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144:
240:
1178:. Busoni employed motifs from Chinese and other oriental music in the suite, though, as Leichtentritt points out, the Suite is "in fact the product of an Occidental mind, for whom the exact imitation of the real Chinese model would always be unnatural and unattainable ... the appearance is more artistic than the real thing would be." The suite was first performed as a purely musical item in 1905; it was used in a production of the play in 1911, and was eventually transformed into a two-act opera in 1917.
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915:
983:
1004:" after the more flamboyant era of Liszt. He cites Busoni himself: "Music is so constituted that every context is a new context and should be treated as an 'exception'. The solution of a problem, once found, cannot be reapplied to a different context. Our art is a theatre of surprise and invention, and of the seemingly unprepared. The spirit of music arises from the depths of our humanity and is returned to the high regions whence it has descended on mankind."
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167:, largely taught by his father, he began performing and composing at the age of seven. In an autobiographical note he comments "My father knew little about the pianoforte and was erratic in rhythm, so he made up for these shortcomings with an indescribable combination of energy, severity and pedantry." Busoni made his public debut as a pianist in a concert with his parents at the Schiller-Verein in Trieste on 24 November 1873 playing the first movement of
40:
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781:. Busoni's piano pupils were untalented, and he had constant arguments with the local authorities. After the outbreak of World War I, in August 1914, he asked for a year of absence to play an American tour; in fact he was never to return. Virtually his sole permanent achievement at the school was to have modernized its sanitary facilities. He had however during this time composed another
1057:; some numbers apply to more than one work (after the composer dropped some of his earlier works from his acknowledged corpus). Furthermore, not all the composer's numbers are in temporal order. The musicologist Jürgen Kindermann has prepared a thematic catalogue of his works and transcriptions which is also used, in the form of the letters
1623:, now as ever, towers over the musical theatre of its time." Helmut Wirth has written that Busoni's "ambivalent nature, striving to reconcile tradition with innovation, his gifts as a composer and the profundity of his theoretical writings make one of the most interesting figures in the history of 20th-century music."
1244:
These transcriptions go beyond literal reproduction of the music for piano and often involve substantial recreation, although never straying from the original rhythmic outlines, melody notes and harmony. This is in line with Busoni's own concept that the performing artist should be free to intuit and
968:
remained unfinished at his death and was premiered in Berlin in 1925, completed by
Jarnach. Busoni's Berlin apartment was destroyed in an air-raid in 1943, and many of his possessions and papers were lost or looted. A plaque at the site commemorates his residence. Busoni's wife, Gerda, died in Sweden
548:
Busoni's international reputation rose swiftly, and he frequently performed in Berlin and other
European capitals and regional centres (including Manchester, Birmingham, Marseilles, Florence, and many German and Austrian cities) throughout this period, as well as returning to America for four visits
862:
In Italy in 1916, Busoni met again with the artist
Boccioni, who painted his portrait; Busoni was deeply affected when a few months later Boccioni was killed (in a riding accident) whilst on military training, and published an article strongly critical of war. An expanded re-issue of Busoni's 1907
1610:
Busoni's impact on music was perhaps more through those who studied piano and composition with him, and through his writings on music, than through his compositions themselves, of whose style there are no direct successors. Alfred
Brendel has opined: "Compositions like the monstrously overwritten
1150:
notes that Busoni wrote virtually no chamber music after 1898 and no songs between 1886 and 1918, commenting that this was "part of the process of freeing himself from his
Leipzig background ... worlds of middle-class respectability in which he was not at home, and the shadows of Schumann,
522:
Berlin proved an excellent base for Busoni's
European tours. As in the previous two years in the US, the composer had to depend for his living on exhausting but remunerative tours as a piano virtuoso; in addition at this period he was remitting substantial amounts to his parents, who continued to
1159:
During this period, Busoni wrote his Piano
Concerto, one of the largest such works he ever wrote in terms of duration and resources. Dent comments "In construction is difficult to analyse ... on account of the way in which themes are transferred from movement to another. The work has to be
385:
writes that "This was not only the beginning of transcriptions, but ... the beginning of that style of pianoforte touch and technique which was entirely creation." Returning to
Helsingfors, in March of the same year Busoni met his future wife, Gerda Sjöstrand, the daughter of the Swedish
1115:), completed in 1900, "stands on the border-line between the first and second epochs of Busoni", although van Dieren asserts that in conversation Busoni "made no such claims for any work written before 1910. This means that he dated his work as an independent composer from the piano pieces
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loomed too large." The first decade of the 20th century is described by
Brendel as being for Busoni "a creative pause" after which he "finally gained an artistic profile of his own" as opposed to the "easy routine which had kept his entire earlier production on the tracks of eclecticism".
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also taught piano in Geneva at this time. Andreae arranged for Busoni to give concerts with his orchestra. Jarnach, who was 23 when he met Busoni, in 1915, became Busoni's indispensable assistant, among other things preparing piano scores of his operas; Busoni referred to him as his
615:
In a series of orchestral concerts in Berlin between 1902 and 1909, both as pianist and conductor, Busoni particularly promoted contemporary music from outside
Germany (though he avoided contemporary music, except for his own, in his solo recitals). The series, which was held at the
1438:, a compilation of exercises, transcriptions, and original compositions of his own, with which he hoped to pass on his accumulated knowledge of keyboard technique. It was issued in five parts between 1918 and 1922 An extended version in ten books was published posthumously in 1925.
518:
who for practical reasons chose Berlin as their abode were not so much concerned with questions of prestige", and for Busoni the city's development as "the centre of the musical industry develop an atmosphere which detested more than the deepest pool of stagnant convention".
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and transcriptions by Liszt. The value of these recordings in ascertaining Busoni's performance style is a matter of some dispute. Many of his colleagues and students expressed disappointment with the recordings and felt they did not truly represent Busoni's pianism.
805:
From June 1914 to January 1915, Busoni was in Berlin. As a native of a neutral country (Italy) living in Germany, Busoni was not greatly concerned, at first, by the outbreak of war. During this period, he began to work seriously on the libretto for his proposed opera
461:
Busoni's first son, Benvenuto (known as Benni), was born in Boston in 1892, but Busoni's experience at New England Conservatory proved unsatisfactory. After a year he resigned from the Conservatory and launched himself into a series of recitals across the Eastern US.
1662:; but "in later life, Ferruccio, feeling that all these names involved too formidable a responsibility", quietly dropped them. The spelling version 'Michelangelo' is sometimes found for his third given name; the spelling 'Michelangiolo' is given by (amongst others)
303:
down, and a hundred on completion. The next morning, Busoni turned up at Schwalm's office, and asked for 150 marks, handing over the completed work, and saying "I worked from nine at night to three thirty, without a piano, and not knowing the opera beforehand."
58:, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition.
488:
in April 1893. The result was to force on him a re-evaluation of the potential of Italian musical traditions which he had so far ignored in favour of the German traditions, and in particular the models of Brahms and the orchestral techniques of Liszt and
493:. Busoni immediately began to draft an adulatory letter to Verdi (which he never summoned the courage to send), in which he addressed him as "Italy's leading composer" and "one of the noblest persons of our time", and in which he explained that "
679:
of Weimar to lead a masterclass for fifteen young virtuosi. This concept was more amenable to Busoni than teaching formally in a Conservatory: the twice-weekly seminars were successful and were repeated in the following year. Pupils included
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communicate his divination of the composer's intentions. Busoni adds tempo markings, articulation and phrase markings, dynamics and metronome markings to the originals, as well as extensive performance suggestions. In his edition of Bach's
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wrote that "Busoni, from his perfect command over every means of expression and his complete consideration of every phrase in a composition to every other phrase and to the whole, was the truest artist of all the pianists had ever heard."
358:, with whom he struck up a continuing friendship. Paul described Busoni at this time as "a small, slender Italian with chestnut beard, grey eyes, young and gay, with ... a small round cap perched proudly on his thick artist's curls".
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lists over 200 compositions in the period to 1900, which are met with very rarely in the contemporary repertoire or in recording, mostly featuring piano, either as solo instrument or accompanying others, but also including some works for
1173:
complained of "Noise, more noise, eccentricity and licentiousness", while another journal opined that "the composer would have done better to stay within more modest boundaries". The other major work during this "creative pause" was the
1322:. However, he asserted the importance of musical form and structure: His idea of a 'Young Classicism' "aimed to incorporate experimental features in "firm, rounded forms" ... motivated each time by musical necessity." (Brendel).
704:. But arguments with the Directorate of the Vienna Conservatoire, under whose auspices the classes were held, soured the atmosphere. In the autumn of 1910 Busoni gave masterclasses and also carried out a series of recitals in Basel.
285:, which he worked on from 1886 to 1889 before abandoning it. He described how, finding himself penniless in Leipzig, he appealed to the publisher Schwalm to take his compositions. Schwalm demurred, but said he would commission a
1446:
Apart from his work on the music of Bach, Busoni edited and transcribed works by other composers. He edited three volumes of the 34-volume Franz Liszt Foundation's edition of Liszt's works, including most of the études, and the
711:, with whom Busoni had been in correspondence since 1903, settled in Berlin in 1911 partially as a consequence of Busoni lobbying on his behalf. In 1913 Busoni arranged at his own apartment a private performance of Schoenberg's
442:, was warmly received. But living in Moscow did not suit the Busonis for both financial and professional reasons; he felt excluded by his nationalistically-inclined Russian colleagues. So when Busoni received an approach from
1305:
on music, caricatured by Busoni as the constricting rules of the "lawgivers". It praises the music of Beethoven and JS Bach as the essence of the spirit of music ("Ur-Musik") and says that their art should "be conceived as a
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1296:
asserts that "The spirit of an artwork ... remains unchanged in value through changing years" but its form, manner of expression, and the conventions of the era when it was created, "are transient and age rapidly". The
534:
which was of course unequal but, on the whole, interesting". In Paris, the critic Arthur Dandelot commented "this artist has certainly great qualities of technique and charm", but strongly objected to his addition of
1679:
is somewhat ambiguous. Busoni's great-great-grandfather on his mother's side was half-Jewish (although he may not have been aware of this); Busoni used Jewish melodies to characterize a Jewish character in his opera
529:
reported that he "commenced in a manner to irritate the genuine amateurs by playing a ridiculous travesty of one of Bach's masterly Organ Preludes and Fugues, but he made amends by an interpretation of Chopin's
1292:), first published in 1907, set out the principles underlying his performances and his mature compositions. A collection of reflections which are "the outcome of convictions long held and slowly matured", the
281:. During this period, Busoni supported himself by giving recitals, and also by the financial support of a patron, the Baronin von Tedesco. He also continued to compose, and made his first attempt at an opera,
7723:
560:
Busoni's performing commitments somewhat stifled his creative capacity during this period: in 1896 he wrote "I have great success as a pianist, the composer I conceal for the present." His monumental
510:". The city was swiftly growing in population and influence during this period and determined to stake itself as the musical capital of the united Germany, but as Busoni's friend the English composer
922:
In 1920, Busoni returned to the Berlin apartment at Viktoria-Luise-Platz 11 that he had left in 1915. His health began to decline, but he continued to give concerts. His main concern was to complete
1214:
523:
depend on his income. Busoni's programming and style as a recitalist initially raised concerns in some of Europe's musical centres. His first concerts in London, in 1897, met with mixed comments.
969:
in 1956. Their son Benni, who, despite his American nationality had lived in Berlin throughout World War II, died there in 1976. Their second son Lello, an illustrator, died in New York in 1962.
777:, Berlin, but took up the offer, intending to spend his summers in Berlin. The posting proved unsuccessful. Bologna was a cultural backwater, despite occasional visits from celebrities such as
77:, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. His writings on music were influential, and covered not only
1425:, who worked with Busoni's sketches as he knew of them. In the 1980s Antony Beaumont created an expanded and improved completion by drawing on material to which Jarnach did not have access;
1160:
considered as a whole, and Busoni always desired it to be played straight through without interruption." The press reaction to the premiere of the concerto was largely one of outrage: the
1455:
933:
Berlin was the heart of the musical world of the Weimar Republic. Busoni's works, including his operas, were regularly programmed. Health permitting, he continued to perform; problems of
183:. Commercially promoted by his parents in a series of further concerts, Busoni later said of this period, "I never had a childhood." In 1875, he made his concerto début playing Mozart's
898:
who played his Piano Sonata No. 1 for him (he had dedicated it to Busoni). Busoni was sufficiently impressed to write a letter of recommendation for Sorabji. When Busoni's former pupil
474:
Cartoon by Busoni of his 1904 US tour, drawn for his wife: "Map of the West of the United States showing the long and dolorous Tour, the anti-sentimental journey of F.B., 1904, Chicago"
3438:
812:. In January 1915 he left for a concert tour of the US, which was to be his last visit there. During this time he continued work on his Bach edition, including his version of the
668:). The concerts aroused much publicity but generated aggressive comments from critics. Couling suggests the programming of the concerts was "generally regarded as a provocation".
346:), for the vacant position of advanced piano instructor. This was Busoni's first permanent post. Amongst his close colleagues and associates there were the conductor and composer
1709:
Busoni's work was also included in a 25-volume comprehensive "Busoni Edition" of Bach's keyboard works, the other volumes of which were undertaken by Petri and Bruno Muggelini.
361:
Between 1888 and 1890, Busoni gave about thirty piano recitals and chamber concerts in Helsingfors; amongst his compositions at this period were a set of Finnish folksongs for
1318:
loses through notation, his interpreter should restore by his own." He envisages a future music that will include the division of the octave into more than the traditional 12
769:
Following a series of concerts in Northern Italy in spring 1913, Busoni was offered the directorship of the Liceo Rossini in Bologna. He had recently moved to an apartment in
894:), Busoni soon found his circumstances limiting. After the end of the war, he again undertook concert tours in England, Paris and Italy. In London, he met with the composer
818:. Upon the composer's return to Europe, Italy had entered the war. Busoni therefore chose to base himself from 1915 in Switzerland. In Zurich, he found local supporters in
1582:
Egon Petri was horrified by the piano roll recordings when they first appeared on vinyl and said that they were a travesty of Busoni's playing. Similarly, Petri's student
1494:, No. 2 (BV B 97) (which greatly annoyed Schoenberg himself). Busoni's own works sometimes feature incorporated elements of other composers' music. The fourth movement of
644:. The concerts also included premieres of some of Busoni's own works of the period, among them, in 1904, the Piano Concerto, in which he was the soloist under conductor
3958:
592:, first performed (to a lukewarm reception) in Berlin in 1912. Busoni also began to produce solo piano works that clearly revealed a more mature style, including the
7225:
684:, who later became famous as a dancer and remained a friend. His experience in Vienna in 1907 was less satisfactory, although amongst his more rewarding pupils were
504:. He had earlier felt unsympathetic toward the city: in an 1889 letter to Gerda he had described it as "this Jewish city that I hate, irritating, idle, arrogant,
7718:
1700:, "The Gruesome Tale of the Jew Coiner Lippold", and naïvely expressed surprise when performance was turned down on the grounds of its anti-Semitic implications.
3619:
1162:
1310:, and not as an unsurpassable finality." Busoni asserts the right of the interpreter vis-à-vis the purism of the "lawgivers". "The performance of music, its
676:
7628:
5544:
1615: ... obstruct our view of his superlative late piano music. How topical still – and undiscovered – are the first two sonatinas... and the
564:(whose five movements last over an hour and include an offstage male chorus) was written between 1901 and 1904. In 1904 and 1905, the composer wrote his
3949:
1384:, Busoni's largest work for solo piano. About half an hour in length, it is essentially an extended fantasy on the final incomplete fugue from Bach's
5534:
159:, the only child of two professional musicians, Ferdinando, a clarinettist, and Anna (née Weiss), a pianist. Shortly afterwards, the family moved to
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1251:(BV B 35), for example, he suggests cutting eight of the variations for a "concert performance", as well as substantially rewriting many sections.
1059:
3561:
1718:
Busoni's concept of 'Young Classicism' (in his original German 'Junge Klassizität') should be distinguished from the later inter-war movement of
1688:
took the occasion to call his views "a manifestation of the international Jewish movement" against Germany; in 1920 Busoni referred to his pupil
191:
62:
1207:
1894 saw the publication in Berlin of the first part of Busoni's edition of the music of Johann Sebastian Bach for the piano; the first book of
906:, invited him to return to Germany with the promise of a teaching post and productions of his operas, he was very glad to take the opportunity.
3834:
883:, and he claimed that he "had worked out the theory of a system of thirds of tones in two rows, each separated from each other by a semitone".
203:
926:, the libretto of which had been published in Germany in 1918. In 1921 he wrote "Like a subterranean river, heard but not seen, the music for
374:
1221:, an undertaking which was to extend over thirty years. Seven volumes were edited by Busoni himself; these included the 1890 edition of the
7608:
1255:
comments that "the last four variations are rewritten as a free fantasy in a pianistic style which owes far more to Busoni than to Bach."
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1397:
Busoni also drew inspiration from North American indigenous tribal melodies drawn from the studies of Natalie Curtis, which informed his
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1112:
609:
412:
395:
223:
1022:
confining himself strictly to Mozart's written text", that is, that Mozart himself could have taken similar liberties. The musicologist
233:
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provoked in me such a revolution of spirit that I can ... date the beginning of a new epoch in my artistic life from that time."
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4103:
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meant that he needed to undertake tours of England. His last appearance as a pianist was in Berlin in May 1922, playing Beethoven's
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1596:) is really something unique. The rest is curiously unconvincing. The recordings, especially of Chopin, are a plain misalliance".
1357:
Writing in 1917, Hugo Leichtentritt described Busoni's mature style as having elements in common with those of Sibelius, Debussy,
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In the years before World War I, Busoni steadily extended his contacts in the art world in general as well as amongst musicians.
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1490:. Later, during his earliest contacts with Arnold Schoenberg in 1909, he made a 'concert interpretation' of the latter's atonal
3185:
Knyt, Erinn E. (2010a). ""How I Compose": Ferruccio Busoni's Views about Invention, Quotation, and the Compositional Process".
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257:, the youngest person to receive this honour since Mozart. In the mid 1880s, Busoni was based in Vienna, where he met with
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Von der Einheit der Musik: von Dritteltönen und junger Klassizität, von Bühnen und Bauten und anschliessenden Bezirken
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105:
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202:, and was introduced to the composer, who admired his skill. In the following year, Busoni composed a four-movement
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In 1894, Busoni settled in Berlin, which he henceforth regarded as his home base, except during the years around
403:
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includes the maxim that "Music was born free; and to win freedom is its destiny". It therefore takes issue with
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which were reflected in some of his works. His compositions include works for piano, among them a monumental
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in a letter to his wife in 1919. This recording was never released. He never recorded any of his own works.
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are used) followed by a numeric identifier, to identify his compositions and transcriptions. The identifier
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Although he met with many other artistic personalities also based in Switzerland during the war (including
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considers Busoni's six Liszt recitals in Berlin of 1911 as the climax of his pre-war career as a pianist.
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1361:, and Schoenberg, noting in particular his movement away from traditional major and minor scales towards
431:. Gerda joined him in Moscow where they promptly married. His first concert in Moscow, when he performed
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1586:
who had heard Busoni play on several occasions, remarked, "Of Busoni's piano rolls and recordings, only
802:
during his 1910 tour of the US. The work was premiered with Busoni as soloist in March 1914, in Berlin.
656:. Music of older masters was included, but sometimes with an unexpected twist. For example, Beethoven's
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3641:, no. 108 (Winter 1979–80) is a special Busoni issue containing, among other articles, interviews with
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1314:, derives from those free heights whence descended Art itself ... What the composer's inspiration
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From an early age, Busoni was an outstanding, if sometimes controversial, pianist. He studied at the
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The first landmarks of this mature style are the group of piano works published in 1907–1912 (the
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3309:. Bio-Bibliographies in Music, no. 34. New York, Westport, Connecticut, London: Greenwood Press.
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in its original version for piano." (These works were actually written in 1909.) The Kindermann
851:. He completed it in Zurich and, to provide a full evening at the theatre, reworked his earlier
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3174:. Studien zur Musikgeschichte des 19. Jahrhunderts, vol. 19. Regensburg: Gustav Bosse Verlag.
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was initiated in Busoni's honour in 1949, to commemorate the 25th anniversary of his death.
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of Bach's music, which he often included in his own recitals. These included some of Bach's
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as a pianist was very limited, and many of his original recordings were destroyed when the
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has described the Beaumont completion as "longer, more adventurous and perhaps less good."
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Busoni's works include compositions, adaptations, transcriptions, recordings and writings.
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226:, now lost) in 1879. Other early pieces were published at this time, including settings of
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and Louis Closson; the latter four were dedicatees of pieces in Busoni's 1909 piano album
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in Boston, he was happy to take the opportunity, particularly since the conductor of the
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Ferruccio Busoni and the Ontology of the Musical Work: Permutations and Possibilities
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949:, and Robert Blum, and during these last years Busoni also had contact with Varèse,
458:, whom he had known since 1876 when they performed together at a concert in Vienna.
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tribes; Busoni derived them from a book he had received from his former pupil, the
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In 1890, Busoni published his first edition of Bach works: the two- and three-part
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3655:(1922) Ferruccio Busoni: Der Versuch Eines Porträts . pub. E.P. Tal & Co. 1922
1666:, who consulted with Busoni's wife and family in writing his life of the composer.
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between 1904 and 1915. This journeying life led van Dieren to call him "a musical
239:
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From the ages of nine to eleven, with the help of a patron, Busoni studied at the
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in 1916, leaving it incomplete at his death. It was then finished by his student
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as "a very fine Jew, who will certainly make his way". But in protest at German
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565), and was persuaded by his pupil Kathi Petri—the mother of his future pupil
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and other innovative topics. He was based in Berlin from 1894 but spent much of
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Ferruccio Dante Michelangiolo Benvenuto Busoni was born on 1 April 1866 in the
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1570:. These include a 1950 recording by Columbia sourced from piano rolls made by
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Beaumont, Antony (2001). "Busoni, Ferruccio (Dante Michelangelo Benvenuto)".
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1453:. Other Liszt transcriptions include his piano arrangement of Liszt's organ
1394:. Busoni revised the work a number of times and arranged it for two pianos.
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365:(Op. 27). In 1889, visiting Leipzig, he heard a performance on the organ of
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3240:. Translated by Svetlana Belsky. Rochester: University of Rochester Press.
1723:
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1546:'s factory burned down in 1912. Busoni mentions recording the Gounod-Liszt
1417:
1015:
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said of Busoni's playing that it "signifies the victory of reflection over
887:
808:
637:
621:
381:, then only five years old—to transcribe it for piano. Busoni's biographer
327:
126:
6738:
4308:
3559:
Wirth, Helmut (1980). "Busoni, Ferruccio (Dante Michelangelo Benvenuto)".
3281:
2707:
1266:); and in the following year came his extended fantasy based on Bach, the
837:
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4773:
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4513:
4493:
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4313:
3990:
3022:
1684:; when during World War I Busoni took a stand against German aggression,
1390:. It uses several melodic figures found in Bach's work, most notably the
1084:
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891:
782:
575:
501:
219:
199:
194:. His first performances in Vienna were glowingly received by the critic
86:
3172:
Thematisch-chronologisches Verzeichnis der Werke von Ferruccio B. Busoni
2699:
964:, although inflamed kidneys and overwork also contributed to his death.
918:
Commemorative plaque at site of Busoni's apartment in Schöneberg, Berlin
733:, who proposed collaboration in a ballet or opera. He also met with the
6509:
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and the first two piano sonatinas) and Busoni's first completed opera,
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689:
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378:
362:
351:
82:
78:
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1432:
In the last seven years of his life Busoni worked sporadically on his
1401:
for piano and orchestra of 1913 and two books of solo piano sketches,
39:
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228:
101:
7724:
Academic staff of the University of Music and Performing Arts Vienna
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339:
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74:
51:
3713:
1014:, passages in a Mozart concerto written as single notes. At this,
871:
and an extended war of words. Busoni continued to experiment with
261:
and helped to prepare the vocal score for the latter's 1886 opera
6982:
5733:
5324:
4925:
4112:
3370:
Busoni and the Piano: The Works, the Writings, and the Recordings
1345:
1258:
On the death of his father in 1909, Busoni wrote in his memory a
1088:
1001:
550:
274:
254:
160:
152:
55:
2889:
Johansen, Gunnar (1979). "Busoni the pianist – in Perspective".
1213:. This was equipped with substantial appendices, including one "
671:
During the period Busoni undertook teaching at masterclasses at
130:, he left unfinished when he died, in Berlin, at the age of 58.
5427:
2838:"Music's tech nightmare: Part 2 – The legendary Louis Sterling"
1520:
1325:
Another collection of Busoni's essays was published in 1922 as
902:, by then an official at the Ministry of Culture in the German
672:
307:
156:
100:, he developed a more individual style, often with elements of
5115:
1136:
ensemble and some for orchestra, amongst them two large-scale
930:
roars and flows continually in the depths of my aspirations".
407:. In the same year he won the prize for composition, with his
3314:
Roberge, Marc-André (1996). "Ferruccio Busoni et la France".
1478:
Busoni also made keyboard transcriptions of works by Mozart,
1456:
Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam"
1215:
On the Transcription of Bach's Organ Works for the Pianoforte
465:
1441:
470:
427:. As a consequence he was invited to visit and teach at the
5383:
4920:
3468:. Bloomingdale and Indianapolis: Indiana University Press.
3096:(1998). "The virtuoso tradition". In Rowland, David (ed.).
1380:; together with the rather different Bach homage, the 1910
841:. While in America, Busoni had carried out further work on
207:
867:
let to a virulent counter-attack from the German composer
791:. The piece is based on melodies and rhythms from various
748:
206:. After leaving Vienna, he had a brief period of study in
3716:
Score from Sibley Music Library Digital Scores Collection
1696:
in 1923, he rewrote for concert performance an aria from
859:. The two were premiered together in Zurich in May 1917.
411:("Concert Piece") for piano and orchestra, Op. 31a (
1010:
was surprised to hear Busoni playing, with two hands in
620:(Beethoven Hall), included German premieres of music by
582:. A major project undertaken at this time was the opera
253:
He was elected in 1881 to the Accademia Filharmonica of
3959:
Fantasy on Themes from Mozart's Figaro and Don Giovanni
1567:
960:
Busoni died in Berlin on 27 July 1924, officially from
124:, vocal and orchestral works, and operas—one of which,
3487:. London: Humphrey Milford (Oxford University Press).
1562:; a few of them have been re-recorded and released on
1337:. Busoni also wrote the librettos of his four operas.
941:
Concerto. Among his composition pupils in Berlin were
3580:
Wis, Roberto (1977). "Ferruccio Busoni and Finland".
1486:
and others in the period 1886–1891 for the publisher
1190:
Cover of first edition of Busoni's edition of Bach's
214:, and conducted a performance of his own composition
112:, and transcriptions of the works of others, notably
3565:. Vol. 3. London: Macmillan. pp. 508–512.
845:, and had written the libretto of his one-act opera
27:
Italian composer, pianist, and conductor (1866–1924)
3635:, roberge.mus.ulaval.ca. Accessed 22 January 2022.
3461:
3104:. Cambridge: Cambridge University Press. pp.
3097:
2999:
2929:, Ferruccio Busoni International Piano Competition
2428:Citations and comment from Scholes (1947), p. 318.
553:" (after the Biblical wanderer). The musicologist
222:55 in the composer's initial numbering sequence, (
2374:Dent (1933), pp. 265–271; Coulson (2005), p. 337.
2194:Dent (1933), pp. 160–161; Beaumont (1997), p. 91.
1111:suggested that the Second Violin Sonata Op. 36a (
390:, and proposed to her within a week. He composed
7555:
4083:Ferruccio Busoni International Piano Competition
3542:Franz Liszt. Volume 3: The Final Years 1861–1880
1628:Ferruccio Busoni International Piano Competition
1415:as an opera. He began serious work on his opera
1411:(1917) as a companion piece for his revision of
394:("To the Beloved") for cello and piano for her (
92:He began composing in his early years in a late
3562:The New Grove Dictionary of Music and Musicians
2690:Busoni, Ferruccio, translated by Rosamond Ley.
1650:The names were chosen by his father to reflect
1217:". This was eventually to form a volume of the
1018:proclaimed Busoni "to be an absolute purist in
7719:University of Music and Theatre Leipzig alumni
2068:Couling (2005), pp. 166–173, 183–188, 215–216.
1280:Busoni wrote a number of essays on music. The
986:Busoni at the piano, from a postcard produced
675:, Vienna and Basel. In 1900 he was invited by
5131:
4128:
3735:
3254:
660:with the eccentric first movement cadenza by
398:; published in 1891 without an opus number).
96:style, but after 1907, when he published his
50:(1 April 1866 – 27 July 1924) was an Italian
30:"Busoni" redirects here. For other uses, see
1225:. Busoni also began to publish his concert
1095:refers to Busoni's cadenzas for Beethoven's
729:. In Paris in 1912 Busoni had meetings with
542:St. François de Paule marchant sur les flots
308:Helsingfors, Moscow, and America (1888–1893)
273:, and who recommended he undertake study in
3503:(1968). "Impressions of Ferruccio Busoni".
3082:. (Reprint: London: Ernst Eulenberg, 1974)
1087:") is used for Busoni's transcriptions and
104:. His visits to America led to interest in
7629:Anton Rubinstein Competition prize-winners
5138:
5124:
4135:
4121:
3742:
3728:
3684:Newspaper clippings about Ferruccio Busoni
3482:
2485:
1790:
1788:
1786:
1506:(numbers 11 and 15), while the 1920 piece
1405:. In 1917, Busoni wrote the one-act opera
909:
664:(which includes references to Beethoven's
4088:Ferruccio Busoni discography (as pianist)
3708:International Music Score Library Project
3396:
3386:(2 vols in 1). London: Kahn and Averill.
1534:Ferruccio Busoni discography (as pianist)
1442:Editions, transcriptions and arrangements
1349:Sketch by Busoni of the structure of his
1282:Entwurf einer neuen Ästhetik der Tonkunst
269:, to whom he dedicated two sets of piano
106:North American indigenous tribal melodies
3141:
3122:
3092:
2980:
2944:
2888:
1774:
1344:
1200:For broader coverage of this topic, see
1185:
1067:("Busoni Index"); sometimes the letters
1037:List of compositions by Ferruccio Busoni
981:
913:
890:, who noted his extensive drinking, and
752:
469:
311:
238:
142:
38:
7604:20th-century Italian conductors (music)
3345:
3313:
3301:
3052:
2994:
2152:
1783:
1633:
1041:List of adaptations by Ferruccio Busoni
749:World War I and Switzerland (1913–1920)
717:which was attended by, amongst others,
604:(BV 252; 1909) and the first two piano
198:. In 1877, Busoni heard the playing of
14:
7556:
3536:
3459:
3020:
2970:. New York:Columbia University Press.
2692:The Essence of Music: And Other Papers
1340:
7485:Romanticism and the French Revolution
5119:
4116:
3835:Concerto for Piano and String Quartet
3723:
3558:
3499:
3235:
3184:
3057:. Lanham, Maryland: Scarecrow Press.
3055:Ferruccio Busoni: "A Musical Ishmael"
2773:Beaumont (1985), p. 295, pp. 302–307.
2467:
1558:Busoni made a considerable number of
1469:) and concert versions of two of the
1102:
478:Busoni was at the Berlin premiere of
204:concerto for piano and string quartet
3749:
3307:Ferruccio Busoni: A Bio-Bibliography
3100:The Cambridge Companion to the Piano
7609:20th-century Italian male musicians
4994:Tchaikovsky and the Belyayev circle
3579:
3127:. Oxford: Oxford University Press.
3002:Musical Thoughts and After-Thoughts
2131:Beaumont (1985), pp. 101, 148, 178.
24:
7714:Pupils of Wilhelm Mayer (composer)
4142:
3675:Works by or about Ferruccio Busoni
3613:
3049:. Leipzig: Breitkopf & Härtel.
2987:. Oxford: Oxford University Press.
2221:Dent (1933), pp. 197–198, 201–202.
2167:Smith (2000), vol. 2, pp. 178—179.
1498:(1909), for instance, uses two of
1181:
875:: in America he had obtained some
785:work for piano and orchestra, the
73:. After brief periods teaching in
25:
7750:
3714:4 Poesie liriche Op.40 for chorus
3659:
3464:Anton Rubinstein: A Life in Music
3450:Busoni and his pupils (1922–1952)
3402:Ferruccio Busoni—Selected Letters
3024:Sketch of a New Esthetic of Music
2809:See Beaumont (1997), pp. 314–318.
1813:
1459:(BV B 59) (based on a theme from
763:Galleria Nazionale d'Arte Moderna
761:, 1916 (in the collection of the
448:New England Conservatory of Music
98:Sketch of a New Esthetic of Music
7594:20th-century classical composers
7574:19th-century classical composers
7538:
7537:
5099:
5090:
5089:
4099:
4098:
3818:
3260:"Ferruccio Busoni as a Composer"
3151:Captures a Composer's Paradoxes"
2919:
2910:
2901:
2882:
2873:
2864:
2855:
2830:
2821:
2812:
2803:
2794:
2785:
2776:
2767:
2758:
2749:
2740:
2731:
2722:
2713:
2684:
2665:
2656:
2653:See Brendel (1976), pp. 114—115.
2647:
2638:
2629:
2620:
2611:
2293:Beaumont (1985), p. 219, p. 240.
2212:Beaumont (1985), pp. 26–27, 208.
1712:
466:Berlin, 1893–1913: "A new epoch"
7689:Italian male classical pianists
7664:Italian male conductors (music)
7599:20th-century classical pianists
7589:19th-century conductors (music)
7579:19th-century classical pianists
5145:
3704:Free scores by Ferruccio Busoni
3353:. London: Novello and Company.
2931:website, accessed 28 April 2015
2602:
2593:
2584:
2575:
2566:
2557:
2548:
2539:
2530:
2521:
2512:
2503:
2494:
2476:
2458:
2449:
2440:
2431:
2422:
2413:
2404:
2395:
2386:
2377:
2368:
2359:
2350:
2341:
2332:
2323:
2314:
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2296:
2287:
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2269:
2260:
2251:
2242:
2233:
2224:
2215:
2206:
2197:
2188:
2179:
2170:
2161:
2143:
2134:
2125:
2116:
2107:
2098:
2089:
2080:
2071:
2062:
2053:
2044:
2035:
2026:
2017:
2008:
1999:
1990:
1981:
1972:
1963:
1954:
1945:
1936:
1927:
1918:
1909:
1900:
1891:
1882:
1873:
1864:
1855:
1846:
1837:
1828:
1819:
1726:may have influenced the latter.
1703:
1669:
1512:Fantasia da camera super Carmen
1048:
138:
7614:20th-century Italian composers
7584:19th-century Italian composers
3439:"Busoni's Complete Recordings"
3298:, Breitkopf & Härtel 1916)
2966:Beaumont, Antony, ed. (1987).
2599:Beaumont (1985), pp. 137, 160.
2527:Dent (1933), pp. 152–153, 233.
2347:Beaumont (1987), pp. 300, 303.
2329:Couling (2005), p. 290, p. 311
2248:.Beaumont (1985), pp. 190–191.
2023:Beaumont (1987), pp. 371, 374.
1806:
1797:
1765:
1756:
1747:
1738:
1675:Busoni's attitude to Jews and
1644:
1553:
1223:Two- and Three-Part Inventions
1053:Busoni gave many of his works
13:
1:
7508:Wanderer above the Sea of Fog
3544:. New York: Alfred A. Knopf.
3351:The Mirror of Music 1844–1944
3076:Ferruccio Busoni: A Biography
2827:Beaumont (1985), pp. 275–277.
2818:Beaumont (1985), pp. 152–153.
2755:Beaumont (1985), pp. 349–352.
2746:Beaumont (1985), pp. 190–203.
2737:Beaumont (1985), pp. 160–176.
2545:Beaumont (1985), pp. 375–376.
1527:
987:
539:passages to parts of Liszt's
425:Saint Petersburg Conservatory
317:
244:
7694:Italian male opera composers
7619:20th-century Italian writers
3951:Toccata and Fugue in D minor
3483:van Dieren, Bernard (1935).
3046:Klavierübung in zehn Büchern
2926:"History of the competition"
2870:See Knyt (2010b) pp. 250–260
2800:Leichtentritt (1917), p. 72.
2728:Leichtentritt (1917), p. 95.
2554:see Beaumont (1987), p. 111.
2518:Leichtentritt (1917). p. 79.
2509:Couling (2005), pp. 195–196.
2455:Leichtentritt (1917), p. 76.
2410:Couling (2005), pp. 353–354.
2392:Couling (2005), pp. 351–352.
2383:Couling (2005), pp. 335–336.
2356:Couling (2005), pp. 318–322.
2311:Couling (2005), pp. 306–310.
2095:Dent (1933), p. 105, p. 113.
2032:Couling (2005), pp. 148–149.
1606:Ferruccio Busoni discography
1544:Columbia Graphophone Company
1333:, and in 1957 translated as
1239:Chromatic Fantasia and Fugue
1235:Toccata and Fugue in D minor
514:pointed out, "international
417:Anton Rubinstein Competition
371:Toccata and Fugue in D minor
342:, Finland, then part of the
133:
7:
7654:Italian classical composers
5037:Gothic Revival architecture
3688:20th Century Press Archives
3414:. New Series (163): 27–29.
3170:Kindermann, Jürgen (1980).
2952:. London: Faber and Faber.
2590:Hamilton (1998), pp. 66–67.
2572:Leichentritt (1914), p. 88.
1969:Beaumont (1987), pp. 53–54.
1722:, although his interest in
1331:Wesen und Einheit der Musik
1275:
10:
7755:
7659:Italian classical pianists
7649:Deaths from kidney disease
7425:Coleridge's theory of life
4978:Neue Zeitschrift für Musik
4153:List of Romantic composers
3918:Fantasia contrappuntistica
3460:Taylor, Philip S. (2007).
3437:Summers, Jonathan (2004).
3123:Hamilton, Kenneth (2008).
3043:Busoni, Ferruccio (1925).
3021:Busoni, Ferruccio (1911).
2937:
2694:. London: Rockliff, 1957.
1603:
1531:
1514:) is based on themes from
1450:Grandes études de Paganini
1382:Fantasia contrappuntistica
1351:Fantasia Contrappuntistica
1269:Fantasia contrappuntistica
1199:
1034:
977:
896:Kaikhosru Shapurji Sorabji
612:(1910) and BV 259 (1912).
598:(BV 249; 1907), the suite
326:In 1888, the musicologist
29:
7639:Child classical musicians
7624:20th-century male writers
7517:
7480:Romanticism and economics
7417:
7309:
7056:
6878:
6823:
6792:
6716:
6665:
6614:
6573:
6482:
6426:
6390:
6344:
6335:
6180:
6124:
6073:
6032:
5991:
5945:
5887:
5757:
5636:
5558:
5495:Manuel Antônio de Almeida
5477:
5468:
5354:
5222:
5153:
5069:
5014:
4959:
4893:
4872:
4159:
4150:
4096:
4075:
4029:
3968:
3935:
3893:
3858:
3827:
3816:
3775:
3757:
3666:Works by Ferruccio Busoni
3632:Opus Sorabjianum. v. 3.00
3506:Perspectives of New Music
3420:10.1017/S0040298200023585
3404:translated and edited by
3384:Alkan: The Man, The Music
3188:The Journal of Musicology
3031:. New York: G. Schirmer.
2563:Dent (1933), pp. 318–319.
2464:van Dieren (1935), p. 52.
2338:Dent (1933), pp. 240–247.
2302:Dent (1933), pp. 231–232.
2239:Dent (1933), pp. 205–225.
2185:Dent (1933), pp. 125—128.
2149:Dent (1933), pp. 332–336.
2077:van Dieren (1935), p. 44.
2041:van Dieren (1935), p. 35.
1960:Dent (1933), pp. 115–117.
1834:Couling (2005), pp. 70–1.
1599:
1327:Von der Einheit der Musik
1260:Fantasia after J. S. Bach
1210:The Well-Tempered Clavier
1193:The Well-Tempered Clavier
935:hyperinflation in Germany
452:Boston Symphony Orchestra
236:) and some piano pieces.
5260:German historical school
4999:Tchaikovsky and The Five
3218:Knyt, Errin E. (2010b).
3209:10.1525/jm.2010.27.2.224
3201:10.1525/jm.2010.27.2.224
3006:. London: Robson Books.
2968:Busoni: Selected Letters
2791:Beaumont (1985), p. 377.
2644:Busoni (1911), p. 10—12.
2473:Roberge (1991), pp. 8–63
2401:Beaumont (1995), p. 311.
2257:Dent (1933), pp. 220—223
2122:Beaumont (1985), p. 116.
1906:Wis (1977), pp. 259–261.
1879:Wis (1977), pp. 267–269.
1771:Couling (2005) pp. 14–16
1656:Michelangelo Buonarrotti
1504:Caprices for solo violin
1312:emotional interpretation
1030:
972:
7709:Pupils of Carl Reinecke
7684:Italian opera composers
7679:Italian music educators
7669:Italian music arrangers
5907:Józef Ignacy Kraszewski
3607:(subscription required)
3532:(subscription required)
3485:Down among the Dead Men
3444:20 October 2020 at the
3433:(subscription required)
3341:(subscription required)
3236:Kogan, Grigory (2010).
3214:(subscription required)
3080:Oxford University Press
3053:Couling, Della (2005).
2990:(subscription required)
2907:Brendel (1976), p. 118.
2662:Brendel (1976), p. 108.
2491:Brendel (1976), p. 208.
2482:Beaumont (1985), p. 42.
2419:Brendel (1976), p. 211.
2320:Couling (2005), p. 292.
2203:Couling (2005), p. 239.
2176:Couling (2005), p. 192.
2113:Beaumont (1985), p. 76.
2104:Beaumont (1985), p. 61.
2059:Roberge (1996), p. 274.
2050:Scholes (1947), p. 318.
2014:Couling (2005), p. 330.
1987:Couling (2005), p. 352.
1978:Couling (2005), p. 143.
1951:Dent (1933), pp. 97–100
1942:Couling (2005), p. 128.
1825:Dent (1933), pp. 41–42.
1329:, later republished as
910:Final years (1920–1924)
865:A New Esthetic of Music
32:Busoni (disambiguation)
7739:Musicians from Tuscany
7490:Romanticism in science
7445:Middle Ages in history
7440:List of Romantic poets
6152:Josiah Gilbert Holland
5022:Common practice period
4067:George Frederick Boyle
3400:(1987). "Book review:
3382:Smith, Ronald (2000).
3232:, accessed 5 June 2016
2681:Berlin: M. Hesse, 1922
2275:Couling (2005), p. 311
1924:Taylor (2007), p. 218.
1803:Walker (1996), p. 367.
1488:Breitkopf & Härtel
1354:
1197:
1073:Kindermann Verzeichnis
993:
919:
766:
757:Portrait of Busoni by
662:Charles-Valentin Alkan
475:
330:recommended Busoni to
323:
250:
148:
81:but considerations of
44:
7729:Philosophers of music
7674:Italian male pianists
7460:Romantic epistemology
7450:Opium and Romanticism
6019:Stojadinović-Srpkinja
5245:Counter-Enlightenment
3265:The Musical Quarterly
2879:Sitsky (1986) p. 329.
2581:Busoni (1907), p. 11.
2140:Wirth (1980), p. 509.
2005:Kogan (2010), p. 101.
1744:Dent (1933), pp. 7—8.
1593:Transcendental Études
1348:
1233:for organ, the organ
1189:
985:
917:
800:Natalie Curtis Burlin
756:
588:, based on a tale by
580:play of the same name
473:
315:
296:The Barber of Baghdad
242:
185:Piano Concerto No. 24
146:
114:Johann Sebastian Bach
42:
7524:Age of Enlightenment
5166:England (literature)
5059:Romantic nationalism
5005:War of the Romantics
4030:Composition students
3945:Bach-Busoni Editions
3316:Revue de Musicologie
3125:After the Golden Age
2719:Wirth (1980), p. 510
2635:Busoni (1911), p. 7.
2626:Busoni (1911), p. 4.
2617:Busoni (1911), p. 1.
2608:Busoni (1911), p. 3.
2536:Dent (1933), p. 348.
2500:Dent (1933), p. 142.
2365:Dent (1933), p. 264.
2284:Dent (1933), pp. 223
2266:Dent (1933), p. 229.
2230:Dent (1933), p. 203.
2086:Beaumont (n.d.), §1.
1843:Kogan (2010), p. 10.
1794:Wirth (1980), p. 508
1634:Notes and references
1508:Piano Sonatina No. 6
1472:Hungarian Rhapsodies
1335:The Essence of Music
1227:piano transcriptions
1202:Bach-Busoni Editions
1097:Piano Concerto No. 4
832:José Vianna da Motta
771:Viktoria-Luise-Platz
658:Third Piano Concerto
652:, and, in 1907, his
429:Moscow Conservatoire
388:Carl Eneas Sjöstrand
338:at Helsingfors (now
118:Bach-Busoni Editions
7644:Composers for piano
7475:Romantic psychology
5270:Hudson River School
5214:Sweden (literature)
5199:Russia (literature)
5054:Musical nationalism
4972:Musical nationalism
3653:Selden-Goth, Gisela
3639:The Piano Quarterly
3620:Roberge, Marc-André
3372:. Greenwood Press.
3303:Roberge, Marc-André
3282:10.1093/mq/iii.1.69
3256:Leichtentritt, Hugo
3230:Stanford University
2950:Busoni the Composer
2891:The Piano Quarterly
2674:Busoni, Ferruccio.
2437:Dent (1933), p. 37.
2158:Dent (1933), p. 156
1996:Knyt (2010a) p. 233
1933:Wis (1977), p. 264.
1915:Dent (1933), p. 103
1897:Dent (1933), p. 86.
1888:Wis (1977), p. 258.
1870:Wis (1977), p. 255.
1861:Wis (1977), p. 256.
1852:Wis (1977), p. 251.
1762:Dent (1933), p. 17.
1753:Dent (1933), p. 16.
1574:including music of
1538:Busoni's output on
1492:Piano Piece, Op. 11
1341:Mature compositions
1303:conventional wisdom
1248:Goldberg Variations
1219:Bach-Busoni Edition
815:Goldberg Variations
731:Gabriele D'Annunzio
677:Duke Karl-Alexander
354:, and the composer
192:Vienna Conservatory
63:Vienna Conservatory
7699:People from Empoli
5460:White Mountain art
5401:Historical fiction
5209:Spain (literature)
4967:Indianist movement
4885:Romantic orchestra
3938:and transcriptions
3894:Piano compositions
3883:Berceuse élégiaque
3156:The New York Times
2984:Grove Music Online
1780:Beaumont (2001) §1
1590:(no. 5 of Liszt's
1359:Alexander Scriabin
1355:
1198:
1163:Tägliche Rundschau
1129:Busoni Verzeichnis
1121: ... and the
1109:Hugo Leichtentritt
1103:Early compositions
1065:Busoni Verzeichnis
994:
920:
824:Tonhalle Orchestra
822:(conductor of the
767:
512:Bernard van Dieren
476:
336:Institute of Music
334:, director of the
324:
251:
149:
116:(published as the
45:
7551:
7550:
7465:Romantic medicine
7435:List of romantics
6874:
6873:
6525:Felix Mendelssohn
6520:Fanny Mendelssohn
6331:
6330:
6045:Rosalía de Castro
5983:Soares dos Passos
5331:Transcendentalism
5295:Nazarene movement
5255:Düsseldorf School
5113:
5112:
4984:New German School
4579:Felix Mendelssohn
4574:Fanny Mendelssohn
4110:
4109:
3969:Keyboard students
3670:Project Gutenberg
3582:Acta Musicologica
3572:978-0-333-23111-1
3551:978-0-394-52542-6
3475:978-0-253-34871-5
3398:Stevenson, Ronald
3392:978-1-871082-73-9
3378:978-0-313-23671-6
3347:Scholes, Percy A.
3247:978-1-58046-335-5
3238:Busoni as Pianist
3180:978-3-7649-2033-3
3145:(23 April 2000).
3134:978-0-19-517826-5
3115:978-0-521-47986-8
3094:Hamilton, Kenneth
3088:978-0-903873-02-4
3064:978-0-8108-5142-9
3013:978-0-903895-43-9
2976:978-0-231-06460-6
2959:978-0-571-13149-5
2842:EMI Archive Trust
2446:Kindermann (1980)
1660:Benvenuto Cellini
1619:of 1921 ...
1540:gramophone record
1461:Giacomo Meyerbeer
955:Hermann Scherchen
797:ethnomusicologist
739:Filippo Marinetti
719:Willem Mengelberg
709:Arnold Schoenberg
590:E. T. A. Hoffmann
526:The Musical Times
454:at that time was
173:Sonata in C major
120:). He also wrote
16:(Redirected from
7746:
7734:Ferruccio Busoni
7541:
7540:
7500:Evolution theory
6342:
6341:
5475:
5474:
5336:Ukrainian school
5140:
5133:
5126:
5117:
5116:
5103:
5093:
5092:
4989:Post-romanticism
4854:Vaughan Williams
4137:
4130:
4123:
4114:
4113:
4102:
4101:
4076:Related articles
4021:Józef Turczyński
4016:Zdenka Ticharich
3822:
3751:Ferruccio Busoni
3744:
3737:
3730:
3721:
3720:
3679:Internet Archive
3628:
3608:
3605:
3576:
3555:
3533:
3530:
3496:
3479:
3467:
3452:, CD recording,
3434:
3431:
3362:
3342:
3339:
3310:
3296:Ferruccio Busoni
3293:
3251:
3215:
3212:
3167:
3165:
3163:
3143:Horowitz, Joseph
3138:
3119:
3103:
3068:
3040:
3027:. Translated by
3017:
3005:
2991:
2988:
2963:
2946:Beaumont, Antony
2932:
2923:
2917:
2914:
2908:
2905:
2899:
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2789:
2783:
2780:
2774:
2771:
2765:
2764:Horowitz (2000).
2762:
2756:
2753:
2747:
2744:
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2735:
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2726:
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1862:
1859:
1853:
1850:
1844:
1841:
1835:
1832:
1826:
1823:
1817:
1816:in this article.
1810:
1804:
1801:
1795:
1792:
1781:
1778:
1772:
1769:
1763:
1760:
1754:
1751:
1745:
1742:
1727:
1716:
1710:
1707:
1701:
1673:
1667:
1648:
1500:Niccolò Paganini
1387:The Art of Fugue
1286:Sketch of a New
1253:Kenneth Hamilton
1231:chorale preludes
1171:
992:
991: 1895–1900
989:
953:, the conductor
759:Umberto Boccioni
743:Umberto Boccioni
698:Józef Turczyński
572:incidental music
532:Studies (Op. 25)
446:to teach at the
444:William Steinway
421:Anton Rubinstein
415:), at the first
322:
319:
249:
246:
175:, and pieces by
89:in Switzerland.
48:Ferruccio Busoni
21:
7754:
7753:
7749:
7748:
7747:
7745:
7744:
7743:
7704:Piano educators
7554:
7553:
7552:
7547:
7546:
7535:
7527:
7513:
7470:Romantic poetry
7455:Romantic ballet
7430:German idealism
7413:
7379:Lacoue-Labarthe
7305:
7052:
6870:
6819:
6788:
6769:Rimsky-Korsakov
6712:
6661:
6610:
6569:
6478:
6422:
6386:
6327:
6176:
6120:
6069:
6028:
5987:
5941:
5883:
5824:Maria Edgeworth
5760:
5753:
5632:
5554:
5464:
5443:Romantic genius
5373:Gesamtkunstwerk
5350:
5311:Sturm und Drang
5218:
5149:
5144:
5114:
5109:
5086:
5082:Modernist music
5078:
5075:Classical music
5065:
5010:
4955:
4936:Romantic ballet
4931:Orchestral song
4911:Chorale prelude
4906:Character piece
4889:
4880:Romantic guitar
4873:Instrumentation
4868:
4704:Rimsky-Korsakov
4324:Ferdinand David
4161:
4155:
4146:
4141:
4111:
4106:
4092:
4071:
4042:Philipp Jarnach
4025:
4001:Louis Gruenberg
3964:
3937:
3931:
3889:
3867:Comedy Overture
3854:
3823:
3814:
3771:
3753:
3748:
3662:
3643:Gunnar Johansen
3629:(21 May 2021).
3622:
3616:
3614:Further reading
3611:
3606:
3573:
3552:
3531:
3501:Vogel, Wladimir
3476:
3446:Wayback Machine
3432:
3406:Antony Beaumont
3340:
3248:
3213:
3161:
3159:
3135:
3116:
3072:Dent, Edward J.
3065:
3014:
2996:Brendel, Alfred
2989:
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2036:
2031:
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2018:
2013:
2009:
2004:
2000:
1995:
1991:
1986:
1982:
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1973:
1968:
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1955:
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1766:
1761:
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1752:
1748:
1743:
1739:
1730:
1717:
1713:
1708:
1704:
1694:hyper-inflation
1674:
1670:
1652:Dante Alighieri
1649:
1645:
1636:
1608:
1602:
1584:Gunnar Johansen
1556:
1536:
1530:
1444:
1427:Joseph Horowitz
1423:Philipp Jarnach
1343:
1278:
1205:
1184:
1182:Busoni and Bach
1165:
1148:Antony Beaumont
1142:violin concerto
1105:
1091:. For example,
1051:
1043:
1033:
990:
980:
975:
912:
904:Weimar Republic
879:reeds tuned in
828:Philipp Jarnach
820:Volkmar Andreae
793:American Indian
751:
714:Pierrot lunaire
694:Louis Gruenberg
654:Comedy Overture
648:; in 1905, his
555:Antony Beaumont
468:
423:himself at the
419:, initiated by
348:Armas Järnefelt
332:Martin Wegelius
320:
310:
291:Peter Cornelius
267:Johannes Brahms
247:
232:(Opp. 1 and 2;
196:Eduard Hanslick
141:
136:
35:
28:
23:
22:
15:
12:
11:
5:
7752:
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7686:
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7676:
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7661:
7656:
7651:
7646:
7641:
7636:
7634:Bach musicians
7631:
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7616:
7611:
7606:
7601:
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7418:Related topics
7415:
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7143:
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7058:Visual artists
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6283:Oehlenschläger
6280:
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5955:
5953:Castelo Branco
5949:
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5706:
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5681:
5679:Brothers Grimm
5676:
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5651:
5646:
5640:
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5507:
5502:
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5435:
5430:
5425:
5420:
5415:
5410:
5403:
5398:
5397:
5396:
5391:
5381:
5379:Gothic fiction
5376:
5369:
5367:British Marine
5364:
5358:
5356:
5352:
5351:
5349:
5348:
5343:
5338:
5333:
5328:
5321:
5316:
5315:
5314:
5302:
5297:
5292:
5287:
5282:
5277:
5272:
5267:
5265:Gothic revival
5262:
5257:
5252:
5247:
5242:
5237:
5232:
5226:
5224:
5220:
5219:
5217:
5216:
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5201:
5196:
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5009:
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5001:
4996:
4991:
4986:
4981:
4974:
4969:
4963:
4961:
4957:
4956:
4954:
4953:
4948:
4946:Symphonic poem
4943:
4941:Romantic opera
4938:
4933:
4928:
4923:
4918:
4913:
4908:
4903:
4897:
4895:
4891:
4890:
4888:
4887:
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4771:
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4751:
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4711:
4706:
4701:
4696:
4691:
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4681:
4676:
4671:
4666:
4661:
4656:
4651:
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4406:
4401:
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4386:
4381:
4376:
4371:
4366:
4361:
4356:
4351:
4346:
4341:
4336:
4331:
4326:
4321:
4319:Félicien David
4316:
4311:
4306:
4301:
4296:
4291:
4286:
4281:
4276:
4271:
4266:
4261:
4256:
4251:
4246:
4241:
4236:
4231:
4226:
4221:
4216:
4211:
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4201:
4196:
4191:
4186:
4181:
4176:
4171:
4165:
4163:
4157:
4156:
4151:
4148:
4147:
4144:Romantic music
4140:
4139:
4132:
4125:
4117:
4108:
4107:
4097:
4094:
4093:
4091:
4090:
4085:
4079:
4077:
4073:
4072:
4070:
4069:
4064:
4059:
4054:
4052:Wladimir Vogel
4049:
4044:
4039:
4037:Natalie Curtis
4033:
4031:
4027:
4026:
4024:
4023:
4018:
4013:
4008:
4003:
3998:
3996:Percy Grainger
3993:
3988:
3986:Ignaz Friedman
3983:
3978:
3972:
3970:
3966:
3965:
3963:
3962:
3955:
3947:
3941:
3939:
3936:Piano editions
3933:
3932:
3930:
3929:
3922:
3914:
3906:
3897:
3895:
3891:
3890:
3888:
3887:
3879:
3875:Turandot Suite
3871:
3862:
3860:
3856:
3855:
3853:
3852:
3848:Indian Fantasy
3844:
3841:Piano Concerto
3838:
3831:
3829:
3825:
3824:
3817:
3815:
3813:
3812:
3804:
3796:
3788:
3779:
3777:
3773:
3772:
3758:
3755:
3754:
3747:
3746:
3739:
3732:
3724:
3718:
3717:
3711:
3695:
3694:
3681:
3672:
3661:
3660:External links
3658:
3657:
3656:
3650:
3636:
3615:
3612:
3610:
3609:
3594:10.2307/932592
3588:(2): 250–269.
3577:
3571:
3556:
3550:
3534:
3519:10.2307/832359
3513:(2): 167–173.
3497:
3480:
3474:
3457:
3435:
3394:
3380:
3363:
3343:
3328:10.2307/947129
3322:(2): 269–305.
3311:
3299:
3294:(extract from
3252:
3246:
3233:
3228:dissertation,
3216:
3195:(2): 224–264.
3182:
3168:
3139:
3133:
3120:
3114:
3090:
3069:
3063:
3050:
3041:
3029:Theodore Baker
3018:
3012:
2992:
2978:
2964:
2958:
2941:
2939:
2936:
2934:
2933:
2918:
2909:
2900:
2881:
2872:
2863:
2861:Summers (2004)
2854:
2829:
2820:
2811:
2802:
2793:
2784:
2782:Busoni (1925).
2775:
2766:
2757:
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2016:
2007:
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1989:
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1935:
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1711:
1702:
1668:
1642:
1635:
1632:
1613:Piano Concerto
1601:
1598:
1555:
1552:
1532:Main article:
1529:
1526:
1480:Franz Schubert
1443:
1440:
1399:Indian Fantasy
1342:
1339:
1277:
1274:
1196:, Book I, 1894
1183:
1180:
1176:Turandot Suite
1104:
1101:
1050:
1047:
1032:
1029:
1012:double octaves
1008:Sir Henry Wood
998:Alfred Brendel
979:
976:
974:
971:
957:, and others.
947:Wladimir Vogel
911:
908:
900:Leo Kestenberg
788:Indian Fantasy
779:Isadora Duncan
750:
747:
727:Artur Schnabel
686:Ignaz Friedman
666:Fifth Symphony
650:Turandot Suite
634:Vincent d'Indy
630:Claude Debussy
567:Turandot Suite
562:Piano Concerto
480:Giuseppe Verdi
467:
464:
456:Arthur Nikisch
344:Russian Empire
309:
306:
265:. He also met
147:Busoni in 1877
140:
137:
135:
132:
110:Piano Concerto
65:and then with
43:Busoni in 1913
26:
9:
6:
4:
3:
2:
7751:
7740:
7737:
7735:
7732:
7730:
7727:
7725:
7722:
7720:
7717:
7715:
7712:
7710:
7707:
7705:
7702:
7700:
7697:
7695:
7692:
7690:
7687:
7685:
7682:
7680:
7677:
7675:
7672:
7670:
7667:
7665:
7662:
7660:
7657:
7655:
7652:
7650:
7647:
7645:
7642:
7640:
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7509:
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7488:
7486:
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7468:
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7461:
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7453:
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7446:
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7441:
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7380:
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7322:
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7312:
7308:
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7299:
7297:
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7282:
7279:
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7274:
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7269:
7267:
7264:
7262:
7259:
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7254:
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7194:
7192:
7189:
7187:
7184:
7182:
7179:
7177:
7174:
7172:
7169:
7167:
7164:
7162:
7159:
7157:
7154:
7152:
7149:
7147:
7144:
7142:
7139:
7137:
7134:
7132:
7129:
7127:
7124:
7122:
7119:
7117:
7114:
7112:
7109:
7107:
7104:
7102:
7099:
7097:
7094:
7092:
7089:
7087:
7084:
7082:
7079:
7077:
7074:
7072:
7069:
7067:
7064:
7063:
7061:
7059:
7055:
7049:
7046:
7044:
7041:
7039:
7036:
7034:
7031:
7029:
7026:
7024:
7021:
7019:
7016:
7014:
7011:
7009:
7006:
7004:
7001:
6999:
6996:
6994:
6991:
6989:
6986:
6984:
6981:
6979:
6976:
6974:
6971:
6969:
6966:
6964:
6961:
6959:
6956:
6954:
6951:
6949:
6946:
6944:
6941:
6939:
6936:
6934:
6931:
6929:
6926:
6924:
6921:
6919:
6916:
6914:
6911:
6909:
6906:
6904:
6901:
6899:
6896:
6894:
6891:
6889:
6886:
6885:
6883:
6881:
6877:
6867:
6864:
6862:
6859:
6857:
6854:
6852:
6849:
6847:
6844:
6842:
6839:
6837:
6834:
6832:
6829:
6828:
6826:
6822:
6816:
6813:
6811:
6808:
6806:
6803:
6801:
6798:
6797:
6795:
6791:
6785:
6782:
6780:
6777:
6775:
6772:
6770:
6767:
6765:
6762:
6760:
6757:
6755:
6752:
6750:
6747:
6745:
6742:
6740:
6737:
6735:
6732:
6730:
6727:
6725:
6722:
6721:
6719:
6715:
6709:
6706:
6704:
6701:
6699:
6696:
6694:
6691:
6689:
6686:
6684:
6681:
6679:
6676:
6674:
6671:
6670:
6668:
6664:
6658:
6655:
6653:
6650:
6648:
6645:
6643:
6640:
6638:
6635:
6633:
6630:
6628:
6625:
6623:
6620:
6619:
6617:
6613:
6607:
6604:
6602:
6599:
6597:
6594:
6592:
6589:
6587:
6584:
6582:
6579:
6578:
6576:
6572:
6566:
6563:
6561:
6558:
6556:
6553:
6551:
6548:
6546:
6543:
6541:
6538:
6536:
6533:
6531:
6528:
6526:
6523:
6521:
6518:
6516:
6513:
6511:
6508:
6506:
6503:
6501:
6498:
6496:
6493:
6491:
6488:
6487:
6485:
6481:
6475:
6472:
6470:
6467:
6465:
6462:
6460:
6457:
6455:
6452:
6450:
6447:
6445:
6442:
6440:
6437:
6435:
6432:
6431:
6429:
6425:
6419:
6416:
6414:
6411:
6409:
6406:
6404:
6401:
6399:
6396:
6395:
6393:
6389:
6383:
6380:
6378:
6375:
6373:
6370:
6368:
6365:
6363:
6360:
6358:
6355:
6353:
6350:
6349:
6347:
6343:
6340:
6338:
6334:
6324:
6321:
6319:
6316:
6314:
6311:
6309:
6306:
6304:
6301:
6299:
6296:
6294:
6291:
6289:
6286:
6284:
6281:
6279:
6276:
6274:
6271:
6269:
6266:
6264:
6261:
6259:
6256:
6254:
6251:
6249:
6246:
6244:
6241:
6239:
6238:Nikolai Gogol
6236:
6234:
6231:
6229:
6226:
6224:
6221:
6219:
6216:
6214:
6211:
6209:
6206:
6204:
6201:
6199:
6196:
6194:
6191:
6189:
6186:
6185:
6183:
6179:
6173:
6170:
6168:
6165:
6163:
6160:
6158:
6155:
6153:
6150:
6148:
6145:
6143:
6140:
6138:
6135:
6133:
6130:
6129:
6127:
6123:
6117:
6114:
6112:
6109:
6107:
6104:
6102:
6099:
6097:
6094:
6092:
6089:
6087:
6084:
6082:
6079:
6078:
6076:
6072:
6066:
6063:
6061:
6058:
6056:
6053:
6051:
6048:
6046:
6043:
6041:
6038:
6037:
6035:
6031:
6025:
6022:
6020:
6017:
6015:
6012:
6010:
6007:
6005:
6002:
6000:
5997:
5996:
5994:
5990:
5984:
5981:
5979:
5976:
5974:
5971:
5969:
5966:
5964:
5961:
5959:
5956:
5954:
5951:
5950:
5948:
5944:
5938:
5935:
5933:
5930:
5928:
5925:
5923:
5920:
5918:
5915:
5913:
5910:
5908:
5905:
5903:
5900:
5898:
5895:
5894:
5892:
5890:
5886:
5880:
5877:
5875:
5872:
5870:
5869:P. B. Shelley
5867:
5865:
5862:
5860:
5857:
5855:
5852:
5850:
5849:Mary Robinson
5847:
5845:
5842:
5840:
5837:
5835:
5832:
5830:
5827:
5825:
5822:
5820:
5817:
5815:
5812:
5810:
5807:
5805:
5802:
5800:
5797:
5795:
5792:
5790:
5787:
5785:
5782:
5780:
5777:
5775:
5772:
5770:
5767:
5766:
5764:
5762:
5756:
5750:
5747:
5745:
5742:
5740:
5737:
5735:
5732:
5730:
5727:
5725:
5722:
5720:
5717:
5715:
5712:
5710:
5707:
5705:
5702:
5700:
5697:
5695:
5692:
5690:
5687:
5685:
5682:
5680:
5677:
5675:
5672:
5670:
5667:
5665:
5662:
5660:
5657:
5655:
5652:
5650:
5647:
5645:
5642:
5641:
5639:
5635:
5629:
5626:
5624:
5621:
5619:
5616:
5614:
5611:
5609:
5606:
5604:
5601:
5599:
5596:
5594:
5591:
5589:
5586:
5584:
5581:
5579:
5578:Chateaubriand
5576:
5574:
5571:
5569:
5566:
5565:
5563:
5561:
5557:
5551:
5548:
5546:
5543:
5541:
5538:
5536:
5533:
5531:
5528:
5526:
5523:
5521:
5518:
5516:
5513:
5511:
5508:
5506:
5503:
5501:
5498:
5496:
5493:
5491:
5488:
5486:
5483:
5482:
5480:
5476:
5473:
5471:
5467:
5461:
5458:
5456:
5455:
5451:
5449:
5446:
5444:
5441:
5439:
5436:
5434:
5431:
5429:
5426:
5424:
5421:
5419:
5416:
5414:
5411:
5409:
5408:
5407:Mal du siècle
5404:
5402:
5399:
5395:
5392:
5390:
5387:
5386:
5385:
5382:
5380:
5377:
5375:
5374:
5370:
5368:
5365:
5363:
5360:
5359:
5357:
5353:
5347:
5344:
5342:
5339:
5337:
5334:
5332:
5329:
5327:
5326:
5322:
5320:
5317:
5313:
5312:
5308:
5307:
5306:
5303:
5301:
5298:
5296:
5293:
5291:
5288:
5286:
5283:
5281:
5278:
5276:
5273:
5271:
5268:
5266:
5263:
5261:
5258:
5256:
5253:
5251:
5248:
5246:
5243:
5241:
5238:
5236:
5233:
5231:
5228:
5227:
5225:
5221:
5215:
5212:
5210:
5207:
5205:
5202:
5200:
5197:
5195:
5192:
5190:
5187:
5185:
5182:
5180:
5177:
5175:
5172:
5169:
5167:
5164:
5162:
5159:
5158:
5156:
5152:
5148:
5141:
5136:
5134:
5129:
5127:
5122:
5121:
5118:
5106:
5102:
5098:
5096:
5088:
5087:
5084:
5083:
5077:
5076:
5068:
5060:
5057:
5056:
5055:
5052:
5048:
5045:
5043:
5040:
5038:
5035:
5033:
5030:
5029:
5028:
5025:
5023:
5020:
5019:
5017:
5013:
5006:
5002:
5000:
4997:
4995:
4992:
4990:
4987:
4985:
4982:
4980:
4979:
4975:
4973:
4970:
4968:
4965:
4964:
4962:
4958:
4952:
4949:
4947:
4944:
4942:
4939:
4937:
4934:
4932:
4929:
4927:
4924:
4922:
4919:
4917:
4914:
4912:
4909:
4907:
4904:
4902:
4899:
4898:
4896:
4892:
4886:
4883:
4881:
4878:
4877:
4875:
4871:
4865:
4862:
4860:
4857:
4855:
4852:
4850:
4847:
4845:
4842:
4840:
4837:
4835:
4832:
4830:
4827:
4825:
4822:
4820:
4817:
4815:
4812:
4810:
4807:
4805:
4802:
4800:
4797:
4795:
4792:
4790:
4789:J. Strauss II
4787:
4785:
4782:
4780:
4777:
4775:
4772:
4770:
4767:
4765:
4762:
4760:
4757:
4755:
4752:
4750:
4747:
4745:
4742:
4740:
4737:
4735:
4732:
4730:
4727:
4725:
4722:
4720:
4717:
4715:
4712:
4710:
4707:
4705:
4702:
4700:
4697:
4695:
4692:
4690:
4687:
4685:
4682:
4680:
4677:
4675:
4672:
4670:
4667:
4665:
4662:
4660:
4657:
4655:
4652:
4650:
4647:
4645:
4642:
4640:
4637:
4635:
4632:
4630:
4627:
4625:
4622:
4620:
4617:
4615:
4612:
4610:
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4590:
4587:
4585:
4582:
4580:
4577:
4575:
4572:
4570:
4567:
4565:
4562:
4560:
4557:
4555:
4552:
4550:
4547:
4545:
4542:
4540:
4537:
4535:
4532:
4530:
4527:
4525:
4522:
4520:
4517:
4515:
4512:
4510:
4507:
4505:
4502:
4500:
4497:
4495:
4492:
4490:
4487:
4485:
4482:
4480:
4477:
4475:
4472:
4470:
4467:
4465:
4462:
4460:
4457:
4455:
4452:
4450:
4447:
4445:
4442:
4440:
4437:
4435:
4432:
4430:
4427:
4425:
4422:
4420:
4417:
4415:
4412:
4410:
4407:
4405:
4402:
4400:
4397:
4395:
4392:
4390:
4387:
4385:
4382:
4380:
4377:
4375:
4372:
4370:
4367:
4365:
4362:
4360:
4357:
4355:
4352:
4350:
4347:
4345:
4342:
4340:
4337:
4335:
4332:
4330:
4327:
4325:
4322:
4320:
4317:
4315:
4312:
4310:
4307:
4305:
4302:
4300:
4297:
4295:
4292:
4290:
4287:
4285:
4282:
4280:
4277:
4275:
4272:
4270:
4267:
4265:
4262:
4260:
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4240:
4237:
4235:
4232:
4230:
4227:
4225:
4222:
4220:
4217:
4215:
4212:
4210:
4207:
4205:
4202:
4200:
4197:
4195:
4192:
4190:
4187:
4185:
4182:
4180:
4177:
4175:
4172:
4170:
4167:
4166:
4164:
4160:Composers and
4158:
4154:
4149:
4145:
4138:
4133:
4131:
4126:
4124:
4119:
4118:
4115:
4105:
4095:
4089:
4086:
4084:
4081:
4080:
4078:
4074:
4068:
4065:
4063:
4060:
4058:
4055:
4053:
4050:
4048:
4047:Edgard Varèse
4045:
4043:
4040:
4038:
4035:
4034:
4032:
4028:
4022:
4019:
4017:
4014:
4012:
4009:
4007:
4004:
4002:
3999:
3997:
3994:
3992:
3989:
3987:
3984:
3982:
3979:
3977:
3974:
3973:
3971:
3967:
3961:
3960:
3956:
3954:
3952:
3948:
3946:
3943:
3942:
3940:
3934:
3928:
3927:
3923:
3920:
3919:
3915:
3912:
3911:
3910:An die Jugend
3907:
3904:
3903:
3899:
3898:
3896:
3892:
3885:
3884:
3880:
3877:
3876:
3872:
3869:
3868:
3864:
3863:
3861:
3857:
3850:
3849:
3845:
3842:
3839:
3836:
3833:
3832:
3830:
3826:
3821:
3810:
3809:
3805:
3802:
3801:
3797:
3794:
3793:
3789:
3786:
3785:
3784:Die Brautwahl
3781:
3780:
3778:
3774:
3770:
3766:
3762:
3756:
3752:
3745:
3740:
3738:
3733:
3731:
3726:
3725:
3722:
3715:
3712:
3709:
3705:
3702:
3701:
3700:
3699:
3693:
3689:
3685:
3682:
3680:
3676:
3673:
3671:
3667:
3664:
3663:
3654:
3651:
3648:
3644:
3640:
3637:
3634:
3633:
3626:
3621:
3618:
3617:
3603:
3599:
3595:
3591:
3587:
3583:
3578:
3574:
3568:
3564:
3563:
3557:
3553:
3547:
3543:
3539:
3535:
3528:
3524:
3520:
3516:
3512:
3508:
3507:
3502:
3498:
3494:
3490:
3486:
3481:
3477:
3471:
3466:
3465:
3458:
3455:
3454:Naxos Records
3451:
3447:
3443:
3440:
3436:
3429:
3425:
3421:
3417:
3413:
3412:
3407:
3403:
3399:
3395:
3393:
3389:
3385:
3381:
3379:
3375:
3371:
3367:
3366:Sitsky, Larry
3364:
3360:
3356:
3352:
3348:
3344:
3337:
3333:
3329:
3325:
3321:
3317:
3312:
3308:
3304:
3300:
3297:
3291:
3287:
3283:
3279:
3275:
3271:
3267:
3266:
3261:
3257:
3253:
3249:
3243:
3239:
3234:
3231:
3227:
3223:
3222:
3217:
3210:
3206:
3202:
3198:
3194:
3190:
3189:
3183:
3181:
3177:
3173:
3169:
3158:
3157:
3152:
3150:
3144:
3140:
3136:
3130:
3126:
3121:
3117:
3111:
3107:
3102:
3101:
3095:
3091:
3089:
3085:
3081:
3077:
3073:
3070:
3066:
3060:
3056:
3051:
3048:
3047:
3042:
3038:
3034:
3030:
3026:
3025:
3019:
3015:
3009:
3004:
3003:
2997:
2993:
2986:
2985:
2979:
2977:
2973:
2969:
2965:
2961:
2955:
2951:
2947:
2943:
2942:
2930:
2927:
2922:
2916:Wirth (1980).
2913:
2904:
2896:
2892:
2885:
2876:
2867:
2858:
2843:
2839:
2833:
2824:
2815:
2806:
2797:
2788:
2779:
2770:
2761:
2752:
2743:
2734:
2725:
2716:
2709:
2705:
2701:
2697:
2693:
2687:
2680:
2678:
2668:
2659:
2650:
2641:
2632:
2623:
2614:
2605:
2596:
2587:
2578:
2569:
2560:
2551:
2542:
2533:
2524:
2515:
2506:
2497:
2488:
2479:
2470:
2461:
2452:
2443:
2434:
2425:
2416:
2407:
2398:
2389:
2380:
2371:
2362:
2353:
2344:
2335:
2326:
2317:
2308:
2299:
2290:
2281:
2272:
2263:
2254:
2245:
2236:
2227:
2218:
2209:
2200:
2191:
2182:
2173:
2164:
2155:
2146:
2137:
2128:
2119:
2110:
2101:
2092:
2083:
2074:
2065:
2056:
2047:
2038:
2029:
2020:
2011:
2002:
1993:
1984:
1975:
1966:
1957:
1948:
1939:
1930:
1921:
1912:
1903:
1894:
1885:
1876:
1867:
1858:
1849:
1840:
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1720:Neoclassicism
1715:
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1698:Das Brautwahl
1695:
1691:
1687:
1686:Hans Pfitzner
1683:
1682:Die Brautwahl
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1496:An die Jugend
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1395:
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1392:B-A-C-H motif
1389:
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1378:Die Brautwahl
1375:
1374:An die Jugend
1371:
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1118:An die Jugend
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1024:Percy Scholes
1021:
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962:heart failure
958:
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916:
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897:
893:
889:
884:
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878:
874:
870:
869:Hans Pfitzner
866:
860:
858:
857:one-act piece
854:
850:
849:
844:
840:
839:
833:
830:. His friend
829:
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821:
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811:
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764:
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746:
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736:
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728:
724:
723:Edgard Varèse
720:
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710:
705:
703:
702:An die Jugend
699:
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669:
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618:Beethovensaal
613:
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602:
601:An die Jugend
597:
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587:
586:
585:Die Brautwahl
581:
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356:Jean Sibelius
353:
350:, the writer
349:
345:
341:
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329:
314:
305:
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298:
297:
292:
288:
284:
280:
279:Carl Reinecke
276:
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268:
264:
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259:Karl Goldmark
256:
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212:Wilhelm Mayer
209:
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165:child prodigy
162:
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131:
129:
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123:
122:chamber music
119:
115:
111:
107:
103:
99:
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88:
84:
80:
76:
72:
71:Carl Reinecke
68:
67:Wilhelm Mayer
64:
59:
57:
53:
49:
41:
37:
33:
19:
7536:
7529:
7522:
7506:
7226:Porto-Alegre
6880:Philosophers
6764:Rachmaninoff
6626:
6213:Chavchavadze
6203:Baratashvili
5963:João de Deus
5932:Wincenty Pol
5724:Küchelbecker
5452:
5418:Noble savage
5405:
5371:
5346:Wallenrodism
5323:
5309:
5240:Coppet group
5174:(literature)
5080:
5073:
4976:
4960:Other topics
4784:J. Strauss I
4674:Rachmaninoff
4429:Gretchaninov
4273:
4062:Stefan Wolpe
3976:Guido Agosti
3957:
3950:
3926:Klavierübung
3924:
3916:
3908:
3900:
3881:
3873:
3865:
3846:
3808:Doktor Faust
3806:
3798:
3790:
3782:
3761:Compositions
3750:
3698:Music scores
3697:
3696:
3647:Guido Agosti
3638:
3630:
3585:
3581:
3560:
3541:
3538:Walker, Alan
3510:
3504:
3484:
3463:
3449:
3409:
3401:
3383:
3369:
3350:
3319:
3315:
3306:
3295:
3269:
3263:
3237:
3220:
3192:
3186:
3171:
3160:. Retrieved
3154:
3149:Doktor Faust
3148:
3124:
3099:
3075:
3054:
3044:
3023:
3001:
2982:
2967:
2949:
2928:
2921:
2912:
2903:
2894:
2890:
2884:
2875:
2866:
2857:
2845:. Retrieved
2841:
2832:
2823:
2814:
2805:
2796:
2787:
2778:
2769:
2760:
2751:
2742:
2733:
2724:
2715:
2702:(digitized:
2691:
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2631:
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2055:
2046:
2037:
2028:
2019:
2010:
2001:
1992:
1983:
1974:
1965:
1956:
1947:
1938:
1929:
1920:
1911:
1902:
1893:
1884:
1875:
1866:
1857:
1848:
1839:
1830:
1821:
1814:Opus numbers
1812:See section
1808:
1799:
1776:
1767:
1758:
1749:
1740:
1732:
1731:
1724:musical form
1714:
1705:
1697:
1681:
1677:antisemitism
1671:
1646:
1638:
1637:
1625:
1621:Doktor Faust
1620:
1616:
1612:
1609:
1591:
1588:Feux follets
1587:
1581:
1572:Welte-Mignon
1557:
1547:
1537:
1519:
1511:
1507:
1495:
1477:
1470:
1464:
1454:
1448:
1445:
1435:Klavierübung
1434:
1431:
1418:Doktor Faust
1416:
1412:
1406:
1403:Indian Diary
1402:
1398:
1396:
1385:
1381:
1377:
1373:
1372:, the suite
1369:
1367:
1356:
1350:
1334:
1330:
1326:
1324:
1315:
1311:
1307:
1298:
1293:
1285:
1281:
1279:
1267:
1259:
1257:
1246:
1243:
1222:
1208:
1206:
1191:
1175:
1161:
1158:
1146:
1128:
1122:
1116:
1106:
1092:
1080:
1076:
1072:
1068:
1064:
1058:
1055:opus numbers
1052:
1049:Opus numbers
1044:
1019:
1016:Donald Tovey
1006:
996:The pianist
995:
966:Doktor Faust
965:
959:
938:
932:
927:
924:Doktor Faust
923:
921:
888:Stefan Zweig
885:
864:
861:
852:
846:
843:Doktor Faust
842:
836:
813:
809:Doktor Faust
807:
804:
786:
768:
712:
706:
701:
670:
653:
649:
638:Carl Nielsen
626:César Franck
624:, Sibelius,
622:Edward Elgar
617:
614:
599:
593:
583:
565:
559:
547:
540:
524:
521:
515:
505:
499:
494:
483:
477:
460:
437:
409:Konzertstück
408:
402:
400:
391:
360:
328:Hugo Riemann
325:
294:
282:
270:
262:
252:
227:
216:Stabat Mater
215:
189:
150:
139:Early career
127:Doktor Faust
125:
97:
91:
60:
47:
46:
36:
7569:1924 deaths
7564:1866 births
7216:Michałowski
7048:Wackenroder
7013:F. Schlegel
7008:A. Schlegel
6784:Tchaikovsky
6673:Bortkiewicz
6545:R. Schumann
6540:C. Schumann
6505:Kalkbrenner
6474:Saint-Saëns
5779:Anne Brontë
5664:Eichendorff
5649:B. v. Arnim
5644:A. v. Arnim
5454:Weltschmerz
5413:Medievalism
5362:Blue flower
5290:Nationalist
5235:Bohemianism
5147:Romanticism
5027:Romanticism
4809:Tchaikovsky
4744:R. Schumann
4739:C. Schumann
4724:Saint-Saëns
4619:Niedermeyer
4509:Leoncavallo
4479:Kalkbrenner
4254:Bortkiewicz
3991:Rudolf Ganz
3769:Discography
3765:Adaptations
3623: [
3448:, notes to
2672:(in German)
1560:piano rolls
1554:Piano rolls
1548:Faust Waltz
1466:Le Prophète
1316:necessarily
1166: [
1151:Brahms and
1085:arrangement
1081:Bearbeitung
892:James Joyce
881:third-tones
783:concertante
642:Béla Bartók
576:Carlo Gozzi
502:World War I
383:Edward Dent
321: 1900
248: 1886
200:Franz Liszt
87:World War I
7558:Categories
7091:Chassériau
7066:Aivazovsky
6774:Rubinstein
6759:Mussorgsky
6708:Wieniawski
6693:Paderewski
6535:Moszkowski
6318:Vörösmarty
6308:Shevchenko
6162:Longfellow
6086:Batyushkov
6081:Baratynsky
6050:Espronceda
5917:Mickiewicz
5912:Malczewski
5879:Wordsworth
5864:M. Shelley
5819:de Quincey
5684:Günderrode
5568:Baudelaire
5448:Wanderlust
5285:Lake Poets
5015:Background
4916:Intermezzo
4849:Wieniawski
4829:Vieuxtemps
4794:R. Strauss
4719:Rubinstein
4644:Paderewski
4614:Mussorgsky
4609:Moszkowski
4584:Mercadante
4057:Kurt Weill
4011:Leo Sirota
4006:Egon Petri
3981:Maud Allan
3859:Orchestral
3800:Arlecchino
3078:, London:
1733:References
1690:Kurt Weill
1604:See also:
1528:Recordings
1484:Niels Gade
1408:Arlecchino
1237:, and the
1035:See also:
951:Stravinsky
943:Kurt Weill
873:microtones
848:Arlecchino
775:Schöneberg
690:Leo Sirota
682:Maud Allan
404:Inventions
392:Kultaselle
379:Egon Petri
363:piano duet
352:Adolf Paul
299:for fifty
83:microtones
79:aesthetics
7531:Modernism
7191:Kiprensky
7151:Géricault
7136:Friedrich
7126:Delacroix
7101:Constable
7081:Bonington
7071:Bierstadt
7023:Senancour
6998:Schelling
6953:Lamennais
6948:Khomyakov
6913:Coleridge
6908:Chaadayev
6815:Stanković
6810:Mokranjac
6729:Balakirev
6688:Moniuszko
6637:Donizetti
6632:Cherubini
6530:Meyerbeer
6515:Marschner
6490:Beethoven
6403:Moscheles
6337:Musicians
6323:Wergeland
6288:Orbeliani
6243:Grundtvig
6147:Hawthorne
6116:Zhukovsky
6111:Vyazemsky
6096:Lermontov
6055:Gutiérrez
6014:Radičević
5978:Herculano
5902:Krasiński
5844:Radcliffe
5814:Coleridge
5789:E. Brontë
5784:C. Brontë
5714:Jean Paul
5709:Hölderlin
5598:Lamartine
5535:Magalhães
5525:Guimarães
5433:Pantheism
5423:Nostalgia
5275:Indianism
5223:Movements
5154:Countries
4629:Offenbach
4604:Moscheles
4599:Moniuszko
4594:Meyerbeer
4549:Marschner
4534:MacDowell
4349:Donizetti
4294:Cherubini
4284:Chaminade
4209:Beethoven
4194:Balakirev
4184:Atterberg
4162:musicians
3953:(JS Bach)
3828:Concertos
3493:906126003
3359:634410668
2708:592760169
1518:'s opera
1463:'s opera
1363:atonality
1320:semitones
1308:beginning
1107:In 1917,
877:harmonium
646:Karl Muck
606:sonatinas
537:chromatic
482:'s opera
433:Beethoven
386:sculptor
293:'s opera
229:Ave Maria
134:Biography
102:atonality
7543:Category
7359:Dahlhaus
7344:Blanning
7311:Scholars
7281:Tropinin
7276:Tidemand
7266:Stattler
7261:Scheffer
7161:Głowacki
7131:Edelfelt
7086:Bryullov
7028:Snellman
7003:Schiller
6993:Rousseau
6973:Michelet
6918:Constant
6888:Belinsky
6861:Sibelius
6805:Konjović
6779:Scriabin
6749:Lyapunov
6683:Lipiński
6652:Spontini
6642:Paganini
6586:Goldmark
6377:Thalberg
6372:Schubert
6352:Bruckner
6313:Topelius
6303:Runeberg
6293:Prešeren
6263:Leopardi
6228:Frashëri
6218:Eminescu
6198:Andersen
6106:Tyutchev
6091:Karamzin
6065:Zorrilla
6060:Saavedra
5958:Castilho
5946:Portugal
5937:Słowacki
5839:Polidori
5769:Barbauld
5704:Hoffmann
5659:Brentano
5573:Bertrand
5394:Romantic
5230:Ancients
5204:Scotland
5095:Category
5072: ←
4951:Symphony
4814:Thalberg
4779:Spontini
4754:Sibelius
4749:Scriabin
4734:Schubert
4729:Sarasate
4694:Respighi
4689:Reinecke
4649:Paganini
4559:Massenet
4554:Masarnau
4539:Madetoja
4484:Kreisler
4474:Kalivoda
4419:J. Gomis
4404:Glazunov
4399:Giuliani
4289:Chausson
4279:Chadwick
4269:Bruckner
4104:Category
3792:Turandot
3540:(1996).
3456:8.110777
3442:Archived
3368:(1986).
3349:(1947).
3305:(1991).
3258:(1917).
3226:D. Phil.
3074:(1933).
3037:13835974
2998:(1976).
2948:(1985).
2897:: 46–47.
2847:3 August
1564:vinyl LP
1413:Turandot
1290:of Music
1288:Esthetic
1276:Writings
1124:Berceuse
1089:cadenzas
853:Turandot
737:artists
735:Futurist
516:virtuosi
495:Falstaff
485:Falstaff
440:Concerto
340:Helsinki
181:Clementi
177:Schumann
155:town of
94:romantic
75:Helsinki
52:composer
7384:Lovejoy
7319:Abraham
7241:Richard
7231:Préault
7156:Girodet
7038:Thoreau
6983:Novalis
6968:Mazzini
6963:Maistre
6938:Hazlitt
6923:Emerson
6903:Carlyle
6893:Berchet
6836:Berwald
6831:Bennett
6800:Hristić
6754:Medtner
6734:Borodin
6724:Arensky
6647:Rossini
6622:Bellini
6601:Joachim
6574:Hungary
6555:Strauss
6483:Germany
6449:Berlioz
6418:Voříšek
6413:Smetana
6391:Czechia
6345:Austria
6278:Maturin
6273:Manzoni
6248:Heliade
6223:Foscolo
6193:Alfieri
6188:Abovian
6142:Emerson
6101:Pushkin
6040:Bécquer
5973:Garrett
5927:Potocki
5874:Southey
5834:Maturin
5804:Carlyle
5761:Britain
5734:Novalis
5689:Gutzkow
5637:Germany
5603:Mérimée
5588:Gautier
5515:Barreto
5510:Azevedo
5490:Alencar
5470:Writers
5389:Byronic
5325:Purismo
5179:Germany
5161:Denmark
5085:→
5047:Science
4926:Mazurka
4901:Ballade
4834:Voříšek
4804:Tárrega
4799:Taneyev
4759:Smetana
4714:Rossini
4669:Puccini
4664:Prudent
4624:Nielsen
4589:Méreaux
4564:Medtner
4529:Lysenko
4499:Lachner
4464:Joachim
4444:Herbert
4364:Farrenc
4329:Delibes
4304:Crusell
4249:Borodin
4239:Berwald
4229:Berlioz
4219:Bennett
4214:Bellini
4199:Bazzini
4179:Arensky
3902:Elegies
3759:Lists:
3710:(IMSLP)
3706:at the
3690:of the
3686:in the
3677:at the
2938:Sources
2700:6741344
1617:Toccata
1370:Elegies
1134:chamber
1002:bravura
978:Pianism
939:Emperor
855:into a
838:famulus
765:, Rome)
595:Elegies
551:Ishmael
507:parvenu
438:Emperor
316:Busoni
287:fantasy
275:Leipzig
255:Bologna
243:Busoni
161:Trieste
56:pianist
7409:Wellek
7389:de Man
7374:Janion
7364:Ferber
7339:Berlin
7334:Beiser
7329:Barzun
7324:Abrams
7301:Wiertz
7286:Turner
7236:Révoil
7221:Palmer
7211:Martin
7206:Leutze
7181:Janmot
7141:Fuseli
7096:Church
6988:Quinet
6978:Müller
6933:Goethe
6928:Fichte
6851:Franck
6793:Serbia
6744:Glinka
6717:Russia
6703:Tausig
6698:Stolpe
6678:Chopin
6666:Poland
6627:Busoni
6591:Heller
6560:Wagner
6495:Brahms
6469:Onslow
6459:Halévy
6427:France
6408:Reicha
6398:Dvořák
6367:Mahler
6362:Hummel
6357:Czerny
6253:Isaacs
6233:Geijer
6167:Lowell
6157:Irving
6137:Cooper
6132:Bryant
6074:Russia
6009:Njegoš
6004:Kostić
5999:Jakšić
5992:Serbia
5922:Norwid
5897:Fredro
5889:Poland
5859:Seward
5749:Uhland
5739:Schwab
5729:Mörike
5719:Kleist
5674:Goethe
5669:Fouqué
5618:Nodier
5613:Nerval
5608:Musset
5560:France
5550:Varela
5545:Taunay
5530:Macedo
5478:Brazil
5428:Ossian
5355:Themes
5194:Poland
5189:Norway
5171:France
5105:Portal
5042:Poetry
4894:Genres
4839:Wagner
4819:Tobias
4684:Reicha
4659:Popper
4639:Pacini
4634:Onslow
4544:Mahler
4524:Lumbye
4489:Kuhlau
4469:Joplin
4459:Hummel
4449:Hérold
4439:Halévy
4424:Gounod
4409:Glinka
4389:Franck
4384:Foster
4354:Dvořák
4344:d'Indy
4334:Delius
4314:Czerny
4299:Chopin
4274:Busoni
4259:Brahms
4234:Bertin
4224:Bériot
3921:(1910)
3913:(1909)
3905:(1908)
3886:(1909)
3878:(1905)
3870:(1897)
3851:(1916)
3843:(1904)
3837:(1878)
3811:(1925)
3803:(1917)
3795:(1917)
3787:(1912)
3776:Operas
3602:932592
3600:
3569:
3548:
3527:832359
3525:
3491:
3472:
3428:945689
3426:
3390:
3376:
3357:
3336:947129
3334:
3290:738005
3288:
3244:
3207:
3178:
3162:29 May
3131:
3112:
3086:
3061:
3035:
3010:
2974:
2956:
2706:
2698:
1600:Legacy
1576:Chopin
1521:Carmen
1353:, 1910
1299:Sketch
1294:Sketch
1264:BV 253
1140:and a
1138:suites
1113:BV 244
1093:BV B 1
826:) and
725:, and
673:Weimar
610:BV 257
491:Wagner
413:BV 236
396:BV 237
283:Sigune
271:Études
263:Merlin
224:BV 119
169:Mozart
157:Empoli
153:Tuscan
18:Busoni
7495:Bacon
7404:Rosen
7399:Ricks
7394:Nancy
7354:Blume
7349:Bloom
7271:Stroy
7256:Saleh
7251:Runge
7201:Lampi
7186:Jones
7176:Hayez
7111:Corot
7076:Blake
7043:Tieck
7033:Staël
6958:Larra
6943:Hegel
6898:Burke
6856:Grieg
6846:Field
6841:Elgar
6824:Other
6657:Verdi
6615:Italy
6606:Liszt
6596:Hubay
6581:Erkel
6565:Weber
6550:Spohr
6510:Loewe
6500:Bruch
6464:Méhul
6454:Fauré
6444:Auber
6439:Alkan
6298:Raffi
6268:Mácha
6258:Lenau
6208:Botev
6181:Other
6033:Spain
5968:Dinis
5854:Scott
5829:Keats
5809:Clare
5799:Byron
5794:Burns
5774:Blake
5759:Great
5744:Tieck
5699:Heine
5694:Hauff
5628:Vigny
5623:Staël
5583:Dumas
5505:Assis
5500:Alves
5485:Abreu
5438:Rhine
5341:Ultra
5184:Japan
5032:Chess
4864:Ysaÿe
4844:Weber
4824:Verdi
4774:Spohr
4769:Sousa
4654:Paine
4569:Méhul
4519:Loewe
4514:Liszt
4494:Kuula
4454:Holst
4434:Grieg
4414:Gomes
4394:Franz
4379:Foote
4374:Field
4369:Fauré
4359:Elgar
4339:Denza
4264:Bruch
4244:Bizet
4204:Beach
4189:Auber
4174:Alkan
3627:]
3598:JSTOR
3523:JSTOR
3424:JSTOR
3411:Tempo
3332:JSTOR
3286:JSTOR
3276:–87.
3272:(1):
3205:JSTOR
3106:57–74
1639:Notes
1170:]
1079:(for
1063:(for
1031:Works
973:Music
928:Faust
863:work
301:marks
277:with
234:BV 67
210:with
7369:Frye
7296:Ward
7291:Veit
7246:Rude
7196:Koch
7171:Gude
7166:Goya
7116:Dahl
7106:Cole
6434:Adam
6382:Wolf
6125:U.S.
6024:Zmaj
5654:Beer
5593:Hugo
5540:Reis
5520:Dias
5384:Hero
5319:Post
5280:Jena
5250:Dark
4921:Lied
4859:Wolf
4709:Rode
4699:Ries
4679:Raff
4504:Lalo
4169:Adam
3645:and
3567:ISBN
3546:ISBN
3489:OCLC
3470:ISBN
3388:ISBN
3374:ISBN
3355:OCLC
3242:ISBN
3176:ISBN
3164:2016
3129:ISBN
3110:ISBN
3084:ISBN
3059:ISBN
3033:OCLC
3008:ISBN
2972:ISBN
2954:ISBN
2849:2024
2704:OCLC
2696:OCLC
1664:Dent
1658:and
1626:The
1566:and
1153:Wolf
1071:for
1039:and
741:and
640:and
574:for
367:Bach
208:Graz
179:and
163:. A
69:and
6866:Sor
6739:Cui
6172:Poe
5305:Pre
5300:Neo
4764:Sor
4309:Cui
3692:ZBW
3668:at
3590:doi
3515:doi
3416:doi
3408:".
3324:doi
3278:doi
3197:doi
1502:'s
1083:, "
1069:KiV
1020:not
773:in
578:'s
570:as
435:'s
375:BWV
369:'s
289:on
220:Op.
171:'s
7560::
7521:←
3767:·
3763:·
3625:fr
3596:.
3586:49
3584:.
3521:.
3509:.
3422:.
3330:.
3320:82
3318:.
3284:.
3274:69
3268:.
3262:.
3224:.
3203:.
3193:27
3191:.
3153:.
3108:.
2895:28
2893:.
2840:.
1785:^
1654:,
1568:CD
1524:.
1482:,
1475:.
1365:.
1272:.
1241:.
1168:de
1144:.
1099:.
1060:BV
988:c.
945:,
745:.
721:,
696:,
692:,
688:,
636:,
632:,
628:,
608:,
545:.
318:c.
245:c.
218:,
187:.
54:,
7534:→
5139:e
5132:t
5125:v
5007:"
5003:"
4136:e
4129:t
4122:v
3743:e
3736:t
3729:v
3649:.
3604:.
3592::
3575:.
3554:.
3529:.
3517::
3511:6
3495:.
3478:.
3430:.
3418::
3361:.
3338:.
3326::
3292:.
3280::
3270:3
3250:.
3211:.
3199::
3166:.
3147:"
3137:.
3118:.
3067:.
3039:.
3016:.
2962:.
2851:.
2710:)
2679:.
1510:(
1284:(
1262:(
1204:.
1077:B
373:(
34:.
20:)
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