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241:". Simenon then decided to change the name of the project from the Rhythm King All Stars to Bomb the Bass, with Simenon and Gabriel using the names DJ Kid 33 and Emilio Pasquez to give the impression that the record was an American import. When the record was released by Rhythm King records in the UK (on their Mister-Ron sublabel) it debuted at number five and peaked a week later at number two on the chart of 21 to 27 February 1988, giving Bomb the Bass the chance to appear on
27:
638:"the new Bomb the Bass plug straight into a place where scuffed Formica is sexier than leather, and red LED is the font of all knowledge. Having worked through all those zeroes and ones only to come up wanting, Bomb the Bass have seemingly gone back to come forwards once again, with the result being a track that easily lives up to the sum of its parts."
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As a name, Bomb the Bass came from
Simenon's approach to collaging and mixing sounds whilst DJing in the mid- to late 1980s; he says "samples were either scratched in live or sampled and looped on top of the rhythm section. So the concept was one of bombing the bass line with different ideas, with a
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in London nightclub The Wag, where
Simenon was doing a DJ set including the track's first incarnation, a Morgan-McVey B-side called "Looking Good Diving With The Wild Bunch." Simenon expressed interest in reworking the track, before alerting Morgan to the approach of a crazed stalker who was trying
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by Steve Malins, Simenon confessed, "I just felt fucked by the end of the recording, and I carried on working in
January and February 1997, which was the worst thing I could have done. I started to feel really ill. So I took a break and had a few months off. I was just mentally and physically
236:
Bomb the Bass had originally started out as the Rhythm King All Stars, a project which would see the back catalogue of Rhythm King
Records mixed into a 12 inch medley for the clubs, by producers Tim Simenon (a housemate of label founder James Horrocks) and Pascal Gabriel. However, as the back
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Bomb the Bass spent most of 2011 and 2012 touring and recording their next album with drummer
Christian Eigner. In 2012, the official BTB online shop was opened, with instrumental versions of "Future Chaos" and "Back to Light" being made available to purchase, along with a compilation album
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was to be released in August 2008. In the same interview, Simenon commented that the album had taken so long to complete partly because he had wanted to change direction, to take on a more simplistic, less cluttered feel - necessitating a restart and re-record.
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magazine many years later, Simenon said of the track's construction: "I suppose I was tuned in to what was current at the time and was able to pick and choose what I wanted with some knowledge of how it should be applied."
575:" as the last major Simenon outing for many years: "It'd been non-stop for more than 10 years, and I was just burnt out. It all just caught up, and took its toll; just left me feeling very, very uninspired".
509:
magazine in 1995, Simenon agreed with the interviewer when it was suggested that, with this more frenetic side of his work, he was looking to "combine the art of sampling with the energy of rock and roll."
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The game was one of the first instances of a computer being programmed to play a pop single with reasonable accuracy. Sections of the music were sampled and then re-sequenced (by computer game musician
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There are two versions of the track in the game: a nearly faithful rendition (only missing a few spoken lines) as the loading music, and a simplified version as the in-game background music. The
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a variety of songs and acts deemed potentially controversial due to their content or titles. The band name Bomb the Bass was considered to fall into this category, along with that of
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734:, Bomb the Bass quietly dissolved. Simenon relocated to Prague and went for other ventures. In 2020, he confirmed that he has finished working in the music industry.
536:
of
Depeche Mode, who were on the look out for a new producer. Gahan said, "There was loads of names being thrown at us (to produce Depeche Mode's next album after
422:). In the cartridge-based console versions, the music is radically simplified, being purely synthesised and lacking the voice samples of the computer versions.
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to kill him. Morgan informed Cherry's record company of
Simenon's interest in the track, and a deal was struck for him to produce what became "Buffalo Stance".
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version of the loading music is based on the same track, but significantly different, with such changes as helicopter sound effects at the beginning and end.
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attempted to outline a new genre in the making, suggesting that, by moving beyond mere dance tracks into fully cohesive albums, the band were venturing into
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catalogue of the company was at that point small, the duo used a number of other records and samples from other companies, with the record evolving into "
2000:
397:", and its theme seems heavily inspired by The Splash Band track "The End (Disco Version)" released in 1984, which is itself based on the theme of
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cooperated with Tim
Simenon to include the 1988 Bomb the Bass hip hop track "Megablast (Hip Hop on Precinct 13)" as theme music for the video game
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was released in May 2013 on
Simenon's own label O*Solo Recordings. The band celebrated their 25th anniversary by releasing a mega mix
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in March 2008. The clip, which was produced by Perish
Factory visualises the new minimal sound of the band by featuring an animated
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269:" were written by Simenon, the rest of the track was compiled from samples. Having already taken a part-time sound course at the
690:. Around the same time and also via Twitter, Jakeone of Toob announced he had just completed remix duties on a new track called
522:, which Simenon produced and which spawned the track "Angel" (which found its way onto the hugely successful soundtrack of the
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In the mid 1990s, Simenon signed Bomb the Bass and his Stoned Heights imprint to Island Records' dance and hip-hop label
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542:), but in the end we picked (Simenon) because Martin (Gore) and I really liked the Gavin Friday album that he did.
437:, "Love So True" was released with vocals from Loretta Heywood. It suffered under hastily imposed (and unofficial)
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2001:"A Journey Through Stock Aitken Waterman: Ep 19: Looking Good Diving to I Just Can't Wait on Apple Podcasts"
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was the band's most well received release to date. Reviewing the album at the time, music writer and author
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collage of sounds. Bombing was a graffiti term for writing, like people would 'bomb' trains or whatever."
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2158:"BOMB THE BASS FEAT. JUSTIN WARFIELD | full Official Chart History | Official Charts Company"
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2384:"Bomb The Bass Interview: 'All of a sudden I was in the job that I'd always dreamed about doing'"
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1917:"Bomb The Bass Interview: 'All of a sudden I was in the job that I'd always dreamed about doing'"
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After that, Tim Simenon went to form a short lived band Ghost Capsules. Since the release of
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Bomb the Bass confirmed they would perform their first London gig in almost 20 years, at the
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2188:"BOMB THE BASS | full Official Chart History | Official Charts Company"
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on 4 June 2008; and are also billed as appearing at the UK dance music festival,
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is an absolutely brilliant album, (and) we really loved the sounds he produced".
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2520:"The ARIA Report issue 252, week ending 11th December 1994: Chartifacts column"
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2205:
2099:"TIM SIMENON | full Official Chart History | Official Charts Company"
2004:
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In an online interview with Tim Simenon in May 2008, it was remarked that
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List of artists who reached number one on the U.S. Dance Club Songs chart
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Malins, Steve (2006). "Depeche Mode: Black Celebration". André Deutsch.
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2541:"The ARIA Australian Top 100 Singles Chart – Week Ending 30 Apr 1995"
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686:, Simenon revealed that work was almost complete on the follow-up to
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Reviewing "Butterfingers", Daily Music Guide described it as showing
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The work in question, which took the form of recording sessions with
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prompted UK broadcasters, especially the main national music station
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show, the track contains an alleged 72 samples, including lifts from
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In February 1991, the first single from Bomb the Bass' new album
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2493:"australian-charts.com > Bomb the Bass in Australian Charts"
1971:"Official Singles Chart Top 100 | Official Charts Company"
2671:
2272:
2074:"BBC - Radio 2 - Sold On Song - Brits25 - Unfinished Sympathy"
1772:"—" denotes releases that did not chart or were not released.
318:. Also featured were dialogue clips from the television shows
281:, who went on to experience his own success as co-producer of
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Reynolds, Simon (8 February 2008). "Energy Flash". Picador.
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It was originally thought that "Butterfingers" (featuring
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Virtual Music: Sound, Music, and Image in the Digital Era
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Pushing the needle: The accelerated success of "Beat Dis"
193:
245:(in a performance that also included Adele Nozedar from
555:, was released in April 1997. Quoted in the biography,
478:
Break from the beat: Bomb the Bass as production outfit
249:, who was working for the record company at the time).
2639:. Vol. 2, no. 12. October 1988. p. 38.
625:, as an animated short film for the track surfaced on
2413:"Bubbling Down Under Week Commencing 3 February1992"
678:
Back to the racks, Back to Light: BTB from 2009–2010
375:
2558:"Bubbling Down Under Week Commencing 5 August 1991"
2513:. Mt. Martha, VIC, Australia: Moonlight Publishing.
51:. Unsourced material may be challenged and removed.
2507:Top 100 peaks from January 1990 to December 2010:
2543:. Imgur.com (original document published by ARIA)
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2251:
2249:
2247:
2245:
292:, which featured "Beat Dis" on their clip-based
364:, he co-produced "Krazy", a remix of the song "
513:Another record released by Island in 1995 was
441:broadcast regulations, as the outbreak of the
2242:
2522:. Imgur.com (original document published by
2111:
528:movie). This album caught the attention of
460:Following the success of "Winter in July",
2693:
2281:"Review of Butterfingers by Bomb The Bass"
619:) would be the first single released from
500:" reach number 24 in the UK singles chart
133:
1858:
1771:
950:Beat Dis – The Very Best of Bomb the Bass
930:"—" denotes releases that did not chart.
579:1990s become 2000s, become Electric Tones
425:
111:Learn how and when to remove this message
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1943:"How we made Beat Dis by Bomb the Bass"
220:alias of English musician and producer
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486:. This partnership saw the 1995 album
2581:"Bomb The Bass - US Dance Club Songs"
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727:as a digital single in October 2013.
285:and a wide variety of other artists.
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1995:
1993:
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49:adding citations to reliable sources
20:
2477:
2310:. Daily Music Guide. Archived from
2283:. Daily Music Guide. Archived from
611:: Bomb the Bass in the 21st century
592:was recorded in collaboration with
13:
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2511:Australia's Music Charts 1988–2010
2175:
1392:(a re-recording of "Love So True")
492:reach the UK albums chart and the
14:
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2660:
2438:"Bomb the Bass - Into the Dragon"
1988:
376:Computer Games: Xenon 2 Megablast
2334:"Bomb The Bass (@bomb_the_bass)"
742:
602:Bomb the Bass & Jack Dangers
348:" after a chance encounter with
204:, Stoned Heights, Island Records
25:
16:English electronic music project
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2583:. billboard.com. Archived from
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2306:Jansen, Steve (29 March 2008).
2279:Jansen, Steve (21 April 2008).
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1169:"Megablast/Don't Make Me Wait"
557:Depeche Mode: Black Celebration
36:needs additional citations for
2463:"Bomb The Bass - German Chart"
2018:
1963:
1935:
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1:
2258:"Myspace page: Bomb The Bass"
2256:Simenon, Tim (1 March 2008).
1893:Tingen, Paul (1 March 1995).
1790:
2721:English electronic musicians
2359:"Jake Williams (@jakeoneuk)"
2308:"Interview with Tim Simenon"
2133:"Tim Simenon: Bomb The Bass"
1895:"Tim Simenon: Bomb The Bass"
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698:was released in March 2010.
7:
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945:(Rhythm King Records, 1989)
539:Songs of Faith and Devotion
271:School of Audio Engineering
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2607:"Bomb the Bass - Beat Dis"
2049:"Bomb the Bass: Biography"
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395:You Can Make It If You Try
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1859:Rambarran, Shara (2021).
1830:"Bomb the Bass Biography"
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391:Sly and the Family Stone
2716:English house musicians
2517:"Say a Little Prayer":
983:(Electric Tones, 2001)
706:, Mega Dis and break-up
650:, on 2 August 2008, in
573:Only When I Lose Myself
484:4th & B'way Records
2224:"Tim Simenon: q&a"
1390:"Keep Giving Me Love"
1347:"The Air You Breathe"
957:
404:Assault on Precinct 13
312:The Jimmy Castor Bunch
145:Background information
2731:Musicians from London
549:The resulting album,
2668:".....bomb the bass"
2509:Ryan, Gavin (2011).
2388:Classic Pop Magazine
45:improve this article
2736:Rhythm King artists
2726:Hip house musicians
2587:on 15 December 2018
2417:Bubbling Down Under
1840:on 9 September 2012
1724:Fujiya & Miyagi
1211:Say a Little Prayer
846:Fourth and Broadway
793:Rhythm King Records
714:Rare and Unreleased
617:Fujiya & Miyagi
598:Meat Beat Manifesto
569:Meat Beat Manifesto
381:The Bitmap Brothers
2230:. 10 February 2008
2192:Officialcharts.com
2162:Officialcharts.com
1975:Officialcharts.com
1809:Officialcharts.com
1541:"1 to 1 Religion"
1497:(feat. Spikey Tee)
937:Compilation albums
917:O*Solo Recordings
496:featuring single "
2635:"Bomb the Bass".
2555:"Winter in July:
1921:Classicpopmag.com
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472:progressive dance
463:Unknown Territory
435:Unknown Territory
428:Unknown Territory
386:Xenon 2 Megablast
288:According to the
247:Indians in Moscow
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2670:. Archived from
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218:electronic music
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1543:(feat. Carlton)
1447:Justin Warfield
1441:Bug Powder Dust
1259:"Love So True"
1215:(feat. Maureen)
1163:Into the Dragon
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1014:Peak positions
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787:Into the Dragon
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494:Justin Warfield
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420:David Whittaker
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340:He co-produced
316:Ennio Morricone
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243:Top of the Pops
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222:Timothy Simenon
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153:London, England
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139:Simenon in 2008
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60:"Bomb the Bass"
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2490:Top 50 peaks:
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2005:Apple Podcasts
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1951:. 19 July 2021
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1865:. Bloomsbury.
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1584:"Sandcastles"
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1018:Certifications
1015:
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1002:
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978:
959:
956:
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953:(Camden, 1999)
946:
943:The CD Singles
938:
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927:
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905:
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875:Electric Tones
868:
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739:
736:
707:
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679:
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644:London Astoria
612:
606:
580:
577:
525:Romeo + Juliet
515:Gavin Friday's
506:Sound on Sound
479:
476:
468:Simon Reynolds
455:Massive Attack
443:First Gulf War
430:
424:
399:John Carpenter
377:
374:
346:Buffalo Stance
333:Sound on Sound
279:Pascal Gabriel
254:
251:
233:
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210:Musical artist
209:
206:
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202:Electric Tones
191:
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15:
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2687:Bomb the Bass
2685:
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2559:
2554:
2542:
2538:"Darkheart":
2537:
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2512:
2506:
2495:. Hung Medien
2494:
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2260:. Tim Simenon
2259:
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1896:
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1872:9781501336379
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1672:Singles only
1669:
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944:
941:
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928:
925:
916:
914:
911:
908:
907:
904:
896:
895:
894:Back to Light
891:
888:
887:
884:
876:
872:
867:
866:
862:
859:
858:
855:
847:
844:
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794:
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781:
780:
777:
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770:
766:
762:
758:
755:
752:
749:
748:
743:Studio albums
735:
733:
728:
726:
722:
721:
716:
715:
705:
699:
697:
696:Back to Light
693:
692:The Infinites
689:
685:
675:
672:
667:
665:
661:
657:
656:Herefordshire
653:
649:
648:The Big Chill
645:
640:
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634:
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628:
624:
623:
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610:
605:
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338:
335:
334:
330:. Talking to
329:
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214:Bomb the Bass
203:
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196:, Mister-Ron/
195:
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156:
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136:
131:
127:Bomb the Bass
124:
115:
112:
104:
93:
90:
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83:
79:
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72:
69:
65:
62: –
61:
57:
56:Find sources:
50:
46:
40:
39:
34:This article
32:
28:
23:
22:
19:
2676:. Retrieved
2672:the original
2636:
2614:. Retrieved
2610:
2601:
2589:. Retrieved
2585:the original
2575:
2561:. Retrieved
2545:. Retrieved
2530:17 September
2528:. Retrieved
2510:
2497:. Retrieved
2483:Australian (
2479:
2467:. Retrieved
2457:
2445:. Retrieved
2441:
2432:
2420:. Retrieved
2416:
2392:. Retrieved
2387:
2378:
2366:. Retrieved
2353:
2341:. Retrieved
2328:
2316:. Retrieved
2312:the original
2301:
2289:. Retrieved
2285:the original
2274:
2262:. Retrieved
2232:. Retrieved
2228:Steve Jansen
2218:
2207:
2195:. Retrieved
2191:
2165:. Retrieved
2161:
2152:
2140:. Retrieved
2136:
2113:
2102:
2093:
2081:. Retrieved
2068:
2056:. Retrieved
2043:
2032:, retrieved
2027:Seal - Crazy
2026:
2020:
2008:. Retrieved
1978:. Retrieved
1974:
1965:
1953:. Retrieved
1948:The Guardian
1946:
1937:
1925:. Retrieved
1920:
1911:
1899:. Retrieved
1861:
1854:
1842:. Retrieved
1838:the original
1824:
1812:. Retrieved
1808:
1799:
1766:Future Chaos
1765:
1627:"Clear Cut"
1495:"Darkheart"
1488:
1431:Single only
1300:
1162:
993:
987:Jack Dangers
980:
963:
948:
942:
912:
892:
865:Future Chaos
863:
838:
818:
785:
731:
729:
718:
712:
709:
703:
691:
688:Future Chaos
687:
681:
671:Future Chaos
670:
668:
641:
637:
635:
622:Future Chaos
620:
614:
609:Future Chaos
608:
601:
594:Jack Dangers
584:
582:
565:Jack Dangers
562:
560:exhausted".
556:
550:
548:
544:Shag Tobacco
543:
537:
523:
519:Shag Tobacco
517:
512:
504:
502:
487:
481:
471:
461:
459:
434:
432:
427:
416:
409:
402:
384:
379:
359:
354:Morgan-McVey
350:Jamie Morgan
342:Neneh Cherry
339:
331:
327:Thunderbirds
325:
319:
304:Public Enemy
293:
287:
256:
242:
235:
226:
221:
213:
212:
181:Years active
107:
98:
88:
81:
74:
67:
55:
43:Please help
38:verification
35:
18:
2465:. charts.de
2234:10 February
2010:28 December
1834:IMO Records
1157:BPI: Silver
738:Discography
534:Martin Gore
447:BBC Radio 1
362:Trevor Horn
360:Along with
310:(including
265:tracks of "
198:Rhythm King
2705:Categories
2485:ARIA Chart
2422:5 February
1844:25 January
1832:. London:
1791:References
968:Morr Music
913:In the Sun
732:In the Sun
720:In the Sun
704:In the Sun
662:festival,
530:Dave Gahan
439:censorship
257:While the
162:Electronic
101:March 2014
71:newspapers
2645:0957-6606
2616:20 August
2611:bpi.co.uk
2487:) peaks:
2447:20 August
2442:bpi.co.uk
2197:16 August
2167:16 August
2142:16 August
1980:16 August
1955:16 August
1927:16 August
1814:16 August
1677:"Tracks"
1631:Lali Puna
974:Lali Puna
964:Clear Cut
702:Touring,
451:blacklist
283:S'Express
259:bass line
185:1987–2013
170:downtempo
2678:23 April
2653:24835173
2563:6 August
2547:25 April
2499:25 April
2318:29 March
2053:AllMusic
1901:11 March
1779:See also
1117:Beat Dis
1104:US Dance
994:Mega Dis
970:, 2001)
725:Mega Dis
664:Lethargy
658:and the
631:Minimoog
401:'s film
352:of band
275:Holloway
267:Beat Dis
239:Beat Dis
174:trip hop
2691:Discogs
2368:25 June
2363:Twitter
2343:25 June
2338:Twitter
2264:1 March
2083:25 June
2058:25 July
1722:(feat.
1629:(feat.
1445:(feat.
1011:Single
1001:Singles
684:Twitter
652:Ledbury
627:YouTube
596:, from
393:song, "
321:Dragnet
314:), and
300:hip hop
232:History
166:hip hop
85:scholar
2651:
2643:
2591:12 May
2469:12 May
2291:10 May
2034:8 July
2030:, 1990
1869:
1022:Album
985:(with
981:Tracks
972:(with
808:: Gold
756:Label
753:Album
660:Zürich
586:Tracks
216:is an
190:Labels
158:Genres
150:Origin
87:
80:
73:
66:
58:
2394:3 May
1717:2008
1624:2001
1538:1995
1489:Clear
1436:1994
1387:1992
1256:1991
1112:1988
1053:(FLA)
1008:Year
909:2013
889:2010
860:2008
840:Clear
835:1995
815:1991
782:1988
750:Year
666:'08.
567:from
552:Ultra
489:Clear
449:, to
426:Into
412:Amiga
368:" by
366:Crazy
302:like
295:TOTP2
92:JSTOR
78:books
2680:2010
2649:OCLC
2641:ISSN
2618:2022
2593:2014
2565:2022
2549:2017
2532:2015
2524:ARIA
2501:2017
2471:2014
2449:2022
2424:2023
2396:2021
2370:2016
2345:2016
2320:2008
2293:2008
2266:2008
2236:2008
2199:2021
2169:2021
2144:2021
2085:2016
2060:2016
2036:2023
2012:2021
1982:2021
1957:2021
1929:2021
1903:2008
1867:ISBN
1846:2012
1816:2021
853:122
828:172
583:The
532:and
370:Seal
344:'s "
324:and
308:funk
263:drum
261:and
64:news
2078:BBC
1374:162
1334:174
1089:AUS
1082:SWE
1075:SWI
1068:AUT
1060:GER
1051:BEL
1044:NED
1037:IRE
958:EPs
871:!K7
850:22
825:19
806:BPI
797:18
769:AUS
290:BBC
273:in
194:!K7
47:by
2707::
2647:.
2609:.
2440:.
2415:.
2404:^
2386:.
2361:.
2336:.
2244:^
2226:.
2190:.
2177:^
2160:.
2135:.
2124:^
2101:.
2076:.
2051:.
2003:.
1990:^
1973:.
1945:.
1919:.
1881:^
1807:.
1760:—
1710:—
1667:—
1617:—
1587:54
1577:—
1547:53
1531:—
1525:95
1501:35
1483:—
1477:34
1453:24
1443:"
1426:—
1396:62
1380:—
1356:54
1350:52
1340:—
1331:32
1328:21
1322:39
1319:37
1313:21
1295:—
1265:84
1249:—
1246:21
1243:54
1228:18
1222:11
1219:10
1213:"
1202:—
1199:19
1190:19
1184:33
1178:29
1175:12
1152:1
1131:10
1119:"
1097:NZ
1029:UK
923:—
920:—
902:—
899:—
882:—
879:—
873:/
800:—
761:UK
694:.
654:,
590:EP
474:.
407:.
372:.
306:,
224:.
200:,
172:,
168:,
164:,
2682:.
2655:.
2620:.
2595:.
2567:.
2551:.
2534:.
2526:)
2503:.
2473:.
2451:.
2426:.
2398:.
2372:.
2347:.
2322:.
2295:.
2268:.
2238:.
2201:.
2171:.
2146:.
2107:.
2087:.
2062:.
2014:.
1984:.
1959:.
1931:.
1905:.
1875:.
1848:.
1818:.
1757:—
1754:—
1751:—
1748:—
1745:—
1742:—
1739:—
1736:—
1733:—
1730:—
1726:)
1707:—
1704:—
1701:—
1698:—
1695:—
1692:—
1689:—
1686:—
1683:—
1680:—
1664:—
1661:—
1658:—
1655:—
1652:—
1649:—
1646:—
1643:—
1640:—
1637:—
1633:)
1614:—
1611:—
1608:—
1605:—
1602:—
1599:—
1596:—
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1456:—
1449:)
1439:"
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1292:—
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1231:—
1225:9
1209:"
1196:—
1193:—
1187:—
1181:—
1172:6
1149:5
1146:—
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1140:4
1137:3
1134:6
1128:8
1125:4
1122:2
1115:"
989:)
976:)
966:(
114:)
108:(
103:)
99:(
89:·
82:·
75:·
68:·
41:.
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