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Blaise Cendrars

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31: 4968: 688: 4944: 4992: 4980: 283: 5004: 538:(1944), after which he began to make numerous trips to South America ("while others were going to Moscow", as he writes in that chapter). It was during this second half of his career that he began to concentrate on novels, short stories, and, near the end and just after World War II, on his magnificent poetic-autobiographical tetralogy, beginning with 278:
as they are, unlike Diderot's, and the work of a single man, who was neither an ideologue nor a theoretician". Cendrars regarded the early modernist movement from roughly 1910 to the mid-1920s as a period of genuine discovery in the arts and in 1919 contrasted "theoretical cubism" with "the group's
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Spontaneity, boundless curiosity, a craving for travel, and immersion in actualities were his hallmarks both in life and art. He was drawn to this same immersion in Balzac's flood of novels on 19th-century French society and in Casanova's travels and adventures through 18th-century Europe, which he
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as a fold-out two meters in length, together with her design of brilliant colors down the left-hand side, a small map of the Transsiberian railway in the upper right corner, and a painted silhouette in orange of the Eiffel Tower in the lower left. Cendrars called the work the first "simultaneous
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with its scenes of revolution and the Far East in flames in the Russo-Japanese war ("The earth stretches elongated and snaps back like an accordion / tortured by a sadic hand / In the rips in the sky insane locomotives / Take flight / In the gaps / Whirling wheels mouths voices / And the dogs of
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The name "Blaise" is an exact echo of the English "blaze," and "Cendrars" is a compound of the French word for cinders and the Latin "ars" for art. His full name is thus the metaphorical equivalent of the mythical Phoenix, or Firebird, with its power to rise from its own ashes. It is Cendrars's
370:. Cendrars's style was based on photographic impressions, cinematic effects of montage and rapid changes of imagery, and scenes of great emotional force, often with the power of a hallucination. These qualities, which also inform his prose, are already evident in 625:
who was active with the Free French in London during World War II. She was her father's first biographer and helped set up the Cendrars Archive in Berne. Cendrars converted to Catholicism on May 1, 1959, and married Raymone DuchĂąteau, a French actress.
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After the war, Cendrars became involved in the movie industry in Italy, France, and the United States. Cendrars's departure from poetry in the 1920s roughly coincided with his break from the world of the French intellectuals, summed up in his
266:, "I liked absurd paintings over door panels, stage sets, backdrops for acrobats, signs, popular engravings, old-fashioned literature, church Latin, erotic books full of misspellings," Cendrars similarly says of himself in 458:: "It is my star / It is in the shape of a hand / It is my hand gone up to the sky ...". It was during the attacks in Champagne in September 1915 that Cendrars lost his right arm and was discharged from the army. 507:, who was his closest American counterpart both as a world traveler (even more than Hemingway) and in his adaptation of Cendrars's cinematic uses of montage in writing, most notably in his great trilogy of the 1930s, 1437:
May 19, 2006, and the Museum of Modern Art's official exhibition card of 2013 for "Inventing Abstraction: 1910–1925, online at inventingabstraction.tumblr.com, where a vertical section of the work is displayed
503:, who mentions having seen him "with his broken boxer's nose and his pinned-up empty sleeve, rolling a cigarette with his one good hand", at the Closerie des Lilas in Paris. He was also befriended by 182:", which R.R. translated into Russian. Supposedly fourteen copies were made, but Cendrars claimed to have no copies of it, and none could be located during his lifetime. In 1995, the Bulgarian poet 468:, who proved a supportive, if at times possessive, patron. Around 1918 he visited her house and was so taken with the simplicity of the décor that he was inspired to write the poems published as 159:
family, to a Swiss father and a Scottish mother. They sent young Frédéric to a German boarding school, but he ran away. At the Realschule in Basel in 1902 he met his lifelong friend the sculptor
30: 1581:"The Bloody Hand, by Blaise Cendrars and translated by Graham macLachlan, a masterpiece of French war literature, complete and unabridged for the first time in English. - French Culture" 621:
In New York in 1911, Cendrars married his first wife, FĂ©la PoznaƄska, who was Jewish and of Russo-Polish extraction. They had three children: RĂ©my (an airman killed in WW2), Odilon and
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Cendrars continued to be active in the Paris artistic community, encouraging younger artists and writing about them. For instance, he described the Hungarian photographer
426:(Paris, My City), in which the poet and illustrator together expressed their love of the French capital. As LĂ©ger died in 1955, the book was not published until 1987. 163:. Next they enrolled him in a school in NeuchĂątel, but he had little enthusiasm for his studies. Finally, in 1904, he left school due to poor performance and began an 495:, who called him his "great idol", a man he "really venerated as a writer". He knew many of the writers, painters, and sculptors living in Paris. In 1918, his friend 446:
where from mid-December 1914 until February 1915, he was in the line at Frise (La GrenouillĂšre and Bois de la Vache). He described this war experience in the books
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three antitheoreticians," Picasso, Braque, and LĂ©ger, whom he described as "three strongly personal painters who represent the three successive phases of cubism."
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Name of the work, year of first edition, publisher (in Paris if not otherwise noted) / kind of work / Known translations (year of first edition in that language)
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One of the most gifted observers of the times, Dos Passos brought Cendrars to American readers in the 1920s and 30s by translating Cendrars's major long poems
1255: 3695: 262:("a man of letters"), a term that for him was predicated on a separation of intellect and life. Like Rimbaud, who writes in "The Alchemy of the Word" in 5084: 135:, was a Swiss-born novelist and poet who became a naturalized French citizen in 1916. He was a writer of considerable influence in the European 5089: 710:(1913, Éditions des Hommes Nouveaux) / Poem / Spanish (1975); Bengali (1981, Bish Sataker Pharasi Kabita, Alliance Française de Calcutta; 1997) 566:), was seized before publication by the Gestapo, which sought him out and sacked his library in his country home, while he fled into hiding in 403:'s paintings. Cendrars liked to claim that his poem's first printing of one hundred fifty copies would, when unfolded, reach the height of the 298:(Easter in New York), his first important contribution to modern literature. He signed it for the first time with the name Blaise Cendrars. 602: 582:
writer of "French expression", but he managed to survive. His youngest son was killed in an accident while escorting American planes in
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was translated into English in 1931 by John Dos Passos, who borrowed from Cendrars the montage style he employed in his U.S.A. trilogy.
555: 190:, but the authenticity of the document remains contested on the grounds of factual, typographic, orthographic, and stylistic analysis. 1545:
On Cendrars's immersion in the film world, see Garrett White's introduction to his translation of Cendrars's reports on Hollywood for
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The Centre d'Études Blaise Cendrars (CEBC) has been established at the University of Berne in his honor and for the study of his work.
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After a short stay in Paris, he traveled to New York, arriving on 11 December 1911. Between 6–8 April 1912, he wrote his long poem,
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Dany Savelli, « Examen du paratexte de la LĂ©gende de Novgorode dĂ©couverte Ă  Sofia et attribuĂ©e Ă  Blaise Cendrars Â», in
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set down in dozens of volumes of memoirs that Cendrars considered "the true Encyclopedia of the eighteenth century, filled with
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poem". Soon after, it was exhibited as a work of art in its own right and continues to be shown at exhibitions to this day.
270:(1913), "I like legends, dialects, mistakes of language, detective novels, the flesh of girls, the sun, the Eiffel Tower." 1719: 1622: 5139: 5119: 5074: 3755: 5129: 4488: 1320: 1239: 1210: 1196: 1182: 1168: 1154: 1140: 1126: 1112: 1098: 1084: 1070: 3707: 5039: 1661: 418:
led him to write a series of revolutionary abstract short poems, published in a collection in 1919 under the title
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in northern France at the beginning of the German invasion in 1940, and his book that immediately followed,
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disaster howling at our heels"). The published work was printed within washes of color by the painter
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as an "ace of white and black photography" in a preface to his exhibition catalogue. He was with the
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In the summer of 1912, Cendrars returned to Paris, convinced that poetry was his vocation. With
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Blaise Cendrars, Anthologie NĂšgre, 1921, Editions de la Sirene, Paris, original French edition
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Trans. John Dos Passos, in his celebratory essay on Cendrars, "Homer of the Trans-Siberian,
1391:("To write is to be burned alive, but it is also to be reborn from one's ashes"). Cendrars, 675: 586:. Details of his time with the BEF and last meeting with his son appear in his work of 1949 434:
His writing career was interrupted by World War I. When it began, he and the Italian writer
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In many ways, he was a direct heir of Rimbaud, a visionary rather than what the French call
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and in his 1926 prose-poetic essay "Homer of the Transsiberian," which was reprinted from
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https://hyperallergic.com/382414/blaise-cendrars-a-poet-for-the-twenty-first-century/
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In 1950, Cendrars settled down in the rue Jean-Dolent in Paris, across from the
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Centre d'Études Blaise Cendrars (CEBC) de l'universitĂ© de Berne (Switzerland)
400: 392: 174:, he began to write, thanks to the encouragement of R.R., a librarian at the 3152: 2057: 1820: 822:(1926, Les Écrivains RĂ©unis) / Poetic essay / English (1992); Spanish (1994) 476:, in a room decorated with murals by Picasso. At this time, he drove an old 4674: 4512: 4405: 4377: 4312: 4280: 4252: 4217: 4210: 4203: 4168: 4134: 4050: 4008: 3859: 3848: 3838: 3767: 3585: 3557: 3495: 3488: 3474: 3446: 3418: 3383: 3376: 3348: 3334: 3320: 3299: 3208: 3166: 3159: 2999: 2971: 2922: 2908: 2782: 2747: 2642: 2628: 2565: 2492: 2385: 2343: 2141: 1966: 1365: 1310: 958:(1949, Lausanne, La Guilde du Livre) / Essay with photos by Robert Doisneau 780:- (1924, with the title "Kodak", Librairie Stock) / Poems / Spanish (1975) 551: 492: 488: 461: 411: 404: 340: 320: 302: 2887: 193:
In 1907, Sauser returned to Switzerland, where he studied medicine at the
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in collaboration with Chefdor (University of Nebraska Press, 1992), p. 34
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appealed to other foreign artists to join the French army. He joined the
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Car écrire c'est brûler vif, mais c'est aussi renaßtre de ses cendres
639:, the Minister of Culture, awarded him the title of Commander of the 472:(From ultramarine to indigo). He stayed with Eugenia in her house in 348: 218: 136: 104: 2705: 2572: 1930: 1891: 1875: 1861: 1752: 1692:
1914-1918-online. International Encyclopedia of the First World War
473: 108: 90: 4991: 4464: 3502: 2964: 2579: 1868: 1852: 1838: 583: 575: 282: 4979: 1669:"Cendrars looks for Modigliani at Montparnase", TV Footage, 1953 1786: 1649: 840:(1929, Au Sans Pareil) / Novel / Spanish (1930); English (1990) 828:(1927, Au Sans Pareil) / Novel / Spanish (1931); English (1987) 646:
1961, Cendrars was awarded the Paris Grand Prix for literature.
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Cendrars became an important part of the artistic community in
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See "'French Book Art' at the Public Library," Roberta Smith,
846:(1929, Lausanne, Éditions du Verseau) / Autobiographical essay 454:(I have killed), and it is the subject of his poem "Orion" in 362:. The two poets influenced each other's work. Cendrars's poem 1205:, Monique Chefdor (Ed.), University of Nebraska Press, 1992. 187: 1697: 702:(1912, Éditions des Hommes Nouveaux) / Poem / Spanish (1975) 131:(1 September 1887 – 21 January 1961), better known as 2259: 1793: 1256:"Blaise Cendrars: Jean Buhler remet les pendules Ă  l'heure" 654: 94: 40:
in 1916, a few months after the amputation of his right arm
1234:. Berkeley: University of California Press. p. xxii. 579: 197:. During this period, he wrote his first verified poems, 186:
claimed to have found one of the Russian translations in
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La Prose du Transsibérien et la Petite Jehanne de France
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This intertwining of poetry and painting was related to
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La Prose du Transsibérien et la Petite Jehanne de France
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The End of the World Filmed by the Angel of Notre Dame,
946:(1948, Denoël) / Novel / English (1972); Spanish (2004) 922:(1945, Denoël) / Novel / English (1970); Spanish (1983) 916:, tr. by Ron Padgett, Univ. of California Press, 1992) 4956: 3696:
A Sunday Afternoon on the Island of La Grande Jatte
716:(1979, Penguin Modern European Poets, /English tr. 155:, Switzerland, rue de la Paix 27, into a bourgeois 1532:Steve Kogan, "The Pilgrimage of Blaise Cendrars", 1191:, Jay Bochner, University of Toronto Press, 1978. 982:(1956, DenoĂ«l) / Novel / Spanish (1982), English ( 762:- (1919, Au Sans Pareil) / Poems / Spanish (1975) 738:(1916, D. NiestlĂ©, editor) / Poem / Spanish (1975) 1203:Blaise Cendrars: Modernities & other writings 912:(1944, DenoĂ«l), Complete poetic works / English ( 834:(1928, Éditions de Portiques) / Portuguese (1989) 768:- (1919, Éditions de la SirĂšne) / English (1992) 5016: 832:Petits contes nĂšgres pour les enfants des blancs 667:was established to study and preserve his works. 311:, also the name of the press where he published 1408:(New York, Harper & Brothers, 1927), p. 160 1020:Paris ma ville. Illustrations de Fernand LĂ©ger. 605:He finally published again in 1956. The novel, 410:Cendrars's relationship with painters such as 399:was beginning to write prose in the manner of 305:, an anarchist writer, he started the journal 1713: 1636: 810:(1926, Les Écrivains RĂ©unis) / English (1992) 748:Le Panama ou les aventures de mes sept oncles 499:painted his portrait. He was acquainted with 245:Le Panama ou les aventures de mes sept oncles 4635: 4624: 1818: 1807: 1761: 1750: 1639:"Blaise Cendrars, The Art of Fiction No. 38" 964:(1952, DenoĂ«l) / Interviews by Michel Manoll 796:, 1926, Harper & Bros.) / Spanish (1931) 766:La Fin du monde filmĂ©e par l'Ange Notre-Dame 730:Rimsky-Korsakov et la nouvelle musique russe 142: 1889: 1377:Cendrars, "Modernities 3, in Chefdor, p. 96 391:'s and other artists' experiments in proto- 374:and in his best known and even longer poem 1720: 1706: 1662:Association internationale Blaise Cendrars 1570:), 1971; Open Library, accessed 1 Sep 2010 1416: 1414: 1387:emblem of the act of creation in writing: 1189:Blaise Cendrars: Discovery and Re-creation 888:(1937, Grasset) / Stories / Spanish (1938) 786:- (1924, Au Sans Pareil) / Spanish (1975) 665:Association internationale Blaise Cendrars 29: 1628:Publications by and about Blaise Cendrars 5085:French military personnel of World War I 1566:, Budapest: Hungarian National Gallery ( 1459:See Miller's essay "Blaise Cendrars" in 1347:ed. Miriam Cendrars (Paris, 1987), p. 13 1308: 1229: 858:(1930, Grasset) / Novel / Spanish (1937) 686: 601:. There he collaborated frequently with 281: 16:Swiss-born novelist and poet (1887–1961) 1411: 1216: 986:, 1966, tr. by Alan Brown, Grove Press) 952:(1949, DenoĂ«l) / Novel / English (1992) 850:Comment les Blancs sont d'anciens Noirs 816:(1926, Au Sans Pareil) / English (1992) 649:His literary estate is archived in the 442:. He was sent to the front line in the 429: 5017: 1555: 1487:A Moveable Feast, the Restored Edition 876:(1935, Grenoble, Arthaud) / Journalism 36:Cendrars posing in the uniform of the 5090:Soldiers of the French Foreign Legion 4561:Six Characters in Search of an Author 1701: 1498: 480:which had been colour-coordinated by 1492: 726:(1913, Editions des Hommes Nouveaux) 629: 286:Portrait bust of Blaise Cendrars by 1630:in the catalogue Helveticat of the 1014:Dites-nous Monsieur Blaise Cendrars 970:(1952, Monaco, Les Documents d'Art) 792:(1925, Grasset) / Novel / English ( 674:and the CollĂšge Blaise Cendrars in 607:EmmĂšne-moi au bout du monde !
 221:in European poetry with his works: 167:with a Swiss watchmaker in Russia. 13: 3756:Nude Descending a Staircase, No. 2 1614:Literary estate of Blaise Cendrars 1364:ed. Monique Chefdor and trans. by 217:Cendrars was an early exponent of 212: 14: 5151: 1607: 870:(1932, Lausanne, Librairie Payot) 5110:Swiss people of Scottish descent 5100:French writers with disabilities 5070:20th-century French male writers 5002: 4990: 4978: 4966: 4943: 4942: 1284:A Dictionary of the Avant-Gardes 990:Du monde entier au cƓur du monde 968:Le BrĂ©sil, des Hommes sont venus 616: 5135:French male non-fiction writers 5115:Burials at Batignolles Cemetery 1573: 1539: 1526: 1499:Sante, Lucy (2 November 2023). 1479: 1466: 1453: 1440: 1427: 1398: 1362:Modernities and Other Writings, 1315:. Claude,. Leroy. : Gallimard. 1063:Sacred Monsters, Sacred Masters 980:EmmĂšne-moi au bout du monde!... 534:(1926) and the last section of 4710:Grosvenor School of Modern Art 4703:Fourth dimension in literature 1551:Hollywood: Mecca of the Movies 1380: 1371: 1350: 1337: 1302: 1289: 1273: 1248: 1223: 962:Blaise Cendrars, vous parle... 880:Hollywood, La Mecque du cinĂ©ma 856:Rhum—L'aventure de Jean Galmot 714:Selected Poems Blaise Cendrars 545: 366:influenced Apollinaire's poem 1: 5065:20th-century French novelists 5035:People from La Chaux-de-Fonds 1727: 1637:Michel Manoll (Spring 1966). 1474:Henry Miller Awake and Asleep 1297:Revue de LittĂ©rature comparĂ©e 1053: 1022:(1987, BibliothĂšque des Arts) 670:The LycĂ©e Blaise-Cendrars in 358:Most notably, he encountered 5125:20th-century Swiss novelists 1563:Marton Ervin EmlĂ©kkiĂĄllĂ­tĂĄsa 882:(1936, Grasset) / Journalism 691:Blaise Cendrars, circa 1907. 178:. There he wrote the poem, " 7: 4803:List of avant-garde artists 3780:The Cabinet of Dr. Caligari 1026: 906:(1940, CorrĂȘa) / Journalism 838:Les Confessions de Dan Yack 556:British Expeditionary Force 10: 5156: 4661:Classical Hollywood cinema 1286:, Routledge (2013), p. 113 1039:s 100 Books of the Century 820:Éloge de la vie dangereuse 760:Dix-neuf poĂšmes Ă©lastiques 744:(1917, A la Belle Édition) 420:Dix-neuf poĂšmes Ă©lastiques 253:Dix-neuf poĂšmes Ă©lastiques 176:National Library of Russia 5140:Swiss emigrants to France 5120:20th-century French poets 5075:French war correspondents 4924: 4602: 4443: 4311: 4151: 3900: 3889: 3732:Les Demoiselles d'Avignon 3686: 3512: 3072: 2555: 2546: 2423: 2207: 1949: 1940: 1735: 1309:Cendrars, Blaise (2014). 1230:Cendrars, Blaise (1992). 1175:Oeuvres Completes, Vol. 8 1161:Oeuvres Completes, Vol. 7 1147:Oeuvres Completes, Vol. 6 1133:Oeuvres Completes, Vol. 5 1119:Oeuvres Completes, Vol. 4 1105:Oeuvres Completes, Vol. 3 1091:Oeuvres Completes, Vol. 2 1077:Oeuvres Completes, Vol. 1 974:NoĂ«l aux 4 coins du monde 928:(1946, DenoĂ«l) / Novel / 894:(1938, Grasset) / Stories 603:Radiodiffusion Française. 143:Early years and education 114: 100: 86: 72: 46: 28: 21: 5130:20th-century Swiss poets 2517:The Master and Margarita 1299:n°313, 2005/1, pp.21-33. 1041:, a list which includes 940:, 2014 ), Spanish (1980) 852:- (1929, Au Sans Pareil) 682: 678:were named in his honor. 643:for his wartime service. 5040:Swiss writers in French 4810:List of modernist poets 4696:Fourth dimension in art 3872:Meshes of the Afternoon 1476:, 1975 documentary film 1177:Editions DenoĂ«l, 1965. 1163:Editions DenoĂ«l, 1964. 1149:Editions DenoĂ«l, 1987. 1135:Editions DenoĂ«l, 1980. 1121:Editions DenoĂ«l, 1991. 1107:Editions DenoĂ«l, 1987. 1093:Editions DenoĂ«l, 1987. 1079:Editions DenoĂ«l, 1987. 984:To the End of the World 736:La Guerre au Luxembourg 651:Swiss Literary Archives 611:Le Tremblay-sur-Mauldre 450:(The severed hand) and 241:La Guerre au Luxembourg 223:The Legend of Novgorode 180:La LĂ©gende de Novgorode 5080:French fantasy writers 4894:Second Viennese School 4636: 4625: 2529:The Sound and the Fury 2433:In Search of Lost Time 1890: 1819: 1808: 1762: 1751: 1632:Swiss National Library 1618:Swiss National Library 1568:Magyar Nemzeti GalĂ©ria 1395:(Paris: DenoĂ«l), p. 13 1356:Cendrars, "Pro Domo," 1345:Aujourd'hui 1917–1929, 950:Le Lotissement du ciel 844:Une nuit dans la forĂȘt 692: 590:(translated simply as 588:Le lotissement du ciel 291: 5050:French male novelists 4873:Reactionary modernism 4796:List of art movements 904:Chez l'armĂ©e Anglaise 826:Le Plan de l'Aiguille 700:Les PĂąques Ă  New York 690: 623:Miriam Gilou-Cendrars 578:listed Cendrars as a 564:With the English Army 560:Chez l'armĂ©e anglaise 440:French Foreign Legion 364:Les PĂąques Ă  New York 360:Guillaume Apollinaire 313:Les PĂąques Ă  New York 296:Les PĂąques Ă  New York 285: 227:Les PĂąques Ă  New York 129:FrĂ©dĂ©ric-Louis Sauser 50:FrĂ©dĂ©ric-Louis Sauser 5045:Swiss male novelists 4717:Hanshinkan Modernism 4573:The Threepenny Opera 4489:PellĂ©as et MĂ©lisande 1616:, HelveticArchives, 1534:Literary Imagination 1472:Miller, speaking in 1461:The Books in My Life 1217:Notes and references 1065:Random House, 2001. 956:La Banlieue de Paris 898:D'Oultremer Ă  Indigo 874:Panorama de la pĂšgre 663:The French-language 532:Farewell to Painters 470:De Outremer Ă  indigo 430:The Left-Handed Poet 4775:International Style 4525:Afternoon of a Faun 3804:Battleship Potemkin 3708:Mont Sainte-Victoir 1645:. Spring 1966 (37). 1505:The New York Review 1501:"Rhapsodies in Bop" 1422:The Futurist Moment 1280:Richard Kostelanetz 742:Profond aujourd'hui 521:The Saturday Review 395:. At the same time 381:Sonia Delaunay-Terk 308:Les hommes nouveaux 260:un homme de lettres 195:University of Berne 4654:Buddhist modernism 4611:American modernism 4537:The Rite of Spring 2505:The Sun Also Rises 2481:The Magic Mountain 1485:Ernest Hemingway, 1420:Marjorie Perloff, 693: 676:Boissy-Saint-LĂ©ger 523:one year later in 464:introduced him to 376:The Transsiberian, 372:Easter in New York 292: 5060:French male poets 4954: 4953: 4682:Experimental film 4598: 4597: 4585:Waiting for Godot 3885: 3884: 2542: 2541: 2445:The Metamorphosis 1585:Frenchculture.org 1489:, Scribner, 2009. 1002:Films sans images 892:La Vie dangereuse 784:Feuilles de route 672:La Chaux-de-Fonds 630:Legacy and honors 513:The Transsiberian 497:Amedeo Modigliani 466:Eugenia ErrĂĄzuriz 207:Le Latin mystique 149:La Chaux-de-Fonds 126: 125: 101:Literary movement 62:La Chaux-de-Fonds 41: 5147: 5055:Swiss male poets 5007: 5006: 5005: 4995: 4994: 4983: 4982: 4971: 4970: 4969: 4962: 4946: 4945: 4917: 4915:Vulgar modernism 4910: 4908:Underground film 4903: 4896: 4889: 4882: 4875: 4868: 4861: 4854: 4847: 4840: 4833: 4826: 4819: 4812: 4805: 4798: 4791: 4784: 4777: 4770: 4761: 4754: 4747: 4740: 4733: 4731:Hippie modernism 4726: 4719: 4712: 4705: 4698: 4691: 4684: 4677: 4670: 4663: 4656: 4649: 4647:Bloomsbury Group 4642: 4641: 4631: 4630: 4620: 4613: 4591: 4590: 4579: 4578: 4567: 4566: 4555: 4554: 4543: 4542: 4531: 4530: 4519: 4518: 4507: 4506: 4495: 4494: 4483: 4482: 4471: 4470: 4459: 4458: 4436: 4429: 4422: 4415: 4408: 4401: 4394: 4387: 4380: 4373: 4366: 4359: 4352: 4345: 4338: 4331: 4324: 4304: 4297: 4290: 4283: 4276: 4269: 4262: 4255: 4248: 4241: 4234: 4227: 4220: 4213: 4206: 4199: 4192: 4185: 4178: 4171: 4164: 4144: 4137: 4130: 4123: 4116: 4109: 4102: 4095: 4088: 4081: 4074: 4067: 4060: 4053: 4046: 4039: 4032: 4025: 4018: 4011: 4004: 3997: 3990: 3983: 3976: 3969: 3962: 3955: 3948: 3941: 3934: 3927: 3920: 3913: 3898: 3897: 3878: 3877: 3866: 3865: 3854: 3853: 3844: 3843: 3834: 3833: 3828:Un Chien Andalou 3822: 3821: 3810: 3809: 3798: 3797: 3792:Ballet MĂ©canique 3786: 3785: 3774: 3773: 3762: 3761: 3750: 3749: 3738: 3737: 3726: 3725: 3720:The Starry Night 3714: 3713: 3702: 3701: 3679: 3672: 3665: 3658: 3651: 3644: 3637: 3630: 3623: 3616: 3609: 3602: 3595: 3588: 3581: 3574: 3567: 3560: 3553: 3546: 3539: 3532: 3525: 3505: 3498: 3491: 3484: 3477: 3470: 3463: 3456: 3449: 3442: 3435: 3428: 3421: 3414: 3407: 3400: 3393: 3386: 3379: 3372: 3365: 3358: 3351: 3344: 3337: 3330: 3323: 3316: 3309: 3302: 3295: 3288: 3281: 3274: 3267: 3260: 3253: 3246: 3239: 3232: 3225: 3218: 3211: 3204: 3197: 3190: 3183: 3176: 3169: 3162: 3155: 3148: 3141: 3134: 3127: 3120: 3113: 3106: 3099: 3092: 3085: 3065: 3058: 3051: 3049:Toulouse-Lautrec 3044: 3037: 3030: 3023: 3016: 3009: 3002: 2995: 2988: 2981: 2974: 2967: 2960: 2953: 2946: 2939: 2932: 2925: 2918: 2911: 2904: 2897: 2890: 2883: 2876: 2869: 2862: 2855: 2848: 2841: 2834: 2827: 2820: 2813: 2806: 2799: 2792: 2785: 2778: 2771: 2764: 2757: 2750: 2743: 2736: 2729: 2722: 2715: 2708: 2701: 2694: 2687: 2680: 2673: 2666: 2659: 2652: 2645: 2638: 2631: 2624: 2617: 2610: 2603: 2596: 2589: 2582: 2575: 2568: 2553: 2552: 2535: 2534: 2523: 2522: 2511: 2510: 2499: 2498: 2487: 2486: 2475: 2474: 2463: 2462: 2451: 2450: 2439: 2438: 2416: 2409: 2402: 2395: 2388: 2381: 2374: 2367: 2360: 2353: 2346: 2339: 2332: 2325: 2318: 2311: 2304: 2297: 2290: 2283: 2276: 2269: 2262: 2255: 2248: 2241: 2234: 2227: 2220: 2200: 2193: 2186: 2179: 2172: 2165: 2158: 2151: 2144: 2137: 2130: 2123: 2116: 2109: 2102: 2095: 2088: 2081: 2074: 2067: 2060: 2053: 2046: 2039: 2032: 2025: 2018: 2011: 2004: 1997: 1990: 1983: 1976: 1969: 1962: 1947: 1946: 1933: 1926: 1919: 1912: 1905: 1896: 1895: 1885: 1878: 1871: 1864: 1855: 1848: 1841: 1832: 1825: 1824: 1814: 1813: 1810:Der Blaue Reiter 1803: 1796: 1789: 1782: 1775: 1768: 1767: 1757: 1756: 1746: 1722: 1715: 1708: 1699: 1698: 1688:Cendrars, Blaise 1686:Laurence Campa: 1680: 1670: 1646: 1643:The Paris Review 1601: 1600: 1598: 1596: 1591:on 20 March 2015 1587:. Archived from 1577: 1571: 1559: 1553: 1543: 1537: 1530: 1524: 1523: 1518: 1516: 1496: 1490: 1483: 1477: 1470: 1464: 1457: 1451: 1444: 1438: 1431: 1425: 1418: 1409: 1402: 1396: 1393:L'homme foudroyĂ© 1384: 1378: 1375: 1369: 1354: 1348: 1341: 1335: 1334: 1306: 1300: 1293: 1287: 1277: 1271: 1270: 1268: 1266: 1252: 1246: 1245: 1227: 1060:Richardson, John 1048:Swiss literature 1038: 992:(1957, DenoĂ«l) / 920:L'Homme foudroyĂ© 886:Histoires vraies 772:Anthologie nĂšgre 641:LĂ©gion d'honneur 572:L'homme foudroyĂ© 540:L'homme foudroyĂ© 536:L'homme foudroyĂ© 501:Ernest Hemingway 436:Ricciotto Canudo 264:A Season in Hell 203:Remy de Gourmont 201:, influenced by 170:While living in 79: 59:1 September 1887 58: 56: 38:LĂ©gion Ă©trangĂšre 35: 33: 19: 18: 5155: 5154: 5150: 5149: 5148: 5146: 5145: 5144: 5095:French amputees 5015: 5014: 5013: 5003: 5001: 4989: 4977: 4967: 4965: 4957: 4955: 4950: 4941: 4933: 4920: 4913: 4906: 4901:Structural film 4899: 4892: 4885: 4878: 4871: 4864: 4857: 4852:New Objectivity 4850: 4843: 4838:Neo-romanticism 4836: 4831:Neo-primitivism 4829: 4822: 4815: 4808: 4801: 4794: 4787: 4780: 4773: 4766: 4757: 4750: 4743: 4736: 4729: 4722: 4715: 4708: 4701: 4694: 4687: 4680: 4673: 4666: 4659: 4652: 4645: 4634: 4623: 4616: 4609: 4594: 4588: 4582: 4576: 4570: 4564: 4558: 4552: 4546: 4540: 4534: 4528: 4522: 4516: 4510: 4504: 4498: 4492: 4486: 4480: 4477:VerklĂ€rte Nacht 4474: 4468: 4462: 4456: 4450: 4439: 4432: 4425: 4418: 4411: 4404: 4397: 4390: 4383: 4376: 4369: 4362: 4355: 4348: 4341: 4334: 4327: 4320: 4307: 4300: 4293: 4286: 4279: 4272: 4265: 4258: 4251: 4244: 4237: 4230: 4223: 4216: 4209: 4202: 4195: 4188: 4181: 4174: 4167: 4160: 4147: 4140: 4133: 4126: 4119: 4112: 4105: 4098: 4091: 4084: 4077: 4070: 4063: 4056: 4049: 4042: 4035: 4028: 4021: 4014: 4007: 4000: 3993: 3986: 3979: 3972: 3965: 3958: 3951: 3944: 3937: 3930: 3923: 3916: 3909: 3892: 3881: 3875: 3869: 3863: 3857: 3851: 3847: 3841: 3837: 3831: 3825: 3819: 3813: 3807: 3801: 3795: 3789: 3783: 3777: 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3918:BartĂłk 3876:(1943) 3864:(1941) 3852:(1936) 3842:(1931) 3832:(1929) 3820:(1927) 3808:(1925) 3796:(1923) 3784:(1920) 3772:(1915) 3760:(1912) 3736:(1907) 3724:(1889) 3712:(1887) 3700:(1886) 3677:Wright 3663:Tatlin 3621:Neutra 3523:Breuer 3489:Welles 3475:Vertov 3398:Renoir 3349:Murnau 3335:Marker 3328:Lupino 3286:Keaton 3272:Hubley 3258:Godard 3244:Fuller 3188:Dreyer 3167:Dassin 3125:Buñuel 3021:Sisley 3014:Signac 3007:Seurat 2979:Renoir 2797:Hopper 2699:Demuth 2622:Calder 2615:Braque 2566:Albers 2533:(1929) 2509:(1926) 2497:(1925) 2485:(1924) 2473:(1922) 2461:(1922) 2449:(1915) 2400:ValĂ©ry 2386:Thomas 2351:Pessoa 2295:George 2288:Elytis 2281:Éluard 2267:Desnos 2239:Cavafy 2209:Poetry 2170:Proust 2163:Porter 2065:Hamsun 2023:Döblin 2016:Conrad 1988:Breton 1967:Barnes 1787:Cubism 1690:, in: 1463:(1969) 1329:  1319:  1238:  1209:  1195:  1181:  1167:  1153:  1139:  1125:  1111:  1097:  1083:  1069:  1016:(1969) 1010:(1961) 1008:Amours 732:(1913) 580:Jewish 517:Panama 509:U.S.A. 4759:Post- 4745:Music 4444:Works 4399:Shawn 4378:Laban 4313:Dance 4211:Jarry 4204:Ibsen 4142:Weill 4065:Satie 3974:Falla 3932:Berio 3902:Music 3687:Works 3614:Nervi 3558:Horta 3537:GaudĂ­ 3496:Wiene 3468:Varda 3454:Trnka 3363:Pabst 3321:Losey 3279:Jones 3251:Gance 3174:Deren 3153:Clair 3132:CarnĂ© 3104:Avery 2986:Rodin 2972:Redon 2930:Nolde 2923:Munch 2916:Moore 2909:Monet 2860:Manet 2839:LĂ©ger 2804:Kahlo 2783:Grosz 2741:Ernst 2734:Ensor 2671:Degas 2424:Works 2414:Yeats 2393:Tzara 2365:Rilke 2358:Pound 2337:Moore 2309:Lorca 2302:Jacob 2274:Eliot 2253:Crane 2232:Auden 2198:Woolf 2184:Svevo 2177:Stein 2142:Musil 2100:Kafka 2093:Joyce 2086:Hesse 2072:HaĆĄek 1995:Broch 1830:Music 1037:' 683:Works 444:Somme 416:LĂ©ger 341:Csaky 333:Suter 325:LĂ©ger 188:Sofia 4371:Holm 4044:Nono 4009:Ives 3925:Berg 3893:arts 3670:Mies 3593:Loos 3579:Kahn 3503:Wood 3482:Vigo 3447:Tati 3419:Sirk 3314:Lang 3237:Ford 3074:Film 3063:Wood 2888:MirĂł 2867:Marc 2825:Klee 2790:Höch 2776:Gris 2727:Dufy 2664:DalĂ­ 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Index

Cendrars posing in the uniform of the LĂ©gion Ă©trangĂšre in 1916, a few months after the amputation of his right arm
LĂ©gion Ă©trangĂšre
La Chaux-de-Fonds
NeuchĂątel
Novelist
poet
Modernism
Futurism
Moravagine
modernist
La Chaux-de-Fonds
NeuchĂątel
francophone
August Suter
apprenticeship
St. Petersburg
National Library of Russia
La LĂ©gende de Novgorode
Kiril Kadiiski
Sofia
University of Berne
Remy de Gourmont
Modernism
La Prose du Transsibérien et la Petite Jehanne de France

August Suter
Emil Szittya
Les hommes nouveaux
Chagall
LĂ©ger

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