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these rapid tableaux". The atmosphere was jovial, and
Antonin, a former literature professor, maintained its geniality, setting the tone with humorous, costumed discourses delivered either as Saint Peter or Mephistopheles. The doorman of the cabaret of Hell, dressed as the Devil, greeted customers by telling them "Enter and be damned!". Once inside, the patrons were served by waiters dressed in devil suits. In 1899, a visitor reported that, in the jargon used inside the café, an order of "three black coffees spiked with cognac" was relayed to the bar as: "Three seething bumpers of molten sins, with a dash of brimstone intensifier!".
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70:, who wrote that future historians of the mores of the Belle Epoque "could not silently pass by these cabarets", described them as "putting Dante's poem within walking distance". For Georges Renault and Henri Château, "Le Ciel and L'Enfer, gaping wide-open all in a row" was worthy of the label "spectacular". The
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According to Jules
Claretie, the spectacles offered by the Cabarets of Ciel and Enfer "did not differ in essence from the attractions seen at the fĂŞte de Neuilly...They used the same illusionist tricks produced by combinations of mirrors and the play of light. But an organ added mysterious music to
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since 1934 bought both cafés, gutted them, expanded, and replaced the two façades with their own front entrance. The
Monoprix currently occupies the length of the ground floor between the corner with Rue Pierre-Fontaine and number 51. The entrance stands where the
109:, whose ambience was its main attraction, and only occasionally hosted café singers. In 1895, three years after opening at 34 Boulevard de Clichy, Antonin moved the establishment down the street to number 53, where it remained for more than half a century.
232:, whose multiple rapes, aggression with knives, tortures, and murders terrorized Parisians for seven years, ended in April 1998 when Captain Bernard Basdevant identified and neutralized the criminal at the spot where the
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of Paris entered through the monumental jaws of
Leviathan, devourer of the damned. The intimidating façade was "a stucco ode to female nudity being devoured by infernal flames".
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Meanwhile, the original location was purchased by a competitor, the illusionist
Dorville, and his administrator, Roger, who opened a "cabaret macabre", the
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118:(Cabaret of the Void), which specialized in more sinister "invocations of what lies beyond the grave", while the
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46:, founded in November 1892 by Antonin Alexander and demolished in 1950 to allow for the expansion of a
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once stood. It was inside the
Monoprix that Georges first confessed to be "the killer of East Paris".
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122:(Cabaret of Heaven) joyfully proposed "mystical illusions" and the Cabaret of Hell, "magic tricks".
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185:. Breton's studio occupied the fourth floor above the cabaret. It was in this studio that he and
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organized the famous sessions of semi-sleep and automatic writing of the 1920s.
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64:. Antonin Alexander was the creator, director, and host of the twin ventures.
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Les boulevards de Clichy et de
Rochechouart : 9e et 18e arrondissements
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60:(The Cabaret of Sky), another cabaret which shared the same address on the
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The
Cabaret de l'Enfer, the Cabaret du Ciel, and the Cabaret du NĂ©ant
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Périples des sages et des fous : d'Agrippa d'Aubigné à Reverdy
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603:"Guy Georges. Quand le serial killer rĂ´dait dans Paris"
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Situated at the foot of the hill of
Montmartre, in the
457:. Paris: Librairie Hachette et cie. 1899. p. 117.
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featuring the jaws of
Leviathan at the main entrance
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565:. Paris: Nouvelles Editions Debresse. p. 224.
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193:After 1950: Monoprix and other items of interest
126:The styles of the three "Cabarets of the Beyond"
601:Bourget and Mangez, Jacque-Marie and Caroline.
540:Renault and Château, Georges and Henri (1897).
468:Renault and Château, Georges and Henri (1897).
433:Renault and Château, Georges and Henri (1897).
387:Renault and Château, Georges and Henri (1897).
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671:Demolished buildings and structures in Paris
153:Facade of cabarets Le Ciel and L'Enfer, 1909
141:with horse carriage at the front of the café
691:Buildings and structures demolished in 1950
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376:. Charpentier et Pasquelle. p. 306.
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93:(Cabaret of Hell and Cabaret of Heaven)
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578:Pigalle : Le Roman noir de Paris
525:. National Geographic. Archived from
216:supermarket that had neighbored the
507:Claretie, Jules (29 October 1896).
357:Claretie, Jules (29 October 1896).
302:Antonin performing as MĂ©phisto at
228:The lengthy spree of serial killer
38:(The Cabaret of Hell) was a famous
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173:The Cabaret of Hell and Surrealism
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580:. Paris: Hoebeke. p. 18.
546:. Paris: Flammarion. pp.
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54:was the counterpart to The
16:Cabaret in Paris, 1892–1950
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181:, occasionally met at the
561:Fournier, Albert (1981).
576:Bollon, Patrice (2004).
489:Claretie, Jules (1897).
408:Cazaux, Thierry (2004).
372:Claretie, Jules (1897).
177:The Surrealists, led by
523:"MARAIS Hell's Swells"
455:Almanach Hachette 1899
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642:48.88333°N 2.33336°E
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304:Cabaret de l'Enfer
289:Cabaret de l'Enfer
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27:Cabaret de l'Enfer
686:Theme restaurants
666:Cabarets in Paris
647:48.88333; 2.33336
107:theme restaurants
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607:Paris Match
230:Guy Georges
676:Montmartre
660:Categories
630:48°53′00″N
612:August 29,
587:2842301862
543:Montmartre
471:Montmartre
436:Montmartre
390:Montmartre
344:References
166:Montmartre
44:Montmartre
633:2°20′00″E
256:customers
509:Le Temps
359:Le Temps
285:MĂ©phisto
240:Interior
214:Monoprix
72:flâneurs
48:Monoprix
287:at the
40:cabaret
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212:, the
101:, The
271:scene
681:Hell
614:2017
582:ISBN
414:ISBN
320:card
137:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
