of large film stars in Italy. To avoid high costs or larger stars, producers created anthology films involving three or four short narratives whose combined running time was that of a regular
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stated that "the eeriest thing about the picture is its decor (especially the heavy, dusty interiors of " while noting the "acting is very unstylish and made worse by dubbing". The review stated that Bava could "do better than this with less obvious material" and that he seemed "determined to spell
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focused on a youth-oriented audience whereas horror in Europe was intended for adults. This led to the
American edit removing plot elements of prostitution and lesbianism and making the most altered of Bava's films on its English-language version. American International Pictures made changes to all
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In 19th-century Serbia, Vladimir D'Urfe is a young nobleman who finds a beheaded corpse with a dagger plunged into its heart. He takes the blade, and finds shelter in a small farmhouse. Durfe is approached by Giorgio, who explains that the knife belongs to his father, who has not been seen for five
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who has recently escaped from prison. Rosy is terrified knowing that it was her testimony that sent Frank to prison. Rosy phones her friend and former lover, Mary for solace. The women have been estranged, but Rosy is certain that only Mary can help her. Mary agrees to come over that night. Seconds
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to be on set to supervise the film for dubbing on its English-language release. As the film was going to be dubbed in different languages, actors could no longer phonetically pronounce their dialogue as it had to be done rhythmically to match various languages. Billitteri was also on set to give
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As Rosy sleeps, Mary writes a confession explaining that she made the calls to force a reunion, knowing that Rosy would call on her for help. While she is writing Frank quietly enters the apartment and strangles Mary, believing her to be Rosy. The sound of their struggle awakens Rosy, and Frank
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was brought in to work on it. Bevilacqua claimed that he was recalled for later rewrites but that most of his added material was cut from the final film. American International Pictures approved of Bava's thematic idea but encouraged him to look for
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film is a style of Italian film that involves a murder mystery that emphasized stylish visuals, flamboyant music and violence. "The Telephone" was Bava's first color film that attempted to emulate the visual style of the covers that appeared on
1074:'s artwork for AIP's advertising campaign, Lucas has suggested that its failure to capitalize on Karloff's popularity among young audiences was a key factor in the film's relatively meager commercial performance. The film was released by
423:, removed several depictions of graphic violence and made alterations to other scenes. This version greatly changed the plot of "The Telephone", giving it a supernatural element and removing all references to lesbianism and prostitution.
1334:(1994). The film was originally going to contain three short films directed by Avary, Tarantino and another unknown director. Tarantino originally described this idea by stating that "what Mario Bava did with the horror film in
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Bevilacqua stated that Bava wanted to create stories about how terror can strike mankind in different time periods and asked his screenwriters to get him stories from books. After Bevilacqua finished his draft the screenplay,
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stated that "The Drop of Water" and "The Telephone" were "a good deal more sophisticated than usual horror fare" while "The Wurdulak" "bears no trace of manner of directing" and that the acting was "rudimentary".
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in California. Arrow noted the high definition master they received from Italy was very difficult to restore as the master had issues with the image, sound and color quality and had the stories in the wrong order.
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described the English-language print as looking "warmer, but less nuanced, with flatter tonalities" and that it "doesn't look bad" but that the Italian version "looks more vibrant, more flamboyantly nightmarish".
380:. The order in which the stories are presented varies among the different versions in which the film has been released. In the original, Italian print, the first story, titled "The Telephone", involves Rosy (
706:(1958). In February 1963, American International Pictures made a deal with the Italian film production company Galatea that they would contribute to a minimum of nine co-productions in the next eight years.
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384:) who continually receives threatening telephone calls from an unseen stalker. The second is "The Wurdulak", where a man named Gorca (Karloff) returns to his family after claiming to have slain a
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story caused the stories' problems. Newman declared that "The Wurdalak" was a "little masterpiece" praising Karloff's performance and that the themes of the story looked towards the themes in
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suggestions to Bava on how to make his film more appropriate for American audiences, which led to decreasing the amount of violence in the film. The film was first conceived under the title
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It was decided early in production that Boris Karloff would not only star in one of the tales, but also act as the film's host; he had recently hosted his own anthology television series,
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appropriated their name from the film. Originally known as Earth, the group wanted to change their name as another group had the same name. The group saw a local cinema playing
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Two screenshots of the same scene from "The Wurdulak". The top image is from the Italian version supervised by Mario Bava. The second is from American International's print.
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suggested changes to Bava during filming to make the film palatable for American audiences, and created their own English-language version of the film, which replaced
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Bava wanted to include a contemporary story which led to the development of "The Telephone". "The Telephone" has been described as one of Bava's first attempts at a
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497:, returns to her basement apartment at night. She receives a series of strange phone calls. The caller eventually identifies himself as Frank, her former
392:), a nurse who steals a ring from a corpse that is being prepared for burial and finds herself haunted by the ring's original owner after arriving home.
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realizes he murdered the wrong woman. Frank approaches Rosy's bed, but she seizes her knife and stabs Frank. Rosy drops the knife and breaks down in
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943:"The Wurdulak" was the last of the short films to be shot, with shooting commencing on either February 25 or 27. While filming, Karloff contracted
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conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films;
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during an eight-week period between February and March 1963. American International's involvement with the film allowed Salvatore Billitteri of
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awarded the film an A− rating referring to it as "excellent" and that the stories were "composed of three tales of expertly building suspense"
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print transferred in Italy that had additional grading and restoration done in London. Arrow's version of the American version of
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388:, an undead creature who attacks those that it had once loved. The third story, "The Drop of Water", is centered on Helen Corey (
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released the film on Blu-ray and DVD on July 16, 2013. Kino's edition of the film was mastered in high definition from the 35mm
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noting that "If only Amicus...had taken heed they might have got some ideas as to what can be done with the format."
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American International Pictures replaced Roberto Nicolosi's soundtrack from the original film with a soundtrack from
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praised the film stating that "pictorially it's amazing, and even the script and dubbing are way above average."
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suggested that the film's poor performance was possibly affected by bad publicity, recalling that "someone had a
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awarded the film four stars out of five, referring to it as a "wonderful horror anthology". In the early 2010s,
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This article is about the 1963 anthology horror film directed by Mario Bava. For the 1960 Mario Bava film, see
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follows numerous trends of 1960s Italian film productions. The film is credited to various writers, including
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Being a low-budget horror film with multiple stories, an international cast and foreign financial backing,
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to look for commercially viable Italian films for them after the large success of the Italian feature
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bloody wounds and warped-faced ghouls. But even more terrifying is the movie's atmosphere of doom
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English metal band Black Sabbath (pictured) took their group's name from the film's English title.
880:. Karloff was under contract with American International Pictures, and had just completed filming
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on DVD and Blu-ray in 2013. Arrow's transfer of the Italian version was from an original 35mm
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without Bava, Karloff or Lee's involvement. Plans for a remake were announced in 2004 with
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was only a modest success, earning $ 419,000 in domestic rentals, less than two-thirds of
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digests. Some of the set pieces for "The Telephone" were taken from the black-and-white
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were more violent, sexualized and downbeat than the horror films created in America.
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2213:"Kino Classics Releases Mario Bava's Black Sabbath and Kidnapped on Blu-ray and DVD"
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was divided between the film's three main production partners: Galatea cast actress
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Smith, Gavin (2013). "When You Know You're In Good Hands". In Peary, Gerald (ed.).
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Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953–1968
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compared the film to anthology horror films made by the British production company
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has received positive reviews from critics, and was placed at number 73 on a
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shipped their version to Pathé Color for processing. Mario Bava biographer
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Note: This plot summary refers to the original Italian version of the film.
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and Kismet Entertainment Group were collaborating to produce a remake
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upon release in Italy, and performed below expectations in America. A
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Pulp Fiction: The Complete Story of Quentin Tarantino's Masterpiece
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Morriss, Frank (Jun 11, 1964). "Touch of Humor in Karloff Horror".
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376:. The film consists of three separate tales that are introduced by
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was attached to contribute to the script development of the film.
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while watching it, or some other upsetting thing happened".
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The story of "The Wurdulak" was found in the 1960 anthology
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on May 6, 1964, as a double bill with AIP's edit of Bava's
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This article is about the horror film. For other uses, see
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Cinema Italiano - The Complete Guide From Classics To Cult
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attached to write the script. Since its original release,
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In contemporary reviews of the Italian-language version,
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everything out with a sudden zoom shots and shock cuts."
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Bava is credited as writing the film's script along with
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with the Italian language dub and original soundtrack.
2328:"Black Sabbath: 3-in-1 Horror Bill Is Bowl of Gruel".
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and marveled that people paid money to be frightened.
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which were less expensive to produce than the earlier
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but Bava shot several scenes himself without credit.
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Reviewing the English-language version of the film,
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for them. The film's cinematographer is credited as
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1573:"Le Meraviglie Di Aladino (1961) - Cast & Crew"
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3036:is available for free viewing and download at the
2936:Quentin Tarantino: Interviews, Revised and Updated
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2826:Black Sabbath and Philosophy: Mastering Reality
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830:. "The Wurdulak" is loosely based on
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2160:"Hurd, Allen to remake Bava thrills"
1001:on August 17, 1963, under the title
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2939:. University Press of Mississippi.
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2244:"This week's new DVD & Blu-ray"
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659:Alessandro Tedeschi as the Coroner
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2962:
2877:. London - New York: I.B.Tauris.
997:The film opened in Italy through
754:
3354:French supernatural horror films
2287:Beek, Anton van (July 9, 2013).
2242:O'Neill, Phelim (May 11, 2013).
1038:released the English version of
3339:1960s supernatural horror films
3177:Dr. Goldfoot and the Girl Bombs
2733:
2691:
2665:
2608:
2578:
2532:
2502:
2469:
2438:
2422:. July 10, 2013. Archived from
2406:
2321:
2306:
2280:
2179:
2158:McNary, Dave (April 22, 2004).
1937:
1922:
1874:
1823:
1814:
1290:Dr. Goldfoot and the Girl Bombs
1277:Dr. Goldfoot and the Girl Bombs
1036:American International Pictures
969:American International Pictures
838:Aleksey Konstantinovich Tolstoy
686:American International Pictures
473:poll of the best horror films.
452:Dr. Goldfoot and the Girl Bombs
409:American International Pictures
3439:Italian horror anthology films
3279:Caltiki – The Immortal Monster
3205:Roy Colt & Winchester Jack
3083:
2538:
2445:Murray, Noel (July 16, 2013).
2379:
2358:(360). London: 179–180. 1964.
2219:. July 3, 2013. Archived from
2037:The Two Faces of Black Sabbath
2017:The Two Faces of Black Sabbath
1984:The Two Faces of Black Sabbath
1850:The Two Faces of Black Sabbath
1793:The Two Faces of Black Sabbath
1565:
1488:The Two Faces of Black Sabbath
1439:
1010: The Three Faces of Fear
679:
21:Black Sabbath (disambiguation)
1:
3419:Films based on multiple works
3409:Films based on Russian novels
3369:French horror anthology films
3344:Films set in the 19th century
3191:Five Dolls for an August Moon
3107:Hercules in the Haunted World
2993:Shadowvision: “BLACK SABBATH”
2590:"Spie Vengono dal Semifreddo"
2289:"Restoring films for Blu-ray"
1373:
1363:List of Italian films of 1963
1305:The English heavy metal band
1106:
718:Yesterday, Today and Tomorrow
674:
3414:Films based on short fiction
3384:Films directed by Mario Bava
3334:1960s Italian-language films
2987:AFI Catalog of Feature Films
2476:Glasby, Matt (May 7, 2013).
1378:
1358:List of horror films of 1963
1353:List of French films of 1963
1143:
1080:Les trois visages de la peur
7:
3359:Italian LGBTQ-related films
2824:. In Irwin, William (ed.).
2510:"The 100 best horror films"
2447:"Black Sabbath / Kidnapped"
1341:
1226:is fraught with fatalism."
833:The Family of the Vourdalak
759:The casting and crewing of
441:" and provisionally titled
263:November 17, 1965
10:
3480:
3364:French LGBTQ-related films
3121:The Girl Who Knew Too Much
2746:
2619:. AllMovie. Archived from
2592:. AllMovie. Archived from
2092:Introduction by Alan Jones
1999:Introduction by Alan Jones
1808:Introduction by Alan Jones
1630:Introduction by Alan Jones
1614:. 2013. p. 2. FCD778.
1045:The Girl Who Knew Too Much
992:
938:The Girl Who Knew Too Much
904:The Girl Who Knew Too Much
893:
816:Dalle tre alle tre e mezzo
551:as Rosy in "The Telephone"
25:
18:
3256:
3198:Hatchet for the Honeymoon
3091:
2850:Heffernan, Kevin (2004).
2828:. John Wiley & Sons.
2060:(1986). "Black Sabbath".
1447:"I Tre volti della paura"
1348:Boris Karloff filmography
324:
313:
305:
288:
278:
252:August 17, 1963
243:
216:
190:
180:
170:
151:
105:
88:
64:
54:
42:
37:
3464:1963 LGBTQ-related films
3272:The Day the Sky Exploded
1284:", provisionally titled
1203:Night of the Living Dead
1093:Valhalla Motion Pictures
605:as Count Vladimir D'Urfe
455:and eventually produced
28:Black Sunday (1960 film)
2911:Smith, Gary A. (2009).
2873:Hughes, Howard (2011).
2801:Curti, Roberto (2015).
2782:Curti, Roberto (2019).
2647:Commentary by Tim Lucas
2617:"The Whip and the Body"
2572:Commentary by Tim Lucas
2116:Heffernan, 2004. p. 151
1961:Heffernan, 2004. p. 142
1946:Commentary by Tim Lucas
1931:Commentary by Tim Lucas
1916:Commentary by Tim Lucas
1868:Commentary by Tim Lucas
1832:Commentary by Tim Lucas
1765:Commentary by Tim Lucas
1747:Commentary by Tim Lucas
1732:Commentary by Tim Lucas
1714:Commentary by Tim Lucas
1696:Commentary by Tim Lucas
1672:Commentary by Tim Lucas
1648:Commentary by Tim Lucas
1529:Heffernan, 2004. p. 141
1507:Heffernan, 2004. p. 140
1244:Influence and aftermath
1052:. The English title of
1003:I tre volti della paura
909:Titra Sound Corporation
614:Massimo Righi as Pietro
539:
476:
437:to the film, based on "
419:'s score with music by
413:Titra Sound Corporation
356:I tre volti della paura
16:1963 film by Mario Bava
3349:Films set in the 1910s
3300:The Wonders of Aladdin
3156:Planet of the Vampires
3149:The Road to Fort Alamo
2820:Froese, Brian (2012).
2754:Bailey, Jason (2013).
2068:(624). London: 24–25.
1292:, and was released as
1253:
1016:grossed 103.5 million
960:
796:The Wonders of Aladdin
552:
355:
205:Emmepi Cinematografica
49:Italian release poster
3444:Italian vampire films
3286:The Giant of Marathon
3212:Four Times That Night
3163:Knives of the Avenger
3135:The Whip and the Body
3033:Black Sabbath trailer
3015:Turner Classic Movies
2856:Duke University Press
2786:. Auteur Publishing.
2351:Monthly Film Bulletin
2062:Monthly Film Bulletin
1547:Turner Classic Movies
1271:The Whip and the Body
1251:
1168:Monthly Film Bulletin
1135:was made from a 35mm
1076:The Rank Organization
958:
547:
232:The Rank Organisation
3404:French vampire films
3142:Blood and Black Lace
2679:on November 13, 2019
2673:"The Dunwich Horror"
2419:Entertainment Weekly
2317:. Toronto, Ont.: 11.
2090:Jones, Alan (2013).
1997:Jones, Alan (2013).
1806:Jones, Alan (2013).
1628:Jones, Alan (2013).
1449:(in French). Bifi.fr
1192:Entertainment Weekly
3449:1960s Italian films
3434:Films set in Serbia
3429:Films set in Russia
3424:Films set in London
3399:Gothic horror films
3293:Esther and the King
3257:Collaborative works
2917:McFarland & Co.
2892:Lucas, Tim (2007).
2730:Bailey, 2012. p. 33
2721:Bailey, 2012. p. 32
2709:Froese, 2012. p. 30
2645:Lucas, Tim (2013).
2570:Lucas, Tim (2013).
2490:on November 7, 2014
2457:on November 6, 2014
2426:on January 26, 2015
2334:: 40. May 21, 1964.
2274:About the Transfers
2035:Lucas, Tim (2013).
2015:Lucas, Tim (2013).
1982:Lucas, Tim (2013).
1944:Lucas, Tim (2013).
1929:Lucas, Tim (2013).
1914:Lucas, Tim (2013).
1866:Lucas, Tim (2013).
1848:Lucas, Tim (2013).
1830:Lucas, Tim (2013).
1791:Lucas, Tim (2013).
1763:Lucas, Tim (2013).
1745:Lucas, Tim (2013).
1730:Lucas, Tim (2013).
1712:Lucas, Tim (2013).
1694:Lucas, Tim (2013).
1670:Lucas, Tim (2013).
1646:Lucas, Tim (2013).
1324:were influenced by
791:Jacqueline Pierreux
639:Jacqueline Pierreux
531:"The Drop of Water"
390:Jacqueline Pierreux
143:Jacqueline Pierreux
3459:Films about nurses
3454:1960s French films
3394:French ghost films
3233:Lisa and the Devil
3114:Erik the Conqueror
2896:. Video Watchdog.
2760:. Voyageur Press.
2739:Smith, 2013. p. 71
2623:on August 21, 2023
2596:on August 21, 2023
2315:The Globe and Mail
2293:Home Cinema Choice
1684:Curti, 2015. p. 81
1660:Curti, 2015. p. 78
1436:Curti, 2015. p. 79
1295:The Dunwich Horror
1282:The Dunwich Horror
1254:
1151:The Globe and Mail
1101:Jonathan Hensleigh
1026:Alberto Bevilacqua
961:
820:Storie di fantasmi
808:Alberto Bevilacqua
690:James H. Nicholson
553:
461:Jonathan Hensleigh
439:The Dunwich Horror
431:commercial failure
77:Alberto Bevilacqua
3374:1963 horror films
3316:
3315:
2903:978-0-9633756-1-2
2884:978-1-84885-608-0
2793:978-1-911325-93-2
2223:on March 29, 2014
2186:Erickson, Glenn.
1820:Smith, 2009. p 25
1583:on April 21, 2014
1322:Quentin Tarantino
848:story "Fear" and
846:Guy de Maupassant
842:I vampiri tra noi
671:
670:
633:The Drop of Water
364:
343:
342:
3471:
3184:Danger: Diabolik
3170:Kill, Baby, Kill
3078:
3071:
3064:
3055:
3054:
3038:Internet Archive
2957:
2955:
2953:
2929:
2907:
2888:
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2558:
2556:
2551:on April 9, 2013
2547:. Archived from
2536:
2530:
2529:
2527:
2525:
2520:on April 8, 2013
2516:. Archived from
2506:
2500:
2499:
2497:
2495:
2486:. Archived from
2473:
2467:
2466:
2464:
2462:
2453:. Archived from
2442:
2436:
2435:
2433:
2431:
2410:
2404:
2403:
2401:
2399:
2394:on July 12, 2020
2390:. Archived from
2377:
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2367:
2345:
2336:
2335:
2331:The Boston Globe
2325:
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1919:
1911:
1902:
1901:
1899:
1897:
1892:on March 1, 2012
1888:. Archived from
1878:
1872:
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1579:. Archived from
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1549:. Archived from
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1158:The Boston Globe
1011:
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864:Marcello Fondato
828:Franco Lucentini
812:Marcello Fondato
767:while retaining
749:sword-and-sandal
694:Samuel Z. Arkoff
653:as the Concierge
641:as Helen Chester
556:
435:spiritual sequel
417:Roberto Nicolosi
359:
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185:Roberto Nicolosi
98:Alberto Barsanti
72:Marcello Fondato
47:
35:
34:
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3087:
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3049:Rotten Tomatoes
2965:
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2503:
2493:
2491:
2474:
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2460:
2458:
2443:
2439:
2429:
2427:
2414:"Black Sabbath"
2412:
2411:
2407:
2397:
2395:
2382:"Black Sabbath"
2378:
2371:
2347:
2346:
2339:
2327:
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2322:
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2297:
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2254:
2252:
2240:
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2211:
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2203:
2193:
2191:
2188:"Black Sabbath"
2184:
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2115:
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2103:
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2013:
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1965:
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1556:
1554:
1553:on May 17, 2014
1541:
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1402:
1394:
1393:
1386:
1381:
1376:
1344:
1262:Christopher Lee
1246:
1146:
1109:
1091:announced that
1022:box office bomb
1009:
995:
953:
951:Post-production
896:
787:Michèle Mercier
757:
728:Spy in Your Eye
725:actress, as in
698:Fulvio Lucisano
682:
677:
672:
567:Michèle Mercier
549:Michèle Mercier
542:
533:
516:
493:Rosy, a French
491:
489:"The Telephone"
479:
447:Christopher Lee
405:Aleksey Tolstoy
382:Michèle Mercier
337:
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175:Mario Serandrei
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123:Michèle Mercier
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3219:A Bay of Blood
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3092:Films directed
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2963:External links
2961:
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2946:978-1617038747
2945:
2930:
2925:978-0786433094
2924:
2908:
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2835:978-1118493809
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2767:978-0760344798
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1048:, then titled
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1307:Black Sabbath
1303:
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1300:Daniel Haller
1297:
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1266:Vincent Price
1263:
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1163:Black Sabbath
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1137:interpositive
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1133:Black Sabbath
1130:
1129:internegative
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1125:Black Sabbath
1122:
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1097:Black Sabbath
1094:
1090:
1089:
1083:
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1077:
1073:
1072:Reynold Brown
1069:
1068:Black Sunday'
1065:
1064:Black Sabbath
1062:. In the US,
1061:
1060:
1055:
1054:Black Sabbath
1051:
1047:
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869:public domain
865:
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824:Ghost Stories
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784:
783:Boris Karloff
780:
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765:Susy Andersen
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761:Black Sabbath
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571:
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560:
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133:Lydia Alfonsi
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128:Susy Andersen
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3100:Black Sunday
3098:
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3008:
2998:
2980:
2969:
2950:. Retrieved
2935:
2912:
2893:
2874:
2851:
2839:. Retrieved
2825:
2802:
2783:
2771:. Retrieved
2756:
2735:
2726:
2693:
2681:. Retrieved
2677:the original
2667:
2655:
2646:
2625:. Retrieved
2621:the original
2610:
2598:. Retrieved
2594:the original
2580:
2571:
2565:
2553:. Retrieved
2549:the original
2544:
2534:
2522:. Retrieved
2518:the original
2513:
2504:
2492:. Retrieved
2488:the original
2481:
2471:
2459:. Retrieved
2455:the original
2451:The Dissolve
2440:
2428:. Retrieved
2424:the original
2417:
2408:
2396:. Retrieved
2392:the original
2385:
2355:
2349:
2329:
2323:
2314:
2308:
2296:. Retrieved
2292:
2282:
2273:
2253:. Retrieved
2249:The Guardian
2247:
2237:
2225:. Retrieved
2221:the original
2215:. New York:
2192:. Retrieved
2181:
2169:. Retrieved
2163:
2138:
2112:
2100:
2091:
2065:
2061:
2036:
2016:
1998:
1992:
1983:
1945:
1939:
1930:
1924:
1915:
1894:. Retrieved
1890:the original
1885:
1876:
1867:
1849:
1831:
1825:
1816:
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1801:
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1665:
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1647:
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1607:
1585:. Retrieved
1581:the original
1567:
1555:. Retrieved
1551:the original
1487:
1478:
1451:. Retrieved
1441:
1403:. Retrieved
1368:Vampire film
1335:
1331:Pulp Fiction
1329:
1325:
1315:
1310:
1304:
1298:directed by
1293:
1289:
1285:
1275:
1269:
1257:
1255:
1237:
1233:
1227:
1223:
1218:The Dissolve
1216:
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1149:
1147:
1132:
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1096:
1086:
1084:
1079:
1067:
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1059:Black Sunday
1057:
1053:
1049:
1043:
1039:
1034:
1024:. Co-writer
1018:Italian lira
1013:
1002:
999:Warner Bros.
996:
974:
964:
962:
942:
937:
933:
929:
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819:
815:
805:
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774:Black Sunday
772:
760:
758:
745:horror films
737:Dana Andrews
726:
716:
713:feature film
707:
701:
683:
665:
661:(uncredited)
660:
618:Rika Dialina
591:The Wurdulak
583:(uncredited)
582:
579:Milo Quesada
534:
525:
517:
504:
492:
482:
468:
464:
450:
442:
426:
425:
401:Anton Chekov
396:
394:
372:directed by
346:
345:
344:
338:(US rentals)
280:Running time
260: (Italy)
224:Warner Bros.
202:Galatea Film
32:
3307:The Odyssey
3226:Baron Blood
2255:November 6,
2058:Newman, Kim
1612:Arrow Films
1610:(booklet).
1405:October 22,
1318:Roger Avary
1121:Arrow Films
1030:miscarriage
921:giallo film
850:Bram Stoker
801:second unit
733:Pier Angeli
680:Development
647:as the Maid
645:Milly Monti
320:205 million
89:Produced by
55:Directed by
3329:1963 films
3323:Categories
3247:Rabid Dogs
3085:Mario Bava
3020:Review of
2865:0822385554
2660:Lucas 2007
2483:Total Film
2298:October 2,
2143:Lucas 2007
2131:Lucas 2007
2105:Lucas 2007
1484:Lucas, Tim
1471:Curti 2019
1374:References
1316:Directors
1229:Total Film
1209:It's Alive
1197:Kim Newman
1107:Home video
981:Kim Newman
977:Les Baxter
779:Mark Damon
769:Mario Bava
675:Production
626:as Giorgio
603:Mark Damon
421:Les Baxter
374:Mario Bava
336:$ 419,000
325:Box office
284:93 minutes
267:1965-11-17
256:1963-08-17
192:Production
163:Mario Bava
118:Mark Damon
81:Mario Bava
59:Mario Bava
3265:I Vampiri
3027:La Stampa
2627:April 10,
2600:April 10,
2555:April 13,
2524:April 13,
2494:March 29,
2478:"Reviews"
2461:March 29,
2430:March 29,
2398:March 29,
2364:0027-0407
2227:March 29,
2190:. DVDTalk
2171:March 29,
2074:0027-0407
1587:March 29,
1557:March 29,
1453:March 29,
1400:UniFrance
1379:Footnotes
1144:Reception
1123:released
1085:In 2004,
986:Tim Lucas
945:pneumonia
883:The Raven
688:founders
684:In 1958,
611:as Sdenka
581:as Frank
495:call-girl
289:Countries
208:Lyre Film
194:companies
171:Edited by
3004:AllMovie
2952:April 7,
2841:April 7,
2773:April 7,
2545:Time Out
2514:Time Out
2387:Time Out
1886:AllMovie
1882:"Giallo"
1577:AllMovie
1486:(2013).
1342:See also
1234:Time Out
1183:Time Out
1178:Time Out
1117:negative
1050:Evil Eye
940:(1962).
914:The Fear
877:Thriller
871:titles.
741:Westerns
715:, as in
703:Hercules
620:as Maria
599:as Gorca
521:wurdalak
508:hysteria
470:Time Out
457:the film
386:Wurdulak
306:Language
235:(France)
181:Music by
106:Starring
2984:at the
2747:Sources
2683:June 3,
2194:June 3,
2165:Variety
1896:June 3,
1608:Credits
1543:"Notes"
1088:Variety
1007:transl.
993:Release
894:Filming
855:Dracula
751:films.
723:ingenue
575:as Mary
569:as Rosy
363:
352:Italian
333:(Italy)
309:Italian
265: (
254: (
227:(Italy)
2943:
2922:
2900:
2881:
2862:
2832:
2809:
2790:
2764:
2362:
2072:
1187:Amicus
934:giallo
930:giallo
925:giallo
923:. The
666:
429:was a
367:horror
314:Budget
298:France
3240:Shock
936:film
295:Italy
2975:IMDb
2954:2014
2941:ISBN
2920:ISBN
2898:ISBN
2879:ISBN
2860:ISBN
2843:2014
2830:ISBN
2807:ISBN
2788:ISBN
2775:2014
2762:ISBN
2685:2024
2629:2014
2602:2014
2557:2014
2539:NF.
2526:2014
2496:2014
2463:2014
2432:2014
2400:2014
2380:DP.
2360:ISSN
2300:2014
2257:2014
2229:2014
2217:Kino
2196:2024
2173:2014
2070:ISSN
1898:2024
1589:2014
1559:2014
1455:2014
1407:2018
1320:and
1274:and
1264:and
1206:and
1113:Kino
810:and
789:and
781:and
743:and
735:and
692:and
540:Cast
499:pimp
477:Plot
411:and
403:and
361:lit.
3047:at
3025:in
3013:at
3002:at
2973:at
1012:).
852:'s
836:by
3325::
2915:.
2858:.
2854:.
2714:^
2702:^
2637:^
2588:.
2543:.
2512:.
2480:.
2449:.
2416:.
2384:.
2372:^
2356:31
2354:.
2340:^
2291:.
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2246:.
2204:^
2162:.
2150:^
2121:^
2082:^
2066:53
2064:.
2045:^
2025:^
2007:^
1966:^
1954:^
1906:^
1884:.
1858:^
1840:^
1773:^
1755:^
1722:^
1704:^
1638:^
1620:^
1597:^
1575:.
1545:.
1534:^
1512:^
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1463:^
1415:^
1398:.
1387:^
1212:.
1099:.
979:.
916:.
858:.
803:.
510:.
358:,
354::
3077:e
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1900:.
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1457:.
1409:.
1005:(
822:(
350:(
329:₤
318:₤
269:)
258:)
30:.
23:.
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