Anton Bruckner - Knowledge

610: 365: 268:) on 4 September 1824. The ancestors of Bruckner's family were farmers and craftsmen; their history can be traced as far back as the 16th century. They lived near a bridge south of Sindelburg, which led to their being called "Bruckhner an der Bruckhen" (bridgers on the bridge). Bruckner's grandfather was appointed schoolmaster in Ansfelden in 1776; this position was inherited by Bruckner's father, Anton Bruckner Sr., in 1823. It was a poorly paid but well-respected position in the rural environment. Bruckner Sr. married Therese Helm, and they had eleven children, Anton Bruckner being the eldest. 156: 627:. His interest in teenage girls seems to have been motivated by his fear of sin; he believed that (unlike older women) he could be certain that he was marrying a virgin. His unsuccessful proposals to teenagers continued when he was past his 70th birthday; one prospect, Berlin hotel chambermaid Ida Buhz, came near to marrying him but broke off the engagement when she refused to convert to Catholicism. He suffered from periodic attacks of depression, with his numerous failed attempts to find a female companion only adding to his unhappiness. 2437: 245: 1192:, Mark Evan Bonds called the Bruckner symphonies "monumental in scope and design, combining lyricism with an inherently polyphonic design... Bruckner favored an approach to large-scale form that relied more on large-scale thematic and harmonic juxtaposition. Over the course of his output, one senses an ever-increasing interest in cyclic integration that culminates in his masterpiece, the Symphony No. 8 in C minor, a work whose final page integrates the main themes of all four movements simultaneously." 295: 1472: 774: 134: 8456: 6008: 5016: 1841:

restoration of the organ and the institution of a Bruckner study center there. He also paid for the Haas collection of Bruckner's works to be published, and himself purchased material for the proposed library. Additionally, Hitler caused the founding of the Bruckner Symphony Orchestra, which began presenting concerts in Fall 1943. His plan for one of the bell towers in Linz to play a theme from Bruckner's Fourth Symphony never came to pass. The Adagio from

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unprecedented that they were taken as evidence of sheer incompetence... Now it is recognized that Bruckner's unorthodox structural methods were inevitable... Bruckner created a new and monumental type of symphonic organism, which abjured the tense, dynamic continuity of Beethoven, and the broad, fluid continuity of Wagner, in order to express something profoundly different from either composer, something elemental and metaphysical.

680: 3000:. London: Universal Edition & Rockliff (1955): 101. "The Bruckner problem is ... complicated by the fact that not only did the composer often revise his own works but to a certain extent sanctioned the alterations, even those on the largest scale, which his pupils and others found it advisable to make. The case of Haydn is simpler, since we are not faced with two or more alternatives but with one." 8482: 51: 403:(WAB 29), written a year earlier, and was accepted. The education, which included skills in music theory and counterpoint among others, took place mostly via correspondence, but also included long in-person sessions in Vienna. Sechter's teaching would have a profound influence on Bruckner. Later, when Bruckner began teaching music himself, he would base his curriculum on Sechter's book 373:

continued to improve his education by taking further courses, passing an examination giving him permission to also teach in higher education institutes, receiving the grade "very good" in all disciplines. In 1848 Bruckner was appointed an organist in Sankt Florian and in 1851 this was made a regular position. In Sankt Florian, most of the repertoire consisted of the music of

8494: 328:. The living standards and pay were appalling and Bruckner was constantly humiliated by his superior, teacher Franz Fuchs. Despite the difficult situation, Bruckner never complained or rebelled; a belief in his own inferiority was to remain one of Bruckner's main personal traits during his whole life. He stayed at Windhaag from age 17 to 19, teaching general subjects. 8506: 746:"Bruckner expanded the concept of the symphonic form in ways that have never been witnessed before or since. ... When listening to a Bruckner symphony, one encounters some of the most complex symphonic writing ever created. As scholars study Bruckner's scores they continue to revel in the complexity of Bruckner's creative logic." 2409:, p. 70: "In July 1875 Bruckner ... proposed yet a third time to the university of Vienna that a lectureship in harmony and counterpoint be created, and at long last, despite Hanslick's opposition, his application was successful. Bruckner was appointed to the post, and on 25 November 1875 he gave his opening oration." 227:, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend 1226:"The Bruckner Problem" refers to the difficulties and complications resulting from the numerous contrasting versions and editions that exist for most of the symphonies. The term gained currency following the publication (in 1969) of an article dealing with the subject, "The Bruckner Problem Simplified" by 411: 687:

The revision issue has generated controversy. A common explanation for the multiple versions is that Bruckner was willing to revise his work on the basis of harsh, uninformed criticism from his colleagues. "The result of such advice was to awaken immediately all the insecurity in the non-musical part

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to become a choirboy. In addition to choir practice, his education included violin and organ lessons. Bruckner was in awe of the monastery's great organ, which was built during the late baroque era and rebuilt in 1837, and he sometimes played it during church services. Despite his musical abilities,

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Music was a part of the school curriculum, and Bruckner's father was his first music teacher. Bruckner learned to play the organ early as a child. He was very dedicated to the instrument just as he was later in life in composing, often practising for 12 hours a day. He entered school when he was six,

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was mostly written for choral societies. The texts are always in German. Some of these works were written specifically for private occasions such as weddings, funerals, birthdays or name-days, many of these being dedicated to friends and acquaintances of the composer. This music is rarely performed.

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alone succeeded in creating a new school of symphonic writing... Some have classified him as a conservative, some as a radical. Really he was neither, or alternatively was a fusion of both... is music, though Wagnerian in its orchestration and in its huge rising and falling periods, patently has its

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was clearly meant for concert, rather than liturgical performance, and it is the only one of his Masses in which he set the first line of the Gloria, "Gloria in excelsis Deo", and of the Credo, "Credo in unum Deum", to music. In concert performances of the other Masses, these lines are intoned by a

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as his starting-point... The introduction to the first movement, beginning mysteriously and climbing slowly with fragments of the first theme to the gigantic full statement of that theme, was taken over by Bruckner; so was the awe-inspiring coda of the first movement. The scherzo and slow movement,

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who made numerous unsuccessful marriage proposals to teenage girls. One such was the daughter of a friend, called Louise; in his grief he is believed to have written the cantata "Entsagen" (Renunciation). His affection for teenage girls led to an accusation of impropriety where he taught music, and

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became enamored with the music of Bruckner, and, as a result, planned to convert the monastery of St. Florian in Linz – where Bruckner had played the organ, and where he was buried – into a repository of Bruckner's manuscripts. Hitler evicted the monks from the building and personally paid for the

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gave a paper called "The Systematic Translation of Anton Bruckner's Eighth Symphony into a series of Thirteen Paintings" at the Bruckner Symposium in Linz Austria; here she structurally analyzed all of the Eighth Symphony's themes. She then proceeded to show how she mapped this musical data into a

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Biographers generally characterize Bruckner as a "simple" provincial man, and many biographers have complained that there is huge discrepancy between Bruckner's life and his work. For example, Karl Grebe said: "his life doesn't tell anything about his work, and his work doesn't tell anything about

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roll at the climax of the second movement). Bruckner's style of orchestral writing was criticized by his Viennese contemporaries (Eduard Hanslick and his circle), but by the middle of the twentieth century, musicologists recognized that his orchestration was modeled after the sound of his primary

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opposition and criticism, and many well-meaning exhortations to caution from his friends, he looked neither to right nor left, but simply got down to work on the next symphony." The matter of Bruckner's authentic texts and the reasons for his changes to them remains politicised and uncomfortable.

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After the Kronstorf period, Bruckner returned to Sankt Florian in 1845 where, for the next 10 years, he would work as a teacher and an organist. In May 1845, Bruckner passed an examination, which allowed him to begin work as an assistant teacher in one of the village schools of Sankt Florian. He

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Josef Bruckner had twelve children, and one of them, Anton, born in 1791, became a teacher like his father. ... In 1823 he married Therese Helm from Streyr, a marriage which was to be blessed with eleven children, ... Their eldest was Josef Anton, born on 4 September 1824 and named after his

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Despite its general debt to Beethoven and Wagner, the "Bruckner Symphony" is a unique conception, not only because of the individuality of its spirit and its materials, but even more because of the absolute originality of its formal processes. At first, these processes seemed so strange and

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argued that Haas's explanation is at best idle speculation, at worst a shady justification of Haas's own editorial decisions. Also, it has been pointed out that Bruckner often started work on a symphony just days after finishing the one before. As Deryck Cooke writes, "In spite of continued

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about whom it is possible to make such generalizations. His symphonies deliberately followed a pattern, each one building on the achievements of its predecessors... His melodic and harmonic style changed little, and it had as much of Schubert in it as of Wagner... His technique in the

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The approval by Hitler and the Nazis of his music did not hurt Bruckner's standing in the postwar media, and several movies and TV productions in Europe and the United States have used excerpts from his music ever since the 1950s, as they already did in the 1930s. Nor did the

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while he was exonerated, he decided to concentrate on teaching boys afterwards. His calendar for 1874 details the names of girls who appealed to him, and the list of such girls in all his diaries was very long. In 1880 he fell for a 17-year-old peasant girl in the cast of the

1667:, the stylistic examination of this "prelude" shows that it is all Bruckner's. Possibly Bruckner had given a draft-score to his pupil Krzyzanowski, which already contained the string parts and some important lines for woodwind and brass, as an exercise in instrumentation. 692:

writes. "Lacking all self-assurance in such matters, he felt obliged to bow to the opinions of his friends, 'the experts,' to permit ... revisions and even to help make them in some cases." This explanation was widely accepted when it was championed by Bruckner scholar

356:(WAB 4), which the young assistant teacher, out of line given his position, signed with "Anton Bruckner m.p.ria. Comp". This has been interpreted as a lone early sign of Bruckner's artistic ambitions. Otherwise, little is known of Bruckner's life plans and intentions. 212:, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. 1787:

In 2011 it was decided to issue a new edition (editorial board: Paul Hawkshaw, Thomas Leibnitz, Andreas Lindner, Angela Pachovsky, Thomas Röder), which will include the content of the current edition and integrate it with sources that had been retrieved since its

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Bruckner died in Vienna in 1896 at the age of 72. He is buried in the crypt of the monastery church at Sankt Florian, immediately below his favorite organ. He had always had a fascination with death and dead bodies, and left explicit instructions regarding the

350:. Compared to the few works he wrote in Windhaag, the Kronstorf compositions from 1843 to 1845 show a significantly improved artistic ability, and finally the beginnings of what could be called "the Bruckner style". Among the Kronstorf works is the vocal piece 575:: "When the symphony was over," Richter related, "Bruckner came to me, his face beaming with enthusiasm and joy. I felt him press a coin into my hand. 'Take this' he said, 'and drink a glass of beer to my health.'" Richter, of course, accepted the coin, a 2434:. London: Ravette Books (1985):: 33. "it is generally said that Bruckner was a very simple man ... If, after listening to one of his symphonies, you still feel that he was simple, then you are not the kind of person who should be reading this book." 1184:

described parts of the first movements of Bruckner's sixth and seventh symphonies as follows: "There is the same slow, broad introduction, the drawn-out climaxes that grow, pull back and then grow some more – a sort of musical coitus interruptus."

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who, like Bruckner, had a strong, Catholic religious faith and who first and foremost was a harmonic innovator, initiating the new German school together with Wagner. In May 1861 he made his concert debut, as both composer and conductor of his

2559:, p. 108: "Bruckner's ... body was taken to St. Florian. ... There, in a splendid sarcophagus, lie the earthly remains of Anton Bruckner, but from above the crypt, from the great 'Bruckner Organ', his living spirit still bursts forth." 567:

his life, that's the uncomfortable fact any biography must start from." Anecdotes abound as to Bruckner's dogged pursuit of his chosen craft and his humble acceptance of the fame that eventually came his way. Once, after a rehearsal of his

701:; it continues to be found in the majority of program notes and biographical sketches concerning Bruckner. Haas's work was endorsed by the Nazis and so fell out of favour after the war as the Allies enforced denazification. Haas's rival 442:, which he composed in 1862–1863), mere school exercises, done under the supervision of Otto Kitzler. He continued his studies to the age of 40. Broad fame and acceptance did not come until he was over 60 (after the premiere of his 1705:. Most of this music was written for teaching purposes. Sixteen other pieces for piano, which Bruckner composed in 1862 during his tuition by Kitzler, have not been WAB classified. A facsimile of these pieces is found in the 280:. The schoolmaster, Johann Baptist Weiß, was a music enthusiast and respected organist. Here, Bruckner completed his school education and refined his skills as an organist. Around 1835 Bruckner wrote his first composition, a 1797:

Because of the long duration and vast orchestral canvas of much of his music, Bruckner's popularity has greatly benefited from the introduction of long-playing media and from improvements in recording technology.

500:. At the time, there was a feud between advocates of the music of Wagner and Brahms; by aligning himself with Wagner, Bruckner made an unintentional enemy out of Hanslick. He was not without supporters, though. 1319: 157: 1776:

went about publishing several versions of some works, in the process correcting some mistakes of Haas. After Nowak's resignation, (1990 onwards, Editorial Head: Herbert Vogg) William Carragan, Paul Hawkshaw,

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men's choir and large orchestra, was composed in 1893 and was Bruckner's last completed composition and the only secular vocal work that he thought worthy enough to bequeath to the Austrian National Library.

8568: 477:, during which time he concentrated most of his energy on writing symphonies. These symphonies were poorly received, at times considered "wild" and "nonsensical". His students at the Conservatory included 1663:, and had it orchestrated by Albrecht Gürsching. In 1985 Wolfgang Hiltl, who had retrieved the original score by Rudolf Krzyzanowski, had it published by Doblinger (issued in 2002). According to scholar 519:

constantly tried to bring his music to the public, and for this purpose proposed "improvements" for making Bruckner's music more acceptable to the public. Bruckner bequeathed his original scores to the

461:. From 1861 to 1868, he alternated his time between Vienna and Sankt Florian. He wished to ensure he knew how to make his music modern, but he also wanted to spend time in a more religious setting. 3130: 594:. Though he wrote no major works for the organ, his improvisation sessions sometimes yielded ideas for the symphonies. He taught organ performance at the Conservatory; among his students were 342:

for two years. Here he would be able to have more of a part in musical activity. The time in Kronstorf was a much happier one for Bruckner. Between 1843 and 1845, Bruckner was the pupil of

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proved to be a hard-working student, and was promoted to upper class early. While studying, Bruckner also helped his father in teaching the other children. After Bruckner received his

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with their alternation of melodies, are models for Bruckner's spacious middle movements, while the finale with a grand culminating hymn is a feature of almost every Bruckner symphony.

1244:), the originality of which has not been understood and which were considered unperformable by the musicians. In order to make them "performable", the symphonies, except Symphonies 1731:

based on a novel by Gertrud Bollé-Hellmund. Although he attended performances of Wagner's operas, he was much more interested in the music than the plot. After seeing Wagner's

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has survived. The five Preludes in E-flat major (1836–1837), classified WAB 127 and WAB 128, as well as a few other WAB-unclassified works, which have been found in Bruckner's

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characterizes the pieces for men's choir as being "of little concern to the non-German listener". Of about 30 such pieces, a most unusual and evocative composition is the song

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Michael Arneth noticed Bruckner's bad situation in Windhaag and awarded him an assistant teacher position in the vicinity of the monastic town of Sankt Florian, sending him to

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described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works.

1318: 980:, is generally in ABA′B′A″ lied form. The first thematic group, sometime rhythmical, is developed and magnified in the third and fifth parts. The second group is mostly a 1268:, which have been deeply emended by Bruckner's friends and associates, and it is not always possible to tell whether the emendations had Bruckner's direct authorization. 635:. He most likely retired from his position at the University of Vienna in 1892, at the age of 68. He wrote a great deal of music that he used to help teach his students. 3520: 2636: 1659:(Symphonic Prelude) in C minor was discovered by Mahler scholar Paul Banks in the Austrian National Library in 1974 in a piano duet transcription. Banks ascribed it to 1557:, of which only a few have been published. The Lieder that Bruckner composed in 1861–1862 during his tuition by Otto Kitzler have not been WAB classified. In 2013 the 1765:

The first edition (1934–1944, Editorial Head: Robert Haas) included 'hybrid' scores for Symphonies 2 and 8 and other similar conflations for some other revised works.

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Bruckner never wrote an opera, and as much as he was a fan of Wagner's music dramas, he was uninterested in drama. In 1893 he thought about writing an opera called

765:), none of Bruckner's symphonies originally had a subtitle and in the case of those that now do, the nicknames or subtitles did not originate with the composer. 8638: 1567:, the autograph manuscript hitherto unavailable to the public. The facsimile is edited by Paul Hawkshaw and Erich Wolfgang Partsch in Band XXV of Bruckner's 3185: 706: 286: – one of the compositions which he revised at the end of his life. When his father became ill, Anton returned to Ansfelden to help him in his work. 6461: 3064: 2189: 305:

Bruckner's father died in 1837, when Bruckner was 13 years old. The teacher's position and house were given to a successor, and Bruckner was sent to the

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Bruckner was a renowned organist in his day, impressing audiences in France in 1869, and the United Kingdom in 1871, giving six recitals on a new

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Bruckner's symphonic works, much maligned in Vienna in his lifetime, now have an important place in the tradition and musical repertoire of the

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The three Masses which Bruckner wrote in the 1860s and revised later on in his life are more often performed. The Masses numbered

8633: 2310: 1802: 1631:. These works, which are occasionally included in recordings of the symphonies, show already hints of Bruckner's emerging style. 1106:. The development, often of dramatic character, is followed by a less formal reprise, which is sometimes inverted (C′B′A') as in 6976: 3694: 8598: 3846: 2956: 667: 120: 2625: 1415:. It shows the clear influence of Mozart's Requiem (also in D minor) and similar works of Michael Haydn. The seldom performed 418:

Largely self-taught as a composer, Bruckner only started composing seriously at age 37 in 1861. Bruckner studied further with

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character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their

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is for mixed choir and a small group of wind instruments, and was written in an attempt to meet the Cecilians halfway. The

730: 1425:, was the last major work Bruckner composed before he started to study with Simon Sechter, with the possible exception of 8563: 6494: 6899: 7914: 4997: 4694: 4596: 4472: 2458:, p. 73: "Unlike Franck or Reger, however, he has not left a single composition of any value for his instrument." 426:, which Bruckner studied extensively from 1863 onwards. Bruckner considered the earliest orchestral works (the "study" 3797:

devoted to Anton Bruckner, edited by Ken Ward, caters for lay enthusiasts, musicians and academics. Produced in the UK

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The first versions of Bruckner's symphonies often presented an instrumental, contrapuntal and rhythmic complexity (

654:, close to his native Ansfelden, was named after him in 1932 (as the "Bruckner Conservatory Linz" until 2004). The 175: 167: 6874: 6171: 3542:

Gilliam, Bryan (1997). "The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation". In

2016:"The laconic idiom of restraint, the art of mere suggestion, involving economy of means and form, is not theirs." 8618: 8416: 6580: 4387: 4371: 6935: 6585: 6359: 4821: 8613: 6675: 6105: 6082: 4957: 4725: 3880: 3868: 3525: 1944: 1716:, where he improvised frequently. Those improvisations were usually not transcribed, so that only a few of his 1528: 1256:, have been revised several times. Consequently, there are several versions and editions, mainly of Symphonies 698: 324:

After completing the seminar with an excellent grade, Bruckner was sent as an assistant teacher to a school in

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In German "halb Genie, halb Trottel". This description is often, but mistakenly, attributed to Gustav Mahler.

162:; 4 September 1824 – 11 October 1896) was an Austrian composer and organist best known for his 8440: 8424: 8341: 7859: 6971: 6925: 4379: 4315: 3673: 3373:

Bruckner, Anton. Symphony No. 8/2, C minor, 1890 version. Edited by Leopold Nowak. New York: Eulenburg, 1994.

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in F Major of 1879, contemporaneous with the Fifth and Sixth symphonies, has been frequently performed. The

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Hawkshaw, Paul (2007). "Anton Bruckner's Counterpoint Studies at the Monastery of Saint Florian, 1845–55".

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reprise, in Bruckner's early symphonies, ends with a short, powerful coda. The revised version of the

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His works, the symphonies in particular, had detractors, most notably the influential Austrian critic

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and Wagner, was unsurpassed, and he was almost the equal of Brahms in the art of melodic variation.

599: 572: 540: 150: 17: 7874: 7164: 4564: 3803:– Detailed listing recordings of Anton Bruckner's works. Also includes articles and free downloads 2719: 1110:, and a coda in which the first thematic group of the first movement is magnified. In the coda of 492:

in 1875, where he tried to make music theory a part of the curriculum. Overall, he was unhappy in

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Bruckner used a piano score without text – a sign of how unconcerned he was with opera as drama."

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was appointed to produce a whole new critical edition of Bruckner's works. He and others such as

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series of twelve large, painted visualizations. The conference report was published in 1993.

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In 1868, after Sechter had died, Bruckner hesitantly accepted Sechter's post as a teacher of

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ever ban Bruckner's music as they have Wagner's, even recording the Eighth Symphony with

1628: 1579: 1537: 1368: 1152: 944: 928: 439: 382: 343: 8042: 7558: 7375: 6915: 6853: 6700: 6529: 5565: 5365: 5355: 5200: 3565: 3303: 2478: 805:. The later symphonies increase this complement, but not by much. Notable is the use of 8447: 8167: 7929: 7919: 7804: 7695: 7589: 7431: 7380: 7293: 7189: 7159: 7149: 6997: 6795: 6484: 6376: 6317: 6095: 5883: 5730: 5665: 5570: 5500: 5485: 5465: 5320: 5170: 4967: 4741: 4677: 4512: 4168: 4121: 4033: 3699: 3690: 3543: 3445: 3399: 2886: 2350: 1845:

was broadcast by German radio (Deutscher Reichsrundfunk) when it announced the news of

1595: 1562: 1408: 1337: 1276: 1118: 591: 552: 351: 194: 171: 7329: 7209: 6406: 5675: 2302: 1407:

for use in local churches and did not always set all the numbers of the ordinary. His

1336:

Bruckner was a devoutly religious man, and composed numerous sacred works. He wrote a

8381: 8351: 8315: 8260: 8182: 8112: 8037: 7974: 7879: 7864: 7834: 7675: 7650: 7624: 7563: 7553: 7451: 7446: 7441: 7436: 7104: 7073: 7017: 7012: 6828: 6813: 6735: 6620: 6565: 6489: 6401: 6354: 6257: 6247: 6211: 6077: 6017: 5900: 5780: 5765: 5705: 5685: 5645: 5630: 5610: 5545: 5535: 5530: 5525: 5510: 5495: 5490: 5265: 5260: 5165: 4837: 4604: 4259: 4160: 4018: 3748: 3677: 3651: 3629: 3586: 3551: 3465: 3427: 3391: 3382: 3287: 2924: 2182:"Pange lingua C-Dur, WAB 31 (zwischen 1835–37) | Diskografie von Anton Bruckner" 2109: 2077: 2048: 1984: 1884: 1846: 1554: 1547: 1451: 1393: 1379: 1357: 1341: 587: 532: 528: 7721: 7716: 7599: 6436: 6386: 5235: 3332:. Jefferson, North Carolina: McFarland & Company, Inc., Publishers (2004): 49–50 2948: 393:

In 1855, Bruckner, aspiring to become a student of the famous Vienna music theorist

213: 65: 8510: 7987: 7884: 7809: 7726: 7690: 7568: 7543: 7538: 7239: 7229: 7224: 7214: 7204: 7179: 7109: 7032: 7007: 6575: 6524: 6421: 6262: 6252: 6235: 6196: 6191: 6166: 5905: 5857: 5745: 5700: 5695: 5635: 5450: 5405: 5250: 5220: 5190: 5130: 4845: 4797: 4588: 4486: 4355: 4275: 4010: 3621: 3475: 3437: 3273: 2916: 2119: 1907: 1642:, also composed in 1862, were discovered decades after Bruckner's death. The later 1387: 1288: 8162: 8152: 7370: 7144: 6981: 6645: 6323: 5580: 5285: 3668:(2004), "Bruckner editions: the revolution revisited", in Williamson, John (ed.), 1784:

are in the process of reviewing and further correcting the work of Haas and Nowak.

8386: 8371: 8346: 8270: 8202: 8197: 8192: 8107: 8092: 8047: 7982: 7854: 7824: 7670: 7665: 7548: 7471: 7461: 7411: 7319: 7194: 7088: 7027: 7022: 6889: 6833: 6750: 6740: 6560: 6544: 6499: 6466: 6339: 6289: 6227: 6216: 5958: 5852: 5847: 5827: 5822: 5796: 5710: 5660: 5585: 5555: 5520: 5480: 5210: 5205: 5175: 5115: 4977: 4717: 4292: 3986: 2877: 2631: 1826: 1821:

even consecrated a bust of Bruckner in a widely photographed ceremony in 1937 at

1688: 1488: 1475:"Anton Bruckner arrives in Heaven". Bruckner is greeted by (from left to right): 1237: 1181: 896: 497: 482: 244: 224: 220: 179: 7767: 6705: 6100: 5420: 5305: 2003:: "»Halb Genie, halb Trottel«. Hans von Bülows Urteil über Anton Bruckner". In: 606:, who called Bruckner his "forerunner", attended the conservatory at this time. 8522: 8310: 8280: 8245: 8235: 8217: 8122: 8082: 8017: 7889: 7819: 7660: 7645: 7573: 7517: 7507: 7476: 7456: 7365: 7288: 7253: 7174: 7134: 6838: 6790: 6720: 6615: 6595: 6534: 6431: 6295: 6221: 5948: 5862: 5755: 5740: 5715: 5655: 5650: 5615: 5475: 5455: 5445: 5400: 5380: 5360: 5340: 5325: 5315: 5300: 5280: 5145: 5110: 5100: 5060: 4218: 2040: 1484: 1480: 1147: 1064: 1026:

is often fiery. The, sometimes very short, trio is more melodious and often in

1006: 984:

in cantilena form. The adagio is put in third position in the first version of

962: 875: 858: 793:, two or three trumpets, three trombones, tuba (from the second version of the 563:

and at least one Mass demonstrate innovative and radical uses of chromaticism.

512: 478: 423: 205: 8325: 7894: 6920: 6884: 6695: 5245: 2380:: Volume 3. "Vienna: Triumph and Disillusion" (1904–1907), footnote 66, p. 486 485:, wrote a book about his impressions of Bruckner as a composer and a teacher. 8532: 8320: 8285: 8275: 8255: 8187: 8137: 8002: 7992: 7777: 7752: 7640: 7614: 7502: 7283: 7154: 6760: 6690: 6665: 6655: 6610: 6310: 5735: 5670: 5605: 5460: 5415: 5160: 5155: 5150: 5095: 4894: 4454: 3726: 3625: 3455: 3417: 3395: 3283: 3023:"Anton Bruckner's Critical Complete Edition – Songs and secular choral works" 2021: 1769: 1660: 1471: 1284: 1040:

features a scherzo – the "Hunt scherzo" – in which the outer sections are in

717: 702: 603: 422:, who was nine years younger than him and who introduced him to the music of 394: 385:. During his stay in Sankt Florian, Bruckner continued to work with Zenetti. 374: 313: 228: 7512: 1805:

strongly approved of Bruckner's music because they saw it as expressing the

1761:(Bruckner's Critical Complete Edition) comprises three successive editions. 8498: 8290: 8265: 8240: 8207: 8177: 8097: 8057: 7959: 7904: 7814: 7782: 7772: 7757: 7497: 7360: 7350: 7324: 7169: 7124: 6848: 6780: 6770: 6710: 6660: 6605: 6416: 6334: 6305: 6156: 5680: 5600: 5595: 5575: 5540: 5390: 5385: 5370: 5350: 5310: 5295: 5275: 5105: 5085: 4992: 3995: 3716: 3600: 3483: 3377: 2578: 2574:"Sex, death and dissonance: the strange, obsessive world of Anton Bruckner" 2145: 2017: 1930:

takes "inspiration from Bruckner to achieve reverence in biblical scenes."

1912: 1853: 1837: 1830: 1508: 1280: 1230: 952: 846:

The structure of Bruckner's symphonies is in a way an extension of that of

689: 583: 548: 516: 508: 470: 419: 339: 306: 273: 7655: 5225: 3789: 1650:, which was intended to replace its scherzo, is not frequently performed. 1233:, which brought the issue to the attention of English-speaking musicians. 773: 294: 277: 133: 8305: 8172: 8022: 7619: 7522: 7466: 7273: 7139: 6843: 6775: 6509: 6370: 6329: 6278: 6151: 6063: 5943: 5690: 5625: 5430: 5410: 5255: 5230: 4522: 4457: 3650:. Cambridge, UK ; New York: Cambridge University Press. p. 19. 3487: 2569: 1892: 1865: 1584: 1476: 1362: 1160: 900: 806: 790: 447: 347: 182: 1325:

The second of Bruckner's three settings of "Ave Maria" performed by the

7426: 6745: 6725: 6715: 6364: 6201: 5832: 5435: 3854: 3238:. Westport, Connecticut: Greenwood Publishing Group (2000): 51, note 14 1921: 1822: 1527:

As a young man Bruckner sang in men's choirs and wrote music for them.

1442: 1227: 1056: 1023: 831: 3720: 3403: 1602:(WAB 70), composed in 1863–1864, was Bruckner's first published work. 1195: 1027: 410: 8087: 7416: 7298: 6630: 6349: 5775: 5180: 5120: 3947: 1807: 1460: 1374: 916: 847: 786: 640: 595: 335: 261: 249: 209: 186: 89: 8569:

Academic staff of the University of Music and Performing Arts Vienna

3800: 1413:

the earliest work Bruckner himself considered worthy of preservation

785:

Bruckner's symphonies are scored for a fairly standard orchestra of

672:

Sometimes Bruckner's works are referred to by WAB numbers, from the

8227: 5867: 1677:

of 1865 is an occasional work as a gesture of appreciation for the

903:

with three thematic groups. The first group is mostly displayed in

826: 619: 2510:, Bruckner Society of America, Inc., January 1940 – (Vol. 2, No.1) 7899: 6650: 6241: 5842: 5029: 4068: 3806: 3521:"Anton Bruckner wird 200 Jahre: Was seine Musik besonders machte" 2977: 1543: 1208: 1032: 1001: 948: 912: 798: 679: 331: 198: 178:. The symphonies are considered emblematic of the final stage of 50: 3618:

Bruckner's Symphonies: Analysis, Reception and Cultural Politics

3061:"Discography of Bruckner's secular choral music by Hans Roelofs" 6344: 3794: 2351:"Bruckner: Motets – CD – CDA66062 – Anton Bruckner (1824–1896)" 1818: 1619:

During his apprenticeship with Otto Kitzler, Bruckner composed

1429:, a large work, for SATB soloists, double choir and orchestra. 1241: 1114:, the first thematic group of all four movements are magnified. 981: 936: 932: 822: 676:, a catalogue of Bruckner's works edited by Renate Grasberger. 493: 108: 6032: 4138: 3801:

Bruckner Discography edited by John F. Berky and Hans Roelofs

3182:"Bruckner's organ works listed and commented by Hans Roelofs" 920: 648:

Anton Bruckner Private University for Music, Drama, and Dance

536: 2834: 2394:

Meine Lehrjahre bei Bruckner; Erinnerungen und Betrachtungen

850:'s symphonies. Bruckner's symphonies are in four movements. 6300: 5837: 4542: 2689:"Carragan, William: Timed Analysis Tables – Anton Bruckner" 1813: 1753:

Published by Musikwissenschaftlicher Verlag in Vienna, the

1607: 924: 814: 651: 318: 265: 1627:

as orchestration exercises. At that time he also wrote an

446:

in 1884). In 1861 he had already made the acquaintance of

3550:. Cambridge: Cambridge University Press. pp. 72–91. 1673:

of 1847 for three trombones are solemn, brief works. The

276:

in 1833, Bruckner's father sent him to another school in

3330:

The Great Composers Portrayed on Film: 1913 through 2002

2846: 2508:

Chord and Dischord: A Journal of Modern Musical Progress

2250: 1459:

tenor soloist in the way a priest would, with a line of

1279:

of Bruckner's works based on the original scores. After

571:

in 1881, the well-meaning Bruckner tipped the conductor

317:

Bruckner's mother sent her son to a teaching seminar in

301:, where Bruckner lived on many occasions during his life 252:, Austria, where Anton Bruckner was born. It is now the 3216: 3156:"Discography of Bruckner's piano works by Hans Roelofs" 1403:), composed between 1842 and 1844, were short Austrian 817:, and percussion besides timpani in all versions. (The 3249:"Anton Bruckner (1824–1896) – Kritische Gesamtausgabe" 2495:

Chords and Discords: Purely Personal Opinions on Music

2262: 8470: 3122:

Symphonisches Präludium – Composed by Anton Bruckner?

3084: 3082: 2882:"In a Show of Accessibility, Schumann Joins Bruckner" 3358:. Cambridge: Cambridge University Press. p. 39. 3335: 2858: 2643: 2538: 1891:, which focuses on his recovery in an Austrian spa. 1454:

wanted to rid church music of instruments entirely.

749:

Bruckner composed eleven symphonies, the first, the

2663:"Anton Bruckner – An Introduction by John F. Berky" 2506:Engel, G. (1940), "The Life of Anton Bruckner", in 2238: 2045:

Handbuch der klassischen und romantischen Symphonie

1856:in Linz, which opened in 1974, is named after him. 939:, is sometimes a variant of the first group, as in 3449: 3411: 3090:"Startseite | Musikwissenschaftlichen Verlag" 3079: 2624: 2101: 1768:In the second edition (1951–1989, Editorial Head: 1271:Looking for authentic versions of the symphonies, 185:because of their rich harmonic language, strongly 3003: 1829:. Bruckner's music was among the most popular in 947:is followed by a modified and somewhat shortened 631:In July 1886, the Emperor decorated him with the 8530: 3676:, Cambridge University Press, pp. 121–137, 3236:The Wind and Wind-chorus Music of Anton Bruckner 2218:. New York: Schuster & Macmillan. p. 3. 2036: 2034: 1792: 3461:The New Grove Dictionary of Music and Musicians 3423:The New Grove Dictionary of Music and Musicians 2618: 2616: 2168:Classical Music (Visual Reference Guide Series) 1124:The New Grove Dictionary of Music and Musicians 915:of the string instruments and is, after a long 30:"Bruckner" redirects here. For other uses, see 4973:Versions and editions of Bruckner's symphonies 2130: 1222:Versions and editions of Bruckner's symphonies 527:In addition to his symphonies, Bruckner wrote 496:, which was musically dominated by the critic 6048: 5045: 3822: 3695:"Problems and Detours on Bruckner's Timeline" 2901:Bonds, Mark Evan (2001). "II. 19th century". 2031: 1903:(or 'numeromania' as it was then described). 579:, and wore it on his watch-chain ever after. 3735:(11th ed.). Cambridge University Press. 2613: 2108:. New York: Grossman Publishers. p. 8. 2067: 2065: 2063: 2061: 1755: 1569: 405:Die Grundsätze der musikalischen Komposition 359: 3585:(in German). Salzburg Wien: Residenz-Verl. 3380:(1969), "The Bruckner Problem Simplified", 6055: 6041: 5052: 5038: 3829: 3815: 2556: 2470: 2418: 2406: 2331: 2256: 2096: 2047:. Breitkopf & Härtel, Wiesbaden 1964. 923:. The second group, melodious and in ABA' 49: 8639:People with obsessive–compulsive disorder 3784:International Music Score Library Project 3620:. Cambridge: Cambridge University Press. 3444: 2852: 2840: 2058: 1740: 1440:are for solo singers, mixed choir, organ 1421:, composed in 1854 for Friedrich Mayer's 688:of Bruckner's personality," musicologist 3581:Harten, Uwe; Grasberger, Renate (1996). 3158:. Brucknerdiskografie.nl. Archived from 2603: 2601: 2280: 1897:The Strange Affliction of Anton Bruckner 1712:Bruckner was a renowned organist at the 1694:Bruckner also wrote a Lancer-Quadrille ( 1470: 1194: 772: 742:Symphony No. 3, third movement (excerpt) 734: 678: 650:, an institution of higher education in 608: 409: 363: 293: 264:(then a village, now almost a suburb of 243: 55:Anton Bruckner wearing the badge of the 8644:Recipients of the Order of Franz Joseph 3603:(18 October 1896). "Anton Bruckner †". 3568:(25 October 1896). "Anton Bruckner †". 2921:10.1093/gmo/9781561592630.article.27254 2876: 2622: 2568: 2233:Anton Bruckner – apogée de la symphonie 1981:Anton Bruckner – apogée de la symphonie 1561:was able to acquire a facsimile of the 1215: 809:in his last three symphonies. Only the 14: 8531: 3498:(2), Bruckner Society of America: 2–12 3482: 3304:"Bruckner in the Movies, TV and Radio" 3222: 3206: 3136:from the original on 27 September 2013 3047: 2649: 2544: 2455: 2210: 2076:. Hamburg: Rowohlt Taschenbuchverlag. 2025: 1883:The life of Bruckner was portrayed in 1466: 1301: 821:, in some versions, features a single 668:List of compositions by Anton Bruckner 289: 204:Unlike other musical radicals such as 8402:Romanticism and the French Revolution 6036: 5033: 3810: 3409: 3376: 3353: 3341: 3310:from the original on 5 September 2024 3188:from the original on 15 February 2020 3067:from the original on 5 September 2024 3029:from the original on 22 February 2014 3009: 2900: 2864: 2822:from the original on 5 September 2024 2760:from the original on 22 December 2017 2669:from the original on 5 September 2024 2607: 2598: 2586:from the original on 5 September 2024 2476: 2443: 2391: 2357:from the original on 22 February 2014 2268: 2244: 2192:from the original on 5 September 2024 2071: 1924:for the restoration of the 1925 film 1878: 1582:, as well as two patriotic cantatas, 1542:(1878) for men's choir, man soloist, 1146:Bruckner is the first composer since 1132:roots in older styles. Bruckner took 368:The "Bruckner Organ" in Sankt Florian 149: 4203:Dir, Herr, dir will ich mich ergeben 2982:Anton Bruckner Institute Linz (1993) 2959:from the original on 31 January 2018 2809: 2778: 2717: 2623:Johnson, Stephen (10 January 1996). 1916:(1954), its plot concerned with the 731:List of symphonies by Anton Bruckner 464: 8604:Classical composers of church music 5911:Tchaikovsky and the Belyayev circle 4574:Wie bist du, Frühling, gut und treu 3670:The Cambridge Companion to Bruckner 3519:Felber, Gerald (4 September 2024). 1910:used the music of Bruckner for his 24: 5059: 4998:Anton-Bruckner-Gymnasium Straubing 3836: 3511: 3464:. Vol. 18. pp. 461–462. 2699:from the original on 26 April 2016 1275:produced during the 1930s a first 1188:In the 2001 second edition of the 757:in 1887–96. With the exception of 753:in 1863, the last, the unfinished 234: 25: 8655: 8579:Austrian male classical composers 4983:Anton Bruckner Private University 3763: 3426:. Vol. 3. pp. 352–371. 2791:from the original on 18 July 2017 2781:"Part 2: The Five-Part Song Form" 2626:"Bruckner: guilty or not guilty?" 2313:from the original on 3 March 2016 2020:observed, comparing Bruckner and 683:Portrait of Anton Bruckner (1889) 166:and sacred music, which includes 8554:19th-century classical composers 8516: 8504: 8492: 8480: 8455: 8454: 6016: 6007: 6006: 5015: 5014: 4703:Des Dankes Wort sei mir vergönnt 4639:Das Lied vom deutschen Vaterland 3255:from the original on 18 May 2014 3100:from the original on 1 July 2023 2730:from the original on 3 July 2024 2639:from the original on 7 May 2022. 1983:, l'Age d'Homme, Lausanne, 1977 1757:Bruckner Kritische Gesamtausgabe 1724:, are probably not by Bruckner. 1679:Militär-Kapelle der Jäger-Truppe 1315: 511:, and famous conductors such as 488:He later accepted a post at the 132: 6062: 4497:Heil Vater! Dir zum hohen Feste 3790:The Bruckner Society of America 3347: 3322: 3296: 3267: 3241: 3228: 3200: 3174: 3148: 3112: 3053: 3041: 3015: 2987: 2971: 2941: 2894: 2870: 2803: 2772: 2742: 2711: 2681: 2655: 2562: 2550: 2513: 2500: 2487: 2461: 2449: 2424: 2412: 2400: 2385: 2369: 2343: 2325: 2295: 2274: 2222: 2204: 1918:war Italy waged against Austria 1529:Bruckner's secular choral music 1167:Deryck Cooke adds, also in the 661: 388: 8634:People from Linz-Land District 4958:International Bruckner Society 3747:(in Dutch). Uitgeverij Thoth. 3526:Frankfurter Allgemeine Zeitung 2998:The Symphonies of Joseph Haydn 2174: 2160: 2090: 2010: 1993: 1967: 1945:International Bruckner Society 1836:Near the end of World War II, 1638:in C minor and the additional 1614: 1360:(among them eight settings of 699:International Bruckner Society 674:Werkverzeichnis Anton Bruckner 13: 1: 8599:Catholic liturgical composers 8425:Wanderer above the Sea of Fog 4695:Laßt Jubeltöne laut erklingen 3780:Free scores by Anton Bruckner 3770:Free scores by Anton Bruckner 3674:Cambridge Companions to Music 2521:"Bruckner, Anton (1824–1896)" 1955: 1901:obsessive-compulsive disorder 1873:Vienna Philharmonic Orchestra 1862:Israel Philharmonic Orchestra 1801:Decades after his death, the 1793:Reception in the 20th century 1695: 1621:three short orchestral pieces 1366:, and three settings of both 1298:) carried on with this work. 1207:In 1990, the American artist 724: 658:was also named in his honor. 616: 239: 27:Austrian composer (1824–1896) 8574:Austrian classical organists 4027:Messe für den Gründonnerstag 3774:Choral Public Domain Library 2480:Anton Bruckner Rustic Genius 1578:Bruckner composed also five 1400:Messe für den Gründonnerstag 841: 379:Johann Georg Albrechtsberger 7: 8594:Austrian Romantic composers 8559:19th-century male musicians 5954:Gothic Revival architecture 4244:In jener letzten der Nächte 1933: 1843:Bruckner's Seventh Symphony 590:in London and five more at 260:Anton Bruckner was born in 10: 8660: 8564:19th-century musicologists 8342:Coleridge's theory of life 5895:Neue Zeitschrift für Musik 5070:List of Romantic composers 4598:Mein Herz und deine Stimme 3413:"Bruckner, (Joseph) Anton" 3366: 3184:. Brucknerdiskografie.nl. 3063:. Brucknerdiskografie.nl. 2812:"Bruckner's Golden Arches" 2382:; Retrieved 28 August 2013 2376:Henry-Louis de La Grange, 1950:List of Austrians in music 1746: 1553:Bruckner also composed 20 1238:Brucknerian rhythm "2 + 3" 1219: 931:. The third group, mostly 728: 665: 29: 8434: 8397:Romanticism and economics 8334: 8226: 7973: 7795: 7740: 7709: 7633: 7582: 7531: 7490: 7399: 7343: 7307: 7261: 7252: 7097: 7041: 6990: 6949: 6908: 6862: 6804: 6674: 6553: 6475: 6412:Manuel Antônio de Almeida 6394: 6385: 6271: 6139: 6070: 5986: 5931: 5876: 5810: 5789: 5076: 5067: 5011: 4950: 4893: 4616: 4541: 4465: 4453: 4423: 4137: 4067: 3994: 3985: 3945: 3853: 3844: 3745:Anton Bruckner, 1824–1896 3546:; Hawkshaw, Paul (eds.). 2392:Klose, Friedrich (1927). 1559:Austrian National Library 1519:. (Silhouette drawing by 1159:, learnt from Beethoven, 755:Symphony No. 9 in D minor 751:Study Symphony in F minor 625:Oberammergau Passion Play 522:Austrian National Library 360:Organist in Sankt Florian 131: 126: 116: 97: 75: 48: 41: 32:Bruckner (disambiguation) 8624:Male classical organists 8589:Austrian Roman Catholics 8584:Austrian music theorists 6177:German historical school 5916:Tchaikovsky and The Five 3626:10.1017/cbo9780511481925 3605:Neue musikalische Presse 3570:Neue musikalische Presse 3209:, p. 19: "Studying 3120:"Benjamin-Gunnar Cohrs: 2497:, Crown Publishers, p.40 2333:Hinrichsen, Hans-Joachim 2138:"Bruckner in a nutshell" 1960: 1385:The three early Masses ( 1329:'s Sea Chanters ensemble 1157:transformation of themes 768: 618:Bruckner was a lifelong 397:, showed the master his 223:and other supporters of 151:[ˈantoːnˈbʁʊknɐ] 6824:Józef Ignacy Kraszewski 4988:Bruckner Orchestra Linz 4373:Salvum fac populum tuum 3975:Symphonisches Präludium 3732:Encyclopædia Britannica 3722:"Bruckner, Anton" 3616:Horton, Julian (2004). 3451:"Bruckner and his time" 3410:Cooke, Derryck (1980). 3356:A History of Film Music 2936:(subscription required) 2913:Oxford University Press 2432:Bluff Your Way in Music 2396:. Regensburg, G. Bosse. 2098:Schönzeler, Hans-Hubert 2001:Hans-Joachim Hinrichsen 1940:Bruckner Orchestra Linz 1656:Symphonisches Präludium 1327:United States Navy Band 656:Bruckner Orchestra Linz 551:in style; however, the 432:three orchestral pieces 8619:Concert band composers 8407:Romanticism in science 8362:Middle Ages in history 8357:List of Romantic poets 7069:Josiah Gilbert Holland 5939:Common practice period 4963:Bruckner Gesamtausgabe 4783:Vaterländisch Weinlied 4727:Du bist wie eine Blume 3956:Four Orchestral Pieces 3905:; 1874/1878–1880/1888) 3666:Korstvedt, Benjamin M. 3644:Korstvedt, Benjamin M. 3354:Cooke, Mervyn (2008). 3279:The Third Reich at War 3234:Keith William Kinder, 2953:intermediaprojects.org 2938:Print: vol. 24, p. 839 2483:, E.P. Dutton & Co 2477:Wolff, Werner (1942), 1920:in 1866. The score by 1756: 1749:Bruckner Gesamtausgabe 1742:Bruckner Gesamtausgabe 1691:for violin and piano. 1671:Bruckner's Two Aequali 1570: 1524: 1378:), and at least seven 1204: 1178: 1165: 1143: 943:. The often extensive 929:contrapuntal structure 782: 743: 684: 614: 415: 369: 302: 257: 8614:Composers from Vienna 8377:Romantic epistemology 8367:Opium and Romanticism 6936:Stojadinović-Srpkinja 6162:Counter-Enlightenment 5003:Anton Bruckner Museum 4941:Intermezzo in D minor 4381:Veni Creator Spiritus 4317:Iam lucis orto sidere 4211:O Du liebes Jesu-Kind 4058:Mass No. 3 in F minor 4052:Mass No. 2 in E minor 4046:Mass No. 1 in D minor 3968:March in E-flat major 3717:Tovey, Donald Francis 3488:"Bruckner and Mahler" 3328:Charles P. Mitchell, 2284:The Musical Quarterly 2229:Paul-Gilbert Langevin 2007:55 (2000), pp. 21–24. 1977:Paul-Gilbert Langevin 1779:Benjamin-Gunnar Cohrs 1703:small works for piano 1665:Benjamin-Gunnar Cohrs 1648:Intermezzo in D minor 1474: 1446:and orchestra, while 1293:Benjamin-Gunnar Cohrs 1220:Further information: 1198: 1180:In a concert review, 1173: 1144: 1129: 1127:(1980) that Bruckner 779:Order of Franz Joseph 776: 741: 729:Further information: 682: 633:Order of Franz Joseph 612: 413: 367: 297: 254:Anton Bruckner Museum 247: 143:Joseph Anton Bruckner 57:Order of Franz Joseph 8441:Age of Enlightenment 6083:England (literature) 5976:Romantic nationalism 5922:War of the Romantics 4823:Zur Vermählungsfeier 4706:(at the latest 1855) 4389:Ecce sacerdos magnus 3847:List of compositions 3795:The Bruckner Journal 2994:H. C. Robbins Landon 2720:"Bruckner's Library" 2353:. Hyperion Records. 2307:www.antonbruckner.at 2072:Grebe, Karl (1972). 2005:IBG-Mitteilungsblatt 1216:The Bruckner Problem 577:Maria Theresa thaler 121:List of compositions 8609:Composers from Linz 8392:Romantic psychology 6187:Hudson River School 6131:Sweden (literature) 6116:Russia (literature) 5971:Musical nationalism 5889:Musical nationalism 4871:Der deutsche Gesang 4624:Weltliche Chorwerke 4405:Ave Regina caelorum 4365:Christus factus est 4333:Christus factus est 3962:Overture in G minor 3881:Symphony in D minor 3869:Symphony in F minor 3691:Oestreich, James R. 3544:Jackson, Timothy L. 3446:Temperley, Nicholas 3162:on 10 December 2014 2880:(25 January 2008). 2843:, pp. 461–462. 2810:Carragan, William. 2779:Carragan, William. 2718:Carragan, William. 2493:Wilson. C. (1966), 2303:"Bruckner Gemeinde" 1889:Bruckner's Decision 1714:St Florian's Priory 1707:Kitzler-Studienbuch 1687:of 1866 is a short 1629:Overture in G minor 1564:Kitzler-Studienbuch 1467:Secular vocal works 1369:Christus factus est 1302:Sacred choral works 959:The second movement 927:form, is mostly of 475:Vienna Conservatory 440:Overture in G minor 428:Symphony in F minor 407:(Leipzig 1853/54). 383:Franz Joseph Aumann 344:Leopold von Zenetti 299:St Florian's Priory 290:Teacher's education 6377:White Mountain art 6318:Historical fiction 6126:Spain (literature) 5884:Indianist movement 5802:Romantic orchestra 4968:Kitzler Study Book 4863:Träumen und Wachen 4034:Requiem in D minor 3741:Zwol, Cornelis van 3700:The New York Times 3648:Bruckner: Symphony 3492:Chord and Dischord 2908:Grove Music Online 2887:The New York Times 1879:In popular culture 1701:) and a few other 1596:August Silberstein 1525: 1409:Requiem in D minor 1205: 1119:Nicholas Temperley 855:The first movement 825:crash alongside a 783: 777:Bruckner with the 744: 707:Benjamin Korstvedt 685: 615: 592:the Crystal Palace 416: 370: 303: 258: 8629:Organ improvisers 8468: 8467: 8382:Romantic medicine 8352:List of romantics 7791: 7790: 7442:Felix Mendelssohn 7437:Fanny Mendelssohn 7248: 7247: 6962:Rosalía de Castro 6900:Soares dos Passos 6248:Transcendentalism 6212:Nazarene movement 6172:Düsseldorf School 6030: 6029: 5901:New German School 5496:Felix Mendelssohn 5491:Fanny Mendelssohn 5027: 5026: 4889: 4888: 4515:Sankt Jodok sproß 4449: 4448: 4109:Preiset den Herrn 4107:Festive Cantata: 4019:Kronstorfer Messe 3938: 3909:No. 5 in B♭ major 3899:No. 4 in E♭ major 3754:978-90-6868-590-9 3683:978-0-521-00878-5 3657:978-0-521-63226-3 3646:(30 March 2000). 3635:978-0-511-48192-5 3592:978-3-7017-1030-0 3566:Göllerich, August 3557:978-0-521-57014-5 3486:(November 1940), 3471:978-0-333-23111-1 3433:978-0-333-23111-1 3383:The Musical Times 3306:. Abruckner.com. 3292:978-0-14-311671-4 3274:Evans, Richard J. 3225:, pp. 45–46. 2930:978-1-56159-263-0 2754:www.abruckner.com 2693:www.abruckner.com 2665:. Abruckner.com. 2337:Bruckner Handbuch 2271:, pp. 27–34. 2115:978-0-7145-0144-4 2083:978-3-499-50190-6 2053:978-3-7651-0017-8 1989:978-2-8251-0880-2 1885:Jan Schmidt-Garre 1580:name-day cantatas 1394:Kronstorfer Messe 1348:in the 1890s), a 1320: 739: 613:Bruckner, c. 1892 588:Royal Albert Hall 539:works, and a few 535:and other sacred 490:Vienna University 465:The Vienna period 414:Bruckner, c. 1860 140: 139: 16:(Redirected from 8651: 8521: 8520: 8519: 8509: 8508: 8507: 8497: 8496: 8495: 8485: 8484: 8483: 8476: 8458: 8457: 8417:Evolution theory 7259: 7258: 6392: 6391: 6253:Ukrainian school 6057: 6050: 6043: 6034: 6033: 6020: 6010: 6009: 5906:Post-romanticism 5771:Vaughan Williams 5054: 5047: 5040: 5031: 5030: 5018: 5017: 4951:Related articles 4921:Rondo in C minor 4687:Vor Arneths Grab 4495:Arneth Cantata: 4463: 4462: 4060:(1868/1883/1893) 4011:Windhaager Messe 3992: 3991: 3936: 3933:No. 9 in D minor 3927:No. 8 in C minor 3921:No. 7 in E major 3915:No. 6 in A major 3895:(1873/1877/1889) 3893:No. 3 in D minor 3887:No. 2 in C minor 3875:No. 1 in C minor 3831: 3824: 3817: 3808: 3807: 3758: 3736: 3724: 3712: 3710: 3708: 3693:(10 July 2005). 3686: 3661: 3639: 3612: 3596: 3577: 3561: 3548:Bruckner Studies 3538: 3536: 3534: 3506: 3505: 3503: 3479: 3476:Internet Archive 3453: 3441: 3438:Internet Archive 3415: 3406: 3360: 3359: 3351: 3345: 3339: 3333: 3326: 3320: 3319: 3317: 3315: 3300: 3294: 3271: 3265: 3264: 3262: 3260: 3245: 3239: 3232: 3226: 3220: 3214: 3204: 3198: 3197: 3195: 3193: 3178: 3172: 3171: 3169: 3167: 3152: 3146: 3145: 3143: 3141: 3135: 3128: 3124:, 2006/rev.2010" 3116: 3110: 3109: 3107: 3105: 3086: 3077: 3076: 3074: 3072: 3057: 3051: 3045: 3039: 3038: 3036: 3034: 3019: 3013: 3007: 3001: 2991: 2985: 2975: 2969: 2968: 2966: 2964: 2945: 2939: 2937: 2934: 2911:(8th ed.). 2898: 2892: 2891: 2878:Holland, Bernard 2874: 2868: 2862: 2856: 2850: 2844: 2838: 2832: 2831: 2829: 2827: 2807: 2801: 2800: 2798: 2796: 2776: 2770: 2769: 2767: 2765: 2746: 2740: 2739: 2737: 2735: 2715: 2709: 2708: 2706: 2704: 2685: 2679: 2678: 2676: 2674: 2659: 2653: 2647: 2641: 2640: 2628: 2620: 2611: 2605: 2596: 2595: 2593: 2591: 2572:(1 April 2014). 2566: 2560: 2554: 2548: 2542: 2536: 2535: 2533: 2531: 2517: 2511: 2504: 2498: 2491: 2485: 2484: 2474: 2468: 2465: 2459: 2453: 2447: 2441: 2435: 2428: 2422: 2416: 2410: 2404: 2398: 2397: 2389: 2383: 2373: 2367: 2366: 2364: 2362: 2347: 2341: 2340: 2329: 2323: 2322: 2320: 2318: 2299: 2293: 2292: 2278: 2272: 2266: 2260: 2254: 2248: 2242: 2236: 2226: 2220: 2219: 2208: 2202: 2201: 2199: 2197: 2178: 2172: 2171: 2164: 2158: 2157: 2155: 2153: 2144:. Archived from 2134: 2128: 2127: 2120:Internet Archive 2107: 2094: 2088: 2087: 2069: 2056: 2038: 2029: 2014: 2008: 1997: 1991: 1975: 1971: 1759: 1700: 1697: 1640:Rondo in C minor 1625:March in D minor 1573: 1448:No. 2 in E minor 1414: 1388:Windhaager Messe 1322: 1321: 1289:William Carragan 1283:other scholars ( 1277:critical edition 1097: 1096: 1095: 1094: 1082: 1081: 1080: 1079: 1054: 1053: 1052: 1051: 1020: 1019: 1018: 1017: 979: 978: 977: 976: 889: 888: 887: 886: 872: 871: 870: 869: 830:instrument, the 740: 715: 506: 502:Deutsche Zeitung 444:Seventh Symphony 436:March in D minor 161: 160: 159: 153: 148: 136: 104: 86:4 September 1824 85: 83: 69: 53: 39: 38: 21: 8659: 8658: 8654: 8653: 8652: 8650: 8649: 8648: 8529: 8528: 8527: 8517: 8515: 8505: 8503: 8493: 8491: 8487:Classical music 8481: 8479: 8471: 8469: 8464: 8463: 8452: 8444: 8430: 8387:Romantic poetry 8372:Romantic ballet 8347:German idealism 8330: 8296:Lacoue-Labarthe 8222: 7969: 7787: 7736: 7705: 7686:Rimsky-Korsakov 7629: 7578: 7527: 7486: 7395: 7339: 7303: 7244: 7093: 7037: 6986: 6945: 6904: 6858: 6800: 6741:Maria Edgeworth 6677: 6670: 6549: 6471: 6381: 6360:Romantic genius 6290:Gesamtkunstwerk 6267: 6228:Sturm und Drang 6135: 6066: 6061: 6031: 6026: 6003: 5999:Modernist music 5995: 5992:Classical music 5982: 5927: 5872: 5853:Romantic ballet 5848:Orchestral song 5828:Chorale prelude 5823:Character piece 5806: 5797:Romantic guitar 5790:Instrumentation 5785: 5621:Rimsky-Korsakov 5241:Ferdinand David 5078: 5072: 5063: 5058: 5028: 5023: 5007: 4978:Bruckner rhythm 4946: 4885: 4847:Trösterin Musik 4767:Der Abendhimmel 4735:Der Abendhimmel 4655:Der Lehrerstand 4612: 4537: 4506:Auf Brüder! auf 4504:Mayer Cantata: 4480:Vergißmeinnicht 4445: 4419: 4341:Tota pulchra es 4293:Afferentur regi 4133: 4063: 3981: 3941: 3849: 3840: 3835: 3766: 3761: 3755: 3739: 3715: 3706: 3704: 3703:. sec. 2, p. 23 3689: 3684: 3664: 3658: 3642: 3636: 3615: 3599: 3593: 3580: 3564: 3558: 3541: 3532: 3530: 3518: 3514: 3512:Further reading 3509: 3501: 3499: 3472: 3434: 3390:(1511): 59–62, 3369: 3364: 3363: 3352: 3348: 3340: 3336: 3327: 3323: 3313: 3311: 3302: 3301: 3297: 3272: 3268: 3258: 3256: 3247: 3246: 3242: 3233: 3229: 3221: 3217: 3205: 3201: 3191: 3189: 3180: 3179: 3175: 3165: 3163: 3154: 3153: 3149: 3139: 3137: 3133: 3126: 3118: 3117: 3113: 3103: 3101: 3088: 3087: 3080: 3070: 3068: 3059: 3058: 3054: 3046: 3042: 3032: 3030: 3021: 3020: 3016: 3008: 3004: 2992: 2988: 2976: 2972: 2962: 2960: 2947: 2946: 2942: 2935: 2931: 2899: 2895: 2875: 2871: 2863: 2859: 2851: 2847: 2839: 2835: 2825: 2823: 2808: 2804: 2794: 2792: 2777: 2773: 2763: 2761: 2748: 2747: 2743: 2733: 2731: 2716: 2712: 2702: 2700: 2687: 2686: 2682: 2672: 2670: 2661: 2660: 2656: 2648: 2644: 2632:The Independent 2621: 2614: 2606: 2599: 2589: 2587: 2567: 2563: 2557:Schönzeler 1970 2555: 2551: 2543: 2539: 2529: 2527: 2519: 2518: 2514: 2505: 2501: 2492: 2488: 2475: 2471: 2466: 2462: 2454: 2450: 2442: 2438: 2430:Peter Gammond, 2429: 2425: 2419:Schönzeler 1970 2417: 2413: 2407:Schönzeler 1970 2405: 2401: 2390: 2386: 2374: 2370: 2360: 2358: 2349: 2348: 2344: 2330: 2326: 2316: 2314: 2301: 2300: 2296: 2279: 2275: 2267: 2263: 2257:Hinrichsen 2010 2255: 2251: 2243: 2239: 2227: 2223: 2209: 2205: 2195: 2193: 2180: 2179: 2175: 2166: 2165: 2161: 2151: 2149: 2148:on 27 July 2018 2142:52composers.com 2136: 2135: 2131: 2116: 2095: 2091: 2084: 2070: 2059: 2039: 2032: 2015: 2011: 1998: 1994: 1973: 1972: 1968: 1963: 1958: 1936: 1881: 1849:on 1 May 1945. 1827:Walhalla temple 1795: 1751: 1745: 1734:Götterdämmerung 1718:works for organ 1698: 1689:character piece 1617: 1469: 1412: 1350:Festive cantata 1334: 1333: 1332: 1331: 1330: 1323: 1316: 1313: 1304: 1224: 1218: 1182:Bernard Holland 1093: 1088: 1087: 1086: 1085: 1084: 1078: 1073: 1072: 1071: 1070: 1069: 1050: 1045: 1044: 1043: 1042: 1041: 1016: 1011: 1010: 1009: 1008: 1007: 975: 970: 969: 968: 967: 966: 951:and a powerful 885: 880: 879: 878: 877: 876: 868: 863: 862: 861: 860: 859: 844: 789:in pairs, four 771: 735: 733: 727: 709: 670: 664: 643:of his corpse. 629: 569:Fourth Symphony 504: 498:Eduard Hanslick 483:Friedrich Klose 481:. His student, 467: 459:Mass in D Minor 391: 362: 292: 242: 237: 235:Life and career 225:Johannes Brahms 221:Eduard Hanslick 155: 154: 146: 112: 106: 102: 101:11 October 1896 93: 87: 81: 79: 71: 63: 44: 35: 28: 23: 22: 15: 12: 11: 5: 8657: 8647: 8646: 8641: 8636: 8631: 8626: 8621: 8616: 8611: 8606: 8601: 8596: 8591: 8586: 8581: 8576: 8571: 8566: 8561: 8556: 8551: 8546: 8541: 8539:Anton Bruckner 8526: 8525: 8513: 8501: 8489: 8466: 8465: 8445: 8437: 8436: 8435: 8432: 8431: 8429: 8428: 8421: 8420: 8419: 8414: 8404: 8399: 8394: 8389: 8384: 8379: 8374: 8369: 8364: 8359: 8354: 8349: 8344: 8338: 8336: 8335:Related topics 8332: 8331: 8329: 8328: 8323: 8318: 8313: 8308: 8303: 8298: 8293: 8288: 8283: 8278: 8273: 8268: 8263: 8258: 8253: 8248: 8243: 8238: 8232: 8230: 8224: 8223: 8221: 8220: 8215: 8210: 8205: 8200: 8195: 8190: 8185: 8180: 8175: 8170: 8165: 8160: 8155: 8150: 8145: 8140: 8135: 8130: 8125: 8120: 8115: 8110: 8105: 8100: 8095: 8090: 8085: 8080: 8075: 8070: 8065: 8063:Gallen-Kallela 8060: 8055: 8050: 8045: 8040: 8038:David d'Angers 8035: 8030: 8025: 8020: 8015: 8010: 8005: 8000: 7995: 7990: 7985: 7979: 7977: 7975:Visual artists 7971: 7970: 7968: 7967: 7962: 7957: 7952: 7947: 7942: 7937: 7935:Schleiermacher 7932: 7927: 7922: 7917: 7912: 7907: 7902: 7897: 7892: 7887: 7882: 7877: 7872: 7867: 7862: 7857: 7852: 7847: 7842: 7837: 7832: 7827: 7822: 7817: 7812: 7807: 7801: 7799: 7793: 7792: 7789: 7788: 7786: 7785: 7780: 7775: 7770: 7765: 7760: 7755: 7750: 7744: 7742: 7738: 7737: 7735: 7734: 7729: 7724: 7719: 7713: 7711: 7707: 7706: 7704: 7703: 7698: 7693: 7688: 7683: 7678: 7673: 7668: 7663: 7658: 7653: 7648: 7643: 7637: 7635: 7631: 7630: 7628: 7627: 7622: 7617: 7612: 7607: 7602: 7597: 7592: 7586: 7584: 7580: 7579: 7577: 7576: 7571: 7566: 7561: 7556: 7551: 7546: 7541: 7535: 7533: 7529: 7528: 7526: 7525: 7520: 7515: 7510: 7505: 7500: 7494: 7492: 7488: 7487: 7485: 7484: 7479: 7474: 7469: 7464: 7459: 7454: 7449: 7444: 7439: 7434: 7429: 7424: 7419: 7414: 7409: 7403: 7401: 7397: 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5308: 5303: 5298: 5293: 5288: 5283: 5278: 5273: 5268: 5263: 5258: 5253: 5248: 5243: 5238: 5236:Félicien David 5233: 5228: 5223: 5218: 5213: 5208: 5203: 5198: 5193: 5188: 5183: 5178: 5173: 5168: 5163: 5158: 5153: 5148: 5143: 5138: 5133: 5128: 5123: 5118: 5113: 5108: 5103: 5098: 5093: 5088: 5082: 5080: 5074: 5073: 5068: 5065: 5064: 5061:Romantic music 5057: 5056: 5049: 5042: 5034: 5025: 5024: 5012: 5009: 5008: 5006: 5005: 5000: 4995: 4990: 4985: 4980: 4975: 4970: 4965: 4960: 4954: 4952: 4948: 4947: 4945: 4944: 4938: 4935:String Quintet 4932: 4924: 4918: 4915:String Quartet 4912: 4906: 4899: 4897: 4891: 4890: 4887: 4886: 4884: 4883: 4875: 4867: 4859: 4855:Um Mitternacht 4851: 4843: 4835: 4827: 4819: 4811: 4803: 4795: 4787: 4779: 4775:Vaterlandslied 4771: 4763: 4755: 4751:Um Mitternacht 4747: 4739: 4731: 4723: 4715: 4707: 4699: 4691: 4683: 4675: 4667: 4663:Sternschnuppen 4659: 4651: 4643: 4635: 4627: 4620: 4618: 4614: 4613: 4611: 4610: 4602: 4594: 4586: 4578: 4570: 4562: 4554: 4547: 4545: 4539: 4538: 4536: 4535: 4527: 4519: 4510: 4501: 4492: 4484: 4476: 4469: 4467: 4460: 4451: 4450: 4447: 4446: 4444: 4443: 4434: 4427: 4425: 4421: 4420: 4418: 4417: 4409: 4401: 4393: 4385: 4377: 4369: 4361: 4353: 4345: 4337: 4329: 4321: 4313: 4305: 4297: 4289: 4281: 4273: 4265: 4257: 4248: 4240: 4232: 4223: 4219:Herz Jesu-Lied 4215: 4207: 4199: 4191: 4183: 4174: 4166: 4158: 4157:(c. 1835/1891) 4150: 4149:(c. 1835–1892) 4143: 4141: 4135: 4134: 4132: 4131: 4125: 4119: 4113: 4104: 4098: 4092: 4086: 4080: 4077:Psalm settings 4073: 4071: 4065: 4064: 4062: 4061: 4055: 4049: 4043: 4040:Missa solemnis 4037: 4031: 4023: 4015: 4007: 4000: 3998: 3989: 3983: 3982: 3980: 3979: 3971: 3965: 3959: 3952: 3950: 3943: 3942: 3940: 3939: 3930: 3924: 3918: 3912: 3906: 3896: 3890: 3884: 3878: 3872: 3866: 3859: 3857: 3851: 3850: 3845: 3842: 3841: 3838:Anton Bruckner 3834: 3833: 3826: 3819: 3811: 3805: 3804: 3798: 3792: 3787: 3777: 3765: 3764:External links 3762: 3760: 3759: 3753: 3737: 3727:Chisholm, Hugh 3713: 3687: 3682: 3662: 3656: 3640: 3634: 3613: 3597: 3591: 3583:Anton Bruckner 3578: 3562: 3556: 3539: 3515: 3513: 3510: 3508: 3507: 3480: 3470: 3442: 3432: 3407: 3374: 3370: 3368: 3365: 3362: 3361: 3346: 3344:, p. 437. 3334: 3321: 3295: 3266: 3240: 3227: 3215: 3199: 3173: 3147: 3111: 3078: 3052: 3040: 3014: 3002: 2986: 2970: 2940: 2929: 2893: 2869: 2867:, p. 365. 2857: 2855:, p. 462. 2853:Temperley 1980 2845: 2841:Temperley 1980 2833: 2802: 2771: 2741: 2710: 2680: 2654: 2642: 2612: 2597: 2561: 2549: 2537: 2512: 2499: 2486: 2469: 2460: 2448: 2436: 2423: 2411: 2399: 2384: 2368: 2342: 2335:, ed. (2010). 2324: 2294: 2273: 2261: 2249: 2237: 2221: 2203: 2173: 2159: 2129: 2114: 2089: 2082: 2074:Anton Bruckner 2057: 2041:Rudolf Kloiber 2030: 2009: 1992: 1965: 1964: 1962: 1959: 1957: 1954: 1953: 1952: 1947: 1942: 1935: 1932: 1880: 1877: 1847:Hitler's death 1811:of the German 1794: 1791: 1790: 1789: 1785: 1766: 1747:Main article: 1744: 1739: 1675:Military march 1644:String Quintet 1636:String Quartet 1616: 1613: 1606:(WAB 71), for 1594:, on texts by 1468: 1465: 1418:Missa solemnis 1356:, about forty 1342:psalm settings 1324: 1314: 1309: 1308: 1307: 1306: 1305: 1303: 1300: 1217: 1214: 1138:Ninth Symphony 1116: 1115: 1112:Symphony No. 8 1108:Symphony No. 7 1104:Symphony No. 2 1089: 1074: 1060: 1046: 1038:Symphony No. 4 1012: 997: 994:Symphony No. 9 990:Symphony No. 8 986:Symphony No. 2 971: 956: 941:Symphony No. 4 919:, repeated in 893:Symphony No. 2 881: 864: 843: 840: 770: 767: 759:Symphony No. 4 726: 723: 716:and conductor 663: 660: 545:string quintet 543:, including a 513:Arthur Nikisch 479:Richard Robert 466: 463: 424:Richard Wagner 400:Missa solemnis 390: 387: 361: 358: 291: 288: 241: 238: 236: 233: 214:Hans von Bülow 206:Richard Wagner 138: 137: 129: 128: 124: 123: 118: 114: 113: 107: 105:(aged 72) 99: 95: 94: 88: 77: 73: 72: 54: 46: 45: 43:Anton Bruckner 42: 26: 9: 6: 4: 3: 2: 8656: 8645: 8642: 8640: 8637: 8635: 8632: 8630: 8627: 8625: 8622: 8620: 8617: 8615: 8612: 8610: 8607: 8605: 8602: 8600: 8597: 8595: 8592: 8590: 8587: 8585: 8582: 8580: 8577: 8575: 8572: 8570: 8567: 8565: 8562: 8560: 8557: 8555: 8552: 8550: 8547: 8545: 8542: 8540: 8537: 8536: 8534: 8524: 8514: 8512: 8502: 8500: 8490: 8488: 8478: 8477: 8474: 8462: 8461: 8450: 8449: 8443: 8442: 8433: 8427: 8426: 8422: 8418: 8415: 8413: 8410: 8409: 8408: 8405: 8403: 8400: 8398: 8395: 8393: 8390: 8388: 8385: 8383: 8380: 8378: 8375: 8373: 8370: 8368: 8365: 8363: 8360: 8358: 8355: 8353: 8350: 8348: 8345: 8343: 8340: 8339: 8337: 8333: 8327: 8324: 8322: 8319: 8317: 8314: 8312: 8309: 8307: 8304: 8302: 8299: 8297: 8294: 8292: 8289: 8287: 8284: 8282: 8279: 8277: 8274: 8272: 8269: 8267: 8264: 8262: 8259: 8257: 8254: 8252: 8249: 8247: 8244: 8242: 8239: 8237: 8234: 8233: 8231: 8229: 8225: 8219: 8216: 8214: 8211: 8209: 8206: 8204: 8201: 8199: 8196: 8194: 8191: 8189: 8186: 8184: 8181: 8179: 8176: 8174: 8171: 8169: 8166: 8164: 8161: 8159: 8156: 8154: 8151: 8149: 8146: 8144: 8141: 8139: 8136: 8134: 8131: 8129: 8126: 8124: 8121: 8119: 8116: 8114: 8111: 8109: 8106: 8104: 8101: 8099: 8096: 8094: 8091: 8089: 8086: 8084: 8081: 8079: 8076: 8074: 8071: 8069: 8066: 8064: 8061: 8059: 8056: 8054: 8051: 8049: 8046: 8044: 8041: 8039: 8036: 8034: 8031: 8029: 8026: 8024: 8021: 8019: 8016: 8014: 8011: 8009: 8006: 8004: 8001: 7999: 7996: 7994: 7991: 7989: 7986: 7984: 7981: 7980: 7978: 7976: 7972: 7966: 7963: 7961: 7958: 7956: 7953: 7951: 7948: 7946: 7943: 7941: 7938: 7936: 7933: 7931: 7928: 7926: 7923: 7921: 7918: 7916: 7913: 7911: 7908: 7906: 7903: 7901: 7898: 7896: 7893: 7891: 7888: 7886: 7883: 7881: 7878: 7876: 7873: 7871: 7868: 7866: 7863: 7861: 7858: 7856: 7853: 7851: 7848: 7846: 7843: 7841: 7838: 7836: 7833: 7831: 7828: 7826: 7823: 7821: 7818: 7816: 7813: 7811: 7808: 7806: 7803: 7802: 7800: 7798: 7794: 7784: 7781: 7779: 7776: 7774: 7771: 7769: 7766: 7764: 7761: 7759: 7756: 7754: 7751: 7749: 7746: 7745: 7743: 7739: 7733: 7730: 7728: 7725: 7723: 7720: 7718: 7715: 7714: 7712: 7708: 7702: 7699: 7697: 7694: 7692: 7689: 7687: 7684: 7682: 7679: 7677: 7674: 7672: 7669: 7667: 7664: 7662: 7659: 7657: 7654: 7652: 7649: 7647: 7644: 7642: 7639: 7638: 7636: 7632: 7626: 7623: 7621: 7618: 7616: 7613: 7611: 7608: 7606: 7603: 7601: 7598: 7596: 7593: 7591: 7588: 7587: 7585: 7581: 7575: 7572: 7570: 7567: 7565: 7562: 7560: 7557: 7555: 7552: 7550: 7547: 7545: 7542: 7540: 7537: 7536: 7534: 7530: 7524: 7521: 7519: 7516: 7514: 7511: 7509: 7506: 7504: 7501: 7499: 7496: 7495: 7493: 7489: 7483: 7480: 7478: 7475: 7473: 7470: 7468: 7465: 7463: 7460: 7458: 7455: 7453: 7450: 7448: 7445: 7443: 7440: 7438: 7435: 7433: 7430: 7428: 7425: 7423: 7420: 7418: 7415: 7413: 7410: 7408: 7405: 7404: 7402: 7398: 7392: 7389: 7387: 7384: 7382: 7379: 7377: 7374: 7372: 7369: 7367: 7364: 7362: 7359: 7357: 7354: 7352: 7349: 7348: 7346: 7342: 7336: 7333: 7331: 7328: 7326: 7323: 7321: 7318: 7316: 7313: 7312: 7310: 7306: 7300: 7297: 7295: 7292: 7290: 7287: 7285: 7282: 7280: 7277: 7275: 7272: 7270: 7267: 7266: 7264: 7260: 7257: 7255: 7251: 7241: 7238: 7236: 7233: 7231: 7228: 7226: 7223: 7221: 7218: 7216: 7213: 7211: 7208: 7206: 7203: 7201: 7198: 7196: 7193: 7191: 7188: 7186: 7183: 7181: 7178: 7176: 7173: 7171: 7168: 7166: 7163: 7161: 7158: 7156: 7155:Nikolai Gogol 7153: 7151: 7148: 7146: 7143: 7141: 7138: 7136: 7133: 7131: 7128: 7126: 7123: 7121: 7118: 7116: 7113: 7111: 7108: 7106: 7103: 7102: 7100: 7096: 7090: 7087: 7085: 7082: 7080: 7077: 7075: 7072: 7070: 7067: 7065: 7062: 7060: 7057: 7055: 7052: 7050: 7047: 7046: 7044: 7040: 7034: 7031: 7029: 7026: 7024: 7021: 7019: 7016: 7014: 7011: 7009: 7006: 7004: 7001: 6999: 6996: 6995: 6993: 6989: 6983: 6980: 6978: 6975: 6973: 6970: 6968: 6965: 6963: 6960: 6958: 6955: 6954: 6952: 6948: 6942: 6939: 6937: 6934: 6932: 6929: 6927: 6924: 6922: 6919: 6917: 6914: 6913: 6911: 6907: 6901: 6898: 6896: 6893: 6891: 6888: 6886: 6883: 6881: 6878: 6876: 6873: 6871: 6868: 6867: 6865: 6861: 6855: 6852: 6850: 6847: 6845: 6842: 6840: 6837: 6835: 6832: 6830: 6827: 6825: 6822: 6820: 6817: 6815: 6812: 6811: 6809: 6807: 6803: 6797: 6794: 6792: 6789: 6787: 6786:P. B. Shelley 6784: 6782: 6779: 6777: 6774: 6772: 6769: 6767: 6766:Mary Robinson 6764: 6762: 6759: 6757: 6754: 6752: 6749: 6747: 6744: 6742: 6739: 6737: 6734: 6732: 6729: 6727: 6724: 6722: 6719: 6717: 6714: 6712: 6709: 6707: 6704: 6702: 6699: 6697: 6694: 6692: 6689: 6687: 6684: 6683: 6681: 6679: 6673: 6667: 6664: 6662: 6659: 6657: 6654: 6652: 6649: 6647: 6644: 6642: 6639: 6637: 6634: 6632: 6629: 6627: 6624: 6622: 6619: 6617: 6614: 6612: 6609: 6607: 6604: 6602: 6599: 6597: 6594: 6592: 6589: 6587: 6584: 6582: 6579: 6577: 6574: 6572: 6569: 6567: 6564: 6562: 6559: 6558: 6556: 6552: 6546: 6543: 6541: 6538: 6536: 6533: 6531: 6528: 6526: 6523: 6521: 6518: 6516: 6513: 6511: 6508: 6506: 6503: 6501: 6498: 6496: 6495:Chateaubriand 6493: 6491: 6488: 6486: 6483: 6482: 6480: 6478: 6474: 6468: 6465: 6463: 6460: 6458: 6455: 6453: 6450: 6448: 6445: 6443: 6440: 6438: 6435: 6433: 6430: 6428: 6425: 6423: 6420: 6418: 6415: 6413: 6410: 6408: 6405: 6403: 6400: 6399: 6397: 6393: 6390: 6388: 6384: 6378: 6375: 6373: 6372: 6368: 6366: 6363: 6361: 6358: 6356: 6353: 6351: 6348: 6346: 6343: 6341: 6338: 6336: 6333: 6331: 6328: 6326: 6325: 6324:Mal du siècle 6321: 6319: 6316: 6312: 6309: 6307: 6304: 6303: 6302: 6299: 6297: 6294: 6292: 6291: 6287: 6285: 6282: 6280: 6277: 6276: 6274: 6270: 6264: 6261: 6259: 6256: 6254: 6251: 6249: 6246: 6244: 6243: 6239: 6237: 6234: 6230: 6229: 6225: 6224: 6223: 6220: 6218: 6215: 6213: 6210: 6208: 6205: 6203: 6200: 6198: 6195: 6193: 6190: 6188: 6185: 6183: 6180: 6178: 6175: 6173: 6170: 6168: 6165: 6163: 6160: 6158: 6155: 6153: 6150: 6148: 6145: 6144: 6142: 6138: 6132: 6129: 6127: 6124: 6122: 6119: 6117: 6114: 6112: 6109: 6107: 6104: 6102: 6099: 6097: 6094: 6092: 6089: 6086: 6084: 6081: 6079: 6076: 6075: 6073: 6069: 6065: 6058: 6053: 6051: 6046: 6044: 6039: 6038: 6035: 6023: 6019: 6015: 6013: 6005: 6004: 6001: 6000: 5994: 5993: 5985: 5977: 5974: 5973: 5972: 5969: 5965: 5962: 5960: 5957: 5955: 5952: 5950: 5947: 5946: 5945: 5942: 5940: 5937: 5936: 5934: 5930: 5923: 5919: 5917: 5914: 5912: 5909: 5907: 5904: 5902: 5899: 5897: 5896: 5892: 5890: 5887: 5885: 5882: 5881: 5879: 5875: 5869: 5866: 5864: 5861: 5859: 5856: 5854: 5851: 5849: 5846: 5844: 5841: 5839: 5836: 5834: 5831: 5829: 5826: 5824: 5821: 5819: 5816: 5815: 5813: 5809: 5803: 5800: 5798: 5795: 5794: 5792: 5788: 5782: 5779: 5777: 5774: 5772: 5769: 5767: 5764: 5762: 5759: 5757: 5754: 5752: 5749: 5747: 5744: 5742: 5739: 5737: 5734: 5732: 5729: 5727: 5724: 5722: 5719: 5717: 5714: 5712: 5709: 5707: 5706:J. Strauss II 5704: 5702: 5699: 5697: 5694: 5692: 5689: 5687: 5684: 5682: 5679: 5677: 5674: 5672: 5669: 5667: 5664: 5662: 5659: 5657: 5654: 5652: 5649: 5647: 5644: 5642: 5639: 5637: 5634: 5632: 5629: 5627: 5624: 5622: 5619: 5617: 5614: 5612: 5609: 5607: 5604: 5602: 5599: 5597: 5594: 5592: 5589: 5587: 5584: 5582: 5579: 5577: 5574: 5572: 5569: 5567: 5564: 5562: 5559: 5557: 5554: 5552: 5549: 5547: 5544: 5542: 5539: 5537: 5534: 5532: 5529: 5527: 5524: 5522: 5519: 5517: 5514: 5512: 5509: 5507: 5504: 5502: 5499: 5497: 5494: 5492: 5489: 5487: 5484: 5482: 5479: 5477: 5474: 5472: 5469: 5467: 5464: 5462: 5459: 5457: 5454: 5452: 5449: 5447: 5444: 5442: 5439: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5419: 5417: 5414: 5412: 5409: 5407: 5404: 5402: 5399: 5397: 5394: 5392: 5389: 5387: 5384: 5382: 5379: 5377: 5374: 5372: 5369: 5367: 5364: 5362: 5359: 5357: 5354: 5352: 5349: 5347: 5344: 5342: 5339: 5337: 5334: 5332: 5329: 5327: 5324: 5322: 5319: 5317: 5314: 5312: 5309: 5307: 5304: 5302: 5299: 5297: 5294: 5292: 5289: 5287: 5284: 5282: 5279: 5277: 5274: 5272: 5269: 5267: 5264: 5262: 5259: 5257: 5254: 5252: 5249: 5247: 5244: 5242: 5239: 5237: 5234: 5232: 5229: 5227: 5224: 5222: 5219: 5217: 5214: 5212: 5209: 5207: 5204: 5202: 5199: 5197: 5194: 5192: 5189: 5187: 5184: 5182: 5179: 5177: 5174: 5172: 5169: 5167: 5164: 5162: 5159: 5157: 5154: 5152: 5149: 5147: 5144: 5142: 5139: 5137: 5134: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5112: 5109: 5107: 5104: 5102: 5099: 5097: 5094: 5092: 5089: 5087: 5084: 5083: 5081: 5077:Composers and 5075: 5071: 5066: 5062: 5055: 5050: 5048: 5043: 5041: 5036: 5035: 5032: 5022: 5021: 5010: 5004: 5001: 4999: 4996: 4994: 4991: 4989: 4986: 4984: 4981: 4979: 4976: 4974: 4971: 4969: 4966: 4964: 4961: 4959: 4956: 4955: 4953: 4949: 4942: 4939: 4936: 4933: 4930: 4929: 4925: 4922: 4919: 4916: 4913: 4910: 4909:Chamber music 4907: 4904: 4901: 4900: 4898: 4896: 4892: 4881: 4880: 4876: 4873: 4872: 4868: 4865: 4864: 4860: 4857: 4856: 4852: 4849: 4848: 4844: 4841: 4840: 4836: 4833: 4832: 4828: 4825: 4824: 4820: 4817: 4816: 4812: 4809: 4808: 4807:Das hohe Lied 4804: 4801: 4800: 4796: 4793: 4792: 4788: 4785: 4784: 4780: 4777: 4776: 4772: 4769: 4768: 4764: 4761: 4760: 4756: 4753: 4752: 4748: 4745: 4744: 4740: 4737: 4736: 4732: 4729: 4728: 4724: 4721: 4720: 4716: 4713: 4712: 4711:Das edle Herz 4708: 4705: 4704: 4700: 4697: 4696: 4692: 4689: 4688: 4684: 4681: 4680: 4676: 4673: 4672: 4671:Das edle Herz 4668: 4665: 4664: 4660: 4657: 4656: 4652: 4649: 4648: 4644: 4641: 4640: 4636: 4633: 4632: 4628: 4625: 4622: 4621: 4619: 4615: 4608: 4607: 4603: 4600: 4599: 4595: 4592: 4591: 4587: 4584: 4583: 4579: 4576: 4575: 4571: 4568: 4567: 4566:Frühlingslied 4563: 4560: 4559: 4558:Der Mondabend 4555: 4552: 4549: 4548: 4546: 4544: 4540: 4533: 4532: 4528: 4525: 4524: 4520: 4517: 4516: 4511: 4508: 4507: 4502: 4499: 4498: 4493: 4490: 4489: 4485: 4482: 4481: 4477: 4474: 4471: 4470: 4468: 4464: 4461: 4459: 4456: 4452: 4441: 4440: 4435: 4432: 4429: 4428: 4426: 4422: 4415: 4414: 4413:Vexilla regis 4410: 4407: 4406: 4402: 4399: 4398: 4394: 4391: 4390: 4386: 4383: 4382: 4378: 4375: 4374: 4370: 4367: 4366: 4362: 4359: 4358: 4354: 4351: 4350: 4346: 4343: 4342: 4338: 4335: 4334: 4330: 4327: 4326: 4322: 4319: 4318: 4314: 4311: 4310: 4306: 4303: 4302: 4298: 4295: 4294: 4290: 4287: 4286: 4282: 4279: 4278: 4274: 4271: 4270: 4266: 4263: 4262: 4258: 4255: 4254: 4249: 4246: 4245: 4241: 4238: 4237: 4233: 4230: 4229: 4224: 4221: 4220: 4216: 4213: 4212: 4208: 4205: 4204: 4200: 4197: 4196: 4192: 4189: 4188: 4184: 4181: 4180: 4175: 4172: 4171: 4167: 4164: 4163: 4159: 4156: 4155: 4151: 4148: 4145: 4144: 4142: 4140: 4136: 4129: 4126: 4123: 4120: 4117: 4114: 4111: 4110: 4105: 4102: 4099: 4096: 4093: 4090: 4087: 4084: 4081: 4078: 4075: 4074: 4072: 4070: 4066: 4059: 4056: 4053: 4050: 4047: 4044: 4041: 4038: 4035: 4032: 4029: 4028: 4024: 4021: 4020: 4016: 4013: 4012: 4008: 4005: 4002: 4001: 3999: 3997: 3993: 3990: 3988: 3984: 3977: 3976: 3972: 3969: 3966: 3963: 3960: 3957: 3954: 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Florian 311: 308: 300: 296: 287: 285: 284: 279: 275: 269: 267: 263: 255: 251: 248:The house in 246: 232: 230: 229:Gustav Mahler 226: 222: 217: 215: 211: 207: 202: 200: 197:, and roving 196: 193:, unprepared 192: 188: 184: 181: 180:Austro-German 177: 173: 169: 165: 158: 152: 144: 135: 130: 125: 122: 119: 115: 110: 100: 96: 91: 78: 74: 67: 62: 59:(portrait by 58: 52: 47: 40: 37: 33: 19: 8453: 8446: 8439: 8423: 8143:Porto-Alegre 7797:Philosophers 7681:Rachmaninoff 7268: 7130:Chavchavadze 7120:Baratashvili 6880:João de Deus 6849:Wincenty Pol 6641:Küchelbecker 6369: 6335:Noble savage 6322: 6288: 6263:Wallenrodism 6240: 6226: 6157:Coppet group 6091:(literature) 5997: 5990: 5893: 5877:Other topics 5701:J. Strauss I 5591:Rachmaninoff 5346:Gretchaninov 5185: 5013: 4993:Brucknerhaus 4927: 4878: 4870: 4862: 4854: 4846: 4838: 4830: 4822: 4814: 4806: 4798: 4790: 4782: 4774: 4766: 4759:Trauungschor 4758: 4750: 4742: 4734: 4726: 4718: 4710: 4702: 4693: 4686: 4678: 4670: 4662: 4654: 4646: 4638: 4631:An dem Feste 4630: 4617:Choral works 4605: 4597: 4589: 4582:Herbstkummer 4581: 4573: 4565: 4557: 4530: 4521: 4514: 4513:Festgesang: 4505: 4496: 4487: 4479: 4438: 4412: 4404: 4396: 4388: 4380: 4372: 4364: 4356: 4348: 4340: 4332: 4324: 4316: 4309:Inveni David 4308: 4301:Pange lingua 4300: 4291: 4284: 4276: 4268: 4260: 4252: 4242: 4235: 4227: 4217: 4209: 4201: 4194: 4186: 4178: 4169: 4161: 4154:Pange lingua 4153: 4108: 4025: 4017: 4009: 3987:Sacred works 3974: 3937:(unfinished) 3902: 3837: 3776:(ChoralWiki) 3744: 3730: 3705:. Retrieved 3698: 3669: 3647: 3617: 3608: 3604: 3582: 3573: 3569: 3547: 3531:. 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Retrieved 2146:the original 2141: 2132: 2125:grandfather. 2123: 2118:– via 2103: 2092: 2073: 2044: 2018:Bruno Walter 2012: 2004: 1995: 1980: 1969: 1925: 1911: 1905: 1896: 1895:'s TV movie 1888: 1882: 1870: 1858: 1854:Brucknerhaus 1851: 1838:Adolf Hitler 1835: 1831:Nazi Germany 1812: 1806: 1800: 1796: 1788:publication. 1781: 1773: 1754: 1752: 1741: 1732: 1728: 1726: 1721: 1711: 1706: 1693: 1683: 1678: 1669: 1654: 1652: 1633: 1618: 1603: 1599: 1589: 1583: 1577: 1568: 1563: 1552: 1538: 1534:Derek Watson 1526: 1441: 1438:3 in F minor 1434:1 in D minor 1431: 1423:installation 1417: 1404: 1398: 1392: 1386: 1384: 1373: 1367: 1361: 1335: 1295: 1281:World War II 1270: 1235: 1231:Deryck Cooke 1228:musicologist 1225: 1206: 1199:Copy of the 1189: 1187: 1179: 1174: 1168: 1166: 1145: 1130: 1122: 1117: 1100:introduction 1090: 1075: 1062: 1047: 1031: 1013: 999: 972: 961:, mostly an 958: 899:in modified 882: 865: 854: 845: 835: 807:Wagner tubas 784: 762: 748: 745: 690:Deryck Cooke 686: 673: 671: 662:Compositions 645: 637: 630: 617: 584:Henry Willis 581: 573:Hans Richter 565: 549:contrapuntal 526: 517:Franz Schalk 509:Theodor Helm 501: 487: 471:music theory 468: 452: 420:Otto Kitzler 417: 404: 399: 392: 389:Study period 371: 352: 330: 323: 304: 283:Pange lingua 281: 274:confirmation 270: 259: 218: 203: 142: 141: 103:(1896-10-11) 36: 8549:1896 deaths 8544:1824 births 8133:Michałowski 7965:Wackenroder 7930:F. Schlegel 7925:A. Schlegel 7701:Tchaikovsky 7590:Bortkiewicz 7462:R. Schumann 7457:C. Schumann 7422:Kalkbrenner 7391:Saint-Saëns 6696:Anne Brontë 6581:Eichendorff 6566:B. v. Arnim 6561:A. v. Arnim 6371:Weltschmerz 6330:Medievalism 6279:Blue flower 6207:Nationalist 6152:Bohemianism 6064:Romanticism 5944:Romanticism 5726:Tchaikovsky 5661:R. Schumann 5656:C. Schumann 5641:Saint-Saëns 5536:Niedermeyer 5426:Leoncavallo 5396:Kalkbrenner 5171:Bortkiewicz 4928:Abendklänge 4911:(1862–1879) 4905:(1850–1868) 4903:Piano works 4815:Abendzauber 4810:(1876–1879) 4791:Mitternacht 4626:(1843–1893) 4553:(1850–1882) 4523:Germanenzug 4475:(1845–1893) 4433:(1835–1890) 4431:Organ works 4424:Other works 4397:Virga Jesse 4320:(1868/1886) 4269:Tantum ergo 4253:Totenlieder 4239:(1846/1888) 4236:Tantum ergo 4231:(1846/1888) 4228:Tantum ergo 4222:(1845–1846) 4214:(1845–1846) 4198:(1845–1846) 4195:Tantum ergo 4187:Tantum ergo 4182:(1844–1845) 4179:Asperges me 4173:(1843–1844) 4170:Asperges me 4124:(1881–1884) 4079:(1852–1892) 4054:(1866/1882) 4030:(1844–1845) 4006:(1842–1868) 3964:(1862–1863) 3929:(1887/1890) 3889:(1872/1877) 3877:(1866/1891) 3865:(1863–1896) 3707:5 September 3533:4 September 3529:(in German) 3223:Watson 1997 3207:Watson 1997 3104:4 September 3048:Watson 1997 2826:4 September 2795:4 September 2734:4 September 2650:Watson 1997 2545:Watson 1997 2530:4 September 2456:Watson 1997 2446:, p. . 2196:4 September 2026:Walter 1940 1974:(in French) 1893:Ken Russell 1866:Zubin Mehta 1699: 1850 1684:Abendklänge 1615:Other works 1600:Germanenzug 1585:Germanenzug 1539:Abendzauber 1532:Biographer 1521:Otto Böhler 1411:of 1849 is 1363:Tantum ergo 1344:(including 1311:"Ave Maria" 1273:Robert Haas 1242:quintuplets 1153:development 945:development 901:sonata form 891:, is, from 710: [ 695:Robert Haas 524:in Vienna. 448:Franz Liszt 353:Asperges me 307:Augustinian 195:modulations 191:dissonances 183:Romanticism 64: [ 61:Josef Büche 8533:Categories 8008:Chassériau 7983:Aivazovsky 7691:Rubinstein 7676:Mussorgsky 7625:Wieniawski 7610:Paderewski 7452:Moszkowski 7235:Vörösmarty 7225:Shevchenko 7079:Longfellow 7003:Batyushkov 6998:Baratynsky 6967:Espronceda 6834:Mickiewicz 6829:Malczewski 6796:Wordsworth 6781:M. Shelley 6736:de Quincey 6601:Günderrode 6485:Baudelaire 6365:Wanderlust 6202:Lake Poets 5932:Background 5833:Intermezzo 5766:Wieniawski 5746:Vieuxtemps 5711:R. Strauss 5636:Rubinstein 5561:Paderewski 5531:Mussorgsky 5526:Moszkowski 5501:Mercadante 4831:Sängerbund 4743:Herbstlied 4679:Die Geburt 4325:Locus iste 4089:Magnificat 3948:orchestral 3863:Symphonies 3855:Symphonies 3611:(42): 1–5. 3576:(43): 361. 3342:Cooke 2008 3286:. p. 579. 3251:. Mwv.at. 3025:. Mwv.at. 3010:Cooke 1969 2963:30 January 2949:"Bruckner" 2865:Cooke 1980 2635:. London. 2608:Cooke 1980 2444:Grebe 1972 2361:6 February 2269:Grebe 1972 1956:References 1922:Carl Davis 1852:Today the 1823:Regensburg 1443:ad libitum 1405:Landmessen 1354:Magnificat 1121:writes in 1057:major mode 1030:form. The 1024:minor mode 933:rhythmical 909:pianissimo 832:pipe organ 725:Symphonies 666:See also: 240:Early life 187:polyphonic 164:symphonies 82:1824-09-04 8511:Biography 8448:Modernism 8108:Kiprensky 8068:Géricault 8053:Friedrich 8043:Delacroix 8018:Constable 7998:Bonington 7988:Bierstadt 7940:Senancour 7915:Schelling 7870:Lamennais 7865:Khomyakov 7830:Coleridge 7825:Chaadayev 7732:Stanković 7727:Mokranjac 7646:Balakirev 7605:Moniuszko 7554:Donizetti 7549:Cherubini 7447:Meyerbeer 7432:Marschner 7407:Beethoven 7320:Moscheles 7254:Musicians 7240:Wergeland 7205:Orbeliani 7160:Grundtvig 7064:Hawthorne 7033:Zhukovsky 7028:Vyazemsky 7013:Lermontov 6972:Gutiérrez 6931:Radičević 6895:Herculano 6819:Krasiński 6761:Radcliffe 6731:Coleridge 6706:E. Brontë 6701:C. Brontë 6631:Jean Paul 6626:Hölderlin 6515:Lamartine 6452:Magalhães 6442:Guimarães 6350:Pantheism 6340:Nostalgia 6192:Indianism 6140:Movements 6071:Countries 5546:Offenbach 5521:Moscheles 5516:Moniuszko 5511:Meyerbeer 5466:Marschner 5451:MacDowell 5266:Donizetti 5211:Cherubini 5201:Chaminade 5126:Beethoven 5111:Balakirev 5101:Atterberg 5079:musicians 4879:Tafellied 4839:Volkslied 4674:(c. 1851) 4666:(c. 1848) 4658:(c. 1847) 4650:(c. 1846) 4647:Ständchen 4642:(c. 1845) 4606:Volkslied 4593:(c. 1865) 4561:(c. 1850) 4531:Helgoland 4491:(c. 1851) 4408:(c. 1886) 4384:(c. 1884) 4357:Ave Maria 4285:Ave Maria 4277:Ave Maria 4272:(c. 1854) 4261:Libera me 4247:(c. 1848) 4206:(c. 1845) 4165:(c. 1843) 4162:Libera me 4128:Psalm 150 4116:Psalm 112 4103:(c. 1856) 4101:Psalm 146 4097:(c. 1852) 4083:Psalm 114 3396:0027-4666 3314:27 August 2984:, 83:101. 2245:Grebe1972 1808:zeitgeist 1681:of Linz. 1604:Helgoland 1591:Helgoland 1546:and four 1501:Beethoven 1461:plainsong 1452:Cecilians 1427:Psalm 146 1375:Ave Maria 1346:Psalm 150 1240:, use of 1190:New Grove 1169:New Grove 1134:Beethoven 988:, and in 917:crescendo 848:Beethoven 842:Structure 787:woodwinds 641:embalming 596:Hans Rott 586:organ at 561:Psalm 150 557:Helgoland 454:Ave Maria 336:Kronstorf 321:in 1841. 310:monastery 278:Hörsching 262:Ansfelden 250:Ansfelden 210:Hugo Wolf 199:harmonies 127:Signature 111:, Austria 92:, Austria 90:Ansfelden 8460:Category 8276:Dahlhaus 8261:Blanning 8228:Scholars 8198:Tropinin 8193:Tidemand 8183:Stattler 8178:Scheffer 8078:Głowacki 8048:Edelfelt 8003:Bryullov 7945:Snellman 7920:Schiller 7910:Rousseau 7890:Michelet 7835:Constant 7805:Belinsky 7778:Sibelius 7722:Konjović 7696:Scriabin 7666:Lyapunov 7600:Lipiński 7569:Spontini 7559:Paganini 7503:Goldmark 7294:Thalberg 7289:Schubert 7269:Bruckner 7230:Topelius 7220:Runeberg 7210:Prešeren 7180:Leopardi 7145:Frashëri 7135:Eminescu 7115:Andersen 7023:Tyutchev 7008:Karamzin 6982:Zorrilla 6977:Saavedra 6875:Castilho 6863:Portugal 6854:Słowacki 6756:Polidori 6686:Barbauld 6621:Hoffmann 6576:Brentano 6490:Bertrand 6311:Romantic 6147:Ancients 6121:Scotland 6012:Category 5989: ← 5868:Symphony 5731:Thalberg 5696:Spontini 5671:Sibelius 5666:Scriabin 5651:Schubert 5646:Sarasate 5611:Respighi 5606:Reinecke 5566:Paganini 5476:Massenet 5471:Masarnau 5456:Madetoja 5401:Kreisler 5391:Kalivoda 5336:J. Gomis 5321:Glazunov 5316:Giuliani 5206:Chausson 5196:Chadwick 5186:Bruckner 5020:Category 4719:Am Grabe 4590:Im April 4488:Entsagen 4473:Cantatas 4466:Cantatas 4349:Os justi 4095:Psalm 22 4069:Cantatas 3903:Romantic 3743:(2012). 3719:(1911). 3448:(1980). 3308:Archived 3253:Archived 3186:Archived 3131:Archived 3098:Archived 3065:Archived 3027:Archived 2957:Archived 2903:Symphony 2820:Archived 2789:Archived 2758:Archived 2728:Archived 2697:Archived 2667:Archived 2637:Archived 2584:Archived 2355:Archived 2311:Archived 2291:(1): 94. 2216:Bruckner 2214:(1997). 2190:Archived 2104:Bruckner 2100:(1970). 1934:See also 1908:Visconti 1772:) Nowak 1544:yodelers 1489:Schumann 1485:Schubert 1148:Schubert 827:triangle 763:Romantic 620:bachelor 438:and the 326:Windhaag 18:Bruckner 8523:Austria 8473:Portals 8301:Lovejoy 8236:Abraham 8158:Richard 8148:Préault 8073:Girodet 7955:Thoreau 7900:Novalis 7885:Mazzini 7880:Maistre 7855:Hazlitt 7840:Emerson 7820:Carlyle 7810:Berchet 7753:Berwald 7748:Bennett 7717:Hristić 7671:Medtner 7651:Borodin 7641:Arensky 7564:Rossini 7539:Bellini 7518:Joachim 7491:Hungary 7472:Strauss 7400:Germany 7366:Berlioz 7335:Voříšek 7330:Smetana 7308:Czechia 7262:Austria 7195:Maturin 7190:Manzoni 7165:Heliade 7140:Foscolo 7110:Alfieri 7105:Abovian 7059:Emerson 7018:Pushkin 6957:Bécquer 6890:Garrett 6844:Potocki 6791:Southey 6751:Maturin 6721:Carlyle 6678:Britain 6651:Novalis 6606:Gutzkow 6554:Germany 6520:Mérimée 6505:Gautier 6432:Barreto 6427:Azevedo 6407:Alencar 6387:Writers 6306:Byronic 6242:Purismo 6096:Germany 6078:Denmark 6002:→ 5964:Science 5843:Mazurka 5818:Ballade 5751:Voříšek 5721:Tárrega 5716:Taneyev 5676:Smetana 5631:Rossini 5586:Puccini 5581:Prudent 5541:Nielsen 5506:Méreaux 5481:Medtner 5446:Lysenko 5416:Lachner 5381:Joachim 5361:Herbert 5281:Farrenc 5246:Delibes 5221:Crusell 5166:Borodin 5156:Berwald 5146:Berlioz 5136:Bennett 5131:Bellini 5116:Bazzini 5096:Arensky 4895:Chamber 4799:Nachruf 4455:Secular 4439:Aequali 4122:Te Deum 3935:(1896) 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