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54:) and native Latin American drum traditions. These drums are of smaller dimensions than the orchestral bass drum, and their frame can be made of wood or steel. They can be held vertically or diagonally on the body or a stand. The specific make of the instrument depends on the regional tradition. In Argentina, the bombo criollo is called
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In some Latin
American countries the term tambora is used to refer to bombos criollos. Nonetheless, tamboras are generally wider than other bombos criollos, possibly being an adaptation of both European bass drums
302:. It is a one-headed drum played with sticks. The player can sit on it or put it between his or her legs to perform rhythms on the instrument, strucking the head, the rim or the body of the drum.
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Mexican tamboras have a diameter of 20 to 26 inches. There are two types of tambora in
Mexican music: a traditional, with no cymbals, used in the folk ensembles
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Los instrumentos de la música afrocubana: Los membranófonos abiertos Ñ a Z, los bimembranófonos y otros tambores especiales
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which has a cymbal over the frame and a stand for the drum. A felt mallet is used to beat the drum.
346:(in Spanish). Havana, Cuba: Centro de Investigación y Desarrollo de la Música Cubana. p. 297.
221:
109:. The body of the drum is made out of a hollowed tree trunk, and the head is made of animal skins.
142:. They are tuneable, two-headed military drums introduced in the island by the Spanish settlers.
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and played in many folkloric styles. In Cuba, bombos are the largest drums played by the street
161:, the bass drum (slightly smaller than the bombo) is called tambora, tamborita or tambuché.
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Ramos
Venereo, Zobeyda (2007). "Haitian Traditions in Cuba". In Kuss, Malena (ed.).
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212:. Traditionally, this kind of tambora is played with sticks and fixed on a stand.
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The bombo legüero is a common instrument in
Argentine folk traditions such as
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444:"Tradiciones danzario musicales de raices haitianas en el oriente cubano"
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Music in Latin
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512:(2nd ed.). Santo Domingo, Dominican Republic: Manatí. p. 194.
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87:(bomba barrels), which are unrelated to the European bass drums.
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Instrumentos de la música folclórico-popular de Cuba, Volume 1
421:. Austin, TX: University of Texas Press. pp. 265–280.
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234:. They were traditionally made from salvaged rum barrels.
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The
Concise Garland Encyclopedia of World Music, Volume 1
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The bombo should not be confused with the Puerto Rican
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Central
American and Caribbean percussion instruments
340:
Ramos Venéreo, Zobeyda (1997). "Bombos o tamboras".
260:, and the one used en Mexican brass bands, as in
81:, a genre of music played with hand drums called
552:
131:The bombo or tambora is the lowest drum used in
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394:. Petaluma, CA: Sher Music Co. p. 32.
485:. New York, NY: Routledge. p. 201.
230:, tamboras are two-headed drums used in
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23:Argentine bombos legüeros in a store in
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391:Salsa Guidebook for Piano and Ensemble
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140:street carnivals from Santiago de Cuba
576:South American percussion instruments
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479:Brandt, Max H. (2013). "Venezuela".
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298:The Venezuelan tambora is played in
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157:by Afro-Haitian slaves after the
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506:Deive, Carlos Esteban (2002).
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16:Family of Latin American drums
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509:Diccionario de dominicanismos
320:"El origen del bombo legüero"
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453:(in Spanish). Archived from
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208:, tamboras are used to play
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173:Mexican brass band tambora.
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250:tamborileros del norte
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269:tamborazo zacatecano
190:Colombia and Panama
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216:Dominican Republic
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159:Haitian Revolution
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536:Colombian tambora
442:Mirabeu, Daniel.
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194:See also:
117:See also:
451:Ritmacuba
282:Venezuela
258:jaraberos
107:chacarera
91:Argentina
62:comparsas
48:bass drum
388:(1993).
370:(1954).
202:Colombia
165:Tamboras
66:Santiago
464:June 1,
226:In the
155:Oriente
71:tambora
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238:Mexico
210:cumbia
206:Panama
196:Cumbia
180:bombos
151:tahona
127:Tahona
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561:Drums
458:(PDF)
447:(PDF)
134:conga
103:zamba
79:bomba
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44:drums
37:bombo
514:ISBN
487:ISBN
466:2015
423:ISBN
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348:ISBN
327:2017
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