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The old complaint of producers has always been that the distributors tend to ask us for old formula films. Many of us have said this has forced us to be less enterprising than we would wish to be. But now the onus is on us. If I submit a script to
Bryanston, I know it will be vetted by fellow
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was composed of 12 to 15 members who bought their way in by putting up £5,000; the equity of the group guaranteed distribution through
British Lion and financing from the
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1933:
131:. Alliance Films, Denham Laboratories and Lloyds Bank were also investors. Producer-investors were meant to "vet" each other's scripts. Ronald Neame said that:
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168:(1963) in colour, the success of which could have established the company for a long time. United Artists stepped in to finance the film instead.
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564:"Twickenham Film Studios :: Film and Television Studios, Post Production, Sound Engineering :: History"
119:, banks, and American producers. In addition to Balcon and Setton, members included Kenneth Shipman, John Bryan,
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In operation until 1963, it was intended to be an unofficial group of independent film producers.
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99:. Neither a production studio, nor a distributor, it released independent British films through
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Our London Staff (14 April 1959). "A NEW ERA IN FILM-MAKING: Artist-investors".
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638:. London. 17 November 1961. p. 8 – via The Times Digital Archive.
623:. London. 15 November 1961. p. 6 – via The Times Digital Archive.
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In
November 1961 the company announced it would go into co-production with
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Bryanston released its last film in 1964 and the company was sold to
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659:"BFI Screenonline: Balcon, Michael (1896–1977) Biography"
475:
Women in
British Cinema: Mad, Bad, and Dangerous to Know
1925:
718:
588:
496:Historical Journal of Film, Radio and Television
1934:Film production companies of the United Kingdom
477:Continuum International Publishing Group, 2000
704:
158:Bryanston distributed several films made by
634:"New Film Group IS Aiming At U.S. Market".
464:University of California Press, 1998, p.220
711:
697:
367:The Loneliness of the Long Distance Runner
31:
140:The company started off with £1,000,000.
1926:
1487:Associated British Picture Corporation
548:: CS1 maint: archived copy as title (
486:
175:in 1965. Balcon later became head of
95:in mid-1959 following the collapse of
692:
87:was a British film company formed by
1856:History of British film certificates
1720:British Board of Film Classification
18:For the 1970s U.S. distributor, see
1755:National Film and Television School
1740:British Society of Cinematographers
136:producers whose opinions I respect.
13:
14:
1945:
1760:National Science and Media Museum
1647:Woolf & Freedman Film Service
673:
239:Saturday Night and Sunday Morning
182:
117:National Film Finance Corporation
1908:
1907:
1822:British Independent Film Awards
651:
642:
1750:Cinema Exhibitors' Association
1632:Tigon British Film Productions
1507:British National Films Company
1451:Warner Bros. Studios Leavesden
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20:Bryanston Distributing Company
1:
487:Petrie, Duncan James (2017).
1839:Cinematograph Films Act 1927
720:Cinema of the United Kingdom
391:The Small World of Sammy Lee
7:
1817:British Academy Film Awards
1547:G. B. Samuelson Productions
1502:British Instructional Films
608:. 15 April 1959. p. 7.
231:The Boy Who Stole a Million
10:
1950:
1745:Children's Film Foundation
1384:Mister Smith Entertainment
106:
17:
1903:
1804:
1783:
1707:
1679:Documentary Film Movement
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1642:Woodfall Film Productions
1562:General Film Distributors
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1281:
1269:
726:
359:Don't Talk to Strange Men
160:Woodfall Film Productions
72:
64:
56:
48:
30:
1572:Hemdale Film Corporation
1421:Recorded Picture Company
447:
1765:Northern Ireland Screen
1699:Gainsborough melodramas
1349:Hammer Film Productions
663:www.screenonline.org.uk
591:The Manchester Guardian
191:The Battle of the Sexes
162:but refused to produce
1725:British Film Institute
1517:Clarendon Film Company
1512:Butcher's Film Service
1426:Scott Free Productions
173:Associated-Rediffusion
145:Seven Arts Productions
138:
1890:National Theatre Live
1674:British horror cinema
1607:The Rank Organisation
1552:Gainsborough Pictures
1497:British and Dominions
1314:Double Negative (VFX)
415:Girl in the Headlines
133:
1873:London Film Festival
1730:BFI National Archive
1694:Kitchen sink realism
1299:Big Talk Productions
1270:Production companies
531:on 28 September 2011
263:Two and Two Make Six
1602:Merton Park Studios
1597:MGM-British Studios
1587:London Film Company
1567:Halas and Batchelor
1532:Denham Film Studios
1466:Working Title Films
279:Dangerous Afternoon
27:
1582:Ideal Film Company
1482:Amicus Productions
1414:Shepperton Studios
1369:Jellyfish Pictures
1304:British Lion Films
1289:Aardman Animations
619:"New Film Group".
473:p.106 Harper, Sue
287:The Wind of Change
177:British Lion Films
101:British Lion Films
37:Opening logo from
25:
1921:
1920:
1861:Home Video Charts
1655:
1654:
1577:Hepworth Pictures
1461:Wimbledon Studios
1379:Longcross Studios
1334:Film4 Productions
604:"LONDON LETTER".
570:on 2 October 2011
399:Sammy Going South
207:Light Up the Sky!
149:Sammy Going South
82:
81:
1941:
1911:
1910:
1669:British New Wave
1617:Southall Studios
1537:Eagle-Lion Films
1409:Pinewood Studios
1399:Passion Pictures
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566:. Archived from
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527:. Archived from
521:
515:
514:
513:on 19 July 2018.
512:
506:. Archived from
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484:
478:
471:
465:
458:
343:The Quare Fellow
311:A Taste of Honey
303:The Impersonator
271:Girl on Approval
40:A Taste of Honey
35:
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1775:UK Film Council
1770:Scottish Screen
1703:
1684:Ealing comedies
1661:
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1592:Mancunian Films
1522:Bryanston Films
1470:
1394:Palace Pictures
1364:The Imaginarium
1344:Goldcrest Films
1329:Eon Productions
1324:Elstree Studios
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525:"Archived copy"
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431:The Wild Affair
383:Calculated Risk
351:A Prize of Arms
215:The Entertainer
199:Cone of Silence
185:
121:Tony Richardson
109:
85:Bryanston Films
78:
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26:Bryanston Films
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1404:Pinewood Group
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1389:Number 9 Films
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1354:HandMade Films
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728:Films by year
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