371:, though much of their earliest public performance tended more towards being unconventional and provocative stunts rather than conventional shows. The trio would deploy to various parts of Sheffield with their portable tape recorders and play their experimental compositions in places as diverse as public toilets and on the streets from loudspeakers on the top of a friend's van. This raucous and punkish attitude followed the band onstage to great effect; their first live concert in May 1975 ended in a fight between the band and the audience that sent Mallinder to hospital. In another incident, Mallinder was hospitalised with a chipped
595:. The ÂŁ50,000 advance from Some Bizzare allowed Kirk and Mallinder to significantly improve their operation at Western Works, but came with the stipulation of having to record their next LP in London and making certain production changes to their music. The relationship with Some Bizzare and Virgin resulted in greater exposure and promotion for the band. In August 1983, the album
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of their new studio. Additionally, Mallinder moved to London and took on more of a socialite lifestyle while Kirk remained in
Sheffield. This formed a schism between the band members characterized by the extroverted Mallinder and the reluctant Kirk that was a mirror of the identity crisis of an experimental/unconventional band on the verge of going pop.
33:
959:"I found it really sad that these complete pioneers, who were once willing to take risks, come here to Chicago because of the house explosion. They wanted to do a house record, and they didn't understand that they informed house music through people copying them. And now they're back here to copy themselves off other people?"
481:, Andy Gill said "I firmly believe Cabaret Voltaire will turn out to be one of the most important new bands to achieve wider recognition this year. Wait and see". Subsequently, "Nag Nag Nag" sold 10,000 copies, despite poor reviews, and reached as far afield as France and Belgium, while the debut album
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In 1977, Watson financed the establishment of the band's own recording studio on the second floor of a building called the
Western Works on Portobello Street in Sheffield. The "Western Works" studio served as the band's studio for many years as well as providing a social gathering spot for the local
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Prior to 1988, each member of
Cabaret Voltaire had released several solo recordings under their own names, and Kirk had worked with Peter Hope of The Box on an album and single. The band's physical separation — with Kirk in Sheffield and Mallinder in London — and the burgeoning house and acid house
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While 1987 proved to be a successful year musically, in other respects the band was faltering. The decision was made to abandon the original
Western Works studio after a series of break-ins and the emergence of financial issues due to accounting problems from years before threatened to force a sale
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In 1995, Mallinder moved to Perth, Australia, and effectively left
Cabaret Voltaire in order to step away from the commercial and financial pressures of what had become of his music career. Opting instead to make music with less emphasis on product, Mallinder set up his own music company in Perth,
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Despite the newfound energy and direction, the band amassed significant debt under EMI and the label dropped
Cabaret Voltaire from their roster. Released from the label, Kirk began a series of projects between 1990 and 1992, including Sweet Exorcist with Richard Barratt, The Technocrats with Ralf
847:
reported that
Cabaret Voltaire were to perform at the festival. The performance – the first in twenty years – saw a set list of all new material performed by a line-up "consisting solely of machines, multi-screen projections and Richard H. Kirk", the lone remaining member of the 'group'.
637:
was released that year, which was a compendium of singles videos along with prototype footage for the band's unfinished film "Earthshaker" and other band-filmed footage put to unreleased
Cabaret Voltaire music. A double 12" release was derived from the video and released as
2015:
Having discovered the industrial-grade thumping and noise terrorism of UK bands such as
Throbbing Gristle and Cabaret Voltaire, and the moodiness of Bauhaus, Joy Division, early New Order and Depeche Mode, Key and Ogre set about creating their own brand of electronic
344:
and unusual sound structures. Kirk began to add traditional instrumentation, including clarinet and guitar. In late 1973, they brought in Kirk's friend
Stephen Mallinder to provide vocals and bass guitar. Some of these early experiments were first documented on the
662:
By 1986, Virgin offered to extend Cabaret Voltaire's record contract, but EMI group signalled an intent to invest more in the group and the lure of increased resources through a major label proved irresistible. One of these resources was access to producer
1986:
There's an element of Kraftwerk in it, for sure. But by the time I wrote 'Blue Monday', I had already done some gigs with Cabaret Voltaire as well... Once I had understood that you could make music without guitars, I felt like there were no longer any
971:"It was now a fact that many of the successful funk and dance records that were racing past them and into the charts were using a 'found' vocal track over a hard rhythm, a technique had nurtured and as near as damn it invented some ten years earlier."
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made a significant offer to Kirk to reform the original Cabaret Voltaire for a reunion show. Kirk refused, stating that "Cabaret Voltaire was always about breaking new ground and moving forward. It would be so sad to see it as a nostalgia act."
866:. Backed by the first single "Vasto," the album was released on 20 November 2020. These are the first strictly Cabaret Voltaire recordings with Richard H. Kirk as the group's sole member. These were followed in 2021 by the release of a new EP,
802:
Meanwhile, Kirk remained in England and continued in the vein of where Cabaret Voltaire left off through the remainder of the '90s and into the 2000s with more releases under his own name, as Sandoz, and as a new solo project, Electronic Eye.
783:
OffWorld Sounds, while he pursued an academic career. Eventually Mallinder returned to music collaboration with a number of projects including Sassi & Loco and Kuling-Bros. Mallinder also contributed to
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obtained by mail order by the time he met fellow Sheffield local and Eno devotee Richard Kirk. Kirk and Watson began exploring the intersection of technology and music, producing tapes loops to generate
955:, while working with the band on the Acid Horse project, observed the irony of Cabaret Voltaire's turn towards house music circa 1989 as closing the circle on a genre they helped influence:
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styles. After Watson's departure in 1981, the group continued as a two-piece until disbanding in 1994. Kirk revived the name as a solo project from 2009 until his death in 2021.
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There were only a few bands on the scene at the time to whom we related. Joy Division, Pere Ubu, Devo, Gang Of Four, Cabaret Voltaire, and The Pop Group come to mind.
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723:. The introduction led to a cross-Atlantic collaboration, with the members of Cabaret Voltaire spending a month in Chicago to produce material for their 1990 album
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broadcast a session on the BBC, recorded previously by the band, which included four songs: "Black Mask", "Greensborough", "Walls of Jericho" and "Jazz the Glass".
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In early August 2016, Cabaret Voltaire performed an hour long set of otherwise unreleased material at the Dekmantel festival in Amsterdam, the Netherlands.
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to release new and past works from the band's own Plastex label imprint in the US. Between 1992 and 1994, the band released a trio of instrumental works.
545:
In late 1982, Cabaret Voltaire decided consciously to turn in a more commercial direction. Introduced by New Order to the American dance music producer
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605:– over 60 places higher than their previous (and, at the time, only) chart placement. The album's single for "Just Fascination" peaked at number 74.
806:
Hopes of a Cabaret Voltaire reunion were raised when Kirk dropped hints in the late 1990s, the most significant being in the notes of a reissue of
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tape machine (in lieu of an advance) that Rough Trade secured the deal. With Rough Trade, they released several acclaimed, musically experimental
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magazine, Kirk suggested he was still considering resurrecting the Cabaret name, but this time he planned to "Get some young people involved".
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896:, said that Cabaret Voltaire influenced his songwriting, having helped him understand that one "could make music without guitars". In
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The band's interest in house music created new connections for the band in America. After trying in vain to contact New York producer
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626:, was a vastly improved melding of two of the album's tracks, "Sensoria" and "Do Right". The video for the single was directed by
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movements opened new opportunities for solo collaborations. In 1988, Mallinder collaborated with Robert Gordon, co-founder of
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737:, and the lead single from the album — "Hypnotised" — featured remix talent from Fon Force (Mark Brydon and Robert Gordon),
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and was the last Cabaret Voltaire release to feature Mallinder on vocals. In 1991, the band entered an agreement with
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2008:
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904:, Cabaret Voltaire's "industrial-grade thumping and noise terrorism" was cited as an influence on the band. In 2012,
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323:, England, began experimenting with electronic devices to make "music without musical instruments." Inspired by
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on a one-off house album under the name Love Street, and Kirk produced a solo acid house 12" as Wicky Wacky.
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Sheffield scene. Western Works produced some of the earliest recordings of pioneering local bands including
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is named after the Cabaret Voltaire song, and has become an annual event held in Sheffield since 2008.
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1970:
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included Cabaret Voltaire in their 1996 list of "100 underground inspirations of the past 20 years."
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and earned significant air time and acclaim including a Los Angeles Times Best Video award for 1985.
618:, as well as getting play in the underground dance scene. The 12" mix of "Sensoria", co-produced by
2254:
Braitman, Stephen (1996). Michael Shea (ed.). "100 Underground Inspirations of the Past 20 Years".
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stated that the Cabaret Voltaire was a major influence when working on his debut studio album with
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In 2009, Kirk resurrected the Cabaret Voltaire name and released an album with New Zealand band
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679:
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1985 proved to be a busy year for the band with numerous releases as well as an American tour.
1865:"Richard H. Kirk on Thatcherite pop and why Cabaret Voltaire were like the Velvet Underground"
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During this time, Cabaret Voltaire toured Europe, Japan, and the United States without major
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8:
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named the group as one of the "few bands on the scene at the time to whom we related".
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movement, the band are often characterized as among the most innovative and influential
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and its single, "I Want You," which would be the last releases for the band on Virgin.
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719:, an introduction was made by an Atlantic Records executive to Chicago house producer
331:, and helped along by his work as a telephone engineer, Watson's experimentation with
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2204:
1451:"Made in Sheffield: A decade of Documenting Sheffield Music: Gunrubber excerpts"
729:. Marshall brought numerous guest artists into the album's production including
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Jourgensen's assertion was an echo of Mick Fish's observation in his 1989 book
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Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock: 1970 - 1982
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Masuo, Sandy (January–February 1996). "Ministry: It's Not Easy Being Mean".
493:, reaching number three and number one on the UK Indie charts respectively.
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The band eventually turned to live performance, often sharing the bill with
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999:– guitars, keyboards, clarinet, saxophone, tapes, sampling, drum machines,
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1919:"Universal Energy: An Interview With Cabaret Voltaire's Richard H. Kirk"
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in the 1970s, Cabaret Voltaire have been considered influential on the
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reached number 12 on the UK Indie charts. Their success continued with
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2177:"The new wave of British industrial techno … and you can dance to it"
1892:"Cabaret Voltaire announce first album in 26 years, 'Shadow Of Fear'"
1527:(19th ed.). London: Guinness World Records Limited. p. 89.
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2149:
Who Killed Mister Moonlight?: Bauhaus, Black Magick, and Benediction
2385:
1787:"Cabaret Voltaire to play first gig in 20 years at Berlin festival"
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777:
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1662:
Savage, Jon (20 July 1993). "Machine Soul: A History of Techno".
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912:. Others who have cited Cabaret Voltaire as an influence include
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In 1984, the singles "Sensoria" and "James Brown" from the album
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2262:(100). Cleveland, OH: Alternative Press Magazine, Inc.: 39–56.
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1343:"Cabaret Voltaire - #7885 (Electropunk to Technopop 1978-1985)"
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after objects were thrown at the band. However, the arrival of
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37:
Left to right: Richard H. Kirk, Stephen Mallinder, Chris Watson
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862:
In August 2020, Cabaret Voltaire announced a new studio album
383:, electronic sound and they were championed by Sheffield punk
2655:
Johnny Yesno: The Original Soundtrack From the Motion Picture
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album in 1991. The album featured a more minimal sound than
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409:
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2110:
Armstrong, Emily (1987). "Interview: Front Line Assembly".
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555:
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era, they integrated their experimental sensibilities with
272:
1839:"Dekmantel Festival reveals details of 2016 opening party"
840:. The new material was recorded at Western Works studios.
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Bands and musicians from Yorkshire and North East England
567:
in May 1983, and received extensive play in dance clubs.
510:
477:
157:
932:
once listed Cabaret Voltaire among his favourite bands.
282:
The band's early work consisted of experimentation with
497:
Watson departs, Kirk and Mallinder continue (1981–1982)
2340:. Vol. 2, no. 2. December 1987. p. 67.
1761:"Smuggled Sounds: Cabaret Voltaire: The Three Mantras"
881:
Richard Kirk died in September 2021 at the age of 65.
2314:
Tape Delay: Confessions from the Eighties Underground
1657:
1655:
1391:. New York: Oxford University Press. pp. 61–65.
1628:
1626:
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823:
1287:
1652:
1387:Assimilate: A Critical History of Industrial Music
1384:
836:and another with Sheffield band The Tivoli called
1805:
1619:
1243:(2 ed.). Middlesex, UK: SAF Publishing Ltd.
298:in the mid-1970s. Finding an audience during the
2728:
2510:The Covenant, The Sword, and the Arm of the Lord
2146:
1910:
1734:(244). Great Neck, NY: College Media, Inc.: 60.
695:Solo excursions and house/techno era (1988–1994)
673:and its singles "Don't Argue" and "Here to Go".
1340:
1098:The Covenant, the Sword and the Arm of the Lord
778:Parting ways and rumours of revival (1995–2009)
647:The Covenant, The Sword and the Arm of the Lord
2247:
2126:"Collect-a-Page (Martin Gore's questionnaire)"
2055:
644:. The band rounded-out 1985 with a new album,
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2027:
1813:"Dekmantel Openingsconcert: Cabaret Voltaire"
677:also featured additional musicians including
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1241:Cabaret Voltaire: The Art of the Sixth Sense
1238:
965:Cabaret Voltaire: The Art of the Sixth Sense
749:Dörper, XON with Robert Gordon, Citrus with
434:were also interested in signing the band to
379:brought a more accepting audience for their
1830:
438:, but it was with an offer of a four-track
2408:
2394:
2030:"Trent Reznor's New Industrial Revolution"
1700:(1). UK: The Empty Quarter: 25. May 1991.
601:was released and reached number 31 in the
591:label and leveraged a licensing deal with
549:, Cabaret Voltaire enlisted him to remix "
509:with Andrew M. McKenzie before becoming a
2222:
2202:
2109:
1856:
1712:
1365:
1299:
810:, but this never happened. In a special '
501:Watson left the band in 1981 to work for
2253:
1944:"Cabaret Voltaire musician dies aged 65"
1916:
390:edited by Paul Bower of local band 2.3.
2637:The Original Sound of Sheffield '78/'82
2630:The Original Sound of Sheffield '83/'87
1686:
1522:
884:
2729:
2284:. 2010.sensoria.org.uk. Archived from
2174:
1863:Wray, Daniel Dylan (5 February 2017).
1718:
1661:
1632:
1510:
1474:
1312:
1293:
1257:
251:were an English music group formed in
2822:Musical groups disestablished in 2021
2812:Musical groups disestablished in 1994
2389:
2228:
2203:Finlayson, Angus (13 February 2013).
1998:
2817:Musical groups reestablished in 2009
2777:British electronic body music groups
2415:
2310:
1862:
1694:"Cabaret Voltaire - Body & Soul"
1382:
814:/History of Electro-pop' edition of
422:In 1978, Cabaret Voltaire signed to
362:Methodology '74/'78: The Attic Tapes
335:evolved to include custom-built kit
319:By the early 1970s, Chris Watson of
2767:English experimental musical groups
2085:"One Little Indian Fluke Biography"
1971:"Max Dax interviews Bernard Sumner"
1968:
1917:Beaudoin, Jedd (11 February 2021).
1175:
13:
2807:Musical groups established in 1973
2304:
2205:"The industrial techno revolution"
2132:. 12 December 1981. Archived from
2056:Litowitz, Drew (17 January 2012).
1836:
1763:. 13 November 2006. Archived from
1719:Glaser, Mark, ed. (12 July 1991).
1421:"Cabaret Voltaire – Band Profiles"
985:Sensoria Music & Film Festival
658:and an identity crisis (1986-1987)
430:had offered to sign the band, and
255:in 1973 and initially composed of
14:
2883:
2752:2021 disestablishments in England
2742:1994 disestablishments in England
2361:
2331:– via the Internet Archive.
2028:Baltin, Steve (19 January 2012).
1409:– via the Internet Archive.
1265:. San Francisco: Backbeat Books.
1239:Fish, Mick; Hallbery, D. (1989).
1005:(1973–1994, 2009–2021; died 2021)
824:Kirk revives the band (2009–2021)
553:", a track from their 1982 album
2612:Radiation (BBC Recordings 84–86)
2001:Skinny Puppy: The Secret History
1525:British Hit Singles & Albums
1490:. BBC Books. 2005. p. 487.
1341:Bland, Benjamin (18 June 2014).
31:
2762:English electronic music groups
2757:British industrial music groups
2317:. SAF Publishing Ltd. pp.
2274:
2235:. No. 66. pp. 66–73.
2196:
2168:
2140:
2118:
2103:
2077:
2049:
2021:
1992:
1962:
1936:
1884:
1779:
475:In the 27 June 1978 edition of
2772:English post-punk music groups
2747:2009 establishments in England
2737:1973 establishments in England
1480:
1443:
1413:
1334:
1028:
1:
2802:Musical groups from Sheffield
2598:Live at the Y.M.C.A. 27-10-79
1969:Dax, Max (2 September 2012).
1280:
1208:featuring DJ Parrot and Kirk.
756:Cabaret Voltaire returned to
290:, as well as Dada-influenced
2872:Cassette culture 1970s–1990s
2867:Some Bizzare Records artists
2175:Turner, Luke (8 June 2012).
2058:"Horrid Red – Celestial Joy"
1698:Music From The Empty Quarter
1035:Cabaret Voltaire discography
990:
797:Amateur Night at the Big Top
314:
7:
2837:Rough Trade Records artists
2782:English techno music groups
2311:Neal, Charles, ed. (1987).
1383:Reed, S. Alexander (2013).
1215:
943:As well as helping pioneer
892:lead singer and guitarist,
10:
2888:
2852:Industrial Records artists
2787:English house music groups
2524:Groovy, Laidback and Nasty
1232:
1114:Groovy, Laidback and Nasty
1032:
1012:– vocals, bass, keyboards
768:Groovy, Laidback and Nasty
726:Groovy, Laidback and Nasty
353:(1980), then later on the
309:
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2682:
2664:
2646:
2621:
2589:
2564:
2452:
2423:
2147:David J. Haskins (2014).
1721:"Mute Slips Into Plastex"
1664:Rock & Roll Quarterly
758:Les Disques Du Crépuscule
220:
216:
187:
168:Les Disques du Crépuscule
122:
103:
62:
47:
42:
30:
23:
2862:Instinct Records artists
2857:Sub Rosa Records artists
1614:Fish & Hallbery 1989
1602:Fish & Hallbery 1989
1590:Fish & Hallbery 1989
1578:Fish & Hallbery 1989
1563:Fish & Hallbery 1989
1551:Fish & Hallbery 1989
1196:with Mallinder and Kirk.
271:that fostered the early
2847:Factory Benelux artists
2797:Factory Records artists
1523:Roberts, David (2006).
1455:www.sheffieldvision.com
951:movement of the 1990s.
838:National Service Rewind
454:and "Nag Nag Nag", and
2842:Virgin Records artists
2543:International Language
1639:Red Bull Music Academy
1427:. 2014. Archived from
1142:International Language
973:
961:
753:, and solo as Sandoz.
667:, who produced 1987's
587:signed the duo to his
43:Background information
2232:Option: Music Culture
1633:Warren, Emma (2006).
969:
957:
910:How to Destroy Angels
900:'s 2012 biography of
654:The EMI years begin:
622:of the new wave band
505:and went on to found
294:, helping to pioneer
2832:Mute Records artists
2605:Hai! (Live in Japan)
2475:The Voice of America
2336:"Cabaret Voltaire".
2136:on 27 November 2008.
2091:on 29 September 2006
2063:Consequence of Sound
1999:Cross, Alan (2012).
1728:CMJ New Music Report
1670:(29). New York, NY:
1353:on 25 September 2015
1058:The Voice of America
885:Legacy and influence
635:Gasoline in your Eye
503:Tyne Tees Television
487:The Voice of America
466:The Voice of America
269:the ZĂĽrich nightclub
1950:. 21 September 2021
1767:on 30 November 2012
1635:"Stephen Mallinder"
1604:, pp. 141–142.
1211:Xon featuring Kirk.
1023:(1973–October 1981)
1021:– keyboards, tapes
922:Front Line Assembly
739:A Guy Called Gerald
542:in Japan, in 1982.
531:support, releasing
520:. On 25 June 1981,
426:. Manchester-based
424:Rough Trade Records
279:acts of their era.
2622:Compilation albums
1488:In Session Tonight
1315:"Cabaret Voltaire"
870:, and two albums,
856:Coachella Festival
721:Marshall Jefferson
571:The Virgin years:
436:Industrial Records
347:Industrial Records
2792:Acid house groups
2724:
2723:
2580:Drinking Gasoline
2436:Stephen Mallinder
2328:978-0-946719-02-0
2256:Alternative Press
2151:. Jawbone Press.
2003:. HarperCollins.
1948:independent.co.uk
1837:Hinton, Patrick.
1672:The Village Voice
1202:featuring Watson.
1024:
1015:
1010:Stephen Mallinder
1006:
983:The experimental
977:Alternative Press
949:industrial techno
834:Kora! Kora! Kora!
641:Drinking Gasoline
432:Throbbing Gristle
257:Stephen Mallinder
246:
245:
234:Stephen Mallinder
2879:
2827:British remixers
2709:Related articles
2549:The Conversation
2417:Cabaret Voltaire
2410:
2403:
2396:
2387:
2386:
2377:Cabaret Voltaire
2368:Cabaret Voltaire
2357:
2338:Music Technology
2332:
2298:
2297:
2295:
2293:
2288:on 26 April 2014
2278:
2272:
2271:
2251:
2245:
2244:
2226:
2220:
2219:
2217:
2215:
2209:Resident Advisor
2200:
2194:
2193:
2191:
2189:
2172:
2166:
2165:
2144:
2138:
2137:
2122:
2116:
2115:
2107:
2101:
2100:
2098:
2096:
2087:. Archived from
2081:
2075:
2074:
2072:
2070:
2053:
2047:
2046:
2044:
2042:
2025:
2019:
2018:
1996:
1990:
1989:
1983:
1981:
1975:Electronic Beats
1966:
1960:
1959:
1957:
1955:
1940:
1934:
1933:
1931:
1929:
1914:
1908:
1907:
1905:
1903:
1898:. 19 August 2020
1888:
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1438:
1436:
1417:
1411:
1410:
1390:
1380:
1363:
1362:
1360:
1358:
1349:. Archived from
1347:Drowned in Sound
1338:
1332:
1331:
1329:
1327:
1310:
1297:
1291:
1276:
1254:
1227:Cut-up technique
1176:Related projects
1149:The Conversation
1022:
1013:
1004:
953:Alain Jourgensen
945:industrial music
854:Circa 2017, the
682:
563:was released by
400:The Human League
296:industrial music
286:electronics and
249:Cabaret Voltaire
223:
106:
35:
25:Cabaret Voltaire
21:
20:
2887:
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2882:
2881:
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2727:
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2725:
2720:
2704:
2678:
2660:
2642:
2617:
2585:
2560:
2448:
2429:Richard H. Kirk
2419:
2414:
2370:discography at
2364:
2335:
2329:
2307:
2305:Further reading
2302:
2301:
2291:
2289:
2282:"Sensoria 2010"
2280:
2279:
2275:
2252:
2248:
2227:
2223:
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2211:
2201:
2197:
2187:
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2159:
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2119:
2108:
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2094:
2092:
2083:
2082:
2078:
2068:
2066:
2054:
2050:
2040:
2038:
2026:
2022:
2011:
1997:
1993:
1979:
1977:
1967:
1963:
1953:
1951:
1942:
1941:
1937:
1927:
1925:
1915:
1911:
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1759:
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1744:
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1723:
1717:
1713:
1692:
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1687:
1660:
1653:
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1641:
1631:
1620:
1612:
1608:
1600:
1596:
1588:
1584:
1576:
1569:
1561:
1557:
1549:
1542:
1535:
1521:
1517:
1509:
1505:
1498:
1486:
1485:
1481:
1473:
1469:
1459:
1457:
1449:
1448:
1444:
1434:
1432:
1431:on 18 July 2012
1425:Uncommon People
1419:
1418:
1414:
1399:
1381:
1366:
1356:
1354:
1339:
1335:
1325:
1323:
1311:
1300:
1292:
1288:
1283:
1273:
1251:
1235:
1218:
1178:
1037:
1031:
997:Richard H. Kirk
993:
887:
826:
780:
760:to release the
697:
678:
665:Adrian Sherwood
660:
614:charted on the
603:UK Albums Chart
581:
565:Factory Records
507:The Hafler Trio
499:
428:Factory Records
420:
317:
312:
292:performance art
261:Richard H. Kirk
229:Richard H. Kirk
221:
183:
118:
104:
99:
56:South Yorkshire
38:
26:
17:
12:
11:
5:
2885:
2875:
2874:
2869:
2864:
2859:
2854:
2849:
2844:
2839:
2834:
2829:
2824:
2819:
2814:
2809:
2804:
2799:
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2784:
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2774:
2769:
2764:
2759:
2754:
2749:
2744:
2739:
2722:
2721:
2719:
2718:
2712:
2710:
2706:
2705:
2703:
2702:
2700:Sweet Exorcist
2697:
2692:
2686:
2684:
2680:
2679:
2677:
2676:
2668:
2666:
2662:
2661:
2659:
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2591:
2587:
2586:
2584:
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2568:
2566:
2562:
2561:
2559:
2558:
2555:Shadow of Fear
2551:
2546:
2539:
2534:
2527:
2520:
2513:
2506:
2499:
2492:
2485:
2478:
2471:
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2421:
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2398:
2390:
2384:
2383:
2374:
2363:
2362:External links
2360:
2359:
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2221:
2195:
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2020:
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1991:
1961:
1935:
1909:
1883:
1855:
1829:
1804:
1778:
1752:
1711:
1685:
1651:
1618:
1616:, p. 142.
1606:
1594:
1592:, p. 175.
1582:
1580:, p. 140.
1567:
1565:, p. 136.
1555:
1553:, p. 135.
1540:
1533:
1515:
1513:, p. 197.
1503:
1496:
1479:
1477:, p. 144.
1467:
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1412:
1397:
1364:
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1285:
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1259:Gimarc, George
1255:
1249:
1234:
1231:
1230:
1229:
1224:
1217:
1214:
1213:
1212:
1209:
1206:Sweet Exorcist
1203:
1197:
1190:Chris Connelly
1177:
1174:
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1156:Shadow of Fear
1152:
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1118:
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1054:
1046:
1033:Main article:
1030:
1027:
1026:
1025:
1016:
1007:
992:
989:
894:Bernard Sumner
886:
883:
868:Shadow of Funk
864:Shadow of Fear
843:In July 2014,
825:
822:
795:'s solo album
779:
776:
696:
693:
683:on guitar and
659:
652:
616:UK Indie Chart
580:
569:
561:12-inch single
514:sound engineer
498:
495:
419:
408:
342:sound collages
316:
313:
311:
308:
288:tape recorders
244:
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209:Sweet Exorcist
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2683:Side projects
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2600:
2599:
2595:
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2588:
2582:
2581:
2577:
2575:
2574:
2573:Extended Play
2570:
2569:
2567:
2563:
2557:
2556:
2552:
2550:
2547:
2545:
2544:
2540:
2538:
2535:
2533:
2532:
2531:Body and Soul
2528:
2526:
2525:
2521:
2519:
2518:
2514:
2512:
2511:
2507:
2505:
2504:
2503:Micro-Phonies
2500:
2498:
2497:
2496:The Crackdown
2493:
2491:
2490:
2486:
2484:
2483:
2479:
2477:
2476:
2472:
2470:
2469:
2468:Three Mantras
2465:
2463:
2462:
2458:
2457:
2455:
2453:Studio albums
2451:
2445:
2444:
2440:
2438:
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2250:
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2234:
2233:
2225:
2210:
2206:
2199:
2184:
2183:
2178:
2171:
2164:
2160:
2158:9781908279675
2154:
2150:
2143:
2135:
2131:
2127:
2121:
2113:
2106:
2090:
2086:
2080:
2065:
2064:
2059:
2052:
2037:
2036:
2035:Rolling Stone
2031:
2024:
2017:
2012:
2010:9781927002124
2006:
2002:
1995:
1988:
1976:
1972:
1965:
1949:
1945:
1939:
1924:
1920:
1913:
1897:
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1887:
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1814:
1808:
1793:. 6 July 2014
1792:
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1722:
1715:
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1610:
1603:
1598:
1591:
1586:
1579:
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1559:
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1547:
1545:
1536:
1534:1-904994-10-5
1530:
1526:
1519:
1512:
1507:
1499:
1497:0-87930-848-6
1493:
1489:
1483:
1476:
1471:
1456:
1452:
1446:
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1422:
1416:
1408:
1404:
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1398:9780199832583
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1309:
1307:
1305:
1303:
1296:, p. 17.
1295:
1290:
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1272:0-87930-848-6
1268:
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1223:
1220:
1219:
1210:
1207:
1204:
1201:
1198:
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1191:
1187:
1186:Al Jourgensen
1183:
1180:
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1164:
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1158:
1157:
1153:
1150:
1147:
1144:
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1133:
1130:
1127:
1124:
1123:
1122:Body and Soul
1119:
1116:
1115:
1111:
1108:
1107:
1103:
1100:
1099:
1095:
1092:
1091:
1090:Micro-Phonies
1087:
1084:
1083:
1082:The Crackdown
1079:
1076:
1075:
1071:
1068:
1067:
1063:
1060:
1059:
1055:
1052:
1051:
1050:Three Mantras
1047:
1044:
1043:
1039:
1038:
1036:
1020:
1017:
1011:
1008:
1002:
998:
995:
994:
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895:
891:
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865:
860:
857:
852:
849:
846:
845:Berlin Atonal
841:
839:
835:
831:
821:
819:
818:
813:
809:
804:
800:
798:
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790:
786:
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773:
769:
765:
764:
763:Body and Soul
759:
754:
752:
746:
744:
743:Daniel Miller
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732:
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727:
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643:
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636:
631:
629:
625:
621:
617:
613:
612:
611:Micro-Phonies
606:
604:
600:
599:
598:The Crackdown
594:
590:
586:
578:
574:
573:The Crackdown
568:
566:
562:
558:
557:
552:
548:
543:
541:
538:
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525:
523:
519:
515:
512:
508:
504:
494:
492:
488:
484:
480:
479:
473:
471:
468:in 1980, and
467:
463:
462:
461:Three Mantras
457:
453:
452:Extended Play
449:
445:
441:
437:
433:
429:
425:
417:
413:
407:
405:
401:
397:
391:
389:
386:
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365:
364:(Mute 2002).
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41:
34:
29:
22:
19:
2653:
2647:Other albums
2635:
2628:
2610:
2603:
2596:
2578:
2571:
2553:
2548:
2541:
2536:
2529:
2522:
2515:
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2494:
2487:
2480:
2473:
2466:
2459:
2443:Chris Watson
2441:
2434:
2427:
2416:
2337:
2313:
2290:. Retrieved
2286:the original
2276:
2259:
2255:
2249:
2230:
2224:
2212:. Retrieved
2198:
2186:. Retrieved
2182:The Guardian
2180:
2170:
2162:
2148:
2142:
2134:the original
2129:
2120:
2111:
2105:
2093:. Retrieved
2089:the original
2079:
2067:. Retrieved
2061:
2051:
2039:. Retrieved
2033:
2023:
2014:
2000:
1994:
1985:
1978:. Retrieved
1974:
1964:
1954:21 September
1952:. Retrieved
1947:
1938:
1928:14 September
1926:. Retrieved
1922:
1912:
1900:. Retrieved
1895:
1886:
1876:24 September
1874:. Retrieved
1868:
1858:
1848:24 September
1846:. Retrieved
1842:
1832:
1822:24 September
1820:. Retrieved
1817:Muziekgebouw
1816:
1807:
1795:. Retrieved
1790:
1781:
1769:. Retrieved
1765:the original
1755:
1743:. Retrieved
1731:
1727:
1714:
1697:
1688:
1667:
1663:
1644:16 September
1642:. Retrieved
1638:
1609:
1597:
1585:
1558:
1524:
1518:
1506:
1487:
1482:
1470:
1458:. Retrieved
1454:
1445:
1433:. Retrieved
1429:the original
1424:
1415:
1386:
1355:. Retrieved
1351:the original
1336:
1324:. Retrieved
1318:
1313:Bush, John.
1289:
1262:
1240:
1194:Bill Rieflin
1168:
1162:
1154:
1148:
1140:
1134:
1128:
1120:
1112:
1104:
1096:
1088:
1080:
1072:
1064:
1056:
1048:
1040:
1019:Chris Watson
1003:programming
982:
975:
974:
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926:Depeche Mode
906:Trent Reznor
902:Skinny Puppy
888:
880:
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827:
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812:Depeche Mode
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772:Mute Records
767:
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702:Warp Records
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589:Some Bizzare
585:Stevo Pearce
582:
577:The Covenant
576:
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529:record label
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369:Joy Division
366:
361:
355:triple album
350:
318:
281:
267:. Named for
265:Chris Watson
248:
247:
239:Chris Watson
222:Past members
172:Doublevision
145:Some Bizzare
105:Years active
18:
16:English band
2716:Discography
2590:Live albums
2112:Lively Arts
1923:Pop Matters
1511:Gimarc 2005
1475:Gimarc 2005
1294:Gimarc 2005
1200:Hafler Trio
1029:Discography
1014:(1973–1994)
930:Martin Gore
793:Shaun Ryder
789:programming
785:synthesizer
751:Steve Cobby
735:Kym Mazelle
685:Mark Brydon
680:Bill Nelson
620:Robin Scott
579:(1983–1985)
516:and then a
418:(1979–1981)
410:Emergence:
337:oscillators
199:Hafler Trio
135:Rough Trade
2731:Categories
2695:Hey, Rube!
2690:Acid Horse
2537:Plasticity
2214:14 January
2188:14 January
2095:14 January
2069:14 January
1980:14 January
1771:14 January
1745:5 November
1407:1147729910
1281:References
1250:0946719039
1184:featuring
1182:Acid Horse
1135:Plasticity
914:Horrid Red
898:Alan Cross
717:Todd Terry
706:David Ball
628:Peter Care
547:John Robie
537:live album
381:industrial
333:tape loops
329:Roxy Music
277:electronic
194:Acid Horse
154:Parlophone
130:Industrial
90:acid house
70:Industrial
2482:Red Mecca
2346:0957-6606
2268:1065-1667
2241:0882-178X
1902:23 August
1740:0890-0795
1706:0964-542X
1680:0042-6180
1460:24 August
1163:Dekadrone
1066:Red Mecca
1001:sequencer
991:Personnel
890:New Order
872:Dekadrone
808:Radiation
710:Soft Cell
687:on bass.
583:In 1983,
522:John Peel
491:Red Mecca
472:in 1981.
470:Red Mecca
416:Red Mecca
404:New Order
396:Clock DVA
388:Gunrubber
377:punk rock
351:1974-1976
349:cassette
325:Brian Eno
321:Sheffield
315:Formation
300:post-punk
253:Sheffield
158:EMI Group
115:2009–2021
112:1973–1994
75:post-punk
58:, England
52:Sheffield
2354:24835173
2292:25 April
1987:borders.
1357:3 August
1326:3 August
1320:AllMusic
1261:(2005).
1216:See also
1169:BN9Drone
876:BN9Drone
731:Ten City
540:recorded
458:such as
373:backbone
188:Spinoffs
179:Instinct
2665:Singles
2372:Discogs
2130:Look In
2016:attack.
1896:Nme.com
1791:NME.com
1435:11 July
1233:Sources
1129:Colours
1106:C O D E
938:Bauhaus
934:David J
832:called
518:soloist
444:singles
385:fanzine
310:History
175:Plastex
140:Factory
85:electro
2673:Yashar
2461:Mix-Up
2352:
2344:
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2319:93–103
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2041:18 May
2007:
1843:MixMag
1797:6 July
1738:
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1674:: 20.
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1171:(2021)
1165:(2021)
1159:(2020)
1151:(1994)
1145:(1993)
1137:(1992)
1131:(1991)
1125:(1991)
1117:(1990)
1109:(1987)
1101:(1985)
1093:(1984)
1085:(1983)
1077:(1982)
1069:(1981)
1061:(1980)
1053:(1980)
1045:(1979)
1042:Mix-Up
741:, and
704:, and
593:Virgin
559:. The
551:Yashar
483:Mix-Up
456:albums
412:Mix-Up
402:, and
263:, and
204:Sandoz
149:Virgin
123:Labels
95:techno
63:Genres
48:Origin
1724:(PDF)
918:Fluke
440:Revox
304:dance
2517:Code
2489:2x45
2381:IMDb
2350:OCLC
2342:ISSN
2323:ISBN
2294:2014
2264:ISSN
2237:ISSN
2216:2021
2190:2021
2153:ISBN
2097:2021
2071:2021
2043:2022
2005:ISBN
1982:2021
1956:2021
1930:2021
1904:2020
1878:2021
1870:Fact
1850:2021
1824:2021
1799:2014
1773:2021
1747:2021
1736:ISSN
1702:ISSN
1676:ISSN
1646:2021
1529:ISBN
1492:ISBN
1462:2015
1437:2014
1403:OCLC
1393:ISBN
1359:2015
1328:2015
1267:ISBN
1245:ISBN
1192:and
1074:2x45
920:and
874:and
830:Kora
787:and
733:and
675:Code
670:Code
656:Code
556:2x45
535:, a
533:Hai!
489:and
464:and
446:and
360:set
273:Dada
163:Mute
2565:EPs
2379:at
936:of
928:'s
791:on
708:of
575:to
511:BBC
478:NME
448:EPs
414:to
327:of
284:DIY
80:EBM
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1301:^
1188:,
967::
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398:,
358:CD
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817:Q
624:M
156:/
147:/
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