117:, for which interior demolition was begun but the project stalled, reportedly, in part, due to a dispute with her neighbor, developer Harry Macklowe. Around the time that Stewart was embroiled in unrelated legal difficulties that resulted in a prison sentence, she transferred the property to her daughter, Alexis, who in turn sold it to
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The main living spaces had floor-to-ceiling plate glass openings. Interior walls were white-painted plaster and the floors were travertine over a concrete slab foundation. The entry door, one of only two openings in the solid north wall, opened directly into a small entry hall between the central
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The house was contained within a rectangular box, 100 feet (30.5 m) long by 26 feet (7.9 m) wide, with its long dimension tangent to the lagoon's shoreline to the south and raised on a broad six-foot berm above the floodplain. The exterior walls were poured-in-place concrete clad with
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The
Bunshafts decorated their retreat primarily in off-whites with natural wood and glass and occasional red accents. Lighting was designed to highlight their art collection which included works by
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living room and the master bedroom. Opposite the open living area was a smaller guest bedroom and a study, separated from the living space by a U-shaped kitchen and the guest bath.
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windows. The ends of the house were shaded by a 4-foot (1.2 m) extension of the roof and side walls with a paved strip extending the stone flooring to the edge of the walls.
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109:. The Museum stripped the house of its valuable artwork and then sold the property, without any covenants or restrictions, to
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in 2004 for $ 9.5 million. He demolished it in July 2004 for construction of a new house by his son-in-law, David Pill.
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When
Bunshaft's widow, Nina Wayler, died in 1994, the house and its artworks were willed to the
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for $ 3.2 million. In the 1990s, she commissioned a renovation by
Minimalist British architect
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Martha's Touch: After a
Botched Renovation, Gordon Bunshaft's Modern Home Was Demolished
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and the exposed roof structure was made up of pre-stressed concrete beams with a "
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Op-Ed: Modern
Ironies: Notes on Losing the Bunshaft's Travertine House (1963)
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for himself and his wife on a 2.4-acre (0.97 ha) lot on the shore of
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as well as rocks with faces painted on them by Mrs
Bunshaft.
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Smith, Herbert L., Jr (May 1966) "Record Houses of 1966."
44:. It was one of the few residences designed by Bunshaft.
234:"David Pill, a practitioner of sustainable architecture"
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Demolished buildings and structures in New York (state)
176:"Modernist Masterpiece, and Soon a Prime Building Site"
24:was an iconic modernist home designed by architect
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198:"Martha Clean$ House – Clears $ 6M on Estate"
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347:Buildings and structures demolished in 2004
40:. It was designed in 1962 and completed in
327:Modernist architecture in New York (state)
265:". ArchNewsNow.com - accessed May 15, 2008
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268:Griffin, David V. (September 30, 2005) "
261:Caldwell, Kenneth (September 13, 2005) "
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145:"Gordon Bunshaft, Architect, Dies at 81"
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216:"Gordon Bunshaft, FAIA (1909-1990)"
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174:Monchaux, Thomas de (3 July 2005).
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342:Houses in Suffolk County, New York
143:Goldberger, Paul (8 August 1990).
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322:East Hampton (town), New York
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196:Keil, Braden (6 May 2005).
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258:Building Types Study 359.
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332:Houses completed in 1963
298:40.938156°N 72.229614°W
276:- accessed May 15, 2008
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20:, sometimes called the
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303:40.938156; -72.229614
256:Architectural Record.
103:Museum of Modern Art
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274:Preservation Online
180:The New York Times
150:The New York Times
107:New York, New York
18:Bunshaft Residence
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238:The Citizen
220:USModernist
115:John Pawson
91:Henry Moore
316:Categories
289:72°13′47″W
286:40°56′17″N
125:References
63:clerestory
55:travertine
156:30 March
59:double T
38:New York
249:Sources
89:, and
48:Design
130:Notes
158:2017
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42:1963
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