Knowledge

Blue Lines

Source πŸ“

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as "at its heart ... a hip-hop record", crediting it with being "at the forefront" of the genre's musical progression from "blocky rhythms and minimal arrangements" in the 1980s towards "deep, organic textures" in the 1990s. Concluding his review for AllMusic, John Bush deemed
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readers placed it at number 58 in its list of the "100 Greatest Albums Ever", and in 2000, the album was voted at number 9 in the magazine's poll of the "100 Greatest British Albums Ever". In 2003, the album was ranked number 395 on
2934: 4092: 3026: 601:'s John Bush also affirmed the album as the "first masterpiece" of what later became known as trip hop, and described it as "filter American hip-hop through the lens of British 3077: 935:
has yet seen", writing that Massive Attack "put current changes on the dancefloor in perspective and map out blueprints for what must surely come next" and that "after
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upon the album's 2012 reissue, adding that it "still sounds unique, which is remarkable given how omnipresent trip-hop was to become". Michael Gallucci of
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who kicked our arses and got us in the studio. We recorded a lot at her house, in her baby's room. It stank for months and eventually we found a dirty
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praised it as an album that "one hopes might just bring down forever the wall of snobbery that still exists between dance and all other music."
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readers placed it at number 9 in the magazine's poll of the "100 Greatest British Albums Ever". In 2003, the album was included on
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as "one of the most moving pieces of dance music ever, able to soften hearts and excite minds just as keenly as a ballad by
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became "the blueprint" for trip hop, which would later emerge as a commercially popular musical style. "On its release,
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similarly complimented the album's diverse mix of styles and called it "a record to transcend every boundary", while in
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ranked it at number 85 in its 2003 list of "The Top 100 Albums of the 1990s". The album was also included in the book
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noted that the album "created a template trip-hop artists relied on extensively" in the years following its release.
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stated that the album also marked a change in electronic and dance music, "a shift toward a more interior,
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on and play them unendingly to the point where the language would break down, and he would paint to that
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was named the 21st greatest album of all time in a 1997 "Music of the Millennium" poll conducted by
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on a number of tracks, but the design of the album differed from traditional hip hop. Music critic
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for the head, rather than the feet. I think it's our freshest album, we were at our strongest then.
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was named the 21st greatest album of all time in a "Music of the Millennium" poll conducted by
641:– from a mellow, moonwalking 90 beats per minute ... down to a positively torpid 67 bpm." 2779: 2564: 2477: 4064: 4022: 3869: 3707: 1787: 1214: 602: 464: 463:, "but we started out with a selection of ideas that were up to seven years old. Songs like ' 269: 4147: 3981: 3072: 2538: 547: 542: 1844: 1178:
As of February 2010, the album had sold 266,000 copies in the United States, according to
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described the album as "the sleekest, deadliest, most urbane, most confounding LP
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behind a radiator. I was still DJing, but what we were trying to do was create
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proved to be popular in the club scene, as well as on college radio stations.
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ranked it at number 85 in its list of "The Top 100 Albums of the 1990s".
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album, although the term was not widely used before 1994. A fusion of
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A remastered version of the album was released on 19 November 2012.
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Schwartz, Mark (1999). "Planet Rock: Hip Hop Supa National". In
3861: 2969:(2006). "Massive Attack: Blue Lines". In Dimery, Robert (ed.). 2626:
Segal, Victoria (December 2012). "Massive Attack: Blue Lines".
1172: 1124:", 397 in a 2012 revised list, and 241 in a 2020 revised list. 586: 526: 384: 3426:"British album certifications – Massive Attack – Blue Lines" 2935:"500 Greatest Albums of All Time: Blue Lines – Massive Attack" 467:' and 'Lately' had been around for a while, from when we were 3374:"French album certifications – Massive Attack – Blue Lines" 3284: 3232: 3161: 2834:
Martin, Piers (December 2012). "Massive Attack: Blue Lines".
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Generation Ecstasy: Into the World of Techno and Rave Culture
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for about eight months, with breaks for Christmas and the
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On certain releases, the group is credited as "Massive".
1140:" has also been singled out for praise, being hailed by 3035:. Vol. 2, no. 9. New York. pp. 126–127. 2534:"Massive Attack: Out of the Comfort Zone – An Excerpt" 3158:(in French). Hung Medien. Retrieved 12 January 2019. 3134:(in German). Hung Medien. Retrieved 12 January 2019. 3223:"Offiziellecharts.de – Massive Attack – {{{album}}}" 3192:. Vol. 8, no. 18. 4 May 1991. p. 24. 3170:(in Dutch). Hung Medien. Retrieved 12 January 2019. 3146:(in Dutch). Hung Medien. Retrieved 12 January 2019. 2729:
Henderson, Dave (June 1991). "Massive: Blue Lines".
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was more reserved in his praise, giving the album a
3251:"Norwegiancharts.com – Massive Attack – Blue Lines" 3068:"Massive Attack Prove New Album Was Worth The Wait" 2599:"Massive Attack: Blue Lines (remastered) – review" 2465: 2368: 3279:"Swedishcharts.com – Massive Attack – Blue Lines" 3132:"Austriancharts.at – Massive Attack – Blue Lines" 2342:. No. 19. London. January 1992. p. 51. 2101: 1617:LOUD Mastering (Taunton) – remixing, remastering 4211: 2431:"Trip-Hop Reinvents Itself to Take on the World" 3291:"Swisscharts.com – Massive Attack – Blue Lines" 3168:"Dutchcharts.nl – Massive Attack – Blue Lines" 3098: 2869:Christgau's Consumer Guide: Albums of the '90s 3877: 3481: 3378:Syndicat National de l'Γ‰dition Phonographique 3328: 3211:"Lescharts.com – Massive Attack – Blue Lines" 3256: 1079:"one of the best dance albums of all time." 861: 823: 761: 723: 673: 343:. It also features contributions by singers 3312: 3156:"Ultratop.be – Massive Attack – Blue Lines" 3144:"Ultratop.be – Massive Attack – Blue Lines" 3106:(liner notes). Wild Bunch Records. WBRCD 1. 2801: 2799: 2589: 2587: 2558: 2556: 2455: 2453: 2142:Sales figures based on certification alone. 537:The font used on the cover of the album is 3947:Guru's Jazzmatazz, Vol. 2: The New Reality 3884: 3870: 3488: 3474: 3293:. Hung Medien. Retrieved 12 January 2019. 3281:. Hung Medien. Retrieved 12 January 2019. 3253:. Hung Medien. Retrieved 12 January 2019. 3241:. Hung Medien. Retrieved 12 January 2019. 3213:. Hung Medien. Retrieved 12 January 2019. 2359: 2357: 29: 3239:"Charts.nz – Massive Attack – Blue Lines" 3024: 2858: 2728: 2696: 2694: 2649: 2647: 2182: 2180: 1159:for me – music to write to", said author 3352:"End of Year Album Chart Top 100 – 1999" 3263:"Official Scottish Albums Chart Top 100" 2972:1001 Albums You Must Hear Before You Die 2805: 2796: 2593: 2584: 2562: 2553: 2459: 2450: 2399: 2363: 2244: 2242: 2213: 2211: 1541:Credits adapted from the liner notes of 1133:1001 Albums You Must Hear Before You Die 483:." The group also drew inspiration from 3449:Massive Attack: Out of the Comfort Zone 3296: 2501: 2499: 2497: 2354: 2186: 18:1991 studio album by Massive Attack 4212: 3446: 3398: 3335:"Official R&B Albums Chart Top 40" 3080:from the original on 18 September 2018 3065: 2965: 2833: 2752: 2750: 2700: 2691: 2653: 2644: 2563:Gallucci, Michael (20 November 2012). 2531: 2428: 2177: 1584:Eastcote Studios (London) – recording 1070:s Miles Raymer, meanwhile, identified 3865: 3469: 2632:. No. 229. London. p. 102. 2625: 2250:"The 500 Greatest Albums of All Time" 2239: 2208: 2190:(30 March 1991). "Rhapsody in Blue". 1523: 1489: 1448: 1410: 1372: 1340: 1320: 1289: 1255: 1209: 654: 609:to dub to dance." The album featured 487:in various genres by artists such as 307:is the debut studio album by English 3319:"Official Dance Albums Chart Top 40" 3116: 2840:. No. 187. London. p. 92. 2494: 1802: 517:said about the making of the album: 3025:Wadsworth, Andrew (November 2003). 2815:. No. 10. London. p. 80. 2756: 2747: 1722:(Booga Bear) – executive production 1710:Massive Attack – production, mixing 1122:The 500 Greatest Albums of All Time 1016:The album reached number 13 on the 521:We were lazy Bristol twats. It was 432:The 500 Greatest Albums of All Time 351:. Generally regarded as the first " 323:. The recording was led by members 13: 3495: 3399:Garner, George (4 February 2021). 3119:Australia's Music Charts 1988–2010 2943:. 11 December 2003. Archived from 2701:Raymer, Miles (30 November 2012). 2043: 1731:Bryan Chuck New – mix engineering 562:is generally considered the first 14: 4246: 3066:Sexton, Paul (19 February 2010). 3027:"'I Was Choking on Animal Hair!'" 2771:The New Rolling Stone Album Guide 2532:Chemam, Melissa (February 2019). 2219:"500 Greatest Albums of All Time" 2082: 1671:– string arrangement, conducting 863: 825: 763: 725: 675: 3891: 3200:– via World Radio History. 2505: 1807: 1611:Hot Nights (London) – recording 1590:Cherry Bear Studios – recording 1185: 1020:; sales were limited elsewhere. 939:the boundaries separating soul, 882: 877: 872: 867: 862: 844: 839: 834: 829: 824: 782: 777: 772: 767: 762: 744: 739: 734: 729: 724: 694: 689: 684: 679: 674: 4225:Albums produced by Jonny Dollar 3440: 3392: 3344: 3303:"Official Albums Chart Top 100" 3173: 3110: 3092: 3059: 3018: 2993: 2959: 2927: 2897: 2852: 2827: 2722: 2619: 2525: 2429:Garcia, Guy (25 October 1998). 2422: 2049:Year-end chart performance for 1725:Jeremy Allom – mix engineering 1326:Be Thankful for What You've Got 283:Be Thankful for What You've Got 4072:I Fell (So You Could Catch Me) 2400:Thompson, Ben (20 June 2004). 2393: 2329: 2301: 2157: 1695:Mikey General – backing vocal 1194: 1045:felt like nothing else", 593:and the founder of trip hop's 554: 434:" and again in 2012 and 2020. 315:, released on 8 April 1991 by 1: 3430:British Phonographic Industry 3309:. Retrieved 12 January 2019. 2760:(2004). "Massive Attack". In 2508:"Blue Lines – Massive Attack" 2289:. 17 November 2003. p. 2 2281:"Top 100 Albums of the 1990s" 2170: 1813:Weekly chart performance for 1605:Roundhouse (London) – mixing 984:three-star honourable mention 856:The Rolling Stone Album Guide 446: 3325:. Retrieved 10 August 2024. 3269:. Retrieved 10 August 2024. 3229:. Retrieved 10 August 2024. 2864:"Massive Attack: Blue Lines" 2703:"Massive Attack: Blue Lines" 2565:"Massive Attack: Blue Lines" 2402:"Blue Lines, Massive Attack" 2034: 2019: 2004: 1989: 1977: 1965: 1950: 1938: 1926: 1914: 1885: 1873: 1861: 1849: 1793:Eddie Monsoon – single faces 1703: 1625: 1536: 917:In a contemporary review of 644: 7: 2809:(April 1991). "Power Gem". 2468:The Vibe History of Hip Hop 1758:Bruno Ellingham – remixing 1656:Paul Johnson – bass guitar 986:and writing, "from soul ii 325:Grantley "Daddy G" Marshall 281:"Hymn of the Big Wheel" / " 10: 4251: 4199:Massive Attack discography 3341:. Retrieved 6 March 2020. 1784:Michael Nash – art, design 1766: 1737:Kevin Petri – engineering 1548: 955:will be blurred forever." 471:, or from our time on the 288:Released: 10 February 1992 262:Released: 11 February 1991 4186: 4130: 3991: 3971: 3928: 3899: 3833: 3801: 3685: 3653: 3628: 3610: 3564: 3503: 3354:. Official Charts Company 3181:"European Top 100 Albums" 2377:Little, Brown and Company 2139: 2124: 2109: 2098: 2095: 2064: 2059: 2056: 2024: 2009: 1994: 1982: 1970: 1955: 1943: 1931: 1919: 1907: 1890: 1878: 1866: 1854: 1842: 1830: 1823: 1820: 1797: 1689:– additional arrangement 1569:Matrix (London) – mixing 1204: 1201: 1198: 1193: 1034:Rolling Stone Album Guide 662: 659: 296: 249:Released: 15 October 1990 236: 225: 221: 191: 183: 164: 143: 127: 104: 73: 65: 50: 37: 28: 23: 4194:Shara Nelson discography 3531:Andrew "Mushroom" Vowles 3523:Grant "Daddy G" Marshall 3447:Chemam, Melissa (2019). 3227:GfK Entertainment Charts 2150: 1752:John Dent – remastering 1650:Massive Attack – vocals 339:, with co-production by 337:Andrew "Mushroom" Vowles 3339:Official Charts Company 3323:Official Charts Company 3307:Official Charts Company 3267:Official Charts Company 2735:. No. 57. London. 2336:"You know the score!". 1493:"Hymn of the Big Wheel" 997:got them down". At the 539:Helvetica Black Oblique 2667:. London. p. 35. 2196:. London. p. 34. 1561:(tracks 1, 2, 6, 8, 9) 1104:. The following year, 535: 54:8 April 1991 4235:Virgin Records albums 4230:Massive Attack albums 4065:Rough with the Smooth 3516:Adrian "Tricky" Thaws 3001:"Unfinished Sympathy" 1788:Jean-Baptiste Mondino 1746:– string engineering 1599:(London) – recording 1167:used to do: He'd put 519: 333:Adrian "Tricky" Thaws 275:Released: 27 May 1991 3509:Robert "3D" Del Naja 3117:Ryan, Gavin (2011). 2874:St. Martin's Griffin 2776:Simon & Schuster 2539:The Honest Ulsterman 1932:New Zealand Albums ( 1716:– production, mixing 1662:Tony Bryan – vocals 650:Professional ratings 629:sound. The songs on 548:Inflammable Material 543:Stiff Little Fingers 461:Robert "3D" Del Naja 359:blended elements of 329:Robert "3D" Del Naja 4016:Unfinished Sympathy 3961:Never Trust a Hippy 3701:Unfinished Sympathy 2977:Universe Publishing 2947:on 20 December 2010 2597:(6 December 2012). 2317:. 11 September 2012 2258:. 22 September 2020 2092: 2088:Certifications for 2053: 1985:Schweizer Hitparade 1831:Australian Albums ( 1817: 1378:Unfinished Sympathy 1138:Unfinished Sympathy 651: 257:Unfinished Sympathy 98:Hot Nights (London) 4037:One Goodbye in Ten 4002:Can't Get Over You 3910:What Silence Knows 3662:Splitting the Atom 3629:Compilation albums 3432:. 19 October 2001. 2915:on 20 October 2012 2679:on 11 October 2000 2474:Three Rivers Press 2436:The New York Times 2087: 2048: 1944:Norwegian Albums ( 1922:Offizielle Top 100 1821:Chart (1991–2013) 1812: 1790:– back cover photo 1727:(tracks 1, 3–7, 9) 1597:Abbey Road Studios 1578:(London) – mixing 1571:(tracks 1, 4–6, 9) 1011:Best British Album 1009:was nominated for 649: 4220:1991 debut albums 4207: 4206: 3859: 3858: 3824:DJ-Kicks: Daddy G 3458:978-1-9100-8972-9 3451:. Tangent Books. 3189:Music & Media 2986:978-0-7893-1371-3 2860:Christgau, Robert 2659:"Immense at Work" 2148: 2147: 2143: 2079: 2078: 2072: 2071: 2039: 2038: 2026:UK R&B Albums 1973:Sverigetopplistan 1897:Music & Media 1843:Austrian Albums ( 1760:(2012 mix/master) 1754:(2012 mix/master) 1619:(2012 Mix/Master) 1533: 1532: 1224:Grantley Marshall 1180:Nielsen SoundScan 915: 914: 300: 299: 217: 216: 86:Eastcote (London) 4242: 4187:Related articles 3954:All Systems Gone 3886: 3879: 3872: 3863: 3862: 3846:Angelo Bruschini 3771:Butterfly Caught 3490: 3483: 3476: 3467: 3466: 3462: 3434: 3433: 3422: 3416: 3415: 3413: 3411: 3396: 3390: 3389: 3387: 3385: 3370: 3364: 3363: 3361: 3359: 3348: 3342: 3332: 3326: 3316: 3310: 3300: 3294: 3288: 3282: 3276: 3270: 3260: 3254: 3248: 3242: 3236: 3230: 3220: 3214: 3208: 3202: 3201: 3185: 3177: 3171: 3165: 3159: 3153: 3147: 3141: 3135: 3129: 3123: 3122: 3114: 3108: 3107: 3096: 3090: 3089: 3087: 3085: 3063: 3057: 3056: 3054: 3052: 3043:. Archived from 3022: 3016: 3015: 3013: 3011: 2997: 2991: 2990: 2963: 2957: 2956: 2954: 2952: 2931: 2925: 2924: 2922: 2920: 2911:. Archived from 2905:"The BRITs 1992" 2901: 2895: 2894: 2892: 2890: 2856: 2850: 2849: 2831: 2825: 2824: 2807:Harrison, Andrew 2803: 2794: 2793: 2774:(4th ed.). 2766:Hoard, Christian 2762:Brackett, Nathan 2754: 2745: 2744: 2726: 2720: 2719: 2717: 2715: 2698: 2689: 2688: 2686: 2684: 2675:. Archived from 2657:(6 April 1991). 2651: 2642: 2641: 2623: 2617: 2616: 2614: 2612: 2595:Petridis, Alexis 2591: 2582: 2581: 2579: 2577: 2560: 2551: 2550: 2548: 2546: 2529: 2523: 2522: 2520: 2518: 2503: 2492: 2491: 2471: 2457: 2448: 2447: 2445: 2443: 2426: 2420: 2419: 2417: 2415: 2397: 2391: 2390: 2374: 2361: 2352: 2351: 2333: 2327: 2326: 2324: 2322: 2305: 2299: 2298: 2296: 2294: 2277: 2268: 2267: 2265: 2263: 2246: 2237: 2236: 2234: 2232: 2215: 2206: 2205: 2184: 2164: 2161: 2141: 2125:United Kingdom ( 2093: 2086: 2065:UK Albums (OCC) 2054: 2047: 1971:Swedish Albums ( 1867:Belgian Albums ( 1855:Belgian Albums ( 1818: 1811: 1803: 1761: 1755: 1749: 1740: 1734: 1728: 1698: 1692: 1683: 1674: 1665: 1659: 1653: 1652:(tracks 3, 5, 7) 1647: 1646:(tracks 2, 5, 9) 1638: 1620: 1614: 1608: 1602: 1593: 1587: 1581: 1572: 1566: 1562: 1526: 1332:William DeVaughn 1196: 1191: 1190: 1119: 1069: 980:Robert Christgau 963: 887: 886: 885: 881: 880: 876: 875: 871: 870: 866: 865: 849: 848: 847: 843: 842: 838: 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3083: 3081: 3064: 3060: 3050: 3048: 3047:on 8 March 2010 3023: 3019: 3009: 3007: 2999: 2998: 2994: 2987: 2979:. p. 673. 2964: 2960: 2950: 2948: 2933: 2932: 2928: 2918: 2916: 2903: 2902: 2898: 2888: 2886: 2884: 2876:. p. 196. 2857: 2853: 2832: 2828: 2804: 2797: 2790: 2755: 2748: 2727: 2723: 2713: 2711: 2699: 2692: 2682: 2680: 2652: 2645: 2624: 2620: 2610: 2608: 2592: 2585: 2575: 2573: 2561: 2554: 2544: 2542: 2530: 2526: 2516: 2514: 2504: 2495: 2488: 2458: 2451: 2441: 2439: 2427: 2423: 2413: 2411: 2398: 2394: 2387: 2379:. p. 321. 2365:Reynolds, Simon 2362: 2355: 2335: 2334: 2330: 2320: 2318: 2307: 2306: 2302: 2292: 2290: 2279: 2278: 2271: 2261: 2259: 2248: 2247: 2240: 2230: 2228: 2217: 2216: 2209: 2185: 2178: 2173: 2168: 2167: 2162: 2158: 2153: 2103:Certified units 2085: 2080: 2046: 2044:Year-end charts 2011:UK Dance Albums 1957:Scottish Albums 1920:German Albums ( 1908:French Albums ( 1892:European Albums 1825: 1810: 1800: 1769: 1764: 1759: 1753: 1747: 1738: 1732: 1726: 1706: 1701: 1696: 1690: 1681: 1672: 1663: 1657: 1651: 1645: 1637:(tracks 1, 6–8) 1636: 1628: 1623: 1618: 1612: 1606: 1600: 1591: 1585: 1579: 1570: 1564: 1560: 1551: 1539: 1534: 1524: 1516: 1482: 1441: 1403: 1365: 1362:Claude Williams 1344:"Five Man Army" 1313: 1282: 1274:Claude Williams 1248: 1234:Robert Del Naja 1188: 1161:Chuck Palahniuk 1155:"This album is 1148:or a melody by 1117: 1067: 1047:Alexis Petridis 1018:UK Albums Chart 966:Andrew Harrison 961: 883: 878: 873: 868: 845: 840: 835: 830: 783: 778: 773: 768: 745: 740: 735: 730: 695: 690: 685: 680: 647: 557: 449: 427: 292: 287: 280: 279: 274: 267: 266: 261: 254: 253: 248: 241: 240: 212: 203: 136: 132: 131: 123: 119:British hip hop 57: 55: 46: 19: 12: 11: 5: 4248: 4238: 4237: 4232: 4227: 4222: 4205: 4204: 4202: 4201: 4196: 4190: 4188: 4184: 4183: 4181: 4180: 4175: 4170: 4165: 4160: 4155: 4150: 4145: 4143:Massive Attack 4140: 4134: 4132: 4128: 4127: 4125: 4124: 4117: 4110: 4103: 4096: 4089: 4082: 4075: 4068: 4061: 4054: 4047: 4040: 4033: 4030:Down That Road 4026: 4023:Safe from Harm 4019: 4012: 4005: 3997: 3995: 3989: 3988: 3986: 3985: 3977: 3975: 3969: 3968: 3966: 3965: 3957: 3951: 3943: 3934: 3932: 3926: 3925: 3923: 3922: 3914: 3905: 3903: 3897: 3896: 3889: 3888: 3881: 3874: 3866: 3857: 3856: 3854: 3853: 3851:The Wild Bunch 3848: 3843: 3837: 3835: 3831: 3830: 3828: 3827: 3820: 3813: 3805: 3803: 3799: 3798: 3796: 3795: 3788: 3781: 3774: 3767: 3760: 3757:Inertia Creeps 3753: 3746: 3739: 3732: 3725: 3718: 3711: 3708:Safe from Harm 3704: 3697: 3689: 3687: 3683: 3682: 3680: 3679: 3672: 3665: 3657: 3655: 3654:Extended plays 3651: 3650: 3648: 3647: 3640: 3632: 3630: 3626: 3625: 3623: 3622: 3614: 3612: 3608: 3607: 3605: 3604: 3597: 3590: 3583: 3576: 3568: 3566: 3562: 3561: 3559: 3558: 3553: 3548: 3543: 3538: 3533: 3527: 3526: 3519: 3512: 3504: 3501: 3500: 3497:Massive Attack 3493: 3492: 3485: 3478: 3470: 3464: 3463: 3457: 3442: 3439: 3436: 3435: 3417: 3391: 3380:. 27 June 2000 3365: 3343: 3327: 3311: 3295: 3283: 3271: 3255: 3243: 3231: 3215: 3203: 3172: 3160: 3148: 3136: 3124: 3109: 3100:Massive Attack 3091: 3058: 3017: 2992: 2985: 2958: 2926: 2896: 2882: 2851: 2826: 2795: 2788: 2746: 2721: 2690: 2643: 2618: 2583: 2552: 2524: 2493: 2486: 2449: 2421: 2392: 2385: 2353: 2328: 2300: 2269: 2238: 2207: 2175: 2174: 2172: 2169: 2166: 2165: 2155: 2154: 2152: 2149: 2146: 2145: 2137: 2136: 2133: 2130: 2122: 2121: 2118: 2115: 2107: 2106: 2100: 2097: 2084: 2083:Certifications 2081: 2077: 2076: 2070: 2069: 2066: 2062: 2061: 2058: 2045: 2042: 2040: 2037: 2036: 2033: 2022: 2021: 2018: 2007: 2006: 2003: 1992: 1991: 1988: 1983:Swiss Albums ( 1980: 1979: 1976: 1968: 1967: 1964: 1953: 1952: 1949: 1941: 1940: 1937: 1929: 1928: 1925: 1917: 1916: 1913: 1905: 1904: 1901: 1888: 1887: 1884: 1879:Dutch Albums ( 1876: 1875: 1872: 1864: 1863: 1860: 1852: 1851: 1848: 1840: 1839: 1836: 1828: 1827: 1822: 1809: 1806: 1801: 1799: 1796: 1795: 1794: 1791: 1785: 1782: 1776: 1768: 1765: 1763: 1762: 1756: 1750: 1741: 1735: 1729: 1723: 1717: 1711: 1707: 1705: 1702: 1700: 1699: 1693: 1684: 1675: 1666: 1660: 1654: 1648: 1639: 1629: 1627: 1624: 1622: 1621: 1615: 1609: 1603: 1594: 1588: 1582: 1573: 1567: 1559:) – recording 1552: 1550: 1547: 1538: 1535: 1531: 1530: 1527: 1521: 1520: 1517: 1515: 1514: 1511: 1506: 1503: 1500: 1496: 1494: 1491: 1487: 1486: 1483: 1481: 1480: 1477: 1474: 1473:Larry Brownlee 1471: 1468: 1465: 1462: 1459: 1455: 1453: 1450: 1446: 1445: 1442: 1440: 1439: 1436: 1431: 1428: 1425: 1421: 1419: 1412: 1408: 1407: 1404: 1402: 1401: 1398: 1396:Jonathan Sharp 1393: 1390: 1387: 1383: 1381: 1374: 1370: 1369: 1366: 1364: 1363: 1360: 1357: 1354: 1351: 1347: 1345: 1342: 1338: 1337: 1334: 1329: 1322: 1318: 1317: 1314: 1312: 1311: 1306: 1303: 1300: 1296: 1294: 1291: 1287: 1286: 1283: 1281: 1280: 1275: 1272: 1269: 1266: 1262: 1260: 1257: 1253: 1252: 1249: 1247: 1246: 1244:William Cobham 1241: 1236: 1231: 1226: 1220: 1218: 1215:Safe from Harm 1211: 1207: 1206: 1203: 1200: 1197: 1189: 1187: 1184: 992:postindustrial 951:, hip-hop and 913: 912: 909: 901: 900: 897: 889: 888: 859: 851: 850: 821: 813: 812: 809: 801: 800: 797: 789: 788: 759: 751: 750: 721: 713: 712: 709: 701: 700: 671: 665: 664: 661: 657: 656: 646: 643: 623:Simon Reynolds 556: 553: 505:Herbie Hancock 485:concept albums 469:The Wild Bunch 465:Safe from Harm 451:"We worked on 448: 445: 321:Virgin Records 313:Massive Attack 298: 297: 294: 293: 291: 290: 277: 270:Safe from Harm 264: 251: 237: 234: 233: 223: 222: 219: 218: 215: 214: 205: 196: 189: 188: 185:Massive Attack 181: 180: 179: 178: 173: 172:Massive Attack 168: 162: 161: 160: 159: 154: 147: 141: 140: 129: 125: 124: 122: 121: 116: 110: 108: 102: 101: 100: 99: 96: 90: 87: 84: 75: 71: 70: 67: 63: 62: 52: 48: 47: 44:Massive Attack 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 4247: 4236: 4233: 4231: 4228: 4226: 4223: 4221: 4218: 4217: 4215: 4200: 4197: 4195: 4192: 4191: 4189: 4185: 4179: 4176: 4174: 4171: 4169: 4166: 4164: 4161: 4159: 4156: 4154: 4151: 4149: 4148:Saint Etienne 4146: 4144: 4141: 4139: 4136: 4135: 4133: 4129: 4122: 4118: 4115: 4111: 4108: 4104: 4101: 4097: 4094: 4090: 4087: 4083: 4080: 4076: 4073: 4069: 4066: 4062: 4059: 4055: 4052: 4048: 4045: 4041: 4038: 4034: 4031: 4027: 4024: 4020: 4017: 4013: 4010: 4006: 4003: 3999: 3998: 3996: 3994: 3990: 3983: 3979: 3978: 3976: 3974: 3970: 3963: 3962: 3958: 3955: 3952: 3949: 3948: 3944: 3941: 3940: 3936: 3935: 3933: 3931: 3927: 3920: 3919: 3918:Friendly Fire 3915: 3912: 3911: 3907: 3906: 3904: 3902: 3898: 3894: 3887: 3882: 3880: 3875: 3873: 3868: 3867: 3864: 3852: 3849: 3847: 3844: 3842: 3839: 3838: 3836: 3832: 3826: 3825: 3821: 3819: 3818: 3817:Danny the Dog 3814: 3811: 3807: 3806: 3804: 3800: 3793: 3789: 3786: 3782: 3779: 3775: 3772: 3768: 3765: 3764:Special Cases 3761: 3758: 3754: 3751: 3747: 3744: 3740: 3737: 3733: 3730: 3726: 3723: 3719: 3716: 3712: 3709: 3705: 3702: 3698: 3695: 3691: 3690: 3688: 3684: 3678: 3677: 3673: 3671: 3670: 3669:Ritual Spirit 3666: 3664: 3663: 3659: 3658: 3656: 3652: 3646: 3645: 3641: 3639: 3638: 3637:Singles 90/98 3634: 3633: 3631: 3627: 3621: 3620: 3619:No Protection 3616: 3615: 3613: 3609: 3603: 3602: 3598: 3596: 3595: 3591: 3589: 3588: 3584: 3582: 3581: 3577: 3575: 3574: 3570: 3569: 3567: 3565:Studio albums 3563: 3557: 3554: 3552: 3549: 3547: 3544: 3542: 3539: 3537: 3534: 3532: 3529: 3528: 3525: 3524: 3520: 3518: 3517: 3513: 3511: 3510: 3506: 3505: 3502: 3498: 3491: 3486: 3484: 3479: 3477: 3472: 3471: 3468: 3460: 3454: 3450: 3445: 3444: 3431: 3427: 3421: 3406: 3402: 3395: 3379: 3376:(in French). 3375: 3369: 3353: 3347: 3340: 3336: 3331: 3324: 3320: 3315: 3308: 3304: 3299: 3292: 3287: 3280: 3275: 3268: 3264: 3259: 3252: 3247: 3240: 3235: 3228: 3225:(in German). 3224: 3219: 3212: 3207: 3199: 3195: 3191: 3190: 3182: 3176: 3169: 3164: 3157: 3152: 3145: 3140: 3133: 3128: 3120: 3113: 3105: 3101: 3095: 3079: 3075: 3074: 3069: 3062: 3046: 3042: 3038: 3034: 3033: 3028: 3021: 3006: 3002: 2996: 2988: 2982: 2978: 2974: 2973: 2968: 2962: 2946: 2942: 2941: 2940:Rolling Stone 2936: 2930: 2914: 2910: 2906: 2900: 2885: 2883:0-312-24560-2 2879: 2875: 2871: 2870: 2865: 2861: 2855: 2847: 2843: 2839: 2838: 2830: 2822: 2818: 2814: 2813: 2808: 2802: 2800: 2791: 2789:0-7432-0169-8 2785: 2781: 2777: 2773: 2772: 2767: 2763: 2759: 2753: 2751: 2742: 2738: 2734: 2733: 2725: 2710: 2709: 2704: 2697: 2695: 2678: 2674: 2670: 2666: 2665: 2660: 2656: 2650: 2648: 2639: 2635: 2631: 2630: 2622: 2606: 2605: 2600: 2596: 2590: 2588: 2572: 2571: 2570:The A.V. Club 2566: 2559: 2557: 2541: 2540: 2535: 2528: 2513: 2509: 2502: 2500: 2498: 2489: 2487:0-609-80503-7 2483: 2479: 2475: 2470: 2469: 2463: 2456: 2454: 2438: 2437: 2432: 2425: 2409: 2408: 2403: 2396: 2388: 2386:0-316-74111-6 2382: 2378: 2373: 2372: 2366: 2360: 2358: 2349: 2345: 2341: 2340: 2332: 2316: 2315: 2310: 2304: 2288: 2287: 2282: 2276: 2274: 2257: 2256: 2255:Rolling Stone 2251: 2245: 2243: 2227:. 31 May 2012 2226: 2225: 2224:Rolling Stone 2220: 2214: 2212: 2203: 2199: 2195: 2194: 2189: 2183: 2181: 2176: 2160: 2156: 2144: 2138: 2134: 2131: 2128: 2123: 2119: 2116: 2113: 2108: 2104: 2099:Certification 2094: 2091: 2075: 2067: 2063: 2057:Chart (1999) 2055: 2052: 2041: 2031: 2027: 2023: 2016: 2012: 2008: 2001: 1997: 1993: 1986: 1981: 1974: 1969: 1962: 1958: 1954: 1947: 1942: 1935: 1930: 1923: 1918: 1911: 1906: 1902: 1899: 1898: 1893: 1889: 1882: 1881:Album Top 100 1877: 1870: 1865: 1858: 1853: 1846: 1841: 1837: 1834: 1829: 1819: 1816: 1808:Weekly charts 1805: 1804: 1792: 1789: 1786: 1783: 1781:– art, design 1780: 1779:"3D" Del Naja 1777: 1774: 1771: 1770: 1757: 1751: 1745: 1742: 1739:(tracks 3, 5) 1736: 1733:(tracks 2, 8) 1730: 1724: 1721: 1720:Cameron McVey 1718: 1715: 1712: 1709: 1708: 1694: 1688: 1685: 1679: 1676: 1670: 1667: 1661: 1655: 1649: 1643: 1640: 1634: 1631: 1630: 1616: 1610: 1604: 1598: 1595: 1592:(tracks 4, 7) 1589: 1586:(tracks 3, 5) 1583: 1580:(tracks 2, 7) 1577: 1574: 1568: 1558: 1555:Coach House ( 1554: 1553: 1546: 1544: 1528: 1525:Total length: 1522: 1518: 1512: 1510: 1507: 1504: 1501: 1498: 1497: 1495: 1492: 1488: 1484: 1479:Fred E. Simon 1478: 1476:Jeffrey Simon 1475: 1472: 1469: 1466: 1463: 1460: 1457: 1456: 1454: 1451: 1447: 1443: 1437: 1435: 1434:Wally Badarou 1432: 1429: 1426: 1423: 1422: 1420: 1417: 1413: 1409: 1405: 1399: 1397: 1394: 1391: 1388: 1385: 1384: 1382: 1379: 1375: 1371: 1367: 1361: 1358: 1355: 1352: 1349: 1348: 1346: 1343: 1339: 1335: 1333: 1330: 1327: 1323: 1319: 1315: 1310: 1307: 1304: 1301: 1298: 1297: 1295: 1292: 1288: 1284: 1279: 1276: 1273: 1270: 1267: 1264: 1263: 1261: 1258: 1254: 1250: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1229:Andrew Vowles 1227: 1225: 1222: 1221: 1219: 1216: 1212: 1208: 1192: 1186:Track listing 1183: 1181: 1176: 1175:repetition." 1174: 1170: 1166: 1162: 1158: 1153: 1151: 1147: 1143: 1139: 1136:. The track " 1135: 1134: 1129: 1128: 1123: 1116: 1115: 1114:Rolling Stone 1109: 1108: 1103: 1099: 1098: 1093: 1089: 1085: 1080: 1078: 1073: 1066: 1065: 1060: 1059: 1058:The A.V. Club 1054: 1053: 1048: 1044: 1040: 1036: 1035: 1030: 1027:According to 1025: 1023: 1019: 1014: 1012: 1008: 1004: 1003:1992 ceremony 1000: 996: 993: 989: 985: 981: 977: 973: 972: 967: 960: 959: 954: 950: 946: 942: 938: 934: 930: 926: 925: 920: 910: 908: 907: 903: 902: 898: 896: 895: 891: 890: 860: 858: 857: 853: 852: 822: 820: 819: 815: 814: 810: 808: 807: 803: 802: 798: 796: 795: 791: 790: 760: 758: 757: 753: 752: 722: 720: 719: 715: 714: 710: 708: 707: 706:The A.V. Club 703: 702: 672: 670: 667: 666: 658: 655:Review scores 653: 642: 640: 636: 632: 628: 624: 620: 616: 612: 608: 604: 600: 596: 595:Bristol sound 592: 588: 584: 581: 577: 573: 569: 565: 561: 552: 550: 549: 544: 540: 534: 532: 528: 524: 518: 516: 512: 510: 506: 502: 501:Wally Badarou 498: 494: 490: 486: 482: 478: 474: 473:sound systems 470: 466: 462: 458: 454: 444: 441: 439: 438: 433: 426: 425: 424:Rolling Stone 420: 419: 414: 410: 409: 404: 400: 396: 392: 390: 386: 382: 378: 374: 370: 366: 362: 358: 354: 350: 346: 342: 338: 334: 330: 326: 322: 318: 314: 310: 306: 305: 295: 284: 278: 271: 265: 258: 252: 245: 239: 238: 235: 232: 228: 224: 220: 211: 210: 206: 202: 201: 197: 195: 194: 190: 186: 182: 177: 174: 171: 170: 169: 167: 163: 158: 155: 153: 150: 149: 148: 146: 142: 130: 126: 120: 117: 115: 112: 111: 109: 107: 103: 97: 94: 91: 88: 85: 82: 79:Coach House ( 78: 77: 76: 72: 68: 64: 53: 49: 45: 40: 36: 32: 27: 22: 16: 4178:Doug Wimbish 4158:David Arnold 4121:Go That Deep 4100:Hari Up Hari 4086:Black Island 3959: 3953: 3945: 3938: 3937: 3930:Other albums 3916: 3908: 3893:Shara Nelson 3822: 3815: 3778:Live with Me 3674: 3667: 3660: 3642: 3635: 3617: 3611:Remix albums 3599: 3594:100th Window 3592: 3585: 3578: 3572: 3571: 3546:Neil Davidge 3541:Tracey Thorn 3536:Shara Nelson 3521: 3514: 3507: 3448: 3441:Bibliography 3420: 3408:. Retrieved 3394: 3384:17 September 3382:. Retrieved 3368: 3356:. Retrieved 3346: 3330: 3314: 3298: 3286: 3274: 3258: 3246: 3234: 3218: 3206: 3187: 3175: 3163: 3151: 3139: 3127: 3118: 3112: 3103: 3094: 3082:. Retrieved 3071: 3061: 3049:. Retrieved 3045:the original 3030: 3020: 3008:. Retrieved 2995: 2971: 2967:McIver, Joel 2961: 2949:. Retrieved 2945:the original 2938: 2929: 2917:. Retrieved 2913:the original 2899: 2887:. Retrieved 2868: 2854: 2835: 2829: 2810: 2770: 2730: 2724: 2712:. Retrieved 2706: 2681:. Retrieved 2677:the original 2662: 2655:Fadele, Dele 2627: 2621: 2609:. Retrieved 2604:The Guardian 2602: 2574:. Retrieved 2568: 2543:. Retrieved 2537: 2527: 2515:. Retrieved 2506:Bush, John. 2472:. New York: 2467: 2440:. Retrieved 2434: 2424: 2412:. Retrieved 2407:The Observer 2405: 2395: 2370: 2337: 2331: 2319:. Retrieved 2312: 2303: 2291:. Retrieved 2284: 2260:. Retrieved 2253: 2229:. Retrieved 2222: 2193:Melody Maker 2191: 2188:Arundel, Jim 2159: 2140: 2132:2Γ— Platinum 2089: 2073: 2050: 1895: 1814: 1714:Jonny Dollar 1687:Neneh Cherry 1678:Gavyn Wright 1633:Shara Nelson 1576:Konk Studios 1542: 1540: 1509:Neneh Cherry 1309:Adrian Thaws 1293:"Blue Lines" 1239:Shara Nelson 1177: 1154: 1131: 1125: 1112: 1105: 1097:The Guardian 1095: 1083: 1081: 1076: 1071: 1062: 1056: 1052:The Guardian 1050: 1042: 1038: 1032: 1031:in the 2004 1026: 1021: 1015: 1006: 971:Melody Maker 969: 956: 936: 922: 918: 916: 904: 892: 854: 816: 804: 792: 754: 718:The Guardian 716: 704: 630: 627:meditational 603:club culture 559: 558: 546: 536: 523:Neneh Cherry 520: 513: 497:Billy Cobham 452: 450: 442: 435: 422: 416: 408:The Guardian 406: 394: 393: 356: 345:Shara Nelson 341:Jonny Dollar 303: 302: 301: 230: 207: 199: 198: 176:Jonny Dollar 39:Studio album 15: 4114:Nobody Else 4009:Daydreaming 3901:Solo albums 3841:Discography 3694:Daydreaming 3551:Horace Andy 3410:28 December 3051:20 December 3005:BBC Radio 2 2909:Brit Awards 2778:. pp.  2517:4 September 2476:. pp.  2462:Light, Alan 2231:5 September 1773:Blame: Judy 1642:Horace Andy 1470:Gus Redmond 1416:Daydreaming 1278:Horace Andy 1165:Andy Warhol 1157:chill music 1142:BBC Radio 2 1120:s list of " 999:Brit Awards 929:Dele Fadele 607:rare groove 555:Composition 531:dance music 509:Isaac Hayes 430:s list of " 415:. In 2000, 349:Horace Andy 244:Daydreaming 231:Blue Lines 89:Cherry Bear 4214:Categories 4173:Little Axe 4138:Wild Bunch 4058:Inside Out 3939:Blue Lines 3810:I Want You 3792:The Spoils 3785:Four Walls 3722:Protection 3601:Heligoland 3580:Protection 3573:Blue Lines 3405:Music Week 3104:Blue Lines 3084:7 December 3010:2 December 2714:5 December 2683:23 January 2611:6 December 2576:5 December 2545:5 February 2442:13 October 2414:13 October 2321:1 November 2293:2 December 2171:References 2090:Blue Lines 2051:Blue Lines 1871:Wallonia) 1859:Flanders) 1845:Γ–3 Austria 1815:Blue Lines 1669:Wil Malone 1543:Blue Lines 1259:"One Love" 1173:trancelike 1102:Classic FM 1084:Blue Lines 1077:Blue Lines 1072:Blue Lines 1049:wrote for 1043:Blue Lines 1039:Blue Lines 1022:Blue Lines 1007:Blue Lines 953:space-rock 943:, reggae, 937:Blue Lines 919:Blue Lines 631:Blue Lines 611:breakbeats 560:Blue Lines 489:Pink Floyd 453:Blue Lines 447:Background 413:Classic FM 395:Blue Lines 365:breakbeats 357:Blue Lines 317:Wild Bunch 304:Blue Lines 209:Protection 200:Blue Lines 187:chronology 152:Wild Bunch 93:Abbey Road 58:1991-04-08 24:Blue Lines 4107:Right Now 3736:Risingson 3729:Karmacoma 3644:Collected 3587:Mezzanine 3073:Billboard 3041:1534-0554 2919:8 January 2846:1368-0722 2821:0959-8367 2758:Kot, Greg 2741:0955-4955 2708:Pitchfork 2673:0028-6362 2638:1351-0193 2348:0959-8367 2286:Pitchfork 2262:24 August 2202:0025-9012 2060:Position 1996:UK Albums 1826:position 1748:(track 6) 1704:Technical 1697:(track 9) 1691:(track 9) 1682:(track 6) 1680:– leader 1673:(track 6) 1664:(track 4) 1658:(track 3) 1644:– vocals 1635:– vocals 1626:Musicians 1613:(track 9) 1607:(track 7) 1601:(track 6) 1565:(track 8) 1563:; mixing 1537:Personnel 1202:Writer(s) 1150:McCartney 1146:Bacharach 1127:Pitchfork 1092:Channel 4 1082:In 1997, 1064:Pitchfork 976:Jim Irvin 949:classical 806:Pitchfork 645:Reception 457:World Cup 437:Pitchfork 403:Channel 4 363:(such as 355:" album, 69:1990–1991 4123:" (2008) 4116:" (2004) 4109:" (2003) 4102:" (2003) 4095:" (1999) 4088:" (1999) 4081:" (1998) 4074:" (1996) 4067:" (1995) 4060:" (1994) 4053:" (1994) 4046:" (1994) 4025:" (1991) 4018:" (1991) 4011:" (1990) 4004:" (1986) 3984:" (1996) 3834:See also 3743:Teardrop 3198:29800226 3102:(1991). 3078:Archived 2951:18 March 2889:18 March 2862:(2000). 2768:(eds.). 2607:. London 2512:AllMusic 2410:. 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Index


Studio album
Massive Attack
Bristol
Abbey Road
Genre
Trip hop
British hip hop
Label
Wild Bunch
Virgin
Producer
Jonny Dollar
Massive Attack
Protection
Singles
Daydreaming
Unfinished Sympathy
Safe from Harm
Be Thankful for What You've Got
electronic music
Massive Attack
Wild Bunch
Virgin Records
Grantley "Daddy G" Marshall
Robert "3D" Del Naja
Adrian "Tricky" Thaws
Andrew "Mushroom" Vowles
Jonny Dollar
Shara Nelson

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