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Trustees, declared it unsafe, and scheduled it for demolition. The local opera community demonstrated and petitioned the BRA to spare their only venue, but the order stood. The solidly built building was gutted in 1958, but proved difficult to demolish. Two demolition companies gave up in
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as La Cieca. At its opening, the theatre was described as a "perfect jewel-box of an opera house". It served as the home of the BOC during the company's six years of operation. Russell served as the company's director for all its short duration and
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is preserved in the theater's archives at
Northeastern University. The archived plans for the Opera House may be viewed and copied by requesting an appointment with Northeastern University's Facilities or Space Planning and Design Department.
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Henry
Charles Lahee. The grand opera singers of to-day: an account of the leading operatic stars who have sung during recent years, together with a sketch of the chief operatic enterprises. Boston: L.C. Page and Company,
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A list of books on the operas announced for production at the Boston Opera House during the season of MCMXI-MCMXII in the Public
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was the conductor from 1909–1913. After the BOC went bankrupt in 1915 the venue was used by other local opera companies, as well as by the
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frustration, as the opera house resisted their efforts. Only after a new and larger wrecking derrick arrived, did the walls fall.
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stepped forward in 1908 to provide $ 700,000 in funds to finish the building and provide a home for the newly formed
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provided interior decoration for the theatre which was located two blocks from
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The opera house officially opened on
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Program for 1910 productions on New York Public
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from 1901 through 1911, with Opera House visible in upper right
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A brick rescued from the demolished theater by noted
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Postcard on New York Public
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