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1226:'s wife Kathryn Altman said, "One day, years and years ago, just after the war, had nothing to do and he went to a theater in the middle of the afternoon to see a movie. Not a Hollywood movie: a British movie. He said the main character was not glamorous, not a babe. And at first he wondered why he was even watching it. But twenty minutes later, he was in tears, and had fallen in love with her. And it made him feel that it wasn't just a movie." The film was
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In the play, the characters at
Milford station—Mrs. Bagot, Mr. Godby, Beryl, and Stanley—are aware of the growing relationship between Laura and Alec and occasionally mention it in an offhand manner. In the film, these characters pay little attention to the couple. The film's final scene, where Laura
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In her narration, Laura emphasizes that what ultimately holds her back is not class consciousness, but her deep-seated horror at the thought of betraying her husband and her moral principles, despite being profoundly tempted by her emotions. This tension between desire and duty is a key element that
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their relationship, while in the film, it is implied that they do not. In the film, Laura has only just arrived at Dr. Lynn's flat when the owner returns, prompting Dr. Harvey to quickly escort her out via the kitchen service door. Additionally, when Laura contemplates suicide by throwing herself in
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Their meetings continue openly until they unexpectedly run into some of Laura's friends, necessitating the first of many deceptions. Eventually, they go to a flat belonging to Alec's friend
Stephen, a fellow doctor, but their plans to make love are thwarted when Stephen returns unexpectedly, leading
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Its story is that of an unconsummated affair between two married people Coward is keeping his lovers in check because he cannot handle the energies of a less inhibited love in a setting shorn of the wit and exotic flavour of his best comedies To look at the script, shorn of David Lean's beautiful
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premiered in London on 13 November 1945, followed by its wide release on 25 November. The film received widespread critical acclaim, with
Johnson and Howard's performances earning high praise. However, despite critical acclaim, it emerged as a moderate commercial success at the box-office.
1368:. While the working classes might be seen as vulgar and the upper classes as frivolous, the middle class, which sees itself as the moral backbone of society, upholds these values. Coward, whose principal audience was the middle class, was reluctant to question or jeopardize these norms.
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In addition to the Keats reference, there is a visual reference to an Arabic love poem. In Dr. Lynn's apartment, a wall hanging is prominently displayed twice—first over the dining table when Laura enters, and later over Alec's left shoulder when
Stephen confronts him.
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Their final meeting takes place in the railway station refreshment room, now seen with the poignant perspective of their shared history. As they prepare to part for the last time, Dolly
Messiter, an acquaintance of Laura's, interrupts them, oblivious to their anguish.
676:. Several scenes were added for the film, including a scene on a lake where Dr. Harvey gets his feet wet, Laura wandering alone in the dark and smoking on a park bench where she is confronted by a police officer, and a drive in the country in a hired car.
437:, and during a third meeting, they share a table at lunch. With time to spare, they attend an afternoon performance at the Palladium Cinema. They soon become uneasy as their innocent, casual relationship begins to deepen, verging on infidelity.
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in New York City on 28 September 2010, starring Hannah
Yelland, Tristan Sturrock, and other members of the London cast. The limited engagement closed on 2 January 2011, after 21 previews and 119 performances, including a four-week extension.
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to a moment of humiliation and shame. Laura, distraught, leaves the flat in haste, wandering the streets for hours until a concerned police officer urges her to go home. She arrives at the station just in time for the last train back.
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is widely acclaimed for its black-and-white cinematography and the evocative atmosphere created by its steam-age railway setting, elements particularly associated with David Lean's original version. On the review aggregator
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The values that Laura precariously, but ultimately successfully, upholds were widely shared and respected at the time of the film's setting. For instance, the stigma associated with divorce was significant enough to cause
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before opening in
February 2008 at the Haymarket Cinema in London, which was temporarily converted into a theatre for the play. The 2008 London cast included Amanda Lawrence, Tamzin Griffin, Tristan Sturrock, and
1219:, crying at people not crying. The audiences for these wartime weepies could, through their own tears, provide something that was lacking in their own lives as well as those of the on-screen stoics they admired."
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tells the story of two married strangers living in pre-World War II England, whose chance meeting at a railway station leads to a brief yet intense emotional affair, disrupting their otherwise conventional lives.
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Laura Jesson, a respectable middle-class
Englishwoman in a content but somewhat uneventful marriage, reflects on her recent experiences while sitting at home with her husband, imagining she is confessing to him.
1527:, performed live from Maida Vale's studio 6 (MV6). The script used was a 1947 adaptation for radio by Maurice Horspool, which had been in the BBC's archives and had never been performed since its creation.
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Like many women of her social standing at the time, Laura visits a nearby town weekly for shopping and to attend a matinée film. During one such outing to
Milford, while waiting in the railway station's
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Alec’s train arrives before they can say a proper goodbye. He discreetly squeezes Laura’s shoulder as he departs, leaving her with Dolly. Laura, overcome with emotion, nearly succumbs to a
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is, after Coward’s major comedies, the one work of his that almost everybody knows and has likely seen. The film has frequently aired on television to high viewership consistently.
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Laura's kind husband, Fred, notices her emotional distance, though whether he understands the cause remains unclear. He thanks her for coming back to him, and she weeps in his arms.
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who also works as a consultant at the local hospital on
Thursdays. Both Laura and Alec are married with children, although Alec's wife Madeleine and their two sons are never seen.
743:, even though Milford is intended to be in the Home Counties. Noël Coward provided the station announcements in the film. The station refreshment room was recreated in a studio.
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articulated a range of feelings about infidelity that invited easy identification, whether it involved one's husband, lover, children, or country (p. 55). In this context,
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in 1936. Updating the story to a more contemporary setting might have rendered these values obsolete, thereby undermining the plot's credibility—a factor that may explain why
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Station retains many of the period features from the time of filming and has become a place of pilgrimage for fans of the film. Some of the urban scenes were shot in London,
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in lead roles. The production ran until November 2008 and subsequently toured the UK from February to July 2009, with performances at venues including the Oxford Playhouse,
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adds a small but valuable gem to the Lean filmography, depicting a doomed couple's illicit connection with affecting sensitivity and a pair of powerful performances." On
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The US premiere of the Kneehigh adaptation was held at the American Conservatory Theater in San Francisco from September to October 2009. The production later moved to
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Frances Gray acknowledges a common criticism of the play: why do the characters not consummate the affair? Gray argues that the characters' restraint is rooted in
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received widespread critical acclaim, with Johnson and Howard's performances earning high praise; although there were doubts that it would be "generally popular".
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law reform, gay men also identified with the characters' plight, seeing it as analogous to their own social constraints in forming and maintaining relationships.
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as her and her late husband’s favorite film, leading to a significant connection between her young friend and writer Ludovic Meyer and his eventual girlfriend.
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has earned a lasting legacy in cinema history. In 1952, it was voted one of the 10 greatest films ever made in two separate critics' polls. In 1999, the
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camera work, deprived of an audience who would automatically approve of the final sacrifice, is to find oneself asking awkward questions (pp. 64–67).
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Some scenes were altered to be less ambiguous and more dramatic in the film adaptation. The scene in which the lovers are about to commit
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1015:, the film holds an approval rating of 91% based on 46 reviews, with an average rating of 8.6/10. The site's critical consensus states: "
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embraces her husband after he acknowledges her emotional distance and possibly suspects the cause, is not present in the original play.
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further considers the film an "allegorical representation of forbidden love," informed by Coward's experiences as a closeted gay man.
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was staged at the Wallis Annenberg Center in Beverly Hills and the Shakespeare Theatre in Washington, D.C., in the spring of 2014.
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As is common in films adapted from stage plays, the film includes settings that are only mentioned in the play, such as Dr. Lynn's
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magazine named it the 44th greatest British film of all time. Film critic Derek Malcolm included it in his 2000 column
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to source from both the screenplay and Noël Coward's original stage material was created by Andrew Taylor and starred
426:, she is assisted by a fellow passenger, Alec Harvey, who removes a piece of grit from her eye. Alec is an idealistic
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was originally cast as Dolly, but Lean was dissatisfied with her performance, and she was replaced by Everley Gregg.
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Two editions of Coward's original screenplay for the film adaptation are available, both listed in the bibliography.
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785:". The quote Fred recites is "When I behold, upon the night's starr'd face, huge cloudy symbols of a high romance".
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critics have interpreted the film as an attempt to stabilize relationships and restore the pre-war social order.
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The realization that an affair or a future together is impossible dawns on them. Alec has been offered a job in
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It was a moderate success in the UK and became a major hit in the US, leading to Johnson's nomination for the
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was a "notable box-office attraction" and was the 21st most popular film at the British box office in 1946.
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poll of 150 actors, directors, writers, producers, and critics ranked it the 12th-best British film ever.
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in Brooklyn, New York, for performances in December 2009 and January 2010, followed by a run at the
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The country bridge the lovers visit twice, including on their final day, is Middle Fell Bridge at
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2655:"TV - 'Brief Encounter' - Burton and Miss Loren Portray Lovers on Hallmark Film at 8.30 on NBC"
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features a reference to Coward and includes a scene filmed at Milford railway station, echoing
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in February, before returning to the Haymarket Cinema in London from March to September 2018.
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1621:. This production embarked on its first national tour in 1996 and later transferred to the
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recur throughout the film, performed by the National Symphony Orchestra under the baton of
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and Coward himself, to be performed in various combinations as triple bills. All scenes in
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as the pianist. Additionally, there is a scene in a tearoom where a salon orchestra plays
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had ended. At two points in the film, platform signs indicate local destinations such as
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719:. Although it was a busy station, it was far enough away from major cities to avoid the
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A parallel subplot involves the interactions of the station and refreshment room staff.
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is toned down; in the play, it is left to the audience to decide whether they actually
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are set in the refreshment room of a railway station, the fictional Milford Junction.
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2504:. Macmillan Modern Dramatists. London, UK: Macmillan International Higher Education.
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praised the film, stating, "Coward's name and strong story spell nice US chances."
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On 30 October 2009, as part of the celebrations for the 75th anniversary of the
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2799:"Broadway's 'Brief Encounter', a Romance With Theatrical Lift, Ends Jan. 2"
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The film's influence extends into other works. The British play and film
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for film purposes, allowing shooting to take place in early 1945 before
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The two encounter each other again by chance the following week outside
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of 92 out of 100, based on 16 critics, indicating "universal acclaim."
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3095:. Full synopsis and film stills (and clips viewable from UK libraries)
1604:. However, this version was not well received by critics or audiences.
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reported that the biggest box office success in Britain that year was
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2773:"Noel Coward's 'Brief Encounter' to Open at Studio 54 in September"
2710:"Brief Encounter: 'I want people to laugh and cry. That's our job'"
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was adapted for television, starring Dinah Shore and Ralph Bellamy.
1404:
732:
680:
2064:"Hollywood Sneaks in 15 Films on '25 Best' List of Arty Britain".
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1961:"Brief Encounter, Middle Fell Bridge, Dungeon Ghyll, Cumbria, UK"
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was adapted as a radio play on the 20 November 1946 episode of
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front of a train, the film makes her intention clearer through
352:. but failed to win in any category. However, the film won the
2605:"Greer Garson Stars in "Brief Encounter" On Academy Award—WHP"
1284:. In the story, the aging widow Mrs. Palfrey reminisces about
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After an Australian tour in the autumn of 2013, Kneehigh's
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The episode "Grief Encounter" of the British comedy series
2083:. Princeton, NJ: Princeton University Press. p. 232.
2996:
Straight Acting: Popular Gay Drama from Wilde to Rattigan
2040:
Realism and Tinsel: Cinema and Society in Britain 1939–48
1745:, based on the film's story. The opera featured music by
1559:
1504:
796:, but David Lean cast Trevor Howard after seeing him in
3161:"'Riskiest Thing I Ever Did': Notes on Brief Encounter"
773:
The poem that Fred asks Laura to help him with for his
2081:
Blackout: Reinventing Women for Wartime British Cinema
1715:
The production returned to the UK in 2018, opening at
2452:
A quote from the final scene in the 2014 documentary
2298:"The 19th Academy Awards (1947) Nominees and Winners"
1488:
adapted the film on 29 November 1948 with Garson and
2900:"Row over Kerala State Films Award - Times of India"
1301:
received votes from 11 critics and three directors.
792:
The original choice for the role of Alec Harvey was
463:impulse but ultimately returns home to her family.
365:
New York Film Critics Circle Award for Best Actress
1932:
1387:The film was released against the backdrop of the
1678:. During the tour, the lead roles were played by
5332:
3248:
2430:Weeping Britannia: Portrait of a Nation in Tears
2127:was hailed as a groundbreaking piece of realism
1700:production of the Kneehigh adaptation opened at
1237:features two characters reciting a passage from
370:Many critics, historians, and scholars consider
1657:and Dafydd Rogers, the adaptation premiered at
1372:has contributed to the film's enduring appeal.
1211:. British historian Thomas Dixon remarked that
608:) as Margaret Jesson, Fred and Laura's daughter
4205:
4232:
3419:
3234:
2993:
2652:
2591:
2006:140 All-Time Must-See Movies for Film Lovers
1693:in Minneapolis from February to April 2010.
1264:appears to be loosely inspired by the film.
647:(1936), one of ten short plays in the cycle
5176:Uncle Boonmee Who Can Recall His Past Lives
4667:Festival cancelled while in progress (1968)
2853:"Brief Encounter - Previn - World Premiere"
4239:
4225:
3426:
3412:
3383:Lost and Found: The Story of Cook's Anchor
3241:
3227:
2678:
2377:"1946 New York Film Critics Circle Awards"
2290:
1906:"Cumbria on Film – Brief Encounter (1945)"
1558:. The second aired on 13 November 1949 on
1439:Jenny Seagrove and Nigel Havers rehearsing
36:
1352:Learn how and when to remove this message
1030:
5381:Films produced by Anthony Havelock-Allan
3433:
3158:
2933:
2922:
2679:Billington, Michael (18 February 2008).
2557:
2524:
1930:
1434:
1148:12th New York Film Critics Circle Awards
1074:
783:When I have Fears that I may Cease to Be
402:
387:second-greatest British film of all time
16:1945 British film directed by David Lean
3098:
2770:
2432:. Oxford, UK: Oxford University Press.
2187:
2138:
1777:List of films featuring fictional films
1470:, on 12 January 1948 with Marshall and
1456:. It was also presented three times on
601:) as Bobby Jesson, Fred and Laura's son
571:) as Hermionie Rolandson, Mary's cousin
5333:
3143:
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2979:. London, UK: British Film Institute.
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2929:. A Wyatt Book for St. Martin's Press.
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2653:O'Connor, John J. (12 November 1974).
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2043:. London, UK: Routledge. p. 209.
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5431:English-language romantic drama films
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3407:
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2796:
2707:
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1641:Emma Rice/Kneehigh Theatre adaptation
1542:. The first aired on 6 April 1947 on
1297:polls of the world’s greatest films,
1276:(2005), a comedy-drama film based on
982:
494:as Albert Godby, the ticket inspector
376:one of the greatest films of all time
4639:The Birds, the Bees and the Italians
2971:
2499:
2078:
2002:
1802:British Board of Film Classification
1719:(where it originally premiered) and
1649:production, adapted and directed by
1308:
1131:18th National Board of Review Awards
1050:
717:London, Midland and Scottish Railway
544:) as the doctor at Bobbie's accident
518:as Beryl Walters, tea-room assistant
3101:"'Still Life' at the Burton Taylor"
2558:Crowther, Bosley (26 August 1946).
13:
2469:"Votes for Brief Encounter (1946)"
1852:"London West End Has Big Pix Sked"
1410:In his 1993 BFI book on the film,
1399:(1997), Sarah Street argues that "
1324:tone or style may not reflect the
861:, with other major hits including
564:) as the railway station announcer
14:
5442:
3159:Brownlow, Kevin (27 March 2012).
3099:Ireland, Alison (November 2004).
3032:
2938:. Citadel Press. pp. 91–93.
2876:Walker, Lynne (24 October 2008).
2797:Jones, Kenneth (2 January 2011).
2728:"Noel Coward's 'Brief Encounter'"
2681:"Theatre Review: Brief Encounter"
1739:premiered a two-act opera titled
1661:in October 2007 and later at the
1304:
4895:When Father Was Away on Business
4714:The Working Class Goes to Heaven
2708:Cheal, David (8 February 2008).
2626:
2328:"Awards 1946 : Competition"
2308:from the original on 6 July 2011
1590:, aired in the United States on
1492:, and again on 14 May 1951 with
1384:failed to resonate as strongly.
1334:guide to writing better articles
1313:
1270:also serves as a plot device in
1177:(1987), Frances Gray notes that
672:, a restaurant, and a branch of
581:) as Stephen Lynn, Alec's friend
21:Brief Encounter (disambiguation)
5136:The Wind That Shakes the Barley
4248:Cannes Film Festival Palme d'Or
3144:Turner, Adrian (26 June 2000).
3113:"Brief Encounter: movie review"
2892:
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2771:Diamond, Robert (7 June 2010).
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2493:
2461:
2446:
2421:
2396:
2369:
2342:
2263:
2237:
2210:
2181:
2177:. 28 November 1945. p. 17.
2163:
2132:
2104:Turner, Adrian (26 June 2000).
2097:
2072:
2057:
2030:
1996:
500:as Myrtle Bagot, the cafe owner
5386:Films produced by Ronald Neame
4754:Chronicle of the Years of Fire
4629:The Knack ...and How to Get It
3917:Pretty Polly and Other Stories
2750:"Current shows & projects"
2611:. 16 November 1946. p. 17
1987:
1978:
1953:
1924:
1898:
1870:
1858:. 21 November 1945. p. 19
1844:
1824:"US Life or Death to Brit Pix"
1816:
1789:
1474:, and on 11 January 1951 with
1001:Academy Award for Best Actress
1:
5376:Films produced by Noël Coward
5351:British black-and-white films
2957:. London: Faber & Faber.
2926:David Lean : a biography
2732:American Conservatory Theater
2068:. 15 January 1947. p. 2.
1832:. 25 December 1946. p. 9
1782:
1534:broadcast two adaptations of
1414:notes that, with the rise of
1273:Mrs. Palfrey at the Claremont
844:
707:Much of the film was shot at
702:
624:
613:
5421:1940s English-language films
5371:Films directed by David Lean
5366:British films based on plays
5356:British romantic drama films
5146:4 Months, 3 Weeks and 2 Days
4272:No festival held (1940–1945)
3978:The Queen Was in the Parlour
3671:The Queen Was in the Parlour
3351:The Bridge on the River Kwai
3129:"Locations: Brief Encounter"
2878:"Brief Encounter: The Opera"
2382:New York Film Critics Circle
1879:"The 100 best British films"
1717:Birmingham Repertory Theatre
1659:Birmingham Repertory Theatre
1162:
1142:
1125:
830:Spanish Dance No. 5 (Bolero)
554:) as Johnnie, second soldier
534:) as the waiter at the Royal
248:$ 1 million or $ 1.4 million
7:
3588:The Girl Who Came to Supper
2955:Brief Encounter: Screenplay
1760:
849:According to trade papers,
10:
5447:
5206:Blue Is the Warmest Colour
4619:The Umbrellas of Cherbourg
3498:Noël Coward's Sweet Potato
2916:
2003:Reid, John Howard (2012).
1698:Roundabout Theatre Company
1608:
839:
617:
203:26 November 1945
192:13 November 1945
18:
5416:Films adapted into operas
5346:1945 romantic drama films
5076:
4765:
4254:
4214:
4175:
4100:
3969:
3962:
3927:
3900:
3849:
3598:
3523:
3442:
3257:
2271:"Brief Encounter Reviews"
1767:BFI Top 100 British films
1625:, where it played at the
1199:BFI Top 100 British films
1168:
1134:
1117:
1056:
715:, then a junction on the
709:Carnforth railway station
591:) as cellist and organist
340:received 3 nominations –
295:in lead roles, alongside
244:
236:
228:
218:
183:
173:
163:
153:
143:
122:
102:
86:
57:
47:
42:Theatrical release poster
35:
30:
4935:Sex, Lies, and Videotape
4795:The Tree of Wooden Clogs
2934:Vermilye, Jerry (1978).
2923:Brownlow, Kevin (1997).
2525:Handford, Peter (1980).
2404:"Brief Encounter (1945)"
2355:National Board of Review
2218:"Brief Encounter (1945)"
2123:On its initial release,
2111:The Criterion Collection
1931:Whitaker, Brian (1990).
1730:
1663:West Yorkshire Playhouse
1613:The first adaptation of
1532:Theatre Guild on the Air
1459:The Screen Guild Theater
1430:
1114:1st Cannes Film Festival
807:
363:, while Johnson won the
5274:No festival held (2020)
4489:Two Cents Worth of Hope
4452:No festival held (1950)
4437:No festival held (1948)
3952:The Noël Coward Diaries
3015:British National Cinema
2998:. London, UK: Cassell.
2994:O'Connor, Sean (1998).
2936:The Great British Films
2037:Murphy, Robert (2003).
1397:British National Cinema
1378:Edward VIII to abdicate
472:
398:
350:Best Adapted Screenplay
178:Eagle-Lion Distributors
5411:Eagle-Lion Films films
5361:Films about infidelity
4915:Under the Sun of Satan
4875:The Ballad of Narayama
4599:O Pagador de Promessas
4389:Antoine and Antoinette
3311:The Passionate Friends
3119:. 2014. Archived from
3013:Street, Sarah (1997).
2861:. 2009. Archived from
2829:. 2013. Archived from
2756:. 2009. Archived from
2560:"THE SCREEN IN REVIEW"
2500:Gray, Frances (1987).
2474:British Film Institute
2428:Dixon, Thomas (2015).
2190:Railways on the Screen
2188:Huntley, John (1993).
2079:Lant, Antonia (1991).
1588:1974 television remake
1538:in its original form,
1462:: on 12 May 1947 with
1440:
1195:British Film Institute
1188:
1100:Anthony Havelock-Allan
1031:Awards and nominations
1025:weighted average score
863:The Bells of St Mary's
414:
383:British Film Institute
200: (London Premiere)
112:Anthony Havelock-Allan
70:Anthony Havelock-Allan
4975:Farewell My Concubine
4549:The Cranes Are Flying
3909:Pomp and Circumstance
3185:Academy Award Theater
3139:on 13 September 2010.
3017:. London: Routledge.
2953:Coward, Noël (1999).
2408:Turner Classic Movies
1633:, in 2000, featuring
1593:Hallmark Hall of Fame
1573:
1519:starred in a special
1449:Academy Award Theater
1438:
1183:
406:
315:in supporting roles.
5406:Rail transport films
5396:Films set in England
4149:Waiting in the Wings
3890:The Astonished Heart
3831:Waiting in the Wings
3615:I'll Leave It to You
3212:Screen Guild Theater
3199:Screen Guild Theater
3165:Criterion Collection
3151:Criterion Collection
2641:Review of production
2609:Harrisburg Telegraph
2350:"1946 Award Winners"
2142:(25 November 1945).
2009:. Lulu. p. 28.
1247:Goodnight Sweetheart
1209:The Century of Films
1201:list, and in 2004,
1197:ranked it #2 on the
955:Caesar and Cleopatra
855:Kinematograph Weekly
818:Piano Concerto No. 2
798:The Way to the Stars
428:general practitioner
361:Cannes Film Festival
278:, based on his 1936
19:For other uses, see
5426:1940s British films
5291:Triangle of Sadness
4965:The Best Intentions
4925:Pelle the Conqueror
4539:Friendly Persuasion
3839:Suite in Three Keys
3386:(1979; documentary)
3188:. 20 November 1946.
2858:Houston Grand Opera
2811:on 14 January 2011.
2760:on 22 January 2009.
2714:The Daily Telegraph
2535:David & Charles
2338:on 25 October 2016.
2066:The Washington Post
1935:Notes & Queries
1737:Houston Grand Opera
1687:St. Ann's Warehouse
1494:Olivia de Havilland
1426:Further adaptations
1366:class consciousness
1058:19th Academy Awards
968:Theirs Is the Glory
911:Leave Her to Heaven
876:Tomorrow Is Forever
867:Piccadilly Incident
814:Sergei Rachmaninoff
604:Henrietta Vincent (
334:19th Academy Awards
168:Sergei Rachmaninoff
5401:Palme d'Or winners
5065:Dancer in the Dark
5045:Eternity and a Day
5015:Secrets & Lies
3936:Present Indicative
3540:Conversation Piece
3467:This Year of Grace
3391:A Passage to India
3359:Lawrence of Arabia
3295:Great Expectations
3249:Films directed by
3214:. 26 January 1948.
3056:TCM Movie Database
2905:The Times of India
2833:on 19 October 2013
2738:on 6 October 2009.
2659:The New York Times
2564:The New York Times
2527:Sounds of Railways
2481:on 2 February 2017
2332:festival-cannes.fr
2251:. 26 November 1945
1637:in the lead role.
1631:Shaftesbury Avenue
1509:Maida Vale Studios
1441:
983:Critical reception
871:The Road to Utopia
668:, Laura's home, a
415:
5391:Films set in 1938
5328:
5327:
5322:
5321:
5301:Anatomy of a Fall
4704:The Mattei Affair
4649:A Man and a Woman
4499:The Wages of Fear
4379:The Turning Point
4339:Pastoral Symphony
4319:Men Without Wings
4198:
4197:
4194:
4193:
4034:Design for Living
3944:Future Indefinite
3858:In Which We Serve
3791:Peace in Our Time
3743:Design for Living
3459:On with the Dance
3401:
3400:
3327:The Sound Barrier
3263:In Which We Serve
3208:"Brief Encounter"
3194:"Brief Encounter"
3180:"Brief Encounter"
3146:"Brief Encounter"
2986:978-0-85170-362-6
2865:on 30 March 2009.
2777:BroadwayWorld.com
2439:978-0-19-967605-7
2245:"Brief Encounter"
2171:"Brief Encounter"
2144:"Brief Encounter"
2106:"Brief Encounter"
2090:978-0-69100-828-8
2050:978-0-41502-982-7
2016:978-1-10575-295-7
1939:. Fourth Estate.
1912:. 28 October 2014
1877:Huddleston, Tom.
1797:"Brief Encounter"
1682:and Milo Twomey.
1485:Lux Radio Theater
1362:
1361:
1354:
1328:used on Knowledge
1326:encyclopedic tone
1294:Sight & Sound
1166:
1165:
1102:, David Lean and
1023:, the film has a
963:Men of Two Worlds
943:Courage of Lassie
902:The Corn Is Green
897:The Captive Heart
834:Moritz Moszkowski
674:Boots the Chemist
655:Gertrude Lawrence
620:Still Life (play)
512:as Dolly Messiter
488:as Dr Alec Harvey
435:Boots the Chemist
287:. The film stars
266:film directed by
252:
251:
5438:
5315:
5305:
5295:
5285:
5275:
5270:
5260:
5250:
5240:
5230:
5220:
5210:
5200:
5190:
5186:The Tree of Life
5180:
5170:
5166:The White Ribbon
5160:
5150:
5140:
5130:
5120:
5110:
5100:
5090:
5069:
5059:
5049:
5039:
5029:
5019:
5009:
4999:
4989:
4979:
4969:
4959:
4949:
4939:
4929:
4919:
4909:
4899:
4889:
4879:
4869:
4859:
4849:
4839:
4829:
4819:
4809:
4799:
4789:
4779:
4758:
4748:
4744:The Conversation
4738:
4728:
4718:
4708:
4698:
4688:
4678:
4668:
4663:
4653:
4643:
4633:
4623:
4613:
4603:
4593:
4583:
4579:The Long Absence
4573:
4563:
4553:
4543:
4533:
4529:The Silent World
4523:
4513:
4503:
4493:
4483:
4473:
4463:
4459:Miracle in Milan
4453:
4448:
4438:
4433:
4429:Ziegfeld Follies
4423:
4413:
4403:
4393:
4383:
4373:
4363:
4353:
4343:
4333:
4323:
4313:
4309:María Candelaria
4303:
4299:The Lost Weekend
4293:
4283:
4273:
4268:
4241:
4234:
4227:
4218:
4217:
4202:
4201:
4165:Look After Lulu!
4157:Present Laughter
4141:Nude with Violin
4125:South Sea Bubble
3967:
3966:
3866:This Happy Breed
3823:Look After Lulu!
3815:Nude with Violin
3799:South Sea Bubble
3775:This Happy Breed
3767:Present Laughter
3428:
3421:
3414:
3405:
3404:
3271:This Happy Breed
3243:
3236:
3229:
3220:
3219:
3215:
3203:
3189:
3168:
3155:
3140:
3135:. Archived from
3124:
3108:
3028:
3009:
2990:
2968:
2949:
2930:
2910:
2909:
2896:
2890:
2889:
2888:on 25 July 2010.
2884:. Archived from
2873:
2867:
2866:
2849:
2843:
2842:
2840:
2838:
2827:Kneehigh Theatre
2819:
2813:
2812:
2807:. Archived from
2794:
2788:
2787:
2785:
2783:
2768:
2762:
2761:
2754:Kneehigh Theatre
2746:
2740:
2739:
2734:. Archived from
2724:
2718:
2717:
2705:
2699:
2698:
2696:
2694:
2676:
2670:
2669:
2667:
2665:
2650:
2644:
2638:
2632:
2631:
2630:
2624:
2618:
2616:
2601:
2595:
2589:
2583:
2582:
2580:
2578:
2555:
2549:
2548:
2522:
2516:
2515:
2497:
2491:
2490:
2488:
2486:
2477:. Archived from
2465:
2459:
2450:
2444:
2443:
2425:
2419:
2418:
2416:
2414:
2400:
2394:
2393:
2391:
2389:
2373:
2367:
2366:
2364:
2362:
2346:
2340:
2339:
2334:. Archived from
2324:
2318:
2317:
2315:
2313:
2294:
2288:
2287:
2285:
2283:
2267:
2261:
2260:
2258:
2256:
2241:
2235:
2234:
2232:
2230:
2214:
2208:
2207:
2185:
2179:
2178:
2167:
2161:
2160:
2158:
2156:
2136:
2130:
2129:
2120:
2118:
2101:
2095:
2094:
2076:
2070:
2069:
2061:
2055:
2054:
2034:
2028:
2027:
2025:
2023:
2000:
1994:
1991:
1985:
1982:
1976:
1975:
1973:
1971:
1957:
1951:
1950:
1938:
1928:
1922:
1921:
1919:
1917:
1902:
1896:
1895:
1893:
1891:
1874:
1868:
1867:
1865:
1863:
1848:
1842:
1841:
1839:
1837:
1820:
1814:
1813:
1811:
1809:
1793:
1676:Richmond Theatre
1647:Kneehigh Theatre
1498:Richard Basehart
1482:. Additionally,
1464:Herbert Marshall
1395:than before. In
1393:economic freedom
1389:Second World War
1357:
1350:
1346:
1343:
1337:
1336:for suggestions.
1332:See Knowledge's
1317:
1316:
1309:
1278:Elizabeth Taylor
1260:, an episode of
1235:The History Boys
1052:
1035:
1034:
492:Stanley Holloway
424:refreshment room
297:Stanley Holloway
210:
208:
199:
197:
40:
28:
27:
5446:
5445:
5441:
5440:
5439:
5437:
5436:
5435:
5331:
5330:
5329:
5324:
5323:
5318:
5308:
5298:
5288:
5278:
5273:
5263:
5253:
5243:
5236:I, Daniel Blake
5233:
5223:
5213:
5203:
5193:
5183:
5173:
5163:
5153:
5143:
5133:
5123:
5116:Fahrenheit 9/11
5113:
5103:
5093:
5083:
5072:
5062:
5052:
5042:
5035:Taste of Cherry
5032:
5022:
5012:
5002:
4992:
4982:
4972:
4962:
4952:
4942:
4932:
4922:
4912:
4902:
4892:
4882:
4872:
4862:
4852:
4842:
4832:
4822:
4812:
4802:
4792:
4782:
4772:
4761:
4751:
4741:
4731:
4721:
4711:
4701:
4691:
4681:
4671:
4666:
4656:
4646:
4636:
4626:
4616:
4606:
4596:
4586:
4576:
4566:
4556:
4546:
4536:
4526:
4516:
4506:
4496:
4486:
4476:
4466:
4456:
4451:
4441:
4436:
4426:
4416:
4406:
4396:
4386:
4376:
4366:
4359:Rome, Open City
4356:
4349:The Red Meadows
4346:
4336:
4326:
4316:
4306:
4296:
4289:The Last Chance
4286:
4279:Brief Encounter
4276:
4271:
4261:
4250:
4245:
4210:
4208:Brief Encounter
4199:
4190:
4171:
4096:
4074:Relative Values
4058:Meet Me Tonight
4050:We Were Dancing
4026:Tonight Is Ours
3958:
3923:
3896:
3882:Brief Encounter
3845:
3759:Tonight at 8.30
3623:The Better Half
3594:
3519:
3513:Cowardy Custard
3475:Words and Music
3451:London Calling!
3438:
3432:
3402:
3397:
3375:Ryan's Daughter
3335:Hobson's Choice
3287:Brief Encounter
3253:
3247:
3206:
3192:
3178:
3173:Streaming audio
3127:
3123:on 12 May 2018.
3111:
3084:Brief Encounter
3078:Rotten Tomatoes
3073:Brief Encounter
3062:Brief Encounter
3051:Brief Encounter
3040:Brief Encounter
3035:
3025:
3006:
2987:
2977:Brief Encounter
2965:
2946:
2919:
2914:
2913:
2898:
2897:
2893:
2882:The Independent
2874:
2870:
2851:
2850:
2846:
2836:
2834:
2821:
2820:
2816:
2795:
2791:
2781:
2779:
2769:
2765:
2748:
2747:
2743:
2726:
2725:
2721:
2706:
2702:
2692:
2690:
2677:
2673:
2663:
2661:
2651:
2647:
2639:
2635:
2625:
2614:
2612:
2603:
2602:
2598:
2592:O'Connor (1998)
2590:
2586:
2576:
2574:
2556:
2552:
2545:
2523:
2519:
2512:
2498:
2494:
2484:
2482:
2467:
2466:
2462:
2451:
2447:
2440:
2426:
2422:
2412:
2410:
2402:
2401:
2397:
2387:
2385:
2375:
2374:
2370:
2360:
2358:
2348:
2347:
2343:
2326:
2325:
2321:
2311:
2309:
2296:
2295:
2291:
2281:
2279:
2269:
2268:
2264:
2254:
2252:
2249:Rotten Tomatoes
2243:
2242:
2238:
2228:
2226:
2223:Rotten Tomatoes
2216:
2215:
2211:
2204:
2186:
2182:
2169:
2168:
2164:
2154:
2152:
2137:
2133:
2125:Brief Encounter
2116:
2114:
2102:
2098:
2091:
2077:
2073:
2063:
2062:
2058:
2051:
2035:
2031:
2021:
2019:
2017:
2001:
1997:
1992:
1988:
1983:
1979:
1969:
1967:
1959:
1958:
1954:
1947:
1929:
1925:
1915:
1913:
1904:
1903:
1899:
1889:
1887:
1875:
1871:
1861:
1859:
1850:
1849:
1845:
1835:
1833:
1822:
1821:
1817:
1807:
1805:
1795:
1794:
1790:
1785:
1763:
1742:Brief Encounter
1733:
1710:Brief Encounter
1691:Guthrie Theater
1672:Marlowe Theatre
1668:Naomi Frederick
1615:Brief Encounter
1611:
1581:Brief Encounter
1576:
1536:Brief Encounter
1525:Brief Encounter
1476:Stewart Granger
1444:Brief Encounter
1433:
1428:
1401:Brief Encounter
1382:the 1974 remake
1358:
1347:
1341:
1338:
1331:
1322:This section's
1318:
1314:
1307:
1299:Brief Encounter
1286:Brief Encounter
1268:Brief Encounter
1252:Brief Encounter
1239:Brief Encounter
1228:Brief Encounter
1217:stiff upper lip
1213:Brief Encounter
1191:Brief Encounter
1179:Brief Encounter
1171:
1095:Best Screenplay
1033:
1017:Brief Encounter
1013:Rotten Tomatoes
1008:Brief Encounter
988:Brief Encounter
985:
973:The Overlanders
881:Brief Encounter
859:The Wicked Lady
851:Brief Encounter
847:
842:
810:
705:
653:, designed for
650:Tonight at 8.30
632:Brief Encounter
629:
622:
616:
611:
575:Valentine Dyall
516:Margaret Barton
482:as Laura Jesson
475:
401:
372:Brief Encounter
338:Brief Encounter
326:Brief Encounter
319:Brief Encounter
313:Margaret Barton
256:Brief Encounter
221:
214:
206:
204:
195:
193:
186:
139:
118:
97:
95:
82:
43:
31:Brief Encounter
24:
17:
12:
11:
5:
5444:
5434:
5433:
5428:
5423:
5418:
5413:
5408:
5403:
5398:
5393:
5388:
5383:
5378:
5373:
5368:
5363:
5358:
5353:
5348:
5343:
5326:
5325:
5320:
5319:
5317:
5316:
5306:
5296:
5286:
5276:
5271:
5261:
5251:
5241:
5231:
5221:
5211:
5201:
5191:
5181:
5171:
5161:
5151:
5141:
5131:
5121:
5111:
5101:
5091:
5086:The Son's Room
5080:
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5060:
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5010:
5000:
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4910:
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4890:
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4805:Apocalypse Now
4800:
4790:
4780:
4769:
4767:
4763:
4762:
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4759:
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4729:
4719:
4709:
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4694:The Go-Between
4689:
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4644:
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3699:
3691:
3687:This Was a Man
3683:
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3659:
3651:
3643:
3635:
3631:The Young Idea
3627:
3619:
3611:
3602:
3600:
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3572:After the Ball
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3367:Doctor Zhivago
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3204:
3202:. 12 May 1947.
3190:
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3125:
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3096:
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3047:
3034:
3033:External links
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2621:Newspapers.com
2596:
2594:, p. 157.
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2162:
2140:Lejeune, C. A.
2131:
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2049:
2029:
2015:
1995:
1993:Brownlow p 198
1986:
1984:Brownlow p 195
1977:
1965:Waymarking.com
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1680:Hannah Yelland
1635:Jenny Seagrove
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1602:Richard Burton
1584:
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1548:Ingrid Bergman
1523:production of
1513:Jenny Seagrove
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1305:Social context
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1157:Celia Johnson
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923:Mildred Pierce
889:Anchors Aweigh
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838:
822:Muir Mathieson
812:Excerpts from
809:
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757:Denham Studios
704:
701:
628:
623:
618:Main article:
615:
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610:
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595:Richard Thomas
592:
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548:Sydney Bromley
545:
535:
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524:as Mary Norton
519:
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506:as Fred Jesson
501:
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385:ranked it the
348:(Johnson) and
264:romantic drama
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174:Distributed by
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148:Robert Krasker
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144:Cinematography
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98:by Noël Coward
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4945:Wild at Heart
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4857:
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4826:
4825:All That Jazz
4821:
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4807:
4806:
4801:
4797:
4796:
4791:
4787:
4786:
4785:Padre Padrone
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4569:La dolce vita
4565:
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4559:Black Orpheus
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4444:The Third Man
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4264:Union Pacific
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4117:Blithe Spirit
4114:
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4090:Blithe Spirit
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4002:Private Lives
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3874:Blithe Spirit
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3783:Blithe Spirit
3780:
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3753:
3752:
3751:Point Valaine
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3719:Private Lives
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3655:Fallen Angels
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3279:Blithe Spirit
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3259:
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3005:0-304-32866-9
3001:
2997:
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2982:
2978:
2974:
2973:Dyer, Richard
2970:
2966:
2964:0-571-19680-2
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2945:0-8065-0661-X
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2203:0-7110-2059-0
2199:
2196:: Ian Allan.
2195:
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2100:
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2018:
2012:
2008:
2007:
1999:
1990:
1981:
1966:
1962:
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1946:1-872180-22-1
1942:
1937:
1936:
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1743:
1738:
1735:In May 2009,
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1627:Lyric Theatre
1624:
1620:
1616:
1603:
1599:
1595:
1594:
1589:
1585:
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1578:
1577:
1571:
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1561:
1557:
1553:
1552:Sam Wanamaker
1549:
1545:
1541:
1537:
1533:
1530:In addition,
1528:
1526:
1522:
1518:
1514:
1510:
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1501:
1499:
1495:
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1437:
1423:
1421:
1420:Sean O'Connor
1417:
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1398:
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1258:
1254:. Similarly,
1253:
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1242:
1240:
1236:
1231:
1229:
1225:
1224:Robert Altman
1220:
1218:
1214:
1210:
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1200:
1196:
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1187:
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1180:
1176:
1159:
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1149:
1146:
1145:
1139:
1137:
1136:Top Ten Films
1132:
1129:
1128:
1122:
1120:
1115:
1112:
1111:
1107:
1105:
1101:
1098:
1096:
1093:
1092:
1088:
1086:
1085:Celia Johnson
1083:
1081:
1078:
1077:
1071:
1069:
1066:
1064:
1063:Best Director
1061:
1059:
1055:
1049:
1046:
1043:
1040:
1037:
1036:
1028:
1026:
1022:
1018:
1014:
1009:
1004:
1002:
997:
995:
994:
989:
980:
978:
974:
970:
969:
964:
960:
959:Meet the Navy
956:
952:
948:
947:My Reputation
944:
940:
936:
932:
931:Years Between
928:
924:
920:
916:
912:
908:
904:
903:
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894:
890:
886:
882:
878:
877:
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868:
864:
860:
856:
852:
837:
835:
831:
827:
823:
819:
815:
805:
803:
802:Joyce Barbour
799:
795:
794:Roger Livesey
790:
786:
784:
780:
776:
771:
769:
765:
764:Dungeon Ghyll
760:
758:
754:
750:
746:
742:
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734:
730:
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714:
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621:
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570:
566:
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559:
556:
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549:
546:
543:
539:
538:Wallace Bosco
536:
533:
529:
526:
523:
522:Marjorie Mars
520:
517:
514:
511:
510:Everley Gregg
508:
505:
504:Cyril Raymond
502:
499:
496:
493:
490:
487:
486:Trevor Howard
484:
481:
480:Celia Johnson
478:
477:
470:
467:
464:
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457:
453:
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447:
442:
438:
436:
431:
429:
425:
419:
413:
412:Trevor Howard
409:
408:Celia Johnson
405:
396:
394:
393:
389:. In 2017, a
388:
384:
381:In 1999, the
380:
377:
373:
368:
366:
362:
359:
355:
351:
347:
343:
342:Best Director
339:
335:
330:
327:
323:
320:
316:
314:
310:
309:Everley Gregg
306:
305:Cyril Raymond
302:
298:
294:
293:Trevor Howard
290:
289:Celia Johnson
286:
285:
281:
277:
273:
269:
265:
262:
258:
257:
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191:
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185:Release dates
182:
179:
176:
172:
169:
166:
162:
159:
156:
152:
149:
146:
142:
136:
135:Trevor Howard
133:
131:
130:Celia Johnson
128:
127:
125:
121:
114:
111:
108:
107:
105:
101:
94:
93:
89:
85:
79:
76:
73:
71:
68:
66:
63:
62:
60:
56:
53:
50:
46:
39:
34:
29:
26:
22:
5309:
5299:
5289:
5279:
5264:
5254:
5244:
5234:
5224:
5216:Winter Sleep
5214:
5204:
5194:
5184:
5174:
5164:
5154:
5144:
5134:
5124:
5114:
5104:
5094:
5084:
5077:2001–present
5063:
5053:
5043:
5033:
5023:
5013:
5003:
4995:Pulp Fiction
4993:
4983:
4973:
4963:
4953:
4943:
4933:
4923:
4913:
4903:
4893:
4885:Paris, Texas
4883:
4873:
4863:
4853:
4843:
4833:
4823:
4815:The Tin Drum
4813:
4803:
4793:
4783:
4773:
4752:
4742:
4732:
4724:The Hireling
4722:
4712:
4702:
4692:
4682:
4672:
4657:
4647:
4637:
4627:
4617:
4607:
4597:
4587:
4577:
4567:
4557:
4547:
4537:
4527:
4517:
4509:Gate of Hell
4507:
4497:
4487:
4477:
4467:
4457:
4442:
4427:
4417:
4407:
4397:
4387:
4377:
4367:
4357:
4347:
4337:
4329:Neecha Nagar
4327:
4317:
4307:
4297:
4287:
4278:
4277:
4262:
4207:
4184:High Spirits
4182:
4163:
4155:
4147:
4139:
4131:
4123:
4115:
4107:
4088:
4080:
4072:
4066:Pretty Polly
4064:
4056:
4048:
4042:Bitter Sweet
4040:
4032:
4024:
4016:
4010:Bitter Sweet
4008:
4000:
3992:
3984:
3976:
3950:
3942:
3934:
3915:
3907:
3888:
3881:
3880:
3872:
3864:
3856:
3837:
3829:
3821:
3813:
3805:
3797:
3789:
3781:
3773:
3765:
3757:
3749:
3741:
3733:
3725:
3717:
3709:
3703:The Marquise
3701:
3693:
3685:
3677:
3669:
3661:
3653:
3645:
3637:
3629:
3621:
3613:
3607:The Rat Trap
3605:
3586:
3578:
3570:
3564:Ace of Clubs
3562:
3556:Pacific 1860
3554:
3546:
3538:
3532:Bitter Sweet
3530:
3511:
3503:
3497:
3491:Sigh No More
3489:
3483:Set to Music
3481:
3473:
3465:
3457:
3449:
3389:
3381:
3373:
3365:
3357:
3349:
3341:
3333:
3325:
3317:
3309:
3303:Oliver Twist
3301:
3293:
3286:
3285:
3277:
3269:
3261:
3211:
3197:
3183:
3172:
3171:
3164:
3149:
3137:the original
3132:
3121:the original
3117:Leninimports
3116:
3104:
3093:Screenonline
3083:
3072:
3061:
3050:
3039:
3014:
2995:
2976:
2954:
2935:
2925:
2903:
2894:
2886:the original
2881:
2871:
2863:the original
2856:
2847:
2835:. Retrieved
2831:the original
2826:
2823:"Tour Dates"
2817:
2809:the original
2802:
2792:
2782:12 September
2780:. Retrieved
2776:
2766:
2758:the original
2753:
2744:
2736:the original
2731:
2722:
2713:
2703:
2691:. Retrieved
2686:The Guardian
2684:
2674:
2662:. Retrieved
2658:
2648:
2636:
2619:– via
2615:14 September
2613:. Retrieved
2608:
2599:
2587:
2575:. Retrieved
2563:
2553:
2531:Newton Abbot
2526:
2520:
2501:
2495:
2483:. Retrieved
2479:the original
2472:
2463:
2453:
2448:
2429:
2423:
2411:. Retrieved
2407:
2398:
2386:. Retrieved
2380:
2371:
2359:. Retrieved
2353:
2344:
2336:the original
2331:
2322:
2310:. Retrieved
2301:
2292:
2282:30 September
2280:. Retrieved
2274:
2265:
2253:. Retrieved
2248:
2239:
2227:. Retrieved
2221:
2212:
2189:
2183:
2174:
2165:
2153:. Retrieved
2149:The Observer
2147:
2134:
2124:
2122:
2115:. Retrieved
2109:
2099:
2080:
2074:
2065:
2059:
2039:
2032:
2020:. Retrieved
2005:
1998:
1989:
1980:
1968:. Retrieved
1964:
1955:
1934:
1926:
1914:. Retrieved
1909:
1900:
1888:. Retrieved
1882:
1872:
1860:. Retrieved
1855:
1846:
1834:. Retrieved
1827:
1818:
1806:. Retrieved
1800:
1791:
1747:André Previn
1741:
1734:
1714:
1709:
1707:
1695:
1684:
1644:
1640:
1639:
1619:Hayley Mills
1614:
1612:
1598:Sophia Loren
1591:
1580:
1539:
1535:
1531:
1529:
1524:
1517:Nigel Havers
1502:
1483:
1480:Deborah Kerr
1468:Lilli Palmer
1457:
1454:Greer Garson
1447:
1443:
1442:
1412:Richard Dyer
1409:
1400:
1396:
1386:
1374:
1370:
1363:
1348:
1339:
1323:
1298:
1293:
1291:In the 2012
1290:
1285:
1271:
1267:
1266:
1261:
1255:
1251:
1246:
1243:
1238:
1234:
1232:
1227:
1221:
1212:
1208:
1202:
1190:
1189:
1184:
1178:
1174:
1173:In her book
1172:
1153:Best Actress
1104:Ronald Neame
1080:Best Actress
1016:
1007:
1005:
998:
991:
987:
986:
976:
972:
966:
962:
958:
954:
950:
946:
942:
938:
934:
930:
926:
922:
918:
914:
910:
907:Spanish Main
906:
900:
896:
892:
888:
884:
880:
874:
870:
866:
862:
858:
854:
850:
848:
829:
826:Eileen Joyce
811:
797:
791:
787:
772:
761:
753:Beaconsfield
725:World War II
706:
698:
694:
678:
663:
658:
648:
642:
640:one-act play
634:is based on
631:
630:
625:
605:
598:
588:
578:
568:
567:Nuna Davey (
561:
551:
541:
531:
468:
465:
458:
454:
450:South Africa
446:Johannesburg
443:
439:
432:
420:
416:
391:
378:
371:
369:
346:Best Actress
337:
331:
325:
324:
318:
317:
282:
280:one-act play
255:
254:
253:
220:Running time
115:Ronald Neame
90:
78:Ronald Neame
25:
5256:Shoplifters
5096:The Pianist
5005:Underground
4955:Barton Fink
4905:The Mission
4845:Man of Iron
4775:Taxi Driver
4609:The Leopard
4206:Awards for
4133:Red Peppers
4082:Easy Virtue
3994:Easy Virtue
3963:Adaptations
3727:Post-Mortem
3663:Easy Virtue
3505:Oh, Coward!
3436:Noël Coward
2502:Noel Coward
2022:18 November
1772:Meghamalhar
1596:, featured
1568:David Niven
1564:Helen Hayes
1562:, starring
1472:Irene Dunne
1452:, starring
1175:Noël Coward
1044:Nominee(s)
951:London Town
927:Blue Dahlia
692:narration.
636:Noël Coward
585:Irene Handl
558:Noël Coward
498:Joyce Carey
301:Joyce Carey
276:Noël Coward
158:Jack Harris
109:Noël Coward
103:Produced by
65:Noël Coward
48:Directed by
5341:1945 films
5335:Categories
5246:The Square
4469:Miss Julie
4409:The Damned
3986:The Vortex
3679:Semi-Monde
3639:The Vortex
3343:Summertime
3251:David Lean
3105:BBC Oxford
2837:20 October
2643:at Variety
2577:6 February
2485:28 January
2302:oscars.org
2276:Metacritic
2194:Shepperton
2155:30 October
1970:30 October
1890:24 October
1836:30 October
1808:30 October
1783:References
1755:John Caird
1655:David Pugh
1556:Peggy Wood
1546:featuring
1540:Still Life
1490:Van Heflin
1416:homosexual
1342:March 2017
1282:1971 novel
1262:Dad's Army
1257:Mum's Army
1204:Total Film
1140:4th Place
1119:Palme d'Or
1108:Nominated
1089:Nominated
1072:Nominated
1068:David Lean
1021:Metacritic
939:Spellbound
885:Wonder Man
845:Box office
779:John Keats
713:Lancashire
703:Production
690:voice-over
685:consummate
659:Still Life
644:Still Life
626:Still Life
614:Adaptation
606:uncredited
599:uncredited
589:uncredited
579:uncredited
569:uncredited
562:uncredited
552:uncredited
542:uncredited
532:uncredited
528:Alfie Bass
354:Palme d'Or
284:Still Life
272:screenplay
268:David Lean
259:is a 1945
224:87 minutes
207:1945-11-26
196:1945-11-13
92:Still Life
74:David Lean
58:Written by
52:David Lean
5156:The Class
4985:The Piano
4835:Kagemusha
4766:1976–2000
4734:Scarecrow
4589:Viridiana
4399:Crossfire
4255:1939–1975
4109:Cavalcade
4018:Cavalcade
3807:Quadrille
3735:Cavalcade
3711:Home Chat
3647:Hay Fever
3580:Sail Away
3434:Works by
3319:Madeleine
3133:Britmovie
2716:. London.
2572:0362-4331
2312:19 August
1721:The Lowry
1702:Studio 54
1651:Emma Rice
1579:In 1961,
1222:Director
1041:Category
775:crossword
745:Carnforth
741:Lancaster
737:Morecambe
211: (UK)
154:Edited by
96:1936 play
5266:Parasite
5126:L'Enfant
5106:Elephant
3548:Operette
3524:Musicals
3067:AllMovie
2975:(1993).
2804:Playbill
2693:26 April
2689:. London
2664:10 March
2413:17 March
2306:Archived
2255:10 March
2117:17 March
1916:10 March
1884:Time Out
1862:18 March
1761:See also
1751:libretto
1623:West End
1405:feminist
733:Bradford
721:blackout
681:adultery
461:suicidal
392:Time Out
344:(Lean),
237:Language
164:Music by
123:Starring
87:Based on
5226:Dheepan
5055:Rosetta
5025:The Eel
4855:Missing
4684:M*A*S*H
4479:Othello
4369:Torment
4176:Musical
3928:Memoirs
3695:Sirocco
3087:at the
3054:at the
2917:Sources
2229:5 April
2175:Variety
1856:Variety
1829:Variety
1725:Salford
1609:Theatre
1521:Radio 2
1047:Result
1006:Today,
993:Variety
977:Bedelia
919:Caravan
840:Release
824:, with
768:Cumbria
755:, near
356:at the
332:At the
270:from a
261:British
240:English
229:Country
205: (
194: (
5314:(2024)
5304:(2023)
5294:(2022)
5284:(2021)
5281:Titane
5269:(2019)
5259:(2018)
5249:(2017)
5239:(2016)
5229:(2015)
5219:(2014)
5209:(2013)
5199:(2012)
5189:(2011)
5179:(2010)
5169:(2009)
5159:(2008)
5149:(2007)
5139:(2006)
5129:(2005)
5119:(2004)
5109:(2003)
5099:(2002)
5089:(2001)
5068:(2000)
5058:(1999)
5048:(1998)
5038:(1997)
5028:(1997)
5018:(1996)
5008:(1995)
4998:(1994)
4988:(1993)
4978:(1993)
4968:(1992)
4958:(1991)
4948:(1990)
4938:(1989)
4928:(1988)
4918:(1987)
4908:(1986)
4898:(1985)
4888:(1984)
4878:(1983)
4868:(1982)
4858:(1982)
4848:(1981)
4838:(1980)
4828:(1980)
4818:(1979)
4808:(1979)
4798:(1978)
4788:(1977)
4778:(1976)
4757:(1975)
4747:(1974)
4737:(1973)
4727:(1973)
4717:(1972)
4707:(1972)
4697:(1971)
4687:(1970)
4677:(1969)
4674:if....
4662:(1967)
4659:Blowup
4652:(1966)
4642:(1966)
4632:(1965)
4622:(1964)
4612:(1963)
4602:(1962)
4592:(1961)
4582:(1961)
4572:(1960)
4562:(1959)
4552:(1958)
4542:(1957)
4532:(1956)
4522:(1955)
4512:(1954)
4502:(1953)
4492:(1952)
4482:(1951)
4472:(1951)
4462:(1951)
4447:(1949)
4432:(1947)
4422:(1947)
4412:(1947)
4402:(1947)
4392:(1947)
4382:(1946)
4372:(1946)
4362:(1946)
4352:(1946)
4342:(1946)
4332:(1946)
4322:(1946)
4312:(1946)
4302:(1946)
4292:(1946)
4282:(1946)
4267:(1939)
4187:(1964)
4168:(1967)
4160:(1967)
4152:(1965)
4144:(1964)
4136:(1962)
4128:(1956)
4120:(1956)
4112:(1955)
4093:(2020)
4085:(2008)
4077:(2000)
4069:(1967)
4061:(1952)
4053:(1942)
4045:(1940)
4037:(1933)
4029:(1933)
4021:(1933)
4013:(1933)
4005:(1930)
3997:(1928)
3989:(1928)
3981:(1927)
3955:(1982)
3947:(1954)
3939:(1937)
3920:(1964)
3912:(1960)
3893:(1950)
3885:(1945)
3877:(1945)
3869:(1944)
3861:(1942)
3842:(1966)
3834:(1960)
3826:(1959)
3818:(1956)
3810:(1952)
3802:(1951)
3794:(1946)
3786:(1941)
3778:(1939)
3770:(1939)
3762:(1936)
3754:(1934)
3746:(1932)
3738:(1931)
3730:(1930)
3722:(1930)
3714:(1927)
3706:(1927)
3698:(1927)
3690:(1926)
3682:(1926)
3674:(1926)
3666:(1925)
3658:(1925)
3650:(1925)
3642:(1924)
3634:(1923)
3626:(1922)
3618:(1920)
3610:(1918)
3591:(1963)
3583:(1961)
3575:(1954)
3567:(1950)
3559:(1946)
3551:(1938)
3543:(1934)
3535:(1929)
3516:(1972)
3508:(1972)
3500:(1968)
3494:(1945)
3486:(1939)
3478:(1932)
3470:(1928)
3462:(1925)
3454:(1923)
3443:Revues
3394:(1984)
3378:(1970)
3370:(1965)
3362:(1962)
3354:(1957)
3346:(1955)
3338:(1954)
3330:(1952)
3322:(1950)
3314:(1949)
3306:(1948)
3298:(1946)
3290:(1945)
3282:(1945)
3274:(1944)
3266:(1942)
3021:
3002:
2983:
2961:
2942:
2570:
2541:
2508:
2455:Altman
2436:
2388:5 July
2361:5 July
2200:
2087:
2047:
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