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1727:, that the film "seemed to say more about masculine anxiety than about the fears that women were expressing in relation to the film". De Palma has also expressed contrition for the depiction of a transgender murderer in the film, saying in a 2016 interview "I don't know what the transgender community would think ... Obviously I realize that it's not good for their image to be transgender and also be a psychopathic murderer. But I think that passes with time. We're in a different time." In the same interview, he said he was "glad" that the film had become a "a favorite of the gay community".
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1157:(2019), released two years after the film began production. It received generally negative reviews and was released direct-to-VOD in the United States, grossing less than half a million dollars internationally. De Palma has also expressed dissatisfaction with both the production of the film and the final result; "I never experienced such a horrible movie set."
558:. De Palma recalls that he was "floored" by this performance upon first sight, and in 1973 recounts how he "began to try and figure out a way to capture it on film. I came up with the idea of split-screen, to be able to show the actual audience involvement, to trace the life of the audience and that of the play as they merge in and out of each other."
1602:), but look at the range here, and reflect that these movies contain treasure for those who admire the craft as well as the story, who sense the glee with which De Palma manipulates images and characters for the simple joy of being good at it. It's not just that he sometimes works in the style of Hitchcock, but that he has the nerve to."
666:, and well under the cultural radar during the early months of production, as the source novel had yet to climb the bestseller list. De Palma gravitated toward the project and changed crucial plot elements based upon his own predilections, not the saleability of the novel. The cast was mostly young and relatively new, though
531:
in 1965. In an interview with Joseph Gelmis from 1969, De Palma described the film as "very good and very successful. It's distributed by Pathe
Contemporary and makes lots of money. I shot it in four hours, with synched sound. I had two other guys shooting people's reactions to the paintings, and the
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has written that critics have accused De Palma of being "a perverse misogynist", to which De Palma has responded with, "I'm always attacked for having an erotic, sexist approach – chopping up women, putting women in peril. I'm making suspense movies! What else is going to happen to
725:
storytelling. Its unconventional unfolding of plot (exemplified in its mathematical layout of dialogue) and its stress on perception have analogs in De Palma's filmmaking. He sought to adapt it numerous times, though the project would carry a substantial price tag, and has yet to appear on-screen
1377:
lasting for minutes without cutting. Split focus shots, often referred to as "di-opt", are used by De Palma to emphasize the foreground person/object while simultaneously keeping a background person/object in focus. Slow-motion is frequently used in his films to increase suspense.
696:, and many of the actors cast in De Palma's film had been earmarked as contenders for Lucas's movie, and vice versa. The "shock ending" finale is effective even while it upholds horror-film convention, its suspense sequences are buttressed by teen comedy tropes, and its use of
1540:, "At forty, Brian De Palma has more than twenty years of moviemaking behind him, and he has been growing better and better. Each time a new film of his opens, everything he has done before seems to have been preparation for it." In his review of
794:, though the consensus view at the time was that De Palma was repeating himself, with diminishing returns. As a film, it retains De Palma's considerable visual flair, but points more toward his work in mainstream entertainments such as
1702:
as women's liberation; adding only that the film follows the time-honored horror film tradition of making the monster emerge as the most sympathetic character and its emotional center." Pauline Kael's review of
1709:, "A Wounded Apparition", describes the film as "feminist" and notes that "De Palma was always involved in examining (and sometimes satirizing) victimization, but he was often accused of being a victimizer".
498:
filmmaking scene. De Niro was unknown at the time; the credits mistakenly display his name as "Robert Denero". The film is noteworthy for its invocation of silent film techniques and an insistence on the
624:. Making the film was a crushing experience for De Palma, as Smothers did not like many of De Palma's ideas. Here he made several small, studio and independently released films that included stand-outs
1230:). He has often produced "De Palma" films one after the other before going on to direct a different genre, but would always return to his familiar territory. Because of the subject matter and
1110:
494:. The film, which was co-directed with Leach and producer Cynthia Munroe, had been shot in 1963 but remained unreleased until 1969, when De Palma's star had risen sufficiently within the
4222:
1678:, film critic Michael Koresky writes that "De Palma's films radiate an undeniable queer energy" and notes the "intense appeal" De Palma's films have for gay critics. In her book
3711:
3170:"Sissy Spacek, Carrie Fisher – Princess Leia ('Star Wars'): Sissy Spacek – Almost Cast: Who Lost Iconic Roles? – Photo Gallery"
394:. He had a poor relationship with his father, and would secretly follow him to record his adulterous behavior; this would eventually inspire the teenage character played by
920:. The film received mixed reviews with its negative depictions of ethnic stereotypes, as well as its violence and profanity. It has since been re-evaluated and became a
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1450:. Psychologists have been intrigued by De Palma's fascination with pathology, by the aberrant behavior aroused in characters who find themselves manipulated by others.
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is transcended and what we're moved by is an artist's vision...it's a great movie. Travolta and Allen are radiant performers". De Palma then directed crime film
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wrote in his entry for De Palma, "There is a self-conscious cunning in De Palma's work, ready to control everything except his own cruelty and indifference."
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1394:(1991–1993), and Darnell Gregorio (1995–1997). He has one daughter from his marriage to Hurd, and one daughter from his marriage to Gregorio. He resides in
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techniques have been used to show two separate events happening simultaneously. To emphasize the dramatic impact of a certain scene De Palma has employed a
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objected to this characterisation, writing that there are films from the director which can be seen as "straightforwardly empathetic and/or moralistic".
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Film critics have often noted De Palma's penchant for unusual camera angles and compositions. He often frames characters against the background using a
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554:. The play is noted for breaking traditional barriers between performers and audience. The film's most striking quality is its extensive use of the
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in the discipline in 1964 and becoming one of the first male students among a female population. Once there, influences as various as drama teacher
1168:), co-written with Susan Lehman. It was published in the U.S. in 2020. De Palma and Lehman also wrote a second book, currently unpublished, called
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generation of film directors, a distinct pedigree who either emerged from film schools or are overtly cine-literate. His contemporaries include
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1446:. His artistry in directing and use of cinematography and suspense in several of his films has often been compared to the work of
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938:. The film also received mixed reviews but has since had a reassessment and found acclaim. De Palma directed the music video for
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His direction often makes use of quotations from other films or cinematic styles, and bears the influence of filmmakers such as
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840:. Although the film received critical admiration, it also received criticism and controversy for its negative depiction of the
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shots tell the story visually rather than through dialogue. As for Lucas's project, De Palma complained in an early viewing of
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writes that "De Palma understood the cinematic potency of dangerous fucking, perhaps earlier than his feminist detractors".
1345:, including such moments as the surprise death of the lead actress and the exposition scene by the psychiatrist at the end.
334:. His work has been criticized for its violence and sexual content but has also been championed by American critics such as
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that the opening text crawl was poorly written and volunteered to help edit the text to a more concise and engaging form.
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Oscar nominations for their performances. Pre-production for the film had coincided with the casting process for
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received a limited release in the United States and grossed less than $ 1 million against a $ 5 million budget.
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was a novel that had fascinated De Palma since the late 1950s and appealed to his background in mathematics and
404:. When he was in high school, he built computers. He won a regional science-fair prize for a project titled "An
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De Palma frequently quotes and references other directors' work. His early work was inspired by the films of
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1010:(1990) was a notorious failure with both critics and audiences. De Palma then had subsequent successes with
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impressed upon De Palma the many styles and themes that would shape his own cinema in the coming decades.
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was also unsuccessful and is currently the last movie De Palma has directed with backing from
Hollywood.
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The 1980s were marked by some of De Palma's best known films including the erotic psychological thriller
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3886:"De Palma: Weinstein Horror Gets A Title; Disses Soderbergh & Calls Domino A "Horrible" Experience"
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film director and screenwriter. With a career spanning over 50 years, he is best known for work in the
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1172:, based on one of De Palma's passion projects about a French film production making an adaptation of
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wrote about the director: "De Palma deserves more honor as a director. Consider also these titles:
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354:, the youngest of three boys. His Italian-American parents were Vivienne DePalma (née Muti), and
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Sex and Zen & A Bullet in the Head: The
Essential Guide to Hong Kong's Mind-bending Films
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2019:
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1519:, which would go on to reinvigorate Travolta's then-declining career. Tarantino also placed
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thriller as De Palma's bid for a blockbuster, the project was in fact small, underfunded by
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3984:"Brian De Palma Q & A: 'Passion,' McAdams vs. Rapace, Sex Tools UPDATED (New Trailer)"
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A political controversy erupted over the portrayal of US soldiers in De Palma's 2007 film
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amidst calls for a boycott from feminist groups Women
Against Violence Against Women and
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435:. After receiving his undergraduate degree in 1962, De Palma enrolled at the newly coed
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The New
Biographical Dictionary of Film: Fifth Edition, Completely Updated and Expanded
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During the 1960s, De Palma began making a living producing documentary films, notably
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3609:"Why did The Bonfire of the Vanities go from bestselling book to box-office bomb?"
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His films have also been interpreted as feminist and examined for their perceived
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De Palma has encouraged and fostered the filmmaking careers of directors such as
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bears striking similarities to De Palma's visual style and some of the themes of
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540:(1969) was De Palma's other major documentary from this period. The film records
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1064:(2002) all failed at the box office and received generally poor reviews, though
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4079:"'Dionysus in '69': Brian De Palma's Balance of the Profane and the Political"
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for the film. It received critical acclaim and box-office success. De Palma's
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student, De Palma became enraptured with the filmmaking process after viewing
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His life and career in his own words was the subject of the 2015 documentary
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606:" while integrating several of the themes which permeated Hitchcock's work.
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4294:
4092:"Quentin Tarantino: The Complete Syllabus of His Influences and References"
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are often used throughout his films, often through precisely-choreographed
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had gained attention for previous work in, respectively, film and episodic
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3783:"Brian De Palma: Why He'll Never Work in Hollywood Or on Television Again"
3141:
The
Stephen King Companion: Four Decades of Fear from the Master of Horror
503:
for effect. De Palma followed this style with various small films for the
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became De Palma's first genuine box-office success, garnering Spacek and
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4399:"Responsive Eyes and Crossing Lines: Forty Years of Looking and Reading"
3657:"Brian De Palma on "Passion," passion and film | Features | Roger Ebert"
3635:"The New Cult Canon: Femme Fatale | Film | The New Cult Canon"
2957:"Director Brian De Palma and Actress Nancy Allen Just Got Carrie-D Away"
1513:
even resulted in
Tarantino casting him as Vincent Vega in his 1994 film
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an overtly feminist film, writing that "one can define the monster of
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by
American soldiers in Iraq, the film echoes themes that appeared in
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praised the director writing, "De Palma has sprung to the place that
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4062:"Keith Gordon is the directorbehind all your favorite peak TV shows"
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finale shoot out in the train station is a clear borrowing from the
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In 1970, De Palma left New York for
Hollywood at age thirty to make
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4745:
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4150:
3672:"Antonio Banderas Is One of the Best Movie Stars of His Generation"
2829:"Brian De Palma Remembers Filming a Student Film With Kirk Douglas"
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award. His other major film from this period is the slasher comedy
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1493:. During an interview with De Palma, Quentin Tarantino said that
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602:, reflecting De Palma's stated intention to become the "American
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440:
420:
4215:"Quentin Tarantino's Handwritten List of the 11 Greatest Movies"
3938:
Bizio, Silvia (March 23, 2020). "L'intervista: Brian de Palma".
3553:
Born in the U.S.A.: Bruce
Springsteen and the American Tradition
1004:(1989) won critical praise but performed poorly in theatres and
1499:
is one of his all-time favorite films, and that after watching
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De Palma has been married and divorced three times, to actress
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924:. The following year he made another neo-noir erotic thriller,
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2744:"Brian de Palma: 'Film lies all the time … 24 times a second'"
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4536:
4198:"I Hate When a Man Is Right: Brian De Palma’s BLOW OUT at 40"
3378:"Director Brian De Palma's underrated gems, decade by decade"
2649:"Director Brian De Palma's underrated gems, decade by decade"
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but received mixed reviews and was financially unsuccessful.
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504:
4595:
Devil's Candy: The Bonfire of the Vanities Goes to Hollywood
2772:"Brian De Palma talks about his stylish new remake, Passion"
4164:"FrightFest 2014 Day 4 review: killers, singers and demons"
3960:
3912:"Q&A: Brian De Palma on why movies should be beautiful"
528:
4443:"From the Short Stack: David Thomson on Brian De Palma in
561:
De Palma's most significant features from this decade are
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Everything Is Cinema: The Working Life of Jean-Luc Godard
1645:
placing first on the 2008 list. The magazine also listed
580:
viewpoint common to the era in which they were released.
3302:
1126:, due mostly to creative differences. In 2012, his film
2680:"Blow Out: Portrait of the Artist as a Young Gadgeteer"
1246:, they are often at the center of controversy with the
1160:
In 2018, De Palma published his debut novel in France,
4417:"Brian De Palma on how he depicts women in his films,"
3326:"Film: De Palma Mixes Genres in 'Fury':Psyching a Spy"
1528:
Critics who frequently admire De Palma's work include
598:. Each of these films experiments with narrative and
573:(1970). Both films star Robert De Niro and espouse a
249:
His films include mainstream box office hits such as
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4344:
Hollywood From Vietnam to Reagan ... and Beyond
788:
and De Palma. The film boasted a larger budget than
4646:
Senses of Cinema: Great Directors Critical Database
4017:"The Director's Craft: The death-deifying De Palma"
2907:
2594:Murray, Noel & Tobias, Scott (March 10, 2011).
1410:De Palma is often cited as a leading member of the
1186:De Palma's films can fall into two categories, his
748:was the 1978 science fiction psychic thriller film
715:allowed De Palma to pursue more personal material.
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1118:De Palma's output has slowed since the release of
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4624:Double De Palma: A Film Study with Brian De Palma
4181:"Infliction: An Interview With Jack Thomas Smith"
3204:The Suspense of Horror and the Horror of Suspense
2612:
2610:
1525:at number eight in a list of his favorite films.
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479:
4531:De Palma, Brian; Lehman, Susan (May 16, 2018).
3526:"Film: DePalma Evokes 'Vertigo' in Body Double"
2691:
1590:. Yes, there are a few failures along the way (
1046:has been less well received. His ensuing films
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3649:
3352:"Say 'Brian De Palma.' Let the Fighting Start"
3022:
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1122:, with subsequent projects often falling into
1028:(1996) becoming his highest-grossing film and
844:community. The following year he directed the
744:). The result of his experience with adapting
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4615:Blumenfeld, Samuel, Vachaud, Laurent (2001).
3937:
3701:"Iraq war atrocity film Redacted bombs in US"
2619:"Steve Rose Talks to Director Brian De Palma"
1037:
550:, starring, amongst others, De Palma regular
242:genres. De Palma was a leading member of the
4498:
4246:"Cahiers du Cinema: Top Ten Lists 1951–2009"
4190:
4101:
4047:
4045:
3376:Chang, Justin; Olsen, Mark (June 10, 2016).
1469:. Filmmakers influenced by De Palma include
350:De Palma was born on September 11, 1940, in
3606:
1182:Filmmaking style, techniques and trademarks
1068:has since been revived in the eyes of many
892:and that Francis Ford Coppola reached with
362:surgeon who was the son of immigrants from
345:
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4346:. Columbia University Press. p. 134.
4319:The Erotic Thriller in Contemporary Cinema
3583:"'The Untouchables': De Palma's Departure"
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1680:The Erotic Thriller in Contemporary Cinema
1339:was a note-for-note homage to Hitchcock's
960:In 1987, De Palma directed the crime film
645:
31:
4651:Photos and discussion around the director
4441:Seitz, Matt Zoller (September 20, 2006).
4042:
3757:"Redacted (2007) - Financial Information"
3698:Elsworth, Catherine (November 28, 2007).
3060:
2239:
1151:De Palma's next project was the thriller
4321:. Indiana University Press. p. 84.
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3432:"Travolta Stars in DePalma's 'Blow Out'"
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4535:(in French). Translated by Esch, Jean.
4445:The New Biographical Dictionary of Film
4287:
4173:
4147:"Behind-the-Scenes of 'Seed of Chucky'"
4108:Hammond, Stefan; Wilkins, Mike (1996).
3861:"Domino (2019) - Financial Information"
3500:"Screen: Al Pacino Stars in 'Scarface'"
2575:
1405:
1146:69th Venice International Film Festival
992:Academy Award for Best Supporting Actor
586:19th Berlin International Film Festival
5268:
4090:Fitzmaurice, Larry (August 28, 2015).
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866:. The film received critical acclaim.
711:The financial and critical success of
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4393:
4317:Williams, Linda (September 8, 2005).
4162:Hatfull, Jonathan (August 25, 2014).
4060:Zakarin, Jordan (February 18, 2019).
3909:
3714:from the original on January 12, 2022
3607:Macnaughton, Oliver (April 2, 2021).
3523:
3497:
3459:(August 1981). "The Perfect Scream".
3429:
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3308:
3290:from the original on December 9, 2019
3250:from the original on October 25, 2014
3137:
3009:
2913:
2882:
2827:De Palma, Brian (February 11, 2020).
2795:
2741:
2669:
2262:
2257:
2252:
1641:) on their annual top ten list, with
1611:has placed five of De Palma's films (
1605:The influential French film magazine
1248:Motion Picture Association of America
1234:of some of De Palma's films, such as
774:, who featured a clip in his mammoth
527:exhibit curated by William Seitz for
221:
4366:
4341:
4225:from the original on October 5, 2013
4196:Smith, Hilary Jane (July 20, 2021).
4054:
3780:
3669:
3469:
3455:
3406:"'Dressed to Kill,' DePalma Mystery"
3231:
3106:
3075:
2616:
652:a film adaptation of the 1974 novel
650:In November 1976, De Palma released
390:schools, eventually graduating from
5311:American writers of Italian descent
5296:21st-century American screenwriters
5286:20th-century American screenwriters
4243:
4014:
3524:Canby, Vincent (October 26, 1984).
3498:Canby, Vincent (December 9, 1983).
3350:Scott, A. O. (September 17, 2006).
2928:"Brian De Palma is a revolutionary"
2770:Kenigsberg, Ben (August 30, 2013).
2638:
1672:"Queer and Now and Then" column on
1649:as the greatest film of the 1990s.
1214:) and his mainly commercial films (
13:
5291:21st-century American male writers
5281:20th-century American male writers
4533:Les serpents sont-ils nécessaires?
4499:David Rooney (September 8, 2015).
4298:. New York: Film at Lincoln Center
4288:Koresky, Michael (July 17, 2019).
3982:Thompson, Anne (August 30, 2013).
3733:Aloisi, Silvia (August 31, 2007).
3670:Sims, David (September 27, 2019).
3081:"Film: After the Prom, the Horror"
2955:Lester, Peter (October 22, 1979).
2726:"Brian De Palma Biography (1940–)"
1505:he knew how to make his own film.
1162:Les serpents sont-ils nécessaires?
898:films—that is, to the place where
484:An early association with a young
16:American film director (born 1940)
14:
5382:
4630:
4367:Kael, Pauline (August 14, 1989).
4145:Topel, Fred (November 11, 2004).
3581:Bennetts, Leslie (July 6, 1987).
3477:. New York: Henry Holt & Co.
2702:Ebert, Roger (November 6, 2002).
2617:Rose, Steve (September 8, 2006).
2151:Buena Vista Pictures Distribution
1321:, while it also used elements of
1286:plots were used for the basis of
226:; born September 11, 1940) is an
3430:Canby, Vincent (July 24, 1981).
3404:Canby, Vincent (July 25, 1980).
2926:Ditlea, Steve (April 28, 1969).
2596:"Brian De Palma | Film | Primer"
1509:'s performance as Jack Terry in
1381:
1140:was selected to compete for the
194:
169:
142:
5371:Writers from Newark, New Jersey
5321:English-language film directors
4524:
4492:
4466:
4434:
4425:
4409:
4387:
4360:
4335:
4310:
4281:
4268:
4237:
4207:
4179:Wien, Gary (October 19, 2014).
4156:
4139:
4084:
4071:
4008:
3948:
3931:
3903:
3878:
3853:
3827:
3802:
3774:
3749:
3691:
3663:
3633:Tobias, Scott (March 5, 2009).
3626:
3600:
3574:
3543:
3517:
3491:
3449:
3423:
3397:
3369:
3343:
3314:
3262:
3225:
3194:
3162:
3131:
3100:
3069:
3047:
3030:"Berlinale 1969: Prize Winners"
3016:University Press of Mississippi
3003:
2976:
2948:
2919:
2876:
2848:
2820:
2678:Kael, Pauline (July 27, 1981).
1870:American International Pictures
1348:
1257:
1030:starting a successful franchise
439:as a graduate student in their
190:
165:
138:
5341:American horror film directors
5331:Film producers from New Jersey
5326:Film directors from New Jersey
5301:American action film directors
4290:"Queer and Now and Then: 2002"
4274:Caputi, Jane (June 15, 1987).
4077:Fisher, Nate (June 17, 2016).
3910:Coyle, Jake (March 18, 2020).
2987:The Film Director as Superstar
2789:
2763:
2742:Clark, Ashley (June 7, 2016).
2735:
2719:
2688:. Retrieved February 3, 2012.
1758:
1536:. Kael wrote in her review of
246:generation of film directors.
1:
5366:Screenwriters from New Jersey
5361:Sarah Lawrence College alumni
5041:Silver Lion for Best Director
4342:Wood, Robin (July 15, 2003).
3209:Cambridge Scholars Publishing
2732:. Retrieved January 14, 2012.
2716:. Retrieved January 14, 2012.
2604:. Retrieved February 3, 2012.
2568:
1369:. Slow sweeping, panning and
990:, the latter of whom won the
822:1980–1996: Established career
544:'s performance of Euripides'
480:1963–1976: Rise to prominence
4656:Literature on Brian De Palma
3274:Story Into the Beginning of
2561:
2558:
2555:
2552:
2549:
2546:
2528:
2511:
2486:
2463:
2460:
2457:
2454:
2451:
2448:
2431:
2406:
2381:
2356:
2347:
2325:
2308:
2299:
880:achieved with films such as
7:
5306:American male screenwriters
4896:The Bonfire of the Vanities
4597:(hardcover ed.). Houghton.
4501:"'De Palma': Venice Review"
3992:. p. 2. Archived from
3781:Kohn, Eric (June 2, 2016).
3556:. Middletown, Connecticut:
3232:Metz, Cade (May 25, 2012).
2069:The Bonfire of the Vanities
1600:The Bonfire of the Vanities
1007:The Bonfire of the Vanities
10:
5387:
5316:Columbia University alumni
5132:Aleksei Alekseivich German
3201:Anastasova, Maria (2018).
2886:The Films of Robert DeNiro
1765:Brian De Palma filmography
1762:
1717:, writes that upon seeing
1038:1998–present: Career slump
770:. The film was admired by
5351:People of Apulian descent
5222:
5147:
5076:
5047:
4699:
3735:""Redacted" stuns Venice"
3558:Wesleyan University Press
3246:. Condé Nast Publishing.
3012:Brian De Palma Interviews
2543:
2315:
2249:
2246:
2223:
2206:
2189:
2174:
2159:
2142:
2134:Buena Vista International
2123:
2108:
2096:
2088:
2081:
2066:
2051:
2034:
2017:
2002:
1985:
1973:
1963:
1956:
1941:
1926:
1909:
1895:
1892:
1878:
1861:
1847:
1844:
1832:
1817:
1800:
1788:
1785:
1780:
1777:
1774:
1725:Women Against Pornography
1114:De Palma speaking in 2012
955:1991 Venice Film Festival
474:
207:
117:
109:
92:
71:
42:
30:
23:
5356:Postmodernist filmmakers
4579:(hardcover ed.). Knopf.
3010:Knapp, Lawrence (2003).
2933:Columbia Daily Spectator
2802:. Metuchen, New Jersey:
1254:and the viewing public.
1097:2006 Mahmudiyah killings
883:McCabe & Mrs. Miller
398:in De Palma's 1980 film
346:Early life and education
4776:Phantom of the Paradise
4756:Get to Know Your Rabbit
4622:Dworkin, Susan (1984).
4608:Bliss, Michael (1986).
4202:Merry-Go-Round Magazine
3238:? It Died 15 Years Ago"
3207:. Newcastle upon Tyne:
2983:Gelmis, Joseph (1970).
2883:Brode, Douglas (2001).
2796:Bliss, Michael (1983).
2295:Phantom of the Paradise
2232:Signature Entertainment
1881:Phantom of the Paradise
1850:Get to Know Your Rabbit
1331:was also the basis for
1308:The Battleship Potemkin
1095:. Loosely based on the
646:1976–1979: Breakthrough
633:Phantom of the Paradise
612:Get to Know Your Rabbit
532:paintings themselves."
443:department, earning an
392:Friends' Central School
382:, and attended various
292:Phantom of the Paradise
4506:The Hollywood Reporter
4375:. New York: Condé Nast
4369:"A Wounded Apparition"
4278:. Popular Press. p. 92
3234:"The 35th Birthday of
3178:. 2011. Archived from
3138:Beahm, George (2015).
2834:The Hollywood Reporter
2240:Awards and nominations
1390:(1979–1983), producer
1268:Michelangelo Antonioni
1164:(English translation:
1115:
1042:De Palma's work after
957:
818:
784:, who championed both
730:'s 2002 adaptation of
658:. Though some see the
457:Michelangelo Antonioni
437:Sarah Lawrence College
410:Differential Equations
332:Michelangelo Antonioni
240:psychological thriller
218:Brian Russell De Palma
84:Sarah Lawrence College
47:Brian Russell De Palma
5336:Giallo film directors
3286:. December 13, 2015.
3110:(November 15, 1976).
3079:(November 17, 1976).
1311:. The main plot from
1166:Are Snakes Necessary?
1113:
968:book of the same name
966:loosely based on the
952:
916:with a screenplay by
806:
777:Histoire(s) du cinéma
584:was entered into the
542:the Performance Group
518:, a 1966 movie about
5167:Paul Thomas Anderson
4575:(October 26, 2010).
4420:Entertainment Weekly
4276:The Age of Sex Crime
4118:. pp. 201–202.
3550:Cullen, Jim (2005).
1796:Aries Documentaries
1432:Francis Ford Coppola
1406:Reception and legacy
1278:Francis Ford Coppola
700:, split-diopter and
193: 1995;
168: 1991;
141: 1979;
5195:Andrei Konchalovsky
5179:Andrei Konchalovsky
4926:Mission: Impossible
4541:Payot & Rivages
4250:alumnus.caltech.edu
3996:on October 26, 2014
2991:. Garden City, NY:
2264:Golden Globe Awards
2182:Universal Pictures
2116:Paramount Pictures
2111:Mission: Impossible
2089:Universal Pictures
2026:Metro-Goldwyn-Mayer
1771:
1684:Linda Ruth Williams
1620:Mission: Impossible
1588:Mission: Impossible
1228:Mission: Impossible
1044:Mission: Impossible
1025:Mission: Impossible
944:Dancing in the Dark
797:Mission: Impossible
509:Treasury Department
417:Columbia University
370:. He was raised in
279:(1996), as well as
276:Mission: Impossible
79:Columbia University
5173:Alexandros Avranas
5155:Álex de la Iglesia
5084:Buddhadeb Dasgupta
4691:Films directed by
4478:Rottentomatoes.com
4397:(September 2013).
4116:Simon and Schuster
4081:, Thefilmstage.com
3839:Rottentomatoes.com
3659:. August 21, 2013.
3587:The New York Times
3530:The New York Times
3504:The New York Times
3436:The New York Times
3410:The New York Times
3356:The New York Times
3330:The New York Times
3324:(March 15, 1978).
3311:, p. 167–168.
3146:Thomas Dunne Books
3086:The New York Times
2131:Paramount Pictures
2059:Columbia Pictures
2043:Paramount Pictures
2010:Columbia Pictures
1994:Universal Pictures
1825:Ajay Film Company
1770:Directed features
1769:
1301:Steps sequence in
1116:
958:
819:
746:The Demolished Man
742:The Demolished Man
718:The Demolished Man
521:The Responsive Eye
516:The Responsive Eye
368:Province of Foggia
356:Anthony F. DePalma
352:Newark, New Jersey
223:[deˈpalma]
64:Newark, New Jersey
57:September 11, 1940
5263:
5262:
5007:
5006:
4886:Casualties of War
4726:The Wedding Party
4585:978-0-307-27174-7
4557:978-2-7436-4445-1
4474:"De Palma (2015)"
4256:on March 27, 2012
4244:Johnson, Eric C.
4125:978-0-684-80341-8
4030:on March 25, 2008
4022:Los Angeles Times
3383:Los Angeles Times
3218:978-1-5275-1801-8
3155:978-1-250-05412-8
2936:. Vol. CXIII
2864:. August 13, 2016
2713:Chicago Sun-Times
2654:Los Angeles Times
2566:
2565:
2474:Casualties of War
2237:
2236:
2215:Entertainment One
2198:Magnolia Pictures
2054:Casualties of War
1965:Filmways Pictures
1934:20th Century Fox
1904:Columbia Pictures
1820:The Wedding Party
1735:Matt Zoller Seitz
1713:, in a piece for
1706:Casualties of War
1608:Cahiers du Cinéma
1580:Casualties of War
1491:Jack Thomas Smith
1475:Quentin Tarantino
1355:canted angle shot
1303:Sergei Eisenstein
1101:Casualties of War
1001:Casualties of War
974:. The film stars
946:" the same year.
940:Bruce Springsteen
930:(1984), starring
914:Michelle Pfeiffer
848:mystery thriller
588:, where it won a
496:Greenwich Village
491:The Wedding Party
310:Casualties of War
215:
214:
110:Years active
5378:
5230:Kiyoshi Kurosawa
5034:
5027:
5020:
5011:
5010:
5000:
4990:
4980:
4970:
4966:The Black Dahlia
4960:
4950:
4940:
4930:
4920:
4910:
4900:
4890:
4880:
4876:The Untouchables
4870:
4860:
4850:
4840:
4830:
4820:
4810:
4800:
4790:
4780:
4770:
4760:
4750:
4740:
4730:
4720:
4710:
4685:
4678:
4671:
4662:
4661:
4569:
4549:
4518:
4517:
4515:
4513:
4496:
4490:
4489:
4487:
4485:
4470:
4464:
4463:
4461:
4459:
4438:
4432:
4431:Thomson, p. 257.
4429:
4423:
4413:
4407:
4406:
4391:
4385:
4384:
4382:
4380:
4364:
4358:
4357:
4339:
4333:
4332:
4314:
4308:
4307:
4305:
4303:
4285:
4279:
4272:
4266:
4265:
4263:
4261:
4252:. Archived from
4241:
4235:
4234:
4232:
4230:
4211:
4205:
4194:
4188:
4185:New Jersey Stage
4177:
4171:
4160:
4154:
4143:
4137:
4136:
4134:
4132:
4105:
4099:
4088:
4082:
4075:
4069:
4058:
4052:
4049:
4040:
4039:
4037:
4035:
4026:. Archived from
4015:Rainier, Peter.
4012:
4006:
4005:
4003:
4001:
3979:
3973:
3972:
3970:
3968:
3956:"Brian De Palma"
3952:
3946:
3945:
3935:
3929:
3928:
3926:
3924:
3917:Associated Press
3907:
3901:
3900:
3898:
3896:
3882:
3876:
3875:
3873:
3871:
3857:
3851:
3850:
3848:
3846:
3831:
3825:
3824:
3822:
3820:
3806:
3800:
3799:
3797:
3795:
3778:
3772:
3771:
3769:
3767:
3753:
3747:
3746:
3744:
3742:
3730:
3724:
3723:
3721:
3719:
3703:
3695:
3689:
3688:
3686:
3684:
3667:
3661:
3660:
3653:
3647:
3646:
3644:
3642:
3630:
3624:
3623:
3621:
3619:
3604:
3598:
3597:
3595:
3593:
3578:
3572:
3571:
3547:
3541:
3540:
3538:
3536:
3521:
3515:
3514:
3512:
3510:
3495:
3489:
3488:
3475:Taking It All In
3464:
3453:
3447:
3446:
3444:
3442:
3427:
3421:
3420:
3418:
3416:
3401:
3395:
3394:
3392:
3390:
3373:
3367:
3366:
3364:
3362:
3347:
3341:
3340:
3338:
3336:
3318:
3312:
3306:
3300:
3299:
3297:
3295:
3266:
3260:
3259:
3257:
3255:
3229:
3223:
3222:
3198:
3192:
3191:
3189:
3187:
3182:on June 30, 2011
3166:
3160:
3159:
3135:
3129:
3128:
3126:
3124:
3104:
3098:
3097:
3095:
3093:
3073:
3067:
3064:
3058:
3053:Brody, Richard.
3051:
3045:
3044:
3042:
3040:
3026:
3020:
3019:
3007:
3001:
3000:
2990:
2980:
2974:
2973:
2971:
2969:
2952:
2946:
2945:
2943:
2941:
2923:
2917:
2911:
2905:
2904:
2880:
2874:
2873:
2871:
2869:
2856:"Brian De Palma"
2852:
2846:
2845:
2843:
2841:
2824:
2818:
2817:
2793:
2787:
2786:
2784:
2782:
2767:
2761:
2760:
2758:
2756:
2739:
2733:
2723:
2717:
2700:
2689:
2676:
2667:
2666:
2664:
2662:
2645:
2636:
2635:
2633:
2631:
2614:
2605:
2592:
2524:The Black Dahlia
2444:The Untouchables
2244:
2243:
2177:The Black Dahlia
2037:The Untouchables
1887:20th Century Fox
1772:
1768:
1671:
1448:Alfred Hitchcock
1436:Steven Spielberg
1296:
1292:The Untouchables
1283:The Conversation
1232:graphic violence
1220:The Untouchables
1124:development hell
1083:The Black Dahlia
963:The Untouchables
953:De Palma at the
936:Melanie Griffith
908:(1983) starring
854:(1981) starring
832:(1980) starring
760:Carrie Snodgress
728:Steven Spielberg
616:1972), starring
469:Alfred Hitchcock
453:Maysles brothers
324:Alfred Hitchcock
270:The Untouchables
225:
198:
196:
192:
180:Darnell Gregorio
173:
171:
167:
146:
144:
140:
60:
56:
54:
37:De Palma in 2009
35:
21:
20:
5386:
5385:
5381:
5380:
5379:
5377:
5376:
5375:
5266:
5265:
5264:
5259:
5242:Luca Guadagnino
5218:
5207:Jacques Audiard
5143:
5114:Philippe Garrel
5072:
5055:Martin Scorsese
5043:
5038:
5008:
5003:
4993:
4983:
4973:
4963:
4953:
4946:Mission to Mars
4943:
4933:
4923:
4913:
4903:
4893:
4883:
4873:
4863:
4853:
4843:
4833:
4826:Dressed to Kill
4823:
4813:
4803:
4793:
4783:
4773:
4763:
4753:
4743:
4736:Dionysus in '69
4733:
4723:
4713:
4706:Murder a la Mod
4703:
4695:
4689:
4633:
4619:. Calmann-Levy.
4558:
4543:
4530:
4527:
4522:
4521:
4511:
4509:
4497:
4493:
4483:
4481:
4480:. June 10, 2016
4472:
4471:
4467:
4457:
4455:
4439:
4435:
4430:
4426:
4415:McGovern, Joe.
4414:
4410:
4392:
4388:
4378:
4376:
4365:
4361:
4354:
4340:
4336:
4329:
4315:
4311:
4301:
4299:
4286:
4282:
4273:
4269:
4259:
4257:
4242:
4238:
4228:
4226:
4213:
4212:
4208:
4195:
4191:
4178:
4174:
4161:
4157:
4144:
4140:
4130:
4128:
4126:
4106:
4102:
4089:
4085:
4076:
4072:
4059:
4055:
4051:Salamon, p. 27.
4050:
4043:
4033:
4031:
4013:
4009:
3999:
3997:
3980:
3976:
3966:
3964:
3954:
3953:
3949:
3936:
3932:
3922:
3920:
3908:
3904:
3894:
3892:
3890:Theplaylist.net
3884:
3883:
3879:
3869:
3867:
3859:
3858:
3854:
3844:
3842:
3835:"Domino (2019)"
3833:
3832:
3828:
3818:
3816:
3808:
3807:
3803:
3793:
3791:
3779:
3775:
3765:
3763:
3755:
3754:
3750:
3740:
3738:
3731:
3727:
3717:
3715:
3696:
3692:
3682:
3680:
3668:
3664:
3655:
3654:
3650:
3640:
3638:
3637:. The A.V. Club
3631:
3627:
3617:
3615:
3605:
3601:
3591:
3589:
3579:
3575:
3568:
3560:. p. 119.
3548:
3544:
3534:
3532:
3522:
3518:
3508:
3506:
3496:
3492:
3485:
3454:
3450:
3440:
3438:
3428:
3424:
3414:
3412:
3402:
3398:
3388:
3386:
3374:
3370:
3360:
3358:
3348:
3344:
3334:
3332:
3319:
3315:
3307:
3303:
3293:
3291:
3268:
3267:
3263:
3253:
3251:
3230:
3226:
3219:
3211:. p. 159.
3199:
3195:
3185:
3183:
3168:
3167:
3163:
3156:
3148:. p. 463.
3136:
3132:
3122:
3120:
3105:
3101:
3091:
3089:
3074:
3070:
3066:Salamon, p. 26.
3065:
3061:
3052:
3048:
3038:
3036:
3028:
3027:
3023:
3014:. Jackson, MS:
3008:
3004:
2981:
2977:
2967:
2965:
2953:
2949:
2939:
2937:
2924:
2920:
2912:
2908:
2901:
2881:
2877:
2867:
2865:
2854:
2853:
2849:
2839:
2837:
2825:
2821:
2814:
2806:. p. 139.
2804:Scarecrow Press
2794:
2790:
2780:
2778:
2768:
2764:
2754:
2752:
2740:
2736:
2724:
2720:
2701:
2692:
2677:
2670:
2660:
2658:
2657:. June 10, 2016
2647:
2646:
2639:
2629:
2627:
2615:
2608:
2593:
2576:
2571:
2369:Dressed to Kill
2242:
2145:Mission to Mars
2132:
1959:Dressed to Kill
1949:United Artists
1791:Murder a la Mod
1767:
1761:
1720:Dressed to Kill
1669:
1663:affinities. In
1632:Mission to Mars
1596:Mission to Mars
1564:Dressed to Kill
1487:Nacho Vigalondo
1471:Terrence Malick
1467:Dressed to Kill
1416:Martin Scorsese
1408:
1384:
1351:
1337:Dressed to Kill
1294:
1264:Jean-Luc Godard
1260:
1236:Dressed to Kill
1204:Dressed to Kill
1184:
1055:Mission to Mars
1040:
838:Angie Dickinson
829:Dressed to Kill
824:
810:, De Palma and
772:Jean-Luc Godard
764:John Cassavetes
737:Minority Report
656:by Stephen King
648:
600:intertextuality
595:Murder a la Mod
537:Dionysus in '69
482:
477:
461:Jean-Luc Godard
406:Analog Computer
401:Dressed to Kill
348:
328:Jean-Luc Godard
258:Dressed to Kill
203:
200:
197: 1997)
188:
184:
181:
175:
172: 1993)
163:
159:
156:
148:
145: 1984)
136:
132:
129:
105:
88:
72:Alma mater
67:
61:
58:
52:
50:
49:
48:
38:
26:
17:
12:
11:
5:
5384:
5374:
5373:
5368:
5363:
5358:
5353:
5348:
5343:
5338:
5333:
5328:
5323:
5318:
5313:
5308:
5303:
5298:
5293:
5288:
5283:
5278:
5261:
5260:
5258:
5257:
5251:
5248:Matteo Garrone
5245:
5239:
5233:
5226:
5224:
5220:
5219:
5217:
5216:
5210:
5204:
5201:Xavier Legrand
5198:
5191:Amat Escalante
5188:
5182:
5176:
5170:
5164:
5158:
5151:
5149:
5145:
5144:
5142:
5141:
5135:
5129:
5126:Brian De Palma
5123:
5117:
5111:
5105:
5102:Takeshi Kitano
5099:
5096:Lee Chang-dong
5093:
5087:
5080:
5078:
5074:
5073:
5071:
5070:
5064:
5061:Emir Kusturica
5058:
5051:
5049:
5045:
5044:
5037:
5036:
5029:
5022:
5014:
5005:
5004:
5002:
5001:
4991:
4981:
4971:
4961:
4951:
4941:
4931:
4921:
4911:
4901:
4891:
4881:
4871:
4861:
4851:
4841:
4831:
4821:
4811:
4801:
4791:
4781:
4771:
4761:
4751:
4741:
4731:
4721:
4711:
4700:
4697:
4696:
4693:Brian De Palma
4688:
4687:
4680:
4673:
4665:
4659:
4658:
4653:
4648:
4643:
4637:Brian De Palma
4632:
4631:External links
4629:
4628:
4627:
4620:
4617:Brian De Palma
4613:
4610:Brian De Palma
4606:
4591:Salamon, Julie
4588:
4573:Thomson, David
4570:
4556:
4526:
4523:
4520:
4519:
4491:
4465:
4452:Slant Magazine
4433:
4424:
4408:
4386:
4373:The New Yorker
4359:
4353:978-0231129671
4352:
4334:
4328:978-0253218360
4327:
4309:
4280:
4267:
4236:
4206:
4189:
4172:
4155:
4138:
4124:
4100:
4083:
4070:
4053:
4041:
4007:
3974:
3947:
3930:
3902:
3877:
3852:
3841:. May 31, 2019
3826:
3814:Metacritic.com
3801:
3773:
3748:
3725:
3690:
3662:
3648:
3625:
3599:
3573:
3566:
3542:
3516:
3490:
3483:
3461:The New Yorker
3448:
3422:
3396:
3368:
3342:
3322:Canby, Vincent
3313:
3301:
3261:
3224:
3217:
3193:
3161:
3154:
3130:
3117:The New Yorker
3099:
3068:
3059:
3046:
3021:
3002:
2975:
2947:
2918:
2906:
2899:
2893:. p. 23.
2875:
2861:The Daily Star
2847:
2819:
2812:
2799:Brian De Palma
2788:
2762:
2734:
2730:Film Reference
2718:
2690:
2685:The New Yorker
2668:
2637:
2606:
2573:
2572:
2570:
2567:
2564:
2563:
2560:
2557:
2554:
2551:
2548:
2545:
2541:
2540:
2538:
2536:
2534:
2532:
2530:
2527:
2520:
2516:
2515:
2513:
2510:
2508:
2506:
2504:
2502:
2495:
2491:
2490:
2488:
2485:
2483:
2481:
2479:
2477:
2470:
2466:
2465:
2462:
2459:
2456:
2453:
2450:
2447:
2440:
2436:
2435:
2433:
2430:
2428:
2426:
2424:
2422:
2415:
2411:
2410:
2408:
2405:
2403:
2401:
2399:
2397:
2390:
2386:
2385:
2383:
2380:
2378:
2376:
2374:
2372:
2365:
2361:
2360:
2358:
2355:
2353:
2351:
2349:
2346:
2338:
2337:
2335:
2333:
2331:
2329:
2327:
2324:
2317:
2313:
2312:
2310:
2307:
2305:
2303:
2301:
2298:
2291:
2287:
2286:
2283:
2280:
2277:
2274:
2271:
2267:
2266:
2261:
2256:
2254:Academy Awards
2251:
2248:
2241:
2238:
2235:
2234:
2229:
2222:
2218:
2217:
2212:
2205:
2201:
2200:
2195:
2188:
2184:
2183:
2180:
2173:
2169:
2168:
2165:
2158:
2154:
2153:
2148:
2141:
2137:
2136:
2129:
2122:
2118:
2117:
2114:
2107:
2103:
2102:
2095:
2091:
2090:
2087:
2080:
2076:
2075:
2072:
2065:
2061:
2060:
2057:
2050:
2046:
2045:
2040:
2033:
2029:
2028:
2023:
2016:
2012:
2011:
2008:
2001:
1997:
1996:
1991:
1984:
1980:
1979:
1972:
1968:
1967:
1962:
1955:
1951:
1950:
1947:
1940:
1936:
1935:
1932:
1925:
1921:
1920:
1918:United Artists
1915:
1907:
1906:
1901:
1894:
1890:
1889:
1884:
1877:
1873:
1872:
1867:
1859:
1858:
1853:
1846:
1842:
1841:
1838:
1831:
1827:
1826:
1823:
1816:
1812:
1811:
1806:
1798:
1797:
1794:
1787:
1783:
1782:
1779:
1776:
1763:Main article:
1760:
1757:
1440:John Carpenter
1407:
1404:
1392:Gale Anne Hurd
1383:
1380:
1371:tracking shots
1350:
1347:
1259:
1256:
1188:thriller films
1183:
1180:
1175:Thérèse Raquin
1134:Rachel McAdams
1039:
1036:
984:Robert De Niro
869:The New Yorker
823:
820:
732:Philip K. Dick
664:United Artists
647:
644:
622:Tommy Smothers
552:William Finley
486:Robert De Niro
481:
478:
476:
473:
347:
344:
281:cult favorites
213:
212:
209:
205:
204:
202:
201:
186:
182:
179:
178:
176:
161:
157:
154:Gale Anne Hurd
152:
151:
149:
134:
130:
125:
124:
121:
119:
115:
114:
111:
107:
106:
104:
103:
100:
96:
94:
90:
89:
87:
86:
81:
75:
73:
69:
68:
62:
46:
44:
40:
39:
36:
28:
27:
25:Brian De Palma
24:
15:
9:
6:
4:
3:
2:
5383:
5372:
5369:
5367:
5364:
5362:
5359:
5357:
5354:
5352:
5349:
5347:
5346:Living people
5344:
5342:
5339:
5337:
5334:
5332:
5329:
5327:
5324:
5322:
5319:
5317:
5314:
5312:
5309:
5307:
5304:
5302:
5299:
5297:
5294:
5292:
5289:
5287:
5284:
5282:
5279:
5277:
5274:
5273:
5271:
5255:
5252:
5249:
5246:
5243:
5240:
5237:
5234:
5231:
5228:
5227:
5225:
5221:
5214:
5213:Roy Andersson
5211:
5208:
5205:
5202:
5199:
5196:
5192:
5189:
5186:
5185:Pablo Trapero
5183:
5180:
5177:
5174:
5171:
5168:
5165:
5162:
5159:
5156:
5153:
5152:
5150:
5146:
5139:
5138:Shirin Neshat
5136:
5133:
5130:
5127:
5124:
5121:
5120:Alain Resnais
5118:
5115:
5112:
5109:
5106:
5103:
5100:
5097:
5094:
5091:
5088:
5085:
5082:
5081:
5079:
5075:
5068:
5065:
5062:
5059:
5056:
5053:
5052:
5050:
5046:
5042:
5035:
5030:
5028:
5023:
5021:
5016:
5015:
5012:
4998:
4997:
4992:
4988:
4987:
4982:
4978:
4977:
4972:
4968:
4967:
4962:
4958:
4957:
4952:
4948:
4947:
4942:
4938:
4937:
4932:
4928:
4927:
4922:
4918:
4917:
4916:Carlito's Way
4912:
4908:
4907:
4902:
4898:
4897:
4892:
4888:
4887:
4882:
4878:
4877:
4872:
4868:
4867:
4862:
4858:
4857:
4852:
4848:
4847:
4842:
4838:
4837:
4832:
4828:
4827:
4822:
4818:
4817:
4812:
4808:
4807:
4802:
4798:
4797:
4792:
4788:
4787:
4782:
4778:
4777:
4772:
4768:
4767:
4762:
4758:
4757:
4752:
4748:
4747:
4742:
4738:
4737:
4732:
4728:
4727:
4722:
4718:
4717:
4712:
4708:
4707:
4702:
4701:
4698:
4694:
4686:
4681:
4679:
4674:
4672:
4667:
4666:
4663:
4657:
4654:
4652:
4649:
4647:
4644:
4642:
4638:
4635:
4634:
4625:
4621:
4618:
4614:
4611:
4607:
4604:
4603:0-395-56996-6
4600:
4596:
4592:
4589:
4586:
4582:
4578:
4574:
4571:
4567:
4563:
4559:
4553:
4547:
4542:
4538:
4534:
4529:
4528:
4508:
4507:
4502:
4495:
4479:
4475:
4469:
4454:
4453:
4448:
4446:
4437:
4428:
4421:
4418:
4412:
4404:
4400:
4396:
4390:
4374:
4370:
4363:
4355:
4349:
4345:
4338:
4330:
4324:
4320:
4313:
4297:
4296:
4291:
4284:
4277:
4271:
4260:September 11,
4255:
4251:
4247:
4240:
4224:
4220:
4216:
4210:
4203:
4199:
4193:
4186:
4182:
4176:
4169:
4165:
4159:
4152:
4148:
4142:
4127:
4121:
4117:
4113:
4112:
4104:
4097:
4093:
4087:
4080:
4074:
4067:
4063:
4057:
4048:
4046:
4029:
4025:
4023:
4018:
4011:
3995:
3991:
3990:
3985:
3978:
3963:
3962:
3957:
3951:
3944:(in Italian).
3943:
3942:
3941:la Repubblica
3934:
3919:
3918:
3913:
3906:
3891:
3887:
3881:
3866:
3862:
3856:
3840:
3836:
3830:
3815:
3811:
3805:
3790:
3789:
3784:
3777:
3762:
3758:
3752:
3736:
3729:
3713:
3709:
3708:
3707:The Telegraph
3702:
3694:
3679:
3678:
3673:
3666:
3658:
3652:
3636:
3629:
3614:
3610:
3603:
3588:
3584:
3577:
3569:
3567:0-8195-6761-2
3563:
3559:
3555:
3554:
3546:
3531:
3527:
3520:
3505:
3501:
3494:
3486:
3484:0-03-069362-4
3480:
3476:
3472:
3471:Kael, Pauline
3468:
3462:
3458:
3457:Kael, Pauline
3452:
3437:
3433:
3426:
3411:
3407:
3400:
3385:
3384:
3379:
3372:
3357:
3353:
3346:
3331:
3327:
3323:
3317:
3310:
3305:
3289:
3285:
3284:
3279:
3277:
3273:
3265:
3249:
3245:
3244:
3239:
3237:
3228:
3220:
3214:
3210:
3206:
3205:
3197:
3181:
3177:
3176:
3171:
3165:
3157:
3151:
3147:
3143:
3142:
3134:
3119:
3118:
3113:
3109:
3108:Kael, Pauline
3103:
3088:
3087:
3082:
3078:
3077:Eder, Richard
3072:
3063:
3056:
3050:
3035:
3031:
3025:
3018:. p. 26.
3017:
3013:
3006:
2998:
2994:
2989:
2988:
2979:
2964:
2963:
2958:
2951:
2935:
2934:
2929:
2922:
2916:, p. 23.
2915:
2910:
2902:
2900:0-8065-2110-4
2896:
2892:
2891:Citadel Press
2888:
2887:
2879:
2863:
2862:
2857:
2851:
2836:
2835:
2830:
2823:
2815:
2813:0-8108-1621-0
2809:
2805:
2801:
2800:
2792:
2777:
2773:
2766:
2751:
2750:
2745:
2738:
2731:
2727:
2722:
2715:
2714:
2709:
2707:
2699:
2697:
2695:
2687:
2686:
2681:
2675:
2673:
2656:
2655:
2650:
2644:
2642:
2626:
2625:
2620:
2613:
2611:
2603:
2602:
2601:The A.V. Club
2597:
2591:
2589:
2587:
2585:
2583:
2581:
2579:
2574:
2542:
2539:
2537:
2535:
2533:
2531:
2526:
2525:
2521:
2518:
2517:
2514:
2509:
2507:
2505:
2503:
2501:
2500:
2499:Carlito's Way
2496:
2493:
2492:
2489:
2484:
2482:
2480:
2478:
2476:
2475:
2471:
2468:
2467:
2446:
2445:
2441:
2438:
2437:
2434:
2429:
2427:
2425:
2423:
2421:
2420:
2416:
2413:
2412:
2409:
2404:
2402:
2400:
2398:
2396:
2395:
2391:
2388:
2387:
2384:
2379:
2377:
2375:
2373:
2371:
2370:
2366:
2363:
2362:
2359:
2354:
2352:
2350:
2345:
2344:
2340:
2339:
2336:
2334:
2332:
2330:
2328:
2323:
2322:
2318:
2314:
2311:
2306:
2304:
2302:
2297:
2296:
2292:
2289:
2288:
2284:
2281:
2278:
2275:
2272:
2269:
2268:
2265:
2260:
2255:
2245:
2233:
2230:
2228:
2227:
2220:
2219:
2216:
2213:
2211:
2210:
2203:
2202:
2199:
2196:
2194:
2193:
2186:
2185:
2181:
2179:
2178:
2171:
2170:
2167:Warner Bros.
2166:
2164:
2163:
2156:
2155:
2152:
2149:
2147:
2146:
2139:
2138:
2135:
2130:
2128:
2127:
2120:
2119:
2115:
2113:
2112:
2105:
2104:
2101:
2100:
2099:Carlito's Way
2093:
2092:
2086:
2085:
2078:
2077:
2074:Warner Bros.
2073:
2071:
2070:
2063:
2062:
2058:
2056:
2055:
2048:
2047:
2044:
2041:
2039:
2038:
2031:
2030:
2027:
2024:
2022:
2021:
2014:
2013:
2009:
2007:
2006:
1999:
1998:
1995:
1992:
1990:
1989:
1982:
1981:
1978:
1977:
1970:
1969:
1966:
1961:
1960:
1953:
1952:
1948:
1946:
1945:
1938:
1937:
1933:
1931:
1930:
1923:
1922:
1919:
1916:
1914:
1913:
1908:
1905:
1902:
1900:
1899:
1891:
1888:
1885:
1883:
1882:
1875:
1874:
1871:
1868:
1866:
1865:
1860:
1857:
1854:
1852:
1851:
1843:
1839:
1837:
1836:
1829:
1828:
1824:
1822:
1821:
1814:
1813:
1810:
1807:
1805:
1804:
1799:
1795:
1793:
1792:
1784:
1781:Distribution
1773:
1766:
1756:
1754:
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1749:Noah Baumbach
1746:
1744:
1738:
1736:
1732:
1731:David Thomson
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1653:Julie Salamon
1650:
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1647:Carlito's Way
1644:
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1614:Carlito's Way
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1584:Carlito's Way
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1507:John Travolta
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1421:
1420:Paul Schrader
1417:
1413:
1412:New Hollywood
1403:
1401:
1397:
1393:
1389:
1382:Personal life
1379:
1376:
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1360:
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1317:was used for
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1225:
1224:Carlito's Way
1221:
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1079:
1075:
1072:and became a
1071:
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1057:
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1045:
1035:
1034:
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1027:
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1019:Carlito's Way
1015:
1014:
1009:
1008:
1003:
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997:
993:
989:
985:
981:
977:
976:Kevin Costner
973:
970:, adapted by
969:
965:
964:
956:
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947:
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937:
933:
929:
928:
923:
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895:The Godfather
891:
890:
885:
884:
879:
878:Robert Altman
875:
871:
870:
865:
861:
857:
856:John Travolta
853:
852:
847:
843:
839:
835:
834:Michael Caine
831:
830:
817:
813:
809:
808:John Travolta
805:
801:
799:
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792:
787:
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769:
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724:
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709:
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689:
685:
681:
677:
673:
672:John Travolta
669:
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643:
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629:
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623:
619:
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583:
579:
578:revolutionary
576:
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449:Wilford Leach
446:
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380:New Hampshire
377:
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320:
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316:Carlito's Way
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244:New Hollywood
241:
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155:
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128:
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101:
99:Film director
98:
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95:
91:
85:
82:
80:
77:
76:
74:
70:
65:
59:(age 84)
45:
41:
34:
29:
22:
19:
5254:Brady Corbet
5236:Jane Campion
5161:Cai Shangjun
5125:
5090:Babak Payami
4994:
4984:
4974:
4964:
4956:Femme Fatale
4954:
4944:
4934:
4924:
4914:
4906:Raising Cain
4904:
4894:
4884:
4874:
4864:
4854:
4844:
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4814:
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4794:
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4754:
4744:
4734:
4724:
4714:
4704:
4692:
4626:. Newmarket.
4623:
4616:
4612:. Scarecrow.
4609:
4594:
4576:
4532:
4525:Bibliography
4510:. Retrieved
4504:
4494:
4482:. Retrieved
4477:
4468:
4458:February 23,
4456:. Retrieved
4450:
4444:
4436:
4427:
4422:9 Jun. 2016.
4419:
4411:
4402:
4395:Grace, Helen
4389:
4379:September 5,
4377:. Retrieved
4372:
4362:
4343:
4337:
4318:
4312:
4302:September 5,
4300:. Retrieved
4295:Film Comment
4293:
4283:
4275:
4270:
4258:. Retrieved
4254:the original
4249:
4239:
4227:. Retrieved
4218:
4209:
4201:
4192:
4184:
4175:
4158:
4141:
4129:. Retrieved
4110:
4103:
4086:
4073:
4065:
4056:
4034:December 26,
4032:. Retrieved
4028:the original
4020:
4010:
3998:. Retrieved
3994:the original
3987:
3977:
3965:. Retrieved
3959:
3950:
3939:
3933:
3921:. Retrieved
3915:
3905:
3893:. Retrieved
3889:
3880:
3868:. Retrieved
3864:
3855:
3843:. Retrieved
3838:
3829:
3817:. Retrieved
3813:
3804:
3794:November 12,
3792:. Retrieved
3786:
3776:
3764:. Retrieved
3760:
3751:
3741:December 15,
3739:. Retrieved
3728:
3718:September 8,
3716:. Retrieved
3705:
3693:
3681:. Retrieved
3677:The Atlantic
3675:
3665:
3651:
3639:. Retrieved
3628:
3616:. Retrieved
3613:the Guardian
3612:
3602:
3590:. Retrieved
3586:
3576:
3552:
3545:
3533:. Retrieved
3529:
3519:
3507:. Retrieved
3503:
3493:
3474:
3467:Reprinted in
3466:
3460:
3451:
3439:. Retrieved
3435:
3425:
3413:. Retrieved
3409:
3399:
3387:. Retrieved
3381:
3371:
3359:. Retrieved
3355:
3345:
3333:. Retrieved
3329:
3316:
3304:
3294:December 30,
3292:. Retrieved
3281:
3275:
3271:
3264:
3252:. Retrieved
3241:
3235:
3227:
3203:
3196:
3184:. Retrieved
3180:the original
3173:
3164:
3144:. New York:
3140:
3133:
3121:. Retrieved
3115:
3102:
3090:. Retrieved
3084:
3071:
3062:
3054:
3049:
3037:. Retrieved
3034:berlinale.de
3033:
3024:
3011:
3005:
2986:
2978:
2966:. Retrieved
2960:
2950:
2938:. Retrieved
2931:
2921:
2909:
2889:. New York:
2885:
2878:
2866:. Retrieved
2859:
2850:
2840:February 11,
2838:. Retrieved
2832:
2822:
2798:
2791:
2779:. Retrieved
2775:
2765:
2753:. Retrieved
2749:The Guardian
2747:
2737:
2729:
2721:
2711:
2706:Femme Fatale
2705:
2683:
2659:. Retrieved
2652:
2628:. Retrieved
2624:The Guardian
2622:
2599:
2522:
2497:
2472:
2442:
2417:
2392:
2367:
2341:
2319:
2293:
2282:Nominations
2276:Nominations
2270:Nominations
2259:BAFTA Awards
2224:
2207:
2190:
2175:
2162:Femme Fatale
2160:
2143:
2124:
2109:
2097:
2084:Raising Cain
2082:
2067:
2052:
2035:
2018:
2003:
1986:
1974:
1957:
1942:
1927:
1910:
1896:
1879:
1862:
1856:Warner Bros.
1848:
1833:
1818:
1801:
1789:
1753:Jake Paltrow
1747:directed by
1741:
1739:
1729:
1718:
1714:
1704:
1699:
1693:
1688:
1679:
1675:Femme Fatale
1673:
1666:Film Comment
1664:
1658:
1651:
1646:
1642:
1636:
1630:
1624:
1618:
1612:
1606:
1604:
1599:
1595:
1591:
1587:
1583:
1579:
1575:
1571:
1567:
1563:
1559:
1555:
1551:
1543:Femme Fatale
1541:
1537:
1530:Pauline Kael
1527:
1520:
1516:Pulp Fiction
1514:
1510:
1500:
1494:
1466:
1462:
1459:Keith Gordon
1455:Mark Romanek
1452:
1444:Ridley Scott
1428:George Lucas
1409:
1385:
1359:Split-screen
1352:
1349:Camera shots
1340:
1336:
1332:
1328:
1322:
1318:
1312:
1306:
1291:
1287:
1281:
1271:
1261:
1258:Inspirations
1252:film critics
1243:
1239:
1235:
1227:
1223:
1219:
1215:
1212:Raising Cain
1211:
1207:
1203:
1199:
1195:
1191:
1185:
1173:
1169:
1165:
1161:
1159:
1152:
1150:
1138:Noomi Rapace
1127:
1119:
1117:
1104:
1100:
1090:
1088:
1081:
1076:. His 2006
1074:cult classic
1070:film critics
1066:Femme Fatale
1065:
1061:Femme Fatale
1059:
1058:(2000), and
1053:
1047:
1043:
1041:
1032:
1023:
1022:(1993) with
1017:
1013:Raising Cain
1011:
1005:
999:
988:Sean Connery
961:
959:
932:Craig Wasson
925:
922:cult classic
918:Oliver Stone
903:
893:
887:
881:
874:Pauline Kael
872:film critic
867:
864:John Lithgow
849:
827:
825:
815:
795:
789:
785:
782:Pauline Kael
775:
756:Kirk Douglas
749:
745:
741:
735:
716:
712:
710:
705:
698:split-screen
691:
688:George Lucas
684:Piper Laurie
679:
668:Sissy Spacek
653:
649:
637:
636:(1974), and
631:
625:
618:Orson Welles
610:
608:
593:
581:
568:
562:
560:
556:split-screen
545:
535:
534:
519:
515:
513:
489:
488:resulted in
483:
430:
426:Citizen Kane
424:
415:Enrolled at
414:
399:
396:Keith Gordon
376:Pennsylvania
372:Philadelphia
349:
340:Pauline Kael
321:
314:
313:(1989), and
308:
302:
296:
290:
284:
274:
273:(1987), and
268:
262:
256:
250:
248:
217:
216:
113:1960–present
102:screenwriter
18:
5276:1940 births
4856:Body Double
4816:Home Movies
4544: [
4000:October 26,
3865:The Numbers
3761:The Numbers
3592:January 29,
3535:January 29,
3509:January 29,
3441:January 29,
3415:January 29,
3389:January 29,
3361:January 29,
3335:January 29,
3254:October 25,
3186:December 4,
3123:January 29,
3112:"The Curse"
3092:January 29,
2968:January 29,
2940:January 29,
2868:January 29,
2781:October 26,
2419:Body Double
2005:Body Double
1944:Home Movies
1759:Filmography
1711:Helen Grace
1692:considered
1548:Roger Ebert
1534:Roger Ebert
1483:Don Mancini
1465:and 1980's
1463:Home Movies
1424:John Milius
1388:Nancy Allen
1319:Body Double
1314:Rear Window
1244:Body Double
1196:Body Double
1142:Golden Lion
1016:(1992) and
996:Vietnam War
980:Andy Garcia
972:David Mamet
942:'s single "
927:Body Double
860:Nancy Allen
842:transgender
812:Nancy Allen
754:, starring
723:avant-garde
702:slow motion
590:Silver Bear
567:(1968) and
547:The Bacchae
465:Andy Warhol
336:Roger Ebert
304:Body Double
127:Nancy Allen
93:Occupations
5270:Categories
5108:Kim Ki-duk
5067:Zhang Yuan
4936:Snake Eyes
4566:1037152284
4229:October 2,
3309:Knapp 2003
3270:"Turn Any
2995:. p.
2914:Brode 2001
2569:References
2126:Snake Eyes
1840:Sigma III
1690:Robin Wood
1626:Snake Eyes
1592:Snake Eyes
1375:long takes
1363:360-degree
1078:adaptation
1049:Snake Eyes
814:promoting
768:Amy Irving
384:Protestant
360:orthopedic
53:1940-09-11
4866:Wise Guys
4786:Obsession
4716:Greetings
4512:April 28,
4131:March 13,
3989:IndieWire
3923:August 9,
3810:"Passion"
3788:IndieWire
3737:. Reuters
3683:March 10,
3641:April 16,
3276:Star Wars
3243:Wired.com
3236:Star Wars
3057:. p. 323.
2993:Doubleday
2776:A.V. Club
2661:March 10,
2321:Obsession
2020:Wise Guys
1898:Obsession
1809:Sigma III
1803:Greetings
1576:Wise Guys
1396:Manhattan
1333:Obsession
1200:Obsession
1132:starring
910:Al Pacino
889:Nashville
706:Star Wars
693:Star Wars
639:Obsession
582:Greetings
564:Greetings
408:to Solve
4976:Redacted
4846:Scarface
4836:Blow Out
4806:The Fury
4746:Hi, Mom!
4593:(1991).
4223:Archived
4221:. 2008.
4168:SciFiNow
4151:MovieWeb
4066:Syfy.com
4024:Calendar
3712:Archived
3473:(1984).
3288:Archived
3248:Archived
3039:March 6,
2755:June 18,
2630:June 18,
2394:Scarface
2192:Redacted
1988:Scarface
1976:Blow Out
1929:The Fury
1835:Hi, Mom!
1743:De Palma
1643:Redacted
1638:Redacted
1572:Scarface
1560:The Fury
1556:Blow Out
1538:Blow Out
1511:Blow Out
1502:Scarface
1496:Blow Out
1479:Ronny Yu
1400:New York
1288:Blow Out
1240:Scarface
1216:Scarface
1208:Blow Out
1120:Redacted
1105:Redacted
1092:Redacted
1052:(1998),
905:Scarface
851:Blow Out
846:neo-noir
816:Blow Out
786:The Fury
751:The Fury
642:(1976).
630:(1972),
570:Hi, Mom!
507:and the
501:jump-cut
364:Alberona
319:(1993).
307:(1984),
301:(1981),
298:Blow Out
295:(1974),
289:(1972),
283:such as
267:(1983),
264:Scarface
261:(1980),
255:(1976),
232:suspense
228:American
208:Children
4986:Passion
4766:Sisters
4484:May 10,
4096:Vulture
3967:May 25,
3895:May 10,
3870:May 10,
3845:May 10,
3819:May 10,
3766:May 11,
3618:May 11,
2708:(2002)"
2209:Passion
1864:Sisters
1700:Sisters
1695:Sisters
1656:them?"
1552:Sisters
1365:camera
1329:Vertigo
1324:Vertigo
1192:Sisters
1144:at the
1129:Passion
676:sitcoms
660:psychic
627:Sisters
575:leftist
441:theater
432:Vertigo
421:physics
286:Sisters
199:
187:
183:
174:
162:
158:
147:
135:
131:
118:Spouses
5256:(2024)
5250:(2023)
5244:(2022)
5238:(2021)
5232:(2020)
5215:(2019)
5209:(2018)
5203:(2017)
5197:(2016)
5187:(2015)
5181:(2014)
5175:(2013)
5169:(2012)
5163:(2011)
5157:(2010)
5140:(2009)
5134:(2008)
5128:(2007)
5122:(2006)
5116:(2005)
5110:(2004)
5104:(2003)
5098:(2002)
5092:(2001)
5086:(2000)
5069:(1999)
5063:(1998)
5057:(1990)
4999:(2019)
4996:Domino
4989:(2012)
4979:(2007)
4969:(2006)
4959:(2002)
4949:(2000)
4939:(1998)
4929:(1996)
4919:(1993)
4909:(1992)
4899:(1990)
4889:(1989)
4879:(1987)
4869:(1986)
4859:(1984)
4849:(1983)
4839:(1981)
4829:(1980)
4819:(1979)
4809:(1978)
4799:(1976)
4796:Carrie
4789:(1976)
4779:(1974)
4769:(1972)
4759:(1972)
4749:(1970)
4739:(1970)
4729:(1969)
4719:(1968)
4709:(1968)
4601:
4583:
4564:
4554:
4350:
4325:
4219:Empire
4122:
3564:
3481:
3215:
3152:
2962:People
2897:
2810:
2544:Total
2343:Carrie
2250:Title
2226:Domino
1912:Carrie
1778:Title
1670:'s
1635:, and
1568:Carrie
1522:Carrie
1489:, and
1442:, and
1342:Psycho
1299:Odessa
1273:Blowup
1226:, and
1154:Domino
986:, and
862:, and
836:, and
791:Carrie
780:, and
713:Carrie
680:Carrie
654:Carrie
604:Godard
525:op-art
475:Career
467:, and
451:, the
388:Quaker
378:, and
330:, and
252:Carrie
66:, U.S.
5223:2020s
5148:2010s
5077:2000s
5048:1990s
4548:]
4537:Paris
2519:2006
2494:1993
2469:1989
2439:1987
2414:1984
2389:1983
2364:1980
2316:1976
2290:1974
2285:Wins
2279:Wins
2273:Wins
2247:Year
2221:2019
2204:2012
2187:2007
2172:2006
2157:2002
2140:2000
2121:1998
2106:1996
2094:1993
2079:1992
2064:1990
2049:1989
2032:1987
2015:1986
2000:1984
1983:1983
1971:1981
1954:1980
1939:1979
1924:1978
1893:1976
1876:1974
1845:1972
1830:1970
1815:1969
1786:1968
1775:Year
1661:queer
1295:'
1170:Terry
998:film
900:genre
505:NAACP
419:as a
358:, an
236:crime
189:(
185:
164:(
160:
137:(
133:
4641:IMDb
4599:ISBN
4581:ISBN
4562:OCLC
4552:ISBN
4514:2016
4486:2021
4460:2020
4403:Lola
4381:2020
4348:ISBN
4323:ISBN
4304:2020
4262:2020
4231:2013
4133:2016
4120:ISBN
4036:2007
4002:2014
3969:2020
3961:IMDb
3925:2023
3897:2021
3872:2021
3847:2021
3821:2021
3796:2023
3768:2021
3743:2020
3720:2018
3685:2022
3643:2012
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