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which has a warm climate year-round. Her partner Elinor Jones claimed the two did not believe Godard was right for the project in the first place. Godard's retort: «Je vous parle de cinéma, vous me parlez de météo. Au revoir.» ("I'm talking cinema and you're talking weather. Goodbye.") After the 1968 Academy Awards, Godard sent Benton and Newman a cable that read, "Now, let's make it all over again!"
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relationship was underwritten in terms of emotional complexity, it dissipated the passion of the title characters. This would threaten the audience's sympathy for the characters, and might result in their being written off as sexual deviants because they were criminals. Others said that Beatty was unwilling to have his character display that kind of sexuality and that the
1030:, with rentals of $ 19 million. By July 1968, the film had earned rentals of $ 10 million outside of the US and Canada. Listal lists it as one of the top five grossing films of 1967, with $ 50.7 million in US sales, and $ 70 million worldwide. Beatty's profit participation (which he shared with Penn) earned him over $ 6 million and Penn over $ 2 million.
881:(it had changed the coloration scheme at considerable expense), their neglect of his film, which was getting excellent press, suggested a conflict of interest; he threatened to sue the company. Warner Bros. gave Beatty's film a general release. Much to the surprise of Warner Bros.' management, the film became a major box-office success.
829:. The film portrays the taking of this playful photo. It implies the gang sent photos—and poetry—to the press, but this is untrue. The police found most of the gang's items in the Joplin cache. Bonnie's final poem, read aloud by her in the movie, was not published until after her death, when her mother released it.
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logo on it. Beatty said, "Well, it's got your name, but it's got my initials." Warner complained about the costs of the film's extensive location shooting in Texas, which exceeded its production schedule and budget, and ordered the crew back to the studio backlot. It already had planned to return for
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C.W. takes the wounded Bonnie and Clyde to hide out at the house of his father Ivan, who thinks the couple have corrupted his son (as evidenced by an ornate tattoo Bonnie convinced C.W. to get). The elder Moss makes a deal with Hamer: in exchange for leniency for C.W., he sets a trap for the outlaws.
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Bonnie wants to visit her family in Texas and give them part of the heist funds, to which Clyde reluctantly acquiesces despite the risk. The gang is caught off guard by an ambush by law enforcement overnight, resulting in many casualties. Buck is mortally wounded by a shot to his head, and
Blanche is
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a positive review, giving it four stars out of four. He called the film "a milestone in the history of
American movies, a work of truth and brilliance", adding, "It is also pitilessly cruel, filled with sympathy, nauseating, funny, heartbreaking, and astonishingly beautiful. If it does not seem that
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initially panned the film as a "squalid shoot-'em-up for the moron trade", but after seeing it a second time and noting the enthusiastic audience, he wrote a second article saying he had misjudged the film and praised it. Warner Bros. took advantage of this, marketing the film as having made a major
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On the run, they suffered a horrific auto accident in which Parker was severely burned and disabled. In the scene depicting their death, Bonnie and Clyde are portrayed as having stopped their automobile, with Clyde exiting the car and then looking back at Bonnie as they realize they've been trapped,
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The film is forthright in its handling of sexuality, but that theme was toned down from its conception. Originally, Benton and Newman wrote Clyde as bisexual. He and Bonnie were to have a three-way sexual relationship with their male getaway driver. Penn persuaded the writers that since the couple's
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can only be described as dishonest ... neither Faye
Dunaway nor Warren Beatty acts in a proper Thirties mode, nor do they seem to understand the feelings of the desperate and the underprivileged. The actress' willowy modern charm is no more appropriate to the lethal, serpentine coldness of the
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Some sources claim Godard did not trust
Hollywood and refused. Benton claimed that Godard wanted to shoot the film in New Jersey in January during the winter. He purportedly took offense when would-be producer Norah Wright objected that his desire was unreasonable, as the story took place in Texas,
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meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde and decides to take up with him and become his partner in crime. They pull off some holdups, but their amateur efforts, while exciting, are not very lucrative. Bonnie and Clyde
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and their gang. They were allied with other gang members, were repeatedly jailed, and committed other murders. In the part of the movie where Bonnie and Clyde escape the ambush that killed Buck Barrow and captured
Blanche, Bonnie is shown being wounded by a deputy sheriff, whom Clyde then kills.
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Soon after the failed negotiations for production, Beatty was visiting Paris and learned through
Truffaut of the project and its path. On returning to Hollywood, Beatty requested to see the script and bought the rights. A meeting with Godard was not productive. Beatty changed his approach and
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The duo's crime spree shifts into high gear once they hook up with a dim-witted gas station attendant, C.W. Moss. Their exploits also become more violent. After C.W. botches parking during a bank robbery and delays their escape, Clyde shoots the bank manager in the face when he jumps onto the
403:, whom they capture and humiliate before setting him free. The five outlaws then pull a heist, during which a police chase disables their vehicle. They steal Eugene Grizzard's car and take him and his girlfriend captive before quickly abandoning them when they learn he is an undertaker.
689:, that detonate inside an actor's clothes to simulate bullet hits. Released in an era when film shootings were generally depicted as bloodless and painless, the Bonnie and Clyde death scene was one of the first in mainstream American cinema to be depicted with graphic realism.
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395:, a preacher's daughter, also join them. The two women dislike each other at first sight, and their antipathy escalates. Blanche has nothing but disdain for Bonnie, Clyde, and C.W., while Bonnie sees Blanche's flightiness as a constant danger to the gang's survival.
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for general release, but mounted only limited regional releases that seemed to confirm its misgivings about the film's lack of commercial appeal. The film quickly did excellent sustained business in select urban theatres. While Jack Warner was selling the studio to
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When Bonnie and Clyde stop on the side of the road to help Mr. Moss fix a flat tire, as a nearby flock of birds flies away, the posse in the bushes gun the couple down. Hamer and his men come out of hiding and gather around the couple's bodies.
327:, the film was considered a "rallying cry". Its success prompted other filmmakers to be more open in presenting sex and violence in their films. The film's ending became iconic as "one of the bloodiest death scenes in cinematic history".
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in the US and Canada. It continued to perform well in 1968 and by March 1968 had been in the top 12 films at the US box office for 22 weeks. By the end of 1968 it had become the studio's second highest-grossing film of all time, behind
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The film was intended as a romantic and comic version of the violent gangster films of the 1930s, updated with modern filmmaking techniques. Arthur Penn portrayed some of the violent scenes with a comic tone, sometimes reminiscent of
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injured in one eye, losing sight in it. Bonnie, Clyde, and C.W. barely escape alive, while
Blanche falls into police custody. Hamer then tricks her into revealing C.W.'s name (until then he was only an "unidentified suspect").
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In Joplin, Missouri, local police show up at the gang's rented house after being alerted by a grocery delivery boy; two policemen are killed in a shootout. The gang is pursued by law enforcement, including Texas Ranger
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The first handling of the script was in the early 1960s. Influenced by the French New Wave writers and not yet completed, Newman and Benton sent Penn an early draft. He already was engaged in production decisions for
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wrote, "It is a cheap piece of bald-faced slapstick comedy that treats the hideous depredations of that sleazy, moronic pair as though they were as full of fun and frolic as the jazz-age cutups in
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616:, all of whom turned it down. Penn turned it down several times before Beatty finally persuaded him to direct the film. Beatty was entitled to 40% of the profits of the film and gave Penn 10%.
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those words should be strung together, perhaps that is because movies do not very often reflect the full range of human life." More than 30 years later, Ebert added the film to his list
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Monty Python's Flying Circus: An
Utterly Complete, Thoroughly Unillustrated, Absolutely Unauthorized Guide to Possibly All the References: from Arthur "Two-Sheds" Jackson to Zambesi
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in Joplin, Missouri. When they printed the negatives, one showed Bonnie holding a gun in her hand and a cigar between her teeth. Its publication nationwide typed her as a dramatic
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genre was long established and widely recorded in the period of the film's events. Long out of print in vinyl and cassette formats, the film soundtrack was released on CD in 2009.
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The film was controversial at the time of release because of its apparent glorification of murderers, and for its level of graphic violence, which was unprecedented at the time.
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Beatty originally wanted the film to be shot in black and white, but Warner Bros. rejected the idea. Much of the studio's senior management was hostile to the film, especially
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782:, on May 23, 1934. In 1968, Hamer's widow and son sued the movie producers for defamation of character over his portrayal. They obtained an out-of-court settlement in 1971.
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524:. Several residents gathered to watch. When the filmmakers noticed Mabel Cavitt, a local schoolteacher, among the people gathered, she was cast as Bonnie Parker's mother.
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Although they escaped the ambush, no lawmen were killed. Between June 1933 and April 1934, however, the Barrow gang did kill three law officers in Texas and
Oklahoma.
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convinced the writers that while the script at first reading was very much of the French New Wave style, an
American director was necessary for the subject.
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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
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when he was coaxed out of semi-retirement to hunt the couple down. He had never met them before he and his posse ambushed and killed them near
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The sequence with Wilder and Evans is based on the Barrow gang's kidnappings of undertaker H.D. Darby and his acquaintance Sophia Stone, near
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directors' influence, both in its rapid shifts of tone, and in its choppy editing, which is particularly noticeable in its closing sequence.
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In 1932 "shotgun photo", Bonnie Parker points at Clyde Barrow; 1966 photo shows publicity reenactment with Faye Dunaway and Warren Beatty.
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was a strong possibility to play Bonnie. When Beatty decided to play Clyde, they needed a different actress. Considered for the role were
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to play the role. Wood declined, to concentrate on her therapy, and acknowledged that working with Beatty before had been "difficult".
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is still sometimes criticized for opening the floodgates to heightened graphic violence in cinema and TV. It holds a 90% rating on
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from 67 reviews, with an average rating of 8.3/10. The site's consensus states: "A paradigm-shifting classic of American cinema,
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real Bonnie Parker than the actors' sensitive, matinee idol's looks have the right style for the shoddy vanity of Clyde Barrow.
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in his film debut portrayed Eugene Grizzard, one of Bonnie and Clyde's hostages. His girlfriend Velma Davis was played by
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2708:"Arthur Penn et la Nouvelle Vague | Blow up - L'actualité du cinéma (Ou presque) | Cinéma | fr - ARTE"
2705:"Arthur Penn et la Nouvelle Vague" (in French language), Luc Lagier. 27/November/2012 |publisher= Magazine Arte.tv |
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3647:"From Stanley Kubrick to Martin Scorsese: Akira Kurosawa once named his top 100 favourite films of all time"
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as a vengeful bungler who was captured, humiliated, and released by Bonnie and Clyde. Hamer was a decorated
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in 2009, criticized the film's failure to adhere to the historical truth about Barrow, Parker, and Hamer.
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Meanwhile, Beatty complained to Warner Bros. that if the company was willing to go to so much trouble for
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Although many believe the film's groundbreaking portrayal of violence adds to the film's artistic merit,
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criticized the film for uneven direction and for portraying Bonnie and Clyde as bumbling moronic types.
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and Beatty provided uncredited contributions to the script; Beatty produced the film. The music is by
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Beaupre, Lee (March 20, 1968). "Persevering of 'Bonnie & Clyde'; 22 Times on Weekly Top Dozen".
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A replica, made for the film, of the Ford V8 in which Bonnie and Clyde died, is on display at the
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would never have allowed such content in the first place. Clyde is portrayed as heterosexual and
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and defying Warner's favorite gesture of authority of showing the studio water tower with the
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ranked the film the fifth best-edited film of all time, based on a survey of its membership.
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Leggett, B.J. (2005). "Convergence and Divergence in the Movie Review: Bonnie and Clyde".
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The only two surviving members of the Barrow Gang when the film was released in 1967 were
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films, then shifted disconcertingly into horrific and graphic violence. The film has the
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fired Crowther because his negative review seemed so out of touch with public opinion.
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as "culturally, historically, or aesthetically significant". It was ranked 27th on the
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era and a landmark picture. It broke many cinematic taboos and for some members of the
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3038:"National Register of Historic Places Registration: Bonnie and Clyde Garage Apartment"
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packs a punch whose power continues to reverberate through thrillers decades later."
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Pictures at a Revolution: Five Films and the Birth of the New Hollywood, Luc Lagier
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2227:"Warren Beatty 'Bonnie' Share May Hit $ 6,300,000; He Gave Arthur Penn 10%".
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dates from the mid-1940s rather than the 1930s. But the functionally similar
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3195:"Screen: 'Bonnie and Clyde' Arrives; Careers of Murderers Pictured as Farce"
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Films featuring a Best Supporting Actress Academy Award-winning performance
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3806:"The 100 All-Time Greatest Movies of All Time by Entertainment Weekly 2013"
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The fierce debate about the film is discussed at length in the documentary
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Best Original Score Written for a Motion Picture or a Television Special
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Pictures at a Revolution: Five Films and the Birth of the New Hollywood
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Our Faith in Evil: Melodrama and the Effects of Entertainment Violence
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The film was not expected to perform well at the box office but was a
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Films whose cinematographer won the Best Cinematography Academy Award
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Pictures at a Revolution: Five Films and the Birth of a New Hollywood
3159:"50 Years Later: How Bonnie and Clyde Violently Divided Film Critics"
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in praise of the film, was hired as the magazine's new staff critic.
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872:. Warner was feeling too defiant to sell any of his studio's films.
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The film is considered to stray far from fact in its portrayal of
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but reports say the car was still moving when lawmen opened fire.
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When Beatty was on board as producer only, his sister and actress
342:). In 1992, it was selected for preservation in the United States
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by Richard Griffith, Arthur Mayer, and Eileen Bowser. New York:
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has been cited as a major influence for such disparate films as
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Barrow, Blanche Caldwell, edited by John Neal Phillips (2005).
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Lavington, Stephen. Oliver Stone. London: Virgin Books, 2004.
3672:"The 100 Greatest Movies of All Time by Entertainment Weekly"
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as "culturally, historically, or aesthetically significant."
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later said that she won the part "by the skin of her teeth!"
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3017:
Go Down Together: The True, Untold Story of Bonnie and Clyde
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Go Down Together: The True, Untold Story of Bonnie and Clyde
2556:"'Bonnie and Clyde' Turns 50 and Still Packs a Bloody Punch"
989:
For the Love of Movies: The Story of American Film Criticism
2369:"25 American films are added to the National Film Registry"
2249:"Forty years later, 'Bonnie and Clyde' still blows us away"
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Best Story and Screenplay – Written Directly for the Screen
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features a brief still shot of Beatty as Clyde firing a
992:(2009). This film chronicles what occurred as a result:
2003:
AFI's 100 Years...100 Movies (10th Anniversary Edition)
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was one of the first films to feature extensive use of
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slow-moving car's running board. Clyde's older brother
2317:"How Bonnie and Clyde's final scene changed Hollywood"
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Outstanding Directorial Achievement in Motion Pictures
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Films with screenplays by David Newman (screenwriter)
3774:"Bonnie and Clyde: No 11 best crime film of all time"
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2343:"The 40th Academy Awards (1968) Nominees and Winners"
685:—small explosive charges, often mounted with bags of
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563:(1966) and could not get involved in the script for
4093:Desilet, Gregory (2005). "Modern 'Noir' Melodrama:
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3702:"Is Full List one of the All-Time 100 Best Movies?"
3370:"Arthur Penn, Director of 'Bonnie and Clyde,' Dies"
2023:was selected for preservation in the United States
1052:cited this movie as one of his 100 favorite films.
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list of the 100 greatest American films of all time
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1724:Online Film & Television Association Awards
1985:Clyde Barrow & Bonnie Parker – #32 Villains
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852:The film premiered as the opening film of the
751:The film considerably simplifies the lives of
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4078:. Cambridge, UK: Cambridge University Press.
3435:"The Frightening Power of "Bonnie and Clyde""
2864:Encyclopedia of Great Popular Song Recordings
2585:Toubiana, Serge; de Baecque, Antoine (1999).
1296:Most Promising Newcomer to Leading Film Roles
383:turn from small-time heists to bank robbing.
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1950:The film repeatedly has been honored by the
823:Bonnie and Clyde's hastily abandoned hideout
319:is considered one of the first films of the
3991:"Two Outlaws, Blasting Holes in the Screen"
655:auditioned for the part, and Beatty begged
4990:United States National Film Registry films
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3255:. Doubleday & Company, Inc. New York.
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925:critic change his mind about its virtues.
821:In 1933, police found undeveloped film in
29:
5005:English-language crime comedy-drama films
5000:English-language biographical drama films
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2404:"Complete National Film Registry Listing"
2106:The "Storage Jars" skit of episode 33 of
1981:AFI's 100 Years...100 Heroes and Villains
1754:Best Written American Original Screenplay
1593:Mar del Plata International Film Festival
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1002:, who wrote a lengthy freelance essay in
592:Beatty offered the directing position to
520:The family gathering scene was filmed in
3862:
3344:"Bonnie and Clyde (United States, 1967)"
3341:
3189:
3019:. New York: Simon and Schuster, p. 364.
2977:. Norman: University of Oklahoma Press.
2860:
2457:
2242:
2240:
2045:
1412:Best Actress in a Motion Picture – Drama
738:
531:
4970:Films with screenplays by Robert Benton
4115:
4092:
3844:from the original on September 10, 2015
3482:
3411:from the original on September 11, 2020
3253:The Art of the American Film: 1900-1971
3147:
3084:
3029:
2796:"The Twisting History of Blood on Film"
2514:Giannetti, Louis; Eyman, Scott (2001).
2261:from the original on September 27, 2016
2222:
2220:
2218:
2216:
2214:
1643:National Society of Film Critics Awards
1511:Kansas City Film Critics Circle Awards
946:The Art of the American Film: 1900-1971
859:At first, Warner Bros. did not promote
527:
5010:English-language action thriller films
4797:
4028:
3812:from the original on November 16, 2020
3645:Thomas-Mason, Lee (January 12, 2021).
3638:
3568:
3393:
3288:from the original on November 11, 2017
3141:
3129:
3117:
3075:
2867:. Scarecrow Press. pp. cxix–cxx.
2848:
2836:
2824:
2782:
2693:
2660:
2644:
2611:
2361:
2314:
2246:
1919:James Berardinelli's All-Time Top 100
1425:Best Supporting Actor – Motion Picture
1399:Best Actor in a Motion Picture – Drama
789:Bonnie and Clyde & Faye and Warren
734:
4895:Films about the Texas Ranger Division
4543:
4518:A Day in the Life of Bonnie and Clyde
4304:
3985:
3979:
3933:from the original on January 16, 2013
3786:from the original on November 4, 2019
3550:from the original on February 2, 2014
3524:from the original on February 3, 2014
3306:
3272:
3156:
3054:from the original on November 4, 2012
2895:from the original on February 2, 2014
2553:
2549:
2547:
2545:
2463:
2432:
2335:
2237:
2101:
330:The film received Academy Awards for
4330:
4001:from the original on August 18, 2017
3586:from the original on January 8, 2017
3574:"How violent taboos were blown away"
3429:
3399:"Clyde and Bonnie Died for Nihilism"
3367:
3207:from the original on August 20, 2019
3099:from the original on August 20, 2019
3036:Roger Maserang (December 31, 2008).
2925:from the original on October 6, 2018
2748:
2672:
2398:
2396:
2323:from the original on August 17, 2017
2211:
1863:The 25 Best Crime Films of All Time
1764:
854:Montreal International Film Festival
3967:from the original on March 17, 2015
3750:. December 22, 2013. Archived from
3722:from the original on April 18, 2021
3242:. Penguin Press, 2008, pp. 341-342.
3171:from the original on March 20, 2021
2955:from the original on August 4, 2018
2945:"Constable William Calvin Campbell"
2806:from the original on March 23, 2018
2466:"From Real to Reel, the 1967 movie"
1684:New York Film Critics Circle Awards
567:. The writers sent their script to
13:
4880:Crime films based on actual events
4416:Bonnie & Clyde: The True Story
4065:
4049:from the original on July 27, 2020
3832:"Hollywood's 100 Favorite Films {"
3447:from the original on June 14, 2019
2998:. New York: Simon & Schuster.
2679:. Magazine Arte.tv. Archived from
2566:from the original on July 27, 2020
2554:Jones, Malcolm (October 8, 2017).
2542:
2517:Flashback: A Brief History of Film
2445:from the original on March 6, 2016
2414:from the original on March 5, 2016
2349:from the original on April 2, 2015
2279:
1992:AFI's 100 Years...100 Movie Quotes
1581:Top Female Supporting Performance
1015:and by year's end had earned $ 2.5
14:
5021:
4860:American crime comedy-drama films
4850:American biographical drama films
4137:
3903:from the original on June 6, 2019
3891:"The 100 best movies of all time"
3871:from the original on June 7, 2019
3742:"100 Greatest Movies Of All Time"
3682:from the original on May 20, 2019
3368:Kehr, Dave (September 29, 2010).
3157:Desta, Yohana (August 11, 2017).
2476:from the original on June 1, 2007
2393:
1482:Best Sound Editing – Feature Film
1348:Directors Guild of America Awards
4875:American road comedy-drama films
4524:"The Legend of Bonnie and Clyde"
3087:"Film Reviews: Bonnie and Clyde"
3085:Kaufman, Dave (August 9, 1967).
2915:"Patrolman Edward Bryan Wheeler"
2889:"Bonnie And Clyde Soundtrack CD"
2296:from the original on May 3, 2014
2058:Fifty years after its premiere,
1939:The 100 Best Movies of All Time
1843:100 Greatest Movies of All Time
1801:100 Greatest Movies of All Time
1628:National Film Preservation Board
1570:Top Male Supporting Performance
1559:Top Female Dramatic Performance
1451:Best Screenplay – Motion Picture
805:
796:
426:Clyde Chestnut "Champion" Barrow
4980:Obscenity controversies in film
4915:Films scored by Charles Strouse
4910:Films produced by Warren Beatty
4447:Last Ride of Bonnie & Clyde
4101:. McFarland. pp. 288–298.
4022:
4013:
3945:
3915:
3883:
3856:
3824:
3798:
3766:
3734:
3694:
3664:
3598:
3562:
3536:
3510:
3493:
3476:
3459:
3423:
3387:
3361:
3335:
3300:
3266:
3245:
3232:
3219:
3183:
3072:Barrow with Phillips, p. 245n40
3066:
3009:
2988:
2967:
2937:
2907:
2881:
2854:
2788:
2742:
2726:
2699:
2666:
2605:
2578:
2488:
2345:. Oscars.org. October 4, 2014.
2247:Dancis, Bruce (April 3, 2008).
2181:
2162:
2147:
1901:Hollywood's 100 Favorite Films
1745:David Newman and Robert Benton
1736:Writers Guild of America Awards
1716:David Newman and Robert Benton
1675:David Newman and Robert Benton
1455:David Newman and Robert Benton
4835:1960s crime comedy-drama films
4825:1960s biographical drama films
4511:The Ballad of Bonnie and Clyde
4075:Arthur Penn's Bonnie and Clyde
3506:. January 8, 1969. p. 14.
3472:. January 3, 1968. p. 25.
2949:The Officer Down Memorial Page
2919:The Officer Down Memorial Page
2733:Arthur Penn: American Director
2620:. The Penguin Press. pp.
2433:Brown, Scott (June 15, 2010).
2426:
2308:
2273:
2130:List of American films of 1967
1974:AFI's 100 Years...100 Passions
1727:Hall of Fame – Motion Picture
1464:Most Promising Newcomer – Male
1438:Best Director – Motion Picture
1371:Best Motion Picture Screenplay
1230:American Cinema Editors Awards
283:Clyde Barrow and Bonnie Parker
1:
4900:Films directed by Arthur Penn
4845:1960s road comedy-drama films
3500:"All-Time Boxoffice Champs".
2975:My Life with Bonnie and Clyde
2760:McFarland & Company, Inc.
2204:
1967:AFI's 100 Years...100 Thrills
1881:100 All-Time Greatest Movies
504:
4925:Films set in a movie theatre
4890:Films about Bonnie and Clyde
4840:1960s English-language films
4710:The Girl with the Stop Watch
4691:Penn & Teller Get Killed
4216:AFI Catalog of Feature Films
4072:Friedman, Lester D. (2000).
4035:. Rowman & Littlefield.
3544:"Top Grossing Films of 1967"
3466:"Big Rental Films of 1967".
2737:University Press of Kentucky
2470:Bonnie & Clyde's Hideout
2233:. August 8, 1968. p. 1.
2194:Guess Who's Coming to Dinner
2175:Guess Who's Coming to Dinner
2109:Monty Python's Flying Circus
2041:
2036:Motion Picture Editors Guild
1960:AFI's 100 Years...100 Movies
930:s a re-creation of reality,
884:
7:
3867:. Reelviews Movie Reviews.
3331:– via RogerEbert.com.
2735:by Nat Segaloff. Kentucky:
2123:
1741:Best Written American Drama
1389:Best Motion Picture – Drama
1268:British Academy Film Awards
878:Reflections in a Golden Eye
358:and 42nd on its 2007 list.
10:
5026:
4750:Invitation to a Gunfighter
4470:The Great British Fake Off
4424:Love, Springfieldian Style
4284:, April 14, 1967, and his
3953:"The 75 Best Edited Films"
1608:International Competition
1076:
847:
4701:
4578:
4487:
4391:
4338:
4057:– via Google Books.
2292:. Turner Classic Movies.
1744:
1734:
1726:
1687:
1682:
1646:
1641:
1631:
1599:
1591:
1550:
1545:
1529:
1521:
1513:
1480:
1387:
1382:
1317:David di Donatello Awards
1315:
1294:
1271:
1266:
1139:
285:. The film also features
244:
236:
228:
220:
210:
195:August 13, 1967
171:
161:
145:
135:
125:
115:
81:
71:
50:
40:
35:Theatrical release poster
28:
23:
4885:Films about bank robbery
4742:The King and Mrs. Candle
4726:The King and Mrs. Candle
2861:Sullivan, Steve (2004).
2755:Casting Might-Have-Beens
2140:
1235:Best Edited Feature Film
902:Thoroughly Modern Millie
717:Foggy Mountain Breakdown
710:
281:as the title characters
180:August 4, 1967
16:1967 film by Arthur Penn
4870:American neo-noir films
4865:American gangster films
4810:1967 comedy-drama films
4400:The Bonnie Parker Story
3927:American Film Institute
3312:"Great Movie Reviews -
2118:Red Crown Tourist Court
2116:as he escapes from the
2114:Thompson submachine gun
1952:American Film Institute
1166:Best Supporting Actress
1048:The Japanese filmmaker
973:have praised the film.
536:Advertisement from 1967
435:Bonnie Elizabeth Parker
414:
361:
352:American Film Institute
332:Best Supporting Actress
297:. The screenplay is by
166:Warner Bros.-Seven Arts
4975:Great Depression films
4935:Films set in Louisiana
4815:1967 crime drama films
4758:Portrait of a Murderer
4253:National Film Registry
3957:Editors Guild Magazine
3837:The Hollywood Reporter
3276:(September 25, 1967).
3251:Charles Higham. 1973.
2055:
2025:National Film Registry
1896:The Hollywood Reporter
1633:National Film Registry
1538:Best Foreign Director
1366:Edgar Allan Poe Awards
1255:Best Non-European Film
1056:Awards and nominations
937:
866:Seven Arts Productions
748:
537:
344:National Film Registry
4945:Films set in Oklahoma
4940:Films set in Missouri
4288:of September 3, 1967.
4029:Larsen, Darl (2008).
3863:Berardinelli, James.
3342:Berardinelli, James.
3045:National Park Service
2673:Penn, Arthur (2012).
2612:Harris, Mark (2008).
2588:Truffaut: A Biography
2049:
1996:"We rob banks." – #41
1658:Best Supporting Actor
1141:Best Supporting Actor
928:
742:
707:final process shots.
535:
155:Warner Bros. Pictures
4985:Romantic crime films
4855:American chase films
4820:1960s American films
4505:"Bonnie & Clyde"
4392:Fictional portrayals
3782:. October 17, 2010.
3754:on December 22, 2013
3433:(October 21, 1967).
3397:(July–August 2009).
3015:Guinn, Jeff (2009).
2994:Guinn, Jeff (2009).
2499:Simon & Schuster
2464:Ballinger, Frank R.
2374:The Courier (Dundee)
2095:Natural Born Killers
1877:Entertainment Weekly
1796:Entertainment Weekly
1335:Best Foreign Actress
528:Production and style
203: (United States)
4955:Films shot in Texas
4734:Buy Me Blue Ribbons
4659:The Missouri Breaks
4587:The Left Handed Gun
4472:" (2020 TV episode)
4449:" (2016 TV episode)
4426:" (2008 TV episode)
3989:(August 12, 2007).
3572:(August 25, 2007).
3193:(August 14, 1967).
3144:, pp. 368–369.
2851:, pp. 258–259.
2785:, pp. 205–206.
2683:on January 5, 2015.
2591:. New York: Knopf.
2408:Library of Congress
2254:Ventura County Star
2029:Library of Congress
1822:All-Time 100 Movies
1770:
1573:Michael J. Pollard
1523:Kinema Junpo Awards
1468:Michael J. Pollard
1429:Michael J. Pollard
1384:Golden Globe Awards
1308:Michael J. Pollard
1220:Theadora Van Runkle
1215:Best Costume Design
1200:Best Cinematography
856:on August 4, 1967.
780:Gibsland, Louisiana
735:Historical accuracy
444:composite character
348:Library of Congress
336:Best Cinematography
259:is a 1967 American
4995:Warner Bros. films
4950:Films set in Texas
4627:Alice's Restaurant
4595:The Miracle Worker
4570:Films directed by
4495:"Bonnie and Clyde"
4477:Johnny & Clyde
4439:Bonnie & Clyde
4431:Bonnie & Clyde
4281:The New York Times
4274:Bosley Crowther's
4233:TCM Movie Database
3995:The New York Times
3518:"Bonnie and Clyde"
3374:The New York Times
3310:(August 3, 1998).
3278:"Bonnie and Clyde"
3200:The New York Times
3047:. pp. 20–21.
2891:. cduniverse.com.
2714:on January 5, 2015
2439:www.tshaonline.org
2381:. December 7, 1992
2315:Buckmaster, Luke.
2282:"Pop Culture 101:
2102:In popular culture
2056:
1915:James Berardinelli
1769:
1527:Best Foreign Film
1477:Golden Reel Awards
1322:Best Foreign Actor
1283:Best Foreign Actor
1156:Michael J. Pollard
1021:theatrical rentals
995:The New York Times
971:James Berardinelli
896:The New York Times
749:
538:
499:as Eugene Grizzard
440:Michael J. Pollard
287:Michael J. Pollard
240:$ 2.5 million
97:Michael J. Pollard
4930:Films set in Iowa
4920:Films set in 1934
4830:1960s chase films
4792:
4791:
4537:
4536:
4442:(2013 miniseries)
3929:. June 17, 2008.
3923:"AFI's 10 Top 10"
3896:Time Out New York
3840:. June 25, 2014.
3321:Chicago Sun Times
3225:Gianetti; Eyman.
3004:978-1-4165-5706-7
2535:978-0-13-018662-1
2189:Katharine Hepburn
1948:
1947:
1765:Media recognition
1762:
1761:
1551:Top Action-Drama
765:Ruston, Louisiana
721:Flatt and Scruggs
569:François Truffaut
252:
251:
248:$ 70 million
5017:
4643:Visions of Eight
4619:Bonnie and Clyde
4564:
4557:
4550:
4541:
4540:
4462:Queen & Slim
4408:Bonnie and Clyde
4378:Raymond Hamilton
4332:Bonnie and Clyde
4325:
4318:
4311:
4302:
4301:
4294:Bonnie and Clyde
4260:Bonnie and Clyde
4249:Richard Schickel
4244:Bonnie and Clyde
4239:
4228:Bonnie and Clyde
4223:
4210:Bonnie and Clyde
4205:
4194:Bonnie and Clyde
4189:
4178:Bonnie and Clyde
4173:
4162:Bonnie and Clyde
4157:
4145:Bonnie and Clyde
4133:
4112:
4095:Bonnie and Clyde
4089:
4059:
4058:
4056:
4054:
4026:
4020:
4017:
4011:
4010:
4008:
4006:
3983:
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3976:
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3943:
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3919:
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3887:
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3878:
3876:
3860:
3854:
3853:
3851:
3849:
3828:
3822:
3821:
3819:
3817:
3808:. Filmsite.org.
3802:
3796:
3795:
3793:
3791:
3770:
3764:
3763:
3761:
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3738:
3732:
3731:
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3727:
3698:
3692:
3691:
3689:
3687:
3668:
3662:
3661:
3659:
3657:
3651:Far Out Magazine
3642:
3636:
3635:
3630:
3628:
3626:
3608:Bonnie and Clyde
3602:
3596:
3595:
3593:
3591:
3566:
3560:
3559:
3557:
3555:
3540:
3534:
3533:
3531:
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3514:
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3507:
3497:
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3474:
3473:
3463:
3457:
3456:
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3452:
3427:
3421:
3420:
3418:
3416:
3391:
3385:
3384:
3382:
3380:
3365:
3359:
3358:
3356:
3354:
3339:
3333:
3332:
3330:
3328:
3314:Bonnie and Clyde
3304:
3298:
3297:
3295:
3293:
3270:
3264:
3249:
3243:
3236:
3230:
3223:
3217:
3216:
3214:
3212:
3191:Crowther, Bosley
3187:
3181:
3180:
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3176:
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3127:
3121:
3115:
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2792:
2786:
2780:
2774:
2773:
2746:
2740:
2730:
2724:
2723:
2721:
2719:
2710:. Archived from
2703:
2697:
2691:
2685:
2684:
2670:
2664:
2658:
2652:
2642:
2636:
2635:
2619:
2609:
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2582:
2576:
2575:
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2450:
2430:
2424:
2423:
2421:
2419:
2400:
2391:
2390:
2388:
2386:
2379:Associated Press
2365:
2359:
2358:
2356:
2354:
2339:
2333:
2332:
2330:
2328:
2312:
2306:
2305:
2303:
2301:
2284:Bonnie and Clyde
2277:
2271:
2270:
2268:
2266:
2244:
2235:
2234:
2224:
2198:
2185:
2179:
2166:
2160:
2151:
2083:Queen & Slim
2060:Bonnie and Clyde
2021:Bonnie and Clyde
1771:
1768:
1616:Special Mention
1584:Estelle Parsons
1060:
1059:
1043:Bonnie and Clyde
1035:Bonnie and Clyde
1018:
963:The Great Movies
958:Bonnie and Clyde
949:
940:—Film historian
932:Bonnie and Clyde
908:Dave Kaufman of
861:Bonnie and Clyde
809:
800:
753:Bonnie and Clyde
745:Bonnie and Clyde
679:Bonnie and Clyde
621:Shirley MacLaine
606:John Schlesinger
565:Bonnie and Clyde
368:Great Depression
317:Bonnie and Clyde
256:Bonnie and Clyde
202:
200:
187:
185:
33:
24:Bonnie and Clyde
21:
20:
5025:
5024:
5020:
5019:
5018:
5016:
5015:
5014:
4795:
4794:
4793:
4788:
4766:Flesh and Blood
4718:Friday the 13th
4697:
4574:
4568:
4538:
4533:
4483:
4387:
4334:
4329:
4276:original review
4271:, pages 626-627
4199:Rotten Tomatoes
4140:
4109:
4086:
4068:
4066:Further reading
4063:
4062:
4052:
4050:
4043:
4027:
4023:
4018:
4014:
4004:
4002:
3984:
3980:
3970:
3968:
3963:(3). May 2012.
3951:
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3934:
3921:
3920:
3916:
3906:
3904:
3889:
3888:
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3771:
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3757:
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3740:
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3735:
3725:
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3700:
3699:
3695:
3685:
3683:
3670:
3669:
3665:
3655:
3653:
3643:
3639:
3624:
3622:
3615:Rotten Tomatoes
3604:
3603:
3599:
3589:
3587:
3567:
3563:
3553:
3551:
3542:
3541:
3537:
3527:
3525:
3516:
3515:
3511:
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3498:
3494:
3481:
3477:
3465:
3464:
3460:
3450:
3448:
3428:
3424:
3414:
3412:
3395:Hunter, Stephen
3392:
3388:
3378:
3376:
3366:
3362:
3352:
3350:
3340:
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3324:
3305:
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2819:
2809:
2807:
2794:
2793:
2789:
2781:
2777:
2770:
2747:
2743:
2739:, 2011 edition.
2731:
2727:
2717:
2715:
2706:
2704:
2700:
2692:
2688:
2671:
2667:
2659:
2655:
2643:
2639:
2632:
2610:
2606:
2599:
2583:
2579:
2569:
2567:
2552:
2543:
2536:
2512:
2505:
2501:, 1981 edition.
2493:
2489:
2479:
2477:
2462:
2458:
2448:
2446:
2431:
2427:
2417:
2415:
2402:
2401:
2394:
2384:
2382:
2367:
2366:
2362:
2352:
2350:
2341:
2340:
2336:
2326:
2324:
2313:
2309:
2299:
2297:
2280:Miller, Frank.
2278:
2274:
2264:
2262:
2245:
2238:
2226:
2225:
2212:
2207:
2202:
2201:
2186:
2182:
2167:
2163:
2152:
2148:
2143:
2126:
2104:
2044:
2010:AFI's 10 Top 10
1767:
1712:Best Screenplay
1671:Best Screenplay
1502:Charles Strouse
1171:Estelle Parsons
1058:
1039:Rotten Tomatoes
1016:
951:
939:
916:Joe Morgenstern
891:Bosley Crowther
887:
850:
842:Estelle Parsons
819:
818:
817:
816:
812:
811:
810:
802:
801:
792:
791:
737:
713:
669:Production Code
610:Brian G. Hutton
579:Jean-Luc Godard
551:French New Wave
530:
507:
502:
467:Estelle Parsons
442:as C. W. Moss (
417:
364:
311:Charles Strouse
295:Estelle Parsons
213:
206:
198:
196:
183:
181:
174:
157:
150:
148:
140:Charles Strouse
111:
107:Estelle Parsons
67:
36:
17:
12:
11:
5:
5023:
5013:
5012:
5007:
5002:
4997:
4992:
4987:
4982:
4977:
4972:
4967:
4962:
4957:
4952:
4947:
4942:
4937:
4932:
4927:
4922:
4917:
4912:
4907:
4902:
4897:
4892:
4887:
4882:
4877:
4872:
4867:
4862:
4857:
4852:
4847:
4842:
4837:
4832:
4827:
4822:
4817:
4812:
4807:
4790:
4789:
4787:
4786:
4778:
4770:
4762:
4754:
4746:
4738:
4730:
4722:
4714:
4705:
4703:
4699:
4698:
4696:
4695:
4687:
4683:Dead of Winter
4679:
4671:
4663:
4655:
4647:
4639:
4635:Little Big Man
4631:
4623:
4615:
4607:
4599:
4591:
4582:
4580:
4576:
4575:
4567:
4566:
4559:
4552:
4544:
4535:
4534:
4532:
4531:
4521:
4514:
4507:
4502:
4491:
4489:
4485:
4484:
4482:
4481:
4473:
4466:
4458:
4454:The Highwaymen
4450:
4443:
4435:
4434:(2009 musical)
4427:
4420:
4419:(1992 TV film)
4412:
4404:
4395:
4393:
4389:
4388:
4386:
4385:
4380:
4375:
4370:
4365:
4363:Blanche Barrow
4360:
4355:
4350:
4344:
4342:
4336:
4335:
4328:
4327:
4320:
4313:
4305:
4299:
4298:
4297:, Film website
4292:Literature on
4289:
4272:
4256:
4240:
4224:
4218:
4206:
4190:
4174:
4158:
4139:
4138:External links
4136:
4135:
4134:
4118:Film Criticism
4113:
4107:
4090:
4084:
4067:
4064:
4061:
4060:
4041:
4021:
4012:
3978:
3944:
3914:
3882:
3855:
3823:
3797:
3765:
3733:
3693:
3663:
3637:
3620:Fandango Media
3597:
3570:French, Philip
3561:
3546:. Listal.com.
3535:
3509:
3492:
3475:
3458:
3440:The New Yorker
3422:
3386:
3360:
3334:
3299:
3265:
3244:
3238:Harris, Mark.
3231:
3218:
3203:. p. 36.
3182:
3146:
3134:
3132:, p. 327.
3122:
3120:, p. 346.
3110:
3074:
3065:
3028:
3008:
2987:
2966:
2936:
2906:
2880:
2873:
2853:
2841:
2839:, p. 192.
2829:
2827:, p. 325.
2817:
2787:
2775:
2768:
2741:
2725:
2698:
2696:, p. 416.
2686:
2665:
2653:
2637:
2630:
2604:
2597:
2577:
2541:
2534:
2520:(4 ed.).
2503:
2487:
2456:
2425:
2392:
2360:
2334:
2307:
2272:
2236:
2209:
2208:
2206:
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2180:
2161:
2145:
2144:
2142:
2139:
2138:
2137:
2132:
2125:
2122:
2103:
2100:
2065:The Wild Bunch
2043:
2040:
2017:
2016:
2006:
1999:
1998:
1997:
1988:
1987:
1986:
1977:
1970:
1963:
1946:
1945:
1943:
1940:
1937:
1930:
1926:
1925:
1923:
1920:
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1908:
1907:
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1902:
1899:
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1882:
1879:
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1867:
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1446:
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1440:
1434:
1433:
1430:
1427:
1421:
1420:
1417:
1414:
1408:
1407:
1404:
1403:Warren Beatty
1401:
1395:
1394:
1391:
1386:
1380:
1379:
1376:
1373:
1368:
1362:
1361:
1358:
1355:
1350:
1344:
1343:
1340:
1337:
1331:
1330:
1327:
1326:Warren Beatty
1324:
1319:
1313:
1312:
1309:
1305:
1304:
1301:
1298:
1292:
1291:
1288:
1287:Warren Beatty
1285:
1279:
1278:
1275:
1270:
1264:
1263:
1260:
1257:
1252:
1246:
1245:
1242:
1237:
1232:
1226:
1225:
1222:
1217:
1211:
1210:
1207:
1205:Burnett Guffey
1202:
1196:
1195:
1192:
1183:
1177:
1176:
1173:
1168:
1162:
1161:
1158:
1152:
1151:
1148:
1143:
1137:
1136:
1133:
1128:
1122:
1121:
1118:
1117:Warren Beatty
1115:
1109:
1108:
1105:
1100:
1094:
1093:
1090:
1085:
1080:
1078:Academy Awards
1074:
1073:
1070:
1067:
1064:
1057:
1054:
1050:Akira Kurosawa
1005:The New Yorker
975:Stephen Hunter
942:Charles Higham
927:
886:
883:
849:
846:
834:Blanche Barrow
814:
813:
804:
803:
795:
794:
793:
787:
786:
785:
784:
736:
733:
729:old-time music
712:
709:
694:Jack L. Warner
614:Sydney Pollack
594:George Stevens
574:Fahrenheit 451
529:
526:
522:Red Oak, Texas
506:
503:
501:
500:
494:
493:as Velma Davis
488:
482:
473:
471:Blanche Barrow
464:
455:
437:
428:
418:
416:
413:
391:and his wife,
363:
360:
340:Burnett Guffey
334:(Parsons) and
325:counterculture
250:
249:
246:
242:
241:
238:
234:
233:
230:
226:
225:
222:
218:
217:
214:
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207:
205:
204:
193:
177:
175:
172:
169:
168:
163:
162:Distributed by
159:
158:
153:
151:
146:
143:
142:
137:
133:
132:
127:
123:
122:
120:Burnett Guffey
117:
116:Cinematography
113:
112:
110:
109:
104:
99:
94:
89:
85:
83:
79:
78:
73:
69:
68:
66:
65:
60:
54:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
5022:
5011:
5008:
5006:
5003:
5001:
4998:
4996:
4993:
4991:
4988:
4986:
4983:
4981:
4978:
4976:
4973:
4971:
4968:
4966:
4963:
4961:
4958:
4956:
4953:
4951:
4948:
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4936:
4933:
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4928:
4926:
4923:
4921:
4918:
4916:
4913:
4911:
4908:
4906:
4903:
4901:
4898:
4896:
4893:
4891:
4888:
4886:
4883:
4881:
4878:
4876:
4873:
4871:
4868:
4866:
4863:
4861:
4858:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4828:
4826:
4823:
4821:
4818:
4816:
4813:
4811:
4808:
4806:
4803:
4802:
4800:
4784:
4783:
4779:
4776:
4775:
4771:
4768:
4767:
4763:
4760:
4759:
4755:
4752:
4751:
4747:
4744:
4743:
4739:
4736:
4735:
4731:
4728:
4727:
4723:
4720:
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4715:
4712:
4711:
4707:
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4704:
4700:
4693:
4692:
4688:
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4684:
4680:
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4672:
4669:
4668:
4664:
4661:
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4648:
4645:
4644:
4640:
4637:
4636:
4632:
4629:
4628:
4624:
4621:
4620:
4616:
4613:
4612:
4608:
4605:
4604:
4600:
4597:
4596:
4592:
4589:
4588:
4584:
4583:
4581:
4579:Feature films
4577:
4573:
4565:
4560:
4558:
4553:
4551:
4546:
4545:
4542:
4529:
4525:
4522:
4519:
4515:
4512:
4508:
4506:
4503:
4500:
4496:
4493:
4492:
4490:
4486:
4479:
4478:
4474:
4471:
4467:
4464:
4463:
4459:
4456:
4455:
4451:
4448:
4444:
4441:
4440:
4436:
4433:
4432:
4428:
4425:
4421:
4418:
4417:
4413:
4410:
4409:
4405:
4402:
4401:
4397:
4396:
4394:
4390:
4384:
4381:
4379:
4376:
4374:
4373:Henry Methvin
4371:
4369:
4366:
4364:
4361:
4359:
4356:
4354:
4351:
4349:
4348:Bonnie Parker
4346:
4345:
4343:
4341:
4337:
4333:
4326:
4321:
4319:
4314:
4312:
4307:
4306:
4303:
4296:
4295:
4290:
4287:
4283:
4282:
4277:
4273:
4270:
4266:
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4257:
4254:
4250:
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4245:
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4234:
4230:
4229:
4225:
4222:
4217:
4214:
4212:
4211:
4207:
4204:
4200:
4196:
4195:
4191:
4188:
4184:
4180:
4179:
4175:
4172:
4168:
4164:
4163:
4159:
4156:
4151:
4147:
4146:
4142:
4141:
4131:
4127:
4123:
4119:
4114:
4110:
4104:
4100:
4096:
4091:
4087:
4085:0-521-59697-1
4081:
4077:
4076:
4070:
4069:
4048:
4044:
4042:9780810861312
4038:
4034:
4033:
4025:
4016:
4000:
3996:
3992:
3988:
3982:
3966:
3962:
3958:
3954:
3948:
3932:
3928:
3924:
3918:
3902:
3898:
3897:
3892:
3886:
3870:
3866:
3859:
3843:
3839:
3838:
3833:
3827:
3811:
3807:
3801:
3785:
3781:
3780:
3775:
3769:
3753:
3749:
3748:
3743:
3737:
3721:
3717:
3713:
3709:
3708:
3703:
3697:
3681:
3677:
3673:
3667:
3652:
3648:
3641:
3634:
3621:
3617:
3616:
3611:
3609:
3601:
3585:
3581:
3580:
3575:
3571:
3565:
3549:
3545:
3539:
3523:
3519:
3513:
3505:
3504:
3496:
3488:
3487:
3479:
3471:
3470:
3462:
3446:
3442:
3441:
3436:
3432:
3431:Kael, Pauline
3426:
3410:
3406:
3405:
3400:
3396:
3390:
3375:
3371:
3364:
3349:
3345:
3338:
3323:
3322:
3317:
3315:
3309:
3303:
3287:
3283:
3279:
3275:
3269:
3262:
3261:0-385-06935-9
3258:
3254:
3248:
3241:
3235:
3228:
3222:
3206:
3202:
3201:
3196:
3192:
3186:
3170:
3166:
3165:
3160:
3153:
3151:
3143:
3138:
3131:
3126:
3119:
3114:
3098:
3095:. p. 6.
3094:
3093:
3088:
3081:
3079:
3069:
3050:
3046:
3039:
3032:
3026:
3025:1-4165-5706-7
3022:
3018:
3012:
3005:
3001:
2997:
2991:
2984:
2983:0-8061-3625-1
2980:
2976:
2970:
2954:
2950:
2946:
2940:
2924:
2920:
2916:
2910:
2894:
2890:
2884:
2876:
2874:9780810882966
2870:
2866:
2865:
2857:
2850:
2845:
2838:
2833:
2826:
2821:
2805:
2801:
2797:
2791:
2784:
2779:
2771:
2769:9781476609768
2765:
2761:
2757:
2756:
2751:
2745:
2738:
2734:
2729:
2713:
2709:
2702:
2695:
2690:
2682:
2678:
2677:
2669:
2663:, p. 66.
2662:
2657:
2650:
2646:
2641:
2633:
2631:9781594201523
2627:
2623:
2618:
2617:
2608:
2600:
2598:0-375-40089-3
2594:
2590:
2589:
2581:
2565:
2561:
2557:
2550:
2548:
2546:
2537:
2531:
2527:
2523:
2522:Prentice Hall
2519:
2518:
2510:
2508:
2500:
2496:
2491:
2475:
2471:
2467:
2460:
2444:
2440:
2436:
2435:"RED OAK, TX"
2429:
2413:
2409:
2405:
2399:
2397:
2380:
2376:
2375:
2370:
2364:
2353:September 29,
2348:
2344:
2338:
2322:
2318:
2311:
2295:
2291:
2287:
2285:
2276:
2265:September 26,
2260:
2256:
2255:
2250:
2243:
2241:
2232:
2231:
2223:
2221:
2219:
2217:
2215:
2210:
2196:
2195:
2190:
2184:
2177:
2176:
2171:
2170:Spencer Tracy
2165:
2159:
2157:
2156:Hurry Sundown
2150:
2146:
2136:
2133:
2131:
2128:
2127:
2121:
2119:
2115:
2111:
2110:
2099:
2097:
2096:
2091:
2090:
2085:
2084:
2079:
2078:
2073:
2072:
2071:The Godfather
2067:
2066:
2061:
2053:
2052:Alcatraz East
2048:
2039:
2037:
2034:In 2012, the
2032:
2030:
2026:
2022:
2015:
2014:Gangster film
2011:
2007:
2004:
2000:
1995:
1994:
1993:
1989:
1984:
1983:
1982:
1978:
1975:
1971:
1968:
1964:
1961:
1957:
1956:
1955:
1953:
1944:
1941:
1938:
1936:
1935:
1931:
1928:
1927:
1924:
1921:
1918:
1916:
1913:
1910:
1909:
1906:
1903:
1900:
1898:
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1875:
1872:
1871:
1868:
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1835:
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1828:
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1818:
1817:
1813:
1810:
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1790:
1789:
1785:
1782:
1779:
1776:
1773:
1772:
1757:
1755:
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1699:Best Director
1697:
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1662:Gene Hackman
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1098:Best Director
1096:
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1088:Warren Beatty
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543:Keystone Cops
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452:Henry Methvin
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422:Warren Beatty
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376:Bonnie Parker
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321:New Hollywood
318:
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303:Robert Benton
300:
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275:Warren Beatty
273:and starring
272:
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224:United States
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173:Release dates
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88:Warren Beatty
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76:Warren Beatty
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63:Robert Benton
61:
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4774:The Portrait
4772:
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4667:Four Friends
4665:
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4353:Clyde Barrow
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4121:
4117:
4098:
4094:
4074:
4051:. Retrieved
4031:
4024:
4015:
4003:. Retrieved
3994:
3987:Scott, A. O.
3981:
3969:. Retrieved
3960:
3956:
3947:
3935:. Retrieved
3917:
3907:November 18,
3905:. Retrieved
3894:
3885:
3875:November 19,
3873:. Retrieved
3858:
3848:November 18,
3846:. Retrieved
3835:
3826:
3816:November 18,
3814:. Retrieved
3800:
3790:November 18,
3788:. Retrieved
3779:The Guardian
3777:
3768:
3758:November 18,
3756:. Retrieved
3752:the original
3745:
3736:
3726:November 18,
3724:. Retrieved
3705:
3696:
3686:November 18,
3684:. Retrieved
3676:Filmsite.org
3666:
3654:. Retrieved
3650:
3640:
3623:. Retrieved
3613:
3607:
3600:
3588:. Retrieved
3579:The Guardian
3577:
3564:
3552:. Retrieved
3538:
3526:. Retrieved
3512:
3501:
3495:
3489:. p. 5.
3484:
3478:
3467:
3461:
3449:. Retrieved
3438:
3425:
3413:. Retrieved
3402:
3389:
3377:. Retrieved
3373:
3363:
3351:. Retrieved
3347:
3337:
3325:. Retrieved
3319:
3313:
3308:Ebert, Roger
3302:
3290:. Retrieved
3281:
3274:Ebert, Roger
3268:
3252:
3247:
3239:
3234:
3226:
3221:
3209:. Retrieved
3198:
3185:
3173:. Retrieved
3162:
3137:
3125:
3113:
3101:. Retrieved
3090:
3068:
3056:. Retrieved
3031:
3016:
3011:
2995:
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2969:
2957:. Retrieved
2948:
2939:
2927:. Retrieved
2918:
2909:
2897:. Retrieved
2883:
2863:
2856:
2844:
2832:
2820:
2808:. Retrieved
2799:
2790:
2778:
2762:p. 40.
2754:
2744:
2732:
2728:
2716:. Retrieved
2712:the original
2701:
2689:
2681:the original
2675:
2668:
2656:
2640:
2615:
2607:
2587:
2580:
2568:. Retrieved
2559:
2516:
2494:
2490:
2478:. Retrieved
2469:
2459:
2447:. Retrieved
2438:
2428:
2416:. Retrieved
2407:
2383:. Retrieved
2372:
2363:
2351:. Retrieved
2337:
2325:. Retrieved
2310:
2298:. Retrieved
2289:
2283:
2275:
2263:. Retrieved
2252:
2228:
2192:
2183:
2173:
2164:
2154:
2149:
2107:
2105:
2093:
2089:True Romance
2087:
2081:
2077:The Departed
2075:
2069:
2063:
2059:
2057:
2033:
2020:
2018:
1949:
1932:
1894:
1876:
1858:The Guardian
1856:
1836:
1814:
1794:
1703:Arthur Penn
1600:Arthur Penn
1530:Arthur Penn
1442:Arthur Penn
1357:Arthur Penn
1259:Arthur Penn
1250:Bodil Awards
1186:David Newman
1146:Gene Hackman
1131:Faye Dunaway
1126:Best Actress
1083:Best Picture
1047:
1042:
1034:
1032:
1027:My Fair Lady
1025:
1010:
1003:
1000:Pauline Kael
993:
987:
985:
978:
957:
952:
945:
938:
931:
929:
919:
909:
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888:
876:
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858:
851:
831:
820:
788:
776:Texas Ranger
769:
762:
758:
750:
747:, March 1933
714:
703:
697:
691:
678:
677:
665:
661:Faye Dunaway
657:Natalie Wood
645:Carol Lynley
641:Leslie Caron
629:Tuesday Weld
618:
591:
587:
583:
572:
564:
558:
555:
539:
519:
508:
487:as Ivan Moss
458:Gene Hackman
431:Faye Dunaway
409:
405:
397:
385:
372:Clyde Barrow
365:
329:
316:
315:
307:Robert Towne
299:David Newman
291:Gene Hackman
279:Faye Dunaway
269:directed by
261:biographical
255:
254:
253:
212:Running time
102:Gene Hackman
92:Faye Dunaway
58:David Newman
18:
4651:Night Moves
4572:Arthur Penn
4480:(2023 film)
4465:(2019 film)
4457:(2019 film)
4411:(1967 film)
4403:(1958 film)
4383:Ralph Fults
4368:W. D. Jones
4358:Buck Barrow
4340:Barrow Gang
4124:(2): 1–23.
4005:February 6,
3656:January 23,
3554:January 24,
3528:January 24,
3520:. tcm.com.
3282:Roger Ebert
3164:Vanity Fair
3142:Harris 2008
3130:Harris 2008
3118:Harris 2008
3058:January 24,
2959:February 5,
2929:February 5,
2899:January 24,
2849:Harris 2008
2837:Harris 2008
2825:Harris 2008
2810:January 24,
2783:Harris 2008
2694:Harris 2008
2661:Harris 2008
2647:, pp.
2645:Harris 2008
2560:Daily Beast
1103:Arthur Penn
1069:Nominee(s)
1019:million in
1013:sleeper hit
954:Roger Ebert
870:Six-Day War
772:Frank Hamer
687:stage blood
637:Sharon Tate
633:Ann-Margret
602:Karel Reisz
515:Evans Evans
511:Gene Wilder
497:Gene Wilder
491:Evans Evans
480:Frank Hamer
476:Denver Pyle
462:Buck Barrow
448:W. D. Jones
401:Frank Hamer
366:During the
271:Arthur Penn
216:111 minutes
72:Produced by
45:Arthur Penn
41:Directed by
4805:1967 films
4799:Categories
4702:Television
4603:Mickey One
4269:0826429777
4183:Metacritic
4108:078642348X
4053:January 7,
3865:"Specials"
3747:Total Film
3590:January 7,
3451:August 20,
3404:Commentary
3348:Reel Views
3292:August 20,
3211:August 19,
3103:August 20,
2750:Mell, Eila
2718:January 5,
2570:October 9,
2524:. p.
2495:The Movies
2449:January 3,
2327:August 17,
2205:References
2187:Tied with
2168:Tied with
2135:Heist film
1838:Total Film
1777:Presenter
1706:Nominated
1693:Nominated
1652:2nd Place
1597:Best Film
1587:Nominated
1576:Nominated
1514:Best Film
1506:Nominated
1471:Nominated
1458:Nominated
1445:Nominated
1432:Nominated
1419:Nominated
1406:Nominated
1393:Nominated
1378:Nominated
1360:Nominated
1311:Nominated
1290:Nominated
1277:Nominated
1244:Nominated
1240:Dede Allen
1224:Nominated
1194:Nominated
1160:Nominated
1150:Nominated
1135:Nominated
1120:Nominated
1113:Best Actor
1107:Nominated
1092:Nominated
980:Commentary
838:W.D. Jones
625:Jane Fonda
505:Cast notes
485:Dub Taylor
267:crime film
245:Box office
199:1967-08-13
184:1967-08-04
147:Production
130:Dede Allen
51:Written by
4611:The Chase
4286:follow-up
4247:essay by
3971:April 19,
3716:0040-781X
3625:April 12,
3327:April 27,
3229:, p. 306.
3227:Flashback
2153:Also for
2042:Influence
2019:In 1992,
1689:Best Film
1648:Best Film
1637:Inducted
1273:Best Film
1066:Category
967:Dave Kehr
948:. (1973).
885:Reception
743:The real
725:bluegrass
560:The Chase
547:slapstick
126:Edited by
4167:AllMovie
4130:24777277
4047:Archived
3999:Archived
3965:Archived
3937:June 18,
3931:Archived
3901:Archived
3869:Archived
3842:Archived
3810:Archived
3784:Archived
3720:Archived
3680:Archived
3584:Archived
3548:Archived
3522:Archived
3445:Archived
3409:Archived
3286:Archived
3205:Archived
3175:April 2,
3169:Archived
3097:Archived
3049:Archived
2953:Archived
2923:Archived
2893:Archived
2804:Archived
2752:(2005).
2564:Archived
2480:July 30,
2474:Archived
2443:Archived
2412:Archived
2385:July 22,
2347:Archived
2321:Archived
2294:Archived
2259:Archived
2124:See also
1934:Time Out
921:Newsweek
827:gun moll
673:impotent
649:Sue Lyon
354:'s 1998
264:neo-noir
229:Language
190:Montreal
136:Music by
82:Starring
4255:website
4251:on the
4231:at the
4213:at the
3503:Variety
3486:Variety
3469:Variety
3415:May 14,
3379:May 30,
3353:May 30,
3092:Variety
2418:May 26,
2319:. BBC.
2290:tcm.com
2230:Variety
2027:by the
2008:2008 –
2001:2007 –
1990:2005 –
1979:2003 –
1972:2002 –
1965:2001 –
1958:1998 –
1072:Result
911:Variety
848:Release
545:-style
393:Blanche
346:by the
232:English
221:Country
197: (
182: (
149:company
4785:(1996)
4782:Inside
4777:(1993)
4769:(1968)
4761:(1958)
4753:(1957)
4745:(1955)
4737:(1954)
4729:(1954)
4721:(1954)
4713:(1953)
4694:(1989)
4686:(1987)
4678:(1985)
4675:Target
4670:(1981)
4662:(1976)
4654:(1975)
4646:(1973)
4638:(1970)
4630:(1969)
4622:(1967)
4614:(1966)
4606:(1965)
4598:(1962)
4590:(1958)
4267:
4152:
4128:
4105:
4082:
4039:
3714:
3263:p. 302
3259:
3023:
3002:
2981:
2871:
2766:
2628:
2595:
2532:
2300:May 3,
2092:, and
2054:museum
1780:Title
1063:Award
1017:
699:PT 109
683:squibs
612:, and
509:Actor
293:, and
237:Budget
188: (
4528:album
4499:album
4488:Music
4126:JSTOR
3052:(PDF)
3041:(PDF)
2800:Topic
2649:66–67
2622:66–67
2141:Notes
2012:– #5
2005:– #42
1976:– #65
1969:– #13
1962:– #27
1929:2020
1911:2014
1891:2014
1873:2013
1853:2010
1833:2010
1811:2005
1791:1999
1786:Refs
1783:Rank
1774:Year
956:gave
719:" by
711:Music
380:Texas
4265:ISBN
4150:IMDb
4103:ISBN
4080:ISBN
4055:2017
4037:ISBN
4007:2017
3973:2017
3939:2008
3909:2020
3877:2020
3850:2020
3818:2020
3792:2020
3760:2020
3728:2020
3712:ISSN
3707:Time
3688:2020
3658:2023
3627:2022
3592:2017
3556:2014
3530:2014
3453:2019
3417:2020
3381:2022
3355:2022
3329:2022
3294:2019
3257:ISBN
3213:2019
3177:2019
3105:2019
3060:2014
3021:ISBN
3000:ISBN
2979:ISBN
2961:2020
2931:2020
2901:2014
2869:ISBN
2812:2018
2764:ISBN
2720:2015
2626:ISBN
2593:ISBN
2572:2017
2530:ISBN
2482:2007
2451:2016
2420:2020
2387:2009
2355:2015
2329:2017
2302:2014
2267:2016
2191:for
2172:for
1846:N/A
1826:N/A
1816:Time
1758:Won
1748:Won
1730:Won
1719:Won
1678:Won
1665:Won
1622:Won
1611:Won
1603:Won
1565:Won
1554:Won
1541:Won
1533:Won
1517:Won
1486:Won
1342:Won
1329:Won
1303:Won
1262:Won
1209:Won
1188:and
1175:Won
969:and
836:and
653:Cher
647:and
450:and
415:Cast
389:Buck
374:and
362:Plot
301:and
277:and
4197:at
4181:at
4165:at
4148:at
4097:".
2526:307
1942:99
1922:36
1904:99
1866:11
1804:48
944:in
918:in
893:of
478:as
469:as
460:as
446:of
433:as
424:as
378:of
4801::
4278:,
4122:30
4120:.
4045:.
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3993:.
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2917:.
2802:.
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2562:.
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2437:.
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2371:.
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2257:.
2251:.
2239:^
2213:^
2120:.
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2080:,
2074:,
2068:,
1954::
1884:4
704:WB
675:.
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643:,
639:,
635:,
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