56:
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532:
155:
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453:, released in 1959, Gilberto consolidated the bossa nova as a new style of playing samba. His innovative way of playing and singing samba, combined with the harmonies of Antônio Carlos Jobim and the lyrics of Vinicius de Moraes, found immediate resonance among musicians who were looking for new approaches to samba in Rio de Janeiro, many of them were influenced by American
439:", which were accompanied by João Gilberto's guitar. It was the first time that the Bahian musician presented the beat of his guitar that would become characteristic of the style. By accompanying Cardoso's voice, Gilberto innovated in the way of pacing the rhythm, accentuating the weak times, to carry out a synthesis of the beat of samba to guitar.
559:, and applied it to the picking hand. According to Brazilian musician Paulo Bittencourt, João Gilberto, known for his eccentricity and obsessed by the idea of finding a new way of playing the guitar, sometimes locked himself in the bathroom, where he played one and the same chord for many hours in a row.
697:
that corresponded to the music. It was introduced in the late 1950s and faded out in the mid-sixties. Bossa nova music, with its soft, sophisticated vocal rhythms and improvisations, is well suited for listening but failed to become dance music despite heavy promotion in the 1960s. The style of basic
638:
carries through to bossa nova (to the degree that it is often notated in 2/4 time). However, unlike samba, bossa nova has no dance steps to accompany it. When played on the guitar, in a simple one-bar pattern, the thumb plays the bass notes on 1 and 2, while the fingers pluck the chords in unison on
1487:
refers to the mixed-race population (Indians or
Africans 'imported' to the region during the slave era, and Europeans) who generally live along the Amazon's riverbanks." From "Two Cases on Participatory Municipal Planning on natural-resource management in the Brazilian Amazon", by GRET – Groupe de
376:("Today. Sylvia Telles and a 'Bossa Nova' group"), since Sylvia Telles was the most famous musician in the group at that time. In 1959, Nara Leão also participated in more than one embryonic display of bossa nova. These include the 1st Festival de Samba Session, conducted by the student union of
190:
structures since the early 1920s, indicating a case of parallel evolution of styles rather than a simple transference from jazz to bossa nova. Nevertheless, bossa nova was influenced by jazz, both in the harmonies used and also by the instrumentation of songs, and today many bossa nova songs are
669:
The lyrical themes found in bossa nova include women, love, longing, homesickness, nature. Bossa Nova was often apolitical. The musical lyrics of the late 1950s depicted the easy life of the middle to upper-class
Brazilians, though the majority of the population was in the working class. In
947:"The center of bossa nova remains, as for samba and subgenre of jazz, the song. Its intuition is lyrical and, even in the most sophisticated products, demands that one believes in a kind of spontaneity. Jazz, whose fundamental intuition is of a technical nature, privileges the chord".
647:
describes it in his song "Influência do Jazz", the samba rhythm moves "side to side" while jazz moves "front to back". There's also some evidence indicating a musical influence of blues in bossa nova, even thought this effect is not immediately recognized in the genre structure.
656:
Aside from the guitar style, João
Gilberto's other innovation was the projection of the singing voice. Prior to bossa nova, Brazilian singers employed brassy, almost operatic styles. Now, the characteristic nasal vocal production of bossa nova is a peculiar trait of the
442:
In 1959, João
Gilberto's bossa album was released, containing the tracks "Chega de Saudade" and "Bim Bom". Considered the landmark of the birth of bossa nova, it also featured Gilberto's innovative way of singing samba, which was inspired by
181:
band. Another defining characteristic of the style is the use of unconventional chords in some cases with complex progressions and "ambiguous" harmonies. A common misconception is that these complex chords and harmonies were derived from
698:
dance steps suited the music well. It was danced on "soft" knees that allowed for sideways sways with hip motions and it could be danced both solo and in pairs. About ten various simple step patterns were published.
615:
721:
could be fitted with bossa-nova styling. Embellishments included placing one arm onto one's own belly and waving another arm at waist level in the direction of the sway, possibly with a finger click.
156:
551:. Even in larger, jazz-like arrangements for groups, there is almost always a guitar that plays the underlying rhythm. Gilberto basically took one of the several rhythmic layers from a
643:
into the second measure. Syncopation is a common feature of bossa nova, giving it its distinct "swaying" motion, contrasting with the "swinging" feel of jazz. As bossa nova composer
510:
has stated that he was very influenced by the sounds of Brazil when coming up with the drum part for the song. A more recent reference is the
Icelandic jazz pop singer
1716:
591:, which plays a steady sixteenth-note pattern. These parts are easily adaptable to the drum set, which makes bossa nova a rather popular Brazilian style for drummers.
701:
A variant of basic 8-beat pattern was: "step forward, tap, step back, step together, repeat from the opposite foot". A variation of this pattern was a kind of slow
1742:
566:
A basic bossa nova guitar rhythm for a C major chord. Note the syncopation in the chord's rhythm and the sixth and ninth added to the C major for a richer sound.
177:
rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a
1929:
332:
was already in use in the 1950s by musicians as a word to characterize someone's knack for playing or singing idiosyncratically. Castro claims that the term
2220:
1498:
2474:
2469:
682:, a musical genre that appeared around the mid-1960s, featuring lyrics that were more politically charged and focused on the working class struggle.
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587:
but is dissimilar in that the "two" side of the clave is pushed by an eighth note. Also important in the percussion section for bossa nova is the
2369:
815:
2437:
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1564:
2328:
1664:
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495:. In the 1960s, US jazz artists such as Stan Getz, Hank Mobley, Zoot Sims, Paul Winter and Quincy Jones recorded bossa jazz albums.
579:
plays an ostinato figure on the downbeat of beat one, the "ah" of beat one, the downbeat of beat two and the "ah" of beat two. The
786:
2213:
634:. Samba combines the rhythmic patterns and feel originating in afro-Brazilian slave communities. Samba's emphasis on the second
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1697:
1864:
379:
639:
the two eighth notes of beat one, followed by the second sixteenth note of beat two. Two-measure patterns usually contain a
499:
823:
2918:
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1322:
463:
album. Then, it emerged an artistic movement around
Gilberto and other professional artists such as Jobim, Moraes and
1878:
1810:
1141:
1092:
498:
Bossa nova has continue to influence popular music around the world from the 1960s to today. An example is the song "
308:
remained unclear for many decades, according to some authors. Within the artistic beach culture of the late 1950s in
1155:
271:
is old-fashioned slang for something done with particular charm, natural flair or innate ability. As early as 1932,
1759:
807:
1894:
2004. Stampa
Alternativa-Nuovi Equilibri. Preface by Sergio Bardotti; afterword by Milton Nascimento. (in Italian)
671:
547:. Its purest form could be considered unaccompanied guitar with vocals, as created, pioneered, and exemplified by
210:, the bossa nova was one of the "three rhythmic phases of samba", in which the "bossa beat" had been extracted by
1936:
1828:
1417:
2923:
350:
is attributed to the then-young journalist Moyses Fuks, who was promoting the event. That group consisted of
195:. The increase in popularity of bossa nova has helped to renew samba and contributed to the modernization of
2405:
2449:
1398:
677:
226:; the index, middle and ring fingers phrased like a tamborim. In line with this thesis, musicians such as
2903:
1541:
1523:
468:
108:
31:
2913:
912:
753:
599:
Certain other instrumentations and vocals are also part of the structure of bossa nova. These include:
419:
2729:
2251:
492:
17:
1904:
370:, and others. Mr Fuks's description, fully supported by most of the bossa nova members, simply read
302:, translated literally, means "new trend" or "new wave" in Portuguese. The exact origin of the term
745:
464:
449:
227:
64:
2177:
1680:
702:
1136:. 2000. 1st English language edition. A Capella Books, an imprint of Chicago Review Press, Inc.
797:
428:
222:" of samba, a stylization produced from one of the percussion instruments: the thumb stylized a
202:
One of the major innovations of bossa nova was the way to synthesize the rhythm of samba on the
2851:
2323:
714:
38:
2533:
1986:
1821:
Il popolo del samba, La vicenda e i protagonisti della storia della musica popolare brasiliana
1805:
2000. 1st
English language edition. A Capella Books, an imprint of Chicago Review Press, Inc.
918:
1779:
1373:
853:
583:
pattern sounds very similar to the two-three or three-two son clave of Cuban styles such as
417:
was the dominant rhythm in the
Brazilian music scene. Its first appearance was on the album
2464:
2425:
1105:
849:," The morning of the carnival–Luiz Bonfa (1959), From Film "Black Orpheus" (Orpheu Negro)
846:
410:
8:
2908:
2841:
2795:
2764:
2721:
1823:, Preface by Chico Buarque de Hollanda, Introduction by Gianni Minà, RAI-ERI, Rome 2005,
1565:"TikTok jazz sensation Laufey: 'It's no longer about genre, it's about feeling and mood'"
1180:
670:
conjunction with political developments of the early 1960s (especially the 1964 military
149:
2296:
55:
2172:
1466:
956:
A slower tempo samba featured by a dominance of the melodic line over the main rhythmic
718:
491:& Brazil 66 gained a bossa rock hit "Mas que Nada" in 1966. It was inducted to the
432:
60:
531:
235:
2782:
2607:
2545:
2291:
2064:
1998:
1905:"It's 20 years ago bossa nova was released to the world at Carnegie Hall in New York"
1874:
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1824:
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414:
2790:
2689:
2658:
2653:
2648:
2528:
2142:
2111:
2106:
2101:
1981:
1892:
Canto Latino: Origine, Evoluzione e
Protagonisti della Musica Popolare del Brasile.
1833:
1816:
1717:"Gravação de 'Chega de Saudade' foi um parto, mas elevou à eternidade som sem nome"
1458:
540:
476:
436:
367:
231:
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735:
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2374:
2273:
2238:
2198:
2126:
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2003:
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Desafinado: dissonâncias nos discursos acerca da influência do Jazz na Bossa Nova
1109:
868:
857:
562:
511:
424:
207:
196:
94:
1702:(Master) (in Brazilian Portuguese). Uberlândia: Federal University of Uberlândia
1622:(in Brazilian Portuguese) (2ª ed.). Rio de Janeiro: Civilização Brasileira.
2856:
2318:
2313:
2054:
1922:
1121:
Origin and Etymology: Portuguese, literally, 'new trend'. First Known Use: 1962
864:
580:
552:
515:
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309:
166:
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1351:
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1449:
McCann, Bryan (2007). "Blues and Samba: Another Side of Bossa Nova History".
1428:
1327:
889:
761:
584:
507:
459:
405:
392:
351:
192:
2481:
776:
281:"O samba, a prontidão e outras bossas são nossas coisas, são coisas nossas."
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2008:
1993:
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A voz na canção popular brasileira: um estudo sobre a Vanguarda Paulista
363:
338:
might have first been used in public for a concert given in 1957 by the
318:
was used to refer to any new "trend" or "fashionable wave". In his book
2805:
2800:
2772:
2612:
2581:
2395:
2390:
2352:
2069:
2034:
1871:
The Brazilian Sound: Samba, Bossa Nova and the Popular Music of Brazil.
1839:
323:
122:
1374:"Laufey Crafts a Bossa Nova-Infused Love Triangle in "From The Start""
2739:
1631:(in Brazilian Portuguese) (1ª ed.). São Paulo: Atelie Editorial.
766:
694:
607:
503:
272:
2744:
1803:
Bossa Nova: The Story of the Brazilian Music That Seduced the World.
1647:
Uma história da música popular brasileira: das origens à modernidade
413:, "The Morning of the Carnival". The style emerged at the time when
2513:
1966:
1604:(in Brazilian Portuguese) (1ª ed.). São Paulo: Martins Fontes.
1134:
Bossa Nova: The Story of the Brazilian Music That Seduced the World
706:
556:
239:
219:
2410:
1156:"BLOG DA TOCA: 000026 - MOYSÉS FUKS na CALÇADA da FAMA de IPANEMA"
344:('Hebrew University Group of Brazil'). The authorship of the term
2754:
2591:
2301:
2246:
2044:
1856:
1638:
Enciclopédia da música brasileira - erudita, folclórica e popular
658:
467:, among others, which attracted young amateur musicians from the
243:
130:
2734:
1681:"Gêneros na canção popular: os casos do samba e do samba-canção"
1399:"What is bossa nova? Musician Paulo Bittencourt tells the story"
238:
also understand the bossa nova beat as being extracted from the
2523:
2258:
1976:
1613:(in Brazilian Portuguese) (1ª ed.). São Paulo: Editora 34.
1280:
1278:
710:
627:
588:
259:
170:
2820:
2491:
2415:
2400:
2263:
1945:
923:
897:
631:
576:
223:
162:
89:
79:
1691:(27). Uberlândia: Federal University of Uberlândia: 121–132.
1275:
2810:
1640:(in Brazilian Portuguese) (1ª ed.). São Paulo: Art Ed.
1488:
Recherche et d'Échanges Technologiques, France (in English)
1302:
454:
183:
84:
1760:"João Gilberto, an Architect of Bossa Nova, Is Dead at 88"
1038:
1036:
539:
Bossa nova is most commonly performed on the nylon-string
1914:
1813:
First published in Brasil by Companhia das Letras. 1990.
1290:
1210:
1144:
First published in Brasil by Companhia das Letras (1990)
705:
walk, with "step together" above replaced by "replace".
1033:
1021:
214:
from the traditional samba. The synthesis performed by
409:(Orfeu Negro) was released, which included the future
1885:
Masters of Contemporary Brazilian Song: MPB 1965–1985
1734:
Bim Bom: a contradição sem conflitos de João Gilberto
1323:"As 100 Maiores Músicas Brasileiras – "Mas que Nada""
1263:
1251:
1241:
1239:
1237:
1011:
1009:
969:
1222:
1055:
1053:
1051:
879:
1198:
1065:
457:. In 1964 João Gilberto and Stan Getz released the
186:, but samba guitar players have been using similar
2228:
1736:(in Brazilian Portuguese). São Paulo: Paz e Terra.
1234:
1006:
1743:"Batucada do samba cabia na mão de João Gilberto"
1674:(in Brazilian Portuguese) (34). São Paulo: 63–70.
1649:(in Brazilian Portuguese). São Paulo: Editora 34.
1048:
996:
994:
992:
990:
988:
986:
984:
2895:
1085:Revisiting music theory: a guide to the practice
769:(recorded 18 & 19 March 1963, released 1964)
724:
675:
674:), the popularity of bossa nova was eclipsed by
377:
371:
345:
339:
333:
327:
313:
303:
297:
287:
279:
266:
1665:"João Gilberto e a Utopia Social da Bossa Nova"
395:), a law student whom Leão ultimately married.
165:developed in the late 1950s and early 1960s in
2499:
1656:O cancionista: composição de canções no Brasil
981:
2214:
1930:
543:, played with the fingers rather than with a
1873:1998. 2nd edition. Temple University Press.
1658:(in Brazilian Portuguese). São Paulo: Edusp.
1353:The Story of "Break on Through" by The Doors
37:"Bossa" redirects here. For other uses, see
1745:(in Brazilian Portuguese). Folha de S.Paulo
1719:(in Brazilian Portuguese). Folha de S.Paulo
1154:Afonso, Carlos Alberto (20 February 2010).
816:The Wonderful World of Antônio Carlos Jobim
373:"HOJE. SYLVIA TELLES E UM GRUPO BOSSA NOVA"
2221:
2207:
1937:
1923:
1887:. Austin: University of Texas Press, 1989.
1617:
1308:
1042:
1027:
54:
1644:
1635:
1284:
1216:
1801:Castro, Ruy (transl. by Lysa Salsbury).
1696:Silva, Rafael Mariano Camilo da (2017).
1618:Lopes, Nei; Simas, Luiz Antonio (2015).
1599:
1132:Castro, Ruy (transl. by Lysa Salsbury).
606:
561:
530:
253:
1757:
1636:Marcondes, Marcos Antônio, ed. (1977).
1627:Machado, Regina Stela Barcelos (2011).
1626:
1396:
1257:
1015:
661:folk tradition of northeastern Brazil.
611:Basic bossa nova accompaniment pattern
602:
570:
518:", with its bossa nova infused rhythm.
173:. It is mainly characterized by a calm
14:
2896:
1869:McGowan, Chris and Pessanha, Ricardo.
1842:: musiche, contaminazioni e ritmi del
1740:
1731:
1714:
1620:Dicionário da História Social do Samba
1608:
1448:
1415:
1269:
1245:
1153:
1071:
1059:
341:Grupo Universitário Hebraico do Brasil
2202:
1918:
1695:
1678:
1662:
1653:
1562:
1418:"Step one, pour yourself a drink ..."
1296:
1228:
1204:
975:
787:Luiz Bonfá Plays and Sings Bossa Nova
427:recorded two compositions by the duo
292:are our things, are things from us.")
148:
2490:
1782:(in Brazilian Portuguese). EBC. 2018
1600:Carvalho, Hermínio Bello de (1986).
1524:"Introduction to Bossa Nova Dancing"
664:
506:, especially the drum beat. Drummer
500:Break on Through (To the Other Side)
403:In 1959, the soundtrack to the film
1778:
1320:
1000:
535:Jarkko Toivonen performing in 1993.
526:
24:
1795:
218:'s guitar was a reduction of the "
25:
2935:
1898:
1679:Matos, Cláudia Neiva de (2015) .
1663:Mammi, Lorenzo (November 1992).
896:
882:
808:The Composer of Desafinado Plays
380:Pontifícia Universidade Católica
1741:Garcia, Walter (22 July 2019).
1611:Dorival Caymmi: o mar e o tempo
1556:
1534:
1516:
1491:
1477:
1442:
1409:
1390:
1366:
1344:
1314:
1173:
1147:
1126:
1098:
950:
1911:magazine, 1982 (in Portuguese)
1077:
941:
811:(recorded 9 & 10 May 1963)
521:
384:. This session was chaired by
13:
1:
1563:Kalia, Ammar (3 March 2024).
1416:Collin, Mark (26 June 2008).
963:
725:Notable bossa nova recordings
626:Bossa nova has at its core a
286:("Samba, readiness and other
1758:Ratliff, Ben (6 July 2019).
594:
249:
206:. According to musicologist
7:
1715:Castro, Ruy (9 July 2018).
1687:(in Brazilian Portuguese).
875:
32:Bossa nova (disambiguation)
10:
2940:
1593:
1106:"Definition of Bossa Nova"
913:Blame It on the Bossa Nova
754:O Amor, o Sorriso e a Flor
398:
275:used the word in a samba:
36:
29:
2919:Brazilian styles of music
2875:
2834:
2781:
2763:
2720:
2682:
2636:
2629:
2600:
2564:
2506:
2450:Música popular brasileira
2272:
2237:
2165:
2135:
2089:
2082:
2053:
2017:
1959:
1952:
1944:
1645:Severiano, Jairo (2009).
1528:www.heritageinstitute.com
790:(recorded December, 1962)
729:
678:Música popular brasileira
676:
651:
493:Latin Grammy Hall of Fame
378:
340:
146:Portuguese pronunciation:
115:
111:of Rio de Janeiro, Brazil
103:
72:
53:
48:
1083:Blatter, Alfred (2007).
934:
839:
685:
502:" by American rock band
161:) is a relaxed style of
27:Style of Brazilian music
2178:Helsinki Samba Carnaval
1780:"60 anos de Bossa Nova"
1766:(published 6 July 2019)
1732:Garcia, Walter (1999).
1609:Caymmi, Stella (2001).
1542:"The Girl From Ipanema"
2565:Fusion genres of Samba
2324:Brazilian thrash metal
1309:Lopes & Simas 2015
1185:bossanova.folha.com.br
1043:Lopes & Simas 2015
1028:Lopes & Simas 2015
623:
567:
536:
479:, Ronaldo Bôscoli and
423:, in which the singer
372:
346:
334:
328:
314:
304:
298:
288:
280:
267:
262:
67:at the Teatro da Praia
39:Bossa (disambiguation)
2862:São Tomé and Príncipe
2475:Música Sertaneja Raiz
1994:Samba de partido-alto
1463:10.1353/lbr.2008.0005
1451:Luso-Brazilian Review
915:" – Eydie Gorme, 1963
854:The Girl From Ipanema
610:
565:
534:
420:Canção do Amor Demais
257:
2924:1960s in Latin music
1883:Perrone, Charles A.
1672:Novos Estudos Cebrap
1654:Tatit, Luiz (1996).
1397:Bittencourt, Paulo.
798:Antônio Carlos Jobim
603:Bossa nova and samba
571:Drums and percussion
429:Antônio Carlos Jobim
265:In Brazil, the word
150:[ˈbɔsɐˈnɔvɐ]
30:For other uses, see
2231:Lusophone countries
1855:, Logisma Editore,
1602:Mudando de Conversa
1287:, pp. 106–107.
555:, specifically the
483:. Jorge Ben wrote "
435:, "Outra Vez" and "
388:(later a prominent
322:, Brazilian author
2904:Samba music genres
2173:Brazilian Carnival
2018:Main fusion genres
1907:by Rénato Sergio,
1851:, Introduction by
1764:The New York Times
1503:Grove Music Online
1299:, p. 133-137.
719:nightclub two step
624:
568:
537:
514:and her hit song "
433:Vinicius de Moraes
263:
61:Vinicius de Moraes
2914:Culture of Brazil
2891:
2890:
2716:
2715:
2712:
2711:
2708:
2707:
2625:
2624:
2621:
2620:
2608:Samba de Gafieira
2292:Brazilian hip hop
2252:Batidão romântico
2196:
2195:
2161:
2160:
2078:
2077:
2065:Samba de Gafieira
1865:978-88-97530-88-6
1834:De Stefano, Gildo
1817:De Stefano, Gildo
1311:, pp. 46–47.
978:, pp. 63–64.
847:Manhã de Carnaval
665:Themes and lyrics
575:As in samba, the
469:South Zone of Rio
411:Manhã de Carnaval
139:
138:
73:Stylistic origins
16:(Redirected from
2931:
2791:Cante Alentejano
2634:
2633:
2627:
2626:
2534:Pagode romântico
2504:
2503:
2497:
2496:
2488:
2487:
2446:
2378:
2349:
2337:
2297:Brasília hip hop
2223:
2216:
2209:
2200:
2199:
2087:
2086:
2057:
1987:Pagode romântico
1957:
1956:
1939:
1932:
1925:
1916:
1915:
1890:Mei, Giancarlo.
1791:
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746:Chega de Saudade
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541:classical guitar
527:Classical guitar
477:Roberto Menescal
450:Chega de Saudade
437:Chega de Saudade
383:
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368:Roberto Menescal
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232:Roberto Menescal
204:classical guitar
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116:Derivative forms
104:Cultural origins
58:
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2826:Portuguese rock
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2551:Samba de breque
2500:Rio urban samba
2486:
2460:Sertanejo music
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2197:
2192:
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2131:
2074:
2055:
2049:
2013:
2009:Samba de enredo
2004:Samba de breque
1953:Rio urban samba
1948:
1943:
1901:
1798:
1796:Further reading
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1378:onestowatch.com
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1321:Azevedo, Zeca.
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1110:Merriam-Webster
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858:Astrud Gilberto
842:
819:(recorded 1965)
757:(recorded 1960)
749:(recorded 1959)
732:
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688:
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613:
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573:
529:
524:
487:" in 1963, and
425:Elizeth Cardoso
401:
252:
236:Ronaldo Bôscoli
208:Gilberto Mendes
197:Brazilian music
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2601:Ballroom dance
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2507:Main subgenres
2501:
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2470:Música Caipira
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2319:Brazilian rock
2316:
2314:Brazilian jazz
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2056:Ballroom dance
2051:
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2048:
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2037:
2032:
2027:
2021:
2019:
2015:
2014:
2012:
2011:
2006:
2001:
1996:
1991:
1990:
1989:
1984:
1974:
1969:
1963:
1961:
1960:Main subgenres
1954:
1950:
1949:
1942:
1941:
1934:
1927:
1919:
1913:
1912:
1900:
1899:External links
1897:
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1313:
1301:
1289:
1285:Marcondes 1977
1274:
1272:, p. 377.
1262:
1250:
1233:
1231:, p. 130.
1221:
1219:, p. 273.
1217:Severiano 2009
1209:
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865:From the Start
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569:
553:samba ensemble
528:
525:
523:
520:
516:From The Start
447:. With the LP
445:Dorival Caymmi
400:
397:
386:Carlos Diegues
310:Rio de Janeiro
294:
293:
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251:
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193:jazz standards
167:Rio de Janeiro
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2852:Guinea-Bissau
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2690:Bahian pagode
2688:
2687:
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2670:
2667:
2665:
2662:
2660:
2659:Samba de roda
2657:
2655:
2654:Samba-corrido
2652:
2650:
2649:Samba-chulado
2647:
2645:
2642:
2641:
2639:
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2628:
2614:
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2529:Bahian pagode
2527:
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2307:Vigilante rap
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2201:
2189:
2188:Samba de roda
2186:
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2176:
2174:
2171:
2170:
2168:
2164:
2154:
2151:
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2143:Bahian pagode
2141:
2140:
2138:
2134:
2128:
2125:
2123:
2120:
2118:
2115:
2113:
2112:Samba de roda
2110:
2108:
2107:Samba-corrido
2105:
2103:
2102:Samba-chulado
2100:
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1982:Bahian pagode
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1879:1-56639-545-3
1876:
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1862:
1858:
1854:
1850:
1849:Chico Buarque
1847:, Preface by
1846:
1845:
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1835:
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1818:
1815:
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1811:1-55652-409-9
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1544:. OldieLyrics
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1328:Rolling Stone
1324:
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1279:
1271:
1266:
1260:, p. 36.
1259:
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1218:
1213:
1207:, p. 23.
1206:
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1142:1-55652-409-9
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1093:0-415-97440-2
1090:
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1080:
1074:, p. 21.
1073:
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1056:
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1052:
1045:, p. 48.
1044:
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1030:, p. 46.
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890:Brazil portal
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762:Getz/Gilberto
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736:João Gilberto
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549:João Gilberto
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508:John Densmore
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489:Sérgio Mendes
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19:
2816:Hip hop tuga
2700:Samba reggae
2674:Samba-raiado
2669:Samba junino
2644:Samba-batido
2630:Bahian samba
2587:Samba reggae
2556:Samba-enredo
2546:Samba-canção
2541:Partido alto
2518:
2370:Electrobrega
2183:Samba school
2166:Other topics
2153:Samba reggae
2127:Samba-raiado
2122:Samba junino
2097:Samba-batido
2083:Bahian samba
2040:Samba reggae
1999:Samba-canção
1971:
1908:
1891:
1884:
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1786:18 September
1784:. Retrieved
1768:. Retrieved
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1580:. Retrieved
1569:The Observer
1568:
1558:
1546:. Retrieved
1536:
1527:
1518:
1506:. Retrieved
1502:
1499:"Bossa nova"
1493:
1484:
1479:
1457:(2): 21–49.
1454:
1450:
1444:
1432:. Retrieved
1421:The Guardian
1420:
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1381:, retrieved
1377:
1368:
1357:, retrieved
1352:
1346:
1334:. Retrieved
1326:
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1292:
1265:
1258:Machado 2011
1253:
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1200:
1188:. Retrieved
1184:
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1163:. Retrieved
1160:BLOG DA TOCA
1159:
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1113:. Retrieved
1100:
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1016:Ratliff 2019
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497:
485:Mas que Nada
465:Baden Powell
458:
448:
441:
418:
415:samba-canção
404:
402:
319:
295:
264:
242:play in the
228:Baden Powell
201:
199:in general.
179:samba school
141:
140:
107:Late 1950s,
65:Baden Powell
43:
2883:Latin music
2683:Urban sambo
2637:Rural sambo
2572:Samba-choro
2441: [
2431:Rasteirinha
2421:Funk melody
2382:Tecno brega
2373: [
2344: [
2332: [
2229:Music from
2136:Urban sambo
2090:Rural sambo
2025:Samba-choro
1853:Gianni Minà
1508:10 February
1434:10 February
1270:Caymmi 2001
1246:Castro 2018
1190:10 February
1181:"Nara Leão"
1165:10 February
1072:Garcia 1999
1060:Garcia 2019
929:Tango music
919:Cha-cha-chá
904:Jazz portal
693:was also a
672:coup d'état
645:Carlos Lyra
641:syncopation
522:Instruments
473:Carlos Lyra
390:Cinema Novo
356:Carlos Lyra
312:, the term
296:The phrase
258:Bossa nova
191:considered
188:arrangement
2909:Bossa nova
2898:Categories
2842:East Timor
2806:Desgarrada
2801:Chamarrita
2773:Marrabenta
2765:Mozambique
2722:Cape Verde
2695:Samba afro
2664:Samba duro
2613:Samba rock
2582:Samba-jazz
2577:Samba-funk
2519:Bossa nova
2438:Guitarrada
2396:Chamarrita
2365:Brega funk
2353:Samba rock
2341:Rock Rural
2148:Samba afro
2117:Samba duro
2070:Samba rock
2035:Samba-jazz
2030:Samba-funk
1972:Bossa nova
1840:Bossa Nova
1829:8839713484
1685:Artcultura
1403:medium.com
1297:Silva 2017
1229:Matos 2015
1205:Tatit 1996
976:Mammi 1992
964:References
777:Luiz Bonfá
691:Bossa nova
471:– such as
347:bossa nova
335:bossa nova
324:Ruy Castro
320:Bossa Nova
305:bossa nova
299:bossa nova
175:syncopated
142:Bossa nova
127:Sambalanço
123:Samba-jazz
109:South Zone
49:Bossa nova
2867:Sri Lanka
2740:Coladeira
2329:Forrocore
1582:28 August
1577:0029-7712
1471:145569698
1429:0261-3077
1359:6 October
767:Stan Getz
717:steps of
707:Box steps
695:fad dance
630:based on
595:Structure
504:The Doors
481:Nara Leão
360:Nara Leão
273:Noel Rosa
250:Etymology
95:Classical
18:Bossanova
2783:Portugal
2514:Batucada
2465:Funknejo
2426:Funknejo
1967:Batucada
1909:Manchete
1838:Saudade
1770:7 August
1723:7 August
1706:7 August
1485:Caboclos
1332:. Spring
1087:, p.28.
1001:EBC 2018
876:See also
557:tamborim
364:Luiz Eça
240:tamborim
220:batucada
216:Gilberto
2876:Related
2755:Tabanka
2730:Batuque
2592:Sambass
2482:Vanerão
2455:Seresta
2391:Calypso
2302:Stronda
2247:Kizomba
2045:Sambass
1857:Firenze
1844:Brasile
1594:Sources
1548:15 July
1383:19 June
1336:24 July
1115:19 June
659:caboclo
399:History
244:bateria
131:Sambass
2745:Funaná
2524:Pagode
2274:Brazil
2259:Kuduro
2239:Angola
1977:Pagode
1877:
1863:
1859:2017,
1827:
1809:
1575:
1469:
1427:
1330:Brasil
1140:
1091:
871:(2023)
869:Laufey
860:(1963)
833:(1970)
827:(1967)
730:Albums
711:rhumba
652:Vocals
628:rhythm
589:cabasa
512:Laufey
289:bossas
260:rhythm
234:, and
171:Brazil
2857:Macau
2835:Other
2821:Pimba
2796:Chula
2750:Morna
2492:Samba
2445:]
2416:Frevo
2411:Forró
2406:Chula
2401:Choro
2377:]
2360:Brega
2348:]
2336:]
2287:Baião
2264:Semba
1946:Samba
1668:(PDF)
1467:S2CID
935:Notes
924:Rumba
840:Songs
765:with
715:whisk
703:samba
686:Dance
632:samba
585:mambo
581:clave
577:surdo
329:bossa
315:bossa
268:bossa
224:surdo
163:samba
90:Choro
80:Samba
2811:Fado
2735:Colá
1875:ISBN
1861:ISBN
1825:ISBN
1807:ISBN
1788:2020
1772:2020
1751:2020
1725:2020
1708:2020
1584:2024
1573:ISSN
1550:2021
1510:2023
1436:2023
1425:ISSN
1385:2024
1361:2023
1338:2021
1192:2023
1167:2023
1138:ISBN
1117:2017
1089:ISBN
831:Tide
824:Wave
713:and
636:beat
617:Play
545:pick
455:jazz
431:and
184:jazz
85:Jazz
63:and
2847:Goa
2282:Axé
1459:doi
867:" —
709:of
2900::
2443:pt
2375:pt
2346:pt
2334:pt
1836:,
1819:,
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1035:^
1008:^
983:^
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