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British Invasion

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743:, would appeal to a more 'outsider' demographic, essentially reviving and popularising, for young people at least, a musical genre rooted in the blues, rhythm, and black culture, which had been largely ignored or rejected when performed by black US artists in the 1950s. Such bands were sometimes perceived by US parents and elders as rebellious and unwholesome, unlike parent-friendly pop groups such as the Beatles. The Rolling Stones would become the biggest band other than the Beatles to come out of the British Invasion, topping the Hot 100 eight times. Sometimes, there would be a clash between the two styles of the British Invasion, the polished pop acts and the grittier blues-based acts, due to the expectations set by the Beatles. Eric Burdon of the Animals said, "They dressed us up in the most strange costumes. They were even gonna bring a choreographer to show us how to move on stage. I mean, it was ridiculous. It was something that was so far away from our nature and, um, yeah we were just pushed around and told, 'When you arrive in America, don't mention the war! You can't talk about the war.' We felt like we were being gagged." 448: 1192:; 14 percent were the likes of Sedaka, Vee and Presley in that they suffered during the Invasion but recovered afterward; and 20 percent suffered fatal damage to their careers because of it (with Barnes stating that 7 percent of US acts—mostly Cameo Parkway acts and folk revival groups—were wiped out almost entirely due to the Invasion, and the other 13 percent had the Invasion as one of several reasons for their declines). Stylistically, the proportions of US music being made did not change substantially during the Invasion, even as the British acts flooded the charts with a homogenous pop-rock sound; folk, country and 248: 66: 545: 7772: 5845: 1591: 5857: 4477: 1605: 704:, as well as artists with a harder-driving, blues-based approach like the Dave Clark Five, the Kinks, and the Rolling Stones. By 17 April, British acts accounted for 30 records in the Hot 100, and on 8 May, they accounted for eight of the nine British Commonwealth's entries that made a nearly clean sweep of that weekly Hot 100's Top Ten, lacking only a hit at number two instead of 1619: 1131:
bands to adopt a sound with a British Invasion inflection and inspired many other groups to form, creating a scene from which many major US acts of the next decade would emerge. The British Invasion also played a major part in the rise of a distinct genre of rock music and cemented the primacy of the
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s singles chart that same week, with the first two positions reversed from the Hot 100. The group's massive chart success, which included at least two of their singles holding the top spot on the Hot 100 during each of the seven consecutive years starting with 1964, continued until they broke up in
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has said it "aroused the kids' curiosity". In the middle of January 1964, "I Want to Hold Your Hand" appeared suddenly, then vaulted to the top of nearly every top forty music survey in the US, launching the Fab Four's sustained, massive output. "I Want to Hold Your Hand" ascended to number one on
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where Cameo Parkway was based and drew many of its performers from Cameo Parkway, moved to Los Angeles. In summation, he noted that a plurality of the alleged victims of the Invasion (42 percent of most US hit music acts of 1963) were already seeing diminishing returns in 1963 before the Invasion
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The British Invasion had a profound impact on popular music, internationalising the production of rock and roll, establishing the British popular music industry as a viable centre of musical creativity, and opening the door for subsequent British performers to achieve international success. In
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and the resulting civil unrest in the late 1960s and early 1970s. As the cultural aspects of the British Invasion waned, British musical acts retained their popularity throughout the decade and into the 1970s, competing with their US counterparts as they returned to prominence. British
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The Beatles changed music for everybody making records in America, including Elvis who couldn't get a hit during that period of time—a decent hit during that period of time. And they absolutely wiped us right off the charts. That was it. In '64, it was all over for American singers.
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singer of her era." On the Hot 100, Dusty's solo career lasted almost as long, albeit with little more than one quarter of the hits, as the Beatles' group career before their breakup; she continued to have hits on the easy listening and adult contemporary charts into the late
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The musical style of British Invasion artists, such as the Beatles, had been influenced by earlier US rock 'n' roll, a genre that had lost some popularity and appeal by the time of the Invasion. However, a subsequent handful of British performers, particularly the
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Fashion and image set the Beatles apart from their earlier US rock and roll counterparts. Their distinctive, uniform style "challenged the clothing style of conventional US males," just as their music challenged the earlier conventions of the rock and roll genre.
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acts of the 1970s were often more popular in the US than their native Britain, as the US working class was generally favourable to the virtuosity of progressive rock acts, while the bands' British audience was confined to the more genteel upper classes.
731:", carrying over from 1964) and the number one position on 28 of the 52 chart weeks belonged to British acts. The British trend would continue into 1966 and beyond. British Invasion acts also dominated the music charts at home in the United Kingdom. 696:". During the next three years, many more British acts with a chart-topping US single would appear. As 1965 approached, another wave of British Invasion artists emerged. These were usually composed of groups playing in a more pop style, such as 475:
sparked music industry and media interest in the group. During November, a number of major US print outlets and two network television evening programs published and broadcast stories on the phenomenon that became known as
774:, had a certain degree of chart success in the UK and are often considered exemplars of the form. The emergence of a relatively homogeneous worldwide "rock" music style marking the end of the "invasion" occurred in 1967. 1578:
have also been described as being a major part of a new "British Invasion" due to them being the first British band to have their debut album at number one on the US charts along with their overall dominance in America.
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Though many of the acts associated with the invasion did not survive its end, many others would become icons of rock music. The claim that British beat bands were not radically different from US groups like
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had for some time been a "comfortable hearth-and-slippers experience." Not many of the 73 million viewers watching in February 1964 would fully understand what impact the band they were watching would have.
4032: 7801: 1468:" was the highest-ranked US single of 1979. Although the Knack and power pop fell out of mainstream popularity, the genre continues to have a cult following with occasional periods of modest success. 1369:' "Are You a Boy or Are You a Girl" contained the lyrics "You're either a girl, or you come from Liverpool" and "You can dance like a female monkey, but you swim like a stone, Yeah, a Rolling Stone." 4113: 1380:(the latter a band formed mostly of British emigrants) closely paralleled that of the British Invasion. The Seekers had two Hot 100 top five hits during the British Invasion, the number-four hit " 531:, area record stores were flooded with requests for a record they did not have in stock. James sent the record to other disc jockeys around the country, sparking similar reaction. On 26 December, 1145:
attempting to confirm or debunk the claim that the British Invasion devastated US music. In his analysis, he noted that several of the acts whose careers were eclipsed by the Invasion—among them
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singles chart's Top Ten, lacking only a hit at number six instead of "Count Me In". The British Commonwealth also held down the top six on the Hot 100 on 1 May and the top six on
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Other US groups also demonstrated a similar sound to the British Invasion artists and in turn highlighted how the British "sound" was not in itself a wholly new or original one.
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released the record three weeks ahead of schedule. The release of the record during a time when teenagers were on vacation helped spread Beatlemania in the US. On 29 December,
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The Beatles soon incited contrasting reactions and, in the process, generated more novelty records than anyone — at least 200 during 1964–1965 and more inspired by the "
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According to Michael Ross, "It is somewhat ironic that the biggest moment in the history of popular music was first experienced in the US as a television event."
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ran Beatles concert footage licensed from the BBC "as a joke", but it was watched by 30 million viewers. While this piece was largely forgotten, Beatles producer
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musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the
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Cooper, Laura E., and B. Lee, "The Pendulum of Cultural Imperialism: Popular Music Interchanges Between the United States and Britain",
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said, "The British Invasion this time goes by the code name Beatlemania." Two days later, on Sunday, 9 February, the group appeared on
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that had dominated the United States charts in the late 1950s and early 1960s. It dented the careers of established R&B acts like
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Julie became a movie queen by falling very smartly into step with the recent vogue in America for almost anything labeled British.
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The Beatles held number 1 for a then-record fourteen straight weeks, from 1 February through 2 May, but performed even better on
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or the skinny ties of the burgeoning Los Angeles scene. Several power pop artists were commercially successful; most notably
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intrigued US audiences. Four of the decade's Academy Award winners for best picture were British productions, with the epic
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based on information from "THE BEATLES ARE COMING! The Birth of Beatlemania in America" by Bruce Spitzer" July 18, 2009.
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singles chart; no other act had simultaneously held even the top four. The Beatles also held the top five positions on
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While US acts were popular in the United Kingdom, few British acts had achieved any success in the US prior to 1964.
20: 4457: 1479:". Another wave of British mainstream prominence in US music charts came in the mid-1990s with the brief success of 1028:
wrote, "The English girl has an enthusiasm that American men find utterly captivating. I'd like to import the whole
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and the direct simplicity of rock. Along with the music, new wave power impacted fashion, such as the mod style of
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by more than a decade, two British acts that reached the Hot 100's top twenty gave a tip of the hat to America:
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bands of the era that often remained obscure to US listeners, and who are sometimes seen as counterparts to the
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that were better positioned to play the new British hits, and segments of the new shows were taped in England.
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asking, "Why can't we have music like that here in America?" On 17 December, James had Miss Albert introduce "
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The Billboard Hot 100 Charts: The Sixties (26 May 1962, 7 July 1962, 22 December 1962 - 5 January 1963)
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Even while longstanding styles remained popular, US teens and young adults started to dress "hipper".
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Youth Culture in Modern Britain, c.1920-c.1970: From Ivory Tower to Global Movement - A New History
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rock group, based around guitars and drums and producing their own material as singer-songwriters.
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and damaged the careers of black US and female artists was made about the invasion. However, the
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radio writer, analysed US musical acts' success before and during the Invasion in an article for
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appeared nationally in the US. The Beatles' 4 November Royal Variety Performance in front of the
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Some observers have noted that US teenagers were growing tired of singles-oriented pop acts like
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began; 24 percent of US acts that year saw their success continue through the invasion, such as
8378: 8219: 7744: 7475: 7395: 6941: 6915: 6883: 6746: 6283: 6010: 5732: 5355: 5335: 5131: 4461: 2760: 1658: 1571: 1499:". British acts declined in popularity throughout the 1990s, and in the 27 April 2002 issue of 1452:. In 1978, two rock magazines wrote cover stories analyzing power pop as a saviour to both the 1403:
According to Robert J. Thompson, director of the Center for the Study of Popular Television at
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girl with her 'life is fabulous' philosophy to America with instructions to bore from within."
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and temporarily derailed the chart success of certain surviving rock and roll acts, including
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and rural sitcoms. Television shows that featured uniquely American styles of music, such as
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began appearing on US screens, inspiring a series of US-produced espionage programs such as
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in 1967, would have one or more number one singles in the US. Other Invasion acts included
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music, already small factors in the overall pop realm, dropped to near-nonexistence, while
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In anticipation of the 50-year anniversary of the British Invasion in 2013, comics such as
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Tweet the Beatles! How Walter Cronkite Sent The Beatles Viral ANDRE IVERSEN FOR THE WIN!
1255:, for example, acknowledged the debt that US artists owed to British musicians, such as 7725: 7700: 7480: 7460: 7448: 7443: 7433: 5881: 5209: 4550: 4284: 3923:"The Sir Douglas Quintet - Music Biography, Streaming Radio and Discography - AllMusic" 2646: 2461:"The British Invasion: From the Beatles to the Stones, The Sixties Belonged to Britain" 1787: 1735: 1527: 1445: 1389: 1385: 1358: 1334: 1175: 868: 653: 369: 307: 302:, who was the best-selling British act in the United Kingdom at the time, had only one 237: 233: 137: 3728: 3120: 2387: 1471:
A subsequent wave of British artists rose to popularity in the early 1980s as British
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In October 1963, the first newspaper articles about the frenzy in England surrounding
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estimated that 45 percent of US television viewers that night saw their appearance.
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This article is about the cultural phenomenon of the mid-1960s. For other uses, see
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released in 1968, won Best Picture, becoming the final musical film to do so until
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made the latter two tunes memorable once again in London scenes. Anticipating the
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America, the Invasion arguably spelled the end of the popularity of instrumental
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K. Keightley, "Reconsidering Rock," in S. Frith, W. Straw and J. Street, eds.,
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K. Keightley, "Reconsidering Rock" in S. Frith, W. Straw and J. Street, eds.,
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In England lost her American colonies. Last week the Beatles took them back.
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became popular in the United States with significant influence on the rising "
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William E. Sarmento (July 24, 1966). "Fourth TV Network Looming on Horizon".
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Petersen, Jennifer B. "British Bands Invade the United States" 2009. Article.
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K. Keightley, "Reconsidering Rock". S. Frith, W. Straw and J. Street, eds.,
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The historical conclusion of the British Invasion is ambiguous. The wave of
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Cogan, Brian (December 12, 2011). Abbe A. Debolt; James S. Baugess (eds.).
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The British Invasion: How the Beatles and Other UK Bands Conquered America
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Outside of music, other aspects of British arts and engineering, such as
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So You Want to Be a Rock 'n' Roll Star: The Byrds Day-by-Day 1965–1973
1414: 1341:. The British Invasion also drew a backlash from some US bands, e.g., 132:" on both sides of the Atlantic Ocean. UK pop and rock groups such as 8234: 8199: 8189: 7914: 7560: 7298: 7222: 6900: 6800: 6773: 6700: 6673: 6577: 6565: 6520: 6494: 6315: 6298: 6260: 6232: 6215: 6205: 6200: 6163: 6153: 6099: 6074: 6057: 5995: 5904: 5563: 5546: 5485: 5253: 5024: 5014: 5009: 4933: 4928: 4897: 4887: 4872: 4867: 4842: 4837: 4827: 4791: 4776: 4751: 4731: 4721: 4286:
Rocking the Classics: English Progressive Rock and the Counterculture
3073: 3061: 2721: 1811: 1567: 1461: 1449: 1441: 1437: 1252: 1221: 1161:—eventually made comebacks after the Invasion waned. Others, such as 1146: 1137: 1104: 1092: 956: 747: 572:
magazine (on sale January 18) and the 1 February 1964 edition of the
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singles chart's Top Ten on 24 April. That same year, half of the 26
318:
in 1952 (Lynn also had a lower-charting, but more enduring, hit in "
8072: 7520: 6778: 6560: 6437: 6422: 6366: 6351: 6303: 6222: 6158: 6138: 6109: 6089: 6084: 5248: 4973: 4963: 4741: 4661: 4618: 4575: 4091:"Shanhai Knights - Movie reviews, trailers, clips and movie stills" 2220:
Encyclopedia of the Sixties: A Decade of Culture and Counterculture
2035: 1686: 1563: 1555: 978: 580:
ran a story about the Beatles' US arrival that afternoon, of which
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The latest movement came in the mid- to late 2000s, when British
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Gaar, Gillian G. (April 2011). "Women of The British Invasion".
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enjoyed huge success in the US charts, which led to talk of a "
1396:
in the US during the British Invasion, the number-sixteen hit "
1080: 1017: 303: 6811: 4380:"The British Are Coming! One Direction Set to Conquer America" 3767:"Ricky Nelson's sons revive his legacy with 'Remembered' tour" 2079:. British Invasion (New York: Facts on File, 2006), pp. 32–34. 2031:"Lonnie Donegan > Charts and Awards > Billboard singles" 1024:
and other models, were popular worldwide. Newspaper columnist
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She soon followed up with several other hits, becoming what
895:
styled London Theatre. A new wave of British actors such as
712:". On 1 May, the British Commonwealth also nearly swept the 5710: 1888:"British Invasion (music) – Britannica Online Encyclopædia" 1475:
appeared in US media, leading to what is now known as the "
688:, having launched a solo career after her participation in 74:
in the US in 1964 marked the start of the British Invasion.
7978:
Opposition to United States involvement in the Vietnam War
7816: 4114:"Show Review: Kickin' It with Paul Revere and the Raiders" 3831:(Cambridge: Cambridge University Press, 2001), pp. 117–18. 3712:
Rock Eras: Interpretations of Music and Society, 1954–1984
3339: 3147:"Cash Box Magazine's (USA) Weekly Singles Charts for 1965" 7350: 5004: 3350:(5th ed.). Edinburgh: Mojo Books. pp. 769–770. 2673:"Cash Box Magazine's (USA) Weekly Single Charts for 1964" 2524:
The Billboard Hot 100 Charts: The Sixties (11 April 1964)
2302:"The Beatles in America: We Loved Them, Yeah, Yeah, Yeah" 2189:(2nd ed.). London: Barrie and Jenkins Ltd. pp.  840:, released on 25 December 1964, starring British actress 4312:
Are We Not New Wave? Modern Pop at the Turn of the 1980s
3888:
Holmes, Tim, "US and Them: American Rock's Reconquista"
3620:. Vol. 7, no. 21. May 30, 1977. Archived from 2571:
The Billboard Hot 100 Charts: The Sixties (4 April 1964)
2176: 976:, were quickly canceled and replaced with shows such as 1423:
largely faded as US culture shifted in response to the
879:
in 1962, films with a British sensibility such as the "
6721: 3755:(Cambridge: Cambridge University Press, 2001), p. 117. 1291:
had a 1965 hit record with a self-penned song titled "
4195:"The Barbarians - Biography & History - AllMusic" 4035:. The Kirkham Report. August 16, 2009. Archived from 3645:"English Girls in New York: They Don't Go Home Again" 3487: 3485: 3448:"The 35th Academy Awards (1963) Nominees and Winners" 3423:"The 37th Academy Awards (1965) Nominees and Winners" 2647:"UK acts disappear from US charts BBC April 23, 2002" 2442:"Fab Four + 40: Looking back on the British invasion" 2274: 2272: 2270: 2268: 2266: 2264: 2262: 2002:
Mods, Rockers, and the Music of the British Invasion.
1244:, actually increased in popularity during that time. 4060:"Shanghai Knights - Film Reviews - New U.S. Release" 3847:. Menomonee Falls, Wisconsin: Record Research, Inc. 3532:
Mods, Rockers, and the Music of the British Invasion
3194:
Mods, Rockers, and the Music of the British Invasion
2573:. Menomonee Falls, Wisconsin: Record Research, Inc. 2526:. Menomonee Falls, Wisconsin: Record Research, Inc. 2253:
Mods, Rockers, and the Music of the British Invasion
2134:. Menomonee Falls, Wisconsin: Record Research, Inc. 2090:
Can't Buy Me Love: The Beatles, Britain, and America
1586: 4441:
The British Invasion: The Music, the Times, the Era
3471: 2926: 1981: 1415:
End of the first British Invasion and its aftermath
368:
peaked number eight in October 1961, and in 1962, "
4283: 3482: 3244: 2259: 124:acts from the United Kingdom and other aspects of 3696:"Larry King Live Interview With Connie Francis". 3642: 3596:"Most Photographed Model Reticent About Her Role" 3577:"The Girl Behind The World's Most Beautiful Face" 283:attitude, produced two top-ten hits in the US by 8399: 4390: 2548:"I Understand Them (A Love Song To The Beatles)" 2106: 2104: 2102: 2100: 2098: 1448:, are considered to have evolved the genre into 816:marked the group's entrance into film. The film 254:Hot 100 number-ones by British artists, by weeks 7160:1966 tour of Germany, Japan and the Philippines 3990: 3871:(Cambridge: Cambridge University Press, 2001), 3636: 2411: 1977: 1975: 1911: 3941:"Trivial Pursuit: The Test of Dandy Knowledge" 3593: 8109: 7802: 6827: 5889: 4516: 4492: 4033:"Winchester Cathedral by New Vaudeville Band" 3861: 3743: 3672:"Reanimated: 'Nowhere Men, Vol. 1,' and More" 3669: 3556: 3494:"Did the Beatles kill America's radio stars?" 3242: 3217: 3215: 3167: 2095: 527:" live on the air. WWDC's phones lit up, and 3286:Remembering the "British Invasion" - YouTube 2092:(New York, Harmony Books, 2007), pp. 344–45. 2023: 1972: 1941:"The Dave Clark Five - Biography - AllMusic" 1855: 1853: 1851: 1849: 1847: 384:" peaked at number twenty in September, and 3048: 3046: 3044: 3042: 3030:Alterman, Loraine. "Who Let the Kinks In?" 2304:. Newseum. February 5, 2009. Archived from 1052: 913:, starring O'Toole as British army officer 644:" (No. 85 on 4 April 1964) and US comedian 8116: 8102: 7809: 7795: 6834: 6820: 5896: 5882: 4523: 4509: 3212: 2458: 2172:– via National Library of Australia. 1918:. Greenwood Publishing Group. p. 22. 1885: 1859: 505:assassination of US President John Kennedy 503:but was shelved that night because of the 64: 4396: 4309: 4170:"Gary Puckett interview: A perfect Union" 3318: 3079: 3067: 2800: 2777: 2727: 1905: 1879: 1844: 777: 244:were at the forefront of the "invasion." 3840: 3792:Encyclopedia of Recorded Sound, Volume 1 3364: 3039: 2639: 2568: 2521: 2355: 2335: 2333: 2331: 2329: 2327: 2325: 2323: 2212: 2210: 2182: 2129: 1957: 1574:" or a "British Soul Invasion". Boyband 766:bands in America. Certain acts, such as 543: 446: 246: 4338: 4111: 3964: 3869:The Cambridge Companion to Pop and Rock 3829:The Cambridge Companion to Pop and Rock 3752:The Cambridge Companion to Pop and Rock 3663: 3381: 3319:Nicholson, Chris (September 25, 2012). 3024: 2945: 2907: 2888: 2831: 2435: 2433: 2431: 2110: 1938: 1826:" and in 1983 with their biggest hit, " 1135:In February 2021, Ken Barnes, a former 680:One week after the Beatles entered the 507:. After seeing the report, 15-year-old 354:" reached number ten in February 1959, 346:, both in 1962. Also on the Hot 100, " 8453:United Kingdom–United States relations 8400: 4057: 3764: 3491: 3345: 2853:"The Bachelors - Biography - AllMusic" 2250: 2020:(Aldershot: Ashgate, 2003), pp. 69–80. 1388:) in May 1965 and the number-two hit " 789: 727:chart toppers (counting the Beatles' " 515:, wrote a letter the following day to 8097: 7790: 7605:The Beatles: The Authorised Biography 6815: 5877: 4504: 4491: 4281: 4167: 3196:. Westport, CT. Praeger, 2009. Print. 3099:. London: Jawbone Press. p. 31. 3091: 2619: 2320: 2216: 2207: 1958:Petridis, Alexis (October 15, 2021). 675: 324:He's Got the Whole World in His Hands 5748:Rock music and the fall of communism 3818:. (Routledge, 2nd ed., 2005), p. 35. 3569: 3407:"As Millie, a real Julie Blossoms". 3282:"Remembering the "British Invasion"" 2850: 2790:Billboard Dave Clark Five Chart Page 2739: 2693: 2439: 2428: 2412:Steve Greenberg (February 7, 2014). 1672: 1283:took their name from the same-named 1275:adopted British-sounding names, and 758:period, particularly harder-driving 263:The rebellious tone and image of US 16:Cultural phenomenon of the mid-1960s 7640:Paul McCartney: Many Years from Now 7135:The Beatles' 1964 tour of Australia 4415:University of North Texas Libraries 4290:, Oxford: Oxford University Press, 4088: 3794:(CRC Press, 2nd ed., 2004), p. 132. 3727:. Nostalgia Central. Archived from 3670:Wolk, Douglas (December 13, 2013). 3643:Seebohm, Caroline (July 19, 1971). 3465: 3309:, Allmusic, retrieved 30 June 2011. 2597:. February 11, 2007. Archived from 2459:Puterbaugh, Parke (July 14, 1988). 2223:. Greenwood Press. pp. 80–81. 2111:Leopold, Todd (February 10, 2004). 2018:The British Folk Revival, 1944–2002 1822:) before resurfacing in 1970 with " 1648:Music of the United Kingdom (1960s) 443:The Beatles on The Ed Sullivan Show 13: 4112:Hoffman, Lori (December 7, 2013). 3997:The Words and Music of David Bowie 2869: 2708: 1497:You Don't Have to Be a Baby to Cry 1407:, the British invasion pushed the 1190:Frankie Valli and the Four Seasons 920:British television series such as 392:" reached number five in October. 220:, as well as solo singers such as 14: 8464: 4469: 4341:"The end of the British invasion" 2620:Trust, Gary (February 19, 2019). 2255:. Westport, Connecticut: Praeger. 1862:"Encyclopædia Britannica Article" 382:Silver Threads and Golden Needles 21:British Invasion (disambiguation) 7771: 7770: 5855: 5844: 5843: 4475: 4372: 4358: 4332: 4316:The University of Michigan Press 4310:Cateforis, Theo (June 7, 2011). 4303: 4275: 4262: 4256: 4243: 4237: 4212: 4187: 4168:Voger, Mark (October 10, 2011). 4161: 4136: 4105: 4082: 4058:Leydon, Joe (January 26, 2003). 4051: 4025: 3984: 3958: 3933: 3920: 3914: 3901: 3895: 3882: 3765:McGinn, Andrew (June 23, 2011). 3594:Cloud, Barbara (June 11, 1967). 3547:p. 134. Palgrave Macmillan, 2008 3492:Barnes, Ken (February 9, 2021). 3384:British Hit Singles & Albums 3321:"Freakbeat, The Garage Rock Era" 2812: 2758: 2440:Ross, Michael (August 5, 2010). 2056: 1816:American Federation of Musicians 1643:List of British Invasion artists 1617: 1603: 1589: 1355:Gary Puckett & the Union Gap 1307:) reciprocated the gesture a la 1091:(which adapted by evolving into 917:, winning seven Oscars in 1963. 852:, won eight Academy Awards. and 330:in 1958, and the instrumentals " 91:United Kingdom and United States 7072:Cover versions of Beatles songs 6841: 5666:Progressive rock (radio format) 3834: 3821: 3816:Popular Music: The Key Concepts 3808: 3797: 3784: 3758: 3717: 3704: 3689: 3606: 3587: 3550: 3537: 3524: 3511: 3440: 3415: 3400: 3300: 3236: 3227: 3199: 3186: 3161: 3139: 3113: 3085: 2994: 2976: 2958: 2939: 2920: 2901: 2882: 2863: 2844: 2825: 2806: 2783: 2752: 2733: 2702: 2687: 2665: 2613: 2587: 2562: 2540: 2515: 2485: 2452: 2405: 2380: 2349: 2294: 2244: 2148: 2123: 2082: 2069: 2050: 1915:Music of the Counterculture Era 1697: 1679: 566:the 25 January 1964 edition of 519:Carroll James at radio station 150:Billy J. Kramer and the Dakotas 8123: 7112:Winter 1963 Helen Shapiro Tour 4530: 3714:(Popular Press, 1987), p. 134. 3557:Burgess, Anya (May 10, 2004). 3223:Journal of Popular Culture, 93 2113:"When the Beatles hit America" 2010: 1994: 1951: 1932: 1267:and the Beatles-influenced US 551:and the Beatles, February 1964 439:Cultural impact of the Beatles 426: 1: 7439:34 Montagu Square, Marylebone 5903: 4391:Further reading and listening 4339:Jenkins, Mark (May 3, 2002). 3965:Hoffman, Ken (July 4, 2012). 2161:The Australian Women's Weekly 1837: 1511:, were from British artists. 1372:In Australia, the success of 1343:Paul Revere & the Raiders 1319:". Even as recently as 2003, 1038: 706:Gary Lewis & the Playboys 376:reached number two in March, 258: 7658:Apple Corps v Apple Computer 7612:The Beatles: All These Years 7077:Songs covered by the Beatles 6026:Contemporary Christian music 2966:"iTunes - Music - The Kinks" 1782:(and later its lead singer, 1666:When Nirvana Came to Britain 1230:Gladys Knight & the Pips 648:'s "Pop Hates the Beatles". 7: 8423:Counterculture of the 1960s 8167:Native Americans in Germany 7995:Women's liberation movement 7818:Counterculture of the 1960s 7062:Post-breakup collaborations 6722: 5696:List of years in rock music 3517:"Two Paths of Folk Music," 2156:"Hayley Mills busily happy" 1582: 1382:I'll Never Find Another You 822:– starring English actress 312:Auf Wiederseh'n, Sweetheart 58:counterculture of the 1960s 10: 8469: 5801:Rock and Roll Hall of Fame 3804:allmusic Genre Garage Rock 3559:"Small is still beautiful" 3348:The Great Rock Discography 3346:Strong, Martin C. (2000). 3207:Journal of Popular Culture 1238:Martha & the Vandellas 1181:Philadelphia, Pennsylvania 1179:, which had been based in 991: 694:I Only Want to Be with You 576:. On 7 February 1964, the 436: 430: 352:Reg Owen and His Orchestra 101:music of the United States 18: 8363: 8342: 8233: 8175: 8149: 8131: 8040: 8017: 7943:Back-to-the-land movement 7923: 7868:San Francisco Renaissance 7860: 7829: 7766: 7737:automatic double tracking 7675:The Beatles at Abbey Road 7649: 7589: 7409: 7326: 7266: 7195: 7186: 7097: 7019: 6929: 6849: 6693: 6513: 6324: 6276: 6248: 6241: 5937: 5911: 5839: 5768: 5723:Electronics in rock music 5674: 5628: 5603: 5577: 5426: 5389:Hard rock and heavy metal 5182: 5114: 5049: 5042: 4992: 4916: 4883:Pub rock (United Kingdom) 4815: 4649: 4601: 4586: 4538: 4498: 4493:Links to related articles 3890:Popular Music and Society 3844:Top Pop Singles 1955-2002 3521:, Vol. 1 No. 3, May 1964. 3247:Top Pop Singles 1955-2002 3170:Top Pop Singles 1955-2002 2927:Stephen Thomas Erlewine. 2388:"1 February 1964 Hot 100" 2359:Top Pop Singles 1955-2002 2183:Murrells, Joseph (1978). 1982:Stephen Thomas Erlewine. 1689:described as "the finest 451:Fans and media swarm the 99:British influence to the 95: 87: 79: 63: 51: 7933:American Indian Movement 7140:1964 North American tour 5701:Origins of rock and roll 3991:James E. Perone (2007). 3771:The Springfield News-Sun 3530:James E. Perone (2009). 2186:The Book of Golden Discs 1912:James E. Perone (2004). 1772:Gerry and the Pacemakers 1720:Freddie and the Dreamers 1384:" (recorded at London's 1053:Impact on American music 1001:" fashions, such as the 525:I Want to Hold Your Hand 154:Freddie and the Dreamers 142:Gerry and the Pacemakers 8433:1960s in American music 7541:The Scotch of St. James 7107:1960 Johnny Gentle Tour 6968:More popular than Jesus 6957:North American releases 5641:Adult album alternative 4460:2002 – oral history by 4318:. pp. 123 to 150. 4314:. Ann Arbor, Michigan: 3841:Whitburn, Joel (2003). 3382:Roberts, David (2006). 2569:Whitburn, Joel (1990). 2522:Whitburn, Joel (1990). 2356:Whitburn, Joel (2003). 2130:Whitburn, Joel (1990). 2007:: Praeger, 2009. Print. 1820:the band's 1965 US tour 1810:, and numerous others. 1804:the Spencer Davis Group 1653:Second British Invasion 1477:Second British Invasion 1313:the New Vaudeville Band 1101:Nashville country music 951:The Man From U.N.C.L.E. 642:A Letter to the Beatles 513:Silver Spring, Maryland 198:the Spencer Davis Group 116:of the mid-1960s, when 27: 8438:1960s in British music 8418:History of the Beatles 8379:Cultural appropriation 7745:The Beatles: Rock Band 7396:United Artists Records 7027:Awards and nominations 6884:Outline of the Beatles 6747:Popular music pedagogy 5733:Rock Against Communism 5132:Brazilian thrash metal 4458:"The British Invasion" 4282:Macan, Edward (1997), 3967:"England still swings" 3371:Allmusic.com biography 3243:Joel Whitburn (2003). 3168:Joel Whitburn (2003). 3002:"U.S. Chart Positions" 2251:Perone, James (2009). 2077:American Popular Music 1659:Third British Invasion 1572:Third British Invasion 1487:, Blur, Radiohead and 1436:British bands such as 1062: 954:and the parody series 798: 778:Other cultural impacts 609: 552: 464: 255: 40:considered for merging 8413:History of rock music 7953:Civil rights movement 7938:Anti-nuclear movement 7598:The Beatles Anthology 7531:Penny Lane, Liverpool 7117:1963 Roy Orbison Tour 6989:Murder of John Lennon 6752:Rockism and poptimism 5755:Rockism and poptimism 5215:British rock and roll 3543:Fowler, David (2008) 2946:Unterberger, Richie. 2908:Unterberger, Richie. 2889:Unterberger, Richie. 2832:Unterberger, Richie. 1939:Unterberger, Richie. 1411:into the mainstream. 1097:teenage tragedy songs 1057: 967:Sing Along with Mitch 805:magazine, April 1967. 794: 605: 558:The Jack Paar Program 547: 450: 332:Stranger on the Shore 306:hit in the US, with " 250: 7990:Second-wave feminism 7968:Free Speech Movement 7963:Free school movement 7948:Black Power movement 7924:Social and political 7619:A Cellarful of Noise 7123:The Ed Sullivan Show 6889:The Beatles timeline 6742:Pop music automation 5590:Sahara desert region 4878:Pub rock (Australia) 4484:at Wikimedia Commons 4144:"The New Colony Six" 4118:Atlantic City Weekly 3600:The Pittsburgh Press 3127:. September 12, 2008 3121:"8 May 1965 Hot 100" 2308:on November 26, 2010 1317:Winchester Cathedral 1200:were also hard hit. 1013:, and worn by early 1009:" designers such as 930:in its US airings), 886:What's New Pussycat? 871:that commenced with 684:for the first time, 616:magazine, early 1964 599:The Ed Sullivan Show 587:The Ed Sullivan Show 295:or the "beat boom". 7837:Black Arts Movement 7732:Recording practices 6732:Honorific nicknames 5979:Paisley Underground 5781:List of rock genres 5743:Rock Against Sexism 5738:Rock Against Racism 5646:Album-oriented rock 4445:Sterling Publishing 4070:on February 5, 2013 3731:on October 21, 2007 3583:. February 8, 1967. 3221:Cooper, L. and B., 3082:, show 49, track 2. 3070:, show 38, track 2. 3012:on January 13, 2014 2851:Ruhlmann, William. 2730:, show 29, track 2. 2497:AlbumLinerNotes.com 1740:the Dave Clark Five 1540:Natasha Bedingfield 1405:Syracuse University 1339:the Nashville Teens 1273:Sir Douglas Quintet 1121:the Everly Brothers 790:Film and television 634:We Love You Beatles 555:On 3 January 1964, 348:Manhattan Spiritual 158:the Dave Clark Five 114:cultural phenomenon 48: 8443:1963 introductions 7726:Pop Go the Beatles 7701:Global Beatles Day 7481:Casbah Coffee Club 7449:Abbey Road Studios 7444:Abbey Road, London 7434:251 Menlove Avenue 7145:1965 European tour 7084:Recording sessions 6947:At the Cavern Club 5947:Adult contemporary 4093:. Celebrity Wonder 3676:The New York Times 3534:. p. 76. ABC-CLIO, 3093:Hjort, Christopher 3036:, 18 December 1969 1736:the Rolling Stones 1386:Abbey Road Studios 1176:American Bandstand 910:Lawrence of Arabia 813:A Hard Day's Night 676:Beyond the Beatles 553: 465: 399:and the "Bobby"s: 370:Midnight in Moscow 360:Let's Get Together 256: 252:Chart of Billboard 234:Marianne Faithfull 138:the Rolling Stones 46: 8395: 8394: 8389: 8388: 8091: 8090: 8025:Underground press 8002:Sexual revolution 7910:Bed-Ins for Peace 7847:Psychedelic music 7784: 7783: 7707:Images of a Woman 7551:St Peter's Church 7322: 7321: 7052:Live performances 6809: 6808: 6791:Verse–chorus form 6737:Music and fashion 6689: 6688: 6396:Hong Kong English 6242:Regional variants 5912:Stylistic origins 5871: 5870: 5796:Progressive music 5624: 5623: 5062:Palm Desert Scene 5038: 5037: 4712:Experimental rock 4609:Instrumental rock 4480:Media related to 4453:978-1-4027-6976-4 4435:978-1-84240-247-4 4382:. March 12, 2012. 4368:. March 12, 2012. 4124:on April 26, 2014 4006:978-0-275-99245-3 3971:Houston Chronicle 3892:, Vol.30, July 07 3700:. March 11, 2002. 3411:. April 28, 1967. 3192:Perone, James E. 3106:978-1-906002-15-2 2075:Morrison, Craig. 2000:Perone, James E. 1925:978-0-313-32689-9 1798:would later form 1794:(whose guitarist 1768:Chad & Jeremy 1673:Explanatory notes 1611:Rock music portal 1398:Friday on My Mind 1351:Revolutionary War 1212:, exemplified by 834:film in history. 828:titular character 768:the Pretty Things 754:scene during the 686:Dusty Springfield 538:The Baltimore Sun 222:Dusty Springfield 206:the Pretty Things 106: 105: 8460: 8408:British Invasion 8383:Racial fetishism 8118: 8111: 8104: 8095: 8094: 7888:Swinging Sixties 7883:Mods and rockers 7878:British Invasion 7811: 7804: 7797: 7788: 7787: 7774: 7773: 7713:Lennon–McCartney 7633:Lennon Remembers 7571:Tittenhurst Park 7566:Strawberry Field 7526:London Palladium 7486:Candlestick Park 7429:20 Forthlin Road 7419:10 Admiral Grove 7193: 7192: 6896:Stuart Sutcliffe 6836: 6829: 6822: 6813: 6812: 6725: 6525:Balkan pop-folk 6246: 6245: 5898: 5891: 5884: 5875: 5874: 5859: 5847: 5846: 5716:Rhythm and blues 5691:British Invasion 5047: 5046: 4924:Alternative rock 4863:Post-progressive 4772:Psychedelic rock 4767:Progressive rock 4599: 4598: 4595: 4589:decade of origin 4525: 4518: 4511: 4502: 4501: 4489: 4488: 4482:British Invasion 4479: 4418: 4406: 4384: 4383: 4376: 4370: 4369: 4362: 4356: 4355: 4353: 4351: 4336: 4330: 4329: 4307: 4301: 4300: 4289: 4279: 4273: 4272: 4260: 4254: 4253: 4241: 4235: 4234: 4232: 4230: 4216: 4210: 4209: 4207: 4205: 4191: 4185: 4184: 4182: 4180: 4165: 4159: 4158: 4156: 4154: 4140: 4134: 4133: 4131: 4129: 4120:. Archived from 4109: 4103: 4102: 4100: 4098: 4086: 4080: 4079: 4077: 4075: 4066:. Archived from 4055: 4049: 4048: 4046: 4044: 4039:on June 17, 2013 4029: 4023: 4022: 4020: 4018: 4013:on June 16, 2013 4009:. Archived from 3988: 3982: 3981: 3979: 3977: 3962: 3956: 3955: 3953: 3951: 3937: 3931: 3930: 3918: 3912: 3911: 3899: 3893: 3886: 3880: 3865: 3859: 3858: 3838: 3832: 3825: 3819: 3812: 3806: 3801: 3795: 3790:F. W. Hoffmann, 3788: 3782: 3781: 3779: 3777: 3762: 3756: 3747: 3741: 3740: 3738: 3736: 3721: 3715: 3708: 3702: 3701: 3693: 3687: 3686: 3684: 3682: 3667: 3661: 3660: 3658: 3656: 3640: 3634: 3633: 3631: 3629: 3624:on March 3, 2016 3610: 3604: 3603: 3591: 3585: 3584: 3573: 3567: 3566: 3554: 3548: 3541: 3535: 3528: 3522: 3515: 3509: 3508: 3506: 3504: 3489: 3480: 3479: 3469: 3463: 3462: 3460: 3458: 3444: 3438: 3437: 3435: 3433: 3419: 3413: 3412: 3404: 3398: 3397: 3379: 3373: 3368: 3362: 3361: 3343: 3337: 3336: 3334: 3332: 3327:. MinistryofRock 3325:Ministry of Rock 3316: 3310: 3304: 3298: 3297: 3295: 3293: 3269: 3263: 3262: 3250: 3240: 3234: 3231: 3225: 3219: 3210: 3203: 3197: 3190: 3184: 3183: 3165: 3159: 3158: 3156: 3154: 3143: 3137: 3136: 3134: 3132: 3117: 3111: 3110: 3089: 3083: 3077: 3071: 3065: 3059: 3053:British Invasion 3050: 3037: 3028: 3022: 3021: 3019: 3017: 3008:. Archived from 2998: 2992: 2991: 2980: 2974: 2973: 2970:Itunes.apple.com 2962: 2956: 2955: 2943: 2937: 2936: 2924: 2918: 2917: 2905: 2899: 2898: 2886: 2880: 2879: 2867: 2861: 2860: 2848: 2842: 2841: 2829: 2823: 2822: 2810: 2804: 2798: 2792: 2787: 2781: 2775: 2769: 2768: 2756: 2750: 2749: 2740:Thompson, Dave. 2737: 2731: 2725: 2719: 2718: 2706: 2700: 2699: 2698:: 22, 24, 26–28. 2691: 2685: 2684: 2682: 2680: 2669: 2663: 2662: 2660: 2658: 2653:. April 23, 2002 2643: 2637: 2636: 2634: 2632: 2617: 2611: 2610: 2608: 2606: 2591: 2585: 2584: 2566: 2560: 2559: 2557: 2555: 2544: 2538: 2537: 2519: 2513: 2512: 2510: 2508: 2499:. Archived from 2489: 2483: 2482: 2480: 2478: 2469:. Archived from 2456: 2450: 2449: 2437: 2426: 2425: 2423: 2421: 2409: 2403: 2402: 2400: 2398: 2384: 2378: 2377: 2353: 2347: 2337: 2318: 2317: 2315: 2313: 2298: 2292: 2291:February 7, 2014 2276: 2257: 2256: 2248: 2242: 2241: 2239: 2237: 2214: 2205: 2204: 2180: 2174: 2173: 2171: 2169: 2152: 2146: 2145: 2127: 2121: 2120: 2108: 2093: 2086: 2080: 2073: 2067: 2066: 2054: 2048: 2047: 2045: 2043: 2027: 2021: 2014: 2008: 1998: 1992: 1991: 1979: 1970: 1969: 1955: 1949: 1948: 1936: 1930: 1929: 1909: 1903: 1902: 1900: 1898: 1886:Ira A. Robbins. 1883: 1877: 1876: 1874: 1872: 1860:Ira A. Robbins. 1857: 1831: 1732:Herman's Hermits 1704:Peter and Gordon 1701: 1695: 1683: 1627: 1622: 1621: 1620: 1613: 1608: 1607: 1606: 1599: 1594: 1593: 1592: 1522:artists such as 1430:progressive rock 1327:Bay City Rollers 1322:Shanghai Knights 1311:a year later in 1070: 806: 690:the Springfields 670: 617: 578:CBS Evening News 529:Washington, D.C. 496:CBS Morning News 486:CBS Evening News 483:On 10 December, 457:Schiphol Airport 378:the Springfields 320:We'll Meet Again 279:craze, with its 174:Peter and Gordon 170:Herman's Hermits 110:British Invasion 68: 56:and the broader 54:Swinging Sixties 49: 47:British Invasion 45: 43: 8468: 8467: 8463: 8462: 8461: 8459: 8458: 8457: 8448:1963 neologisms 8398: 8397: 8396: 8391: 8390: 8385: 8359: 8338: 8253:English/British 8229: 8205:Iranian/Persian 8171: 8145: 8127: 8122: 8092: 8087: 8036: 8013: 7925: 7919: 7893:Hippie movement 7861:Cultural events 7856: 7842:Psychedelic art 7825: 7815: 7785: 7780: 7762: 7691:Cultural impact 7645: 7585: 7496:The Cavern Club 7461:The Bag O'Nails 7424:12 Arnold Grove 7411: 7405: 7401:Vee-Jay Records 7376:Startling Music 7346:Capitol Records 7328: 7318: 7262: 7248:Alistair Taylor 7243:Joseph Lockwood 7182: 7178:Rooftop concert 7130:1964 world tour 7099: 7093: 7015: 7006:Religious views 6925: 6869:George Harrison 6845: 6840: 6810: 6805: 6685: 6593:French Mandopop 6509: 6320: 6294:Brazilian (MPB) 6272: 6237: 5933: 5924:Traditional pop 5907: 5902: 5872: 5867: 5835: 5764: 5684: 5670: 5656:Mainstream rock 5620: 5599: 5573: 5422: 5178: 5110: 5043:Regional scenes 5034: 4988: 4912: 4853:Industrial rock 4811: 4707:Electronic rock 4645: 4593: 4592:(sub-subgenres 4591: 4590: 4588: 4582: 4561:Electric guitar 4534: 4529: 4494: 4472: 4404: 4398:Gilliland, John 4393: 4388: 4387: 4378: 4377: 4373: 4364: 4363: 4359: 4349: 4347: 4337: 4333: 4326: 4308: 4304: 4298: 4280: 4276: 4261: 4257: 4242: 4238: 4228: 4226: 4218: 4217: 4213: 4203: 4201: 4193: 4192: 4188: 4178: 4176: 4174:The Star-Ledger 4166: 4162: 4152: 4150: 4142: 4141: 4137: 4127: 4125: 4110: 4106: 4096: 4094: 4089:Farance, Jeff. 4087: 4083: 4073: 4071: 4056: 4052: 4042: 4040: 4031: 4030: 4026: 4016: 4014: 4007: 3989: 3985: 3975: 3973: 3963: 3959: 3949: 3947: 3939: 3938: 3934: 3919: 3915: 3900: 3896: 3887: 3883: 3866: 3862: 3855: 3839: 3835: 3826: 3822: 3813: 3809: 3802: 3798: 3789: 3785: 3775: 3773: 3763: 3759: 3748: 3744: 3734: 3732: 3723: 3722: 3718: 3709: 3705: 3695: 3694: 3690: 3680: 3678: 3668: 3664: 3654: 3652: 3641: 3637: 3627: 3625: 3612: 3611: 3607: 3592: 3588: 3575: 3574: 3570: 3555: 3551: 3542: 3538: 3529: 3525: 3516: 3512: 3502: 3500: 3490: 3483: 3470: 3466: 3456: 3454: 3446: 3445: 3441: 3431: 3429: 3421: 3420: 3416: 3406: 3405: 3401: 3394: 3380: 3376: 3369: 3365: 3358: 3344: 3340: 3330: 3328: 3317: 3313: 3305: 3301: 3291: 3289: 3280: 3277:Wayback Machine 3270: 3266: 3259: 3241: 3237: 3232: 3228: 3220: 3213: 3204: 3200: 3191: 3187: 3180: 3166: 3162: 3152: 3150: 3145: 3144: 3140: 3130: 3128: 3119: 3118: 3114: 3107: 3090: 3086: 3078: 3074: 3066: 3062: 3051: 3040: 3029: 3025: 3015: 3013: 3000: 2999: 2995: 2982: 2981: 2977: 2964: 2963: 2959: 2944: 2940: 2925: 2921: 2906: 2902: 2887: 2883: 2870:Ankeny, Jason. 2868: 2864: 2849: 2845: 2830: 2826: 2811: 2807: 2799: 2795: 2788: 2784: 2776: 2772: 2757: 2753: 2738: 2734: 2726: 2722: 2709:Ankeny, Jason. 2707: 2703: 2692: 2688: 2678: 2676: 2675:. April 4, 1964 2671: 2670: 2666: 2656: 2654: 2645: 2644: 2640: 2630: 2628: 2618: 2614: 2604: 2602: 2601:on May 27, 2014 2593: 2592: 2588: 2581: 2567: 2563: 2553: 2551: 2546: 2545: 2541: 2534: 2520: 2516: 2506: 2504: 2491: 2490: 2486: 2476: 2474: 2473:on May 30, 2017 2457: 2453: 2438: 2429: 2419: 2417: 2410: 2406: 2396: 2394: 2386: 2385: 2381: 2374: 2354: 2350: 2338: 2321: 2311: 2309: 2300: 2299: 2295: 2283:Steve Greenberg 2277: 2260: 2249: 2245: 2235: 2233: 2231: 2215: 2208: 2201: 2181: 2177: 2167: 2165: 2154: 2153: 2149: 2142: 2128: 2124: 2109: 2096: 2087: 2083: 2074: 2070: 2055: 2051: 2041: 2039: 2029: 2028: 2024: 2015: 2011: 1999: 1995: 1980: 1973: 1956: 1952: 1937: 1933: 1926: 1910: 1906: 1896: 1894: 1884: 1880: 1870: 1868: 1858: 1845: 1840: 1835: 1834: 1808:the Small Faces 1760:Billy J. Kramer 1728:the Mindbenders 1702: 1698: 1684: 1680: 1675: 1623: 1618: 1616: 1609: 1604: 1602: 1595: 1590: 1588: 1585: 1489:Robbie Williams 1446:the Raspberries 1417: 1400:" in May 1967. 1331:Billy J. Kramer 1297:Swinging London 1265:the Buckinghams 1218:the Temptations 1072: 1064: 1055: 1041: 1007:Swinging London 994: 881:Angry Young Men 850:Eliza Doolittle 808: 800: 792: 784:BSA motorcycles 780: 756:Swinging London 678: 668: 619: 611: 592:Nielsen Ratings 582:Walter Cronkite 533:Capitol Records 491:Walter Cronkite 445: 435: 429: 365:The Parent Trap 261: 190:the Moody Blues 126:British culture 75: 70:The arrival of 44: 28: 24: 17: 12: 11: 5: 8466: 8456: 8455: 8450: 8445: 8440: 8435: 8430: 8428:1960s in music 8425: 8420: 8415: 8410: 8393: 8392: 8387: 8386: 8364: 8361: 8360: 8358: 8357: 8352: 8346: 8344: 8340: 8339: 8337: 8336: 8331: 8326: 8325: 8324: 8314: 8309: 8304: 8299: 8294: 8289: 8288: 8287: 8277: 8276: 8275: 8265: 8260: 8255: 8250: 8245: 8239: 8237: 8231: 8230: 8228: 8227: 8225:Turkish/Turkic 8222: 8217: 8212: 8207: 8202: 8197: 8192: 8187: 8181: 8179: 8173: 8172: 8170: 8169: 8164: 8159: 8153: 8151: 8147: 8146: 8144: 8143: 8137: 8135: 8129: 8128: 8121: 8120: 8113: 8106: 8098: 8089: 8088: 8086: 8085: 8080: 8078:UK underground 8075: 8070: 8065: 8060: 8055: 8050: 8044: 8042: 8038: 8037: 8035: 8034: 8033: 8032: 8021: 8019: 8015: 8014: 8012: 8011: 8010: 8009: 7999: 7998: 7997: 7987: 7986: 7985: 7975: 7973:Gay liberation 7970: 7965: 7960: 7955: 7950: 7945: 7940: 7935: 7929: 7927: 7921: 7920: 7918: 7917: 7912: 7907: 7906: 7905: 7903:Summer of Love 7900: 7890: 7885: 7880: 7875: 7870: 7864: 7862: 7858: 7857: 7855: 7854: 7849: 7844: 7839: 7833: 7831: 7827: 7826: 7814: 7813: 7806: 7799: 7791: 7782: 7781: 7779: 7778: 7767: 7764: 7763: 7761: 7760: 7755: 7754: 7753: 7741: 7740: 7739: 7729: 7722: 7715: 7710: 7703: 7698: 7693: 7688: 7683: 7678: 7671: 7666: 7661: 7653: 7651: 7647: 7646: 7644: 7643: 7636: 7629: 7622: 7615: 7608: 7601: 7593: 7591: 7590:Selected books 7587: 7586: 7584: 7583: 7581:Wigmore Street 7578: 7573: 7568: 7563: 7558: 7556:Stanley Street 7553: 7548: 7543: 7538: 7533: 7528: 7523: 7518: 7513: 7508: 7503: 7498: 7493: 7488: 7483: 7478: 7473: 7468: 7466:Beatles Ashram 7463: 7458: 7453: 7452: 7451: 7441: 7436: 7431: 7426: 7421: 7415: 7413: 7407: 7406: 7404: 7403: 7398: 7393: 7391:United Artists 7388: 7386:Tollie Records 7383: 7378: 7373: 7368: 7363: 7361:Northern Songs 7358: 7353: 7348: 7343: 7338: 7332: 7330: 7324: 7323: 7320: 7319: 7317: 7316: 7311: 7306: 7301: 7296: 7291: 7286: 7281: 7276: 7270: 7268: 7264: 7263: 7261: 7260: 7258:Allan Williams 7255: 7250: 7245: 7240: 7235: 7230: 7225: 7220: 7215: 7210: 7205: 7199: 7197: 7190: 7184: 7183: 7181: 7180: 7175: 7167: 7162: 7157: 7152: 7147: 7142: 7137: 7132: 7127: 7119: 7114: 7109: 7103: 7101: 7095: 7094: 7092: 7091: 7086: 7081: 7080: 7079: 7074: 7064: 7059: 7054: 7049: 7044: 7039: 7034: 7029: 7023: 7021: 7017: 7016: 7014: 7013: 7008: 7003: 6998: 6991: 6986: 6981: 6976: 6971: 6964: 6959: 6954: 6952:Decca audition 6949: 6944: 6939: 6933: 6931: 6927: 6926: 6924: 6923: 6918: 6913: 6911:Norman Chapman 6908: 6903: 6898: 6892: 6891: 6886: 6880: 6879: 6872: 6865: 6862:Paul McCartney 6858: 6850: 6847: 6846: 6839: 6838: 6831: 6824: 6816: 6807: 6806: 6804: 6803: 6798: 6793: 6788: 6787: 6786: 6781: 6771: 6770: 6769: 6762:Talent manager 6759: 6754: 6749: 6744: 6739: 6734: 6729: 6728: 6727: 6718: 6713: 6708: 6697: 6695: 6694:Related topics 6691: 6690: 6687: 6686: 6684: 6683: 6678: 6677: 6676: 6666: 6664:SFR Yugoslavia 6661: 6656: 6651: 6646: 6641: 6636: 6635: 6634: 6624: 6623: 6622: 6612: 6607: 6602: 6601: 6600: 6595: 6585: 6580: 6575: 6574: 6573: 6568: 6558: 6553: 6552: 6551: 6546: 6541: 6536: 6531: 6523: 6517: 6515: 6511: 6510: 6508: 6507: 6502: 6497: 6492: 6487: 6482: 6477: 6476: 6475: 6470: 6462: 6457: 6456: 6455: 6450: 6445: 6440: 6430: 6425: 6420: 6419: 6418: 6413: 6408: 6398: 6393: 6392: 6391: 6386: 6381: 6376: 6375: 6374: 6364: 6359: 6354: 6344: 6339: 6334: 6328: 6326: 6322: 6321: 6319: 6318: 6313: 6312: 6311: 6306: 6296: 6291: 6286: 6280: 6278: 6274: 6273: 6271: 6270: 6269: 6268: 6263: 6252: 6250: 6243: 6239: 6238: 6236: 6235: 6230: 6225: 6220: 6219: 6218: 6213: 6203: 6198: 6193: 6188: 6183: 6181:Schlager music 6178: 6173: 6168: 6167: 6166: 6161: 6156: 6151: 6146: 6136: 6131: 6130: 6129: 6119: 6114: 6113: 6112: 6107: 6097: 6092: 6087: 6082: 6077: 6072: 6067: 6066: 6065: 6055: 6050: 6045: 6044: 6043: 6038: 6028: 6023: 6018: 6013: 6011:Brill Building 6008: 6003: 5998: 5993: 5988: 5983: 5982: 5981: 5971: 5970: 5969: 5964: 5959: 5954: 5943: 5941: 5935: 5934: 5932: 5931: 5926: 5921: 5915: 5913: 5909: 5908: 5901: 5900: 5893: 5886: 5878: 5869: 5868: 5866: 5865: 5853: 5840: 5837: 5836: 5834: 5833: 5828: 5826:Wagnerian rock 5823: 5818: 5813: 5808: 5803: 5798: 5793: 5791:Outlaw country 5788: 5783: 5778: 5772: 5770: 5766: 5765: 5763: 5762: 5757: 5752: 5751: 5750: 5745: 5740: 5735: 5728:Social effects 5725: 5720: 5719: 5718: 5713: 5708: 5698: 5693: 5687: 5685: 5683: 5682: 5679: 5675: 5672: 5671: 5669: 5668: 5663: 5658: 5653: 5648: 5643: 5638: 5632: 5630: 5626: 5625: 5622: 5621: 5619: 5618: 5613: 5607: 5605: 5601: 5600: 5598: 5597: 5592: 5587: 5581: 5579: 5575: 5574: 5572: 5571: 5566: 5561: 5556: 5551: 5550: 5549: 5539: 5534: 5533: 5532: 5522: 5517: 5516: 5515: 5505: 5500: 5495: 5490: 5489: 5488: 5483: 5473: 5472: 5471: 5461: 5456: 5446: 5441: 5436: 5430: 5428: 5424: 5423: 5421: 5420: 5419: 5418: 5413: 5408: 5403: 5401:Neo-rockabilly 5398: 5397: 5396: 5386: 5378: 5373: 5368: 5363: 5358: 5353: 5348: 5343: 5338: 5333: 5328: 5323: 5318: 5313: 5308: 5303: 5298: 5293: 5288: 5283: 5278: 5273: 5268: 5263: 5262: 5261: 5256: 5251: 5241: 5236: 5231: 5230: 5229: 5228: 5227: 5217: 5207: 5202: 5197: 5192: 5186: 5184: 5180: 5179: 5177: 5176: 5171: 5166: 5161: 5156: 5151: 5146: 5145: 5144: 5139: 5134: 5124: 5118: 5116: 5112: 5111: 5109: 5108: 5103: 5102: 5101: 5091: 5086: 5081: 5076: 5071: 5066: 5065: 5064: 5053: 5051: 5044: 5040: 5039: 5036: 5035: 5033: 5032: 5027: 5022: 5017: 5012: 5007: 5002: 4996: 4994: 4990: 4989: 4987: 4986: 4981: 4976: 4971: 4966: 4961: 4956: 4951: 4946: 4941: 4936: 4931: 4926: 4920: 4918: 4914: 4913: 4911: 4910: 4905: 4900: 4895: 4890: 4885: 4880: 4875: 4870: 4865: 4860: 4855: 4850: 4848:Heartland rock 4845: 4840: 4835: 4830: 4825: 4819: 4817: 4813: 4812: 4810: 4809: 4804: 4799: 4794: 4789: 4784: 4779: 4774: 4769: 4764: 4759: 4754: 4749: 4744: 4739: 4734: 4729: 4724: 4719: 4714: 4709: 4704: 4699: 4694: 4692:Christian rock 4689: 4684: 4679: 4674: 4669: 4664: 4659: 4657:Anatolian rock 4653: 4651: 4647: 4646: 4644: 4643: 4638: 4633: 4632: 4631: 4621: 4616: 4611: 4605: 4603: 4596: 4584: 4583: 4581: 4580: 4579: 4578: 4573: 4571:Rhythm section 4568: 4563: 4553: 4548: 4542: 4540: 4536: 4535: 4528: 4527: 4520: 4513: 4505: 4499: 4496: 4495: 4486: 4485: 4471: 4470:External links 4468: 4467: 4466: 4455: 4439:Miles, Barry. 4437: 4419: 4410:Pop Chronicles 4392: 4389: 4386: 4385: 4371: 4357: 4331: 4324: 4302: 4296: 4274: 4255: 4236: 4211: 4186: 4160: 4135: 4104: 4081: 4050: 4024: 4005: 3983: 3957: 3932: 3913: 3894: 3881: 3860: 3853: 3833: 3820: 3807: 3796: 3783: 3757: 3742: 3716: 3710:J. M. Curtis, 3703: 3688: 3662: 3635: 3605: 3586: 3568: 3549: 3536: 3523: 3510: 3481: 3464: 3439: 3414: 3399: 3392: 3374: 3363: 3356: 3338: 3311: 3299: 3264: 3257: 3235: 3226: 3211: 3198: 3185: 3178: 3160: 3138: 3112: 3105: 3084: 3080:Gilliland 1969 3072: 3068:Gilliland 1969 3060: 3038: 3023: 3006:Kindakinks.com 2993: 2975: 2957: 2938: 2919: 2900: 2881: 2862: 2843: 2824: 2805: 2801:Gilliland 1969 2793: 2782: 2778:Gilliland 1969 2770: 2751: 2732: 2728:Gilliland 1969 2720: 2701: 2686: 2664: 2638: 2612: 2586: 2579: 2561: 2550:. Classic 45's 2539: 2532: 2514: 2503:on May 2, 2014 2493:"Beatlesongs!" 2484: 2451: 2427: 2404: 2379: 2372: 2348: 2319: 2293: 2258: 2243: 2229: 2206: 2199: 2175: 2147: 2140: 2122: 2094: 2081: 2068: 2049: 2022: 2009: 1993: 1971: 1950: 1931: 1924: 1904: 1892:Britannica.com 1878: 1866:Britannica.com 1842: 1841: 1839: 1836: 1833: 1832: 1776:the Honeycombs 1696: 1677: 1676: 1674: 1671: 1670: 1669: 1662: 1656: 1650: 1645: 1640: 1638:Cool Britannia 1635: 1629: 1628: 1614: 1600: 1584: 1581: 1544:Florence Welch 1493:the Caravelles 1444:, and US band 1416: 1413: 1409:counterculture 1367:the Barbarians 1353:uniforms, and 1347:New Colony Six 1301:Geoff Stephens 1293:England Swings 1206:the Beach Boys 1186:the Beach Boys 1109:Chubby Checker 1067:Connie Francis 1056: 1054: 1051: 1040: 1037: 1022:Jean Shrimpton 993: 990: 915:T. E. Lawrence 842:Audrey Hepburn 793: 791: 788: 779: 776: 737:Rolling Stones 677: 674: 638:the Four Preps 604: 431:Main article: 428: 425: 390:I Remember You 380:' version of " 285:Lonnie Donegan 281:do-it-yourself 260: 257: 130:counterculture 104: 103: 97: 93: 92: 89: 85: 84: 81: 77: 76: 69: 61: 60: 15: 9: 6: 4: 3: 2: 8465: 8454: 8451: 8449: 8446: 8444: 8441: 8439: 8436: 8434: 8431: 8429: 8426: 8424: 8421: 8419: 8416: 8414: 8411: 8409: 8406: 8405: 8403: 8384: 8380: 8376: 8375:Enculturation 8372: 8368: 8367:Acculturation 8362: 8356: 8353: 8351: 8348: 8347: 8345: 8341: 8335: 8332: 8330: 8327: 8323: 8320: 8319: 8318: 8315: 8313: 8310: 8308: 8305: 8303: 8300: 8298: 8295: 8293: 8290: 8286: 8283: 8282: 8281: 8278: 8274: 8271: 8270: 8269: 8266: 8264: 8261: 8259: 8256: 8254: 8251: 8249: 8246: 8244: 8241: 8240: 8238: 8236: 8232: 8226: 8223: 8221: 8218: 8216: 8213: 8211: 8208: 8206: 8203: 8201: 8198: 8196: 8193: 8191: 8188: 8186: 8183: 8182: 8180: 8178: 8174: 8168: 8165: 8163: 8160: 8158: 8155: 8154: 8152: 8148: 8142: 8139: 8138: 8136: 8134: 8130: 8126: 8119: 8114: 8112: 8107: 8105: 8100: 8099: 8096: 8084: 8081: 8079: 8076: 8074: 8071: 8069: 8066: 8064: 8061: 8059: 8056: 8054: 8051: 8049: 8048:Discordianism 8046: 8045: 8043: 8039: 8031: 8028: 8027: 8026: 8023: 8022: 8020: 8016: 8008: 8007:United States 8005: 8004: 8003: 8000: 7996: 7993: 7992: 7991: 7988: 7984: 7981: 7980: 7979: 7976: 7974: 7971: 7969: 7966: 7964: 7961: 7959: 7956: 7954: 7951: 7949: 7946: 7944: 7941: 7939: 7936: 7934: 7931: 7930: 7928: 7922: 7916: 7913: 7911: 7908: 7904: 7901: 7899: 7896: 7895: 7894: 7891: 7889: 7886: 7884: 7881: 7879: 7876: 7874: 7871: 7869: 7866: 7865: 7863: 7859: 7853: 7850: 7848: 7845: 7843: 7840: 7838: 7835: 7834: 7832: 7828: 7823: 7819: 7812: 7807: 7805: 7800: 7798: 7793: 7792: 7789: 7777: 7769: 7768: 7765: 7759: 7756: 7752: 7749: 7748: 7747: 7746: 7742: 7738: 7735: 7734: 7733: 7730: 7728: 7727: 7723: 7720: 7716: 7714: 7711: 7709: 7708: 7704: 7702: 7699: 7697: 7694: 7692: 7689: 7687: 7684: 7682: 7679: 7677: 7676: 7672: 7670: 7667: 7665: 7664:Apple scruffs 7662: 7660: 7659: 7655: 7654: 7652: 7648: 7642: 7641: 7637: 7635: 7634: 7630: 7628: 7627: 7623: 7621: 7620: 7616: 7614: 7613: 7609: 7607: 7606: 7602: 7600: 7599: 7595: 7594: 7592: 7588: 7582: 7579: 7577: 7574: 7572: 7569: 7567: 7564: 7562: 7559: 7557: 7554: 7552: 7549: 7547: 7544: 7542: 7539: 7537: 7534: 7532: 7529: 7527: 7524: 7522: 7519: 7517: 7514: 7512: 7511:The Jacaranda 7509: 7507: 7506:Comiskey Park 7504: 7502: 7499: 7497: 7494: 7492: 7491:Carnegie Hall 7489: 7487: 7484: 7482: 7479: 7477: 7474: 7472: 7471:Beatles-Platz 7469: 7467: 7464: 7462: 7459: 7457: 7454: 7450: 7447: 7446: 7445: 7442: 7440: 7437: 7435: 7432: 7430: 7427: 7425: 7422: 7420: 7417: 7416: 7414: 7408: 7402: 7399: 7397: 7394: 7392: 7389: 7387: 7384: 7382: 7379: 7377: 7374: 7372: 7369: 7367: 7364: 7362: 7359: 7357: 7354: 7352: 7349: 7347: 7344: 7342: 7341:Apple Records 7339: 7337: 7334: 7333: 7331: 7325: 7315: 7312: 7310: 7307: 7305: 7304:Tony Sheridan 7302: 7300: 7297: 7295: 7294:Billy Preston 7292: 7290: 7289:Phil McDonald 7287: 7285: 7284:George Martin 7282: 7280: 7277: 7275: 7274:Geoff Emerick 7272: 7271: 7269: 7265: 7259: 7256: 7254: 7251: 7249: 7246: 7244: 7241: 7239: 7236: 7234: 7231: 7229: 7226: 7224: 7221: 7219: 7218:Brian Epstein 7216: 7214: 7211: 7209: 7206: 7204: 7203:Neil Aspinall 7201: 7200: 7198: 7194: 7191: 7189: 7185: 7179: 7176: 7174: 7172: 7168: 7166: 7163: 7161: 7158: 7156: 7153: 7151: 7148: 7146: 7143: 7141: 7138: 7136: 7133: 7131: 7128: 7126: 7124: 7120: 7118: 7115: 7113: 7110: 7108: 7105: 7104: 7102: 7096: 7090: 7087: 7085: 7082: 7078: 7075: 7073: 7070: 7069: 7068: 7065: 7063: 7060: 7058: 7055: 7053: 7050: 7048: 7045: 7043: 7040: 7038: 7035: 7033: 7030: 7028: 7025: 7024: 7022: 7018: 7012: 7009: 7007: 7004: 7002: 6999: 6997: 6996: 6992: 6990: 6987: 6985: 6982: 6980: 6977: 6975: 6972: 6969: 6965: 6963: 6960: 6958: 6955: 6953: 6950: 6948: 6945: 6943: 6940: 6938: 6937:The Quarrymen 6935: 6934: 6932: 6928: 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6481: 6478: 6474: 6471: 6469: 6466: 6465: 6463: 6461: 6458: 6454: 6451: 6449: 6446: 6444: 6441: 6439: 6436: 6435: 6434: 6431: 6429: 6426: 6424: 6421: 6417: 6414: 6412: 6409: 6407: 6404: 6403: 6402: 6399: 6397: 6394: 6390: 6387: 6385: 6384:Zhongguo feng 6382: 6380: 6377: 6373: 6370: 6369: 6368: 6365: 6363: 6360: 6358: 6355: 6353: 6350: 6349: 6348: 6345: 6343: 6340: 6338: 6335: 6333: 6330: 6329: 6327: 6323: 6317: 6314: 6310: 6307: 6305: 6302: 6301: 6300: 6297: 6295: 6292: 6290: 6287: 6285: 6282: 6281: 6279: 6275: 6267: 6264: 6262: 6259: 6258: 6257: 6254: 6253: 6251: 6247: 6244: 6240: 6234: 6231: 6229: 6226: 6224: 6221: 6217: 6214: 6212: 6209: 6208: 6207: 6204: 6202: 6199: 6197: 6194: 6192: 6189: 6187: 6184: 6182: 6179: 6177: 6174: 6172: 6169: 6165: 6162: 6160: 6157: 6155: 6152: 6150: 6147: 6145: 6142: 6141: 6140: 6137: 6135: 6132: 6128: 6125: 6124: 6123: 6120: 6118: 6115: 6111: 6108: 6106: 6105:Dunedin sound 6103: 6102: 6101: 6098: 6096: 6093: 6091: 6088: 6086: 6083: 6081: 6078: 6076: 6073: 6071: 6068: 6064: 6061: 6060: 6059: 6056: 6054: 6051: 6049: 6046: 6042: 6039: 6037: 6034: 6033: 6032: 6029: 6027: 6024: 6022: 6019: 6017: 6014: 6012: 6009: 6007: 6004: 6002: 5999: 5997: 5994: 5992: 5989: 5987: 5984: 5980: 5977: 5976: 5975: 5972: 5968: 5965: 5963: 5960: 5958: 5955: 5953: 5950: 5949: 5948: 5945: 5944: 5942: 5940: 5936: 5930: 5929:Rock and roll 5927: 5925: 5922: 5920: 5919:Tin Pan Alley 5917: 5916: 5914: 5910: 5906: 5899: 5894: 5892: 5887: 5885: 5880: 5879: 5876: 5864: 5863: 5858: 5854: 5852: 5851: 5842: 5841: 5838: 5832: 5831:Wall of Sound 5829: 5827: 5824: 5822: 5819: 5817: 5814: 5812: 5811:Rock festival 5809: 5807: 5804: 5802: 5799: 5797: 5794: 5792: 5789: 5787: 5784: 5782: 5779: 5777: 5774: 5773: 5771: 5767: 5761: 5760:Women in rock 5758: 5756: 5753: 5749: 5746: 5744: 5741: 5739: 5736: 5734: 5731: 5730: 5729: 5726: 5724: 5721: 5717: 5714: 5712: 5709: 5707: 5706:Country music 5704: 5703: 5702: 5699: 5697: 5694: 5692: 5689: 5688: 5686: 5680: 5677: 5676: 5673: 5667: 5664: 5662: 5659: 5657: 5654: 5652: 5649: 5647: 5644: 5642: 5639: 5637: 5634: 5633: 5631: 5629:Radio formats 5627: 5617: 5614: 5612: 5609: 5608: 5606: 5602: 5596: 5593: 5591: 5588: 5586: 5583: 5582: 5580: 5576: 5570: 5567: 5565: 5562: 5560: 5557: 5555: 5552: 5548: 5545: 5544: 5543: 5540: 5538: 5535: 5531: 5528: 5527: 5526: 5523: 5521: 5518: 5514: 5511: 5510: 5509: 5506: 5504: 5501: 5499: 5496: 5494: 5491: 5487: 5484: 5482: 5479: 5478: 5477: 5474: 5470: 5467: 5466: 5465: 5462: 5460: 5457: 5454: 5450: 5447: 5445: 5442: 5440: 5437: 5435: 5432: 5431: 5429: 5425: 5417: 5414: 5412: 5409: 5407: 5404: 5402: 5399: 5395: 5394:Extreme metal 5392: 5391: 5390: 5387: 5385: 5382: 5381: 5379: 5377: 5374: 5372: 5369: 5367: 5364: 5362: 5359: 5357: 5354: 5352: 5349: 5347: 5344: 5342: 5339: 5337: 5334: 5332: 5329: 5327: 5324: 5322: 5319: 5317: 5314: 5312: 5309: 5307: 5304: 5302: 5299: 5297: 5294: 5292: 5289: 5287: 5284: 5282: 5279: 5277: 5274: 5272: 5269: 5267: 5264: 5260: 5257: 5255: 5252: 5250: 5247: 5246: 5245: 5242: 5240: 5237: 5235: 5232: 5226: 5223: 5222: 5221: 5218: 5216: 5213: 5212: 5211: 5208: 5206: 5203: 5201: 5198: 5196: 5193: 5191: 5188: 5187: 5185: 5181: 5175: 5172: 5170: 5167: 5165: 5162: 5160: 5157: 5155: 5152: 5150: 5147: 5143: 5140: 5138: 5135: 5133: 5130: 5129: 5128: 5125: 5123: 5120: 5119: 5117: 5115:South America 5113: 5107: 5104: 5100: 5097: 5096: 5095: 5092: 5090: 5087: 5085: 5082: 5080: 5077: 5075: 5072: 5070: 5067: 5063: 5060: 5059: 5058: 5055: 5054: 5052: 5050:North America 5048: 5045: 5041: 5031: 5028: 5026: 5023: 5021: 5018: 5016: 5013: 5011: 5008: 5006: 5003: 5001: 4998: 4997: 4995: 4991: 4985: 4982: 4980: 4977: 4975: 4972: 4970: 4967: 4965: 4962: 4960: 4957: 4955: 4952: 4950: 4947: 4945: 4942: 4940: 4937: 4935: 4932: 4930: 4927: 4925: 4922: 4921: 4919: 4915: 4909: 4906: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4884: 4881: 4879: 4876: 4874: 4871: 4869: 4866: 4864: 4861: 4859: 4856: 4854: 4851: 4849: 4846: 4844: 4841: 4839: 4836: 4834: 4831: 4829: 4826: 4824: 4821: 4820: 4818: 4814: 4808: 4805: 4803: 4800: 4798: 4797:Southern rock 4795: 4793: 4790: 4788: 4785: 4783: 4780: 4778: 4775: 4773: 4770: 4768: 4765: 4763: 4760: 4758: 4755: 4753: 4750: 4748: 4745: 4743: 4740: 4738: 4735: 4733: 4730: 4728: 4725: 4723: 4720: 4718: 4717:Flamenco rock 4715: 4713: 4710: 4708: 4705: 4703: 4700: 4698: 4695: 4693: 4690: 4688: 4685: 4683: 4680: 4678: 4675: 4673: 4670: 4668: 4665: 4663: 4660: 4658: 4655: 4654: 4652: 4648: 4642: 4639: 4637: 4634: 4630: 4627: 4626: 4625: 4624:Rock and roll 4622: 4620: 4617: 4615: 4612: 4610: 4607: 4606: 4604: 4600: 4597: 4594:not included) 4585: 4577: 4574: 4572: 4569: 4567: 4566:Electric bass 4564: 4562: 4559: 4558: 4557: 4554: 4552: 4549: 4547: 4544: 4543: 4541: 4537: 4533: 4526: 4521: 4519: 4514: 4512: 4507: 4506: 4503: 4497: 4490: 4483: 4478: 4474: 4473: 4465: 4464: 4459: 4456: 4454: 4450: 4446: 4442: 4438: 4436: 4432: 4428: 4427:Chrome Dreams 4424: 4421:Harry, Bill. 4420: 4416: 4412: 4411: 4403: 4399: 4395: 4394: 4381: 4375: 4367: 4361: 4346: 4342: 4335: 4327: 4325:9780472034703 4321: 4317: 4313: 4306: 4299: 4297:0-19-509887-0 4293: 4288: 4287: 4278: 4270: 4266: 4263:Eder, Bruce. 4259: 4251: 4247: 4244:Eder, Bruce. 4240: 4225: 4221: 4215: 4200: 4196: 4190: 4175: 4171: 4164: 4149: 4145: 4139: 4123: 4119: 4115: 4108: 4092: 4085: 4069: 4065: 4061: 4054: 4038: 4034: 4028: 4012: 4008: 4002: 3998: 3994: 3987: 3972: 3968: 3961: 3946: 3942: 3936: 3928: 3924: 3921:Huey, Steve. 3917: 3909: 3905: 3898: 3891: 3885: 3878: 3877:0-521-55660-0 3874: 3870: 3864: 3856: 3854:0-89820-155-1 3850: 3846: 3845: 3837: 3830: 3824: 3817: 3811: 3805: 3800: 3793: 3787: 3772: 3768: 3761: 3754: 3753: 3746: 3730: 3726: 3720: 3713: 3707: 3699: 3692: 3677: 3673: 3666: 3650: 3646: 3639: 3623: 3619: 3615: 3609: 3601: 3597: 3590: 3582: 3581:Family Weekly 3578: 3572: 3564: 3560: 3553: 3546: 3540: 3533: 3527: 3520: 3514: 3499: 3498:Radio Insight 3495: 3488: 3486: 3478:. p. 20. 3477: 3476: 3468: 3453: 3449: 3443: 3428: 3424: 3418: 3410: 3409:Life magazine 3403: 3395: 3393:1-904994-10-5 3389: 3385: 3378: 3372: 3367: 3359: 3357:1-84195-017-3 3353: 3349: 3342: 3326: 3322: 3315: 3308: 3303: 3287: 3283: 3278: 3274: 3268: 3260: 3258:0-89820-155-1 3254: 3249: 3248: 3239: 3230: 3224: 3218: 3216: 3208: 3202: 3195: 3189: 3181: 3179:0-89820-155-1 3175: 3171: 3164: 3149:. May 1, 1965 3148: 3142: 3126: 3122: 3116: 3108: 3102: 3098: 3094: 3088: 3081: 3076: 3069: 3064: 3058: 3054: 3049: 3047: 3045: 3043: 3035: 3034: 3033:Rolling Stone 3027: 3011: 3007: 3003: 2997: 2989: 2985: 2979: 2971: 2967: 2961: 2953: 2949: 2942: 2934: 2930: 2923: 2915: 2911: 2904: 2896: 2892: 2885: 2877: 2873: 2866: 2858: 2854: 2847: 2839: 2835: 2828: 2820: 2816: 2813:Eder, Bruce. 2809: 2802: 2797: 2791: 2786: 2779: 2774: 2766: 2762: 2759:Eder, Bruce. 2755: 2747: 2743: 2736: 2729: 2724: 2716: 2712: 2705: 2697: 2690: 2674: 2668: 2652: 2648: 2642: 2627: 2623: 2616: 2600: 2596: 2590: 2582: 2580:0-89820-074-1 2576: 2572: 2565: 2549: 2543: 2535: 2533:0-89820-074-1 2529: 2525: 2518: 2502: 2498: 2494: 2488: 2472: 2468: 2467: 2466:Rolling Stone 2462: 2455: 2447: 2443: 2436: 2434: 2432: 2415: 2408: 2393: 2389: 2383: 2375: 2373:0-89820-155-1 2369: 2365: 2361: 2360: 2352: 2345: 2341: 2336: 2334: 2332: 2330: 2328: 2326: 2324: 2307: 2303: 2297: 2290: 2289: 2284: 2280: 2275: 2273: 2271: 2269: 2267: 2265: 2263: 2254: 2247: 2232: 2230:9780313329449 2226: 2222: 2221: 2213: 2211: 2202: 2200:0-214-20512-6 2196: 2192: 2191:147, 166, 167 2188: 2187: 2179: 2168:September 15, 2163: 2162: 2157: 2151: 2143: 2141:0-89820-074-1 2137: 2133: 2126: 2118: 2114: 2107: 2105: 2103: 2101: 2099: 2091: 2085: 2078: 2072: 2064: 2060: 2057:Eder, Bruce. 2053: 2038: 2037: 2032: 2026: 2019: 2013: 2006: 2003: 1997: 1989: 1985: 1978: 1976: 1967: 1966: 1961: 1954: 1946: 1942: 1935: 1927: 1921: 1917: 1916: 1908: 1893: 1889: 1882: 1867: 1863: 1856: 1854: 1852: 1850: 1848: 1843: 1829: 1825: 1821: 1817: 1813: 1809: 1805: 1801: 1797: 1793: 1792:the Yardbirds 1789: 1785: 1781: 1777: 1773: 1769: 1765: 1764:the Bachelors 1761: 1757: 1756:the Searchers 1753: 1749: 1745: 1741: 1737: 1733: 1729: 1725: 1724:Wayne Fontana 1721: 1717: 1713: 1709: 1705: 1700: 1692: 1688: 1682: 1678: 1668: 1667: 1663: 1661:, 2000s–2010s 1660: 1657: 1654: 1651: 1649: 1646: 1644: 1641: 1639: 1636: 1634: 1631: 1630: 1626: 1615: 1612: 1601: 1598: 1587: 1580: 1577: 1576:One Direction 1573: 1569: 1565: 1561: 1557: 1553: 1549: 1545: 1541: 1537: 1533: 1529: 1525: 1524:Amy Winehouse 1521: 1517: 1512: 1510: 1509:Ozzy Osbourne 1506: 1502: 1498: 1494: 1490: 1486: 1482: 1478: 1474: 1469: 1467: 1463: 1459: 1455: 1451: 1447: 1443: 1439: 1434: 1431: 1426: 1422: 1412: 1410: 1406: 1401: 1399: 1395: 1391: 1387: 1383: 1379: 1378:the Easybeats 1375: 1370: 1368: 1364: 1360: 1356: 1352: 1348: 1344: 1340: 1336: 1332: 1328: 1324: 1323: 1318: 1314: 1310: 1306: 1302: 1298: 1294: 1290: 1286: 1285:English dandy 1282: 1281:Beau Brummels 1278: 1277:San Francisco 1274: 1270: 1266: 1262: 1258: 1257:the Searchers 1254: 1250: 1249:Roger McGuinn 1245: 1243: 1242:Stevie Wonder 1239: 1235: 1231: 1227: 1223: 1219: 1215: 1211: 1207: 1201: 1199: 1195: 1191: 1187: 1182: 1178: 1177: 1172: 1171:Cameo Parkway 1168: 1164: 1163:Bill Anderson 1160: 1159:Elvis Presley 1156: 1152: 1148: 1144: 1143:Radio Insight 1140: 1139: 1133: 1130: 1126: 1125:Elvis Presley 1122: 1118: 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Index

British Invasion (disambiguation)
template
Infobox event
considered for merging
Swinging Sixties
counterculture of the 1960s

the Beatles
music of the United States
cultural phenomenon
rock
pop music
British culture
counterculture
the Beatles
the Rolling Stones
Gerry and the Pacemakers
the Searchers
Billy J. Kramer and the Dakotas
Freddie and the Dreamers
the Dave Clark Five
the Hollies
Manfred Mann
Herman's Hermits
Peter and Gordon
the Animals
the Zombies
the Yardbirds
the Moody Blues
the Kinks

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