2605:'s work, he says, looked beyond their countries' borders. Neither, he argues, need the literature be bound to the heritage of old world Spanish or European tradition. Nor should it define itself by the conscious rejection of its colonial past. He asserts that Argentine writers need to be free to define Argentine literature anew, writing about Argentina and the world from the point of view of those who have inherited the whole of world literature. Williamson says "Borges's main argument is that the very fact of writing from the margins provides Argentine writers with a special opportunity to innovate without being bound to the canons of the centre, ... at once a part of and apart from the centre, which gives them much potential freedom".
2268:" is a story with an eminent female protagonist. Originally published in 1948, this work tells the tale of a young Jewish woman who kills a man in order to avenge the disgrace and suicide of her father. She carefully plans the crime, submitting to an unpleasant sexual encounter with a stranger in order to create the appearance of sexual impropriety in her intended victim. Despite the fact that she premeditates and executes a murder, the eponymous heroine of this story is surprisingly likable, both because of intrinsic qualities in the character (interestingly enough, she believes in nonviolence) and because the story is narrated from a "remote but sympathetic" point of view that highlights the poignancy of her situation.
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2428:(coll. 1938), Borges's influence on twentieth century literature worldwide has been so deep and pervasive that any sf written in English since about 1960 may consciously or subliminally reflect his work. Any sf story whose structure or arguments question or play with the nature of reality – or which makes fantastic use of images of the Labyrinth, the Mirror, the Library, the Map, and/or the Book and/or the Dream to inform the world – will necessarily navigate seas of imagination he has already plumbed, apodictically, in ten or twenty short stories." Clute notes that Borges "revealed a first-hand (if at points inaccurate) knowledge of sf and its authors, including
1308:, in what was then a common practice among Argentines wishing to circumvent the Argentine laws of the time regarding divorce. According to Kodama, Borges drank as a young man, but eventually gave up alcohol as he aged and "felt more secure." On his religious views, Borges declared himself an agnostic, clarifying: "Being an agnostic means all things are possible, even God, even the Holy Trinity. This world is so strange that anything may happen, or may not happen." Borges was taught to read the Bible by his English Protestant grandmother and he prayed the Our Father each night because of a promise he made to his mother. He also died in the presence of a priest.
1677:, who arrived in Buenos Aires shortly after the closure of the SADE. It was impossible for Borges, as president, to hold the usual reception for the distinguished visitor; instead, one of Borges's friends brought a lamb from his ranch, and they had it roasted at a tavern across the road from the SADE building on Calle Mexico. After dinner, a friendly janitor let them into the premises, and they showed Marías around by candlelight. That tiny group of writers leading a foreign guest through a dark building by the light of guttering candles was vivid proof of the extent to which the SADE had been diminished under the rule of Juan Perón.
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1474:, Borges stated that " are in favor of totalitarian regimes and systematically combat freedom of thought, oblivious of the fact that the principal victims of dictatorships are, precisely, intelligence and culture." He elaborated: "Many people are in favor of dictatorships because they allow them to avoid thinking for themselves. Everything is presented to them ready-made. There are even agencies of the State that supply them with opinions, passwords, slogans, and even idols to exalt or cast down according to the prevailing wind or in keeping with the directives of the thinking heads of the
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recalled that he would awake every morning and remember that Perón was president and feel deeply depressed and ashamed. Perón's government had seized control of the
Argentine mass media and regarded SADE with indifference. Borges later recalled, however, "Many distinguished men of letters did not dare set foot inside its doors." Meanwhile, SADE became an increasing refuge for critics of the Perón government. SADE official Luisa Mercedes Levinson noted, "We would gather every week to tell the latest jokes about the ruling couple and even dared to sing the songs of the
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3036:. "El teólogo" was originally published with the note "Lo anterior ... es obra de Manuel Swedenborg, eminente ingeniero y hombre de ciencia, que durante 27 años estuvo en comercio lúcido y familiar con el otro mundo." ("The preceding ... is the work of Emanuel Swedenborg, eminent engineer and man of science, who during 27 years was in lucid and familiar commerce with the other world.") See "Borges y Revista multicolor de los sábados: confabulados en una escritura de la infamia" by Raquel Atena Green,
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1416:, a creative writing student asked Borges what he regarded as "a writer's duty to his time". Borges replied, "I think a writer's duty is to be a writer, and if he can be a good writer, he is doing his duty. Besides, I think of my own opinions as being superficial. For example, I am a Conservative, I hate the Communists, I hate the Nazis, I hate the anti-Semites, and so on; but I don't allow these opinions to find their way into my writings—except, of course, when I was greatly elated about the
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2280:, something which continually distressed the writer. He was one of several distinguished authors who never received the honour. Borges commented, "Not granting me the Nobel Prize has become a Scandinavian tradition; since I was born they have not been granting it to me." Some observers speculated that Borges did not receive the award in his later life because of his conservative political views, or more specifically because he had accepted an honour from Chilean dictator
1420:. Generally speaking, I think of keeping them in watertight compartments. Everybody knows my opinions, but as for my dreams and my stories, they should be allowed their full freedom, I think. I don't want to intrude into them, I'm writing fiction, not fables." In the 1980s, towards the end of his life, Borges regained his earlier faith in democracy and held it out as the only hope for Argentina. In 1983, Borges applauded the election of the Radical Civic Union's
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recurring image of "a labyrinth that folds back upon itself in infinite regression" so we "become aware of all the possible choices we might make." The forking paths have branches to represent these choices that ultimately lead to different endings. Borges saw man's search for meaning in a seemingly infinite universe as fruitless and instead uses the maze as a riddle for time, not space. He examined the themes of universal randomness ("
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1571:, Borges was asked about the story by a student from the creative writing program. He recalled, "When the Germans were defeated I felt great joy and relief, but at the same time I thought of the German defeat as being somehow tragic, because here we have perhaps the most educated people in Europe, who have a fine literature, a fine tradition of philosophy and poetry. Yet these people were bamboozled by a madman named
914:. In 1938, Borges found work as the first assistant at the Miguel Cané Municipal Library. It was in a working-class area and there were so few books that cataloging more than one hundred books per day, he was told, would leave little to do for the other staff and would make them look bad. The task took him about an hour each day and the rest of his time he spent in the basement of the library, writing and translating.
1263:(UVA) in the U.S. influenced a group of students among whom was Jared Loewenstein, who would later become founder and curator of the Jorge Luis Borges Collection at UVA, one of the largest repositories of documents and manuscripts pertaining to Borges's early works. In 1984, he travelled to Athens, Greece, and later to Rethymnon, Crete, where he was awarded an honorary doctorate from the School of Philosophy at the
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1357:. He then preached that "Borges was a man who had unceasingly searched for the right word, the term that could sum up the whole, the final meaning of things." He said, however, that no man can reach that word through his own efforts and in trying becomes lost in a labyrinth. Pastor de Montmollin concluded, "It is not man who discovers the word, it is the Word that comes to him."
1583:, of London being on fire, of the country being destroyed. As to the German fighters, they took no stock in them. Then I thought, well now Germany has lost, now America has saved us from this nightmare, but since nobody can doubt on which side I stood, I'll see what can be done from a literary point of view in favor of the Nazis. And then I created the ideal Nazi."
2247:" is famously interpreted to allude to the ubiquity of sexual intercourse among humans – a concept whose essential qualities the narrator of the story is not able to relate to. With a few notable exceptions, women are almost entirely absent from Borges's fiction. However, there are some instances in Borges's later writings of romantic love, for example the story "
2487:, exactly, I remain unable to say. This sublime and cosmically comic fable of utterly pure information (i.e. the utterly fictive) gradually and relentlessly infiltrating and eventually consuming the quotidian, opened something within me which has never yet closed... Works we all our lives recall reading for the first time are among the truest milestones, but
1936:. Borges wrote and lectured extensively on the art of translation, holding that a translation may improve upon the original, may even be unfaithful to it, and that alternative and potentially contradictory renderings of the same work can be equally valid. Borges employed the devices of literary forgery and the review of an imaginary work, both forms of modern
1388:(August 2006) calling her "an obstacle to the dissemination of the works of Borges". Kodama took legal action against Assouline, considering the remark unjustified and defamatory, asking for a symbolic compensation of one euro. Kodama also rescinded all publishing rights for existing collections of his work in English, including the translations by
2625:"), and national concerns ("Celebration of the Monster", "Hurry, Hurry", "The Mountebank", "Pedro Salvadores"). Ultranationalists, however, continued to question his Argentine identity. Borges's interest in Argentine themes reflects in part the inspiration of his family tree. Borges had an English paternal grandmother who, around 1870, married the
2257:. The protagonist of the story "El muerto" also lusts after the "splendid, contemptuous, red-haired woman" of Azevedo Bandeira and later "sleeps with the woman with shining hair". Although they do not appear in the stories, women are significantly discussed as objects of unrequited love in his short stories "The Zahir" and "The Aleph". The plot of
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Justicialist Party placed Borges under 24-hour surveillance and sent policemen to sit in on his lectures; in
September they ordered SADE to be permanently closed down. Like much of the Argentine opposition to Perón, SADE had become marginalized due to persecution by the State, and very few active members remained. According to Edwin Williamson,
2156:, Borges remarks, "It is a laborious madness and an impoverishing one, the madness of composing vast books, setting out in five hundred pages an idea that can be perfectly related orally in five minutes. The better way to go about it is to pretend that those books already exist, and offer a summary, a commentary on them." He then cites both
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later writing. Borges wrote: "When I think of what I've lost, I ask, 'Who know themselves better than the blind?' – for every thought becomes a tool." Paramount among his intellectual interests are elements of mythology, mathematics, theology, integrating these through literature, sometimes playfully, sometimes with great seriousness.
903:) in 1935. The book includes two types of writing: the first lies somewhere between non-fiction essays and short stories, using fictional techniques to tell essentially true stories. The second consists of literary forgeries, which Borges initially passed off as translations of passages from famous but seldom-read works.
2688:(of Spanish ancestry). From the mid-1850s on waves of immigration from Europe, especially Italy and Spain, arrived in the country, and in the following decades the Argentine national identity diversified. Borges was writing in a strongly European literary context, immersed in Spanish, English, French, German, Italian,
2653:" explore Argentine themes, such as the identity of the Argentine people and of various Argentine subcultures. The varying genealogies of characters, settings, and themes in his stories, such as "La muerte y la brújula", used Argentine models without pandering to his readers or framing Argentine culture as "exotic".
504:. He became completely blind by the age of 55. Scholars have suggested that his progressive blindness helped him to create innovative literary symbols through imagination. By the 1960s, his work was translated and published widely in the United States and Europe. Borges himself was fluent in several languages.
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political tract. It was meant to stand for the fact that there was something tragic in the fate of a real Nazi. Except that I wonder if a real Nazi ever existed. At least, when I went to
Germany, I never met one. They were all feeling sorry for themselves and wanted me to feel sorry for them as well."
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Little by little I came to realize the strange irony of events. I had always imagined
Paradise as a kind of library. Others think of a garden or of a palace. There I was, the center, in a way, of nine hundred thousand books in various languages, but I found I could barely make out the title pages and
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Borges composed poetry throughout his life. As his eyesight waned (it came and went, with a struggle between advancing age and advances in eye surgery), he increasingly focused on writing poetry, since he could memorize an entire work in progress. His poems embrace the same wide range of interests as
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In a 1967 interview, Borges said, "Perón was a humbug, and he knew it, and everybody knew it. But Perón could be very cruel. I mean, he had people tortured, killed. And his wife was a common prostitute." When Perón returned from exile in 1973 and regained the
Presidency, Borges was enraged. In a 1975
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in the first act and Rome in the second but submit to the pleasure of a fiction. Similarly, the lies of a dictatorship are neither believed nor disbelieved; they pertain to an intermediate plane, and their purpose is to conceal or justify sordid or atrocious realities. They pertain to the pathetic or
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were fired from government jobs. During this period, Borges was informed that he was being "promoted" from his position at the Miguel Cané Library to a post as inspector of poultry and rabbits at the Buenos Aires municipal market. Upon demanding to know the reason, Borges was told, "Well, you were on
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In a 1967 interview with Burgin, Borges recalled how his interactions with
Argentina's Nazi sympathisers led him to create the story. He recalled, "And then I realized that those people that were on the side of Germany, that they never thought of German victories or the German glory. What they really
827:. In this vein, Borges biographer Edwin Williamson underlines the danger of inferring an autobiographically inspired basis for the content or tone of certain of his works: books, philosophy, and imagination were as much a source of real inspiration to him as his own lived experience, if not more so.
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work, despite the fact that camels are mentioned in the Qur'an. He suggested that only someone trying to write an "Arab" work would purposefully include a camel. He uses this example to illustrate how his dialogue with universal existential concerns was just as
Argentine as writing about gauchos and
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The philosophical term "Borgesian conundrum" is named after him and has been defined as the ontological question of "whether the writer writes the story, or it writes him." The original concept was put forward by Borges in his essay "Kafka and His
Precursors". After reviewing works that were written
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In addition to short stories for which he is most noted, Borges also wrote poetry, essays, screenplays, literary criticism, and edited numerous anthologies. His longest work of fiction is a fourteen-page story, "The
Congress", first published in 1971. His late-onset blindness strongly influenced his
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After Evita Perón's death on 26 July 1952, Borges received a visit from two policemen, who ordered him to put up two portraits of the ruling couple on the premises of SADE. Borges indignantly refused, calling it a ridiculous demand. The policemen replied that he would soon face the consequences. The
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of her mother. Kodama "had always regarded Borges as an
Agnostic, as she was herself", but given the insistence of his questioning, she offered to call someone more "qualified". Borges responded, "You are asking me if I want a priest." He then instructed her to call two clergymen, a Catholic priest,
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With his vision beginning to fade in his early thirties and unable to support himself as a writer, Borges began a new career as a public lecturer. He became an increasingly public figure, obtaining appointments as president of the Argentine Society of Writers and as professor of English and American
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from what he referred to as "the baroque": his later style is far more transparent and naturalistic than his earlier works. Borges represented the humanist view of media that stressed the social aspect of art driven by emotion. If art represented the tool, then Borges was more interested in how the
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As Borges matured, he came to a more nuanced attitude toward the Hernández poem. In his book of essays on the poem, Borges separates his admiration for the aesthetic virtues of the work from his mixed opinion of the moral virtues of its protagonist. In his essay "The Argentine Writer and Tradition"
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foretells Kafka's work, but our reading of Kafka perceptibly sharpens and deflects our reading of the poem. Browning did not read it as we do now. In the critics' vocabulary, the word 'precursor' is indispensable, but it should be cleansed of all connotation of polemics or rivalry. The fact is that
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Borges was an observer at the trials of the military junta in 1985 and wrote that "not to judge and condemn the crimes would be to encourage impunity and to become, somehow, its accomplice." Borges added that "the news of the missing people, the crimes and atrocities committed" had inspired him to
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In the aftermath, Borges found himself much in demand as a lecturer and one of the intellectual leaders of the Argentine opposition. In 1951 he was asked by anti-Peronist friends to run for president of SADE. Borges, then having depression caused by a failed romance, reluctantly accepted. He later
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In 1967, Borges married the recently widowed Elsa Astete Millán. Friends believed that his mother, who was 90 and anticipating her own death, wanted to find someone to care for her blind son. The marriage lasted less than three years. After a legal separation, Borges moved back in with his mother,
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Jorge Luis Borges was taught at home until the age of 11 and was bilingual in Spanish and English, reading Shakespeare in the latter at the age of twelve. The family lived in a large house with an English library of over one thousand volumes; Borges would later remark that "if I were asked to name
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notes, "Whatever Borges's existential anxieties may be, they have little in common with Sartre's robustly prosaic view of literature, with the earnestness of Camus' moralism, or with the weighty profundity of German existential thought. Rather, they are the consistent expansion of a purely poetic
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declined to send a delegate to the writer's memorial service in Buenos Aires. A spokesman for the Party said that this was in reaction to "certain declarations he had made about the country." Later, at the City Council of Buenos Aires, Peronist politicians refused to honor Borges as an Argentine,
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toppled the ruling party and forced Perón into exile. Borges was overjoyed and joined demonstrators marching through the streets of Buenos Aires. According to Williamson, Borges shouted, "Viva la Patria", until his voice grew hoarse. Due to the influence of Borges's mother and his own role on the
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The title story concerns a Chinese professor in England, Dr. Yu Tsun, who spies for Germany during World War I, in an attempt to prove to the authorities that an Asian person is able to obtain the information that they seek. A combination of book and maze, it can be read in many ways. Through it,
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In 1921, Borges returned with his family to Buenos Aires. He had little formal education, no qualifications and few friends. He wrote to a friend that Buenos Aires was now "overrun by arrivistes, by correct youths lacking any mental equipment, and decorative young ladies". He brought with him the
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If I am not mistaken, the heterogeneous pieces I have enumerated resemble Kafka; if I am not mistaken, not all of them resemble each other. The second fact is the more significant. In each of these texts we find Kafka's idiosyncrasy to a greater or lesser degree, but if Kafka had never written a
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Often, especially early in his career, the mixture of fact and fantasy crossed the line into the realm of hoax or literary forgery. "The Garden of Forking Paths" (1941) presents the idea of forking paths through networks of time, none of which is the same, all of which are equal. Borges uses the
1755:, which still hasn't happened anywhere but in the sun and the stars. For a time, Argentines hesitated to wear band aids for fear friends would ask, 'Did the atomic bomb go off in your hand?' A shame, because Argentina really has world-class scientists." After Borges's death in 1986, the Peronist
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tactics used against both real and imagined anti-Peronists. The second history was, according to Borges, "the theatrical one" composed of "tales and fables made for consumption by dolts." He argued that, despite their claims to detest capitalism, Juan and Eva Perón "copied its methods, dictating
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of the Nazis wouldn't mind being defeated; after all, defeats and victories are mere matters of chance. He would still be glad of the fact, even if the Americans and British won the war. Naturally, when I am with Nazis, I find they are not my idea of what a Nazi is, but this wasn't meant to be a
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into Spanish. It was published in a local journal, but Borges's friends thought the real author was his father. Borges Haslam was a lawyer and psychology teacher who harboured literary aspirations. Borges said his father "tried to become a writer and failed in the attempt", despite the 1921 opus
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in world literature. He is modernist in that his fiction shows a first-rate human mind stripped of all foundations of religious or ideological certainty – a mind turned wholly inward on itself. His stories are inbent and hermetic, with the oblique terror of a game whose rules are unknown and its
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In his works he refutes the arch-nationalist interpreters of the poem and disdains others, such as critic Eleuterio Tiscornia, for their Europeanising approach. Borges denies that Argentine literature should distinguish itself by limiting itself to "local colour", which he equates with cultural
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In a 1938 essay, Borges reviewed an anthology which rewrote German authors of the past to fit the Nazi party line. He was disgusted by what he described as Germany's "chaotic descent into darkness" and the attendant rewriting of history. He argued that such books sacrificed the German people's
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in the last story is characteristic of Borges's approach to theology in his literature. In describing himself, Borges said, "I am not sure that I exist, actually. I am all the writers that I have read, all the people that I have met, all the women that I have loved; all the cities that I have
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Spurred by pride in his family's heritage, Borges often used those civil wars as settings in fiction and quasi-fiction (for example, "The Life of Tadeo Isidoro Cruz", "The Dead Man", "Avelino Arredondo") as well as poetry ("General Quiroga Rides to His Death in a Carriage"). Borges's maternal
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It is useless to list the examples; one can only denounce the duplicity of the fictions of the former regime, which can't be believed and were believed. It will be said that the public's lack of sophistication is enough to explain the contradiction; I believe that the cause is more profound.
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was absorbed in his childhood, stating: "Well, I have been brought up to think that the individual should be strong and the State should be weak. I couldn't be enthusiastic about theories where the State is more important than the individual." After the overthrow via coup d'état of President
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literature. He also read translations of Near Eastern and Far Eastern works. Borges's writing is also informed by scholarship of Christianity, Buddhism, Islam, and Judaism, including prominent religious figures, heretics, and mystics. Religion and heresy are explored in such stories as
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was a profoundly singular one, for me, and I believe I knew that, then, in my early adolescence. It was demonstrated to me, that afternoon. Proven. For, by the time I had finished with "Tlön" (though one never finishes with Tlön, nor indeed any story by Borges) and had traversed
2374:"), an artifact through which the user can see everything in the universe ("The Aleph"), and a year of still time given to a man standing before a firing squad ("The Secret Miracle"). Borges told realistic stories of South American life, of folk heroes, streetfighters, soldiers,
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Borges had agreed to stand for the presidency of the SADE in order fight for intellectual freedom, but he also wanted to avenge the humiliation he believed he had suffered in 1946, when the Peronists had proposed to make him an inspector of chickens. In his letter of 1950 to
2816:, he combined an interest in his native culture with broader perspectives, also sharing their multilingualism and inventiveness with language. However, while Nabokov and Joyce tended toward progressively larger works, Borges remained a miniaturist. His work progressed
1673:, he claimed that his infamous promotion had been a clever way the Peronists had found of damaging him and diminishing his reputation. The closure of the SADE meant that the Peronists had damaged him a second time, as was borne out by the visit of the Spanish writer
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Borges believed that indigenous peoples in what is now called Argentina had no traditions: "There's no native tradition of any kind since the Indians here were mere barbarians. We have to fall back on the European tradition, why not? It's a very fine tradition."
1535:. In an essay published in 1937, Borges attacked the Nazi Party's use of children's books to inflame antisemitism. He wrote, "I don't know if the world can do without German civilization, but I do know that its corruption by the teachings of hatred is a crime."
2589:(1951), Borges celebrates how Hernández expresses the Argentine character. In a key scene in the poem, Martín Fierro and El Moreno compete by improvising songs on universal themes such as time, night, and the sea, reflecting the real-world gaucho tradition of
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as "a very fine poet" but a "very mean man" for unconditionally supporting the Soviet Union and demonizing the United States. Borges commented about Neruda, "Now he knows that's rubbish." In the same interview, Borges also criticized famed poet and playwright
2621:), appeared in 1923. Borges's writings on things Argentine include Argentine culture ("History of the Tango"; "Inscriptions on Horse Wagons"), folklore ("Juan Muraña", "Night of the Gifts"), literature ("The Argentine Writer and Tradition", "Almafuerte"; "
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Borges lived and studied in Switzerland and Spain as a young student. As Borges matured, he traveled through Argentina as a lecturer and, internationally, as a visiting professor; he continued to tour the world as he grew older, finally settling in
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in 1880. Acevedo Laprida died of pulmonary congestion in the house where his grandson Jorge Luis Borges was born. According to a study by Antonio Andrade, Jorge Luis Borges had Portuguese ancestry: Borges's great-grandfather, Francisco, was born in
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In fact, contrary to what is usually supposed, the geographies found in his fictions often do not correspond to those of real-world Argentina. In his essay "El escritor argentino y la tradición", Borges notes that the very absence of camels in the
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against Argentine Jews to signify one was not Jewish. In the essay, Borges declares he would be proud to be a Jew, and remarks that any pure Castilian is likely to come from ancient Jewish descent, from a millennium ago. Both before and during the
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of mythical creatures, Borges wrote, "There is a kind of lazy pleasure in useless and out-of-the-way erudition." Borges's interest in fantasy was shared by Bioy Casares, with whom he coauthored several collections of tales between 1942 and 1967.
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de Souza, Marcelo Mendes. “Unoriginal Opinions of an Original Man: Jorge Luis Borges’s Views on Race and Brazilian People in His Conversations with Adolfo Bioy Casares and His Literary Works.” Latin American research review 56.3 (2021): 668–678.
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of Spanish, Portuguese, and English descent, the son of Francisco Borges Lafinur, a colonel, and Frances Ann Haslam, an Englishwoman. Borges Haslam grew up speaking English at home. The family frequently traveled to Europe. Borges Haslam wedded
1137:. While Beckett had garnered a distinguished reputation in Europe and America, Borges had been largely unknown and untranslated in the English-speaking world and the prize stirred great interest in his work. The Italian government named Borges
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commenting that he "chose to die abroad." When infuriated politicians from the other parties demanded to know the real reason, the Peronists finally explained that Borges had made statements about Evita Perón which they called "unacceptable".
1205:, through whom he became better known in the English-speaking world. Di Giovanni contended that Borges's popularity was due to his writing with multiple languages in mind and deliberately using Latin words as a bridge from Spanish to English.
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on 14 June 1986, aged 86, in Geneva. His burial was preceded by an ecumenical service at the Protestant Cathédrale de Saint Pierre on 18 June. With many Swiss and Argentine dignitaries present, Pastor de Montmollin read the First Chapter of
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At Columbia University in 1971, Borges further elaborated on the story's creation, "I tried to imagine what a real Nazi might be like. I mean someone who thought of violence as being praiseworthy for its own sake. Then I thought that this
2593:, improvised musical dialogues on philosophical themes. Borges points out that Hernández evidently knew the difference between actual gaucho tradition of composing poetry versus the "gauchesque" fashion among Buenos Aires literati.
1635:, prearranged cheers or insults, walls covered with names, unanimous ceremonies, mere discipline usurping the place of clear thinking ... Fighting these sad monotonies is one of the duties of a writer. Need I remind readers of
1792:, about two fictional soldiers (one from each side), who died in the Falklands, in which he refers to "islands that were too famous". He also said about the war: "The Falklands thing was a fight between two bald men over a comb."
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Father Jacquet also preached, saying that, when visiting Borges before his death, he had found "a man full of love, who received from the Church the forgiveness of his sins". After the funeral, Borges was laid to rest in Geneva's
1412:. In 1945, Borges signed a manifesto calling for an end to military rule and the establishment of political liberty and democratic elections. By the 1960s, he had grown more skeptical of democracy. During a 1971 conference at
2168:, remarking, however, that "those works suffer under the imperfection that they themselves are books, and not a whit less tautological than the others. A more reasonable, more inept, and more lazy man, I have chosen to write
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Eight of Borges's poems appear in the 1943 anthology of Spanish American Poets by H. R. Hays. "The Garden of Forking Paths", one of the first Borges stories to be translated into English, appeared in the August 1948 issue of
2645:, was another military hero, whom Borges immortalized in the poem "A Page to Commemorate Colonel Suárez, Victor at Junín". His nonfiction explores many of the themes found in his fiction. Essays such as "The History of the
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and welcomed the end of military rule with the following words: "I once wrote that democracy is the abuse of statistics ... On October 30, 1983, Argentine democracy refuted me splendidly. Splendidly and resoundingly."
2378:, detectives, and historical figures. He mixed the real and the fantastic, fact with fiction. His interest in compounding fantasy, philosophy, and the art of translation are evident in articles such as "The Translators of
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was proposed. Borges was nominated again in 1967, and was among the final three choices considered by the committee according to Nobel records unsealed on the 50th anniversary in 2017. The committee considered Borges,
2918:, about whom Borges wrote a famous poem. It is not without humour that Borges once wrote: "Siempre imaginé que el Paraíso sería algún tipo de biblioteca." ("I always imagined Paradise to be some kind of a library.")
1091:), his mother, to whom he had always been close, became his personal secretary. When Perón returned from exile and was re-elected president in 1973, Borges immediately resigned as director of the National Library.
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culture, history and integrity in the name of restoring their national honour. Such use of children's books for propaganda he writes, "perfect the criminal arts of barbarians." In a 1944 essay, Borges postulated,
945:," came out in May 1939. One of his most famous works, "Menard" examines the nature of authorship, as well as the relationship between an author and his historical context. His first collection of short stories,
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2117:, originally claiming them to be translations of works he had chanced upon. In another case, he added three short, falsely attributed pieces into his otherwise legitimate and carefully researched anthology
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in English, and began to read philosophy in German. In 1917, when he was eighteen, he met writer Maurice Abramowicz and began a literary friendship that lasted for the remainder of his life. He received his
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in America because he believed black people were happier remaining uneducated and without freedom. Portraits of diverse coexisting cultures characteristic of Argentina are especially pronounced in the book
1745:, he said "Damn, the snobs are back in the saddle. If their posters and slogans again defile the city, I'll be glad I've lost my sight. Well, they can't humiliate me as they did before my books sold well."
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Maria Kodama, his widow and heir on the basis of the marriage and two wills, gained control over his works. Her assertive administration of his estate resulted in a bitter dispute with the French publisher
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awarded Borges the first of many honorary doctorates and the following year he received the National Prize for Literature. From 1956 to 1970, Borges also held a position as a professor of literature at the
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Had the concept of software been available to me, I imagine I would have felt as though I were installing something that exponentially increased what one day would be called bandwidth, though bandwidth of
1551:. Hitler is blindly collaborating with the inevitable armies that will annihilate him, as the metal vultures and the dragon (which must have known that they were monsters) collaborated, mysteriously, with
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opposed these measures and sharply criticized them in lectures and in print. Borges's opposition to the Party in this matter ultimately led to a permanent rift with his longtime lover, Argentine Communist
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appointed him for one year to the Tinker Chair. This led to his first lecture tour in the United States. In 1962, two major anthologies of Borges's writings were published in English by New York presses:
5375:
Keller, Gary; Van Hooft, Karen S. (1976). "Jorge Luis Borges' "La intrusa": The Awakening of Love and Consciousness/The Sacrifice of Love and Consciousness". In Davis, Lisa E.; Tarán, Isabel C. (eds.).
2359:"). Williamson writes, "His basic contention was that fiction did not depend on the illusion of reality; what mattered ultimately was an author's ability to generate 'poetic faith' in his reader."
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In 1955, he became director of the Argentine National Library. By the late 1950s he had become completely blind. Neither the coincidence nor the irony of his blindness as a writer escaped Borges:
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for the Argentine intelligentsia. The Argentine Society of Writers (SADE) held a formal dinner in his honour. At the dinner, a speech was read which Borges had written for the occasion. It said:
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Jorge Francisco Isidoro Luis Borges Acevedo was born into an educated middle-class family on 24 August 1899. They were in comfortable circumstances but not wealthy enough to live in downtown
1547:'s hell. It is uninhabitable; men can only die for it, lie for it, wound and kill for it. No one, in the intimate depths of his being, can wish it to triumph. I shall risk this conjecture:
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Dictatorships breed oppression, dictatorships breed servility, dictatorships breed cruelty; more loathsome still is the fact that they breed idiocy. Bellboys babbling orders, portraits of
676:, Switzerland, and spent the next decade in Europe. In Geneva, Borges Haslam was treated by an eye specialist, while his son and daughter attended school. Jorge Luis learned French, read
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includes the poem "Isidoro Acevedo", commemorating his grandfather, Isidoro de Acevedo Laprida, a soldier of the Buenos Aires Army. A descendant of the Argentine lawyer and politician
1830:. He was clearly of tremendous influence, writing intricate poems, short stories, and essays that instantiated concepts of dizzying power." Borges's work has been compared to that of
665:. Jorge Luis Borges wrote, "As most of my people had been soldiers and I knew I would never be, I felt ashamed, quite early, to be a bookish kind of person and not a man of action."
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the clumsily sentimental. Happily, for the enlightenment and security of the Argentines, the current regime has understood that the function of government is not to inspire pathos.
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names and slogans to the people" in the same way that multi-national corporations "impose their razor blades, cigarettes, and washing machines." Borges then listed the numerous
1392:, in which Borges himself collaborated, and from which di Giovanni would have received an unusually high fifty percent of the royalties. Kodama commissioned new translations by
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saw its apogee during the years of Borges's greatest artistic production. It has been argued that his choice of topics largely ignored existentialism's central tenets. Critic
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In later years, Borges frequently expressed contempt for Marxist and communist authors, poets, and intellectuals. In an interview with Burgin, Borges referred to Chilean poet
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where he had spent some of his youth. Drawing on the influence of many times and places, Borges's work belittled nationalism and racism. However, Borges also scorned his own
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to a "Reparation for Borges." Numerous leading writers and critics from Argentina and throughout the Spanish-speaking world contributed writings to the "reparation" project.
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in memory of his mother, and a Protestant minister, in memory of his English grandmother. He was visited first by Father Pierre Jacquet and by Pastor Edouard de Montmollin.
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Borges focused on universal themes, but also composed a substantial body of literature on themes from Argentine folklore and history. His first book, the poetry collection
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with whom he lived until her death at age 99. Thereafter, he lived alone in the small flat he had shared with her, cared for by Fanny, their housekeeper of many decades.
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1293:, who was at the time a young Jesuit priest. In 1979, Borges spoke appreciatively and at some length about Bergoglio to the Argentine poet and essayist Roberto Alifano.
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are "A Patio", "Butcher Shop", "Benares", "The Recoleta", "A Day's Run", "General Quiroga Rides to Death in a Carriage", "July Avenue", and "Natural Flow of Memory".
938:. While recovering from the accident, Borges began exploring a new style of writing for which he would become famous. His first story written after his accident, "
1118:. Though several other Borges translations appeared in literary magazines and anthologies during the 1950s (and one story appeared in the science fiction magazine
5390:
Brodzki, Bella. "'She Was Unable Not to Think': Borges' 'Emma Zunz' and the Female Subject." MLN, vol. 100, no. 2, Johns Hopkins University Press, 1985, p. 338,
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2574:-dwelling. The character Fierro is illegally drafted to serve at a border fort to defend it against the indigenous population but ultimately deserts to become a
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and other temporary appointments at other universities. He was knighted by Queen Elizabeth II in 1964. In the fall of 1967 and spring of 1968, he delivered the
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was based on a true story of two friends. Borges turned their fictional counterparts into brothers, excluding the possibility of a homosexual relationship.
2899:(El idioma de los argentinos). In a 1962 interview Borges described Mauthner as possessing a fine sense of humor as well as great knowledge and erudition.
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in 1955, Borges supported efforts to purge Argentina's Government of Peronists and dismantle the former President's welfare state. He was enraged that the
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said of him: "He, more than anyone, renovated the language of fiction and thus opened the way to a remarkable generation of Spanish-American novelists."
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As his eyesight deteriorated, Borges relied increasingly on his mother's help. When he was not able to read and write anymore (he never learned to read
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2972:"His was a particular kind of blindness, grown on him gradually since the age of thirty and settled in for good after his fifty-eighth birthday." From
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to be "the best prose-writer in the Spanish language of any time." Borges was also an admirer of Asian culture, e.g. the ancient Chinese board game of
2231:
for being "doctors of technique" but argued that their work lacked substance due to their lack of interaction with the reality that they inhabited, an
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Moulthrop, Stuart (1991). "Reading From the Map: Metonymy and Metaphor in the Fiction of 'Forking Paths'". In Delany, Paul; Landow, George P. (eds.).
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met with wide approval from the youth who challenged the authenticity of older writers such as Borges and questioned their legacy of experimentation.
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874:, became a major influence on Borges. The two would preside over discussions in cafés, at country retreats, or in Fernandez's tiny apartment in the
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and launched his career, publishing surreal poems and essays in literary journals. In 1923, Borges first published his poetry, a collection called
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outlines how Borges used concepts from mathematics in his work. Martínez states that Borges had, for example, at least a superficial knowledge of
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and exploration of universal truths, they argued, had come at the cost of responsibility and seriousness in the face of society's problems. The
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his fiction, along with issues that emerge in his critical works and translations, and from more personal musings. For example, his interest in
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failed to garner for him the literary prizes many in his circle expected. Victoria Ocampo dedicated a large portion of the July 1942 issue of
484:. The family travelled widely in Europe, including Spain. On his return to Argentina in 1921, Borges began publishing his poems and essays in
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2891:), had an important influence on Borges. Borges always recognized the influence of this German philosopher. According to the literary review
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From 1975 until the time of his death, Borges traveled internationally. He was often accompanied in these travels by his personal assistant
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After being accused of being unforgiving, Borges quipped, "I resented Perón's making Argentina look ridiculous to the world ... as in
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asked Borges who were the "philosophers who have influenced your works, in whom you've been the most interested". In reply, Borges named
1531:, Borges regularly published essays attacking the Nazi police state and its racist ideology. His outrage was fueled by his deep love for
796:. Later in life, Borges regretted some of these early publications, attempting to purchase all known copies to ensure their destruction.
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Borges, Jorge Luis and Lanuza, Eduardo González (1961) "The Argentine writer and tradition" Latin American and European Literary Society
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the book was one of the five books most noted and read by Borges. The first time that Borges mentioned Mauthner was in 1928 in his book
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Along with other young Argentine writers of his generation, Borges initially rallied around the fictional character of Martín Fierro.
1304:, an Argentine woman of Japanese and German ancestry. In April 1986, a few months before his death, he married her via an attorney in
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in 1918. The Borges family decided that, due to political unrest in Argentina, they would remain in Switzerland during the war. After
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Theo L. D'Haen (1995) "Magical Realism and Postmodernism: Decentering Privileged Centers", in: Louis P. Zamora and Wendy B. Faris,
1365:. His grave, marked by a rough-hewn headstone, is adorned with carvings derived from Anglo-Saxon and Old Norse art and literature.
1498:. In Borges's opinion, Lorca's poetry and plays, when examined against his tragic death, appeared better than they actually were.
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His father gave up practicing law due to the failing eyesight that would eventually affect his son. In 1914, the family moved to
2010:
1703:, Borges wrote there were two histories of Peronism in Argentina. The first he described as "the criminal one", composed of the
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4533:(1973), Edited by Norman Thomas DoGiovanni, Daniel Halpern, and Frank MacShane. E.P. Dutton & Co, Inc., New York. Page 59.
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Castillo-Torres, S. A., et. al. (2021). "The books and the night", neurological perspective on Jorge Luis Borges’ blindness.
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1336:. Although calm and collected about his own death, Borges began probing Kodama as to whether she inclined more towards the
1158:. In that year, Borges began lecture tours of Europe. Numerous honors were to accumulate over the years such as a Special
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2107:. Along with publishing numerous legitimate translations, he also published original works, for example, in the style of
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Pérez, Rolando. "Borges and Bruno Schulz on the Infinite Book of the Kabbalah." Confluencia. Volume 31. Spring 2016.
2503:", I discovered that I had ceased to be afraid of any influence that might dwell within Francis Marion's towering desk."
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Being an agnostic makes me live in a larger, a more fantastic kind of world, almost uncanny. It makes me more tolerant.
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the ruling couple dictated to their followers and how those theories were accepted without question. Borges concluded:
1110:
855:. It was then Argentina's most important literary journal and helped Borges find his fame. Ocampo introduced Borges to
519:. His international reputation was consolidated in the 1960s, aided by the growing number of English translations, the
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1522:" ("I, a Jew"), a reference to the old phrase "Yo, Argentino" ("I, an Argentine") uttered by potential victims during
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5327:, p. 489, "years later Borges would tell Ronald Christ that he meant the Secret to refer to sexual intercourse".
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every writer creates his own precursors. His work modifies our conception of the past, as it will modify the future."
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the side of the Allies, what do you expect?" Borges resigned the following day. Perón's treatment of Borges became a
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2963:, not least because he loathed and feared examination. (He was never to finish his high school education, in fact)."
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By the mid-1930s, he began to explore existential questions and fiction. He worked in a style that Argentine critic
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anarchist who believes in the individual and not in the State" due to his father's influence. In an interview with
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https://web.archive.org/web/20120105024915/http://cuadernosdealeph.com/revista_2007/A2007_pdf/06%20Teor%C3%ADa.pdf
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who was to become a frequent collaborator and close friend. They wrote a number of works together, some under the
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2732:. Borges said that his father wished him "to become a citizen of the world, a great cosmopolitan," in the way of
2405:"). Due to the success of the "Forking Paths" story, the term "Borgesian" came to reflect a quality of narrative
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1518:, asserted Borges was secretly Jewish and by implication not truly Argentinian. Borges responded with the essay "
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His imitations of Swedenborg and others were originally passed off as translations, in his literary column in
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date from his early work as a translator and literary critic with a regular column in the Argentine magazine
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David Boruchoff (1985), "In Pursuit of the Detective Genre: 'La muerte y la brújula' of Jorge Luis Borges",
2578:, the Argentine equivalent of a North American western outlaw. Borges contributed keenly to the avant garde
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2127:. While Borges was the great popularizer of the review of an imaginary work, he had developed the idea from
1890:" into Spanish when he was nine. At the end of his life he produced a Spanish-language version of a part of
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recorded at the Library of Congress for the Hispanic Division's audio literary archive on 23 April 1976.
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His stories often have fantastical themes, such as a library containing every possible 410-page text ("
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587:(Spanish) origin. Her family had been much involved in the European settling of South America and the
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4389:"Borges era ateo pero rezaba cada noche un Avemaría, evoca un sacerdote en un homenaje ante su tumba"
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on imaginary books." On the other hand, some works were wrongly attributed to Borges, like the poem
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https://www.scielo.org.mx/scielo.php?pid=S0016-38132019000500516&script=sci_arttext&tlng=en
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Peripheral (post) Modernity: The Syncretist Aesthetics of Borges, Piglia, Kalokyris and Kyriakidis
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2145:, Borges says that in 1916 in Geneva " discovered, and was overwhelmed by, Thomas Carlyle. I read
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Borges was among the short-listed candidates several times. In 1965 he was considered along with
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novel and went on to describe a theory of the universe based upon the structure of such a novel.
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argue that Borges "may have been the most important figure in Spanish-language literature since
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870:, including a parody detective series and fantasy stories. During these years, a family friend,
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2564:. Its eponymous hero became a symbol of Argentine sensibility, untied from European values – a
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Borges was a notable translator. He translated works of literature in English, French, German,
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1240:, 1975). He lectured prolifically. Many of these lectures were anthologized in volumes such as
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https://www.academia.edu/25252312/Borges_and_Bruno_Schulz_on_the_Infinite_Book_of_the_Kabbalah
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Borge’s recorded work includes readings of his poems, a collaboration with Argentine composer
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said, in defense of Shakespeare, that the spectators at a tragedy do not believe they are in
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1900:. He also translated (while simultaneously subtly transforming) the works of, among others,
1778:. In protest against their support of the regime, Borges ceased publishing in the newspaper
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Jorge Luis Borges: The Last Interview: and Other Conversations (The Last Interview Series)
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In short, Borges's blindness led him to favour poetry and shorter narratives over novels.
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Composed of stories taking up over sixty pages, the book was generally well received, but
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4565:"La vuelta de la democracia: el texto que Jorge Luis Borges escribió para Clarín en 1983"
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María Kodama demanda a un periodista francés por difamación y reclama nada más que 1 euro
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into Spanish. His first publication, for a Buenos Aires newspaper, was a translation of
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opposition to Peron, the provisional government appointed Borges as the Director of the
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line, we would not perceive this quality; in other words, it would not exist. The poem
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In 1967, Borges began a five-year period of collaboration with the American translator
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wrote: "The truth, briefly stated, is that Borges is arguably the great bridge between
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Laín Corona, Guillermo. "Borges and Cervantes: Truth and Falsehood in the Narration".
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Britton, R (July 1979). "History, Myth, and Archetype in Borges's View of Argentina".
5803:"Francisco Borges, el abuelo del gran escritor: un héroe atrapado entre dos lealtades"
5699:"Resenha: BORGES, Jorge Luis. El oro de los tigres. Buenos Aires: Emecé, 1968. 168 p."
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718:(1915), which became influential to his work. In Spain, Borges became a member of the
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480:, Borges later moved with his family to Switzerland in 1914, where he studied at the
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6505:
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for Literature Arts as the most important writer in the last decade in his country.
907:
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2288:
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2100:
1905:
1891:
1528:
1379:
1332:
During his final days in Geneva, Borges began brooding about the possibility of an
867:
812:
792:, a broadsheet distributed largely by pasting copies to walls in Buenos Aires, and
373:
334:
31:
8484:
8472:
7326:
6815:
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2552:
1637:
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In the mid-1960s, Borges became acquainted with Jorge Mario Bergoglio, the future
8363:
8337:
8333:
8293:
8283:
8213:
8209:
8139:
7595:
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2523:
2429:
2133:
1969:
1949:
1925:
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1605:
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1434:
1115:
906:
In the following years, he served as a literary adviser for the publishing house
852:
838:
516:
8668:
3865:
Viking Penguin. Translation and notes by Andrew Hurley (editorial note), pg 517.
3844:
3103:
1301:
1279:
990:
934:
that year, Borges had a severe head injury; during treatment, he nearly died of
830:
682:
8816:
8757:
8609:
8562:
8544:
8538:
8413:
8407:
8397:
8387:
8373:
8243:
8189:
8133:
8115:
8091:
8079:
7097:
6147:
4067:"Caspar Henderson: rereading The Book of Imaginary Beings by Jorge Luis Borges"
4027:
Christ, Ronald (Summer 1971). "A Modest Proposal for the Criticism of Borges".
3559:
2915:
2880:
2824:
2684:
2475:
2463:
2449:
2445:
2437:
2367:
2232:
2228:
2173:
2128:
1937:
1933:
1901:
1749:
1726:
1316:
1134:
1129:
847:
709:
677:
584:
512:
508:
8639:
7342:
5172:
Reading Borges After Benjamin: Allegory, Afterlife, and the Writing of History
5093:
2208:
2201:
to a more cosmopolitan style brought him much criticism from journals such as
1952:, and a series of lectures on a characteristically wide range of topics, from
8837:
8787:
8739:
8680:
8645:
8494:
8357:
8103:
8051:
6719:
5721:
5650:
5281:
4005:
3958:
3057:
3011:
2768:
2737:
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2453:
2305:
2235:
critique of their refusal to embrace existence and reality in their artwork.
2220:
2184:
1913:
1843:
1823:
1785:
1613:
984:
Literature at the Argentine Association of English Culture. His short story "
931:
542:
466:
438:
8710:
7288:
5849:
5337:"The Queer Use of Communal Women in Borges's "El muerto" and "La intrusa"",
3441:
3315:
2212:
1909:
1601:
1378:
regarding the republication of the complete works of Borges in French, with
1194:
9049:
Commanders Crosses of the Order of Merit of the Federal Republic of Germany
8692:
8532:
8353:
8323:
8313:
8287:
8279:
8223:
8219:
8173:
8167:
8021:
8015:
8009:
7930:
7694:
7265:
7261:
7192:
6542:
6053:
3330:
3189:
3127:
2903:
2629:
Francisco Borges, a man with a military command and a historic role in the
2441:
2292:
2189:
1929:
1839:
1704:
1572:
1511:
1482:
1464:
1290:
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742:
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572:
507:
In 1961, Borges came to international attention when he received the first
477:
254:
105:
49:
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1780:
1609:
1519:
1189:
289:
8704:
8526:
8303:
8269:
8229:
8127:
8121:
8097:
8045:
7800:
7684:
7310:
7070:
Cuatro claves para la modernidad. Analisis semiótico de textos hispánicos
5829:
4921:
Jorge Luis Borges. Galería de Directores, Biblioteca Nacional (Argentina)
3932:
2828:
2813:
2733:
2602:
2598:
2421:
1917:
1883:
1835:
1417:
1341:
1325:
1183:
1159:
719:
690:
651:
129:
5140:
Unthinking Thinking: Jorge Luis Borges, Mathematics, and the New Physics
4048:
2870:
Unthinking Thinking: Jorge Luis Borges, Mathematics, and the New Physics
1441:
during the late 1960s, Borges described himself as a "mild" adherent of
8781:
8393:
8377:
8317:
8273:
8151:
8075:
8057:
6778:
6096:
3759:
3670:
2855:
2457:
2417:
2197:
1896:
1730:
1580:
1515:
804:
723:
485:
7300:
7068:"Aquiles y la Tortuga: Arte, imaginación y realidad según Borges". In:
5884:
5089:
Firing Line with William F. Buckley Jr.: Borges: South America's Titan
3933:"Past Lives of Knives: On Borges, Translation, and Sticking Old Texts"
2215:
and Adolfo Prieto. In the post-Peronist Argentina of the early 1960s,
957:), appeared in 1941, composed mostly of works previously published in
7637:
7609:
7437:
6691:
Laín Corona, Guillermo. "Teoría y práctica de la metáfora en torno a
6567:. London: Constable in association with the Anglo-Argentine Society.
6283:
The Aleph Weaver: Biblical, Kabbalistic and Judaic Elements in Borges
6203:
Borges, Jorge Luis (1999) . "Blindness". In Wienberger, Eliot (ed.).
4200:. "Cada pieza es de un valor incalculable" Cover Article. Revista Ñ,
4040:
3949:
3065:
2850:(Borges and Mathematics, 2003) by Argentine mathematician and writer
2772:
2658:
2466:
recalls "the sensation, both complex and eerily simple", of reading "
2402:
2265:
1879:
1827:
1775:
1588:
1375:
1333:
1148:
985:
875:
824:
489:
454:
434:
396:
189:
109:
7348:
6193:
Borges, Poesía completa, Debolsillo, Penguin, Barcelona 2016, p. 461
6088:
3547:
https://www.lrb.co.uk/the-paper/v28/n09/colm-toibin/don-t-abandon-me
2718:
visited, all my ancestors." As a young man, he visited the frontier
1858:
runs through his work, reflected in the fictional world of Tlön in "
1099:
41:"Jorge Borges" redirects here. For the Cape Verdean politician, see
7903:
7771:
7327:
The Friends of Jorge Luis Borges Worldwide Society & Associates
5876:
4424:, edant.revistaenie.clarin.com, 14 May 2008; accessed 1 April 2016.
2389:
1953:
1855:
1632:
1552:
1305:
930:
Borges's father died in 1938, shortly before his 64th birthday. On
803:
has called "irreality." Many other Latin American writers, such as
726:
616:
493:
442:
5391:
3162:"Jorge Luis Borges: The Blind Librarian with Extraordinary Vision"
2474:
as a young man, seated at a writing desk said to have belonged to
2320:
1166:"for distinguished contribution to the mystery genre" (1976), the
922:
5462:
Nabokov, Neruda and Borges revealed as losers of 1965 Nobel prize
4484:
2753:
2749:
2725:
2634:
1975:
1544:
1450:
1088:
820:
738:
698:
462:
450:
446:
53:
6420:
6413:
Borges the Labyrinth Maker. Edited and Translated by Robert Lima
4435:"Se suspendió un juicio por obras de Borges: reacción de Kodama"
3257:. United States of America: University of Texas Press. pp.
2207:, a leftist, Sartre-influenced Argentine publication founded by
2005:
Universidad Nacional Autonoma De Mexico – VVAL-13, UNAM-113/114
30:"Borges" redirects here. For other people with the surname, see
7314:
5297:
Martin Hadis' site on The Life & Works of Jorge Luis Borges
4615:. Chapel Hill: University of North Carolina Press. p. 13.
3585:. Cambridge, Massachusetts and London, England: The MIT Press.
2745:
2729:
2720:
2570:
2565:
2375:
2331:
Many of Borges's best-known stories deal with themes of time ("
2325:
2141:
work, and the biography of its equally non-existent author. In
1523:
1337:
1275:
935:
694:
673:
669:
the chief event in my life, I should say my father's library."
538:
430:
125:
8455:
7320:
5450:
The Nobel Prize: a History of Genius, Controversy and Prestige
5405:
The Nobel Prize: a History of Genius, Controversy and Prestige
2959:(pp. 79–80): "he cannot have been too bothered about his
2152:
In the introduction to his first published volume of fiction,
1616:
was the rule of the day, as ideological critics of the ruling
760:
9099:
Honorary Knights Commander of the Order of the British Empire
6113:, Ed. Harold Bloom, New York: Chelsea House Pub, 1986. p. 22.
5946:. Volume I. Yale-New Haven Teachers Institute. Archived from
5863:
Rodriguez Monegal, Emir (Winter 1974). "Borges, the Reader".
5378:
The Analysis of Hispanic Texts: Current Trends in Methodology
4989:
4987:
4899:
4687:
4663:
3499:
Borges, Jorge Luis. Trans. Mildred Boyer and Harold Morland.
3140:
2713:". The curious inversion of mainstream Christian concepts of
2662:
2149:, and I can recall many of its pages; I know them by heart."
2079:
Borges Para Millones. Banda Original De Sonido De La Pelicula
1831:
1124:
in 1960), his international fame dates from the early 1960s.
741:. His first poem, "Hymn to the Sea", written in the style of
4852:
4850:
4370:
4368:
4355:
4353:
4345:
The Great Reformer: Francis and the Making of a Radical Pope
4170:
3184:
Masina, Lea. (2001) "Murilo Rubião, o mágico do conto". In:
1404:
During the 1920s and 1930s, Borges was a vocal supporter of
1170:(for Philology, Linguistics and literary Criticism) and the
1002:). Around this time, Borges also began writing screenplays.
389:, essayist, poet and translator regarded as a key figure in
343:
6239:
The Meaning of Experience in the Prose of Jorge Luis Borges
6126:(Spanish Edition) Editorial Universitaria de Buenos Aires.
3479:"Ivonne Bordelois, "The Sur Magazine" Villa Ocampo Website"
701:, Seville, and Madrid. They remained in Europe until 1921.
349:
4984:
4550:
Liberty, Individuality, and Democracy in Jorge Luis Borges
4518:
Liberty, Individuality, and Democracy in Jorge Luis Borges
4500:
Liberty, Individuality, and Democracy in Jorge Luis Borges
1563:", which masquerades as the last testament of a condemned
1396:, which have become the official translations in English.
845:
From the first issue, Borges was a regular contributor to
6888:
Jorge Luis Borges (1899–1986) as Writer and Social Critic
6000:
4862:
4847:
4835:
4823:
4811:
4675:
4640:. City: Universidad Pontificia de Salamanca. p. 31.
4590:. City: Universidad Pontificia de Salamanca. p. 31.
4365:
4350:
4096:"Jorge Luis Borges: Biography, Books, Poems, & Facts"
3038:
Wor(l)ds of Change: Latin American and Iberian Literature
2088:
693:, the family spent three years living in various cities:
7993:
5913:"Las mejores frases antifutboleras de Jorge Luis Borges"
5757:
Catching butterflies: bringing magical realism to ground
5606:
Borges and Translation: The Irreverence of the Periphery
5568:"Book review: 'The Thieves of Manhattan' by Adam Langer"
5422:, guardian.co.uk, 22 July 2008; accessed 15 August 2010.
5313:
Contorno: Literary Engagement in Post-Perónist Argentina
2872:
by Floyd Merrell (1991) also explore this relationship.
2865:
The Unimaginable Mathematics of Borges' Library of Babel
2536:
2211:
and his brother, along with other intellectuals such as
1774:, but was scandalized by the junta's actions during the
1770:
During the 1970s, Borges at first expressed support for
882:, in which the two discuss the immortality of the soul.
5627:"Jorge Luis Borges: De Martín Fierro a Sur (1924-1935)"
4294:"María Kodama: "Borges no necesitó de vino ni alcohol""
4242:"Borges y Bergoglio, crónica de una entrañable amistad"
3150:. Duhan and London, Duke University Press, pp. 191–208.
1567:
named Otto Dietrich zur Linde. In a 1971 conference at
889:(the literary supplement of the Buenos Aires newspaper
749:. While in Spain, he met such noted Spanish writers as
5944:
The Autobiographical Mode in Latin American Literature
5339:
XIX Latin American Studies Association (LASA) Congress
5199:. Nashville, TN: Vanderbilt University Press. p.
4060:
4058:
7171:(Feature Documentary). USA: Patagonia Film Group, US.
6083:(3). Modern Humanities Research Association: 607–16.
2858:, which he handles with elegance in stories such as "
2804:
predominant in its early years and was influenced by
1796:
return to his earlier Emersonian faith in democracy.
815:, were investigating these themes, influenced by the
643:
in 1898 and their children also included the painter
361:
352:
5996:. New York: Twayne Publishers, Inc. pp. 99–100.
5552:
Gibson, William. "An Invitation By William Gibson."
5142:(1991) Floyd Merrell, Purdue University Press pxii;
5066:
Wardrip-Fruin, Noah, and Nick Montfort, ed. (2003).
4604:
4089:
4087:
3658:
The Man in Mirror of the Book, A Life of Luis Borges
3226:
2238:
893:), where he first published the pieces collected as
393:
and international literature. His best-known works,
340:
6697:
Cuadernos de Aleph. Revista de literatura hispánica
6468:
Borges. The Passion of an Endless Quotation. 2nd Ed
6432:. Chapel Hill: University of North Carolina Press.
5971:
Borges and His Fiction: A Guide to His Mind and Art
4488:(Australia), 12 July 2003; accessed 16 August 2010.
4470:; full text accessible online by subscription only.
4055:
3369:
Borges and His Fiction: A Guide to His Mind and Art
2531:
885:In 1933, Borges gained an editorial appointment at
346:
337:
6935:
6625:
6602:
6394:With Borges on an Ordinary Evening in Buenos Aires
6370:
6326:
6303:
6280:
6257:
6018:(in Spanish) Rodolfo Braceli (1996) "Borges", in:
5631:IBEROAMERICANA. América Latina - España - Portugal
5040:"The Hidden History of Black Argentina | Uki Goñi"
5010:With Borges on an Ordinary Evening in Buenos Aires
4927: (archived 16 April 2008). (archived from the
4511:
4509:
4122:"Seven Nights by Jorge Luis Borges, translated..."
3760:"The Craft of Verse: The Norton Lectures, 1967–68"
3578:
3088:
2315:
385:; 24 August 1899 – 14 June 1986) was an Argentine
6839:. Madrid and Frankfurt: Iberoamericana/Vervuert.
6651:. Madison: Fairleigh Dickinson University Press.
5862:
5734:: CS1 maint: DOI inactive as of September 2024 (
5587:Labyrinths: Selected Stories & Other Writings
5584:
4138:
4113:
4084:
3627:Wardrip-Fruin, Noah & Montfort, Nick (2003).
3186:O pirotécnico Zacarias e outros contos escolhidos
2767:. Borges wrote that he considered Mexican writer
910:, and from 1936 to 1939 wrote weekly columns for
8835:
6706:Lima, Robert (1993). "Borges and the Esoteric".
6171:, vol. 16, nro. 10, México, junio de 1962, pg. 9
5315:. Teaneck, NJ: Fairleigh Dickinson UP, pp. 56–57
5130:. Obras Completas, vol. III. Buenos Aires: Emecé
4147:"For Borges, Hell was English, Paradise Italian"
2137:, a book-length review of a non-existent German
704:At that time, Borges discovered the writings of
5751:
5749:
5747:
5745:
5600:
5598:
5596:
5374:
5352:
5350:
5348:
5299:, Internetaleph.com; retrieved 10 January 2011.
4506:
2942:. Campus de Divinópolis-UEMG, 1996, pp. 313–14.
1494:soldiers and executed without trial during the
591:, and she spoke often of their heroic actions.
579:, then a poorer neighborhood. Borges's mother,
60: and the second or maternal family name is
7278:"Jorge Luis Borges, The Art of Fiction No. 39"
6933:
6837:Borges and Plato: A Game with Shifting Mirrors
6529:. Buenos Aires: Ediciones de Arte Gaglianone.
6489:. Albany: State University of New York Press.
6484:
6465:
5476:"Hemliga dokument visar kampen om Nobelpriset"
5285:Jorge Luis Borges, autor del poema "Instantes"
4314:
3537:Toibin, C. (2006) Don't abandon me. Review of
3353:Borges, Jorge Luis, "Autobiographical Notes",
3148:Magical Realism: Theory, History and Community
3060:. See Murray, Janet H. "Inventing the Medium"
2955:(Viking, 2004) that Borges did not finish his
2424:, a collection of whose work he translated as
1647:that individualism is an old Argentine virtue.
1208:Borges continued to publish books, among them
583:, came from a traditional Uruguayan family of
8441:
7979:
7364:
7275:
6184:", Volume 1, Number 3, Fall 1977, pp. 337–41.
5781:Borges Center at the University of Pittsburgh
5683:
5681:
5679:
4974:
4972:
4728:Humor in Borges (Humor in Life & Letters)
3982:"Norman di Giovanni, the Master's Translator"
3814:. New Haven: Yale University Press p118-139.
3421:
2412:
2179:
465:genre, and have had a major influence on the
412:
394:
229:Commandeur de l'Ordre des Arts et des Lettres
7081:. Lewisburg Pa.: Bucknell University Press.
6859:
6524:
6446:
6427:
6415:. New York City: New York University Press.
5742:
5697:Queiroz, Maria José De (30 September 1973).
5593:
5473:
5345:
5287:, by Iván Almeida. Retrieved 10 January 2011
4610:
3979:
3250:
3109:Random House Webster's Unabridged Dictionary
3056:Non-linearity was key to the development of
2883:, philosopher of language and author of the
2775:, about which he penned some verses, while "
2496:" and had wondered, literally bug-eyed, at "
1842:numbers Borges among the key figures of the
496:. In 1955, he was appointed director of the
7483:An Examination of the Work of Herbert Quain
7140:. Washington: University Press of America.
7135:
6581:
6562:
6487:Borges, the Passion of an Endless Quotation
6410:
5834:(1st U.S. ed.). New York: BasicBooks.
5565:
5415:
5413:
4466:(Madrid), Edición Impresa, 16 August 2006.
3876:"Edgar Award Winners and Nominees Database"
3557:
3372:, University of Texas Press (1999), p. 16;
3159:
3040:, volume 32, (2010) Peter Lang Publishing;
2989:The Borges poems in H. R. Hays, ed. (1943)
2673:
2299:, and in 1966 a shared prize to Borges and
2017:
1784:. In 1985, he wrote a short poem about the
1559:In 1946, Borges published the short story "
602:, Acevedo Laprida fought in the battles of
566:
500:and professor of English Literature at the
329:Jorge Francisco Isidoro Luis Borges Acevedo
94:Jorge Francisco Isidoro Luis Borges Acevedo
8879:20th-century Argentine short story writers
8448:
8434:
7986:
7972:
7937:Celestial Emporium of Benevolent Knowledge
7897:Adrogue, con ilustraciones de Norah Borges
7371:
7357:
7332:International Foundation Jorge Luis Borges
7268:
7095:
6670:. Nashville: Vanderbilt University Press.
6368:
6310:. Columbia: University of Missouri Press.
6006:
5676:
5520:
5518:
5439:, 7 October 1983; accessed 15 August 2010.
5324:
4993:
4969:
4905:
4868:
4856:
4841:
4829:
4817:
4693:
4681:
4669:
4543:
4541:
4539:
4374:
4359:
4347:. New York: Henry Holt and Company. p. 82.
3558:Bolter, Jay David; Joyce, Michael (1987).
3002:Notable translations also include work by
2682:in 1816, the population was predominantly
2195:Borges's change in style from regionalist
988:" was made into a film (under the name of
782:and contributed to the avant-garde review
79:
7039:Introduction à la littérature fantastique
6912:
6726:
6525:Bulacio, Cristina; Grima, Donato (1998).
6391:
6333:. Cambridge: Cambridge University Press.
6301:
6278:
5608:, Bucknell University Press, pp. 126–29;
5307:
5305:
5246:, discogs.com; accessed 18 February 2024.
5062:
5060:
4291:
4064:
3948:
3731:
3729:
3727:
3725:
3576:
3503:, University of Texas Press, 1985, p. 25.
3175:
2752:ancestry and criticised the abolition of
2460:as being directly influenced by Borges.
1869:
878:district. He appears by name in Borges's
650:At age ten, Jorge Luis Borges translated
9209:Scholars and academics with disabilities
7015:
6938:The Contemporary Praxis of the Fantastic
6792:
6649:You Might Be Able to Get There from Here
6623:
6609:. Norman: University of Oklahoma Press.
6396:. Urbana: University of Illinois Press.
6347:
6324:
6022:. Buenos Aires: Editorial Sudamericana.
5962:
5524:Murray, Janet H. "Inventing the Medium"
5433:"Briton Wins the Nobel Literature Prize"
5410:
4722:
4720:
4248:(in European Spanish). 17 September 2022
3937:TTR: Traduction, terminologie, rédaction
3320:, 11 May 20061; retrieved 19 April 2009.
3217:, Volume 45, Number 16. 22 October 1998.
2821:tool could be used to relate to people.
2791:
2319:
2183:
1315:
1274:
1188:
1098:
1047:Granted me books and night at one touch.
1038:No one should read self-pity or reproach
921:
829:
759:
9054:Deaths from liver cancer in Switzerland
7844:The Analytical Language of John Wilkins
7321:Borges Center, University of Pittsburgh
7313:for seven wind instruments inspired by
7076:
7036:
6959:Jorge Luis Borges: a Writer on the Edge
6747:
6665:
6255:
6236:
6167:Entrevista con Borges publicada en la "
6074:
5940:"South American Immigration: Argentina"
5910:
5827:
5696:
5515:
5495:
5282:University of Pittsburgh, Borges Center
5190:
5174:(2008), SUNY Press, pp. 101, 117, 136;
5159:"The Other Borges Than the Central One"
4638:Nightglow: Borges' Poetics of Blindness
4588:Nightglow: Borges' Poetics of Blindness
4547:
4536:
4515:
4497:
4480:Richard Flanagan, "Writing with Borges"
4144:
4119:
4094:Monegal, Emir Rodriguez (27 May 1999).
4093:
3310:
3308:
3306:
3304:
3302:
3300:
3298:
2832:consciousness to its furthest limits."
2380:The Book of One Thousand and One Nights
2271:
2094:
1575:, and I think there is tragedy there."
1433:Borges recurrently declared himself a "
1094:
768:
488:literary journals. He also worked as a
14:
8994:Argentine people of Portuguese descent
8836:
7116:
6834:
6813:
6646:
6600:
6510:. New York: Chelsea House Publishers.
6202:
5800:
5624:
5341:(paper), Washington DC, September 1995
5302:
5235:, Lecture, Delivered 28 February 1968.
5057:
4563:Borges, Jorge Luis (29 October 2018).
4562:
4462:Octavi Martí, Kodama frente a Borges,
4213:
4065:Henderson, Caspar (23 November 2012).
4026:
3930:
3783:
3748:. American Hispanist. 1975. p. 3.
3722:
3388:
3296:
3294:
3292:
3290:
3288:
3286:
3284:
3282:
3280:
3278:
2868:by William Goldbloom Bloch (2008) and
2560:, was a dominant work of 19th century
2507:
2420:writes: "as was earlier the case with
1799:
1270:
1259:His presence in 1967 on campus at the
1030:me dio a la vez los libros y la noche.
9019:Argentine speculative fiction writers
9004:Argentine people of Uruguayan descent
8429:
7967:
7378:
7352:
7064:
6994:
6956:
6503:
5991:
5937:
5899:Inti: Revista de Literatura Hispánica
5801:Zunini, Patricio (27 December 2019).
5358:Jorge Luis Borges: Collected Fictions
5161:, nytimes.com; accessed 1 April 2016.
4730:. Wayne State University Press p. 49
4717:
4635:
4585:
4317:"Borges, a Blind Writer With Insight"
3213:Coetzee, J.M. "Borges' Dark Mirror",
3028:
3026:
3024:
2680:Argentine Declaration of Independence
1399:
1044:Of God; who with such splendid irony,
974:El jardín de senderos que se bifurcan
948:El jardín de senderos que se bifurcan
457:. Borges's works have contributed to
372:
8874:20th-century Argentine screenwriters
7652:The Two Kings and the Two Labyrinths
7603:Story of the Warrior and the Captive
7462:Pierre Menard, Author of the Quixote
7276:Ronald Christ (Winter–Spring 1967).
7045:
6975:
6885:
6782:No. 9, Summer 1982, pp. 17–19,
6705:
6351:Critical Essays on Jorge Luis Borges
6169:Revista de la Universidad de México"
5556:by Jorge Luis Borges. p. ix–x. 2007.
5037:
5028:, theguardian.com, 19 February 2010.
4145:Manguel, Alberto (30 January 2000).
4120:Funsten, Kenneth (20 January 1985).
3907:"Norman Thomas di Giovanni obituary"
3904:
3456:Borges: Other Inquisitions 1937–1952
3426:. London: Reaktion. pp. 45–47.
2980:. London: Telegram Books, pp. 15–16.
2796:Plaque, 13 rue des Beaux-Arts, Paris
2761:(co-authored with Bioy Casares) and
2649:" or his writings on the epic poem "
2608:
2513:before those of Kafka, Borges wrote:
2345:The Two Kings and the Two Labyrinths
1750:1951, when he announced control over
1604:began transforming Argentina into a
1543:Nazism suffers from unreality, like
1067:), develops this theme. In 1956 the
1008:
9274:World Fantasy Award-winning writers
8999:Argentine people of Spanish descent
8989:Argentine people of English descent
8984:Argentine people of British descent
8864:20th-century Argentine philosophers
8859:20th-century Argentine male writers
6768:New Media from Borges to HTML, 2003
6582:Di Giovanni, Norman Thomas (2003).
6563:Di Giovanni, Norman Thomas (1995).
6207:. Penguin Publishing. p. 475.
5911:Barrera, Daniela (24 August 2021).
5589:. New Direction Books. p. 201.
5070:, Cambridge: The MIT Press, p. 29;
4386:
3695:, A New Directions Book pp 109–110.
3660:, (1996) Hodder and Stoughton pxxx.
3275:
2759:Six Problems for don Isidoro Parodi
2724:which extend beyond Argentina into
2312:, choosing Asturias as the winner.
2121:. Several of these are gathered in
1127:In 1961, Borges received the first
634:in 1921. Borges Haslam was born in
630:, was a lawyer and wrote the novel
541:, Switzerland. Writer and essayist
420:
402:
24:
9204:Recipients of the Legion of Honour
8974:Argentine male short story writers
8939:Argentine emigrants to Switzerland
6774:Borges and Argentina: A Relocation
6229:
4173:"The Jorge Luis Borges Collection"
4171:UVA, Special Collections Library.
3973:
3931:Fraser, Ryan (22 December 2005) .
3825:Anthony Boucher: A Biobibliography
3647:, London:Telegram Books pp. 15–16.
3050:
3021:
2996:
1178:(all 1980), as well as the French
1041:Into this statement of the majesty
561:
25:
9290:
9014:Argentine science fiction writers
7518:Theme of the Traitor and the Hero
7303:Borges site from The Modern Word.
7207:
7194:Profile of a Writer: Borges and I
7183:(Feature Documentary). Argentina.
6820:. Durham: Duke University Press.
6559:, University Press of Mississippi
6377:. Durham: Duke University Press.
6109:de Man, Paul. "A Modern Master",
5537:
5092:, 30 January 2017, archived from
4315:Israel Shenker (31 August 1997).
4292:Escribano, Pedro (20 July 2006).
4204:. Buenos Aires, 5 September 2011.
3458:. Full introduction by James Irby
3129:Profile of a Writer: Borges and I
2983:
2966:
2945:
2239:Sexuality and perception of women
1765:
1608:with the assistance of his wife,
1428:
1210:El libro de los seres imaginarios
1025:de Dios, que con magnífica ironía
1015:Nadie rebaje a lágrima o reproche
887:Revista Multicolor de los Sábados
788:. Borges co-founded the journals
8894:20th-century non-fiction writers
8503:
7289:BBC Radio 4 discussion programme
7155:
6557:Jorge Luis Borges: Conversations
6550:Jorge Luis Borges: Conversations
6287:. Potomac: Scripta Humanistica.
6196:
6187:
6174:
6161:
6136:
6116:
6103:
6068:
6046:
6033:
6012:
5985:
5931:
5904:
5891:
5856:
5821:
5794:
5769:
5690:
5657:
5618:
5578:
5559:
5546:
5531:
5505:Penguin Books Australia, p. 11;
5467:
5455:
5442:
5425:
5397:
5384:
5368:
5330:
5290:
5275:
5262:
5249:
5238:
5217:
5184:
5164:
5152:
5133:
5120:
5107:
5080:
5031:
5026:Falkland Islands: Imperial pride
5019:
4999:
4960:
4947:
4214:Kefala, Eleni (1 January 2007).
3560:"Hypertext and Creative Writing"
2940:Riqueza Cultural Ibero-Americana
2661:was proof enough that it was an
2532:Culture and Argentine literature
2227:writers acknowledged Borges and
2068:El Libro De Las Mil Y Una Noches
1988:Por El Mismo Sus Poemas Y Su Voz
1595:
1059:His later collection of poetry,
895:Historia universal de la infamia
745:, was published in the magazine
333:
307:
288:
7926:Jorge Guillermo Borges (father)
7050:. Frankfurt Am Main: Vervuert.
6860:Núñez-Faraco, Humberto (2006).
6411:Barrenechea, Ana María (1965).
5604:Gabriel Waisman, Sergio (2005)
5392:https://doi.org/10.2307/2905740
5380:. Bilingual P. pp. 300–19.
4934:
4911:
4874:
4799:
4790:
4778:
4765:
4753:
4740:
4708:
4699:
4654:
4629:
4579:
4556:
4552:. Lexington Books. p. 108.
4524:
4491:
4473:
4453:
4427:
4408:
4399:
4380:
4337:
4308:
4285:
4273:
4260:
4234:
4207:
4191:
4164:
4020:
4014:10.7723/antiochreview.75.2.0008
3998:10.7723/antiochreview.75.2.0008
3924:
3898:
3868:
3855:
3837:
3817:
3804:
3777:
3752:
3738:
3698:
3685:
3663:
3650:
3634:
3621:
3599:
3581:Hypermedia and Literary Studies
3570:
3551:
3531:
3515:
3506:
3493:
3471:
3448:
3415:
3382:
3360:
3347:
3324:
3244:
3220:
2316:Fact, fantasy and non-linearity
1501:
1445:. He further recalled that his
1111:Ellery Queen's Mystery Magazine
1020:esta declaración de la maestría
917:
859:, another well-known figure of
729:literary movement, inspired by
647:, sister of Jorge Luis Borges.
533:. He dedicated his final work,
9244:Translators of Edgar Allan Poe
9124:Literacy and society theorists
7921:Leonor Acevedo Suarez (mother)
6934:Rodríguez-Luis, Julio (1991).
6864:. Frankfurt Am Main: P. Lang.
6264:. Frankfurt Am Main: P. Lang.
6260:The Prose of Jorge Luis Borges
6241:. Frankfurt Am Main: P. Lang.
5759:Peter Lang Pub Inc pp. 55–60;
5716:(inactive 14 September 2024).
5714:10.17851/1678-3549.1.1.126-130
5643:10.18441/ibam.11.2011.41.25-42
4548:Salinas, Alejandra M. (2016).
4520:. Lexington Books. p. 95.
4516:Salinas, Alejandra M. (2016).
4502:. Lexington Books. p. 94.
4498:Salinas, Alejandra M. (2016).
3845:"Title: The Rejected Sorcerer"
3707:, 1969, poetry. English title
3207:
3195:
3153:
3115:
3097:
3082:
2928:
2897:The language of the Argentines
2835:
2779:" had a strong Chinese theme.
2633:in what are now Argentina and
1943:
1815:Jorge Luis Borges bibliography
1681:On 16 September 1955, General
13:
1:
9044:Burials at Cimetière des Rois
8979:Argentine non-fiction writers
7409:A Universal History of Infamy
7001:. Boston: Twayne Publishers.
6980:. Liverpool: Francis Cairns.
6733:. Boston: Twayne Publishers.
6605:The Cardinal Points of Borges
6552:, Holt Rinehart & Winston
6485:Block de Behar, Lisa (2003).
6466:Block de Behar, Lisa (2014).
6447:Bioy Casares, Adolfo (2006).
5974:, University of Texas Press;
5528:. Cambridge: MIT Press, 2003.
5474:Kaj Schueler (January 2018).
5452:, Arcade Publishing, pg. 81.
5038:Goñi, Uki (8 February 2021).
4405:Borges (2004), pages 490–492.
3980:Graham-Yooll, Andrew (2017).
3905:Pack, Scott (14 March 2017).
3607:"Borges, Jorge Luis (Vol.32)"
3204:, Interview by Amelia Barili.
3075:
2951:Edwin Williamson suggests in
2875:
2782:
2498:Pierre Menaud, Author of the
2276:Borges was never awarded the
2124:A Universal History of Infamy
1600:In 1946, Argentine President
1470:In a 1956 interview given to
1340:beliefs of her father or the
1143:University of Texas at Austin
1078:Charles Eliot Norton Lectures
965:Borges arguably invented the
940:Pierre Menard, Author of the
900:A Universal History of Infamy
628:Jorge Guillermo Borges Haslam
589:Argentine War of Independence
530:One Hundred Years of Solitude
182:A Universal History of Infamy
9234:Translators from Old English
8969:Argentine male screenwriters
8869:20th-century Argentine poets
8746:José Manuel Caballero Bonald
7722:The Gospel According to Mark
7252:Resources in other libraries
7233:Resources in other libraries
5566:Ella Taylor (18 July 2010).
5044:The New York Review of Books
4300:(in Spanish). Archived from
3160:di Giovanni, Thomas (2008).
2914:. He was also influenced by
2787:
1460:Communist Party of Argentina
600:Francisco Narciso de Laprida
374:[ˈxoɾxeˈlwisˈboɾxes]
52:, the first or paternal
27:Argentine writer (1899–1986)
7:
9174:Philosophers of mathematics
9064:English–Spanish translators
9029:Argentine writers in French
7497:The Garden of Forking Paths
7455:The Approach to Al-Mu'tasim
7309:, a work by Dutch composer
7301:The Garden of Forking Paths
7136:Woscoboinik, Julio (1998).
7022:. Oxford: Clarendon Press.
6913:Rodríguez, Monegal (1978).
6628:Borges and Europe Revisited
6451:. City: Destino Ediciones.
6428:Bell-Villada, Gene (1981).
6369:Balderston, Daniel (1993).
6122:Martinez, Guillermo (2003)
5663:Borges and Guerrero (1953)
5501:Borges, Luis Borges (1979)
5464:The Guardian 6 January 2016
5126:Borges, Jorge Luis. (1994)
4714:Burgin (1969), pages 93–95.
4611:Bell-Villada, Gene (1981).
4266:Norman Thomas Di Giovanni,
3784:Borges, Jorge Luis (2013).
3251:Bell-Villada, Gene (1999).
2777:The Garden of Forking Paths
2494:The Garden of Forking Paths
2357:The Garden of Forking Paths
2154:The Garden of Forking Paths
2114:One Thousand and One Nights
2099:Borges's best-known set of
1994:AMB Discografica – 123 – 1
1549:Hitler wants to be defeated
954:The Garden of Forking Paths
575:, so the family resided in
10:
9295:
9254:Translators of James Joyce
9249:Translators of Franz Kafka
9239:Translators from Old Norse
9169:Philosophers of literature
9114:Jerusalem Prize recipients
9084:German–Spanish translators
9074:French–Spanish translators
8959:Argentine literary critics
8551:Gonzalo Torrente Ballester
7448:Tlön, Uqbar, Orbis Tertius
7284:. Winter-Spring 1967 (40).
7262:Works by Jorge Luis Borges
7165:(Writer/Director) (1999).
7121:. London: Reaktion Books.
7096:Williamson, Edwin (2004).
6978:Borges' Narrative Strategy
6855:Inventing the Medium, 2003
6714:(2). Duquesne University.
6392:Barnstone, Willis (1993).
6077:The Modern Language Review
5755:Takolander, Maria, (2007)
5585:Jorge Luis Borges (1988).
5233:Word Music and Translation
4796:Burgin (1968), pp 331–332.
3861:Borges, Jorge Luis (1998)
3827:McFarland (2008), pg. 77;
3543:London Review of Books, 28
3468:; accessed 16 August 2010.
3397:. Reaktion Books. p.
2885:Wörterbuch der Philosophie
2839:
2543:
2468:Tlön, Uqbar, Orbis Tertius
2413:Borges and science fiction
2388:, a thoroughly researched
2341:Tlön, Uqbar, Orbis Tertius
2180:Criticism of Borges's work
1956:to the nature of poetry.
1860:Tlön, Uqbar, Orbis Tertius
1812:
1772:Argentina's military junta
1725:," that is, poetic faith;
1612:. Almost immediately, the
1579:liked was the idea of the
1408:and the social democratic
1172:Prix mondial Cino Del Duca
1164:Mystery Writers of America
1074:University of Buenos Aires
502:University of Buenos Aires
47:
40:
29:
9279:Writers from Buenos Aires
9184:Philosophers of pessimism
8924:Argentine anti-communists
8796:
8725:
8654:
8634:Guillermo Cabrera Infante
8583:
8512:
8501:
8464:
8458:Miguel de Cervantes Prize
8005:
7913:
7860:
7821:
7788:
7731:
7704:
7682:
7569:
7435:
7406:
7395:
7386:
7247:Resources in your library
7228:Resources in your library
7037:Todorov, Tzvetan (1970).
6793:McMurray, George (1980).
6748:Manguel, Alberto (2006).
6727:Lindstrom, Naomi (1990).
6624:Fishburn, Evelyn (2002).
6306:Borges and His Successors
6182:Philosophy and Literature
5992:Stabb, Martin S. (1970).
5540:"SFE: Borges, Jorge Luis"
5420:Jorge Luis Borges profile
5364:, New York: Penguin, 1988
5311:Katra, William H. (1988)
4343:Ivereigh, Austen (2014).
4268:The Lessons of the Master
3812:12 Spanish American Poets
3691:Jorge Luis Borges (1984)
2991:12 Spanish American Poets
2800:Borges was rooted in the
2278:Nobel Prize in Literature
1981:
1390:Norman Thomas di Giovanni
1368:
1203:Norman Thomas di Giovanni
1176:Miguel de Cervantes Prize
880:Dialogue about a Dialogue
735:Filippo Tommaso Marinetti
471:Latin American literature
469:movement in 20th century
303:Jorge Luis Borges's voice
296:
287:
282:
235:
224:
173:
165:
135:
115:
90:
78:
71:
43:Jorge Borges (politician)
9199:Premio Cervantes winners
9164:Philosophers of identity
9139:Argentine male essayists
9109:Individualist anarchists
8899:20th-century translators
7883:Book of Imaginary Beings
7869:Historia de la eternidad
7851:A New Refutation of Time
7666:The Man on the Threshold
7426:On Exactitude in Science
7077:Waisman, Sergio (2005).
6666:Kristal, Efraín (2002).
6632:. City: Univ of London.
6584:The Lesson of the Master
6527:Dos Miradas sobre Borges
6348:Alazraki, Jaime (1987).
6325:Alazraki, Jaime (1988).
6302:Aizenberg, Edna (1990).
6279:Aizenberg, Edna (1984).
6020:Caras, Caritas y Caretas
5503:Book of Imaginary Beings
5403:Feldman, Burton. (2000)
5229:Harvard University Press
5191:Kristal, Efraín (2002).
4636:Yudin, Florence (1997).
4586:Yudin, Florence (1997).
3215:New York Review of Books
3202:Borges on Life and Death
3112:; accessed 1 April 2016.
3089:Troop Software Factory.
2921:
2889:Dictionary of Philosophy
2674:Multicultural influences
2666:tangos. Borges detested
2619:Passion for Buenos Aires
2385:Book of Imaginary Beings
2018:Lectures and other works
1959:
1864:A New Refutation of Time
1808:
1363:Cimetière de Plainpalais
1311:
1218:, 1967, co-written with
1215:Book of Imaginary Beings
567:Early life and education
523:, and by the success of
459:philosophical literature
453:, fictional writers and
9159:Philosophers of culture
8929:Argentine anti-fascists
8687:Rafael Sánchez Ferlosio
7876:Borges on Martín Fierro
7553:The Sect of the Phoenix
7539:Three Versions of Judas
7345:(1967–68; audio; 4h13m)
7197:(Feature Documentary).
7016:Sturrock, John (1977).
6957:Sarlo, Beatriz (2007).
6835:Mualem, Shlomy (2012).
6814:Molloy, Sylvia (1994).
6601:Dunham, Lowell (1971).
6555:Burgin, Richard (1998)
6548:Burgin, Richard (1969)
6329:Borges and the Kabbalah
5828:Woodall, James (1996).
5625:Walker, Carlos (2011).
5448:Feldman, Burton (2000)
5407:, Arcade Publishing p57
5016:Press, 1993, pp. 30–31.
4981:, p. 303. (March 1975).
4705:Burgin (1968) pp. 95–96
4198:Montes-Bradley, Eduardo
4100:Encyclopedia Britannica
3810:H. R. Hays, ed. (1943)
3523:Gaceta médica de México
3460:. University of Texas,
3337:, Infobase Publishing.
3132:(Feature Documentary).
2862:". Other books such as
2711:Three Versions of Judas
2546:Borges on Martín Fierro
2540:and Argentine tradition
2245:The Sect of the Phoenix
1723:suspension of disbelief
1447:opposition to communism
1250:Nueve ensayos dantescos
1182:(1983) and the Diamond
1133:, which he shared with
755:Ramón Gómez de la Serna
511:, which he shared with
498:National Public Library
36:Borges (disambiguation)
9259:Translators to Spanish
9219:Spanish-language poets
9104:Hyperreality theorists
9009:Argentine philosophers
8934:Argentine blind people
8884:20th-century essayists
7953:Borges and mathematics
7645:The Writing of the God
7476:The Lottery in Babylon
7163:Eduardo Montes-Bradley
7117:Wilson, Jason (2006).
7079:Borges and Translation
7046:Toro, Alfonso (1999).
6995:Stabb, Martin (1991).
6886:Racz, Gregary (2003).
6693:Fervor de Buenos Aires
6504:Bloom, Harold (1986).
6470:. Albany: SUNY Press.
6430:Borges and His Fiction
6124:Borges y la Matemática
5014:University of Illinois
4726:De Costa, René (2000)
4660:Burgin (1968). p. 104.
4613:Borges and His Fiction
4393:religionenlibertad.com
3746:The American Hispanist
3566:. ACM. pp. 41–50.
3422:Wilson, Jason (2006).
3389:Wilson, Jason (2006).
3318:London Review of Books
3254:Borges and His Fiction
2848:Borges y la Matemática
2842:Borges and mathematics
2797:
2703:The Writing of the God
2615:Fervor de Buenos Aires
2529:
2505:
2399:The Lottery in Babylon
2328:
2192:
1870:Translations by Borges
1844:Western literary canon
1790:Juan López y John Ward
1736:
1721:spoke of the "willing
1688:Revolución Libertadora
1683:Pedro Eugenio Aramburu
1679:
1649:
1557:
1490:, who was abducted by
1329:
1286:
1261:University of Virginia
1198:
1104:
1000:Leopoldo Torre Nilsson
998:, directed in 1954 by
927:
842:
780:Fervor de Buenos Aires
765:
751:Rafael Cansinos Assens
619:in 1770, and lived in
515:. In 1971, he won the
413:
395:
249:Jorge Guillermo Borges
34:. For other uses, see
9269:Weird fiction writers
9134:Magic realism writers
9024:Argentine translators
8949:Argentine folklorists
8557:Antonio Buero Vallejo
8416:/ John Douglas (2023)
8180:Marion Zimmer Bradley
7931:Norah Borges (sister)
7765:There Are More Things
7617:The House of Asterion
7525:Death and the Compass
7511:The Form of the Sword
6976:Shaw, Donald (1992).
6942:. New York: Garland.
6647:Frisch, Mark (2004).
6586:. London: Continuum.
6354:. Boston: G.K. Hall.
6256:Agheana, Ion (1984).
6237:Agheana, Ion (1988).
6205:Selected Non-Fictions
5938:Velez, Wanda (1990).
4966:Burgin (1969), p. 121
4882:"Borges on the Right"
3823:Jeffrey Alan Marks,
3709:In Praise of Darkness
3541:by Edwin Williamson.
3366:Gene H. Bell-Villada,
3232:"Borges on the Couch"
3169:University of Hawai'i
2846:The essay collection
2795:
2764:Death and the Compass
2643:Manuel Isidoro Suárez
2515:
2480:
2349:The House of Asterion
2323:
2310:Miguel Ángel Asturias
2301:Miguel Ángel Asturias
2187:
1838:. Indeed, the critic
1758:Partido Justicialista
1714:
1666:
1629:
1619:Partido Justicialista
1541:
1488:Federico García Lorca
1385:Le Nouvel Observateur
1319:
1278:
1254:Nine Dantesque Essays
1192:
1160:Edgar Allan Poe Award
1102:
1065:In Praise of Darkness
925:
851:, founded in 1931 by
833:
801:Ana María Barrenechea
763:
731:Guillaume Apollinaire
641:Leonor Acevedo Suárez
626:Borges's own father,
581:Leonor Acevedo Suárez
273:Manuel Isidoro Suárez
9189:Philosophers of time
9179:Philosophers of mind
8964:Argentine male poets
8954:Argentine librarians
8889:20th-century mystics
8328:Chelsea Quinn Yarbro
8298:Angélica Gorodischer
8264:Patricia A. McKillip
8260:Leo and Diane Dillon
7808:Shakespeare's Memory
7791:Shakespeare's Memory
7490:The Library of Babel
7241:By Jorge Luis Borges
7181:Borges para millones
7138:The Secret of Borges
7102:. New York: Viking.
7065:Volek, Emil (1984).
6919:. New York: Dutton.
6688:, 93 (2009): 421–37.
6565:The Borges Tradition
5969:Bell-Villada, Gene,
5831:Borges : a life
5526:The New Media Reader
5068:The New Media Reader
4955:Selected Nonfictions
4942:Selected Nonfictions
4931:, on 16 April 2008.)
4787:(1970), pages 60–61.
4773:Selected Nonfictions
4760:Selected Nonfictions
4748:Selected Nonfictions
4420:3 March 2016 at the
4387:ReL (14 June 2016).
3735:Burgin (1988) p xvii
3629:The New Media Reader
3564:Hypertext '87 Papers
3357:, 19 September 1970.
3316:"Don't abandon me",
3228:David Foster Wallace
3192:: L & PM, pg. 5.
3062:The New Media Reader
2631:Argentine Civil Wars
2585:in the early 1920s.
2562:Argentine literature
2520:"Fears and Scruples"
2372:Funes, the Memorious
2364:The Library of Babel
2343:") and labyrinths ("
2272:Nobel Prize omission
2095:Hoaxes and forgeries
1862:" and in his essay "
1753:thermonuclear fusion
1443:classical liberalism
1224:El informe de Brodie
1095:International renown
861:Argentine literature
769:Early writing career
558:stakes everything."
547:David Foster Wallace
9154:Philosophers of art
9149:Metaphysics writers
9059:Edgar Award winners
8944:Argentine essayists
8919:Argentine agnostics
8811:Cristina Peri Rossi
8717:José Emilio Pacheco
8675:José Jiménez Lozano
8592:Adolfo Bioy Casares
8308:George R. R. Martin
7995:World Fantasy Award
7706:Dr. Brodie's Report
7504:Funes the Memorious
7343:Six Norton Lectures
7191:(Director) (1983).
7179:(Director) (1978).
6799:. New York: Ungar.
6699:, 2 (2007): 79–93.
5950:on 6 September 2011
5777:"Borges, Francisco"
5257:This Craft of Verse
5231:, 2000. pp. 57–76.
5225:This Craft of Verse
5223:Jorge Luis Borges,
4979:National Geographic
4953:Jorge Luis Borges,
4940:Jorge Luis Borges,
4746:Jorge Luis Borges,
3705:Elogio de la Sombra
3673:. Imdb. 3 June 1954
3230:(7 November 2004).
3126:(Director) (1983).
3091:"Jorge Luis Borges"
2678:At the time of the
2641:great-grandfather,
2508:Borgesian conundrum
2143:This Craft of Verse
2074:Microfon – SUP 957
2063:Microfon – SUP 960
2052:Microfon – SUP 958
2041:Microfon – SUP 959
2030:Microfon – SUP 955
1800:Indigenous cultures
1742:National Geographic
1710:conspiracy theories
1569:Columbia University
1506:In 1934, Argentine
1414:Columbia University
1410:Radical Civic Union
1326:Plainpalais, Geneva
1284:Frankfurt Book Fair
1271:Later personal life
1265:University of Crete
1228:Dr. Brodie's Report
1061:Elogio de la Sombra
926:Borges in the 1940s
872:Macedonio Fernández
857:Adolfo Bioy Casares
835:Adolfo Bioy Casares
706:Arthur Schopenhauer
596:Cuaderno San Martín
521:Latin American Boom
275:(great-grandfather)
9229:Swiss blind people
9224:Surrealist writers
9194:Postmodern writers
9144:Metaphor theorists
9129:Literary theorists
8616:Mario Vargas Llosa
8604:Dulce María Loynaz
8575:Augusto Roa Bastos
8521:Juan Carlos Onetti
8368:Elizabeth Wollheim
8204:George H. Scithers
8200:Forrest J Ackerman
8194:Philip José Farmer
8104:Everett F. Bleiler
8064:L. Sprague de Camp
8040:Manly Wade Wellman
8028:Frank Belknap Long
7532:The Secret Miracle
7469:The Circular Ruins
7419:Man on Pink Corner
6896:Edwin Mellen Press
6892:Lewiston, New York
6853:Murray, Janet H.,
6752:. City: Telegram.
5901:no. 21, pp. 13–26.
5437:The New York Times
5431:James M. Markham,
5270:Collected Fictions
5096:on 30 October 2021
4908:, p. 320–321.
4696:, p. 334–335.
4672:, p. 332–333.
4179:on 2 November 2011
3986:The Antioch Review
3863:Collected Fictions
3790:. Melville House.
3512:Boldy (2009) p. 32
3237:The New York Times
2852:Guillermo Martínez
2798:
2333:The Secret Miracle
2329:
2193:
2109:Emanuel Swedenborg
2101:literary forgeries
2035:¿Qué Es La Poesía?
1701:L'Illusion Comique
1508:ultra-nationalists
1456:Juan Domingo Perón
1400:Political opinions
1330:
1322:Cimetière des Rois
1287:
1220:Margarita Guerrero
1199:
1130:Prix International
1121:Fantastic Universe
1105:
1082:Harvard University
1069:University of Cuyo
928:
843:
841:and Borges in 1935
766:
387:short-story writer
261:Guillermo de Torre
9089:Go (game) writers
8844:Jorge Luis Borges
8831:
8830:
8764:Fernando del Paso
8752:Elena Poniatowska
8628:José García Nieto
8491:Jorge Luis Borges
8456:Laureates of the
8423:
8422:
8348:Andrzej Sapkowski
8344:David G. Hartwell
8254:Diana Wynne Jones
8158:Madeleine L'Engle
8146:Ursula K. Le Guin
8110:Evangeline Walton
8086:Theodore Sturgeon
8072:E. Hoffmann Price
8034:Jorge Luis Borges
7961:
7960:
7837:The Total Library
7817:
7816:
7631:Averroes's Search
7624:Deutsches Requiem
7380:Jorge Luis Borges
7337:Jorge Luis Borges
7297:. (Audio 45 mins)
7219:Jorge Luis Borges
7214:Library resources
7177:Ricardo Wullicher
7128:978-1-86189-286-7
7119:Jorge Luis Borges
7072:. Madrid: Gredos.
7048:Jorge Luis Borges
6968:978-1-84467-588-3
6961:. London: Verso.
6916:Jorge Luis Borges
6871:978-3-03910-511-3
6846:978-84-8489-595-4
6796:Jorge Luis Borges
6759:978-1-84659-005-4
6730:Jorge Luis Borges
6710:. Special issue.
6708:Crítica Hispánica
6507:Jorge Luis Borges
6477:978-1-4384-5031-5
6458:978-950-732-085-9
6111:Jorge Luis Borges
5994:Jorge Luis Borges
5980:978-0-292-70878-5
5665:El "Martín Fierro
5572:Los Angeles Times
5481:Svenska Dagbladet
5180:978-0-7914-6990-3
5148:978-1-55753-011-0
5115:The Western Canon
4806:Borges on Writing
4785:Borges on Writing
4531:Borges on Writing
4227:978-0-8204-8639-0
4125:Los Angeles Times
3833:978-0-7864-3320-9
3797:978-1-61219-204-8
3592:978-0-585-35444-6
3481:. Villaocampo.org
3466:978-0-292-76002-8
3424:Jorge Luis Borges
3393:Jorge Luis Borges
3378:978-0-292-70878-5
3343:978-950-07-1121-0
3335:Jorge Luis Borges
3046:978-0-8204-3467-4
2902:In an interview,
2699:Averroes's Search
2623:Evaristo Carriego
2609:Argentine culture
2434:Robert A Heinlein
2401:") and madness ("
2370:he experiences ("
2297:Mikhail Sholokhov
2139:transcendentalist
2024:La Divina Comedia
1999:Jorge Luis Borges
1654:French Resistance
1565:Nazi war criminal
1561:Deutsches Requiem
1533:German literature
1510:, sympathetic to
1496:Spanish Civil War
1406:Hipólito Yrigoyen
1232:El libro de arena
1056:
1055:
809:Juan José Arreola
687:Collège de Genève
621:Torre de Moncorvo
537:, to the city of
482:Collège de Genève
326:
325:
312:
73:Jorge Luis Borges
16:(Redirected from
9286:
8805:Francisco Brines
8734:Ana María Matute
8699:Antonio Gamoneda
8663:Francisco Umbral
8622:Camilo José Cela
8507:
8479:Alejo Carpentier
8450:
8443:
8436:
8427:
8426:
8404:Samuel R. Delany
8384:Karen Joy Fowler
8250:Betty Ballantine
8234:Carol Emshwiller
8184:Michael Moorcock
8164:Edward L. Ferman
8068:Richard Matheson
7999:Life Achievement
7988:
7981:
7974:
7965:
7964:
7943:H. Bustos Domecq
7779:The Book of Sand
7734:The Book of Sand
7404:
7403:
7373:
7366:
7359:
7350:
7349:
7285:
7272:
7202:
7184:
7172:
7168:Harto The Borges
7151:
7132:
7113:
7092:
7073:
7061:
7042:
7033:
7012:
6998:Borges Revisited
6991:
6972:
6953:
6941:
6930:
6909:
6875:
6862:Borges and Dante
6850:
6831:
6810:
6763:
6744:
6723:
6681:
6662:
6643:
6631:
6620:
6608:
6597:
6578:
6540:
6521:
6500:
6481:
6462:
6443:
6424:
6407:
6388:
6376:
6365:
6344:
6332:
6321:
6309:
6298:
6286:
6275:
6263:
6252:
6223:
6222:
6200:
6194:
6191:
6185:
6178:
6172:
6165:
6159:
6140:
6134:
6120:
6114:
6107:
6101:
6100:
6072:
6066:
6065:
6063:
6061:
6050:
6044:
6037:
6031:
6016:
6010:
6004:
5998:
5997:
5989:
5983:
5966:
5960:
5959:
5957:
5955:
5935:
5929:
5928:
5926:
5924:
5908:
5902:
5895:
5889:
5888:
5860:
5854:
5853:
5825:
5819:
5818:
5816:
5814:
5798:
5792:
5791:
5789:
5787:
5773:
5767:
5753:
5740:
5739:
5733:
5725:
5694:
5688:
5685:
5674:
5661:
5655:
5654:
5622:
5616:
5602:
5591:
5590:
5582:
5576:
5575:
5563:
5557:
5550:
5544:
5543:
5535:
5529:
5522:
5513:
5499:
5493:
5492:
5490:
5488:
5471:
5465:
5459:
5453:
5446:
5440:
5429:
5423:
5417:
5408:
5401:
5395:
5388:
5382:
5381:
5372:
5366:
5365:
5360:, translated by
5354:
5343:
5342:
5334:
5328:
5322:
5316:
5309:
5300:
5294:
5288:
5279:
5273:
5266:
5260:
5253:
5247:
5242:
5236:
5221:
5215:
5214:
5198:
5188:
5182:
5168:
5162:
5156:
5150:
5137:
5131:
5124:
5118:
5111:
5105:
5104:
5103:
5101:
5084:
5078:
5064:
5055:
5054:
5052:
5050:
5035:
5029:
5023:
5017:
5006:Willis Barnstone
5003:
4997:
4991:
4982:
4976:
4967:
4964:
4958:
4951:
4945:
4938:
4932:
4919:
4915:
4909:
4903:
4897:
4896:
4894:
4892:
4878:
4872:
4866:
4860:
4854:
4845:
4839:
4833:
4827:
4821:
4815:
4809:
4808:(1970), page 61.
4803:
4797:
4794:
4788:
4782:
4776:
4769:
4763:
4757:
4751:
4744:
4738:
4724:
4715:
4712:
4706:
4703:
4697:
4691:
4685:
4679:
4673:
4667:
4661:
4658:
4652:
4651:
4633:
4627:
4626:
4608:
4602:
4601:
4583:
4577:
4576:
4574:
4572:
4560:
4554:
4553:
4545:
4534:
4528:
4522:
4521:
4513:
4504:
4503:
4495:
4489:
4477:
4471:
4461:
4457:
4451:
4450:
4448:
4446:
4437:. Archived from
4431:
4425:
4412:
4406:
4403:
4397:
4396:
4384:
4378:
4372:
4363:
4357:
4348:
4341:
4335:
4334:
4329:
4327:
4312:
4306:
4305:
4289:
4283:
4277:
4271:
4264:
4258:
4257:
4255:
4253:
4238:
4232:
4231:
4211:
4205:
4195:
4189:
4188:
4186:
4184:
4175:. Archived from
4168:
4162:
4161:
4159:
4157:
4142:
4136:
4135:
4133:
4131:
4117:
4111:
4110:
4108:
4106:
4091:
4082:
4081:
4079:
4077:
4062:
4053:
4052:
4041:10.2307/40125492
4024:
4018:
4017:
3977:
3971:
3970:
3952:
3950:10.7202/011973ar
3928:
3922:
3921:
3919:
3917:
3902:
3896:
3895:
3893:
3891:
3882:. Archived from
3872:
3866:
3859:
3853:
3852:
3841:
3835:
3821:
3815:
3808:
3802:
3801:
3781:
3775:
3774:
3772:
3770:
3756:
3750:
3749:
3742:
3736:
3733:
3720:
3702:
3696:
3689:
3683:
3682:
3680:
3678:
3667:
3661:
3654:
3648:
3638:
3632:
3625:
3619:
3618:
3616:
3614:
3603:
3597:
3596:
3584:
3574:
3568:
3567:
3555:
3549:
3535:
3529:
3519:
3513:
3510:
3504:
3497:
3491:
3490:
3488:
3486:
3475:
3469:
3452:
3446:
3445:
3419:
3413:
3412:
3396:
3386:
3380:
3364:
3358:
3351:
3345:
3328:
3322:
3312:
3273:
3272:
3248:
3242:
3241:
3224:
3218:
3211:
3205:
3199:
3193:
3183:
3179:
3173:
3172:
3166:
3157:
3151:
3144:
3138:
3137:
3119:
3113:
3101:
3095:
3094:
3086:
3069:
3054:
3048:
3030:
3019:
3016:G. K. Chesterton
3000:
2994:
2987:
2981:
2974:Manguel, Alberto
2970:
2964:
2949:
2943:
2932:
2860:The Book of Sand
2810:Vladimir Nabokov
2289:Vladimir Nabokov
2282:Augusto Pinochet
2254:The Book of Sand
2083:Luis Maria Serra
1938:pseudo-epigrapha
1906:William Faulkner
1892:Snorri Sturluson
1888:The Happy Prince
1694:National Library
1529:Second World War
1380:Pierre Assouline
1355:St John's Gospel
1320:Borges's grave,
1237:The Book of Sand
1180:Legion of Honour
1114:, translated by
1009:
868:H. Bustos Domecq
813:Alejo Carpentier
657:The Happy Prince
535:The Conspirators
428:
422:
418:
410:
404:
400:
391:Spanish-language
384:
383:
382:
376:
371:
364:
359:
358:
355:
354:
351:
348:
345:
342:
339:
314:
313:
292:
267:Francisco Borges
263:(brother-in-law)
214:The Book of Sand
122:
102:
100:
83:
69:
68:
32:Borges (surname)
21:
9294:
9293:
9289:
9288:
9287:
9285:
9284:
9283:
9264:Trope theorists
9069:Fantasy writers
8834:
8833:
8832:
8827:
8823:Luis Mateo Díez
8792:
8770:Eduardo Mendoza
8721:
8650:
8598:Francisco Ayala
8579:
8508:
8499:
8460:
8454:
8424:
8419:
8364:Charles de Lint
8338:Sheri S. Tepper
8334:Ramsey Campbell
8294:Peter S. Beagle
8284:Terry Pratchett
8214:Donald M. Grant
8210:Lloyd Alexander
8140:Jack Williamson
8001:
7992:
7962:
7957:
7909:
7856:
7813:
7784:
7727:
7700:
7678:
7596:The Theologians
7565:
7431:
7399:
7397:
7391:
7382:
7377:
7258:
7257:
7256:
7238:
7237:
7222:
7221:
7217:
7210:
7205:
7187:
7175:
7161:
7158:
7148:
7129:
7110:
7089:
7058:
7041:. Paris: Seuil.
7030:
7009:
6988:
6969:
6950:
6927:
6906:
6872:
6847:
6828:
6817:Signs of Borges
6807:
6766:Manovich, Lev,
6760:
6741:
6678:
6659:
6640:
6617:
6594:
6575:
6541:Illustrated by
6537:
6518:
6497:
6478:
6459:
6440:
6404:
6385:
6362:
6341:
6318:
6295:
6272:
6249:
6232:
6230:Further reading
6227:
6226:
6215:
6201:
6197:
6192:
6188:
6179:
6175:
6166:
6162:
6141:
6137:
6121:
6117:
6108:
6104:
6089:10.2307/3726707
6073:
6069:
6059:
6057:
6052:
6051:
6047:
6038:
6034:
6017:
6013:
6007:Williamson 2004
6005:
6001:
5990:
5986:
5967:
5963:
5953:
5951:
5936:
5932:
5922:
5920:
5909:
5905:
5896:
5892:
5861:
5857:
5842:
5826:
5822:
5812:
5810:
5799:
5795:
5785:
5783:
5775:
5774:
5770:
5754:
5743:
5727:
5726:
5695:
5691:
5686:
5677:
5662:
5658:
5623:
5619:
5603:
5594:
5583:
5579:
5564:
5560:
5551:
5547:
5536:
5532:
5523:
5516:
5500:
5496:
5486:
5484:
5472:
5468:
5460:
5456:
5447:
5443:
5430:
5426:
5418:
5411:
5402:
5398:
5389:
5385:
5373:
5369:
5356:
5355:
5346:
5336:
5335:
5331:
5325:Williamson 2004
5323:
5319:
5310:
5303:
5295:
5291:
5280:
5276:
5267:
5263:
5254:
5250:
5243:
5239:
5222:
5218:
5211:
5189:
5185:
5169:
5165:
5157:
5153:
5138:
5134:
5125:
5121:
5112:
5108:
5099:
5097:
5086:
5085:
5081:
5065:
5058:
5048:
5046:
5036:
5032:
5024:
5020:
5004:
5000:
4994:Williamson 2004
4992:
4985:
4977:
4970:
4965:
4961:
4952:
4948:
4939:
4935:
4925:Wayback Machine
4917:
4916:
4912:
4906:Williamson 2004
4904:
4900:
4890:
4888:
4880:
4879:
4875:
4869:Williamson 2004
4867:
4863:
4857:Williamson 2004
4855:
4848:
4842:Williamson 2004
4840:
4836:
4830:Williamson 2004
4828:
4824:
4818:Williamson 2004
4816:
4812:
4804:
4800:
4795:
4791:
4783:
4779:
4770:
4766:
4758:
4754:
4745:
4741:
4725:
4718:
4713:
4709:
4704:
4700:
4694:Williamson 2004
4692:
4688:
4682:Williamson 2004
4680:
4676:
4670:Williamson 2004
4668:
4664:
4659:
4655:
4648:
4634:
4630:
4623:
4609:
4605:
4598:
4584:
4580:
4570:
4568:
4561:
4557:
4546:
4537:
4529:
4525:
4514:
4507:
4496:
4492:
4478:
4474:
4468:Abstract online
4459:
4458:
4454:
4444:
4442:
4441:on 3 March 2016
4433:
4432:
4428:
4422:Wayback Machine
4413:
4409:
4404:
4400:
4385:
4381:
4375:Williamson 2004
4373:
4366:
4360:Williamson 2004
4358:
4351:
4342:
4338:
4325:
4323:
4313:
4309:
4304:on 16 May 2017.
4290:
4286:
4281:El Señor Borges
4278:
4274:
4265:
4261:
4251:
4249:
4240:
4239:
4235:
4228:
4212:
4208:
4196:
4192:
4182:
4180:
4169:
4165:
4155:
4153:
4143:
4139:
4129:
4127:
4118:
4114:
4104:
4102:
4092:
4085:
4075:
4073:
4063:
4056:
4025:
4021:
3978:
3974:
3929:
3925:
3915:
3913:
3903:
3899:
3889:
3887:
3886:on 4 April 2019
3874:
3873:
3869:
3860:
3856:
3843:
3842:
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3818:
3809:
3805:
3798:
3782:
3778:
3768:
3766:
3758:
3757:
3753:
3744:
3743:
3739:
3734:
3723:
3703:
3699:
3690:
3686:
3676:
3674:
3669:
3668:
3664:
3655:
3651:
3641:Alberto Manguel
3639:
3635:
3626:
3622:
3612:
3610:
3605:
3604:
3600:
3593:
3575:
3571:
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3507:
3498:
3494:
3484:
3482:
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3409:
3387:
3383:
3365:
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3352:
3348:
3329:
3325:
3313:
3276:
3269:
3249:
3245:
3225:
3221:
3212:
3208:
3200:
3196:
3182:(in Portuguese)
3181:
3180:
3176:
3164:
3158:
3154:
3145:
3141:
3122:
3120:
3116:
3102:
3098:
3087:
3083:
3078:
3073:
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3055:
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3031:
3022:
3001:
2997:
2988:
2984:
2971:
2967:
2950:
2946:
2933:
2929:
2924:
2878:
2844:
2838:
2790:
2785:
2707:The Theologians
2676:
2611:
2548:
2542:
2534:
2510:
2430:H. P. Lovecraft
2426:La Metamorfosis
2415:
2368:forgets nothing
2335:"), infinity ("
2318:
2274:
2241:
2182:
2158:Sartor Resartus
2147:Sartor Resartus
2134:Sartor Resartus
2097:
2020:
2014:
2012:
1984:
1970:Astor Piazzolla
1962:
1950:Astor Piazzolla
1946:
1926:Edgar Allan Poe
1922:Rudyard Kipling
1872:
1817:
1811:
1802:
1768:
1658:La Marseillaise
1606:one-party state
1598:
1504:
1431:
1402:
1371:
1348:Borges died of
1314:
1273:
1116:Anthony Boucher
1097:
1057:
920:
853:Victoria Ocampo
839:Victoria Ocampo
771:
764:Borges in 1921.
737:, close to the
569:
564:
562:Life and career
517:Jerusalem Prize
509:Formentor Prize
423:
405:
378:
377:
369:
362:
336:
332:
322:
321:
320:
319:
318:
315:
308:
305:
278:
220:
124:
120:
104:
98:
96:
95:
86:
74:
65:
46:
39:
28:
23:
22:
15:
12:
11:
5:
9292:
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9181:
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9106:
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9016:
9011:
9006:
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8956:
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8931:
8926:
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8916:
8911:
8906:
8901:
8896:
8891:
8886:
8881:
8876:
8871:
8866:
8861:
8856:
8851:
8846:
8829:
8828:
8826:
8825:
8819:
8817:Rafael Cadenas
8813:
8807:
8800:
8798:
8794:
8793:
8791:
8790:
8784:
8778:
8776:Sergio Ramírez
8772:
8766:
8760:
8758:Juan Goytisolo
8754:
8748:
8742:
8736:
8729:
8727:
8723:
8722:
8720:
8719:
8713:
8707:
8701:
8695:
8689:
8683:
8677:
8671:
8665:
8658:
8656:
8652:
8651:
8649:
8648:
8642:
8636:
8630:
8624:
8618:
8612:
8610:Miguel Delibes
8606:
8600:
8594:
8587:
8585:
8581:
8580:
8578:
8577:
8571:
8569:María Zambrano
8565:
8563:Carlos Fuentes
8559:
8553:
8547:
8545:Ernesto Sabato
8541:
8539:Rafael Alberti
8535:
8529:
8523:
8516:
8514:
8510:
8509:
8502:
8500:
8498:
8497:
8487:
8481:
8475:
8468:
8466:
8462:
8461:
8453:
8452:
8445:
8438:
8430:
8421:
8420:
8418:
8417:
8414:Peter Crowther
8411:
8408:Terri Windling
8401:
8398:Howard Waldrop
8394:Megan Lindholm
8391:
8388:Rowena Morrill
8381:
8374:Hayao Miyazaki
8371:
8361:
8351:
8341:
8331:
8321:
8311:
8301:
8291:
8277:
8267:
8257:
8247:
8244:Stephen Fabian
8237:
8227:
8217:
8207:
8197:
8190:Frank Frazetta
8187:
8177:
8171:
8161:
8155:
8149:
8143:
8137:
8134:Harlan Ellison
8131:
8125:
8119:
8116:R. A. Lafferty
8113:
8107:
8101:
8095:
8092:Avram Davidson
8089:
8083:
8080:Donald Wandrei
8061:
8055:
8049:
8043:
8037:
8031:
8025:
8019:
8013:
8006:
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8002:
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7864:
7862:
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7855:
7854:
7847:
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7441:
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7387:
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7375:
7368:
7361:
7353:
7347:
7346:
7340:
7334:
7329:
7324:
7318:
7304:
7298:
7286:
7273:
7255:
7254:
7249:
7243:
7239:
7236:
7235:
7230:
7224:
7223:
7212:
7211:
7209:
7208:External links
7206:
7204:
7203:
7189:David Wheatley
7185:
7173:
7157:
7154:
7153:
7152:
7146:
7133:
7127:
7114:
7108:
7099:Borges: A Life
7093:
7087:
7074:
7062:
7056:
7043:
7034:
7028:
7013:
7007:
6992:
6986:
6973:
6967:
6954:
6948:
6931:
6925:
6910:
6904:
6883:
6876:
6870:
6857:
6851:
6845:
6832:
6826:
6811:
6805:
6790:
6772:Mackay, Neil,
6770:
6764:
6758:
6745:
6739:
6724:
6703:
6695:, de Borges".
6689:
6682:
6676:
6668:Invisible Work
6663:
6657:
6644:
6638:
6621:
6615:
6598:
6592:
6579:
6573:
6560:
6553:
6546:
6535:
6522:
6516:
6501:
6495:
6482:
6476:
6463:
6457:
6444:
6438:
6425:
6408:
6402:
6389:
6383:
6373:Out of Context
6366:
6360:
6345:
6339:
6322:
6316:
6299:
6293:
6276:
6270:
6253:
6247:
6233:
6231:
6228:
6225:
6224:
6213:
6195:
6186:
6173:
6160:
6143:Báez, Fernando
6135:
6115:
6102:
6067:
6045:
6032:
6011:
5999:
5984:
5961:
5930:
5903:
5890:
5877:10.2307/465123
5855:
5840:
5820:
5793:
5768:
5741:
5689:
5675:
5656:
5633:(in Spanish).
5617:
5592:
5577:
5558:
5545:
5530:
5514:
5494:
5466:
5454:
5441:
5424:
5409:
5396:
5383:
5367:
5362:Hurley, Andrew
5344:
5329:
5317:
5301:
5289:
5274:
5261:
5248:
5237:
5216:
5209:
5195:Invisible Work
5183:
5170:Kate Jenckes,
5163:
5151:
5132:
5119:
5113:Harold Bloom,
5106:
5079:
5056:
5030:
5018:
4998:
4996:, p. 491.
4983:
4968:
4959:
4946:
4933:
4910:
4898:
4873:
4871:, p. 320.
4861:
4859:, p. 313.
4846:
4844:, p. 312.
4834:
4832:, p. 295.
4822:
4820:, p. 292.
4810:
4798:
4789:
4777:
4764:
4752:
4739:
4716:
4707:
4698:
4686:
4684:, p. 334.
4674:
4662:
4653:
4646:
4628:
4621:
4603:
4596:
4578:
4555:
4535:
4523:
4505:
4490:
4472:
4452:
4426:
4407:
4398:
4379:
4377:, p. 490.
4364:
4362:, p. 489.
4349:
4336:
4321:New York Times
4307:
4284:
4272:
4259:
4233:
4226:
4220:. Peter Lang.
4206:
4190:
4163:
4137:
4112:
4083:
4054:
4035:(3): 388–398.
4019:
3972:
3923:
3897:
3867:
3854:
3836:
3816:
3803:
3796:
3776:
3751:
3737:
3721:
3697:
3684:
3671:"Days of Hate"
3662:
3649:
3633:
3620:
3598:
3591:
3569:
3550:
3539:Borges: A Life
3530:
3514:
3505:
3492:
3470:
3447:
3432:
3414:
3407:
3381:
3359:
3355:The New Yorker
3346:
3323:
3314:Tóibín, Colm,
3274:
3267:
3243:
3219:
3206:
3194:
3174:
3152:
3139:
3124:David Wheatley
3114:
3096:
3080:
3079:
3077:
3074:
3071:
3070:
3049:
3020:
2995:
2982:
2965:
2944:
2926:
2925:
2923:
2920:
2881:Fritz Mauthner
2877:
2874:
2840:Main article:
2837:
2834:
2825:Existentialism
2789:
2786:
2784:
2781:
2675:
2672:
2610:
2607:
2576:gaucho matrero
2568:, free, poor,
2558:José Hernández
2544:Main article:
2541:
2535:
2533:
2530:
2509:
2506:
2476:Francis Marion
2464:William Gibson
2450:Thomas Pynchon
2446:Philip K. Dick
2438:A. E. van Vogt
2414:
2411:
2366:"), a man who
2339:"), mirrors ("
2317:
2314:
2273:
2270:
2240:
2237:
2233:existentialist
2229:Eduardo Mallea
2181:
2178:
2166:The Fair Haven
2129:Thomas Carlyle
2096:
2093:
2086:
2085:
2072:
2071:
2061:
2060:
2050:
2049:
2039:
2038:
2028:
2027:
2019:
2016:
2007:
2003:
2002:
1992:
1991:
1983:
1980:
1973:
1972:
1961:
1958:
1945:
1942:
1934:Virginia Woolf
1902:Ambrose Bierce
1871:
1868:
1813:Main article:
1810:
1807:
1801:
1798:
1767:
1766:Military junta
1764:
1739:interview for
1727:Samuel Johnson
1656:, as well as '
1597:
1594:
1503:
1500:
1439:Richard Burgin
1430:
1429:Anti-communism
1427:
1401:
1398:
1370:
1367:
1313:
1310:
1272:
1269:
1135:Samuel Beckett
1103:Borges in 1967
1096:
1093:
1054:
1053:
1049:
1048:
1045:
1042:
1039:
1034:
1033:
1032:
1027:
1022:
1017:
1007:
919:
916:
908:Emecé Editores
770:
767:
710:Gustav Meyrink
678:Thomas Carlyle
594:His 1929 book
568:
565:
563:
560:
555:post-modernism
525:García Márquez
513:Samuel Beckett
324:
323:
316:
306:
301:
300:
299:
298:
297:
294:
293:
285:
284:
280:
279:
277:
276:
270:
264:
258:
252:
246:
243:Leonor Acevedo
239:
237:
233:
232:
226:
225:Notable awards
222:
221:
219:
218:
210:
202:
194:
186:
177:
175:
171:
170:
167:
163:
162:
161:
160:
157:
154:
151:
148:
145:
142:
137:
133:
132:
123:(aged 86)
117:
113:
112:
103:24 August 1899
92:
88:
87:
85:Borges in 1951
84:
76:
75:
72:
26:
9:
6:
4:
3:
2:
9291:
9280:
9277:
9275:
9272:
9270:
9267:
9265:
9262:
9260:
9257:
9255:
9252:
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9242:
9240:
9237:
9235:
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9227:
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9210:
9207:
9205:
9202:
9200:
9197:
9195:
9192:
9190:
9187:
9185:
9182:
9180:
9177:
9175:
9172:
9170:
9167:
9165:
9162:
9160:
9157:
9155:
9152:
9150:
9147:
9145:
9142:
9140:
9137:
9135:
9132:
9130:
9127:
9125:
9122:
9120:
9117:
9115:
9112:
9110:
9107:
9105:
9102:
9100:
9097:
9095:
9092:
9090:
9087:
9085:
9082:
9080:
9079:Germanophilia
9077:
9075:
9072:
9070:
9067:
9065:
9062:
9060:
9057:
9055:
9052:
9050:
9047:
9045:
9042:
9040:
9039:Blind writers
9037:
9035:
9032:
9030:
9027:
9025:
9022:
9020:
9017:
9015:
9012:
9010:
9007:
9005:
9002:
9000:
8997:
8995:
8992:
8990:
8987:
8985:
8982:
8980:
8977:
8975:
8972:
8970:
8967:
8965:
8962:
8960:
8957:
8955:
8952:
8950:
8947:
8945:
8942:
8940:
8937:
8935:
8932:
8930:
8927:
8925:
8922:
8920:
8917:
8915:
8912:
8910:
8909:Anti-Peronism
8907:
8905:
8902:
8900:
8897:
8895:
8892:
8890:
8887:
8885:
8882:
8880:
8877:
8875:
8872:
8870:
8867:
8865:
8862:
8860:
8857:
8855:
8852:
8850:
8847:
8845:
8842:
8841:
8839:
8824:
8820:
8818:
8814:
8812:
8808:
8806:
8802:
8801:
8799:
8795:
8789:
8788:Joan Margarit
8785:
8783:
8779:
8777:
8773:
8771:
8767:
8765:
8761:
8759:
8755:
8753:
8749:
8747:
8743:
8741:
8740:Nicanor Parra
8737:
8735:
8731:
8730:
8728:
8724:
8718:
8714:
8712:
8708:
8706:
8702:
8700:
8696:
8694:
8690:
8688:
8684:
8682:
8681:Gonzalo Rojas
8678:
8676:
8672:
8670:
8666:
8664:
8660:
8659:
8657:
8653:
8647:
8646:Jorge Edwards
8643:
8641:
8637:
8635:
8631:
8629:
8625:
8623:
8619:
8617:
8613:
8611:
8607:
8605:
8601:
8599:
8595:
8593:
8589:
8588:
8586:
8582:
8576:
8572:
8570:
8566:
8564:
8560:
8558:
8554:
8552:
8548:
8546:
8542:
8540:
8536:
8534:
8530:
8528:
8524:
8522:
8518:
8517:
8515:
8511:
8506:
8496:
8495:Gerardo Diego
8492:
8488:
8486:
8485:Dámaso Alonso
8482:
8480:
8476:
8474:
8473:Jorge Guillén
8470:
8469:
8467:
8463:
8459:
8451:
8446:
8444:
8439:
8437:
8432:
8431:
8428:
8415:
8412:
8409:
8405:
8402:
8399:
8395:
8392:
8389:
8385:
8382:
8379:
8375:
8372:
8369:
8365:
8362:
8359:
8358:Marina Warner
8355:
8352:
8349:
8345:
8342:
8339:
8335:
8332:
8329:
8325:
8322:
8319:
8315:
8312:
8309:
8305:
8302:
8299:
8295:
8292:
8289:
8285:
8281:
8278:
8275:
8271:
8268:
8265:
8261:
8258:
8255:
8251:
8248:
8245:
8241:
8238:
8235:
8231:
8228:
8225:
8221:
8218:
8215:
8211:
8208:
8205:
8201:
8198:
8195:
8191:
8188:
8185:
8181:
8178:
8175:
8172:
8169:
8165:
8162:
8159:
8156:
8153:
8150:
8147:
8144:
8141:
8138:
8135:
8132:
8129:
8126:
8123:
8120:
8117:
8114:
8111:
8108:
8105:
8102:
8099:
8096:
8093:
8090:
8087:
8084:
8081:
8077:
8073:
8069:
8065:
8062:
8059:
8056:
8053:
8052:Italo Calvino
8050:
8047:
8044:
8041:
8038:
8035:
8032:
8029:
8026:
8023:
8020:
8017:
8014:
8011:
8008:
8007:
8004:
8000:
7996:
7989:
7984:
7982:
7977:
7975:
7970:
7969:
7966:
7954:
7951:
7949:
7946:
7944:
7941:
7939:
7938:
7934:
7932:
7929:
7927:
7924:
7922:
7919:
7918:
7916:
7912:
7905:
7901:
7899:
7898:
7894:
7892:
7891:
7887:
7885:
7884:
7880:
7878:
7877:
7873:
7871:
7870:
7866:
7865:
7863:
7859:
7852:
7848:
7845:
7841:
7838:
7834:
7831:
7827:
7826:
7824:
7820:
7809:
7805:
7802:
7798:
7797:
7795:
7793:
7792:
7787:
7780:
7776:
7773:
7769:
7766:
7762:
7759:
7755:
7752:
7748:
7745:
7741:
7740:
7738:
7736:
7735:
7730:
7723:
7719:
7716:
7715:The Encounter
7712:
7711:
7709:
7707:
7703:
7696:
7692:
7691:
7689:
7687:
7686:
7681:
7674:
7670:
7667:
7663:
7660:
7656:
7653:
7649:
7646:
7642:
7639:
7635:
7632:
7628:
7625:
7621:
7618:
7614:
7611:
7607:
7604:
7600:
7597:
7593:
7590:
7586:
7583:
7579:
7578:
7576:
7574:
7573:
7568:
7561:
7557:
7554:
7550:
7547:
7543:
7540:
7536:
7533:
7529:
7526:
7522:
7519:
7515:
7512:
7508:
7505:
7501:
7498:
7494:
7491:
7487:
7484:
7480:
7477:
7473:
7470:
7466:
7463:
7459:
7456:
7452:
7449:
7445:
7444:
7442:
7440:
7439:
7434:
7427:
7423:
7420:
7416:
7415:
7413:
7411:
7410:
7405:
7402:
7394:
7390:
7385:
7381:
7374:
7369:
7367:
7362:
7360:
7355:
7354:
7351:
7344:
7341:
7338:
7335:
7333:
7330:
7328:
7325:
7322:
7319:
7316:
7312:
7308:
7305:
7302:
7299:
7296:
7295:
7290:
7287:
7283:
7279:
7274:
7271:
7267:
7263:
7260:
7259:
7253:
7250:
7248:
7245:
7244:
7242:
7234:
7231:
7229:
7226:
7225:
7220:
7215:
7200:
7196:
7195:
7190:
7186:
7182:
7178:
7174:
7170:
7169:
7164:
7160:
7159:
7156:Documentaries
7149:
7147:0-7618-1238-5
7143:
7139:
7134:
7130:
7124:
7120:
7115:
7111:
7109:0-670-88579-7
7105:
7101:
7100:
7094:
7090:
7088:0-8387-5592-5
7084:
7080:
7075:
7071:
7067:
7063:
7059:
7057:3-89354-217-5
7053:
7049:
7044:
7040:
7035:
7031:
7029:0-19-815746-0
7025:
7021:
7020:
7014:
7010:
7008:0-8057-8263-X
7004:
7000:
6999:
6993:
6989:
6987:0-905205-84-7
6983:
6979:
6974:
6970:
6964:
6960:
6955:
6951:
6949:0-8153-0101-4
6945:
6940:
6939:
6932:
6928:
6926:0-525-13748-3
6922:
6918:
6917:
6911:
6907:
6905:0-7734-6904-4
6901:
6897:
6893:
6889:
6884:
6881:
6877:
6873:
6867:
6863:
6858:
6856:
6852:
6848:
6842:
6838:
6833:
6829:
6827:0-8223-1406-1
6823:
6819:
6818:
6812:
6808:
6806:0-8044-2608-2
6802:
6798:
6797:
6791:
6789:
6785:
6781:
6780:
6775:
6771:
6769:
6765:
6761:
6755:
6751:
6746:
6742:
6740:0-8057-8327-X
6736:
6732:
6731:
6725:
6721:
6717:
6713:
6709:
6704:
6702:
6698:
6694:
6690:
6687:
6686:Neophilologus
6683:
6679:
6677:0-585-40803-3
6673:
6669:
6664:
6660:
6658:0-8386-4044-3
6654:
6650:
6645:
6641:
6639:1-900039-21-4
6635:
6630:
6629:
6622:
6618:
6616:0-8061-0983-1
6612:
6607:
6606:
6599:
6595:
6593:0-8264-6110-7
6589:
6585:
6580:
6576:
6574:0-09-473840-8
6570:
6566:
6561:
6558:
6554:
6551:
6547:
6544:
6538:
6536:950-554-266-6
6532:
6528:
6523:
6519:
6517:0-87754-721-1
6513:
6509:
6508:
6502:
6498:
6496:1-4175-2020-5
6492:
6488:
6483:
6479:
6473:
6469:
6464:
6460:
6454:
6450:
6445:
6441:
6439:0-8078-1458-X
6435:
6431:
6426:
6422:
6418:
6414:
6409:
6405:
6403:0-252-01888-5
6399:
6395:
6390:
6386:
6384:0-8223-1316-2
6380:
6375:
6374:
6367:
6363:
6361:0-8161-8829-7
6357:
6353:
6352:
6346:
6342:
6340:0-521-30684-1
6336:
6331:
6330:
6323:
6319:
6317:0-8262-0712-X
6313:
6308:
6307:
6300:
6296:
6294:0-916379-12-4
6290:
6285:
6284:
6277:
6273:
6271:0-8204-0130-7
6267:
6262:
6261:
6254:
6250:
6248:0-8204-0595-7
6244:
6240:
6235:
6234:
6221:
6216:
6214:0-670-84947-2
6210:
6206:
6199:
6190:
6183:
6177:
6170:
6164:
6158:
6155:
6151:
6149:
6144:
6139:
6133:
6132:950-23-1296-1
6129:
6125:
6119:
6112:
6106:
6098:
6094:
6090:
6086:
6082:
6078:
6071:
6055:
6049:
6042:
6036:
6029:
6028:0-7910-7872-8
6025:
6021:
6015:
6009:, p. 53.
6008:
6003:
5995:
5988:
5981:
5977:
5973:
5972:
5965:
5949:
5945:
5941:
5934:
5918:
5914:
5907:
5900:
5894:
5886:
5882:
5878:
5874:
5870:
5866:
5859:
5851:
5847:
5843:
5841:0-465-04361-5
5837:
5833:
5832:
5824:
5808:
5804:
5797:
5782:
5778:
5772:
5766:
5765:3-03911-193-0
5762:
5758:
5752:
5750:
5748:
5746:
5737:
5731:
5723:
5719:
5715:
5711:
5707:
5703:
5700:
5693:
5684:
5682:
5680:
5673:
5672:84-206-1933-7
5669:
5666:
5660:
5652:
5648:
5644:
5640:
5637:(41): 25–42.
5636:
5632:
5628:
5621:
5615:
5614:0-8387-5592-5
5611:
5607:
5601:
5599:
5597:
5588:
5581:
5573:
5569:
5562:
5555:
5549:
5541:
5538:Clute, John.
5534:
5527:
5521:
5519:
5512:
5511:0-525-47538-9
5508:
5504:
5498:
5483:
5482:
5477:
5470:
5463:
5458:
5451:
5445:
5438:
5434:
5428:
5421:
5416:
5414:
5406:
5400:
5393:
5387:
5379:
5371:
5363:
5359:
5353:
5351:
5349:
5340:
5333:
5326:
5321:
5314:
5308:
5306:
5298:
5293:
5286:
5283:
5278:
5271:
5265:
5258:
5252:
5245:
5241:
5234:
5230:
5226:
5220:
5212:
5210:0-8265-1408-1
5206:
5202:
5197:
5196:
5187:
5181:
5177:
5173:
5167:
5160:
5155:
5149:
5145:
5141:
5136:
5129:
5123:
5116:
5110:
5095:
5091:
5090:
5083:
5077:
5076:0-262-23227-8
5073:
5069:
5063:
5061:
5045:
5041:
5034:
5027:
5022:
5015:
5011:
5007:
5002:
4995:
4990:
4988:
4980:
4975:
4973:
4963:
4956:
4950:
4944:, pp. 409–10.
4943:
4937:
4930:
4926:
4922:
4914:
4907:
4902:
4887:
4886:Boston Review
4883:
4877:
4870:
4865:
4858:
4853:
4851:
4843:
4838:
4831:
4826:
4819:
4814:
4807:
4802:
4793:
4786:
4781:
4774:
4768:
4761:
4756:
4749:
4743:
4737:
4736:0-8143-2888-1
4733:
4729:
4723:
4721:
4711:
4702:
4695:
4690:
4683:
4678:
4671:
4666:
4657:
4649:
4647:84-7299-385-X
4643:
4639:
4632:
4624:
4622:0-8078-1458-X
4618:
4614:
4607:
4599:
4597:84-7299-385-X
4593:
4589:
4582:
4566:
4559:
4551:
4544:
4542:
4540:
4532:
4527:
4519:
4512:
4510:
4501:
4494:
4487:
4486:
4481:
4476:
4469:
4465:
4456:
4440:
4436:
4430:
4423:
4419:
4416:
4411:
4402:
4394:
4390:
4383:
4376:
4371:
4369:
4361:
4356:
4354:
4346:
4340:
4333:
4322:
4318:
4311:
4303:
4299:
4295:
4288:
4282:
4276:
4269:
4263:
4247:
4243:
4237:
4229:
4223:
4219:
4218:
4210:
4203:
4202:Diario Clarín
4199:
4194:
4178:
4174:
4167:
4152:
4148:
4141:
4126:
4123:
4116:
4101:
4097:
4090:
4088:
4072:
4068:
4061:
4059:
4050:
4046:
4042:
4038:
4034:
4030:
4023:
4015:
4011:
4007:
4003:
3999:
3995:
3991:
3987:
3983:
3976:
3968:
3964:
3960:
3956:
3951:
3946:
3942:
3938:
3934:
3927:
3912:
3908:
3901:
3885:
3881:
3880:theedgars.com
3877:
3871:
3864:
3858:
3850:
3849:www.isfdb.org
3846:
3840:
3834:
3830:
3826:
3820:
3813:
3807:
3799:
3793:
3789:
3788:
3780:
3765:
3764:UbuWeb: Sound
3761:
3755:
3747:
3741:
3732:
3730:
3728:
3726:
3718:
3717:0-525-03635-0
3714:
3710:
3706:
3701:
3694:
3688:
3672:
3666:
3659:
3653:
3646:
3642:
3637:
3630:
3624:
3608:
3602:
3594:
3588:
3583:
3582:
3573:
3565:
3561:
3554:
3548:
3544:
3540:
3534:
3528:
3524:
3518:
3509:
3502:
3496:
3480:
3474:
3467:
3463:
3459:
3457:
3451:
3443:
3439:
3435:
3433:1-86189-286-1
3429:
3425:
3418:
3410:
3408:1-86189-286-1
3404:
3400:
3395:
3394:
3385:
3379:
3375:
3371:
3370:
3363:
3356:
3350:
3344:
3340:
3336:
3332:
3327:
3321:
3319:
3311:
3309:
3307:
3305:
3303:
3301:
3299:
3297:
3295:
3293:
3291:
3289:
3287:
3285:
3283:
3281:
3279:
3270:
3268:0-292-70877-7
3264:
3260:
3256:
3255:
3247:
3239:
3238:
3233:
3229:
3223:
3216:
3210:
3203:
3198:
3191:
3187:
3178:
3170:
3163:
3156:
3149:
3143:
3135:
3131:
3130:
3125:
3118:
3111:
3110:
3105:
3100:
3092:
3085:
3081:
3067:
3064:. Cambridge:
3063:
3059:
3058:digital media
3053:
3047:
3043:
3039:
3035:
3029:
3027:
3025:
3017:
3013:
3012:Thomas Browne
3009:
3005:
2999:
2992:
2986:
2979:
2975:
2969:
2962:
2958:
2954:
2948:
2941:
2937:
2931:
2927:
2919:
2917:
2913:
2909:
2905:
2900:
2898:
2894:
2890:
2886:
2882:
2873:
2871:
2867:
2866:
2861:
2857:
2853:
2849:
2843:
2833:
2830:
2826:
2822:
2819:
2815:
2811:
2807:
2803:
2794:
2780:
2778:
2774:
2770:
2769:Alfonso Reyes
2766:
2765:
2760:
2755:
2751:
2747:
2741:
2739:
2738:William James
2735:
2731:
2727:
2723:
2722:
2716:
2712:
2708:
2704:
2700:
2695:
2691:
2687:
2686:
2681:
2671:
2669:
2664:
2660:
2654:
2652:
2651:Martín Fierro
2648:
2644:
2638:
2636:
2632:
2628:
2624:
2620:
2616:
2606:
2604:
2600:
2597:nationalism.
2594:
2592:
2586:
2584:
2582:
2581:Martín Fierro
2577:
2573:
2572:
2567:
2563:
2559:
2555:
2554:
2553:Martín Fierro
2547:
2539:
2538:Martín Fierro
2528:
2525:
2521:
2514:
2504:
2502:
2501:
2495:
2490:
2486:
2479:
2477:
2473:
2469:
2465:
2461:
2459:
2455:
2454:Kurt Vonnegut
2451:
2447:
2443:
2439:
2435:
2431:
2427:
2423:
2419:
2410:
2408:
2407:non-linearity
2404:
2400:
2394:
2391:
2387:
2386:
2381:
2377:
2373:
2369:
2365:
2360:
2358:
2354:
2350:
2346:
2342:
2338:
2334:
2327:
2322:
2313:
2311:
2307:
2306:Graham Greene
2302:
2298:
2294:
2290:
2285:
2283:
2279:
2269:
2267:
2262:
2260:
2256:
2255:
2250:
2246:
2236:
2234:
2230:
2226:
2222:
2221:Magic realism
2218:
2214:
2210:
2206:
2205:
2200:
2199:
2191:
2186:
2177:
2175:
2171:
2167:
2163:
2162:Samuel Butler
2159:
2155:
2150:
2148:
2144:
2140:
2136:
2135:
2130:
2126:
2125:
2120:
2116:
2115:
2110:
2106:
2102:
2092:
2090:
2084:
2080:
2077:
2076:
2075:
2069:
2066:
2065:
2064:
2058:
2055:
2054:
2053:
2047:
2044:
2043:
2042:
2036:
2033:
2032:
2031:
2025:
2022:
2021:
2015:
2011:
2006:
2000:
1997:
1996:
1995:
1989:
1986:
1985:
1979:
1977:
1971:
1967:
1964:
1963:
1957:
1955:
1951:
1941:
1939:
1935:
1931:
1927:
1923:
1919:
1915:
1914:Hermann Hesse
1911:
1907:
1903:
1899:
1898:
1893:
1889:
1885:
1881:
1877:
1867:
1865:
1861:
1857:
1851:
1847:
1845:
1841:
1837:
1833:
1829:
1825:
1821:
1820:Wardrip-Fruin
1816:
1806:
1797:
1793:
1791:
1787:
1786:Falklands War
1783:
1782:
1777:
1773:
1763:
1760:
1759:
1754:
1751:
1746:
1744:
1743:
1735:
1732:
1728:
1724:
1720:
1713:
1711:
1706:
1702:
1699:In his essay
1697:
1695:
1690:
1689:
1684:
1678:
1676:
1675:Julián Marías
1672:
1671:Attilio Rossi
1665:
1661:
1659:
1655:
1648:
1646:
1645:
1640:
1639:
1638:Martín Fierro
1634:
1628:
1626:
1625:cause célèbre
1621:
1620:
1615:
1614:spoils system
1611:
1607:
1603:
1596:Anti-Peronism
1593:
1590:
1584:
1582:
1576:
1574:
1570:
1566:
1562:
1556:
1554:
1550:
1546:
1540:
1536:
1534:
1530:
1525:
1521:
1517:
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1499:
1497:
1493:
1489:
1484:
1479:
1477:
1473:
1468:
1466:
1461:
1457:
1452:
1448:
1444:
1440:
1436:
1426:
1423:
1422:Raúl Alfonsín
1419:
1415:
1411:
1407:
1397:
1395:
1394:Andrew Hurley
1391:
1387:
1386:
1381:
1377:
1366:
1364:
1358:
1356:
1351:
1346:
1343:
1339:
1335:
1327:
1323:
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1309:
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1277:
1268:
1266:
1262:
1257:
1255:
1251:
1247:
1243:
1239:
1238:
1233:
1230:, 1970), and
1229:
1225:
1221:
1217:
1216:
1211:
1206:
1204:
1197:, Paris, 1969
1196:
1191:
1187:
1185:
1181:
1177:
1173:
1169:
1165:
1161:
1157:
1156:
1151:
1150:
1144:
1140:
1136:
1132:
1131:
1125:
1123:
1122:
1117:
1113:
1112:
1101:
1092:
1090:
1085:
1083:
1079:
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1070:
1066:
1062:
1052:
1046:
1043:
1040:
1037:
1036:
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1031:
1028:
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1021:
1018:
1016:
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997:
993:
992:
987:
981:
979:
975:
970:
968:
962:
960:
956:
955:
950:
949:
944:
943:
937:
933:
932:Christmas Eve
924:
915:
913:
909:
904:
902:
901:
896:
892:
888:
883:
881:
877:
873:
869:
866:
862:
858:
854:
850:
849:
840:
836:
832:
828:
826:
822:
818:
817:phenomenology
814:
810:
806:
802:
797:
795:
791:
787:
786:
785:Martín Fierro
781:
777:
762:
758:
756:
752:
748:
744:
740:
736:
732:
728:
725:
721:
717:
716:
711:
707:
702:
700:
697:, Barcelona,
696:
692:
688:
684:
679:
675:
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666:
664:
659:
658:
653:
648:
646:
642:
637:
633:
629:
624:
622:
618:
613:
610:in 1861, and
609:
605:
601:
597:
592:
590:
586:
582:
578:
574:
559:
556:
552:
548:
544:
543:J. M. Coetzee
540:
536:
532:
531:
526:
522:
518:
514:
510:
505:
503:
499:
495:
491:
487:
483:
479:
474:
472:
468:
467:magic realist
464:
460:
456:
452:
448:
444:
440:
436:
432:
427:
417:
416:
409:
399:
398:
392:
388:
381:
375:
367:
366:
357:
330:
317:Recorded 1962
304:
295:
291:
286:
281:
274:
271:
269:(grandfather)
268:
265:
262:
259:
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253:
250:
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244:
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240:
238:
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230:
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223:
216:
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211:
208:
207:
203:
200:
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195:
192:
191:
187:
184:
183:
179:
178:
176:
174:Notable works
172:
168:
164:
158:
155:
152:
149:
146:
143:
140:
139:
138:
134:
131:
127:
118:
114:
111:
107:
93:
89:
82:
77:
70:
67:
63:
59:
55:
51:
44:
37:
33:
19:
8904:Anthologists
8693:Sergio Pitol
8669:Álvaro Mutis
8533:Luis Rosales
8490:
8354:Terry Brooks
8324:Ellen Datlow
8314:Susan Cooper
8288:Peter Straub
8280:Brian Lumley
8240:John Crowley
8224:Gahan Wilson
8220:Stephen King
8174:Hugh B. Cave
8168:Andre Norton
8033:
8022:Ray Bradbury
8016:Fritz Leiber
8010:Robert Bloch
7935:
7895:
7888:
7881:
7874:
7867:
7789:
7758:The Congress
7732:
7705:
7695:Borges and I
7683:
7589:The Dead Man
7582:The Immortal
7570:
7436:
7407:
7389:Bibliography
7379:
7293:
7282:Paris Review
7281:
7266:Open Library
7240:
7218:
7193:
7180:
7166:
7137:
7118:
7098:
7078:
7069:
7066:
7047:
7038:
7019:Paper Tigers
7018:
6997:
6977:
6958:
6937:
6915:
6887:
6861:
6836:
6816:
6795:
6777:
6773:
6749:
6729:
6711:
6707:
6696:
6692:
6685:
6667:
6648:
6627:
6604:
6583:
6564:
6556:
6549:
6543:Donato Grima
6526:
6506:
6486:
6467:
6448:
6429:
6412:
6393:
6372:
6350:
6328:
6305:
6282:
6259:
6238:
6218:
6204:
6198:
6189:
6176:
6168:
6163:
6153:
6146:
6138:
6123:
6118:
6110:
6105:
6080:
6076:
6070:
6058:. Retrieved
6048:
6041:Siete Noches
6040:
6035:
6019:
6014:
6002:
5993:
5987:
5970:
5964:
5952:. Retrieved
5948:the original
5943:
5933:
5921:. Retrieved
5919:(in Spanish)
5916:
5906:
5898:
5893:
5871:(4): 44–45.
5868:
5864:
5858:
5830:
5823:
5811:. Retrieved
5809:(in Spanish)
5806:
5796:
5784:. Retrieved
5780:
5771:
5756:
5730:cite journal
5705:
5701:
5692:
5664:
5659:
5634:
5630:
5620:
5605:
5586:
5580:
5571:
5561:
5553:
5548:
5533:
5525:
5502:
5497:
5485:. Retrieved
5479:
5469:
5457:
5449:
5444:
5436:
5427:
5404:
5399:
5386:
5377:
5370:
5357:
5338:
5332:
5320:
5312:
5292:
5284:
5277:
5269:
5264:
5256:
5251:
5240:
5232:
5224:
5219:
5194:
5186:
5171:
5166:
5154:
5139:
5135:
5128:Siete Noches
5127:
5122:
5117:, 1994, p. 2
5114:
5109:
5098:, retrieved
5094:the original
5088:
5082:
5067:
5047:. Retrieved
5043:
5033:
5021:
5009:
5001:
4978:
4962:
4954:
4949:
4941:
4936:
4918:(in Spanish)
4913:
4901:
4889:. Retrieved
4885:
4876:
4864:
4837:
4825:
4813:
4805:
4801:
4792:
4784:
4780:
4772:
4767:
4759:
4755:
4747:
4742:
4727:
4710:
4701:
4689:
4677:
4665:
4656:
4637:
4631:
4612:
4606:
4587:
4581:
4569:. Retrieved
4558:
4549:
4530:
4526:
4517:
4499:
4493:
4483:
4475:
4463:
4460:(in Spanish)
4455:
4445:14 September
4443:. Retrieved
4439:the original
4429:
4410:
4401:
4392:
4382:
4344:
4339:
4331:
4324:. Retrieved
4320:
4310:
4302:the original
4298:La República
4297:
4287:
4280:
4275:
4267:
4262:
4250:. Retrieved
4245:
4236:
4216:
4209:
4193:
4181:. Retrieved
4177:the original
4166:
4154:. Retrieved
4151:the Guardian
4150:
4140:
4128:. Retrieved
4124:
4115:
4103:. Retrieved
4099:
4074:. Retrieved
4071:the Guardian
4070:
4032:
4029:Books Abroad
4028:
4022:
3989:
3985:
3975:
3943:(1): 55–80.
3940:
3936:
3926:
3914:. Retrieved
3911:The Guardian
3910:
3900:
3888:. Retrieved
3884:the original
3879:
3870:
3862:
3857:
3848:
3839:
3824:
3819:
3811:
3806:
3786:
3779:
3767:. Retrieved
3763:
3754:
3745:
3740:
3708:
3704:
3700:
3693:Seven Nights
3692:
3687:
3675:. Retrieved
3665:
3657:
3656:Woodall, J:
3652:
3644:
3636:
3631:. MIT Press.
3628:
3623:
3611:. Retrieved
3601:
3580:
3572:
3563:
3553:
3542:
3538:
3533:
3522:
3517:
3508:
3500:
3495:
3483:. Retrieved
3473:
3455:
3450:
3423:
3417:
3392:
3384:
3368:
3362:
3354:
3349:
3334:
3331:Harold Bloom
3326:
3317:
3253:
3246:
3235:
3222:
3214:
3209:
3197:
3190:Porto Alegre
3185:
3177:
3168:
3155:
3147:
3142:
3128:
3117:
3107:
3099:
3084:
3061:
3052:
3037:
3033:
2998:
2990:
2985:
2977:
2968:
2961:baccalauréat
2960:
2957:baccalauréat
2956:
2952:
2947:
2939:
2935:
2930:
2912:Schopenhauer
2904:Denis Dutton
2901:
2896:
2892:
2888:
2884:
2879:
2869:
2863:
2847:
2845:
2823:
2817:
2799:
2762:
2758:
2742:
2719:
2683:
2677:
2655:
2639:
2626:
2618:
2614:
2612:
2595:
2590:
2587:
2580:
2575:
2569:
2556:, a poem by
2551:
2549:
2537:
2516:
2511:
2499:
2488:
2484:
2481:
2471:
2462:
2444:" and cites
2442:Ray Bradbury
2425:
2416:
2395:
2383:
2379:
2361:
2353:The Immortal
2330:
2324:Monument in
2293:Pablo Neruda
2286:
2275:
2263:
2258:
2252:
2242:
2224:
2216:
2202:
2196:
2194:
2190:Buenos Aires
2188:Monument in
2169:
2165:
2157:
2153:
2151:
2146:
2142:
2132:
2122:
2118:
2112:
2104:
2098:
2087:
2081:(1978) with
2078:
2073:
2067:
2062:
2056:
2051:
2045:
2040:
2034:
2029:
2023:
2013:
2004:
1998:
1993:
1987:
1974:
1968:(1965) with
1965:
1947:
1930:Walt Whitman
1895:
1873:
1852:
1848:
1840:Harold Bloom
1818:
1803:
1794:
1789:
1779:
1769:
1756:
1747:
1740:
1737:
1715:
1705:police state
1700:
1698:
1686:
1680:
1667:
1662:
1650:
1642:
1636:
1630:
1617:
1599:
1585:
1577:
1573:Adolf Hitler
1558:
1548:
1542:
1537:
1512:Adolf Hitler
1505:
1502:Anti-fascism
1483:Pablo Neruda
1480:
1476:single party
1471:
1469:
1465:Estela Canto
1432:
1403:
1383:
1372:
1359:
1350:liver cancer
1347:
1331:
1302:María Kodama
1299:
1295:
1291:Pope Francis
1288:
1282:at the 2010
1280:María Kodama
1258:
1253:
1249:
1246:Seven Nights
1245:
1242:Siete noches
1241:
1235:
1231:
1227:
1223:
1213:
1209:
1207:
1200:
1168:Balzan Prize
1153:
1147:
1139:Commendatore
1138:
1128:
1126:
1119:
1109:
1106:
1086:
1064:
1060:
1058:
1050:
1029:
1024:
1019:
1014:
1004:
996:Days of Hate
995:
991:Días de odio
989:
982:
977:
973:
971:
963:
958:
952:
946:
941:
929:
918:Later career
911:
905:
898:
894:
890:
886:
884:
879:
865:nom de plume
864:
846:
844:
798:
793:
789:
783:
779:
774:doctrine of
772:
746:
743:Walt Whitman
713:
703:
683:baccalauréat
671:
667:
662:
655:
649:
645:Norah Borges
631:
625:
612:Los Corrales
595:
593:
573:Buenos Aires
570:
534:
528:
506:
478:Buenos Aires
475:
425:
407:
328:
327:
255:Norah Borges
212:
204:
196:
188:
180:
121:(1986-06-14)
119:14 June 1986
106:Buenos Aires
66:
61:
57:
50:Spanish name
9094:Haiku poets
9034:Blind poets
8854:1986 deaths
8849:1899 births
8705:Juan Gelman
8640:José Hierro
8527:Octavio Paz
8304:Alan Garner
8270:Ellen Asher
8230:Tom Doherty
8128:Edd Cartier
8122:Ray Russell
8098:Jack Finney
8046:C. L. Moore
7861:Other works
7801:Blue Tigers
7685:Dreamtigers
7400:collections
7398:short story
7311:Theo Verbey
7294:In our time
6750:With Borges
6220:the spines.
5923:2 September
5100:3 September
4891:13 February
4156:10 February
4130:10 February
4105:10 February
4076:10 February
3992:(2): 8–10.
3645:With Borges
3501:Dreamtigers
2978:With Borges
2836:Mathematics
2829:Paul de Man
2814:James Joyce
2690:Anglo-Saxon
2603:Shakespeare
2422:Franz Kafka
2243:The story "
2209:David Viñas
2174:"Instantes"
1944:Discography
1918:Franz Kafka
1884:Oscar Wilde
1876:Old English
1644:Don Segundo
1492:Nationalist
1418:Six-Day War
1342:Catholicism
1184:Konex Award
720:avant-garde
691:World War I
663:El caudillo
652:Oscar Wilde
632:El caudillo
492:and public
147:philosopher
130:Switzerland
9214:Sonneteers
8838:Categories
8782:Ida Vitale
8711:Juan Marsé
8378:Jack Zipes
8318:Tanith Lee
8274:Jane Yolen
8152:Gene Wolfe
8076:Jack Vance
8058:Roald Dahl
7948:Pedro Mata
7890:Labyrinths
7307:De Peryton
6779:Cencrastus
5865:Diacritics
5813:9 November
5786:9 November
5708:(1): 126.
5554:Labyrinths
5049:6 December
3677:4 December
3613:3 December
3525:, 155(5).
3076:References
2876:Philosophy
2856:set theory
2783:Influences
2715:redemption
2489:Labyrinths
2472:Labyrinths
2458:Gene Wolfe
2418:John Clute
2382:". In the
2259:La Intrusa
2213:Noé Jitrik
2198:criollismo
2119:El matrero
2091:– 8569/70
2046:El Budismo
1910:André Gide
1897:Prose Edda
1886:'s story "
1731:Alexandria
1602:Juan Perón
1581:Blitzkrieg
1516:Nazi Party
1435:Spencerian
1155:Labyrinths
805:Juan Rulfo
724:Modernismo
636:Entre Ríos
486:surrealist
435:labyrinths
206:Labyrinths
150:translator
136:Occupation
99:1899-08-24
9119:Lecturers
8914:Aphorists
7830:Yo, Judío
7744:The Other
7673:The Aleph
7638:The Zahir
7610:Emma Zunz
7572:The Aleph
7560:The South
7438:Ficciones
6788:0264-0856
6720:0278-7261
6152:" -nº 19
6150:en Borges
6060:26 August
5954:24 August
5917:Diario AS
5722:1678-3549
5651:2255-520X
5487:3 January
4957:, p. 410.
4775:, p. 211.
4762:, p. 201.
4279:"Fanny",
4006:0003-5769
3967:193238162
3959:1708-2188
3769:1 January
3485:24 August
3066:MIT Press
2806:Symbolism
2802:Modernism
2788:Modernism
2694:Old Norse
2403:The Zahir
2337:The Aleph
2266:Emma Zunz
2057:La Cabala
1880:Old Norse
1828:Cervantes
1781:La Nación
1776:Dirty War
1719:Coleridge
1633:caudillos
1589:archetype
1520:Yo, Judío
1376:Gallimard
1334:afterlife
1162:from the
1149:Ficciones
986:Emma Zunz
967:hypertext
876:Balvanera
825:Heidegger
715:The Golem
685:from the
606:in 1859,
551:modernism
490:librarian
455:mythology
426:The Aleph
397:Ficciones
283:Signature
236:Relatives
190:Ficciones
159:librarian
110:Argentina
7904:El Golem
7772:The Disk
7659:The Wait
7396:Original
6421:65-10764
6154:Espéculo
6148:Mauthner
6056:. GoBase
6043:, p. 156
6039:Borges,
5850:35792375
5259:(p. 104)
4929:original
4771:Borges,
4750:, p 200.
4567:. Clarín
4418:Archived
4326:30 April
4049:40125492
3711:, 1974;
3609:. enotes
3442:65768057
3104:"Borges"
3008:Faulkner
3004:Melville
2936:Ferriera
2908:Berkeley
2709:", and "
2668:football
2583:magazine
2524:Browning
2390:bestiary
2355:", and "
2225:Contorno
2217:Contorno
2204:Contorno
2105:El Hogar
1978:– 20291
1966:El Tango
1954:Buddhism
1856:idealism
1824:Montfort
1553:Hercules
1514:and the
1472:El Hogar
1306:Paraguay
1141:and the
912:El Hogar
776:Ultraism
739:Imagists
727:Ultraist
617:Portugal
494:lecturer
476:Born in
461:and the
447:archives
443:infinity
415:El Aleph
408:Fictions
370:Spanish:
257:(sister)
251:(father)
245:(mother)
198:El Aleph
166:Language
48:In this
7914:Related
7751:Ulrikke
7546:The End
6156:(UCM):
6097:3726707
6054:"El Go"
5807:Infobae
5268:Borges
5255:Borges
4923:at the
4571:3 April
4485:The Age
4464:El País
4246:infobae
4183:1 April
3890:13 July
3643:(2006)
3333:(2004)
3068:, 2003.
3034:Crítica
2976:(2006)
2916:Spinoza
2808:. Like
2754:slavery
2726:Uruguay
2685:criollo
2663:Arabian
2635:Uruguay
2627:criollo
2591:payadas
2500:Quixote
2376:gauchos
2251:" from
2249:Ulrikke
1976:Polydor
1788:called
1545:Erigena
1524:pogroms
1451:Marxism
1449:and to
1195:L'Hôtel
1089:Braille
942:Quixote
891:Crítica
821:Husserl
722:, anti-
699:Majorca
585:criollo
577:Palermo
463:fantasy
451:mirrors
424:
421:transl.
406:
403:transl.
169:Spanish
62:Acevedo
54:surname
8821:2023:
8815:2022:
8809:2021:
8803:2020:
8786:2019:
8780:2018:
8774:2017:
8768:2016:
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