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Brevis in longo

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775:"to fear": "I am well aware that a short syllable can stand for a long one in final position, because some of the silence which follows seems to be added to it; but when I consult my ears it seems to make a big difference whether the last syllable is truly long, or merely a short standing for a long." 863:
is considered to be long. In this position, the difference between short, long, and overlong syllables is neutralised, and any of the three may be placed here. It is sometimes said that a final short vowel is lengthened in final position (which is possible), but Thiesen argues that in some cases at
493:
can thus be found both in a weak position, i.e. in a pendant (feminine) ending, and in a strong one, i.e. in a blunt ending. There has been some discussion among scholars over whether these two types should be classified separately.
855:
In classical Persian, just as in Latin and Greek, poetic metres are quantitative, except that in addition to long and short syllables, Persian also has "overlong" syllables which are equivalent in length to long + short.
521:"only a syllable ending in a short open vowel should be counted as short", on the grounds that in some poets the treatment of these is different from that of words ending in a short vowel + one consonant. For example, 540:) "land" at the end of an iambic trimeter or dactylic pentameter is less common than one ending in a short vowel + consonant, and that the latter in turn is less common than one ending in a long vowel. The Roman poet 501:
therefore only exists when there is a pause. When a line with a rhythm such as | – u u – u u – u u – u u | is part of a continuous song, there is no pause at the end of the line and the final syllable remains short.
748:. In a discussion of these, Cicero says: "It makes no difference whether the final word is a cretic (– u –) or a dactyl (– u u), since even in poetry it doesn't matter whether a final syllable is long or short." 394:, on the other hand, will always be considered long, even though its natural quantity is short: the pause at the end of the line adds weight enough for even a short syllable to be counted as long. 357:. It can also be found in the centre of a line in some metres, before a dieresis (e.g. in the iambic octonarius). However, it does not seem to be found in every metre. For example, in Greek, in 913:
poetry, in any metre, like those of Latin and Greek, is indifferent in quantity, that is, it may be long or short. Examples can be found in epic poetry, in which in each four-line stanza, or
386:, which is a position in a line which can be filled by either a long or a short syllable. These two phenomena are often confused but there are differences between the two. For example, an 497:
Ancient writers on Latin and Greek metre noted that it was logical for a short syllable at the end of a line to be taken as long, since the pause helped to make up the length.
374:(the shortening of a metre by one syllable), in that when a metre ending u – loses its final syllable, the former short penultimate element becomes long since it is now final. 339:, meaning "a short in a long ". Although the phenomenon itself has been known since ancient times, the phrase is said to have been invented by the classical scholar 919:, the first and third lines usually have a trochaic ending, and the second and fourth line always an iambic one. Thus in the following stanza (the opening of the 544:
also avoided a short vowel at the end of a dactylic pentameter, which suggests that an ending of vowel + consonant was felt to be heavier than short vowel alone.
872:
is almost never lengthened in normal positions, but is readily used at the end of a verse. The pronunciation of such endings by Persian speakers is also short.
1265: 234: 809:
it is usually omitted in writing, but still pronounced long. Thus a normally short vowel can stand in final position in metres such as the
525:
has a marked tendency to avoid placing a word ending in a short vowel before a pause, while not so avoiding words ending in a consonant.
557:
phenomenon, and becomes long. An example in Ancient Greek is the iambic tetrameter, which in normal and catalectic form is as follows:
1219: 364:
A similar phenomenon is found in other languages whose poetic metres are quantitative, such as Arabic, Persian, and Sanskrit.
528:
Another study, by the American scholars Devine and Stephens, similarly shows that a word ending in a short vowel such as
227: 789:
In classical Arabic, when a verse ends in an open vowel, the vowel is always lengthened in performance. If the vowel is
568:
The deletion of the final element causes the previously short penultimate to become long, and at the same time the
1302: 1234: 220: 340: 517:) "often", at the end of a line should be considered as ending in a short or long syllable. In the view of 505:
Another question discussed by scholars is whether a word ending in a short vowel + one consonant, such as
349:
is possible in various classical metres that require a long syllable at the end of a line, including
319: 63: 1297: 1236:
A Manual of Classical Persian Prosody, with chapters on Urdu, Karakhanidic and Ottoman prosody.
518: 78: 1168:"The Trisyllabic Ending of the Pentameter: Its Treatment by Tibullus, Propertius, and Martial" 24: 728:
ending with short vowel + consonant are very common at the end of a pentameter, words like
83: 815:, where the repeating pattern of the feet leads one to expect a long syllable at the end: 8: 743: 920: 887:(– u –). The following are two different metres, one a shortened version of the other: 350: 188: 158: 113: 73: 43: 450:
The phenomenon can also occur at the end of iambic lines, for example, the opening of
904: 443: 260: 203: 183: 138: 1261: 995: 990: 354: 330: 198: 193: 168: 88: 68: 53: 48: 1005: 1000: 850: 784: 325: 248: 143: 118: 1281: 1266:"A brief introduction into the Indian metrical system for the use of students" 1291: 163: 123: 38: 33: 823:
Exactly as with Greek, a short penultimate becomes long when a line is made
740:
is also found in the rhythmic sentence-endings favoured by orators known as
600:"the South Wind overwhelmed them, wrapping up both ship and men with water" 133: 98: 58: 811: 390:
will be considered short or long in accordance with its natural length. A
551:(i.e. abbreviated by one syllable), the short element is affected by the 358: 128: 675:
Catullus, Propertius and Tibullus also occasionally allow a short-vowel
1010: 876: 824: 752: 548: 371: 1167: 1120: 1090: 1044: 860: 535: 512: 472: 451: 429: 208: 153: 875:
The lengthening of a penultimate short syllable when a line is made
333:
at the end of a line that is counted as long. The term is short for
910: 880: 605: 411:, occurring every four or five verses. An example is line 2 of the 148: 108: 103: 93: 766: 756: 1015: 915: 884: 522: 382: 178: 865: 829: 529: 506: 462: 419: 408: 604:
It can also be found in iambics, as in following lines from
583:
is less common in Virgil than in Homer, but is still found:
923:), the last syllable, though short, stands for a long one: 719: 541: 309: 303: 272: 300: 883:(– u u –) rhythm is shortened, the resulting ending is a 572:
at the beginning of the metron becomes definitely short.
361:
ending in u u – –, there do not seem to be any examples.
306: 286: 278: 711:"My darling, you declare to me that this love between us 1174:, Vol. 42, No. 3/4 (Jul.-Oct., 1948), pp. 68-75; p. 68. 485:"I, son of Zeus, have come to this land of the Thebans" 442:"that baleful (anger), which made many sorrows for the 948: 941: 934: 927: 547:
When a metre with a short penultimate element is made
289: 281: 879:
is found in Persian too; for example, if a metre in
297: 275: 269: 266: 668:
it says, it was your mountain top on which it stood
294: 263: 662:"to you these things were and are very well known, 734:which end with a short vowel are extremely rare. 1289: 827:. Thus the most commonly used Arabic metre, the 833:, has normal and catalectic forms as follows: 751:However, according to the teacher of rhetoric 589:obruit Auster, aqu(ā) involvēns nāvemque virōs 1097:, Vol. 32, No. 2 (1982), pp. 281-297; p. 283. 1051:, Vol. 32, No. 2 (1982), pp. 281-297; p. 288. 971:"In the place of righteousness at Kurukṣetra, 228: 703:| – – | – u u | – u u | – – | – u u | – – | 770: 760: 741: 729: 723: 690: 683: 649: 638: 628: 618: 609: 597:| – u u | – u u | – – | – – | – u u | – – | 587: 552: 439:| – u u | – – | – u u | – – | – u u | – – | 402: 334: 1127:, Vol. 26, No. 1 (1976), pp. 14-28; p. 14. 864:least a short vowel is retained, since in 859:The final syllable of any Persian line or 671:and your sea in which it dipped its oars." 235: 221: 1039: 1037: 1035: 1033: 1031: 891:| – u u – | – u u – | – u u – | – u u – | 561:| x – u – | x – u – | x – u – | x – u – | 1106:A.M. Devine, Laurence D Stephens (1994) 692:hunc nostr(um) inter nōs perpetuumque fo 685:iūcundum, mea vīta, mihī prōpōnis amōrem 564:| x – u – | x – u – | x – u – | u – – | 431:ouloménēn, hḕ murí’ Akhaioîs álge’ éthē 18:Feature of Latin and Greek poetic metre 1290: 1028: 974:gathered together and desiring battle, 380:is distinct from the metrical element 837:| u – x | u – x – | u – x | u – u – | 819:| u – x | u – x – | u – x | u – u – | 765:"to confess" sounded stronger than a 620:tib(i) haec fuisse et esse cognitissi 324: 706:| – – | – – | – || – u u | – u u | – 421:οὐλομένην, ἣ μυρί’ Ἀχαιοῖς ἄλγε’ ἔθη 336:(syllaba) brevis in (elemento) longo 840:| u – x | u – x – | u – u | u – – | 714:will be delightful and everlasting" 608:which show a series of short-vowel 474:hḗkō Diòs paîs tḗnde Thēbaíōn khthó 397: 13: 14: 1314: 1275: 1221:A Grammar of the Arabic Language 1207:A Grammar of the Arabic Language 909:The final syllable of a line in 651:tu(ō) imbuisse palmulās in aequo 259: 1255: 1242: 1227: 1212: 1199: 1190: 1177: 1160: 659:| u – u – | u – u – | u – u – | 630:ait phasēlus: ultim(ā) ex orīgi 482:| – – u – | – – u – | – – u – | 464:ἥκω Διὸς παῖς τήνδε Θηβαίων χθό 1151: 1142: 1130: 1113: 1100: 1083: 1070: 1054: 977:my sons and the sons of Pandu, 898: 614:endings in an iambic setting: 1: 1091:"Three Topics in Greek Metre" 1045:"Three Topics in Greek Metre" 1021: 894:| – u u – | – u u – | – u – | 844: 407:elements are quite common in 1248:L. P. Elwell-Sutton (1976), 793:, it is always written with 778: 679:at the end of a pentameter: 640:tuō stetisse dīcit in cacūmi 7: 1108:The Prosody of Greek Speech 984: 980:what did they do, Sanjaya?" 949: 942: 935: 928: 575: 10: 1319: 902: 848: 782: 665:says the boat; originally, 530: 507: 463: 420: 326:[ˈbrɛwɪsɪnˈlɔŋɡoː] 1282:Chanting of Bhagavad Gita 1063:, 2nd ed. (1929), p. 35; 929:dharma-kṣetre kuru-kṣetre 1166:G. A. Wilkinson (1948). 1119:L. P. E. Parker (1976). 64:Latin rhythmic hexameter 1172:The Classical Quarterly 1125:The Classical Quarterly 1095:The Classical Quarterly 1049:The Classical Quarterly 1303:Latin literary phrases 1239:Wiesbaden. pp. 18, 34. 1233:Thiesen, Finn (1982). 966:| u u – u | u – u u || 960:| u u – – | u – u – || 943:māmakāḥ pāṇḍavāś caiva 771: 761: 742: 730: 724: 722:, although words like 691: 684: 650: 639: 629: 619: 610: 588: 553: 403: 335: 79:Metres of Roman comedy 1196:Quintilian 9.4.93–94. 963:| – u – – | u – – u | 957:| – – – – | u – – – | 903:Further information: 849:Further information: 783:Further information: 25:Greek and Latin metre 950:kim akurvata sañjaya 84:Trochaic septenarius 1205:Wright, W. (1896), 1067:(1961), pp. 29, 33. 936:samavetā yuyutsavaḥ 370:is associated with 351:dactylic hexameters 247:In Greek and Latin 1250:The Persian Metres 1218:W. Wright (1896), 1157:Catullus, 109.1–2. 1148:Catullus, 4.14-17. 1061:Griechische Metrik 189:Resolution (meter) 159:Anaclasis (poetry) 114:Asclepiad (poetry) 74:Saturnian (poetry) 44:Dactylic hexameter 1284:(starts at 0:46). 1224:, vol. 2, p. 364. 1209:, vol. 2, p. 352. 1043:cf. West, M. L., 245: 244: 1310: 1269: 1259: 1253: 1246: 1240: 1231: 1225: 1216: 1210: 1203: 1197: 1194: 1188: 1181: 1175: 1164: 1158: 1155: 1149: 1146: 1140: 1134: 1128: 1117: 1111: 1104: 1098: 1087: 1081: 1074: 1068: 1058: 1052: 1041: 952: 945: 938: 931: 905:Sanskrit prosody 797:, like any long 774: 764: 747: 733: 727: 698: 687: 656: 646: 635: 625: 613: 594: 556: 539: 533: 532: 516: 510: 509: 479: 469: 468: 436: 426: 425: 406: 398:In Ancient Greek 355:iambic trimeters 338: 328: 323: 316: 315: 312: 311: 308: 305: 302: 299: 296: 292: 291: 288: 284: 283: 280: 277: 274: 271: 268: 265: 237: 230: 223: 204:Arsis and thesis 184:Biceps (prosody) 139:Galliambic verse 21: 20: 1318: 1317: 1313: 1312: 1311: 1309: 1308: 1307: 1288: 1287: 1278: 1273: 1272: 1260: 1256: 1247: 1243: 1232: 1228: 1217: 1213: 1204: 1200: 1195: 1191: 1182: 1178: 1165: 1161: 1156: 1152: 1147: 1143: 1135: 1131: 1118: 1114: 1105: 1101: 1088: 1084: 1075: 1071: 1059: 1055: 1042: 1029: 1024: 996:Prosody (Greek) 991:Prosody (Latin) 987: 907: 901: 853: 847: 787: 781: 759:ending such as 738:Brevis in longo 677:brevis in longo 611:brevis in longo 581:Brevis in longo 578: 554:brevis in longo 499:Brevis in longo 491:brevis in longo 404:Brevis in longo 400: 392:brevis in longo 378:Brevis in longo 368:Brevis in longo 347:Brevis in longo 320:Classical Latin 318: 293: 285: 262: 258: 254:brevis in longo 241: 194:Brevis brevians 174:Brevis in longo 169:Metron (poetry) 89:Hendecasyllable 69:Iambic trimeter 54:Alcmanian verse 49:Elegiac couplet 19: 12: 11: 5: 1316: 1306: 1305: 1300: 1286: 1285: 1277: 1276:External links 1274: 1271: 1270: 1254: 1241: 1226: 1211: 1198: 1189: 1176: 1159: 1150: 1141: 1129: 1112: 1099: 1082: 1069: 1053: 1026: 1025: 1023: 1020: 1019: 1018: 1013: 1008: 1006:Persian metres 1003: 1001:Arabic prosody 998: 993: 986: 983: 982: 981: 978: 975: 972: 968: 967: 964: 961: 958: 954: 953: 946: 939: 932: 900: 897: 896: 895: 892: 851:Persian metres 846: 843: 842: 841: 838: 821: 820: 785:Arabic prosody 780: 777: 716: 715: 712: 709: 708: 707: 701: 700: 699: 673: 672: 669: 666: 663: 660: 657: 647: 636: 626: 602: 601: 598: 595: 577: 574: 566: 565: 562: 487: 486: 483: 480: 470: 448: 447: 440: 437: 427: 399: 396: 331:short syllable 243: 242: 240: 239: 232: 225: 217: 214: 213: 212: 211: 206: 201: 196: 191: 186: 181: 176: 171: 166: 161: 156: 151: 146: 144:Sotadean metre 141: 136: 131: 126: 121: 119:Sapphic stanza 116: 111: 106: 101: 96: 91: 86: 81: 76: 71: 66: 61: 56: 51: 46: 41: 36: 28: 27: 17: 9: 6: 4: 3: 2: 1315: 1304: 1301: 1299: 1298:Poetic rhythm 1296: 1295: 1293: 1283: 1280: 1279: 1267: 1263: 1258: 1251: 1245: 1238: 1237: 1230: 1223: 1222: 1215: 1208: 1202: 1193: 1186: 1180: 1173: 1169: 1163: 1154: 1145: 1138: 1133: 1126: 1122: 1116: 1109: 1103: 1096: 1092: 1089:West, M. L., 1086: 1079: 1073: 1066: 1062: 1057: 1050: 1046: 1040: 1038: 1036: 1034: 1032: 1027: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 994: 992: 989: 988: 979: 976: 973: 970: 969: 965: 962: 959: 956: 955: 951: 947: 944: 940: 937: 933: 930: 926: 925: 924: 922: 921:Bhagavad Gītā 918: 917: 912: 906: 893: 890: 889: 888: 886: 882: 878: 873: 871: 867: 862: 857: 852: 839: 836: 835: 834: 832: 831: 826: 818: 817: 816: 814: 813: 808: 804: 800: 796: 792: 786: 776: 773: 768: 763: 758: 754: 749: 746: 745: 739: 735: 732: 726: 721: 713: 710: 705: 704: 702: 697: 695: 689: 688: 686: 682: 681: 680: 678: 670: 667: 664: 661: 658: 655: 654: 648: 645: 643: 637: 634: 633: 627: 624: 623: 617: 616: 615: 612: 607: 599: 596: 593: 592: 586: 585: 584: 582: 573: 571: 563: 560: 559: 558: 555: 550: 545: 543: 538: 526: 524: 520: 515: 503: 500: 495: 492: 484: 481: 478: 477: 471: 467: 461: 460: 459: 457: 453: 445: 441: 438: 435: 434: 428: 424: 418: 417: 416: 414: 410: 405: 395: 393: 389: 385: 384: 379: 375: 373: 369: 365: 362: 360: 356: 352: 348: 344: 342: 337: 332: 327: 321: 314: 256: 255: 250: 238: 233: 231: 226: 224: 219: 218: 216: 215: 210: 207: 205: 202: 200: 197: 195: 192: 190: 187: 185: 182: 180: 177: 175: 172: 170: 167: 165: 164:Metrical foot 162: 160: 157: 155: 152: 150: 147: 145: 142: 140: 137: 135: 132: 130: 127: 125: 124:Alcaic stanza 122: 120: 117: 115: 112: 110: 107: 105: 102: 100: 97: 95: 92: 90: 87: 85: 82: 80: 77: 75: 72: 70: 67: 65: 62: 60: 57: 55: 52: 50: 47: 45: 42: 40: 39:Latin prosody 37: 35: 34:Greek prosody 32: 31: 30: 29: 26: 23: 22: 16: 1262:Michael Hahn 1257: 1249: 1244: 1235: 1229: 1220: 1214: 1206: 1201: 1192: 1184: 1179: 1171: 1162: 1153: 1144: 1136: 1132: 1124: 1115: 1110:, pp. 79–84. 1107: 1102: 1094: 1085: 1077: 1072: 1064: 1060: 1056: 1048: 914: 908: 874: 869: 858: 854: 828: 822: 810: 806: 802: 798: 794: 790: 788: 769:one such as 750: 737: 736: 718:However, in 717: 693: 676: 674: 652: 641: 631: 621: 603: 590: 580: 579: 569: 567: 546: 536: 527: 513: 504: 498: 496: 490: 488: 475: 473: 465: 455: 449: 432: 430: 422: 412: 401: 391: 387: 381: 377: 376: 367: 366: 363: 359:ionic metres 346: 345: 253: 252: 246: 199:Porson's Law 173: 134:Anacreontics 99:Aeolic verse 59:Archilochian 15: 1252:, p. 87–88. 1121:"Catalexis" 1076:Euripides, 1065:Greek Metre 899:In Sanskrit 801:; if it is 519:Martin West 454:' play the 129:Ionic metre 1292:Categories 1022:References 1011:Catalectic 881:choriambic 877:catalectic 845:In Persian 825:catalectic 753:Quintilian 549:catalectic 1187:, 64.217. 861:hemistich 779:In Arabic 762:confitērī 744:clausulae 452:Euripides 372:catalexis 341:Paul Maas 209:Catalexis 154:Lekythion 1183:Cicero, 985:See also 911:Sanskrit 868:a final 767:trochaic 757:spondaic 606:Catullus 576:In Latin 514:pollákis 508:πολλάκις 444:Achaeans 149:Dochmiac 109:Glyconic 104:Choriamb 94:Choliamb 1078:Bacchae 537:khthóna 456:Bacchae 329:) is a 1268:(pdf). 1185:Orator 1139:6.336. 1137:Aeneid 1016:Anceps 885:cretic 772:timēre 570:anceps 523:Pindar 388:anceps 383:anceps 179:Anceps 916:śloka 866:Hafez 830:ṭawīl 812:ṭawīl 531:χθόνα 413:Iliad 409:Homer 249:metre 1080:, 1. 795:alif 755:, a 731:fore 725:erit 720:Ovid 542:Ovid 489:The 353:and 805:or 591:que 1294:: 1264:: 1170:. 1123:. 1093:. 1047:. 1030:^ 870:-e 807:-u 803:-i 799:-a 791:-a 694:re 653:re 642:ne 632:ne 622:ma 476:na 466:να 458:: 433:ke 423:κε 415:: 343:. 317:; 310:oʊ 251:, 696:. 644:, 534:( 511:( 446:" 322:: 313:/ 307:ɡ 304:ŋ 301:ɒ 298:l 295:ˈ 290:n 287:ɪ 282:s 279:ɪ 276:v 273:ɛ 270:r 267:b 264:ˈ 261:/ 257:( 236:e 229:t 222:v

Index

Greek and Latin metre
Greek prosody
Latin prosody
Dactylic hexameter
Elegiac couplet
Alcmanian verse
Archilochian
Latin rhythmic hexameter
Iambic trimeter
Saturnian (poetry)
Metres of Roman comedy
Trochaic septenarius
Hendecasyllable
Choliamb
Aeolic verse
Choriamb
Glyconic
Asclepiad (poetry)
Sapphic stanza
Alcaic stanza
Ionic metre
Anacreontics
Galliambic verse
Sotadean metre
Dochmiac
Lekythion
Anaclasis (poetry)
Metrical foot
Metron (poetry)
Brevis in longo

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