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Blood and Sand (1922 film)

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commented on the actor's appearance in the above film still: "...is Rodolph Valentino wearing a wig in 'Blood and Sand,' or did he permit his slick hair to be coiffed into the curly mop you see under this Spanish cap? Cheer up—it's only temporary. Later on in the picture he looks more like Julio." By
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overtones, but Juan, feeling guilty over his betrayal of Carmen, tries to free himself of Doña Sol. Furious at being rejected, she exposes their affair to Carmen and Juan's mother, seemingly destroying his marriage. Growing more and more miserable and dissipated, Juan becomes reckless in the arena.
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of bullfights filmed in Madrid interspersed with close-ups of Valentino. Her work on the film helped to solidify her reputation of being a resourceful editor as her techniques also saved Paramount money. She would later say that working on the film was the "first waymark to my claim to a little
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There is also a subplot involving a local outlaw whose career is paralleled to Juan's throughout the film by the village philosopher: Juan's fatal injury in the bullring comes moments after the outlaw is shot by the police.
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of Valentino's performance, "and one of Mr. Niblo's finest pictures. It is one of the few pictures I have been able to sit through twice and enjoy the second time more than the first."
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was released in 1916, and filmed by Blasco Ibáñez himself, with the help of Max André. This earlier version was restored in 1998 by the Filmoteca de la Generalitat Valenciana (Spain).
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premiered at the Rialto Theater in Los Angeles on August 22, 1922. The film was a box office hit and was one of the top-grossing films of 1922. The film, along with
1447: 576: 334:. He marries a friend from his childhood, the beautiful and virtuous Carmen (Lee), but after he achieves fame and fortune he finds himself drawn to 603:'s nickname - he started playing professional under an alias to protect his remaining college eligibility. He and a friend passed a theater where 1610: 1506: 1745: 580: 1740: 1479: 521: 1316: 1725: 686: 1685: 1700: 1680: 1675: 1076: 668: 1730: 1710: 926: 901: 811: 1471: 1054: 457: 1695: 1433: 1670: 1720: 836: 786: 746: 721: 696: 1252: 600: 1022: 1735: 1236: 1220: 1100: 996: 1618: 1715: 1690: 1642: 1332: 474:
worked as the film's editor. Arzner, who would later become one of the first female film directors, used
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Juan Gallardo (Valentino), a village boy born into poverty, grows up to become one of the greatest
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was playing. Suddenly, McNally exclaimed to his friend, "That's it! You be Sand. I'll be Blood".
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The film gave its name to a popular Prohibition-era cocktail, the
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but does manage to reconcile with Carmen moments before he dies.
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Leading Men: The 50 Most Unforgettable Actors of the Studio Era
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Turner Classic Movies; Osborne, Robert; Haskell, Molly (2006).
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Stan Without Ollie: The Stan Laurel Solo Films, 1917-1927
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by Thomas Cushing which was adapted from Ibáñez's novel.
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Quigley Publishing Company "The All Time Best Sellers",
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McCaffrey, Donald W.; Jacobs, Christopher P. (1999).
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The film was the source of legendary football player
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Dark Lover: The Life and Death of Rudolph Valentino
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International Motion Picture Almanac 1937-38 (1938)
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Index


Fred Niblo
June Mathis
Sangre y arena
Vicente Blasco Ibanez
Blood and Sand
Thomas Cushing
Jesse L. Lasky
Rudolph Valentino
Lila Lee
Nita Naldi
Rosa Rosanova
Walter Long
Alvin Wyckoff
Dorothy Arzner
Famous Players–Lasky
Paramount Pictures
Paramount Pictures
Silent
silent
drama film
Paramount Pictures
Fred Niblo
Rudolph Valentino
Lila Lee
Nita Naldi
Spanish
novel
Vicente Blasco Ibáñez
Blood and Sand

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