739:, the 1990s saw an increased production of bootleg CDs, including reissues of shows that had been recorded decades previously. In particular, companies in Germany and Italy exploited the more relaxed copyright laws in those countries by pressing large numbers of CDs and including catalogs of other titles on the inlays, making it easier for fans to find and order shows direct. Similarly, relaxed copyright laws in Australia meant that the most serious legal challenge to unauthorised releases were made on the grounds of trademark law by
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remained in tape form to be shared between tapers. The group were strongly opposed to commercial bootlegging and policed stores that sold them, while the saturation of tapes among fans suppressed any demand for product. In 1985, the
Grateful Dead, after years of tolerance, officially endorsed live taping of their shows, and set up dedicated areas that they believed gave the best sound recording quality. Other bands, including
224:, such as old singles and B-sides, onto a single LP, as a cheaper alternative to obtaining all the original recordings. Strictly speaking, these were unlicensed recordings, but, because the work required to clear all the copyrights and publishing of every track for an official release was considered to be prohibitively expensive, the bootlegs became popular. Some bootlegs, however, did lead to official releases. The
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432:, who described the sound quality as "superb, full of presence, picking up drums, bass, both guitars and the vocals beautifully ... it is the ultimate Rolling Stones album". The bootleg sold several tens of thousands of copies, orders of magnitude more than a typical classical or opera bootleg, and its success resulted in the official release of the live album
713:. The album was to have been a conventional major-label release in late 1987, but on 1 December, immediately before release, Prince decided to pull the album, requiring 500,000 copies to be destroyed. A few advance copies had already shipped, which were used to create bootlegs. This eventually led to the album's official release. Towards the end of the 1980s, the
58:. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases.
940:
Record companies have described bootlegs as "grey area, live recordings", describing them as "semi-condoned". Research into bootleg consumers found that they are committed fans of the artist; a study of Bruce
Springsteen fans showed 80% felt some bootlegs were essential purchases despite owning every
805:
of various types; all of these types could now be easily shared. Instead of album-length collections or live recordings of entire shows, fans often now had the option of searching for and downloading bootlegs of songs. Artists had a mixed reaction to online bootleg sharing; Bob Dylan allowed fans to
750:
By this time, access to the
Internet was increasing, and bootleg review sites began to appear. The quality control of bootlegs began to be scrutinised, as a negative review of one could adversely harm sales. Bootlegs began to increase in size, with multi-CD packages being common. In 1999, a 4-CD set
368:
containing a selection of unreleased Dylan songs intended for distribution to music publishers and wondered if it would be possible to manufacture them on an LP. They managed to convince a local pressing plant to press between 1,000 and 2,000 copies discreetly, paying in cash and avoiding using real
313:
famously bootlegged several hours of solos by Parker at live clubs in 1947 and 1948 via tape and disc recordings. Benedetti stored the recordings and they were only rediscovered in 1988, over thirty years after
Benedetti had died, by which time they had become a "jazz myth." Most of these recordings
204:
at a live performance. Artists may record their own shows for private review, but engineers may surreptitiously take a copy of this, which ends up being shared. As a soundboard recording is intended to supplement the natural acoustics of a gig, a bootleg may have an inappropriate mix of instruments,
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for bootlegs helped it to make a successful transition to an age of digital distribution, "unique" (in 2009) among music labels. In the 21st century, artists responded to the demand for recordings of live shows by experimenting with the sale of authorized bootlegs made directly from the soundboard,
699:
sold mass copies of bootleg soundboard recordings of bands who, in many cases, had played only a matter of hours beforehand. However, officials soon began to counteract this illegal activity by making raids on the stalls and, by the end of the 1980s, the number of festival bootlegs had consequently
895:
In the US, bootlegs had been a grey area in legality, but the 1976 Copyright Act extended copyright protection to all recordings, including "all misappropriated recordings, both counterfeit and pirate". This meant bootleggers would take a much greater risk, and several were arrested. Bootlegs have
558:
there were a number of record mastering and pressing plants that were not "first in line" to press records for the major labels, usually only getting work when the larger plants were overloaded. These pressing plants were more than happy to generate income by pressing bootlegs of dubious legality.
160:
record issued outside of their control, and for which they do not receive payment, to be a counterfeit, which includes bootlegs. However, some bootleggers are keen to stress that the markets for bootleg and counterfeit recordings are different, and a typical consumer for a bootleg will have bought
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were known to tolerate taping of the live shows. There was a demand from fans to hear the improvisations that resulted from each show, and taping appealed to the band's general community ethos. They were unique among bands in that their live shows tended not to be pressed and packaged as LPs, but
563:
was released under the name the
Screaming Abadabs, which was one of the band's early names. Because of their ability to get records and covers pressed unquestioned by these pressing plants, bootleggers were able to produce artwork and packaging that a commercial label would be unlikely to issue –
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The most common type is the live bootleg, often an audience recording, which is created with sound recording equipment smuggled into a live concert. Many artists and live venues prohibit this form of recording, but from the 1970s onwards the increased availability of portable technology made such
123:
era. The word, over time, has come to refer to any illegal or illicit product. This term has become an umbrella term for illicit, unofficial, or unlicensed recordings, including vinyl LPs, silver CDs, or any other commercially sold media or material. The alternate term ROIO (an acronym meaning
1071:, many artists have now concluded that the volume of bootlegged performances on YouTube in particular is so large that it is counterproductive to enforce it, and they should use it as a marketing tool instead. Music lawyer Josh Grier said that most artists had "kind of conceded to it".
599:, an annual underground magazine listing known bootlegs and information about recent releases. It provided the true information on bootlegs with fictitious labels, and included details on artists and track listings, as well as the source and sound quality of the various recordings.
165:
825:(DMCA), it cannot be held responsible for content, allowing bootleg media to be hosted on it without fear of a lawsuit. As the technology to host videos is open and available, shutting down YouTube may simply mean the content migrates elsewhere. An audience recording of one of
135:
on them. However, they quickly developed into more sophisticated packaging, in order to distinguish the manufacturer from inferior competitors. With today's packaging and desktop publishing technology, even the layman can create "official" looking CDs. With the advent of the
873:
Authors of literary and artistic works protected by this
Convention shall have the exclusive right of authorising the reproduction of these works, in any manner or form. ... Any sound or visual recording shall be considered as a reproduction for the purposes of this
559:
Sometimes they simply hid the bootleg work when record company executives would come around (in which case the printed label could show the artist and song names) and other times secrecy required labels with fictitious names. For example, a 1974 Pink Floyd bootleg called
613:
objected, Rubber Dubber counteracted he was simply putting fans in touch with the music without the intermediary of a record company. Throughout the 1970s most bootleg records were of poor quality, with many of the album covers consisting of nothing more than cheap
774:—gradually drove the distributors of for-profit vinyl and CD bootlegs further underground. Physical bootlegging largely shifted to countries with laxer copyright laws, with the results distributed through existing underground channels, open-market sites such as
889:
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Many recordings first distributed as bootleg albums were later released officially by the copyright holder. Provided the official release matches the quality of the bootleg, demand for the latter can be suppressed. One of the first rock bootlegs, containing
102:
Changing technologies have affected the recording, distribution, and profitability of the bootlegging industry. The copyrights for the music and the right to authorise recordings often reside with the artist, according to several international
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have a unique approach to bootlegging. An entire section of their official website is devoted to releasing bootlegs of their shows. The band permits the distribution and sale of bootlegs, so long as they are given hard copies on vinyl and CD.
462:, as it became evident that more and more fans were willing to purchase them. In addition, the huge crowds which turned up to these concerts made the effective policing of the audience for the presence of covert recording equipment difficult.
910:
struck down the part banning the sale of bootleg recordings of live music, ruling that the law unfairly grants a seemingly perpetual copyright period to the original performances. In 2007, Judge Baer's ruling was overruled, and the
261:, when unofficial transcripts of his plays would be published. At that time, society was not particularly interested in who had authored a work. The "cult of authorship" was established in the 19th century, resulting in the first
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tolerate taping in a similar manner to the
Grateful Dead, provided no profit is involved. Because of the questionable legality of bootlegs, fans have sometimes simply dubbed a bootleg onto tape and freely passed it onto others.
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at the end of 1967. After a number of artists had hits with Dylan songs that he had not officially released himself, demand increased for Dylan's original recordings, particularly when they started airing on local radio in
271:
were often bootlegged. If the officially released soundtrack had been re-recorded with a house orchestra, there would be demand for the original audio recording taken directly from the film. One example was a bootleg of
951:
boxed sets, each containing LPs that were direct copies of existing bootlegs. He set up a hotline for fans to report bootlegs and was frustrated that the FBI were not interested in prosecuting. The first set included
602:
Initially, knowledge of bootlegs and where to purchase them spread by word of mouth. The pioneering bootlegger Rubber Dubber sent copies of his bootleg recordings of live performances to magazines such as
518:
Some bootleggers noticed rock fans that had grown up with the music in the 1960s wanted rare or unreleased recordings of bands that had split up and looked unlikely to reform. For instance, the release of
155:
recordings, which are merely unauthorised duplicates of officially released recordings, often attempting to resemble the official product as closely as possible. Some record companies have considered that
900:(URAA, PL 103-465) in 1994, as well as by state law. The federal bootleg statute does not pre-empt state laws, which also apply both prior to and since the passage of the federal bootleg statute. The
1138:
was distributed after the band's sound engineer left a cassette in his car while it was being repaired. A bootlegger copied the cassette during the work, then returned it without arousing suspicion.
369:
names or addresses. Since the bootleggers could not commercially print a sleeve, due to it attracting too much attention from recording companies, the LP was issued in a plain white cover with
212:, works-in-progress or discarded material. These might be made from private recordings not meant to be widely shared, or from master recordings stolen or copied from an artist's home, a
868:
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144:, however, some bootlegs are traded privately with no attempt to be manufactured professionally. This is even more evident with the ability to share bootlegs via the Internet.
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in 1886 to cover copyright. The US did not agree to the original terms, resulting in many "piratical reprints" of sheet music being published there by the end of the century.
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official release. Springsteen has said he understands why fans buy bootlegs, but dislikes the market due to the lack of quality control and making profit over pleasing fans.
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where people who received tapes from fellow traders made multiple copies to pass on to others within the community. For a while, stalls at major music gatherings such as the
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equipment made the production of multiple copies significantly easier. Cassettes were also smaller, easier to ship, and could be sold or traded more affordably than vinyl.
4740:
220:, or they may be copied from promotional material issued to music publishers or radio stations, but not for commercial release. A theme of early rock bootlegs was to copy
54:
is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as
188:
bootlegging easier, and the general quality of these recordings has improved over time as consumer equipment becomes sophisticated. A number of bootlegs originated with
4831:
1060:, Phish and Pearl Jam have regularly distributed instant live bootlegs of their concerts. In 2014, Bruce Springsteen announced he would allow fans to purchase a
2122:
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The video sharing website YouTube became a major carrier of bootleg recordings. YouTube's owner, Google, believes that under the "safe-harbor" provision of the
781:
The late 1990s saw an increase in the free trading of digital bootlegs, sharply decreasing the demand for and profitability of physical bootlegs. The rise of
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in 1999 made it easy to share bootlegs over a large computer network. Older analog recordings were converted to digital format, tracks from bootleg CDs were
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objected to unauthorised releases and attempted several raids on production. The Wagern-Nichols Home
Recordist Guild recorded numerous performances at the
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843:, leaked in 2006 and became one of the most infamously bootlegged recordings during the digital piracy era, with its songs since remaining on YouTube.
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2175:
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2049:
793:, combined with the ability to share files between computers via the internet, made it simpler for collectors to exchange bootlegs. The arrival of
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sets a minimum term of twenty years after the performance. This created a market for bootleg CDs in the late 1980s, containing 1960s recordings.
888:, performing rights can still be violated. Where they exist, performers rights may have a shorter duration than full copyright; for example, the
302:(whom at the time held the official rights to recordings made at the opera house), who obtained a court injunction against producing the record.
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Although unofficial and unlicensed recordings had existed before the 1960s, the very first rock bootlegs came in plain sleeves with the titles
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should be used, and the rights are retained at least 50 years after death, or even longer. Even if a song is a traditional arrangement in the
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406:, their first in the U.S. for several years, an enterprising bootlegger known as "Dub" decided to record some of the shows. He purchased a
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in 1993. Court findings were in favour of allowing the release of unauthorised recordings clearly marked as "unauthorised". The updated
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107:. The recording, trading and sale of bootlegs continues to thrive, even as artists and record companies release official alternatives.
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426:, was released shortly before Christmas 1969, mere weeks after the tour had finished, and in January 1970 received a rave review in
119:
originates from the practice of smuggling illicit items in the legs of tall boots, particularly the smuggling of alcohol during the
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for years) was critically and commercially successful owing to the good sound quality and the concert's historical importance.
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concert on Vol. 4 of his
Bootleg Series in 1998 included both the acoustic and electric sets, more than any bootleg had done.
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has protected the copyrights on literary, scientific, and artistic works since 1886. Article 9 of the
Convention states that:
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and TMQ. The large followings of rock artists created a lucrative market for the mass production of unofficial recordings on
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Icons of R&B and Soul: Smokey Robinson and the Miracles ; The Temptations ; The Supremes ; Stevie Wonder
208:
Some bootlegs consist of private or professional studio recordings distributed without the artist's involvement, including
853:
leaked on YouTube in 2012. In 2010, YouTube removed a 15-minute limit on videos, allowing entire concerts to be uploaded.
71:, a compilation of studio outtakes and demos released in 1969 using low-priority pressing plants. The following year, the
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353:'s activities between largely disappearing from the public eye after his motorcycle accident in 1966, and the release of
450:
During the 1970s the bootleg industry in the United States expanded rapidly, coinciding with the era of stadium rock or
234:, which beat the bootleggers by issuing unreleased material, while various compilations of mid-1960s bands inspired the
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agreement soon closed this so-called "protection gap" in all three aforementioned countries effective 1 January 1995.
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829:'s last concerts before he retired from touring in 2004 was uploaded to YouTube and received a positive review in
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was withdrawn from sale shortly before its official release date in December 1987, becoming a popular bootleg.
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were strongly critical of the ease with which Napster circumvented traditional channels of royalty payments.
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294:, and openly sold them without paying royalties to the writers and performers. The company was sued by the
539:. Archive live performances became popular; a 1970 release of Dylan's set with the Hawks (later to become
488:
recorded numerous concerts for radio broadcast in the 1970s, which resulted in many Springsteen bootlegs.
99:
bootlegs first appeared in the 1980s, and Internet distribution became increasingly popular in the 1990s.
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case challenged the constitutionality of the federal bootleg statute, and in 2004, U.S. District Judge
544:
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collected early singles and B-sides. When released, it was the only way to hear the studio version of "
373:
rubber stamped on it. Subsequently, Dylan became one of the most popular artists to be bootlegged with
5121:
618:. The packaging became more sophisticated towards the end of the decade and continued into the 1980s.
466:
quickly became a popular target for bootleggers on the strength and frequency of their live concerts;
364:. Through various contacts in the radio industry, a number of pioneering bootleggers managed to buy a
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specifically for recording the performances, smuggling them into the venues. The resulting bootleg,
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Chas de Whalley, who said it was an album "no self-respecting rock fan would turn his nose up" at.
501:
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2123:"Constitutional Impediments to Protecting the Live Musical Performance Right in the United States"
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1039:(DGM) sells concert recordings as downloads, especially "archival" recordings from the concerts'
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by the end of the year, effectively ending sales of the bootleg. The release of Bob Dylan's 1966
956:, in which he can be heard complaining about bootleggers releasing new material before he could.
834:
582:
2475:
Democracy of Sound: Music Piracy and the Remaking of American Copyright in the Twentieth Century
1047:, DGM has released "official bootlegs", which are produced from one or more fan bootlegs. DGM's
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collectors, to clarify that the recording source and copyright status were hard to determine.
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8:
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778:, and other specialised websites. By the end of the decade, eBay had forbidden bootlegs.
720:
355:
258:
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released 100 bootlegs for sale as downloads on their website, with profits going to the
727:
could produce a high-quality product that was comparable with official studio releases.
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unless the gig is so large that everything needs to be amplified and sent to the desk.
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replaced her early in production, but after a full soundtrack had been recorded. The
2075:
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had proven to be so popular that the bootlegger had managed to interview the band's
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broadcasts of live or previously recorded live performances. Other bootlegs may be
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Netmusic: your complete guide to rock and more on the Internet and online services
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saw a brief entry into the bootleg market in the 1970s, particularly the bootleg
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124:"Recording of Indeterminate/Independent Origin") or VOIO (Video...) arose among
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2345:"Fripp label does it his way: Guitarist follows own muse in business, too"
2050:"Berne Convention for the Protection of Literary and Artistic Works, Article 9"
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315:
310:
306:
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197:
87:. Subsequent bootlegs became more sophisticated in packaging, particularly the
72:
454:. Vast numbers of recordings were issued for profit by bootleg labels such as
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was released containing three and a half hours of recording sessions for the
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for the dissemination of bootleg recordings, as the affordability of private
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The tightening of laws and increased enforcement by police on behalf of the
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been prohibited by federal law (17 USC 1101) since the introduction of the
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81:, an audience recording of a late 1969 show, received a positive review in
2052:. World Intellectual Property Organisation. September 1886. Archived from
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found that the anti-bootlegging statute was within the power of Congress.
719:
series of bootlegs, featuring studio outtakes of the Beatles, showed that
228:
bootleg, collecting early singles by the Who, inspired the official album
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3034:
2672:
1878:" – The Past, Present and Future of Bootlegs considering the internet.
945:
hated bootlegs and wished to control his recordings, so he created the
790:
752:
649:
530:
496:
491:
451:
407:
125:
5624:
5553:
5528:
5518:
5403:
5313:
5273:
5158:
4869:
4565:
4483:
4229:
4078:
3950:
3863:
3336:
3284:
3164:
3105:
2993:
2794:
2749:
2734:
2724:
2559:
Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice
1061:
1057:
965:
815:
770:(RIAA) and other industry groups—often for peripheral issues such as
684:
668:
619:
595:
565:
455:
350:
62:
37:
2076:"Berne Convention for the Protection of Literary and Artistic Works"
1064:
at concerts, which could be used to download a bootleg of the show.
257:, the concept of a bootleg record can be traced back to the days of
175:, which had not been commercially released in the U.S. Like several
5739:
5466:
5278:
5153:
5051:
4645:
4595:
4490:
4119:
4114:
3556:
3442:
3266:
3238:
3169:
3095:
3080:
2988:
540:
476:
in 1970, was sufficiently successful to incur the wrath of manager
473:
331:
5654:
4994:
2395:
936:
has mixed feelings over bootlegs of his popular live performances.
869:
Berne Convention for the Protection of Literary and Artistic Works
564:
perhaps most notoriously the 1962 recording of the Beatles at the
5669:
5538:
5496:
5430:
5308:
5188:
5183:
5106:
5101:
4394:
4317:
4291:
4249:
3832:
3599:
3481:
3455:
3199:
3024:
2998:
2862:
1076:
798:
794:
609:
in an attempt to get them reviewed. When Dylan's record company,
172:
1918:"Bootleg of the Week: David Bowie Live in Atlantic City 5/29/04"
703:
One of the most critically acclaimed bootlegs from the 1980s is
5568:
5298:
5203:
5173:
4419:
3955:
3204:
3090:
3085:
2976:
2759:
2694:
2419:"Bruce Springsteen Formalizes Plans for Instant Live Bootlegs"
1660:"Bootlegs, an insight into the shady side of music collecting"
164:
4240:
3890:
3296:
3277:
2754:
969:
806:
download archive recordings from his official website, while
1381:"POP VIEW; The Legendary, Lost Recordings Of Charlie Parker"
4590:
4442:
3930:
3822:
3698:
3563:
3430:
2538:
Inherent Vice: Bootleg Histories of Videotape and Copyright
2517:
Bootleg! The Rise And Fall Of The Secret Recording Industry
2314:"Queen take on the Bootleggers with downloads of their own"
1526:
775:
326:
141:
2209:
1897:
801:
to computer hard disks, and new material was created with
509:" in the U.S, as it was not included on the U.S. issue of
4615:
4585:
4511:
4286:
3827:
2364:"Jam and the joys of music distribution in today's world"
1593:
1502:
786:
2187:
2185:
1944:"Bilal Is the Future (And the Present ... And the Past)"
1610:
1608:
438:
later in the year. "Dub" was one of the founders of the
2257:
2233:
2221:
1998:"Lana Del Rey's first album 'Sirens' leaks – The Strut"
1885:
1763:
1751:
1702:
1632:
1620:
1490:
1478:
1466:
1324:
1248:
Collectible '70s: A Price Guide to the Polyester Decade
667:
The 1980s saw the increased use of audio cassettes and
339:
in early 1969, appeared before the official release of
161:
most or all of that artist's official releases anyway.
1690:
1194:
1192:
2245:
2197:
2182:
2102:
2090:
2025:"Top Artists Adjust to New World of YouTube Bootlegs"
1849:
1811:
1799:
1787:
1775:
1714:
1678:
1605:
1581:
1406:
1300:
1276:
913:
United States Court of Appeals for the Second Circuit
2494:
The Great White Wonders – A History of Rock Bootlegs
1538:
1514:
1454:
1442:
1430:
1418:
1360:
1348:
1336:
1312:
1288:
1264:
1216:
1831:"half.com, buy.com Team on Latest Used Goods Sites"
1204:
1189:
593:Bootleg collectors in this era generally relied on
393:, released in late 1969, received a rave review in
349:The first popular rock music bootleg resulted from
2535:
2371:
2269:
1228:
1152:
1099:, a bootleg recording of a film in a movie theatre
1056:with a superior quality to an audience recording.
2606:.: Discusses bootlegging in the Canadian context.
2598:Trew, Stuart. "The Double Life of a Bootlegger",
2351:. Vol. 110, no. 28. pp. 13 and 86.
1075:has embraced the distribution of video clips via
5849:
2370:. Independent News and Media PLC. Archived from
2316:. EConsultancy. 11 November 2004. Archived from
2362:Anonymous, Belfast Telegraph (18 August 2009).
1012:in response to the Internet-fuelled success of
5010:
3615:
2935:Cinema / television / video
2639:
2625:
590:'s recordings, mostly from film soundtracks.
3469:Palimpsests: Literature in the Second Degree
2533:
2332:
1903:
1737:. Greenwood Publishing Group. p. 494.
1653:
1651:
1649:
1647:
5017:
5003:
3622:
3608:
2632:
2618:
2585:A Music Lover's Guide to Record Collecting
2150:"N.Y. judge strikes down anti-bootleg law"
2018:
2016:
2014:
1035:is prohibited, Fripp's music company
586:, a collection of the least successful of
4097:
2361:
2342:
2338:
1250:. Krause Publications. 2011. p. 44.
768:Recording Industry Association of America
288:Recording Industry Association of America
2472:
2263:
2239:
2227:
1757:
1696:
1657:
1644:
1638:
1626:
1550:
1484:
1472:
1170:
1027:. Although the recording of concerts by
1019:which they had not intended to release.
928:
648:
490:
402:When the Rolling Stones announced their
379:
325:
163:
31:
2022:
2011:
1941:
1378:
547:in 1966 (incorrectly assumed to be the
253:According to the enthusiast and author
179:bootlegs, it featured cover artwork by
14:
5850:
5760:Category:Self-publishing online stores
5680:List of English language small presses
2556:
2514:
2491:
2416:
2275:
2251:
2215:
2203:
2191:
2147:
2120:
2108:
2096:
1915:
1891:
1855:
1817:
1805:
1793:
1781:
1769:
1720:
1708:
1684:
1614:
1599:
1587:
1544:
1532:
1520:
1508:
1496:
1460:
1448:
1436:
1424:
1412:
1366:
1354:
1342:
1330:
1318:
1306:
1294:
1282:
1270:
1234:
1222:
1210:
1198:
1158:
925:List of commercially released bootlegs
171:compiled early singles and B-sides by
4998:
3603:
2613:
2042:
1869:T'Internet – A Bootleg Fan's Paradise
1732:
1556:
1043:. With an even greater investment of
1008:In 2002, Dave Matthews Band released
147:Bootlegs should not be confused with
61:Bootlegs reached new popularity with
1967:
918:
568:in Hamburg, which was bootlegged as
442:(TMOQ or TMQ) bootleg record label.
5024:
4849:Global Recording Artist of the Year
4817:Highest-grossing live music artists
2587:. Backbeat Books, September 2002. (
2343:Bambarger, Bradley (11 July 1998).
2023:Knopper, Steve (17 December 2012).
1662:. More Music e-zine. Archived from
1379:Watrous, Peter (23 December 1990).
24:
5755:Category:Self-publishing companies
3629:
2577:
2448:King Gizzard and the Lizard Wizard
1565:. Backtrax Records. Archived from
1563:The Pink Floyd Vinyl Bootleg Guide
1084:King Gizzard and the Lizard Wizard
314:were later released officially on
196:taken directly from a multi-track
25:
5879:
5690:List of self-publishing companies
5421:Tate Publishing & Enterprises
1082:Australian psychedelic rock band
632:. It received a good review from
27:Unauthorized recording or release
5725:Predatory open access publishing
4978:
4977:
4964:
3994:Artists and repertoire (A&R)
3725:Universal Music Publishing Group
2417:Greene, Andy (17 January 2014).
1942:Larrier, Travis (4 March 2013).
1916:Greene, Andy (4 December 2015).
1105:, for live recordings of banned
823:Digital Millennium Copyright Act
730:
577:The Beatles vs. the Four Seasons
574:(a parody of the early US album
335:, a collection of recordings by
36:The first popular rock bootleg,
5414:International Library of Poetry
5379:American Biographical Institute
4415:Entertainment Monitoring Africa
2436:
2410:
2388:
2355:
2306:
2281:
2179:, 492 F. 3d 140 (2d Cir. 2007).
2168:
2148:McClam, Erin (September 2004).
2141:
2114:
2078:. Cornell University Law School
2068:
1990:
1961:
1935:
1909:
1861:
1837:. 18 November 2000. p. 115
1823:
1726:
1372:
571:The Beatles vs. the Third Reich
4915:Largest recorded music markets
4822:Highest-grossing concert tours
2121:Landau, Michael (April 2005).
1240:
1164:
1128:
1067:According to a 2012 report in
512:The Piper at the Gates of Dawn
110:
13:
1:
5750:Category:Self-published books
5615:Association of Little Presses
3398:Pierre Menard, Author of the
3244:Archetypal literary criticism
2804:Literature / theatre
1559:"A Brief History Of Bootlegs"
1175:. Random House. p. 159.
1116:
993:, was released officially as
991:Toronto Rock and Roll Revival
959:Throughout their career, the
764:British Phonographic Industry
296:American Broadcasting Company
4971:Record production portal
3787:Independent UK record labels
3210:Source criticism in the arts
2878:Readymades of Marcel Duchamp
2473:Cummings, Alex Sayf (2013).
2289:"The Bootleg Series, Vol. 4"
898:Uruguay Round Agreements Act
856:
837:'s unreleased second album,
248:
7:
4839:Most-attended concert tours
3411:Reality Hunger: A Manifesto
2602:, Sept. 2004, p. 6–8.
2534:Hilderbrand, Lucas (2009).
2477:. Oxford University Press.
1090:
525:, a bootleg of outtakes by
10:
5884:
5685:List of literary magazines
5635:British small press comics
4854:Wealthiest musical artists
4707:Best-selling music artists
3517:Appropriation in sociology
996:Live Peace in Toronto 1969
922:
876:This means a composer has
860:
759:", spanning seven months.
628:, a series of outtakes by
545:Manchester Free Trade Hall
424:Live'r Than You'll Ever Be
390:Live'r Than You'll Ever Be
243:
78:Live'r Than You'll Ever Be
5827:
5610:Article processing charge
5605:Amateur press association
5577:
5505:
5444:
5352:
5322:
5220:
5202:
5120:
5032:
4958:
4862:
4694:
4629:
4558:
4549:
4461:
4425:New Zealand singles chart
4346:
4310:
4201:
3979:
3881:
3846:
3800:
3743:
3707:
3646:
3637:
3522:Articulation in sociology
3500:
3423:
3375:
3325:
3222:
3147:
3119:
3071:
3062:
3045:Revivalism (architecture)
3017:
2934:
2891:
2858:
2849:
2803:
2655:
2648:
2542:. Duke University Press.
1079:to increase his fanbase.
735:Following the success of
5784:Small Press Distribution
5264:Kindle Direct Publishing
5133:Kindle Direct Publishing
4895:Christian music industry
4410:GfK Entertainment charts
4054:Professional audio store
3234:Aesthetic interpretation
2515:Heylin, Clinton (2010).
2492:Heylin, Clinton (1994).
1658:Galloway, Simon (1999).
1037:Discipline Global Mobile
985:'s performance with the
741:Sony Music Entertainment
644:
502:The Dark Side of the Moo
445:
321:
292:Metropolitan Opera House
5590:3D printing marketplace
5243:Barnes & Noble Nook
4302:Music streaming service
3735:Disney Music Publishing
3476:The Pictures Generation
3255:The Death of the Author
2129:. IPR University Center
1874:16 January 2007 at the
1015:The Lillywhite Sessions
46:, released in July 1969
5809:Variable data printing
5745:Self Publish, Be Happy
5087:Self Publish, Be Happy
4844:Most-attended concerts
4812:Highest-paid musicians
3547:Copyright infringement
3527:Cultural appropriation
2561:. Ashgate Publishing.
1171:Greenman, Ben (1995).
937:
863:Copyright infringement
664:
515:
469:Live on Blueberry Hill
399:
346:
184:
47:
5595:Accessible publishing
5472:Espresso Book Machine
4925:Most valuable records
4920:Most expensive albums
4875:Album-equivalent unit
4405:Italian singles chart
4262:Promotional recording
3730:Warner Chappell Music
3720:Sony Music Publishing
3715:BMG Rights Management
3574:Participatory culture
3542:Intellectual property
1977:Tom Hull – on the Web
1535:, pp. 73–74, 76.
1109:and musicians in the
1053:distribution-networks
1025:Mercury Phoenix Trust
932:
880:and control over how
652:
494:
440:Trade Mark of Quality
383:
329:
305:Saxophone player and
202:public address system
194:soundboard recordings
167:
35:
5399:Famous Poets Society
4900:Environmental impact
4800:Best-selling singles
3813:Digital music stores
3249:Artistic inspiration
3073:Intertextual figures
3040:Parody advertisement
2557:Shuker, Roy (2013).
2218:, pp. 195, 395.
2056:on 11 September 2012
908:Harold Baer Jr.
697:Glastonbury Festival
583:Elvis' Greatest Shit
435:Get Yer Ya-Ya's Out!
412:"shotgun" microphone
216:or the offices of a
177:Trademark of Quality
121:American Prohibition
89:Trademark of Quality
5492:Trafford Publishing
5394:Dorrance Publishing
5250:(aka Fiction Press)
5097:Trafford Publishing
4930:Music certification
4910:Largest music deals
4788:Best-selling albums
4621:The Country Network
4400:Irish Singles Chart
4049:Musical instruments
3584:Recontextualisation
3537:Information society
3532:History of printing
3512:Academic dishonesty
3273:Genius (literature)
2962:Literal music video
2873:Photographic mosaic
2668:Chopped and screwed
2396:"The Encore Series"
2320:on 22 December 2015
1733:Gulla, Bob (2008).
1511:, pp. 116–117.
1049:reverse engineering
847:'s 2006 demo album
721:digital remastering
683:, propelled by the
356:John Wesley Harding
259:William Shakespeare
5858:Bootleg recordings
5705:Mass customization
5660:Dynamic publishing
5645:Desktop publishing
5457:America Star Books
5374:America Star Books
5238:Archive of Our Own
5144:Barnes & Noble
4443:SNEP singles chart
4218:Extended play (EP)
3989:Album cover design
3261:Divine inspiration
3050:Video game modding
2892:By source material
2156:. Associated Press
1971:(31 August 2020).
1602:, p. 130–131.
1569:on 3 February 2007
1385:The New York Times
1031:and its guitarist
974:Dave Matthews Band
938:
783:audio file formats
665:
516:
472:, recorded at the
418:4000 reel to reel
404:1969 American tour
400:
385:The Rolling Stones
371:Great White Wonder
347:
279:Annie Get Your Gun
240:series of albums.
185:
105:copyright treaties
95:'s cover artwork.
68:Great White Wonder
48:
43:Great White Wonder
5845:
5844:
5675:Independent music
5630:Bootleg recording
5600:Alternative media
5354:Vanity publishers
5348:
5347:
5294:PocketBook Reader
5254:Google Play Books
5159:Kobo Writing Life
4992:
4991:
4935:Parental Advisory
4890:Bootleg recording
4880:A-side and B-side
4737:
4690:
4689:
4606:The Music Factory
4448:Sverigetopplistan
4372:Argentina Hot 100
4338:Music competition
4328:Concert residency
4267:Phonograph record
4237:
4197:
4196:
4024:Music and fashion
4009:Entertainment law
3877:
3876:
3838:Virgin Megastores
3640:and organizations
3597:
3596:
3504:artistic concepts
3492:Russian formalism
3218:
3217:
3058:
3057:
2947:Anime music video
2930:
2929:
2922:Statue of Liberty
2720:Musical quotation
2663:Bootleg recording
2568:978-1-4094-9397-6
2549:978-0-8223-9219-4
2526:978-0-85712-217-9
2519:. Omnibus Press.
2484:978-0-19-932372-2
2368:Belfast Telegraph
1948:The Shadow League
1894:, pp. 478–9.
1772:, pp. 282–3.
1744:978-0-313-34046-8
1711:, pp. 123–4.
1499:, pp. 69–70.
1333:, pp. 20–21.
1257:978-1-4402-2748-6
1182:978-0-679-76385-7
1136:Bruce Springsteen
1045:sound engineering
1002:Royal Albert Hall
934:Bruce Springsteen
919:Official releases
878:performing rights
803:digital recording
549:Royal Albert Hall
482:Bruce Springsteen
375:numerous releases
366:reel-to-reel tape
200:used to feed the
52:bootleg recording
16:(Redirected from
5875:
5710:Mimeo Revolution
5695:Literary presses
5650:Digital printing
5477:Lightning Source
5389:Author Solutions
5361:books published)
5357:(authors pay to
5233:Apple Book Store
5218:
5217:
5164:Lightning Source
5124:e-book platforms
5067:Lightning Source
5019:
5012:
5005:
4996:
4995:
4981:
4980:
4969:
4968:
4967:
4735:
4556:
4555:
4453:UK singles chart
4385:Canadian Hot 100
4277:Compact cassette
4215:
4162:Session musician
4137:Hip hop producer
4095:
4094:
4029:Music journalism
3961:Rhythm and blues
3679:IFPI (worldwide)
3644:
3643:
3624:
3617:
3610:
3601:
3600:
3416:
3406:
3393:
3224:Related artistic
3190:Imitation in art
3160:Assemblage (art)
3069:
3068:
2868:Combine painting
2856:
2855:
2841:Verbatim theatre
2816:Cut-up technique
2715:Music plagiarism
2653:
2652:
2634:
2627:
2620:
2611:
2610:
2600:Warrior Magazine
2583:Thompson, Dave.
2572:
2553:
2541:
2530:
2511:
2488:
2459:
2458:
2456:
2454:
2440:
2434:
2433:
2431:
2429:
2414:
2408:
2407:
2405:
2403:
2392:
2386:
2385:
2383:
2381:
2375:
2359:
2353:
2352:
2336:
2330:
2329:
2327:
2325:
2310:
2304:
2303:
2301:
2299:
2285:
2279:
2273:
2267:
2261:
2255:
2249:
2243:
2237:
2231:
2225:
2219:
2213:
2207:
2201:
2195:
2189:
2180:
2172:
2166:
2165:
2163:
2161:
2145:
2139:
2138:
2136:
2134:
2127:IPRinfo Magazine
2118:
2112:
2106:
2100:
2094:
2088:
2087:
2085:
2083:
2072:
2066:
2065:
2063:
2061:
2046:
2040:
2039:
2037:
2035:
2020:
2009:
2008:
2006:
2004:
1994:
1988:
1987:
1985:
1983:
1965:
1959:
1958:
1956:
1954:
1939:
1933:
1932:
1930:
1928:
1913:
1907:
1904:Hilderbrand 2009
1901:
1895:
1889:
1883:
1882:. November 2006.
1867:Jordan, Keith. "
1865:
1859:
1853:
1847:
1846:
1844:
1842:
1827:
1821:
1815:
1809:
1803:
1797:
1791:
1785:
1779:
1773:
1767:
1761:
1755:
1749:
1748:
1730:
1724:
1718:
1712:
1706:
1700:
1694:
1688:
1682:
1676:
1675:
1673:
1671:
1655:
1642:
1636:
1630:
1624:
1618:
1612:
1603:
1597:
1591:
1585:
1579:
1578:
1576:
1574:
1554:
1548:
1542:
1536:
1530:
1524:
1518:
1512:
1506:
1500:
1494:
1488:
1482:
1476:
1470:
1464:
1458:
1452:
1446:
1440:
1434:
1428:
1422:
1416:
1410:
1404:
1403:
1401:
1399:
1376:
1370:
1364:
1358:
1352:
1346:
1340:
1334:
1328:
1322:
1316:
1310:
1304:
1298:
1292:
1286:
1280:
1274:
1268:
1262:
1261:
1244:
1238:
1232:
1226:
1220:
1214:
1208:
1202:
1196:
1187:
1186:
1168:
1162:
1156:
1139:
1132:
987:Plastic Ono Band
882:derivative works
677:Cassette culture
640:
611:Columbia Records
536:More Golden Eggs
533:for the sequel,
507:Astronomy Domine
300:Columbia Records
269:Film soundtracks
263:Berne Convention
214:recording studio
21:
5883:
5882:
5878:
5877:
5876:
5874:
5873:
5872:
5848:
5847:
5846:
5841:
5837:Self-publishing
5823:
5774:little magazine
5765:Self publishing
5730:Print on demand
5720:Personalization
5715:Offset printing
5573:
5511:
5509:
5507:
5501:
5447:
5440:
5360:
5358:
5356:
5344:
5318:
5211:
5208:
5198:
5123:
5122:Self-publishing
5116:
5034:
5033:Self-publishing
5028:
5026:Self-publishing
5023:
4993:
4988:
4965:
4963:
4954:
4858:
4686:
4625:
4545:
4540:Top of the Pops
4505:Musica e dischi
4457:
4342:
4306:
4226:Cassette single
4204:
4193:
4147:Record producer
4093:
4064:Radio promotion
4034:Music publisher
4019:Music executive
4014:Music education
3981:
3975:
3873:
3842:
3796:
3739:
3703:
3647:Representatives
3639:
3638:Major companies
3633:
3628:
3598:
3593:
3579:Pirate politics
3552:Derivative work
3505:
3503:
3496:
3419:
3414:
3404:
3391:
3380:
3378:
3371:
3367:Story structure
3362:Stock character
3342:Formula fiction
3330:
3328:
3327:Standard blocks
3321:
3227:
3225:
3214:
3143:
3115:
3064:
3054:
3013:
2942:Abridged series
2926:
2914:Michelangelo's
2906:Michelangelo's
2887:
2852:
2845:
2831:Jukebox musical
2799:
2644:
2638:
2580:
2578:Further reading
2575:
2569:
2550:
2527:
2508:
2485:
2463:
2462:
2452:
2450:
2442:
2441:
2437:
2427:
2425:
2415:
2411:
2401:
2399:
2394:
2393:
2389:
2379:
2377:
2360:
2356:
2341:, p. 86):
2339:Bambarger (1998
2337:
2333:
2323:
2321:
2312:
2311:
2307:
2297:
2295:
2287:
2286:
2282:
2274:
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2258:
2250:
2246:
2238:
2234:
2226:
2222:
2214:
2210:
2202:
2198:
2190:
2183:
2176:US v. Martignon
2173:
2169:
2159:
2157:
2146:
2142:
2132:
2130:
2119:
2115:
2107:
2103:
2095:
2091:
2081:
2079:
2074:
2073:
2069:
2059:
2057:
2048:
2047:
2043:
2033:
2031:
2021:
2012:
2002:
2000:
1996:
1995:
1991:
1981:
1979:
1966:
1962:
1952:
1950:
1940:
1936:
1926:
1924:
1914:
1910:
1902:
1898:
1890:
1886:
1876:Wayback Machine
1866:
1862:
1854:
1850:
1840:
1838:
1829:
1828:
1824:
1816:
1812:
1804:
1800:
1792:
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1695:
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1679:
1669:
1667:
1666:on 10 July 2015
1656:
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1183:
1169:
1165:
1157:
1153:
1143:
1142:
1133:
1129:
1119:
1093:
1041:mixing consoles
948:Beat the Boots!
927:
921:
903:US v. Martignon
890:Rome Convention
865:
859:
757:Good Vibrations
737:Ultra Rare Trax
733:
716:Ultra Rare Trax
706:The Black Album
691:, relied on an
689:punk subculture
647:
638:
630:the Sex Pistols
448:
324:
282:(1950), before
251:
246:
222:deleted records
113:
28:
23:
22:
18:Bootleg (music)
15:
12:
11:
5:
5881:
5871:
5870:
5868:Music industry
5865:
5860:
5843:
5842:
5840:
5839:
5834:
5828:
5825:
5824:
5822:
5821:
5816:
5811:
5806:
5801:
5796:
5794:Vanity gallery
5791:
5786:
5781:
5776:
5770:Small magazine
5767:
5762:
5757:
5752:
5747:
5742:
5737:
5732:
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5707:
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5632:
5627:
5622:
5617:
5612:
5607:
5602:
5597:
5592:
5587:
5581:
5579:
5578:Related topics
5575:
5574:
5572:
5571:
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5561:
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5551:
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5526:
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5311:
5306:
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5296:
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5286:
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5276:
5271:
5266:
5261:
5259:Hoopla Digital
5256:
5251:
5248:FanFiction.Net
5245:
5240:
5235:
5230:
5224:
5222:
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4959:
4956:
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4953:
4952:
4947:
4945:Surprise album
4942:
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4927:
4922:
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4912:
4907:
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4733:United Kingdom
4730:
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4427:
4422:
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4412:
4407:
4402:
4397:
4392:
4387:
4382:
4380:Brasil Hot 100
4374:
4366:
4358:
4352:
4350:
4344:
4343:
4341:
4340:
4335:
4333:Music festival
4330:
4325:
4320:
4314:
4312:
4308:
4307:
4305:
4304:
4299:
4297:Music download
4294:
4289:
4284:
4279:
4274:
4269:
4264:
4259:
4254:
4253:
4252:
4238:
4209:
4207:
4199:
4198:
4195:
4194:
4192:
4191:
4189:Sound engineer
4186:
4185:
4184:
4179:
4174:
4169:
4159:
4154:
4152:Rhythm section
4149:
4144:
4139:
4134:
4129:
4124:
4123:
4122:
4117:
4107:
4101:
4099:
4092:
4091:
4086:
4084:Talent manager
4081:
4076:
4071:
4066:
4061:
4056:
4051:
4046:
4041:
4036:
4031:
4026:
4021:
4016:
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3996:
3991:
3985:
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3977:
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3974:
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3968:
3963:
3958:
3953:
3948:
3943:
3938:
3933:
3928:
3923:
3918:
3913:
3908:
3903:
3901:Easy listening
3898:
3893:
3887:
3885:
3879:
3878:
3875:
3874:
3872:
3871:
3866:
3861:
3856:
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3696:
3691:
3686:
3681:
3676:
3671:
3666:
3661:
3656:
3650:
3648:
3641:
3635:
3634:
3631:Music industry
3627:
3626:
3619:
3612:
3604:
3595:
3594:
3592:
3591:
3586:
3581:
3576:
3571:
3566:
3561:
3560:
3559:
3554:
3549:
3539:
3534:
3529:
3524:
3519:
3514:
3508:
3506:
3501:
3498:
3497:
3495:
3494:
3489:
3484:
3479:
3472:
3465:
3458:
3453:
3445:
3440:
3437:De Copia Rerum
3433:
3427:
3425:
3421:
3420:
3418:
3417:
3407:
3394:
3383:
3381:
3376:
3373:
3372:
3370:
3369:
3364:
3359:
3354:
3349:
3344:
3339:
3333:
3331:
3326:
3323:
3322:
3320:
3319:
3314:
3309:
3304:
3299:
3294:
3293:
3292:
3282:
3281:
3280:
3275:
3270:
3258:
3251:
3246:
3241:
3236:
3230:
3228:
3223:
3220:
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3216:
3215:
3213:
3212:
3207:
3202:
3197:
3192:
3187:
3182:
3177:
3172:
3167:
3162:
3157:
3151:
3149:
3148:Other concepts
3145:
3144:
3142:
3141:
3136:
3131:
3125:
3123:
3117:
3116:
3114:
3113:
3108:
3103:
3098:
3093:
3088:
3083:
3077:
3075:
3066:
3060:
3059:
3056:
3055:
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3047:
3042:
3037:
3032:
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3021:
3019:
3015:
3014:
3012:
3011:
3006:
3001:
2996:
2991:
2986:
2985:
2984:
2974:
2972:Re-cut trailer
2969:
2964:
2959:
2954:
2949:
2944:
2938:
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2870:
2865:
2859:
2853:
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2847:
2846:
2844:
2843:
2838:
2833:
2828:
2823:
2818:
2813:
2807:
2805:
2801:
2800:
2798:
2797:
2792:
2787:
2782:
2777:
2772:
2767:
2762:
2757:
2752:
2747:
2742:
2740:Plunderphonics
2737:
2732:
2727:
2722:
2717:
2712:
2707:
2702:
2697:
2692:
2687:
2682:
2681:
2680:
2670:
2665:
2659:
2657:
2650:
2646:
2645:
2637:
2636:
2629:
2622:
2614:
2608:
2607:
2596:
2579:
2576:
2574:
2573:
2567:
2554:
2548:
2531:
2525:
2512:
2506:
2489:
2483:
2469:
2461:
2460:
2435:
2409:
2398:. themusic.com
2387:
2376:on 23 May 2013
2354:
2331:
2305:
2280:
2268:
2266:, p. 158.
2256:
2254:, p. 397.
2244:
2242:, p. 157.
2232:
2230:, p. 156.
2220:
2208:
2206:, p. 136.
2196:
2194:, p. 106.
2181:
2167:
2140:
2113:
2111:, p. 125.
2101:
2099:, p. 289.
2089:
2067:
2041:
2010:
1989:
1960:
1934:
1908:
1906:, p. 242.
1896:
1884:
1860:
1858:, p. 476.
1848:
1822:
1820:, p. 462.
1810:
1808:, p. 458.
1798:
1796:, p. 279.
1786:
1784:, p. 369.
1774:
1762:
1760:, p. 163.
1750:
1743:
1725:
1723:, p. 428.
1713:
1701:
1689:
1687:, p. 170.
1677:
1643:
1641:, p. 103.
1631:
1629:, p. 174.
1619:
1617:, p. 105.
1604:
1592:
1590:, p. 188.
1580:
1549:
1537:
1525:
1513:
1501:
1489:
1487:, p. 117.
1477:
1475:, p. 102.
1465:
1453:
1441:
1429:
1417:
1415:, p. 394.
1405:
1371:
1359:
1347:
1335:
1323:
1311:
1309:, p. 196.
1299:
1287:
1285:, p. 256.
1275:
1273:, p. 278.
1263:
1256:
1239:
1227:
1225:, p. 483.
1215:
1203:
1188:
1181:
1163:
1150:
1149:
1141:
1140:
1126:
1125:
1118:
1115:
1114:
1113:
1100:
1092:
1089:
954:As An Am Zappa
923:Main article:
920:
917:
861:Main article:
858:
855:
732:
729:
646:
643:
447:
444:
323:
320:
318:in the 1990s.
316:Mosaic Records
311:Dean Benedetti
307:Charlie Parker
255:Clinton Heylin
250:
247:
245:
242:
198:mixing console
133:rubber stamped
112:
109:
73:Rolling Stones
26:
9:
6:
4:
3:
2:
5880:
5869:
5866:
5864:
5863:Copyright law
5861:
5859:
5856:
5855:
5853:
5838:
5835:
5833:
5830:
5829:
5826:
5820:
5817:
5815:
5812:
5810:
5807:
5805:
5802:
5800:
5797:
5795:
5792:
5790:
5787:
5785:
5782:
5780:
5777:
5775:
5771:
5768:
5766:
5763:
5761:
5758:
5756:
5753:
5751:
5748:
5746:
5743:
5741:
5738:
5736:
5735:Private press
5733:
5731:
5728:
5726:
5723:
5721:
5718:
5716:
5713:
5711:
5708:
5706:
5703:
5701:
5698:
5696:
5693:
5691:
5688:
5686:
5683:
5681:
5678:
5676:
5673:
5671:
5668:
5666:
5663:
5661:
5658:
5656:
5653:
5651:
5648:
5646:
5643:
5641:
5638:
5636:
5633:
5631:
5628:
5626:
5623:
5621:
5618:
5616:
5613:
5611:
5608:
5606:
5603:
5601:
5598:
5596:
5593:
5591:
5588:
5586:
5583:
5582:
5580:
5576:
5570:
5567:
5565:
5562:
5560:
5557:
5555:
5552:
5550:
5547:
5545:
5542:
5540:
5537:
5535:
5534:RushOrderTees
5532:
5530:
5527:
5525:
5522:
5520:
5517:
5516:
5514:
5506:Self-printing
5504:
5498:
5495:
5493:
5490:
5488:
5485:
5483:
5482:Llumina Press
5480:
5478:
5475:
5473:
5470:
5468:
5465:
5463:
5460:
5458:
5455:
5454:
5452:
5449:
5443:
5437:
5434:
5432:
5429:
5427:
5426:Vantage Press
5424:
5422:
5419:
5415:
5412:
5411:
5410:
5407:
5405:
5402:
5400:
5397:
5395:
5392:
5390:
5387:
5385:
5382:
5380:
5377:
5375:
5372:
5370:
5366:
5365:
5363:
5355:
5351:
5341:
5338:
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5333:
5331:
5328:
5327:
5325:
5321:
5315:
5312:
5310:
5307:
5305:
5302:
5300:
5297:
5295:
5292:
5290:
5287:
5285:
5282:
5280:
5277:
5275:
5272:
5270:
5267:
5265:
5262:
5260:
5257:
5255:
5252:
5249:
5246:
5244:
5241:
5239:
5236:
5234:
5231:
5229:
5228:Amazon Kindle
5226:
5225:
5223:
5219:
5216:
5214:
5210:
5205:
5201:
5195:
5192:
5190:
5187:
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5177:
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5157:
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5147:
5145:
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5140:
5136:
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5129:
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5119:
5113:
5110:
5108:
5105:
5103:
5100:
5098:
5095:
5093:
5090:
5088:
5085:
5083:
5080:
5078:
5075:
5073:
5072:Llumina Press
5070:
5068:
5065:
5063:
5060:
5058:
5055:
5053:
5050:
5048:
5045:
5043:
5040:
5039:
5037:
5031:
5027:
5020:
5015:
5013:
5008:
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4997:
4985:
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4913:
4911:
4908:
4906:
4903:
4901:
4898:
4896:
4893:
4891:
4888:
4886:
4883:
4881:
4878:
4876:
4873:
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4868:
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4861:
4855:
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4837:
4833:
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4806:
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4798:
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4786:
4780:
4777:
4775:
4772:
4770:
4767:
4765:
4762:
4760:
4757:
4756:
4755:Nationality:
4754:
4750:
4747:
4746:
4744:
4742:
4741:United States
4739:
4734:
4731:
4729:
4726:
4724:
4721:
4719:
4716:
4714:
4710:
4709:
4708:
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4703:
4700:
4699:
4697:
4693:
4683:
4682:
4678:
4676:
4675:
4671:
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4664:
4662:
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4641:
4639:
4635:
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4632:
4628:
4622:
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4614:
4612:
4609:
4607:
4604:
4602:
4599:
4597:
4594:
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4589:
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4579:
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4557:
4554:
4552:
4548:
4542:
4541:
4537:
4535:
4534:
4530:
4528:
4527:
4526:Rolling Stone
4523:
4521:
4520:
4516:
4514:
4513:
4509:
4507:
4506:
4502:
4500:
4499:
4495:
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4460:
4454:
4451:
4449:
4446:
4444:
4441:
4439:
4436:
4434:
4432:
4431:Rolling Stone
4428:
4426:
4423:
4421:
4420:Oricon charts
4418:
4416:
4413:
4411:
4408:
4406:
4403:
4401:
4398:
4396:
4395:G-Music chart
4393:
4391:
4388:
4386:
4383:
4381:
4379:
4375:
4373:
4371:
4367:
4365:
4363:
4359:
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4349:
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4339:
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4319:
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4309:
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4300:
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4288:
4285:
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4280:
4278:
4275:
4273:
4270:
4268:
4265:
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4260:
4258:
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4247:
4244:
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4231:
4227:
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4219:
4214:
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4208:
4206:
4200:
4190:
4187:
4183:
4180:
4178:
4175:
4173:
4170:
4168:
4167:Backup singer
4165:
4164:
4163:
4160:
4158:
4155:
4153:
4150:
4148:
4145:
4143:
4140:
4138:
4135:
4133:
4130:
4128:
4125:
4121:
4118:
4116:
4113:
4112:
4111:
4108:
4106:
4103:
4102:
4100:
4096:
4090:
4089:Tour promoter
4087:
4085:
4082:
4080:
4077:
4075:
4072:
4070:
4067:
4065:
4062:
4060:
4057:
4055:
4052:
4050:
4047:
4045:
4042:
4040:
4037:
4035:
4032:
4030:
4027:
4025:
4022:
4020:
4017:
4015:
4012:
4010:
4007:
4005:
4002:
4000:
3997:
3995:
3992:
3990:
3987:
3986:
3984:
3978:
3972:
3969:
3967:
3964:
3962:
3959:
3957:
3954:
3952:
3949:
3947:
3944:
3942:
3939:
3937:
3934:
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3927:
3924:
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3909:
3907:
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3902:
3899:
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3880:
3870:
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3860:
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3845:
3839:
3836:
3834:
3831:
3829:
3826:
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3814:
3811:
3809:
3806:
3805:
3803:
3799:
3793:
3790:
3788:
3785:
3783:
3779:
3778:
3777:
3772:
3770:
3767:
3765:
3762:
3760:
3756:
3755:
3754:
3749:
3748:
3746:
3744:Record labels
3742:
3736:
3733:
3731:
3728:
3726:
3723:
3721:
3718:
3716:
3713:
3712:
3710:
3706:
3700:
3697:
3695:
3692:
3690:
3687:
3685:
3682:
3680:
3677:
3675:
3672:
3670:
3667:
3665:
3662:
3660:
3657:
3655:
3652:
3651:
3649:
3645:
3642:
3636:
3632:
3625:
3620:
3618:
3613:
3611:
3606:
3605:
3602:
3590:
3589:Remix culture
3587:
3585:
3582:
3580:
3577:
3575:
3572:
3570:
3567:
3565:
3562:
3558:
3555:
3553:
3550:
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3545:
3544:
3543:
3540:
3538:
3535:
3533:
3530:
3528:
3525:
3523:
3520:
3518:
3515:
3513:
3510:
3509:
3507:
3499:
3493:
3490:
3488:
3487:Postmodernism
3485:
3483:
3480:
3478:
3477:
3473:
3471:
3470:
3466:
3464:
3463:
3459:
3457:
3454:
3452:
3451:
3446:
3444:
3441:
3439:
3438:
3434:
3432:
3429:
3428:
3426:
3422:
3413:
3412:
3408:
3402:
3401:
3395:
3390:
3389:
3385:
3384:
3382:
3377:Epoch-marking
3374:
3368:
3365:
3363:
3360:
3358:
3355:
3353:
3352:Jazz standard
3350:
3348:
3347:Genre fiction
3345:
3343:
3340:
3338:
3335:
3334:
3332:
3324:
3318:
3317:Western canon
3315:
3313:
3310:
3308:
3305:
3303:
3302:Genre studies
3300:
3298:
3295:
3291:
3288:
3287:
3286:
3283:
3279:
3276:
3274:
3271:
3269:
3268:
3264:
3263:
3262:
3259:
3256:
3252:
3250:
3247:
3245:
3242:
3240:
3237:
3235:
3232:
3231:
3229:
3221:
3211:
3208:
3206:
3203:
3201:
3198:
3196:
3193:
3191:
3188:
3186:
3183:
3181:
3178:
3176:
3173:
3171:
3168:
3166:
3163:
3161:
3158:
3156:
3153:
3152:
3150:
3146:
3140:
3137:
3135:
3132:
3130:
3127:
3126:
3124:
3122:
3118:
3112:
3109:
3107:
3104:
3102:
3099:
3097:
3094:
3092:
3089:
3087:
3084:
3082:
3079:
3078:
3076:
3074:
3070:
3067:
3061:
3051:
3048:
3046:
3043:
3041:
3038:
3036:
3033:
3031:
3030:Internet meme
3028:
3026:
3023:
3022:
3020:
3016:
3010:
3007:
3005:
3002:
3000:
2997:
2995:
2992:
2990:
2987:
2983:
2982:Shot-for-shot
2980:
2979:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2957:Found footage
2955:
2953:
2950:
2948:
2945:
2943:
2940:
2939:
2937:
2933:
2923:
2920:
2918:
2917:
2912:
2910:
2909:
2904:
2902:
2901:
2897:
2896:
2894:
2890:
2884:
2881:
2879:
2876:
2874:
2871:
2869:
2866:
2864:
2861:
2860:
2857:
2854:
2848:
2842:
2839:
2837:
2834:
2832:
2829:
2827:
2824:
2822:
2819:
2817:
2814:
2812:
2809:
2808:
2806:
2802:
2796:
2793:
2791:
2788:
2786:
2783:
2781:
2778:
2776:
2773:
2771:
2770:Sound collage
2768:
2766:
2763:
2761:
2758:
2756:
2753:
2751:
2748:
2746:
2743:
2741:
2738:
2736:
2733:
2731:
2728:
2726:
2723:
2721:
2718:
2716:
2713:
2711:
2708:
2706:
2703:
2701:
2700:Interpolation
2698:
2696:
2693:
2691:
2690:Cover version
2688:
2686:
2683:
2679:
2676:
2675:
2674:
2671:
2669:
2666:
2664:
2661:
2660:
2658:
2654:
2651:
2647:
2642:
2641:Appropriation
2635:
2630:
2628:
2623:
2621:
2616:
2615:
2612:
2605:
2601:
2597:
2594:
2593:0-87930-713-7
2590:
2586:
2582:
2581:
2570:
2564:
2560:
2555:
2551:
2545:
2540:
2539:
2532:
2528:
2522:
2518:
2513:
2509:
2507:0-670-85777-7
2503:
2499:
2498:Penguin Books
2495:
2490:
2486:
2480:
2476:
2471:
2470:
2468:
2467:
2449:
2445:
2439:
2424:
2423:Rolling Stone
2420:
2413:
2397:
2391:
2374:
2369:
2365:
2358:
2350:
2346:
2340:
2335:
2319:
2315:
2309:
2294:
2290:
2284:
2277:
2272:
2265:
2264:Cummings 2013
2260:
2253:
2248:
2241:
2240:Cummings 2013
2236:
2229:
2228:Cummings 2013
2224:
2217:
2212:
2205:
2200:
2193:
2188:
2186:
2178:
2177:
2171:
2155:
2151:
2144:
2128:
2124:
2117:
2110:
2105:
2098:
2093:
2077:
2071:
2055:
2051:
2045:
2030:
2029:Rolling Stone
2026:
2019:
2017:
2015:
1999:
1993:
1978:
1974:
1970:
1964:
1949:
1945:
1938:
1923:
1922:Rolling Stone
1919:
1912:
1905:
1900:
1893:
1888:
1881:
1877:
1873:
1870:
1864:
1857:
1852:
1836:
1832:
1826:
1819:
1814:
1807:
1802:
1795:
1790:
1783:
1778:
1771:
1766:
1759:
1758:Cummings 2013
1754:
1746:
1740:
1736:
1729:
1722:
1717:
1710:
1705:
1699:, p. 79.
1698:
1697:Cummings 2013
1693:
1686:
1681:
1665:
1661:
1654:
1652:
1650:
1648:
1640:
1639:Cummings 2013
1635:
1628:
1627:Cummings 2013
1623:
1616:
1611:
1609:
1601:
1596:
1589:
1584:
1568:
1564:
1560:
1553:
1547:, p. 63.
1546:
1541:
1534:
1529:
1523:, p. 98.
1522:
1517:
1510:
1505:
1498:
1493:
1486:
1485:Cummings 2013
1481:
1474:
1473:Cummings 2013
1469:
1463:, p. 66.
1462:
1457:
1451:, p. 65.
1450:
1445:
1439:, p. 61.
1438:
1433:
1427:, p. 60.
1426:
1421:
1414:
1409:
1394:
1390:
1386:
1382:
1375:
1369:, p. 32.
1368:
1363:
1357:, p. 31.
1356:
1351:
1345:, p. 37.
1344:
1339:
1332:
1327:
1321:, p. 17.
1320:
1315:
1308:
1303:
1297:, p. 44.
1296:
1291:
1284:
1279:
1272:
1267:
1259:
1253:
1249:
1243:
1236:
1231:
1224:
1219:
1213:, p. 92.
1212:
1207:
1201:, p. 45.
1200:
1195:
1193:
1184:
1178:
1174:
1167:
1160:
1155:
1151:
1148:
1147:
1137:
1134:A bootleg of
1131:
1127:
1124:
1123:
1112:
1108:
1104:
1101:
1098:
1095:
1094:
1088:
1085:
1080:
1078:
1074:
1073:Justin Bieber
1070:
1069:Rolling Stone
1065:
1063:
1059:
1054:
1050:
1046:
1042:
1038:
1034:
1030:
1026:
1022:
1018:
1016:
1011:
1006:
1004:
1003:
998:
997:
992:
988:
984:
978:
975:
971:
967:
962:
961:Grateful Dead
957:
955:
950:
949:
944:
935:
931:
926:
916:
914:
909:
905:
904:
899:
893:
891:
887:
886:public domain
883:
879:
875:
870:
864:
854:
852:
851:
846:
842:
841:
840:Love for Sale
836:
832:
831:Rolling Stone
828:
824:
819:
817:
813:
809:
804:
800:
796:
792:
788:
784:
779:
777:
773:
769:
765:
760:
758:
754:
748:
746:
742:
738:
731:1990s–present
728:
726:
722:
718:
717:
712:
708:
707:
701:
698:
694:
690:
686:
682:
678:
674:
670:
662:
658:
657:
651:
642:
637:
636:
631:
627:
626:
621:
617:
612:
608:
607:
606:Rolling Stone
600:
598:
597:
591:
589:
588:Elvis Presley
585:
584:
579:
578:
573:
572:
567:
562:
557:
552:
550:
546:
542:
538:
537:
532:
528:
527:the Yardbirds
524:
523:
514:
513:
508:
504:
503:
498:
493:
489:
487:
486:E Street Band
483:
479:
475:
471:
470:
465:
461:
457:
453:
443:
441:
437:
436:
431:
430:
429:Rolling Stone
425:
421:
420:tape recorder
417:
413:
409:
405:
398:
397:
396:Rolling Stone
392:
391:
386:
382:
378:
376:
372:
367:
363:
358:
357:
352:
344:
343:
338:
334:
333:
328:
319:
317:
312:
308:
303:
301:
297:
293:
289:
285:
281:
280:
275:
270:
266:
264:
260:
256:
241:
239:
238:
233:
232:
231:Odds And Sods
227:
223:
219:
215:
211:
206:
203:
199:
195:
191:
182:
181:William Stout
178:
174:
170:
166:
162:
159:
154:
150:
145:
143:
139:
134:
129:
127:
122:
118:
108:
106:
100:
98:
94:
93:William Stout
90:
86:
85:
84:Rolling Stone
80:
79:
74:
70:
69:
64:
59:
57:
53:
45:
44:
39:
34:
30:
19:
5814:Web-to-print
5804:Vanity press
5799:Vanity label
5789:Vanity award
5640:Custom media
5629:
5508:products and
5323:Discontinued
5269:Kindle Store
5209:distribution
5082:Notion Press
5062:FriesenPress
4976:
4962:
4940:Record sales
4905:Hidden track
4889:
4695:Achievements
4679:
4674:The X Factor
4672:
4665:
4658:
4653:Star Academy
4651:
4644:
4637:
4538:
4531:
4524:
4517:
4510:
4503:
4496:
4489:
4482:
4475:
4468:
4462:Publications
4430:
4390:Circle Chart
4377:
4369:
4361:
4323:Concert tour
4246:Double album
4172:Ghost singer
4157:Orchestrator
4142:Horn section
4069:Record label
4004:Distribution
3911:Experimental
3883:Major genres
3869:Ticketmaster
3817:iTunes Store
3774:
3773:
3751:
3750:
3669:Music Canada
3502:Related non-
3474:
3467:
3460:
3449:
3435:
3424:Theorization
3409:
3399:
3386:
3265:
3180:Found object
3175:DĂ©tournement
3009:YouTube poop
3004:Video mashup
2952:Collage film
2915:
2907:
2898:
2826:Found poetry
2821:Flarf poetry
2730:Parody music
2710:Music mashup
2685:Contrafactum
2662:
2603:
2599:
2584:
2558:
2537:
2516:
2493:
2474:
2466:Bibliography
2465:
2464:
2451:. Retrieved
2447:
2444:"Bootlegger"
2438:
2426:. Retrieved
2422:
2412:
2400:. Retrieved
2390:
2378:. Retrieved
2373:the original
2367:
2357:
2348:
2334:
2322:. Retrieved
2318:the original
2308:
2296:. Retrieved
2292:
2283:
2271:
2259:
2247:
2235:
2223:
2211:
2199:
2174:
2170:
2160:23 September
2158:. Retrieved
2153:
2143:
2131:. Retrieved
2126:
2116:
2104:
2092:
2080:. Retrieved
2070:
2060:23 September
2058:. Retrieved
2054:the original
2044:
2032:. Retrieved
2028:
2001:. Retrieved
1992:
1980:. Retrieved
1976:
1973:"Music Week"
1963:
1951:. Retrieved
1947:
1937:
1925:. Retrieved
1921:
1911:
1899:
1887:
1880:NPF Magazine
1879:
1863:
1851:
1839:. Retrieved
1834:
1825:
1813:
1801:
1789:
1777:
1765:
1753:
1734:
1728:
1716:
1704:
1692:
1680:
1670:23 September
1668:. Retrieved
1664:the original
1634:
1622:
1595:
1583:
1573:23 September
1571:. Retrieved
1567:the original
1562:
1552:
1540:
1528:
1516:
1504:
1492:
1480:
1468:
1456:
1444:
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1420:
1408:
1396:. Retrieved
1384:
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1338:
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1314:
1302:
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1266:
1247:
1242:
1237:, p. 7.
1230:
1218:
1206:
1172:
1166:
1161:, p. 6.
1154:
1145:
1144:
1130:
1121:
1120:
1111:Soviet Union
1081:
1068:
1066:
1033:Robert Fripp
1029:King Crimson
1013:
1010:Busted Stuff
1009:
1007:
1000:
994:
989:at the 1969
979:
958:
953:
946:
939:
901:
894:
872:
866:
848:
845:Lana Del Rey
838:
830:
820:
812:Robert Fripp
808:King Crimson
780:
761:
749:
736:
734:
725:compact disc
714:
704:
702:
693:honor system
681:tape trading
666:
654:
633:
623:
604:
601:
594:
592:
581:
575:
569:
561:Brain Damage
560:
553:
534:
520:
517:
510:
500:
467:
464:Led Zeppelin
449:
433:
427:
423:
401:
394:
388:
370:
354:
348:
340:
330:
304:
284:Betty Hutton
277:
274:Judy Garland
267:
252:
235:
229:
225:
218:record label
207:
186:
168:
157:
152:
148:
146:
130:
116:
114:
101:
97:Compact disc
82:
76:
66:
60:
55:
51:
49:
41:
29:
5819:Web fiction
5779:Small press
5700:Magnitizdat
5665:Fan fiction
5620:Author mill
5585:3D printing
5549:Spreadshirt
5512:merchandise
5462:AuthorHouse
5436:Xulon Press
5384:AuthorHouse
5369:CreateSpace
5330:Sony Reader
5194:Xulon Press
5112:Xulon Press
4950:White label
4885:Backmasking
4702:Music award
4681:Rising Star
4477:HitQuarters
4356:ARIA Charts
4272:Eight-track
4257:Music video
4234:Maxi single
4182:Ghostwriter
4177:Vocal coach
4132:Disc jockey
4105:Arrangement
4074:Record shop
4044:Music venue
4039:Music store
3999:Disc jockey
3859:Live Nation
3854:CTS Eventim
3776:Independent
3569:Open source
3357:Plot device
3307:Originality
3290:Fan fiction
3155:After (art)
3111:Translation
2967:Parody film
2851:Visual arts
2780:Tribute act
2643:in the arts
2428:21 December
2402:21 December
2324:19 December
2298:19 December
2276:Heylin 1994
2252:Heylin 1994
2216:Heylin 1994
2204:Heylin 1994
2192:Shuker 2013
2109:Heylin 1994
2097:Heylin 2010
2082:20 December
2034:23 December
1982:2 September
1927:21 December
1892:Heylin 2010
1856:Heylin 2010
1841:20 December
1818:Heylin 2010
1806:Heylin 2010
1794:Heylin 2010
1782:Heylin 2010
1770:Heylin 1994
1721:Heylin 2010
1709:Heylin 1994
1685:Heylin 1994
1615:Shuker 2013
1600:Heylin 1994
1588:Heylin 1994
1557:Slugbelch.
1545:Heylin 1994
1533:Heylin 1994
1521:Heylin 1994
1509:Heylin 1994
1497:Heylin 1994
1461:Heylin 1994
1449:Heylin 1994
1437:Heylin 1994
1425:Heylin 1994
1413:Heylin 1994
1367:Heylin 1994
1355:Heylin 1994
1343:Heylin 1994
1331:Heylin 1994
1319:Heylin 1994
1307:Heylin 1994
1295:Heylin 1994
1283:Heylin 2010
1271:Heylin 2010
1235:Heylin 1994
1223:Heylin 2010
1211:Heylin 1994
1199:Heylin 1994
1159:Heylin 1994
1103:Magnitizdat
983:John Lennon
943:Frank Zappa
874:Convention.
827:David Bowie
772:tax evasion
656:Black Album
616:photocopies
556:Los Angeles
522:Golden Eggs
478:Peter Grant
362:Los Angeles
337:the Beatles
276:performing
149:counterfeit
111:Definitions
91:label with
56:bootlegging
5852:Categories
5832:Publishing
5564:Vistaprint
5544:Shutterfly
5524:Custom Ink
5409:Poetry.com
5359:have their
5304:Smashwords
5284:NoiseTrade
5179:Smashwords
5092:Smashwords
5057:FastPencil
4805:by country
4793:by country
4551:Television
4533:Smash Hits
4438:Sino Chart
4311:Live shows
4222:12" single
4110:Songwriter
4098:Production
3906:Electronic
3847:Live music
3708:Publishers
3689:PROMUSICAE
3462:Nachahmung
3448:Dionysian
3388:L.H.O.O.Q.
3312:Simulacrum
3121:Adaptation
3101:Plagiarism
3035:Joke theft
3018:Other arts
2811:Assemblage
2673:Contrafact
2133:16 October
1117:References
791:Real Audio
753:Beach Boys
700:dwindled.
669:videotapes
531:Keith Relf
497:Pink Floyd
452:arena rock
408:Sennheiser
153:unlicensed
126:Pink Floyd
5625:Bill Bird
5554:TeePublic
5529:Redbubble
5519:CafePress
5446:Print on
5404:iUniverse
5314:Wikibooks
5289:OverDrive
5213:platforms
5139:App Store
5035:companies
4870:Album era
4764:Brazilian
4736:(Females)
4667:The Voice
4640:franchise
4601:MuchMusic
4566:Channel V
4484:Hot Press
4470:Billboard
4378:Billboard
4370:Billboard
4362:Billboard
4230:CD single
4127:Conductor
4079:Road crew
4059:Promotion
3982:and roles
3864:LiveStyle
3801:Retailers
3764:Universal
3337:Archetype
3329:and forms
3285:Fan labor
3165:Bricolage
3106:Quotation
2994:TV format
2900:Mona Lisa
2795:Vaporwave
2790:Variation
2750:Quodlibet
2745:Potpourri
2735:Pasticcio
2725:Nightcore
2349:Billboard
2154:USA Today
2003:11 August
1969:Hull, Tom
1835:Billboard
1393:0362-4331
1146:Citations
1062:USB stick
1058:Metallica
966:Pearl Jam
857:Copyright
816:Metallica
745:GATT 1994
685:DIY ethic
620:Punk rock
596:Hot Wacks
566:Star-Club
543:) at the
456:Kornyfone
351:Bob Dylan
342:Let It Be
249:Pre-1960s
226:Who's Zoo
169:Who's Zoo
115:The word
63:Bob Dylan
38:Bob Dylan
5740:Samizdat
5467:DiggyPOD
5207:digital
5154:Bookmate
5052:DiggyPOD
5047:Darkside
4983:Category
4827:by women
4660:The Four
4646:Popstars
4559:Channels
4491:Kerrang!
4120:Lyricist
4115:Composer
3557:Fair use
3450:imitatio
3443:Diegesis
3267:Afflatus
3239:Anti-art
3226:concepts
3170:Citation
3134:Literary
3096:Pastiche
3081:Allusion
3065:concepts
3063:General
2989:Supercut
2775:Standard
2765:Sampling
2649:By field
2453:1 August
2380:14 April
2293:AllMusic
1872:Archived
1091:See also
972:and the
785:such as
541:the Band
499:bootleg
484:and the
474:LA Forum
332:Kum Back
190:FM radio
138:cassette
5670:Fanzine
5539:Shopify
5497:Xlibris
5431:Xlibris
5367:Amazon
5340:Pronoun
5309:Wattpad
5189:Xlibris
5184:Wattpad
5131:Amazon
5107:Xlibris
5102:Wattpad
4779:Swedish
4774:Italian
4769:British
4759:Belgian
4745:Genre:
4723:Germany
4718:Finland
4433:Top 100
4364:Hot 100
4318:Concert
4292:Airplay
4250:Mixtape
4205:formats
4203:Release
3980:Sectors
3946:New Age
3926:Hip hop
3896:Country
3833:Kaspien
3782:Concord
3482:Pop art
3456:Mimesis
3400:Quixote
3200:Reprise
3139:Theatre
3025:In-joke
2999:Vidding
2863:Collage
1953:20 July
1077:Twitter
1051:of the
795:Napster
766:(BPI),
687:of the
673:dubbing
244:History
237:Nuggets
173:the Who
117:bootleg
5569:Zazzle
5559:Spring
5510:custom
5448:demand
5335:Oyster
5299:Scribd
5221:Active
5204:E-book
5174:Scribd
5137:Apple
4713:Brazil
4630:Series
4348:Charts
4213:Single
3956:Reggae
3921:Gospel
3808:Amazon
3769:Warner
3415:(2010)
3405:(1939)
3392:(1919)
3205:Satire
3195:Mashup
3185:Homage
3091:Parody
3086:Calque
2977:Remake
2760:Riddim
2705:Medley
2695:DJ mix
2591:
2565:
2546:
2523:
2504:
2481:
1741:
1398:22 May
1391:
1254:
1179:
850:Sirens
799:ripped
711:Prince
661:Prince
635:Sounds
580:), or
414:and a
5655:DĹŤjin
5450:books
5149:Blurb
5042:Blurb
4863:Other
4832:Latin
4749:Latin
4728:Japan
4241:Album
3971:World
3941:Metal
3936:Latin
3891:Blues
3753:Major
3379:works
3297:Genre
3278:Muses
2916:PietĂ
2908:David
2883:Swipe
2836:Trope
2785:Trope
2755:Remix
2656:Music
1122:Notes
1107:bards
1021:Queen
970:Phish
835:Bilal
723:onto
645:1980s
639:'
625:Spunk
460:vinyl
446:1970s
322:1960s
210:demos
5487:Lulu
5279:Lulu
5274:Kobo
5169:Lulu
5077:Lulu
4711:In:
4638:Idol
4611:Viva
4596:Tr3s
4591:MTV2
4581:Mnet
4576:Fuse
4498:Mojo
3966:Rock
3931:Jazz
3916:Folk
3823:Fnac
3792:AAMG
3759:Sony
3699:SNEP
3694:RIAA
3674:FIMI
3659:BVMI
3654:ARIA
3564:Meme
3431:Dada
3129:Film
2678:list
2589:ISBN
2563:ISBN
2544:ISBN
2521:ISBN
2502:ISBN
2479:ISBN
2455:2022
2430:2015
2404:2015
2382:2012
2326:2015
2300:2015
2162:2006
2135:2017
2084:2015
2062:2006
2036:2015
2005:2022
1984:2020
1955:2020
1929:2015
1843:2015
1739:ISBN
1672:2006
1575:2009
1400:2024
1389:ISSN
1252:ISBN
1177:ISBN
867:The
814:and
789:and
776:eBay
679:and
653:The
495:The
416:Uher
410:805
309:fan
298:and
142:CD-R
140:and
4616:VH1
4586:MTV
4571:CMT
4512:NME
4287:DVD
3951:Pop
3828:HMV
3684:PMB
3664:BPI
2604:N.B
1097:Cam
810:'s
787:MP3
755:' "
709:by
659:by
554:In
158:any
151:or
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