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428:", which moves Frank to tears. Afterwards, he and his gang take Jeffrey and Dorothy on a high-speed joyride to a sawmill yard, where he again attempts to sexually abuse Dorothy. When Jeffrey intervenes and punches him in the face, an enraged Frank and his gang pull him out of the car. Replaying the tape of "In Dreams", Frank smears lipstick on his face and violently kisses Jeffrey. Frank then has Jeffrey restrained and beats him unconscious, while Dorothy pleads for Frank to stop. Jeffrey awakens the next morning, bruised and bloodied.
377:, after his father, Tom, has a near-fatal attack from a medical condition. Walking home from the hospital, Jeffrey cuts through a vacant lot and discovers a severed human ear, which he takes to police detective John Williams. Williams' daughter Sandy tells Jeffrey that the ear somehow relates to a lounge singer named Dorothy Vallens. Intrigued, Jeffrey enters her apartment by posing as an exterminator. While there, he steals a spare key while she is distracted by a man in a distinctive yellow
753:, which also provided the exterior scenes of Lumberton. The scene with a raped and battered Dorothy proved to be particularly challenging. Several townspeople arrived to watch the filming with picnic baskets and rugs, against the wishes of Rossellini and Lynch. However, they continued filming as normal, and when Lynch yelled cut, the townspeople had left. As a result, police told Lynch they were no longer permitted to shoot in any public areas of Wilmington.
1375:, for its dark depiction of a suburban America. With its many VHS, LaserDisc and DVD releases, the film reached broader American audiences. It marked David Lynch's entry into the Hollywood mainstream and Dennis Hopper's comeback. Hopper's performance as Frank Booth has itself left an imprint on popular culture, with countless tributes, cultural references and parodies. The film's success also helped Hollywood address previously censored issues, as
638:. I went home and thought of the ear in the field." Production was announced in August 1984. Lynch wrote two more drafts before he was satisfied with the script of the film. The problem with them, Lynch has said, was that "there was maybe all the unpleasantness in the film but nothing else. A lot was not there. And so it went away for a while." Conditions at this point were ideal for Lynch's film: he had made a deal with
935:. The most consistent symbolism in the film is an insect motif introduced at the end of the first scene, when the camera zooms in on a well-kept suburban lawn until it unearths a swarming underground nest of bugs. This is generally recognized as a metaphor for the seedy underworld that Jeffrey will soon discover under the surface of his own suburban paradise. The severed ear he finds is being overrun by black
333:, it was credited for revitalizing Hopper's career and for providing Rossellini with a dramatic outlet beyond her previous work as a fashion model and a cosmetics spokeswoman. In the years since, the film has been re-evaluated, and it is now widely regarded as one of Lynch's major works and one of the greatest films of the 1980s. Publications including
774:. For example, when Frank slaps Dorothy after the first rape scene, the audience was supposed to see Frank actually hitting her. Instead, the film cuts away to Jeffrey in the closet, wincing at what he has just seen. This cut was made to satisfy the MPAA's concerns about violence, though Lynch thought that the change made the scene more disturbing.
1220:: "degraded, slapped around, humiliated and undressed in front of the camera. And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film." While Ebert in later years came to consider Lynch a great filmmaker, his negative view of
31:
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family—"the child", Jeffrey
Beaumont, and his "parents", Frank Booth and Dorothy Vallens—through deliberate references to film noir. Michael Atkinson claims that the resulting violence in the film can be read as symbolic of domestic violence within real families. He reads Jeffrey as an innocent youth
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Because the material was completely different from anything that would be considered mainstream at the time, De
Laurentiis Entertainment Group's marketing employees were unsure of how to promote the film, or even if it would be promoted at all; it wasn't until the positive reception the film received
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The scene in which
Dorothy appears naked outside was inspired by a real-life experience Lynch had during childhood when he and his brother saw a naked woman walking down a neighborhood street at night. The experience was so traumatic to the young Lynch that it made him cry, and he had never forgotten
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has been frequently compared to that ground-breaking film. It has become one of the most significant, well-recognized films of its era, spawning countless imitations and parodies in media. The film's dark, stylish and erotic production design has served as a benchmark for a number of films, parodies
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walked out on the film and gave the film a poor review upon its release, but revised his view of the film over time. In 2016, he remarked, "as a film critic, it taught me that when a film really gets under your skin and really provokes a visceral reaction, you have to be very careful about assessing
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based on 80 reviews with an average rating of 8.8/10. The website's critical consensus states: "If audiences walk away from this subversive, surreal shocker not fully understanding the story, they might also walk away with a deeper perception of the potential of film storytelling." The film also has
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approach to the film, considering it to be an expression of the traumatised innocence which characterises Lynch's work. He states, "Dorothy represents the sexual force of the mother because she is forbidden and because she becomes the object of the unhealthy, infantile impulses at work in
Jeffrey's
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establishes Lynch's famous "askew vision" and introduces several common elements of his work, some of which would later become his trademarks, including distorted characters, a polarized world, and debilitating damage to the skull or brain. Perhaps the most significant
Lynchian trademark in the film
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now frequently appears in various critical assessments of all-time great films, also ranked as one of the greatest films of the 1980s, one of the best examples of
American surrealism and one of the finest examples of David Lynch's work. In a poll of 54 American critics ranking the "most outstanding
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on
September 12, 1986, and a few days later in the United States. It debuted commercially in both countries on September 19, 1986, in 98 theatres across the United States. In its opening weekend, the film grossed a total of $ 789,409. It eventually expanded to another 15 theatres, and in the US and
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The
Carolina Apartments in downtown Wilmington served as Dorothy's apartment building, with the adjacent Kenan fountain featured prominently in many shots. The building is also the birth place and death place of noted artist Claude Howell. The apartment building stands today, and the Kenan fountain
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The second idea was an image of a severed, human ear lying in a field. "I don't know why it had to be an ear. Except it needed to be an opening of a part of the body, a hole into something else ... The ear sits on the head and goes right into the mind so it felt perfect," Lynch remarked in a
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directed much praise toward the performances of Hopper and
Rossellini: "Mr. Hopper and Miss Rossellini are so far outside the bounds of ordinary acting here that their performances are best understood in terms of sheer lack of inhibition; both give themselves entirely over to the material, which
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to say he is in the bedroom (to distract Frank, who has a police radio) before hiding in the closet. When Frank arrives, he starts shooting around the apartment, in the process killing Gordon. Frank deduces where
Jeffrey is hiding, and Jeffrey kills Frank with Gordon's gun upon Frank opening the
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is the unearthing of a dark underbelly in a seemingly idealized small town; Jeffrey even proclaims in the film that he is "seeing something that was always hidden". Lynch's characterization of films, symbols, and motifs have become well known, and his particular style, characterised largely in
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script, but did not think it was something he wanted to produce. He asked Lynch if the filmmaker had any other scripts, but the director only had ideas. "I told him I had always wanted to sneak into a girl's room to watch her into the night and that, maybe, at one point or another, I would see
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When Dorothy calls Jeffrey "my secret lover", a distraught Sandy slaps him for cheating on her. Jeffrey asks Sandy to tell her father everything, and Detective Williams then leads a police raid on Frank's headquarters, killing Frank's men. Jeffrey returns alone to Dorothy's apartment, where he
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said "the film showcases a visual stylist utterly in command of his talents" and that Angelo Badalamenti "contributes an extraordinary score, slipping seamlessly from slinky jazz to violin figures to the romantic sweep of a classic Hollywood score," but stated that Lynch "isn't interested in
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for Frank to sell. After Jeffrey and Sandy declare their love for each other at a party, they are pursued by a car which they assume belongs to Frank; as they arrive at Jeffrey's home, Sandy realizes the driver is her ex-boyfriend, Mike. After Mike threatens to beat Jeffrey for stealing his
571:. We were in the woods all the time. I'd sorta had enough of the woods by the time I left, but still, lumber and lumberjacks, all this kinda thing, that's America to me like the picket fences and the roses in the opening shot. It's so burned in, that image, and it makes me feel so happy.
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for the first time, has been written about extensively using descriptions like "dreamlike", "ultraweird", "dark", and "oddball". Red curtains also appear in key scenes, specifically in Dorothy's apartment, which have since become a Lynch trademark. The film has been compared to
1216:, stated that the large amount of "jokey small-town satire" in the film made it impossible to take its themes seriously. Ebert praised Rossellini's performance as "convincing and courageous" but criticized how she was depicted in the film, even accusing David Lynch of
954:
The severed ear that Jeffrey discovers is also a key symbolic element, leading Jeffrey into danger. Indeed, just as Jeffrey's troubles begin, the audience is treated to a nightmarish sequence in which the camera zooms into the canal of the severed, decomposing ear.
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was met with uproar during its audience reception, with lines formed around city blocks in New York City and Los Angeles. There were reports of mass walkouts and refund demands during its opening week. At a Chicago screening, a man fainted and had to have his
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gangster and drug lord, arrives and interrupts their encounter. Frank beats and rapes Dorothy while inhaling gas from a canister, alternating between fits of sobbing and violent rage. After Frank leaves, Jeffrey sneaks away and seeks comfort from Sandy.
415:
When Frank catches Jeffrey leaving Dorothy's apartment, he abducts them and takes them to the lair of Ben, a criminal associate holding Don and Donnie hostage. Frank permits Dorothy to see her family and forces Jeffrey to watch Ben perform an impromptu
441:
discovers Don dead and Gordon mortally wounded. As Jeffrey leaves the apartment, the "Well-Dressed Man" arrives, sees Jeffrey in the stairs, and chases him back inside. Realizing that the "Well-Dressed Man" is Frank in disguise, Jeffrey uses Gordon's
276:. The film concerns a young college student who, returning home to visit his ill father, discovers a severed human ear in a field. The ear then leads him to uncover a vast criminal conspiracy and enter into a romantic relationship with a troubled
810:"I guess it means there's trouble until the robins come": Throughout the film, a dream Sandy had is alluded to, in which the world was full of darkness and turmoil until a group of robins were set free, unleashing blinding light and love.
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magazine listed Frank Booth, played by Dennis Hopper, as the 54th on its list of 'The 100 Greatest Movie Characters of All Time', calling him one of "the most monstrously funny creations in cinema history". The film was ranked 84th on
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1650:: "Lana Del Rey, she's got some fantastic charisma and—this is a very interesting thing—it's like she's born out of another time. She's got something that's very appealing to people. And I didn't know she was influenced by me!"
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Lynch's original rough cut ran for approximately four hours. He was contractually obligated to deliver a two-hour movie by De Laurentiis and cut many small subplots and character scenes. He also made cuts at the request of the
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has weathered the passage of time better than any other Oscar nominee that year, possibly better than any Hollywood movie of its decade. The shock of the new fades by definition, but if it has hardly done so in the case of
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for the first time in this film and asked him to write a score that had to be "like Shostakovich, be very Russian, but make it the most beautiful thing but make it dark and a little bit scary." Badalamenti's success with
1034:, at the 100th position. Critic John Alexander wrote, "the haunting soundtrack accompanies the title credits, then weaves through the narrative, accentuating the noir mood of the film." Lynch worked with music composer
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checked. Upon completion, he returned to the cinema to see the ending. At a Los Angeles cinema, two strangers became engaged in a heated disagreement, but decided to resolve the disagreement to return to the theatre.
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soon became the center of a "national firestorm" in 1986, and over time became regarded as an American classic. In the late 1980s, and early 1990s, after its release on videotape, the film became a widely recognized
865:(1960) because of its stark treatment of evil and mental illness. The premise of both films is curiosity, leading to an investigation that draws the lead characters into a hidden, voyeuristic underworld of crime.
698:. MacLachlan later became a recurring collaborator with Lynch, who remarked: "Kyle plays innocents who are interested in the mysteries of life. He's the person you trust enough to go into a strange world with."
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While visiting the police station, Jeffrey discovers that the Yellow Man is Detective Williams's partner Tom Gordon, who has been murdering Frank's rival drug dealers and stealing confiscated narcotics from the
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388:", and leave early so Jeffrey can infiltrate her apartment. Dorothy returns home and undresses; she finds Jeffrey hiding in a closet and forces him to strip at knifepoint, but he retreats to the closet when
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that gave him complete artistic freedom and final cut privileges, with the stipulation that the filmmaker take a cut in his salary and work with a budget of only $ 6 million. This deal meant that
685:—the agency representing Rossellini—immediately dropped her as a client. Furthermore, the nuns at the school in Rome that Rossellini attended in her youth called to say they were praying for her.
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had been passed around multiple times in the late 1970s and early 1980s, with several major studios declining it due to its strong sexual and violent content. After the failure of his 1984 film
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initially received a divided critical response, with many stating that its explicit content served little artistic purpose. Nevertheless, the film earned Lynch his second nomination for the
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s approach to sexuality and violence. They asserted that this detracted from the film's seriousness as a work of art, and some condemned the film as pornographic. One of its detractors,
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that Frank wears and Jeffrey's exterminator disguise. One of Frank's accomplices is also consistently identified through the yellow jacket he wears, possibly referencing the name of a
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called the film "the most brilliantly disturbing film ever to have its roots in small-town American life," describing it as "shocking, visionary, rapturously controlled". Film critic
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communicating, he's interested in parading his personality. The movie doesn't progress or deepen, it just gets weirder, and to no good end." A general criticism from US critics was
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girlfriend, Dorothy appears on Jeffrey's porch naked, beaten, and confused. Mike backs down as Jeffrey and Sandy whisk Dorothy to Sandy's house to summon medical attention.
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1142:"is as fascinating as it is freakish" and "confirms Mr. Lynch's stature as an innovator, a superb technician, and someone best not encountered in a dark alley."
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during the scene in which Sandy and Jeffrey share a dance; however, he could not obtain the rights for the song at the time. He would go on to use this song in
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997:. During filming, Lynch placed speakers on set and in streets and played Shostakovich to set the mood he wanted to convey. The score alludes to Shostakovich's
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as Jeffrey's college sweetheart Louise Wertham, whose entire role was cut from the theatrical release. The final cut of the film runs at just over two hours.
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review, critic Philip French wrote, "The film is wearing well and has attained a classic status without becoming respectable or losing its sense of danger."
977:(who makes a brief cameo appearance as the pianist at the Slow Club where Dorothy performs). The soundtrack makes heavy usage of vintage pop songs, such as
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I was down so far that anything was up! So it was just a euphoria. And when you work with that kind of feeling, you can take chances. You can experiment."
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as one of the all-time best films in both a critics' list and a public poll, in 2006 and 2007, respectively. In December 2002, a UK film critics' poll in
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1546:(2004). It is frequently sampled musically and an array of bands and solo artists have taken their names and inspiration from the film. In August 2012,
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is a strong symbolic aspect of the film, illustrated in this second shot which is lit from above before fading out, representing a return to normality.
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Some time later, Jeffrey and Sandy have continued their relationship, Tom Beaumont has recovered, and Dorothy has been reunited with her son.
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who is both horrified by the violence inflicted by Frank and tempted by it as the means of possessing Dorothy for himself. Atkinson takes a
892:(1955) and the entire notion of film noir. Lynch has called it a "film about things that are hidden—within a small city and within people."
1366:
Although it initially gained a relatively small theatrical audience in North America and was met with controversy over its artistic merit,
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has stated that Frank was written with him in mind)—accepted the role, reportedly having exclaimed, "I've got to play Frank! I am Frank!".
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because it was a bad film. I walked out on it because it was a really good film. The point was at the time I wasn't good enough for it."
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The film's story originated from three ideas that crystallized in the filmmaker's mind over a period of time starting as early as 1973.
404:, Jeffrey suspects that Frank cut off Don's ear to intimidate her into submission. While continuing to see Sandy, Jeffrey enters into a
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relationship with Dorothy, in which she encourages him to hit her. Jeffrey sees Frank attending Dorothy's show and later observes him
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1663:, was directly inspired by the film, and specifically the character of Frank Booth. The same phrase appeared in the liner notes of
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Laura Dern, then 18 years old, was cast as Sandy after several already-successful actresses turned the role down; among these was
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digital restoration, the original stereo soundtrack and other special features, including a behind-the-scenes documentary titled
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was the smallest film on De Laurentiis's slate. Consequently, Lynch would be left mostly unsupervised during production. "After
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was released to a very polarized reception in the United States. The critics who did praise the film were often vociferous.
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was offered a role in the film, but he turned it down as felt it was too "graphic" for him; a decision he later regretted.
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s initial appearance as a mystery, the film operates on a number of thematic levels. The film owes a large debt to 1950s
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1620:. In the video, Del Rey plays the role of Dorothy Vallens, performing a private concert similar to the scene where Ben (
1527:"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community.
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awards: Best Film, Best Director (Lynch), Best Cinematography (Frederick Elmes), and Best Supporting Actor (Hopper).
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1001:, which Lynch had been listening to regularly while writing the screenplay. Lynch had originally opted to use "
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2292:"David Lynch should be shot": Looking back on the madness and chaos of "Blue Velvet" and Ronald Reagan's '80s"
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in 2001, selecting cinema's most thrilling moments and ranked Frank Booth 36th of the 50 greatest villains in
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De Laurentiis PRODUCER'S PICTURE DARKENS: KNOEDELSEDER, WILLIAM K, Jr. Los Angeles Times August 30, 1987: 1.
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2260:"'Blue Velvet' Remembered: Isabella Rossellini and Kyle MacLachlan Praise David Lynch's On-Set Environment"
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sampled several of Frank Booth's lines on the song "Cassie Eats Cockroaches" from their 1994 debut album
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had been Lynch's first choice for the role. Rossellini had gained some exposure before the film for her
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with his latest movie, 'Blue Velvet,' finds himself at the center of a national critical firestorm."
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and meeting with the Yellow Man. Jeffrey then sees the Yellow Man meeting with a "well-dressed man".
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ranked it on their list of 100 Greatest Films. In a 2007 poll of the online film community held by
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4260:"Lana Del Rey to Channel David Lynch's "Blue Velvet" as the Face of H&M's New Global Campaign"
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something that would be the clue to a murder mystery. Roth loved the idea and asked me to write a
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debut on November 8, 2011, with a special 25th-anniversary edition featuring never-before-seen
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In an American film poll of fifty-four critics, the top ten domestic movies of the 1980s were
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3243:"Deconstructing Blue Velvet: A Master Class in Screen Direction | American Cinematheque"
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ranked the film fifth on their list of the 10 Best Films of the Last 25 Years. In a special
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Lynch met Isabella Rossellini at a restaurant, and offered her the role of Dorothy Vallens.
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for her performance. Lynch won Best Director and Hopper won Best Supporting Actor at the
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2361:"Harry Dean Stanton on 60 years of acting and the scene that should have never been cut"
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on the songs "Squeeze Me Macaroni", "Stubb (A Dub)", and "My Ass Is On Fire" from their
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Kyle MacLachlan had played the central role in Lynch's critical and commercial failure
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627:(1980), Lynch met producer Richard Roth over coffee. Roth had read and enjoyed Lynch's
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eating a bug on a fence becomes a topic of discussion in the last scene of the film.
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have ranked it among the greatest American films ever. In 2008, it was chosen by the
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1338:. Criterion would again release it on a new 4K/Blu-Ray combo pack on June 25, 2024.
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based on 15 critics, indicating "generally favorable reviews". Looking back in his
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Dennis Hopper was the best-known actor in the film, having directed and starred in
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both turned down the role of Frank because of the violent content in the film.
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would lead him to contribute to all of Lynch's future full-length films until
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4742:
4194:
4072:"The 100 Scariest Movie Moments: 100 Scariest Moments in Movie History when "
3567:
3415:
2435:
1637:
1602:
1402:
1397:
1329:
1168:
1163:
1145:
915:
778:
629:
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442:
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277:
265:
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85:
3330:
6035:
5995:
5513:
5449:
5417:
5020:
4264:
3488:
2041:
1685:
1598:
1451:
1243:
1130:
994:
978:
944:
920:
902:
830:
695:
682:
666:
607:
540:
409:
353:
238:
4009:
1406:
magazine cited it as one of the most "influential American films", as did
1227:
The film is now widely considered a masterpiece and has a score of 95% on
841:(Jeffrey Beaumont), as well as its unusual use of shadowy, sometimes dark
6051:
6005:
5369:
5305:
5244:
4843:
4483:
4199:
3896:
2553:"Megan Mullally Has "Zero Memory" Of Ever Kissing Kyle MacLachan In This"
1870:
1837:
1664:
1629:
1423:
1213:
1173:
1155:
986:
873:
522:
510:
421:
401:
245:
44:
5698:
4403:
5975:
5955:
5905:
5825:
5599:
5401:
5385:
5345:
4929:
4909:
4812:
4772:
4565:
4430:
3780:"Hopper mad: Blue Velvet screening prompts Lynchian tributes to Dennis"
3461:
3221:
1711:
1674:
1550:
unveiled their latest list of the 250 greatest films of all time, with
1473:
1386:
1233:
1056:
1051:
707:
699:
528:
486:
480:
393:
378:
299:
294:
269:
95:
90:
5292:
670:
384:
Jeffrey and Sandy attend Dorothy's nightclub act, in which she sings "
321:, and received the year's Best Film and Best Director prizes from the
6272:
5631:
5129:
3858:
3047:
2097:
Borden, Lizzie (September 23, 1986). "The World According to Lynch".
1689:
1457:
1372:
1309:
1135:
1110:
826:
745:
began in August 1985 and completed in November. The film was shot at
326:
253:
30:
1677:
later explained: "The phrase occurs in David Lynch's comedy classic
563:
Kyle is dressed like me. My father was a research scientist for the
5497:
5223:
4762:
4436:
2531:"Blue Velvet Blu-Ray To Include Newly Rediscovered Deleted Footage"
1641:
1633:
1610:
1217:
1055:. Also included in the sound team was long-time Lynch collaborator
895:
838:
811:
806:
417:
235:
1134:
seems to be exactly what's called for." She called it "an instant
5875:
4970:
4792:
3377:"At the Movies with Ebert & Roeper: Webchat with Roger Ebert"
1646:
1628:"In Dreams" for Frank Booth. Del Rey's version, however, has her
1613:
1317:
834:
782:
587:
The first idea was only "a feeling" and the title, as Lynch told
2076:
Robertson, Nan (October 11, 1986). "The All-American Guy Behind
5715:
5529:
5313:
4296:"Watch Lana Del Rey cover 'Blue Velvet' for H&M commercial"
2851:
2849:
1606:
1531:
was acknowledged as the eighth best film in the mystery genre.
1449:
37th of the greatest films of all time. The film was ranked by
6292:
4452:
2578:
1273:
for his work on the film. Dennis Hopper was nominated for the
1224:
remained unchanged after he revisited it in the 21st century.
6061:
4227:"Watch Lana Del Rey Sing 'Blue Velvet' in Mohair for H&M"
3138:"Snapping, Humming, Buzzing, Banging: Remembering Alan Splet"
2946:. New Brunswick: Rutgers University Press. pp. 160–167.
1706:
sampled the movie in their song "Jesus Built My Hotrod". The
1275:
Golden Globe Award for Best Supporting Actor – Motion Picture
757:
was refurbished in 2020 after sustaining heavy damage during
673:
ads in the early 1980s and for being the daughter of actress
6438:
National Society of Film Critics Award for Best Film winners
4156:"Watch Lana Del Rey Cover 'Blue Velvet' For H&M (VIDEO)"
2846:
2059:
Bouzereau, Laurent (1987). "An Interview with David Lynch".
1493:
issue, 100 new film classics were chosen from 1983 to 2008:
373:
College student Jeffrey Beaumont returns to his hometown of
2631:
Pervert in the Pulpit: Morality in the Works of David Lynch
936:
771:
1324:. On May 28, 2019, the film was re-released on Blu-ray by
1162:
on his list of the best films of 1986, at the fifth spot.
446:
door. Moments later, Sandy and Detective Williams arrive.
4300:
4159:
798:
at various film festivals that they began to promote it.
1605:
of "Blue Velvet" in 2012. Used to endorse clothing line
1511:
has awarded the film three honors in its lists: 96th on
1410:, who dedicated a book to the film's themes and motifs.
1356:, that may be because its tone remains forever elusive.
785:
Disc release of the film. Among the deleted footage was
681:. After completion of the film, during test screenings,
1592:
AFI's 100 Years...100 Movies (10th Anniversary Edition)
1285:
awards in 1987. That same year, the film received four
1277:
for his performance, while Isabella Rossellini won the
576:—David Lynch discusses the autobiographical content in
2155:. New York: Simon & Schuster Inc. pp. 38–42.
3063:
2896:. Suffolk: British Film Institute. pp. 137–154.
2516:; a two-part search for the film's deleted scenes at
1653:"Now It's Dark", a song by American heavy metal band
5700:
National Society of Film Critics Award for Best Film
3972:
2969:"Magnificent Film Obsession: The Ear in Blue Velvet"
2410:
Edge of Your Seat: The 100 Greatest Movie Thrillers
993:", juxtaposed with an orchestral score inspired by
829:, containing and exploring such conventions as the
5294:Boston Society of Film Critics Award for Best Film
4355:. Long Island, New York.: British Film Institute.
2890:Cult etherworlds and the Unconscious: Oedipus and
2796:
2434:
4190:"Lana Del Rey Debuts Lynchian H&M Commercial"
3073:. The British Film Resource. 1997. Archived from
1932:. They Shoot Pictures, Don't They. Archived from
662:included several then-relatively unknown actors.
6324:
3593:"Spirit Awards 26 years of nominees and winners"
3191:"SCREEN: 'BLUE VELVET,' COMEDY OF THE ECCENTRIC"
2910:
2765:
2763:
2346:"Interview: Michael Ironside (Extraterrestrial)"
1955:
1953:
1951:
1560:was also nominated for the following AFI lists:
1507:various "all-time greatest films" rankings, the
711:(1969). Hopper—said to be Lynch's third choice (
4183:
4181:
4040:"The 100 Greatest Movie Characters of All Time"
2685:"Filmmakers on film: Tom Tykwer on Blue Velvet"
1471:came in at the 95th-greatest film of all time.
777:In 2011, Lynch announced that footage from the
3510:
2286:
2284:
2282:
2280:
2237:
2235:
2233:
2231:
2229:
2227:
2225:
5684:
5278:
4468:
3155:
2760:
2651:
2039:Chute, David (October 1986). "Out to Lynch".
1948:
1523:in 2003. In June 2008, the AFI revealed its "
1279:Independent Spirit Award for Best Female Lead
307:, owned at the time by Italian film producer
4368:Blue Velvet: Bloomsbury Pocket Movie Guide 3
4178:
3071:"The Films of David Lynch: 50 Percent Sound"
2242:Mysteries of Love: The Making of Blue Velvet
2196:
2194:
2192:
2090:
2032:
1569:AFI's 100 Years...100 Heroes & Villains
868:The film's thematic framework harks back to
3888:
3886:
3544:Academy of Motion Picture Arts and Sciences
3116:Academy of Motion Picture Arts and Sciences
2832:. Britain: Sage Publications. p. 247.
2277:
2222:
2190:
2188:
2186:
2184:
2182:
2180:
2178:
2176:
2174:
2172:
2054:
2052:
833:(Dorothy Vallens), a seemingly unstoppable
381:, whom Jeffrey nicknames the "Yellow Man".
5691:
5677:
5285:
5271:
5249:
4475:
4461:
4423:
4103:"The Top 1319 Sample Sources (version 60)"
2489:"Kenan Fountain being repaired, not moved"
2432:
1616:, the video drew influence from Lynch and
311:, agreed to finance and produce the film.
29:
3562:
3560:
3267:
2734:
2709:
2075:
2058:
1834:"25 Best Horror Movies Since The Shining"
1384:and even Lynch's own later work, notably
1261:List of accolades received by Blue Velvet
543:as Detective Tom Gordon, the "Yellow Man"
4119:
4032:
3915:
3883:
3723:
3294:
3292:
3135:
2830:The cinematic society: The Voyeur's Gaze
2710:Stephanie, Zacharek (October 12, 2001).
2703:
2463:"Nine amazing facts about Claude Howell"
2257:
2200:
2169:
2049:
1865:
1863:
1861:
1859:
1186:
805:
694:(1984), a science fiction epic based on
6383:De Laurentiis Entertainment Group films
4381:Lynch, David and Rodley, Chris (2005).
3918:"Top 100 Film Lists: Online Cinephiles"
3777:
3104:
3018:"Song to the Siren's irresistible tang"
2966:
2751:
2628:
2622:
2020:from the original on September 16, 2016
1986:
1455:in its list of the 100 Greatest Films.
1104:Canada grossed a total of $ 8,551,228.
1049:as well as the cult television program
6325:
4153:
4149:
4147:
4100:
3678:from the original on December 28, 2020
3585:
3557:
3532:
3521:from the original on November 10, 2021
3481:
3268:Attanasio, Paul (September 19, 1986).
3188:
3096:Chion, Michael (1995). "Blue Velvet".
2941:
2916:
2887:
2881:
2827:
2821:
2799:Hitchcock and Twentieth-century Cinema
2769:
2676:
2358:
2332:"Kilmer's regret over early decisions"
2096:
1873:(March 24, 2005). Chris Rodley (ed.).
1770:
1768:
1737:
1735:
1271:Golden Globe Award for Best Screenplay
839:questionable moral outlook of the hero
329:. As an example of a director casting
6453:English-language crime thriller films
6433:Films with screenplays by David Lynch
6373:American psychological thriller films
5776:The Discreet Charm of the Bourgeoisie
5672:
5266:
5248:
4456:
4224:
4122:"The Sight & Sound Top 250 Films"
3349:
3298:
3289:
3136:Woodward, Richard B. (May 13, 2014).
3095:
3015:
2921:. Taylor & Francis. p. 466.
2657:
2599:
2593:
2407:
2150:
2144:
2113:
2038:
1901:
1869:
1856:
1520:100 Years ... 100 Heroes and Villains
1445:book special released in 1999 ranked
1300:was released on VHS and LaserDisc by
1198:On the other hand, Paul Attanasio of
1117:
4218:
4188:Nika, Colleen (September 17, 2012).
4187:
3859:"The 100 Greatest Films of All Time"
3749:
3627:
3568:"Golden Globes Awards - Blue Velvet"
3482:French, Philip (December 16, 2001).
3210:
3189:Maslin, Janet (September 19, 1986).
2712:"David Lynch's latest tour de force"
2682:
2533:. Film Buff Online. January 24, 2011
1987:Malcolm, Derek (February 17, 2000).
1795:
1747:British Board of Film Classification
1283:Los Angeles Film Critics Association
4329:from the original on April 18, 2012
4257:
4144:
4120:Franklin, Garth (August 17, 2012).
4101:Cigéhn, Peter (September 1, 2004).
3871:from the original on March 31, 2014
3572:Hollywood Foreign Press Association
3511:kermodeandmayo (December 2, 2016),
3299:Ebert, Roger (September 19, 1986).
3016:Aston, Martin (November 18, 2011).
2794:
2788:
1765:
1732:
1575:– ranked 36th-greatest film villain
363:ten greatest American mystery films
13:
6448:English-language independent films
6408:Films scored by Angelo Badalamenti
6398:Films about violence against women
6353:1980s psychological thriller films
4733:Premonition Following an Evil Deed
4370:. Britain. Bloomsbury Publishing.
4345:
4276:from the original on July 20, 2012
4225:Hogan, Marc (September 17, 2012).
4020:from the original on June 19, 2008
3848:. (Milligan and Rowland, pg 23–29)
3621:
2772:The 25 Greatest Films of the 1980s
2740:Nochimson, Martha (Autumn 2002). "
2208:. London: British Film Institute.
1840:. October 25, 2013. Archived from
1265:David Lynch was nominated for the
801:
297:style displayed in his first film
223:$ 8.6 million (North America)
14:
6464:
5936:The Unbearable Lightness of Being
4397:
4239:from the original on May 30, 2015
3350:Logan, Brian (December 6, 2001).
2248:Special Edition DVD documentary,
2014:"The 100 greatest American films"
1597:Inspired by the film, pop singer
305:De Laurentiis Entertainment Group
149:De Laurentiis Entertainment Group
4683:Six Men Getting Sick (Six Times)
3916:Thompson, Anne (July 31, 2007).
3540:"THE 59TH ACADEMY AWARDS | 1987"
3379:. August 2, 2007. Archived from
3333:. Retrieved September 30, 2007.
3043:"The saddest music in the world"
2579:"Blue Velvet — David Lynch"
2359:Harris, Will (October 3, 2013).
2258:Righetti, Jamie (May 24, 2018).
2114:Ebert, Roger (October 2, 1986).
1902:Ebert, Roger (October 2, 1986).
1640:approaches and unplugs a hidden
1287:National Society of Film Critics
1095:premiered in competition at the
323:National Society of Film Critics
6368:American mystery thriller films
5886:The Night of the Shooting Stars
5330:The Night of the Shooting Stars
4482:
4315:
4288:
4251:
4113:
4094:
4064:
4002:
3986:. June 18, 2008. Archived from
3956:. December 2002. Archived from
3940:
3909:
3906:. Retrieved September 11, 2007.
3851:
3798:
3778:Walters, Ben (August 4, 2010).
3771:
3752:"Blue Velvet already a classic"
3743:
3717:
3690:
3656:
3504:
3475:
3450:
3419:
3395:
3369:
3343:
3320:
3261:
3235:
3182:
3129:
3089:
3035:
3009:
2986:
2960:
2935:
2571:
2545:
2523:
2507:
2481:
2455:
2426:
2401:
2375:
2352:
2338:
2324:
2312:
2251:
2107:
2069:
2006:
1980:
1930:"David Lynch's Acclaimed Films"
1904:"My Problem with 'Blue Velvet'"
1267:Academy Award for Best Director
792:
546:Jon Jon Snipes as Little Donnie
516:Jack Harvey as Mr. Tom Beaumont
319:Academy Award for Best Director
303:(1977). The independent studio
4622:Twin Peaks: The Missing Pieces
3098:British Film Institute, London
2774:. Taschen Books. p. 325.
1922:
1895:
1826:
1804:
1073:(1979) and been nominated for
1030:soundtrack on its list of the
272:, and is named after the 1951
1:
6403:Films directed by David Lynch
6358:American crime thriller films
5148:The Angriest Dog in the World
4616:Twin Peaks: Fire Walk with Me
4385:. Faber and Faber: New York.
2919:Encyclopedia of Postmodernism
2803:. Wallflower Press. pp.
2433:Rossellini, Isabella (1997).
2412:. Citadel Press. p. 52.
1725:
1292:
1101:Toronto Festival of Festivals
1087:
1032:100 Greatest Film Soundtracks
973:soundtrack was supervised by
958:
931:Symbolism is used heavily in
551:
6418:Films shot in North Carolina
6388:1980s English-language films
6348:1980s mystery thriller films
4862:Shot in the Back of the Head
4723:The Cowboy and the Frenchman
3750:Carr, Jay (April 12, 1987).
3602:. p. 40. Archived from
3403:"Roger Ebert's Twitter Feed"
3218:"Blue Velvet (1986) Reviews"
2944:American Cinema of the 1980s
2894:", Fetishism And Curiosity 3
1565:AFI's 100 Years...100 Movies
1308:in 1991. After that, it was
1254:
1247:it ... I didn't walk out on
1232:a score of 75 out of 100 on
1191:Rossellini and Lynch at the
1097:Montréal World Film Festival
1082:
1063:and designer who had won an
926:
178:September 19, 1986
163:September 12, 1986
7:
6413:Films set in North Carolina
4105:. Sloth.org. Archived from
3834:Once Upon a Time in America
3632:There's More to the Mystery
2683:Said, SF (August 3, 2002).
1812:"25 Most Disturbing Movies"
1581:AFI's 100 Years...100 Songs
1433:(1982) and the German film
1184:the best film of the year.
1099:in August 1986, and at the
909:establishes a metaphorical
880:, as well as films such as
733:
534:J. Michael Hunter as Hunter
10:
6469:
6363:American independent films
5836:Get Out Your Handkerchiefs
5616:If Beale Street Could Talk
5322:E.T. the Extra-Terrestrial
4351:Atkinson, Michael (1997).
3810:E.T. the Extra-Terrestrial
3514:Kermode Uncut: Blue Velvet
3006:. Retrieved June 24, 2007.
2917:Taylor, Victor E. (2001).
2828:Denzin, Norman K. (1995).
2662:. Routledge. p. 270.
2606:Cambridge University Press
2520:. Retrieved July 24, 2007.
2441:. New York: Random House.
1989:"David Lynch: Blue Velvet"
1544:100 Scariest Movie Moments
1430:E.T. the Extra-Terrestrial
1421:was placed fourth, behind
1258:
962:
764:
751:Wilmington, North Carolina
696:the novel of the same name
653:
501:as Detective John Williams
6338:1986 crime thriller films
6073:
5706:
5300:
5260:
5204:David Lynch: The Art Life
5164:Industrial Symphony No. 1
5112:
5083:
5042:
4951:
4900:
4881:
4834:
4673:
4556:
4547:
4490:
4154:Rubenstein, Jenna Hally.
3600:Independent Spirit Awards
3337:October 14, 2007, at the
2967:AnOther (June 27, 2011).
1695:When the Kite String Pops
1514:100 Years ... 100 Thrills
1341:
1304:in 1987 and re-issued by
565:Department of Agriculture
556:
537:Dick Green as Don Vallens
375:Lumberton, North Carolina
219:
211:
203:
193:
154:
144:
134:
124:
114:
68:
58:
50:
40:
35:Theatrical release poster
28:
23:
5394:The Silence of the Lambs
4366:Drazin, Charles (2001).
3902:August 13, 2017, at the
2942:Prince, Stephan (2007).
2660:Fifty Key American Films
1714:also sampled lines from
1326:the Criterion Collection
965:Blue Velvet (soundtrack)
519:Ken Stovitz as Mike Shaw
507:as Mrs. Frances Beaumont
244:written and directed by
16:1986 film by David Lynch
6423:American neo-noir films
5816:All the President's Men
5378:Crimes and Misdemeanors
4014:American Film Institute
3826:Raiders of the Lost Ark
2997:"The City of Absurdity"
2770:MĂĽller, JĂĽrgen (2002).
2635:McFarland & Company
2408:Brode, Douglas (2003).
2387:London Evening Standard
1720:debut self-titled album
1586:"In Dreams" - nominated
1509:American Film Institute
1302:Karl-Lorimar Home Video
889:The Night of the Hunter
837:(Frank Booth), and the
452:
368:
359:American Film Institute
6343:1986 independent films
5896:Stranger Than Paradise
5796:Scenes from a Marriage
5522:No Country for Old Men
5233:David Lynch Foundation
4940:Twin Peaks: The Return
4531:Frequent collaborators
3980:"The New 100 Classics"
3818:Hannah and Her Sisters
3664:"A Deleted Scene From
3002:July 16, 2011, at the
2888:Mulvey, Laura (1996).
2600:Rubin, Martin (1999).
1497:was ranked at fourth.
1417:films of the decade",
1358:
1314:MGM Home Entertainment
1195:
815:
573:
5426:Sense and Sensibility
5214:Blue Velvet Revisited
5062:Catching the Big Fish
4888:Duran Duran: Unstaged
3609:on September 29, 2011
2557:Welcome to Twin Peaks
2495:on September 21, 2021
2469:on September 21, 2021
2151:Peary, Danny (1988).
1632:"Blue Velvet" when a
1542:'s four-hour program
1346:
1335:Blue Velvet Revisited
1190:
809:
739:Principal photography
561:
325:. It came to achieve
274:song of the same name
6443:1980s American films
6393:Erotic mystery films
6046:Being John Malkovich
4109:on October 13, 2004.
3984:Entertainment Weekly
3864:Entertainment Weekly
3703:Criterion Collection
3698:"Blue Velvet (1986)"
3674:. November 7, 2011.
2658:White, John (2009).
1961:"Blue Velvet (1986)"
1776:"Blue Velvet (1986)"
1657:on their 1988 album
1490:Entertainment Weekly
1442:Entertainment Weekly
1316:. The film made its
1312:in 2000 and 2002 by
1193:Cannes Film Festival
1020:Entertainment Weekly
1015:eleven years later.
489:as Mrs. Pam Williams
348:Entertainment Weekly
250:psychological horror
186: (United States)
6213:Goodbye to Language
6203:Inside Llewyn Davis
6143:There Will Be Blood
6113:Million Dollar Baby
5536:Slumdog Millionaire
5072:Genealogies of Pain
5031:Cellophane Memories
4538:Unrealized projects
4270:Louise Blouin Media
4166:on January 18, 2013
4132:on January 21, 2013
3960:on October 13, 2018
3725:Berardinelli, James
3628:Wood, Bret (1991).
3383:on October 17, 2008
3275:The Washington Post
3051:. November 16, 2011
2757:Johnson, 2005, p. 6
2748:, 56 (1), pp. 37–45
2629:Johnson, J (2004).
2348:. October 16, 2014.
2334:. November 3, 2005.
1936:on January 15, 2017
1753:on January 14, 2015
1201:The Washington Post
1138:", concluding that
606:The third idea was
468:as Jeffrey Beaumont
460:Isabella Rossellini
262:Isabella Rossellini
234:is a 1986 American
81:Isabella Rossellini
6173:The Social Network
6016:Breaking the Waves
5552:The Social Network
5506:Brokeback Mountain
5338:The Killing Fields
5194:The Air Is on Fire
4991:Polish Night Music
4981:The Air Is on Fire
4803:Lady Blue Shanghai
4642:The Straight Story
3842:The King of Comedy
3672:The New York Times
3405:. January 20, 2009
3196:The New York Times
3077:on August 29, 2009
2866:The New York Times
2637:. pp. 38–39.
2083:The New York Times
2016:. BBC. July 2015.
1196:
1166:, film critic for
1127:The New York Times
1118:Critical reception
1070:The Black Stallion
1036:Angelo Badalamenti
975:Angelo Badalamenti
816:
759:Hurricane Florence
717:Harry Dean Stanton
679:Roberto Rossellini
640:Dino De Laurentiis
600:The New York Times
597:1986 interview to
462:as Dorothy Vallens
309:Dino De Laurentiis
283:The screenplay of
139:Angelo Badalamenti
6320:
6319:
6314:
6313:
6153:Waltz with Bashir
6103:American Splendor
6026:L.A. Confidential
5856:Melvin and Howard
5666:
5665:
5442:L.A. Confidential
5242:
5241:
4896:
4895:
4871:Came Back Haunted
4823:What Did Jack Do?
4391:978-0-571-22018-2
4323:"Back Stage Club"
4052:on March 17, 2008
4016:. June 17, 2008.
4010:"AFI's 10 Top 10"
3928:on April 22, 2008
3352:"A touch of evil"
3306:Chicago Sun-Times
2953:978-0-8135-4034-4
2928:978-0-415-15294-5
2903:978-0-671-64810-7
2869:. January 5, 1987
2839:978-0-521-58839-3
2814:978-1-904764-55-7
2781:978-3-8228-4783-1
2744:by David Lynch",
2722:on April 15, 2008
2669:978-0-415-77297-6
2644:978-0-7864-1753-7
2615:978-0-521-58839-3
2448:978-0-679-45252-2
2419:978-0-8065-2382-8
2215:978-0-85170-559-0
2202:Atkinson, Michael
2162:978-0-671-64810-7
2125:Chicago Sun-Times
2100:The Village Voice
1888:978-0-571-22018-2
1879:Faber & Faber
1877:. New York City:
1708:experimental rock
1660:State of Euphoria
1554:ranking at 69th.
1548:Sight & Sound
1484:Sight & Sound
1361:—Dennis Lim, 2016
1306:Warner Home Video
1238:Guardian/Observer
1151:Los Angeles Times
1003:Song to the Siren
883:Shadow of a Doubt
621:After completing
610:'s rendition of "
505:Priscilla Pointer
483:as Sandy Williams
336:Sight & Sound
256:, the film stars
227:
226:
6460:
6428:Postmodern films
6307:
6297:
6287:
6277:
6267:
6257:
6247:
6237:
6227:
6217:
6207:
6197:
6187:
6177:
6167:
6157:
6147:
6137:
6127:
6117:
6107:
6097:
6087:
6083:Mulholland Drive
6066:
6056:
6040:
6030:
6020:
6010:
6000:
5990:
5986:Schindler's List
5980:
5970:
5960:
5950:
5946:Drugstore Cowboy
5940:
5930:
5920:
5910:
5900:
5890:
5880:
5870:
5860:
5850:
5840:
5830:
5820:
5810:
5800:
5790:
5780:
5770:
5760:
5750:
5740:
5730:
5720:
5693:
5686:
5679:
5670:
5669:
5576:12 Years a Slave
5568:Zero Dark Thirty
5474:Mulholland Drive
5410:Schindler's List
5287:
5280:
5273:
5264:
5263:
5246:
5245:
5235:
5228:
5218:
5208:
5198:
5197:(art exhibition)
5188:
5178:
5168:
5158:
5151:
5142:
5133:
5124:
5105:
5096:
5093:The Elephant Man
5076:
5066:
5056:
5035:
5025:
5015:
5005:
5001:Crazy Clown Time
4995:
4985:
4975:
4965:
4944:
4934:
4924:
4914:
4874:
4865:
4856:
4847:
4827:
4817:
4807:
4797:
4787:
4777:
4767:
4757:
4747:
4737:
4727:
4717:
4707:
4697:
4687:
4666:
4656:
4652:Mulholland Drive
4646:
4636:
4626:
4610:
4600:
4590:
4580:
4576:The Elephant Man
4570:
4554:
4553:
4540:
4533:
4526:
4519:
4512:
4505:
4498:
4477:
4470:
4463:
4454:
4453:
4427:
4339:
4338:
4336:
4334:
4319:
4313:
4312:
4310:
4308:
4292:
4286:
4285:
4283:
4281:
4255:
4249:
4248:
4246:
4244:
4222:
4216:
4215:
4213:
4211:
4206:on April 3, 2014
4202:. Archived from
4200:Wenner Media LLC
4185:
4176:
4175:
4173:
4171:
4162:. Archived from
4151:
4142:
4141:
4139:
4137:
4128:. Archived from
4117:
4111:
4110:
4098:
4092:
4091:
4089:
4087:
4078:. Archived from
4068:
4062:
4061:
4059:
4057:
4048:. Archived from
4036:
4030:
4029:
4027:
4025:
4006:
4000:
3999:
3997:
3995:
3990:on June 19, 2019
3976:
3970:
3969:
3967:
3965:
3944:
3938:
3937:
3935:
3933:
3924:. Archived from
3913:
3907:
3890:
3881:
3880:
3878:
3876:
3855:
3849:
3802:
3796:
3795:
3793:
3791:
3775:
3769:
3768:
3766:
3764:
3757:The Boston Globe
3747:
3741:
3740:
3738:
3736:
3721:
3715:
3714:
3712:
3710:
3694:
3688:
3687:
3685:
3683:
3660:
3654:
3653:
3651:
3649:
3625:
3619:
3618:
3616:
3614:
3608:
3597:
3589:
3583:
3582:
3580:
3578:
3564:
3555:
3554:
3552:
3550:
3536:
3530:
3529:
3528:
3526:
3508:
3502:
3501:
3499:
3497:
3479:
3473:
3472:
3470:
3468:
3454:
3448:
3447:
3445:
3443:
3423:
3417:
3414:
3412:
3410:
3399:
3393:
3392:
3390:
3388:
3373:
3367:
3366:
3364:
3362:
3347:
3341:
3324:
3318:
3317:
3315:
3313:
3296:
3287:
3286:
3284:
3282:
3265:
3259:
3258:
3256:
3254:
3249:on June 11, 2022
3245:. Archived from
3239:
3233:
3232:
3230:
3228:
3214:
3208:
3207:
3205:
3203:
3186:
3180:
3179:
3177:
3175:
3159:
3153:
3152:
3150:
3148:
3142:The Paris Review
3133:
3127:
3126:
3124:
3122:
3108:
3102:
3101:
3093:
3087:
3086:
3084:
3082:
3067:
3061:
3060:
3058:
3056:
3039:
3033:
3032:
3030:
3028:
3013:
3007:
2990:
2984:
2983:
2981:
2979:
2964:
2958:
2957:
2939:
2933:
2932:
2914:
2908:
2907:
2885:
2879:
2878:
2876:
2874:
2853:
2844:
2843:
2825:
2819:
2818:
2802:
2795:Orr, J. (2005).
2792:
2786:
2785:
2767:
2758:
2755:
2749:
2742:Mulholland Drive
2738:
2732:
2731:
2729:
2727:
2718:. Archived from
2707:
2701:
2700:
2698:
2696:
2680:
2674:
2673:
2655:
2649:
2648:
2626:
2620:
2619:
2597:
2591:
2590:
2588:
2586:
2575:
2569:
2568:
2566:
2564:
2559:. March 28, 2019
2549:
2543:
2542:
2540:
2538:
2527:
2521:
2511:
2505:
2504:
2502:
2500:
2491:. Archived from
2485:
2479:
2478:
2476:
2474:
2465:. Archived from
2459:
2453:
2452:
2440:
2430:
2424:
2423:
2405:
2399:
2398:
2396:
2394:
2383:"A rant too far"
2379:
2373:
2372:
2370:
2368:
2356:
2350:
2349:
2342:
2336:
2335:
2328:
2322:
2316:
2310:
2309:
2307:
2305:
2300:. March 26, 2016
2288:
2275:
2274:
2272:
2270:
2255:
2249:
2239:
2220:
2219:
2198:
2167:
2166:
2148:
2142:
2141:
2139:
2137:
2128:. Archived from
2111:
2105:
2104:
2094:
2088:
2087:
2073:
2067:
2066:
2056:
2047:
2046:
2036:
2030:
2029:
2027:
2025:
2010:
2004:
2003:
2001:
1999:
1984:
1978:
1977:
1975:
1973:
1957:
1946:
1945:
1943:
1941:
1926:
1920:
1918:
1914:
1912:
1910:
1899:
1893:
1892:
1867:
1854:
1853:
1851:
1849:
1844:on July 16, 2015
1830:
1824:
1823:
1821:
1819:
1814:. gamesradar.com
1808:
1802:
1799:
1793:
1792:
1790:
1788:
1772:
1763:
1762:
1760:
1758:
1749:. Archived from
1739:
1700:industrial metal
1540:Bravo Television
1506:
1408:Michael Atkinson
1393:Mulholland Drive
1362:
1211:
1067:for his work on
1029:
1007:This Mortal Coil
857:Alfred Hitchcock
824:
713:Michael Ironside
624:The Elephant Man
580:
499:George Dickerson
331:against the norm
215:$ 6 million
185:
183:
170:
168:
101:George Dickerson
33:
21:
20:
6468:
6467:
6463:
6462:
6461:
6459:
6458:
6457:
6323:
6322:
6321:
6316:
6315:
6310:
6300:
6290:
6280:
6270:
6260:
6250:
6240:
6230:
6220:
6210:
6200:
6190:
6180:
6170:
6163:The Hurt Locker
6160:
6150:
6140:
6133:Pan's Labyrinth
6130:
6120:
6110:
6100:
6090:
6080:
6069:
6059:
6043:
6033:
6023:
6013:
6003:
5993:
5983:
5973:
5963:
5953:
5943:
5933:
5923:
5913:
5903:
5893:
5883:
5873:
5863:
5853:
5843:
5833:
5823:
5813:
5803:
5793:
5783:
5773:
5763:
5753:
5743:
5733:
5723:
5713:
5702:
5697:
5667:
5662:
5648:Return to Seoul
5544:The Hurt Locker
5296:
5291:
5256:
5243:
5238:
5231:
5221:
5211:
5201:
5191:
5181:
5171:
5161:
5154:
5145:
5136:
5127:
5119:
5108:
5099:
5090:
5079:
5069:
5059:
5049:
5038:
5028:
5018:
5008:
4998:
4988:
4978:
4968:
4958:
4947:
4937:
4927:
4917:
4907:
4892:
4877:
4868:
4859:
4850:
4841:
4830:
4820:
4810:
4800:
4790:
4780:
4770:
4760:
4750:
4740:
4730:
4720:
4710:
4703:The Grandmother
4700:
4690:
4680:
4669:
4659:
4649:
4639:
4629:
4613:
4603:
4593:
4583:
4573:
4563:
4549:
4543:
4536:
4529:
4522:
4515:
4508:
4501:
4494:
4486:
4481:
4448:Box Office Mojo
4421:Rotten Tomatoes
4400:
4348:
4346:Further reading
4343:
4342:
4332:
4330:
4321:
4320:
4316:
4306:
4304:
4294:
4293:
4289:
4279:
4277:
4258:Freeman, Nate.
4256:
4252:
4242:
4240:
4223:
4219:
4209:
4207:
4186:
4179:
4169:
4167:
4152:
4145:
4135:
4133:
4118:
4114:
4099:
4095:
4085:
4083:
4082:on May 17, 2008
4070:
4069:
4065:
4055:
4053:
4038:
4037:
4033:
4023:
4021:
4008:
4007:
4003:
3993:
3991:
3978:
3977:
3973:
3963:
3961:
3953:Sight and Sound
3946:
3945:
3941:
3931:
3929:
3914:
3910:
3904:Wayback Machine
3891:
3884:
3874:
3872:
3857:
3856:
3852:
3803:
3799:
3789:
3787:
3776:
3772:
3762:
3760:
3748:
3744:
3734:
3732:
3722:
3718:
3708:
3706:
3696:
3695:
3691:
3681:
3679:
3662:
3661:
3657:
3647:
3645:
3626:
3622:
3612:
3610:
3606:
3595:
3591:
3590:
3586:
3576:
3574:
3566:
3565:
3558:
3548:
3546:
3538:
3537:
3533:
3524:
3522:
3509:
3505:
3495:
3493:
3480:
3476:
3466:
3464:
3456:
3455:
3451:
3441:
3439:
3432:Rotten Tomatoes
3425:
3424:
3420:
3408:
3406:
3401:
3400:
3396:
3386:
3384:
3375:
3374:
3370:
3360:
3358:
3348:
3344:
3339:Wayback Machine
3325:
3321:
3311:
3309:
3297:
3290:
3280:
3278:
3266:
3262:
3252:
3250:
3241:
3240:
3236:
3226:
3224:
3216:
3215:
3211:
3201:
3199:
3187:
3183:
3173:
3171:
3168:Box Office Mojo
3161:
3160:
3156:
3146:
3144:
3134:
3130:
3120:
3118:
3110:
3109:
3105:
3094:
3090:
3080:
3078:
3069:
3068:
3064:
3054:
3052:
3041:
3040:
3036:
3026:
3024:
3014:
3010:
3004:Wayback Machine
2991:
2987:
2977:
2975:
2965:
2961:
2954:
2940:
2936:
2929:
2915:
2911:
2904:
2886:
2882:
2872:
2870:
2861:best 1986 film"
2855:
2854:
2847:
2840:
2826:
2822:
2815:
2793:
2789:
2782:
2768:
2761:
2756:
2752:
2739:
2735:
2725:
2723:
2708:
2704:
2694:
2692:
2681:
2677:
2670:
2656:
2652:
2645:
2627:
2623:
2616:
2608:. p. 175.
2598:
2594:
2584:
2582:
2577:
2576:
2572:
2562:
2560:
2551:
2550:
2546:
2536:
2534:
2529:
2528:
2524:
2512:
2508:
2498:
2496:
2487:
2486:
2482:
2472:
2470:
2461:
2460:
2456:
2449:
2431:
2427:
2420:
2406:
2402:
2392:
2390:
2389:. June 14, 1998
2381:
2380:
2376:
2366:
2364:
2357:
2353:
2344:
2343:
2339:
2330:
2329:
2325:
2317:
2313:
2303:
2301:
2290:
2289:
2278:
2268:
2266:
2256:
2252:
2240:
2223:
2216:
2199:
2170:
2163:
2149:
2145:
2135:
2133:
2132:on May 23, 2007
2112:
2108:
2095:
2091:
2074:
2070:
2057:
2050:
2037:
2033:
2023:
2021:
2012:
2011:
2007:
1997:
1995:
1985:
1981:
1971:
1969:
1966:Rotten Tomatoes
1959:
1958:
1949:
1939:
1937:
1928:
1927:
1923:
1916:
1908:
1906:
1900:
1896:
1889:
1868:
1857:
1847:
1845:
1832:
1831:
1827:
1817:
1815:
1810:
1809:
1805:
1800:
1796:
1786:
1784:
1781:Box Office Mojo
1774:
1773:
1766:
1756:
1754:
1741:
1740:
1733:
1728:
1504:
1500:In addition to
1436:Wings of Desire
1390:(1990–91), and
1364:
1360:
1344:
1295:
1263:
1257:
1229:Rotten Tomatoes
1209:
1178:Martin Scorsese
1120:
1090:
1085:
1027:
967:
961:
929:
870:Edgar Allan Poe
822:
804:
802:Interpretations
795:
767:
747:EUE/Screen Gems
736:
656:
582:
575:
559:
554:
549:
513:as Aunt Barbara
466:Kyle MacLachlan
455:
406:sadomasochistic
371:
258:Kyle MacLachlan
196:
189:
181:
179:
166:
164:
157:
119:Frederick Elmes
110:
76:Kyle MacLachlan
36:
17:
12:
11:
5:
6466:
6456:
6455:
6450:
6445:
6440:
6435:
6430:
6425:
6420:
6415:
6410:
6405:
6400:
6395:
6390:
6385:
6380:
6375:
6370:
6365:
6360:
6355:
6350:
6345:
6340:
6335:
6318:
6317:
6312:
6311:
6309:
6308:
6298:
6288:
6278:
6268:
6258:
6248:
6238:
6228:
6218:
6208:
6198:
6188:
6178:
6168:
6158:
6148:
6138:
6128:
6118:
6108:
6098:
6088:
6077:
6075:
6071:
6070:
6068:
6067:
6057:
6041:
6031:
6021:
6011:
6001:
5991:
5981:
5971:
5961:
5951:
5941:
5931:
5921:
5911:
5901:
5891:
5881:
5871:
5861:
5851:
5841:
5831:
5821:
5811:
5801:
5791:
5781:
5771:
5761:
5751:
5741:
5731:
5721:
5710:
5708:
5704:
5703:
5696:
5695:
5688:
5681:
5673:
5664:
5663:
5661:
5660:
5652:
5644:
5636:
5628:
5620:
5612:
5608:Phantom Thread
5604:
5596:
5588:
5580:
5572:
5564:
5556:
5548:
5540:
5526:
5518:
5510:
5502:
5494:
5486:
5478:
5470:
5462:
5454:
5446:
5438:
5430:
5422:
5414:
5406:
5398:
5390:
5382:
5374:
5366:
5362:Hope and Glory
5358:
5350:
5342:
5334:
5326:
5318:
5310:
5301:
5298:
5297:
5290:
5289:
5282:
5275:
5267:
5261:
5258:
5257:
5240:
5239:
5237:
5236:
5229:
5219:
5209:
5199:
5189:
5187:(opera) (2003)
5179:
5174:Lynch on Lynch
5169:
5159:
5152:
5143:
5134:
5125:
5121:Jennifer Lynch
5116:
5114:
5110:
5109:
5107:
5106:
5097:
5087:
5085:
5084:Awards by film
5081:
5080:
5078:
5077:
5067:
5057:
5046:
5044:
5040:
5039:
5037:
5036:
5026:
5016:
5006:
4996:
4986:
4976:
4966:
4955:
4953:
4949:
4948:
4946:
4945:
4935:
4925:
4915:
4904:
4902:
4898:
4897:
4894:
4893:
4885:
4883:
4879:
4878:
4876:
4875:
4866:
4857:
4848:
4838:
4836:
4832:
4831:
4829:
4828:
4818:
4808:
4798:
4788:
4778:
4768:
4758:
4748:
4738:
4728:
4718:
4708:
4698:
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4457:
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4439:
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4399:
4398:External links
4396:
4395:
4394:
4383:Lynch on Lynch
4379:
4364:
4347:
4344:
4341:
4340:
4314:
4287:
4250:
4217:
4177:
4143:
4112:
4093:
4063:
4031:
4001:
3971:
3948:"Modern Times"
3939:
3908:
3882:
3850:
3838:Prizzi's Honor
3797:
3770:
3742:
3716:
3689:
3655:
3638:Video Watchdog
3630:"Blue Velvet:
3620:
3584:
3556:
3531:
3503:
3474:
3449:
3437:Fandango Media
3418:
3394:
3368:
3342:
3329:review at the
3319:
3288:
3260:
3234:
3209:
3181:
3154:
3128:
3103:
3088:
3062:
3034:
3008:
2995:film score at
2985:
2959:
2952:
2934:
2927:
2909:
2902:
2880:
2857:"Critics vote
2845:
2838:
2820:
2813:
2787:
2780:
2759:
2750:
2746:Film Quarterly
2733:
2702:
2675:
2668:
2650:
2643:
2621:
2614:
2592:
2570:
2544:
2522:
2506:
2480:
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2447:
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2400:
2374:
2351:
2337:
2323:
2311:
2276:
2250:
2221:
2214:
2168:
2161:
2143:
2106:
2089:
2068:
2048:
2031:
2005:
1979:
1947:
1921:
1894:
1887:
1875:Lynch on Lynch
1855:
1825:
1803:
1794:
1764:
1730:
1729:
1727:
1724:
1673:, and drummer
1670:Roll the Bones
1622:Dean Stockwell
1595:
1594:
1589:
1588:
1587:
1578:
1577:
1576:
1567:
1345:
1343:
1340:
1328:, featuring a
1322:deleted scenes
1294:
1291:
1256:
1253:
1119:
1116:
1089:
1086:
1084:
1081:
1076:Never Cry Wolf
963:Main article:
960:
957:
928:
925:
901:film theorist
899:psychoanalytic
878:gothic fiction
843:cinematography
803:
800:
794:
791:
787:Megan Mullally
779:deleted scenes
766:
763:
735:
732:
728:Molly Ringwald
721:Steven Berkoff
675:Ingrid Bergman
655:
652:
560:
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555:
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493:Dean Stockwell
490:
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370:
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361:as one of the
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145:Distributed by
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129:Duwayne Dunham
126:
122:
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116:
115:Cinematography
112:
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106:Dean Stockwell
103:
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6404:
6401:
6399:
6396:
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6391:
6389:
6386:
6384:
6381:
6379:
6378:BDSM in films
6376:
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6364:
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5998:
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5988:
5987:
5982:
5978:
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5972:
5968:
5967:
5966:Life Is Sweet
5962:
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5948:
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5932:
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5898:
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5877:
5872:
5868:
5867:
5866:Atlantic City
5862:
5858:
5857:
5852:
5848:
5847:
5846:Breaking Away
5842:
5838:
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5832:
5828:
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5822:
5818:
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5812:
5808:
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5792:
5788:
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5786:Day for Night
5782:
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5766:Claire's Knee
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5694:
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5680:
5675:
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5658:
5657:
5656:The Holdovers
5653:
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5468:
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5466:Almost Famous
5463:
5460:
5459:
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5452:
5451:
5447:
5444:
5443:
5439:
5436:
5435:
5434:Trainspotting
5431:
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5411:
5407:
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5139:Ronnie Rocket
5135:
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5118:
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5115:
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5048:
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5033:
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5027:
5023:
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5017:
5013:
5012:
5011:The Big Dream
5007:
5003:
5002:
4997:
4993:
4992:
4987:
4983:
4982:
4977:
4973:
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4967:
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4906:
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4899:
4890:
4889:
4884:
4882:Concert films
4880:
4872:
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4858:
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4755:
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4749:
4745:
4744:
4743:Darkened Room
4739:
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4719:
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4714:
4709:
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4704:
4699:
4695:
4694:
4689:
4685:
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4678:
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4664:
4663:
4662:Inland Empire
4658:
4654:
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4648:
4644:
4643:
4638:
4634:
4633:
4628:
4624:
4623:
4618:
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4612:
4608:
4607:
4606:Wild at Heart
4602:
4598:
4597:
4592:
4588:
4587:
4582:
4578:
4577:
4572:
4568:
4567:
4562:
4561:
4559:
4557:Feature films
4555:
4552:
4546:
4539:
4535:
4532:
4528:
4525:
4521:
4518:
4514:
4511:
4507:
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4459:
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4413:
4411:
4407:
4406:
4402:
4401:
4392:
4388:
4384:
4380:
4377:
4376:0-7475-5176-6
4373:
4369:
4365:
4362:
4361:0-85170-559-6
4358:
4354:
4350:
4349:
4328:
4324:
4318:
4303:
4302:
4297:
4291:
4275:
4271:
4267:
4266:
4261:
4254:
4238:
4234:
4233:
4228:
4221:
4210:September 20,
4205:
4201:
4197:
4196:
4195:Rolling Stone
4191:
4184:
4182:
4165:
4161:
4157:
4150:
4148:
4131:
4127:
4126:Dark Horizons
4123:
4116:
4108:
4104:
4097:
4081:
4077:
4073:
4067:
4051:
4047:
4046:
4041:
4035:
4019:
4015:
4011:
4005:
3989:
3985:
3981:
3975:
3959:
3955:
3954:
3949:
3943:
3932:September 20,
3927:
3923:
3919:
3912:
3905:
3901:
3898:
3894:
3889:
3887:
3870:
3866:
3865:
3860:
3854:
3847:
3843:
3839:
3835:
3831:
3827:
3823:
3822:Atlantic City
3819:
3815:
3811:
3807:
3801:
3785:
3781:
3774:
3759:
3758:
3753:
3746:
3730:
3729:"Blue Velvet"
3726:
3720:
3705:
3704:
3699:
3693:
3677:
3673:
3669:
3667:
3659:
3643:
3639:
3635:
3633:
3624:
3605:
3601:
3594:
3588:
3573:
3569:
3563:
3561:
3545:
3541:
3535:
3520:
3516:
3515:
3507:
3491:
3490:
3485:
3484:"Blue Velvet"
3478:
3463:
3459:
3458:"Blue Velvet"
3453:
3438:
3434:
3433:
3428:
3427:"Blue Velvet"
3422:
3416:
3404:
3398:
3382:
3378:
3372:
3357:
3353:
3346:
3340:
3336:
3332:
3331:"Movie Snobs"
3328:
3323:
3308:
3307:
3302:
3301:"Blue Velvet"
3295:
3293:
3277:
3276:
3271:
3270:"Blue Velvet"
3264:
3248:
3244:
3238:
3223:
3219:
3213:
3198:
3197:
3192:
3185:
3170:
3169:
3164:
3163:"Blue Velvet"
3158:
3143:
3139:
3132:
3117:
3113:
3107:
3099:
3092:
3076:
3072:
3066:
3050:
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3023:
3019:
3012:
3005:
3001:
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2800:
2791:
2783:
2777:
2773:
2766:
2764:
2754:
2747:
2743:
2737:
2721:
2717:
2713:
2706:
2690:
2689:The Telegraph
2686:
2679:
2671:
2665:
2661:
2654:
2646:
2640:
2636:
2632:
2625:
2617:
2611:
2607:
2603:
2596:
2580:
2574:
2558:
2554:
2548:
2532:
2526:
2519:
2515:
2510:
2499:September 21,
2494:
2490:
2484:
2473:September 21,
2468:
2464:
2458:
2450:
2444:
2439:
2438:
2429:
2421:
2415:
2411:
2404:
2393:September 14,
2388:
2384:
2378:
2367:September 14,
2362:
2355:
2347:
2341:
2333:
2327:
2320:
2315:
2299:
2298:
2293:
2287:
2285:
2283:
2281:
2265:
2261:
2254:
2247:
2243:
2238:
2236:
2234:
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2230:
2228:
2226:
2217:
2211:
2207:
2203:
2197:
2195:
2193:
2191:
2189:
2187:
2185:
2183:
2181:
2179:
2177:
2175:
2173:
2164:
2158:
2154:
2153:Cult Movies 3
2147:
2131:
2127:
2126:
2121:
2119:
2116:"Biting into
2110:
2102:
2101:
2093:
2085:
2084:
2079:
2072:
2064:
2063:
2055:
2053:
2044:
2043:
2035:
2019:
2015:
2009:
1994:
1990:
1983:
1968:
1967:
1962:
1956:
1954:
1952:
1935:
1931:
1925:
1905:
1898:
1890:
1884:
1880:
1876:
1872:
1866:
1864:
1862:
1860:
1843:
1839:
1835:
1829:
1813:
1807:
1798:
1783:
1782:
1777:
1771:
1769:
1752:
1748:
1744:
1743:"BLUE VELVET"
1738:
1736:
1731:
1723:
1721:
1717:
1713:
1709:
1705:
1701:
1697:
1696:
1691:
1687:
1682:
1680:
1676:
1672:
1671:
1666:
1662:
1661:
1656:
1651:
1649:
1648:
1643:
1639:
1638:Frank Sinatra
1635:
1634:little person
1631:
1627:
1623:
1619:
1615:
1612:
1608:
1604:
1603:cover version
1600:
1593:
1590:
1585:
1584:
1582:
1579:
1574:
1571:
1570:
1568:
1566:
1563:
1562:
1561:
1559:
1555:
1553:
1549:
1545:
1541:
1536:
1535:
1530:
1526:
1522:
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1516:
1515:
1510:
1503:
1498:
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1492:
1491:
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1438:
1437:
1432:
1431:
1426:
1425:
1420:
1415:
1411:
1409:
1405:
1404:
1403:Rolling Stone
1399:
1398:Peter Travers
1395:
1394:
1389:
1388:
1382:
1378:
1374:
1369:
1363:
1357:
1355:
1350:
1339:
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1323:
1319:
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1311:
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1303:
1299:
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1219:
1215:
1208:
1203:
1202:
1194:
1189:
1185:
1183:
1179:
1175:
1171:
1170:
1169:Rolling Stone
1165:
1164:Peter Travers
1161:
1157:
1153:
1152:
1147:
1146:Sheila Benson
1143:
1141:
1137:
1132:
1128:
1124:
1115:
1112:
1107:
1102:
1098:
1094:
1080:
1078:
1077:
1072:
1071:
1066:
1065:Academy Award
1062:
1058:
1054:
1053:
1048:
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443:walkie-talkie
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434:evidence room
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242:thriller film
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156:Release dates
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6074:2001–present
6060:
6050:
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6036:Out of Sight
6034:
6024:
6014:
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5996:Pulp Fiction
5994:
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5640:Drive My Car
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5624:Little Women
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5514:The Departed
5512:
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5490:Mystic River
5488:
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5450:Out of Sight
5448:
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5418:Pulp Fiction
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5184:Lost Highway
5182:
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4835:Music videos
4821:
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4711:
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4693:The Alphabet
4691:
4681:
4660:
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4640:
4632:Lost Highway
4630:
4620:
4614:
4604:
4595:
4594:
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4564:
4517:Bibliography
4442:
4431:
4415:
4404:
4382:
4367:
4352:
4331:. Retrieved
4325:. 2112.net.
4317:
4305:. Retrieved
4299:
4290:
4278:. Retrieved
4263:
4253:
4241:. Retrieved
4230:
4220:
4208:. Retrieved
4204:the original
4193:
4168:. Retrieved
4164:the original
4134:. Retrieved
4130:the original
4125:
4115:
4107:the original
4096:
4084:. Retrieved
4080:the original
4066:
4054:. Retrieved
4050:the original
4043:
4034:
4022:. Retrieved
4004:
3992:. Retrieved
3988:the original
3983:
3974:
3964:February 13,
3962:. Retrieved
3958:the original
3951:
3942:
3930:. Retrieved
3926:the original
3921:
3911:
3897:Filmsite.org
3892:
3873:. Retrieved
3862:
3853:
3845:
3841:
3837:
3833:
3829:
3825:
3821:
3817:
3813:
3809:
3805:
3800:
3788:. Retrieved
3784:The Guardian
3783:
3773:
3761:. Retrieved
3755:
3745:
3733:. Retrieved
3719:
3709:February 16,
3707:. Retrieved
3701:
3692:
3682:December 11,
3680:. Retrieved
3671:
3665:
3658:
3646:. Retrieved
3641:
3637:
3631:
3623:
3611:. Retrieved
3604:the original
3587:
3575:. Retrieved
3547:. Retrieved
3534:
3523:, retrieved
3513:
3506:
3494:. Retrieved
3489:The Guardian
3487:
3477:
3465:. Retrieved
3452:
3440:. Retrieved
3430:
3421:
3407:. Retrieved
3397:
3385:. Retrieved
3381:the original
3371:
3359:. Retrieved
3356:The Guardian
3355:
3345:
3326:
3322:
3310:. Retrieved
3304:
3279:. Retrieved
3273:
3263:
3251:. Retrieved
3247:the original
3237:
3227:September 3,
3225:. Retrieved
3212:
3200:. Retrieved
3194:
3184:
3172:. Retrieved
3166:
3157:
3145:. Retrieved
3141:
3131:
3119:. Retrieved
3115:
3112:"Alan Splet"
3106:
3097:
3091:
3079:. Retrieved
3075:the original
3065:
3053:. Retrieved
3046:
3037:
3025:. Retrieved
3022:The Guardian
3021:
3011:
2992:
2988:
2976:. Retrieved
2972:
2962:
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2937:
2918:
2912:
2893:
2889:
2883:
2871:. Retrieved
2864:
2858:
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2798:
2790:
2771:
2753:
2745:
2741:
2736:
2724:. Retrieved
2720:the original
2715:
2705:
2693:. Retrieved
2688:
2678:
2659:
2653:
2630:
2624:
2601:
2595:
2583:. Retrieved
2573:
2561:. Retrieved
2556:
2547:
2535:. Retrieved
2525:
2513:
2509:
2497:. Retrieved
2493:the original
2483:
2471:. Retrieved
2467:the original
2457:
2436:
2428:
2409:
2403:
2391:. Retrieved
2386:
2377:
2365:. Retrieved
2354:
2340:
2326:
2318:
2314:
2304:September 4,
2302:. Retrieved
2295:
2267:. Retrieved
2263:
2253:
2245:
2241:
2205:
2152:
2146:
2136:February 16,
2134:. Retrieved
2130:the original
2123:
2117:
2109:
2098:
2092:
2081:
2077:
2071:
2060:
2042:Film Comment
2040:
2034:
2022:. Retrieved
2008:
1996:. Retrieved
1993:The Guardian
1992:
1982:
1970:. Retrieved
1964:
1938:. Retrieved
1934:the original
1924:
1907:. Retrieved
1897:
1874:
1871:Lynch, David
1846:. Retrieved
1842:the original
1828:
1816:. Retrieved
1806:
1797:
1785:. Retrieved
1779:
1755:. Retrieved
1751:the original
1715:
1693:
1686:sludge metal
1683:
1678:
1668:
1658:
1652:
1645:
1617:
1599:Lana Del Rey
1596:
1557:
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1501:
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1478:
1472:
1468:
1462:
1456:
1452:The Guardian
1450:
1446:
1440:
1434:
1428:
1422:
1418:
1413:
1412:
1401:
1391:
1385:
1380:
1379:(1960) had.
1376:
1367:
1365:
1359:
1353:
1348:
1347:
1333:
1297:
1296:
1264:
1248:
1244:Mark Kermode
1242:
1237:
1226:
1221:
1206:
1199:
1197:
1181:
1167:
1159:
1149:
1144:
1139:
1136:cult classic
1131:Janet Maslin
1126:
1122:
1121:
1105:
1092:
1091:
1074:
1068:
1061:sound editor
1050:
1044:
1040:
1031:
1024:
1018:
1017:
1012:Lost Highway
1010:
995:Shostakovich
979:Bobby Vinton
970:
968:
953:
945:type of wasp
932:
930:
921:subconscious
906:
905:argues that
903:Laura Mulvey
894:
887:
881:
876:, and early
867:
860:
851:
846:
831:femme fatale
819:
817:
796:
793:Distribution
776:
768:
755:
742:
737:
725:
706:
704:
689:
687:
683:ICM Partners
667:Helen Mirren
664:
659:
658:The cast of
657:
647:
643:
628:
622:
620:
616:
608:Bobby Vinton
605:
598:
595:
588:
586:
583:
577:
574:
562:
541:Fred Pickler
448:
439:
430:
414:
399:
394:psychopathic
383:
372:
354:BBC Magazine
352:
346:
340:
334:
314:
313:
298:
288:
284:
282:
230:
229:
228:
195:Running time
18:
6183:Melancholia
6093:The Pianist
6052:Topsy-Turvy
5916:Blue Velvet
5482:The Pianist
5458:Three Kings
5370:Bull Durham
5354:Blue Velvet
5306:Raging Bull
5253:Blue Velvet
5251:Awards for
5156:Frank Booth
5102:Blue Velvet
4913:(1990–1991)
4844:Wicked Game
4713:The Amputee
4674:Short films
4596:Blue Velvet
4548:Directorial
4510:Discography
4503:Filmography
4484:David Lynch
4443:Blue Velvet
4432:Blue Velvet
4416:Blue Velvet
4405:Blue Velvet
4353:Blue Velvet
4333:October 25,
4265:Art+Auction
4076:BRAVOtv.com
3893:Blue Velvet
3875:December 2,
3814:Blue Velvet
3806:Raging Bull
3731:. Reelviews
3666:Blue Velvet
3644:(4): 32, 44
3613:October 17,
3496:October 30,
3409:January 20,
3327:Blue Velvet
3312:October 30,
3281:October 30,
3202:October 30,
3174:October 30,
2993:Blue Velvet
2892:Blue Velvet
2859:Blue Velvet
2604:. Britain:
2537:January 24,
2514:Blue Velvet
2246:Blue Velvet
2206:Blue Velvet
2118:Blue Velvet
2078:Blue Velvet
1998:November 3,
1940:November 3,
1838:Vulture.com
1787:January 14,
1757:January 14,
1716:Blue Velvet
1679:Blue Velvet
1636:dressed as
1630:lip-syncing
1618:Blue Velvet
1601:recorded a
1573:Frank Booth
1558:Blue Velvet
1552:Blue Velvet
1529:Blue Velvet
1525:ten Top Ten
1502:Blue Velvet
1495:Blue Velvet
1479:Blue Velvet
1469:Blue Velvet
1447:Blue Velvet
1439:(1987). An
1424:Raging Bull
1419:Blue Velvet
1414:Blue Velvet
1381:Blue Velvet
1368:Blue Velvet
1354:Blue Velvet
1349:Blue Velvet
1298:Blue Velvet
1249:Blue Velvet
1222:Blue Velvet
1214:Roger Ebert
1207:Blue Velvet
1182:Blue Velvet
1174:Woody Allen
1160:Blue Velvet
1156:Gene Siskel
1140:Blue Velvet
1123:Blue Velvet
1106:Blue Velvet
1093:Blue Velvet
1041:Blue Velvet
1025:Blue Velvet
987:Roy Orbison
983:Blue Velvet
971:Blue Velvet
933:Blue Velvet
907:Blue Velvet
886:(1943) and
874:Henry James
852:Blue Velvet
847:Blue Velvet
820:Blue Velvet
743:Blue Velvet
660:Blue Velvet
644:Blue Velvet
612:Blue Velvet
578:Blue Velvet
523:Brad Dourif
511:Frances Bay
476:Frank Booth
422:Roy Orbison
402:sex slavery
390:Frank Booth
386:Blue Velvet
327:cult status
315:Blue Velvet
285:Blue Velvet
248:. Blending
246:David Lynch
231:Blue Velvet
199:120 minutes
63:Fred Caruso
59:Produced by
54:David Lynch
45:David Lynch
41:Directed by
24:Blue Velvet
6333:1986 films
6327:Categories
6303:Past Lives
5976:Unforgiven
5956:Goodfellas
5826:Annie Hall
5600:La La Land
5560:The Artist
5402:Unforgiven
5386:Goodfellas
5123:(daughter)
4961:Eraserhead
4930:Hotel Room
4920:On the Air
4910:Twin Peaks
4901:Television
4813:Idem Paris
4773:Bug Crawls
4566:Eraserhead
4496:Early life
4307:October 5,
4280:October 5,
4243:October 3,
4170:October 5,
4136:August 25,
3790:August 25,
3735:August 28,
3648:August 24,
3462:Metacritic
3387:August 24,
3222:Metacritic
3081:August 31,
2978:January 9,
2695:August 25,
2581:. LynchNet
2437:Some of Me
1909:January 4,
1726:References
1712:Mr. Bungle
1675:Neil Peart
1626:pantomimes
1474:Total Film
1387:Twin Peaks
1293:Home media
1259:See also:
1234:Metacritic
1088:Box office
1057:Alan Splet
1052:Twin Peaks
959:Soundtrack
749:studio in
708:Easy Rider
700:Val Kilmer
569:Washington
552:Production
529:Jack Nance
525:as Raymond
487:Hope Lange
481:Laura Dern
379:sport coat
300:Eraserhead
295:surrealist
270:Laura Dern
220:Box office
182:1986-09-19
167:1986-09-12
96:Hope Lange
91:Laura Dern
51:Written by
6273:Nomadland
6253:The Rider
6243:Lady Bird
6233:Moonlight
6223:Spotlight
5806:Nashville
5707:1966–2000
5632:Nomadland
5592:Spotlight
5130:In Heaven
4524:Accolades
4056:March 26,
3549:March 31,
3361:April 18,
3253:March 27,
3147:April 30,
3121:March 31,
3048:Indiewire
2602:Thrillers
2363:. AV/Film
2264:IndieWire
2024:August 2,
1848:August 2,
1818:August 2,
1690:Acid Bath
1667:'s album
1458:Film Four
1373:cult film
1255:Accolades
1158:included
1111:pacemaker
1083:Reception
991:In Dreams
927:Symbolism
827:film noir
636:treatment
593:in 1987.
426:In Dreams
254:film noir
125:Edited by
6263:Parasite
5926:The Dead
5498:Sideways
5224:Lynch/Oz
4873:" (2013)
4864:" (2009)
4855:" (1995)
4846:" (1990)
4763:DumbLand
4619:(1992) (
4437:AllMovie
4327:Archived
4274:Archived
4237:Archived
4086:June 17,
4045:Premiere
4024:June 18,
4018:Archived
3994:March 2,
3900:Archived
3869:Archived
3786:. London
3676:Archived
3519:archived
3492:. London
3335:Archived
3055:June 20,
3027:June 20,
3000:Archived
2726:April 7,
2691:. London
2585:June 11,
2563:June 27,
2518:DVD Talk
2269:June 17,
2204:(1997).
2062:Cineaste
2018:Archived
1972:June 17,
1704:Ministry
1642:Victrola
1611:post-war
1534:Premiere
1427:(1980),
1396:(2001).
1269:and the
1218:misogyny
1079:(1983).
941:gas mask
916:Freudian
896:Feminist
818:Despite
812:Lighting
734:Shooting
590:Cineaste
418:lip-sync
236:neo-noir
135:Music by
69:Starring
5876:Tootsie
5756:M*A*S*H
5726:Persona
5584:Boyhood
5113:Related
4971:BlueBOB
4853:Longing
4793:Absurda
4753:Rabbits
4625:(2014))
3922:Variety
3846:The Fly
3830:Platoon
3763:July 5,
3577:July 2,
3525:May 12,
3467:July 9,
2973:AnOther
1655:Anthrax
1647:Artinfo
1614:America
1607:H&M
1477:ranked
1464:Variety
1318:Blu-ray
1180:called
1148:of the
1129:critic
1023:ranked
911:Oedipal
835:villain
783:Blu-ray
765:Editing
671:LancĂ´me
654:Casting
531:as Paul
239:mystery
204:Country
180: (
173:Toronto
165: (
6306:(2023)
6296:(2022)
6286:(2021)
6276:(2020)
6266:(2019)
6256:(2018)
6246:(2017)
6236:(2016)
6226:(2015)
6216:(2014)
6206:(2013)
6196:(2012)
6186:(2011)
6176:(2010)
6166:(2009)
6156:(2008)
6146:(2007)
6136:(2006)
6126:(2005)
6123:Capote
6116:(2004)
6106:(2003)
6096:(2002)
6086:(2001)
6065:(2000)
6055:(1999)
6039:(1998)
6029:(1997)
6019:(1996)
6009:(1995)
5999:(1994)
5989:(1993)
5979:(1992)
5969:(1991)
5959:(1990)
5949:(1989)
5939:(1988)
5929:(1987)
5919:(1986)
5909:(1985)
5899:(1984)
5889:(1983)
5879:(1982)
5869:(1981)
5859:(1980)
5849:(1979)
5839:(1978)
5829:(1977)
5819:(1976)
5809:(1975)
5799:(1974)
5789:(1973)
5779:(1972)
5769:(1971)
5759:(1970)
5749:(1969)
5739:(1968)
5729:(1967)
5719:(1966)
5716:Blowup
5659:(2023)
5651:(2022)
5643:(2021)
5635:(2020)
5627:(2019)
5619:(2018)
5611:(2017)
5603:(2016)
5595:(2015)
5587:(2014)
5579:(2013)
5571:(2012)
5563:(2011)
5555:(2010)
5547:(2009)
5539:(2008)
5530:WALL-E
5525:(2007)
5517:(2006)
5509:(2005)
5501:(2004)
5493:(2003)
5485:(2002)
5477:(2001)
5469:(2000)
5461:(1999)
5453:(1998)
5445:(1997)
5437:(1996)
5429:(1995)
5421:(1994)
5413:(1993)
5405:(1992)
5397:(1991)
5389:(1990)
5381:(1989)
5373:(1988)
5365:(1987)
5357:(1986)
5349:(1985)
5341:(1984)
5333:(1983)
5325:(1982)
5317:(1981)
5314:Pixote
5309:(1980)
5227:(2022)
5217:(2016)
5207:(2016)
5177:(1997)
5167:(1990)
5075:(2011)
5065:(2006)
5055:(1994)
5052:Images
5034:(2024)
5024:(2018)
5014:(2013)
5004:(2011)
4994:(2007)
4984:(2007)
4974:(2001)
4964:(1982)
4952:Albums
4943:(2017)
4933:(1993)
4923:(1992)
4891:(2011)
4826:(2017)
4816:(2013)
4806:(2010)
4796:(2007)
4786:(2007)
4776:(2007)
4766:(2002)
4756:(2002)
4746:(2002)
4736:(1995)
4726:(1988)
4716:(1974)
4706:(1970)
4696:(1968)
4686:(1967)
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