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Call boy (theatre)

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were standing off stage at the first entrance, opposite the president's box, when it occurred. He heard the shot, looked up and saw Lincoln's head slump, then Booth jumped to the stage and rushed between him and Keene.
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to start the introductory music and the beginners, those performers who appear on stage at the beginning of the first act, to get into their opening positions. The call boy or girl also assists with scene changes.
39:, or stage crew chief. They report directly to the crew chief, are usually paid by the hour, and will sometimes rotate between several groups from one 151: 186: 231: 62:
The call boy or girl also calls the "quarter hour" and "overture and beginners", the preparatory warning that signals for the
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The term pretty much became obsolete in larger theatres in the mid-20th century, when most call boys were replaced by
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Usually actors themselves, they have historically taken roles and done crowd scenes as needed. The actor
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The primary responsibility of the call boy or girl is to move from backstage to the dressing rooms and
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The term was already current at the end of the 18th century, when the Shakespearean scholar
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and fled. Ferguson was described as the last surviving eye witness. He said he and actress
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alerting actors and actresses of their entrances in time for them to appear on stage on
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Index

job title
stagehand
theatre
director
producer
performance
green rooms
cue
orchestra
Edmond Malone
William Shakespeare
William J. Ferguson
Ford's Theatre
Washington, D.C.
John Wilkes Booth
President Lincoln
Laura Keene
loudspeakers
List of theatre personnel
Bax, Peter
The New York Times
Destination Theatre Company
William J. Ferguson
Internet Broadway Database
William J. Ferguson
IMDb
v
t
e
Running crew

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