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famine is starting to bite in the occupied northern and western
Netherlands and Nazi persecution is rife. The farm of Jan Alting, a Dutch patriot who has disowned his son for his collaboration with the occupying German forces, is known by the Dutch Resistance as a place of refuge for those who are
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Jan's son Anton returns unexpectedly to his former home, and discovers that his father and sister are harbouring subversives. He orders his father to turn them out immediately, threatening to shoot them all if this is not done. Jan is faced with the seemingly irreconcilable demands of patriotism
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and responsibility for the safety of his shelterers, set against the feelings he still has for Anton, despite the latter's betrayal of all Jan stands for. He faces the stark moral choice of failing those to whom he has given refuge, or conspiring with them to kill his own son.
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was first screened in
December 1948; however surviving contemporary reviews all date from early 1950, leading to the assumption that a general release was delayed until then for unknown reasons. The film received some generally favourable reviews, with
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in danger from the
Germans. With the help of his daughter Elly, Alting is currently providing shelter for Jewish couple Mark and Mary Meyer; van Nespen, an aristocrat with active links to the underground movement, and Bakker, a
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Content in this edit is translated from the existing Dutch
Knowledge article at ]; see its history for attribution.
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describing it as "intelligently directed, always with artistry and sometimes with real dramatic power", and the
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wanted by the
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represents a crucial gap in Gréville's filmography, and the BFI lists the film as one of its "
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Promotional card featuring (l. to r.) Bruce Lester, Martin Benson and Carol van Derman
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praising "well-drawn characters, gripping story and happy climax". The
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to the source of your translation. A model attribution edit summary is
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This article is about the Anglo-Dutch film. For the
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The film's name is derived from a wartime radio speech by the exiled
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has been unable to locate a print of the film for inclusion in the
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being particularly highly regarded. The current absence of
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in contrast dismissed it as "uniquely incompetent".
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415:Ben van Esselstyn as Sgt. Eeslyn
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135:But Not in Vain/Niet Tevergeefs
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117:For more guidance, see
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165:Ben van Eysselsteijn
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857:British drama films
638:Under Secret Orders
614:Whirlpool of Desire
204:Matthieu van Eysden
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766:The Hands of Orlac
570:Edmond T. Gréville
568:Films directed by
391:as Fred van Nespen
362:Origin of the name
343:In late 1944, the
317:Edmond T. Gréville
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173:Geoffrey Goodheart
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662:What a Man!
654:Forty Years
325:Netherlands
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170:Produced by
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474:References
262:1948-12-31
162:Written by
54:(May 2009)
758:Beat Girl
352:Communist
329:Amsterdam
293:Languages
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195:Jan Retèl
112:talk page
533:AllMovie
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180:Starring
88:provide
49:in Dutch
742:Guilty?
670:Threats
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339:Plot
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