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Body and Soul (1930 song)

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441:) could be considered the ultimate vocal rendition. A crossroad of sorts, this performance finds Sinatra beginning to inject some of the pain of his personal life into the music; the singer delving deep within his soul, struggling to extract every nuance of emotion possible, to bring the complex lyric and melodic subtleties intended by the songwriters sharply into focus. As well, his tonal quality reflects much of the aching, melancholic mood that would fully emerge (and become so poignant) just a short time later, in the late Columbia period. 430:. Since then, two alternate takes have been released by Columbia. Two takes begin with Hackett's trumpet, one, the longest, begins with the orchestra, then Hackett's trumpet. The takes can also be distinguished by their running times. The first take is 3:15. The second, released on the LP "Reflections" in 1960, runs 3:20. And the third, released in 1967 on the album "The Essential Frank Sinatra", runs 3:23. 247: 460: 389:
constitute almost the entire take. Jazz critic Leonard Feather says, "This became his biggest hit and established him as a national name." Because of this, as well as the imaginative use of harmony and break from traditional
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shifts. It has been described as "a bridge like no other". "Body and Soul" is considered a challenging piece to solo over; however, the unusual nature of the chords provides a "large degree of improvisational freedom".
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on March 23, 2011. It was the final recording made by Winehouse before her death on July 23, 2011, at the age of 27. The single was released worldwide on September 14, 2011, what would have been her 28th birthday, on
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for the week of October 1, 2011, it made Bennett, at age 85, the oldest living artist to chart on the Hot 100. It also gave Bennett the longest overall span of appearances on the Hot 100; his version of
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recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least 11 American bands had recorded it.
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include it. The main part of the tune consists of a repeated eight-bar melody, followed by an eight-bar bridge and a final eight-bar return to the melody. The 32-bar
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Sinatra expert Charles Granada explains the significance of this recording in his note on the first CD release of the third released take (listed here as 3:24):
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In addition to revered status as a pop and jazz standard, Sinatra's superb interpretation (along with that of the late
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is typical of popular songs of the time. The "A" section uses conventional chord progressions including
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See also Gary Giddins, RHYTHM-A-NING, decapo press, pb."Fifty Years of "Body and Soul", p 45-53.
861: 768:" appeared on the very first Hot 100 chart, for the week of August 4, 1958. The song received a 136:. It was also used as the musical theme and underscoring in the American film noir boxing drama 2000: 1807: 1539: 1268: 1240: 820: 2465: 2425: 2007: 1416: 1091: 382: 2135: 1993: 1303: 1296: 1254: 1166: 173: 8: 2435: 2420: 1763: 1674: 1212: 399: 2260: 1961: 1787: 1504: 1219: 959: 935: 844:"Original versions of Body and Soul by Jack Hylton and His Orchestra - SecondHandSongs" 773: 519: 246: 2297: 2286: 2256: 2241: 1194: 983: 904: 896: 757: 386: 155: 2100: 1943: 1900: 843: 514: 423: 370: 322: 273: 180:
was the first jazz musician to record "Body and Soul", in October 1930, but it was
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This article is about the jazz standard. For other songs with the same title, see
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Gary Giddins, "How Come Jazz Isn't Dead", pp. 39–55 in Eric Weisbard, ed.,
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category on February 12, 2012. Proceeds from "Body and Soul" go to benefit
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and His Orchestra on October 11, 1939, at their only recording session for
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in the home key of D flat, however the bridge is highly unusual in its
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cliches, the recording is recognised as part of the "early tremors of
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and a large orchestra arranged and conducted by Alex Stordahl for
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Easy to Remember: The Great American Songwriters and Their Songs
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Charles Granada, "Sinatra Sings His Greatest Hits," booklet in
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is only hinted at in the recording; Hawkins' two-choruses of
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One of the most famous and influential takes was recorded by
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One Last Time: An Evening with Tony Bennett and Lady Gaga
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A Swingin' Christmas (Featuring The Count Basie Big Band)
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United States National Recording Registry recordings
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The recording is unusual in that the song's 2173: 1815: 1099: 806: 1615:Mr. Broadway: Tony's Greatest Broadway Hits 1547:The Silver Lining: The Songs of Jerome Kern 1290:If I Ruled the World: Songs for the Jet Set 2180: 2166: 1822: 1808: 1318:Snowfall: The Tony Bennett Christmas Album 1106: 1092: 1032:, August 4, 2011, accessed August 5, 2011. 732:"Body and Soul" was recorded as a duet by 458: 245: 194: 1070:"Welcome to the Amy Winehouse Foundation" 841: 2072:I Told You I Was Trouble: Live in London 1919:I Told You I Was Trouble: Live in London 933: 1473:Bennett Sings Ellington: Hot & Cool 756:When the song reached number 87 on the 14: 2413: 1024:"Bennett-Winehouse single for release" 885: 2161: 1803: 1087: 1041: 1012:Frank Sinatra Sings His Greatest Hits 920:Leonard Feather, "Hawkins, Coleman", 227: 188:who popularized it in United States. 2441:Grammy Hall of Fame Award recipients 1343:Tony Sings the Great Hits of Today! 999:Songs by Sinatra: A Reference Guide 154:for the British actress and singer 24: 2456:Songs with lyrics by Edward Heyman 1717:I Can't Give You Anything but Love 1042:Trust, Gary (September 21, 2011). 927: 895:, Harvard University Press, 2004. 232: 25: 2507: 2471:Jazz compositions in D-flat major 1829: 1682:Living Together, Growing Together 1392:The Tony Bennett/Bill Evans Album 2451:Songs with music by Johnny Green 1668:I Left My Heart in San Francisco 1248:I Left My Heart in San Francisco 1113: 1431:Astoria: Portrait of the Artist 1062: 1035: 1017: 1004: 992: 410:Frank Sinatra and Bobby Hackett 168:. 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Index

Body and Soul (song)
Body and Soul (disambiguation)
Song
Genre
Jazz
Composer(s)
Johnny Green
Lyricist(s)
Edward Heyman
Robert Sour
Frank Eyton
popular song
jazz standard
Johnny Green
Edward Heyman
Robert Sour
Frank Eyton
Body and Soul
New York City
Gertrude Lawrence
Libby Holman
Three's a Crowd
Jack Hylton
Ambrose
Louis Armstrong
Paul Whiteman
Jack Fulton
D-flat major
Libby Holman
Billie Holiday

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