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Calabi-Yau (play)

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34: 271: 144:. The MTA track workers lead the documentarian to a gatekeeper named Lucy and her grandfather, who is engineering the particle accelerator. A string explains string theory as a 177:, for whom Calabi-Yau manifolds are named, attempted to attend the play but were not let in since no one believed they were who they said they were. 96: 308: 224: 125: 332: 77: 55: 48: 194: 337: 342: 301: 167:
sponsored American Living Room Festival in 2001. Calabi-Yau was produced and performed at HERE in 2002.
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sub-subatomic adventure story about a documentarian lost in an inner loop of an abandoned track of the
352: 347: 294: 42: 20: 59: 282: 133: 121: 109: 8: 327: 149: 229: 164: 278: 174: 170: 160: 100: 225:"THEATER REVIEW; In Abandoned Subway Tunnels, Building a Particle Accelerator" 321: 141: 137: 129: 270: 153: 104: 208: 145: 117: 250: 19:
This article is about the play. For the type of manifold, see
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Index

Calabi–Yau manifold
references
inline citations
improve
introducing
Learn how and when to remove this message
Susanna Speier
Stefan Weisman
Brian Greene
The Elegant Universe
multimedia
New York Subway
MTA
string theory
particle accelerator
subway
New York City
Calabi-Yau
Alexander the Great
Gordian knot
Lincoln Center
HERE Arts Center
Eugene Calabi
Shing-Tung Yau
"Math, String Theory, and Lincoln Center"
"Calabi-Yau, a CurtainUp review"
"THEATER REVIEW; In Abandoned Subway Tunnels, Building a Particle Accelerator"
The New York Times
http://www.susannaspeier.com/scripts/calabi-yau/
HERE website

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