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623:. Freda was away, he didn't know anything about what Bava was contriving." De Rita noted that Bava told actors what to do and that Bava shot all the connecting shots with the monster and all the death scenes. Ministerial papers also note the Bava and Freda's roles in the film. The final balance in the film assigns Freda 5,000,000 lire, instead of the initial 6,000,000 and that Bava was paid 6.250 million lire, instead of his initial 3,000,000.
351:
down again, he insists on doing so, suggesting that they could become wealthy from the treasures below. Relenting, they let him descend once more. As he collects more and more treasure, his cable to the surface suddenly begins to move erratically. Fearing for his safety, the group pulls him back to the surface, only to find that his flesh has been reduced to a decayed mass over his skeleton upon removing his face mask.
600:. The director of that movie is Freda. Only at a certain point, after principal shooting ended, Freda started editing the picture and then he had a big argument with the producer Then Freda walked out." Bava's statement from Cozzi then noted that Bava finished some special effects shot, scenes with soldiers with flame throwers for the ending of the film and declared "that does not mean I was the director of
42:
595:
is
Riccardo Freda, full stop. Mario Bava did take care of the cinematography, the special effects and directed the scenes with the miniatures (that is, mostly the tanks....), and in addition to that he filmed some shots of soldiers with flame throwers. That's all, and of course it cannot be enough to
376:
and jeeps and sends them to Dr. Fielding's home. Upon arrival, they find that the amorphous blobs have continued to multiply and have overrun the house and grounds. Dr. Fielding's wife and child have hidden on a second-floor window ledge to escape being devoured. Fielding arrives just in time to save
354:
Moments later, the shapeless creature that attacked him rears up from the pool, attempting to digest anyone within reach. One of the group members is briefly caught by the arm but is then rescued. As the team escapes, the shapeless mass begins to crawl out of the cave. Nearby, there is a tanker truck
590:
as "my very first film", while noting that Freda had fled the set "because everything was falling to pieces. I managed to carry it out, patching it up here and there". Cozzi commented on his interview with Freda in 2004, stating that his own words were misinterpreted and that "the truth is only one:
350:
who was ceremonially presented with human sacrifices. Hoping to find artifacts, the group sends one of their own down into the pool. At the bottom, he finds a menagerie of skeletons clad in gold jewelry. He comes back up, clutching as much gold as he can carry. Although the others tell him not to go
367:
bacterium that quickly grows when in the presence of radiation. A comet emitting radiation that crosses Earth's path only once every 850 years is rapidly approaching. At the comet's closest approach to Earth, the remaining piece of the blob removed during the surgery begins expanding to an enormous
362:
to take their injured colleague to a hospital. Still on his arm is a small piece of the blob, which is slowly digesting him. The surgeons carefully remove the creature, wrapping it up. They find that his arm is nothing more than a few moist scraps of flesh still connected to the underlying bones.
371:
While attempting to convince the
Mexican government to send its army to destroy the reproducing blobs, Fielding is arrested but manages to escape. A colleague finally convinces the authorities to sound an alarm because the multiplying creatures will soon be beyond their control. The government
508:
with foreign markets in mind. Although not mentioned in any credits or ministerial papers, European sources list the involvement of the French company Climax Film in the production. Prints of the U.S. version of the film credit it as a "Samuel
Schneider presentation", leading to some sources
585:
in 1971 that he "left it when there were just two days of shooting left. I did shoot it yes, but it's Bava's type of film. I don't enclose it in my body of work. The only thing I remember with pleasure about it are the statues that decorated the sets: I sculpted them myself." Bava described
720:
commented that "phony sets, bad acting and limitations of a small budget seriously hamper the first half" and that "once the monster asserts itself things begin to liven up." The review concluded that the film was "so incredibly banal that it almost entertains." Wanada Hale of the
317:, who had been hired as the film's cinematographer and special effects artist, a chance to direct and earn more on the project. In interviews given long after the release of the film, both Freda and Bava gave conflicting opinions on who should be considered the real director of
751:
stated that the film "remains an impressive showcase for Bava's inimitable skills behind the camera, in particular his uncanny ability to craft moody atmosphere and some extremely grisly imagery (for 1959, anyhow) out of the simplest and most frugal of cinematic means."
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stumbles into his group's camp without his partner, both of whom have been exploring a nearby cave. He quickly goes mad, requiring hospitalization. Their interest piqued by this strange turn of events, the group sets out for the cave.
738:
gave the film a generally positive review, calling it "a neat and compelling science fiction-horror amalgam, squeezing cosmology together with archaeology and myth to create a genuinely fascinating and original thriller." In
537:
321:. Various historians and ministerial papers suggest that Bava did create a large amount of footage of the film involving death scenes, the monster, matching shots and special effects scenes.
572:; he left the project early. Bava had been hired again as the film's cinematographer, while Filippo Sanjust was hired as the film's screenwriter, having co-written Freda's previous film
706:" presentation of the film that contains more visual information than was present in the original theatrical prints, particularly with regard to Bava's visual effects shots.
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ruins, who come across a creature that is a shapeless, amorphous blob. They manage to defeat it using fire, while keeping a sample of the creature. Meanwhile, a
355:
full of gasoline. One of the scientists drives the tanker directly into the moving mass, which violently explodes and sets fire to the blob, destroying it.
747:(1984), a review described the film as a "minor outing though the acting is routine and the script leaden, Bava injects a few stylish flourishes."
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Specific information on how much Freda and Bava directed the film differ between interviews and recollections. Freda noted with an interview with
608:, Freda's walk-off left "two or three weeks of filming", leaving Bava to shoot over 100 special effects shots for a 76-minute long production.
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size and reproducing. Unfortunately, the extracted sample of the creature is stored in the home of expedition member Dr. John
Fielding.
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2002:
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on 11 April 2017. Arrow's release features both
Italian and English audio tracks, two separate audio commentaries by Bava historians
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305:(1958), Galatea Film began production on films in other genres that they hoped would entice the international market, which led to
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as a "feeble horror film" and that "Not only the story is bad; so are the production, the direction, the dubbing and the acting".
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The film was released in Italy on 8 August 1959, where it grossed less than Bava's and Freda's previous genre collaboration
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was produced by Nello Santi for
Galatea Film, who were interested in exploring new genres of film after the success of
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say that Bava directed that movie." Cozzi also stated that Bava spoke about the film, stating that "I did not direct
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that was released in the previous year. The film's storyline concerns a team of archaeologists investigating
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Both directors gave conflicting reports on who should be considered the official director of
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Once there, they find a deep pool of water and a large statue of
Caltiki, the vengeful
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them, just as the arrayed soldiers lay waste to the creatures with torrents of fire.
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Freda was angered by the way producers and other filmmakers had his cinematographer
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Perverse
Titillation: The Exploitation Cinema of Italy, Spain and France, 1960–1980
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997:"Complete details announced for Arrow Video's Blu-ray House duo, Caltiki and more!"
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was released theatrically in Italy on 8 August 1959 where it was distributed by
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After further experimenting on the creature, scientists discover that it is a
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Hale, Wanda (1 December 1960). "Two New Movies on
Brooklyn Met Screen".
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The film was distributed theatrically in the U.S. in
September 1960 by
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in the 1 July 1962 issue. The film was released on DVD and Blu-ray by
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638:. In Italy the film was less successful than Freda's and Bava's film
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663:. The English-language dub of the film was created in New York by
604:: that is a Riccardo Freda film." According to Bava's biographer
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speculating that the film was an Italian-American co-production.
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Keep Watching the Skies: Science Fiction Films of the Fifties
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and opined that "at 90 percent Bava was also the director of
578:(1956). Freda also contributed to the script without credit.
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289:
1052:"Immortal Monster, The "(Caltiki, il Mostro Immortale)"".
702:, several archival featurettes, and an alternative "full
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in Italy were science fiction films at this point, with
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Riccardo Freda: The Life and Works of a Born Filmmaker
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grossed a total of 94.15 million lire domestically.
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694:and Troy Howarth, an interview with critic
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772:List of science fiction films of the 1950s
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698:about the film's place in the history of
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1279:The Complete H.P. Lovecraft Filmography
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1104:
1025:"Caltiki, the Immortal Monster Blu-ray"
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1180:"Caltiki - Il Mostro Immortale (1959)"
1138:Italian Gothic Horror Films: 1957–1969
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1988:Italian science fiction horror films
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1993:French science fiction horror films
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1023:Kauffman, Jeffrey (17 April 2017).
644:, which had grossed ₤125.3 million
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1983:1950s science fiction horror films
1905:The Iguana with the Tongue of Fire
25:
2039:
1333:
995:Gingold, Michael (7 March 2017).
767:List of horror films of the 1950s
611:Massimo De Rita, who worked as a
422:Vittorio André as Prof. Rodriguez
46:Italian theatrical release poster
2003:Films directed by Riccardo Freda
1807:Maciste alla corte del Gran Khan
1177:
982:
535:
521:
299:After the success of their film
1485:Dr. Goldfoot and the Girl Bombs
1243:. Midnight Marquee Press, Inc.
1241:The Haunted World of Mario Bava
1128:
1107:"Caltiki, the Immortal Monster"
1105:Wilkins, Budd (30 April 2017).
1098:
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714:From contemporary reviews, The
458:took on another new genre, the
1944:Caltiki – The Immortal Monster
1587:Caltiki – The Immortal Monster
1513:Roy Colt & Winchester Jack
1391:
1352:Caltiki – The Immortal Monster
1341:Caltiki – The Immortal Monster
1281:. Greenwood Publishing Group.
676:Caltiki - The Immortal Monster
661:Caltiki – The Immortal Monster
632:Caltiki - The Immortal Monster
588:Caltiki – The Immortal Monster
570:Caltiki – The Immortal Monster
552:Caltiki - The Immortal Monster
464:Caltiki - The Immortal Monster
413:as Prof. Rodriguez's assistant
311:Caltiki – The Immortal Monster
256:Caltiki – The Immortal Monster
35:Caltiki – The Immortal Monster
18:Caltiki - The Immortal Monster
13:
1:
1499:Five Dolls for an August Moon
1415:Hercules in the Haunted World
1277:Mitchell, Charles P. (2001).
1260:Italian Horror Film Directors
777:
762:List of Italian films of 1959
670:
438:
2008:Films directed by Mario Bava
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593:Calitiki il mostro immortale
434:as Nieto (expedition member)
265:Caltiki, il mostro immortale
7:
755:
512:
462:, with his next genre film
10:
2044:
1891:No Killing Without Dollars
1849:The Magnificent Adventurer
1429:The Girl Who Knew Too Much
1224:. New York : Morrow.
626:
444:Background and development
419:as Bob (expedition member)
1928:
1835:The Horrible Dr. Hichcock
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1506:Hatchet for the Honeymoon
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1216:Hardy, Phil, ed. (1984).
1062:(336). London: 39. 1962.
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2013:Films set in Mexico City
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491:The Day the Sky Exploded
1772:Theodora, Slave Empress
1751:The Legend of the Piave
1159:Curti, Roberto (2017).
1136:Curti, Roberto (2015).
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191:8 August 1959
1800:The Giants of Thessaly
1744:Revenge of Black Eagle
1608:The Wonders of Aladdin
1464:Planet of the Vampires
1457:The Road to Fort Alamo
1296:Shipka, Danny (2011).
1239:Howarth, Troy (2014).
309:being hired to direct
264:
1877:Trap for the Assassin
1594:The Giant of Marathon
1520:Four Times That Night
1471:Knives of the Avenger
1443:The Whip and the Body
1055:Monthly Film Bulletin
717:Monthly Film Bulletin
504:(1957), and produced
448:After the release of
278:with similarities to
2018:Allied Artists films
1998:1950s monster movies
1951:Gold for the Caesars
1709:The Mysterious Rider
1681:Tutta la città canta
1450:Blood and Black Lace
1258:Paul, Louis (2005).
460:science fiction film
411:Giacomo Rossi-Stuart
389:as Dr. John Fielding
358:The team returns to
101:Giacomo Rossi-Stuart
2023:1950s Italian films
1929:Collaborative works
1786:Trapped in Tangiers
1674:Don Cesare di Bazan
1601:Esther and the King
1565:Collaborative works
1208:New York Daily News
724:New York Daily News
678:was published as a
476:Baracca e burattini
428:as Police inspector
2028:1950s French films
1758:See Naples and Die
1716:The Iron Swordsman
1657:Films directed by
1541:Lisa and the Devil
1422:Erik the Conqueror
710:Critical reception
294:Mayan civilization
1978:1959 horror films
1960:
1959:
1870:The Exterminators
1828:The Seventh Sword
1821:The Witch's Curse
1793:The White Warrior
1730:The Gay Swordsman
1624:
1623:
1307:978-0-7864-4888-3
1269:978-0-7864-8749-3
1250:978-1-936168-45-3
1151:978-1-4766-1989-7
478:made in 1954 and
395:as Ellen Fielding
252:
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16:(Redirected from
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1919:Murder Obsession
1884:Mexican Slayride
1856:Romeo and Juliet
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110:Cinematography
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62:Riccardo Freda
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1688:Non canto più
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1436:Black Sabbath
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1327:0-89950-032-3
1324:
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1303:
1300:. McFarland.
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1290:
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1275:
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1262:. McFarland.
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1231:0-688-00842-9
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1191:
1187:
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1178:Eder, Bruce.
1176:
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1163:. McFarland.
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984:
979:
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970:, p. 27.
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958:, p. 21.
957:
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921:
915:, p. 24.
914:
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880:, p. 23.
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746:
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730:
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719:
718:
707:
705:
701:
700:monster films
697:
693:
689:
685:
684:I Vostri Film
681:
677:
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665:Titra Studios
662:
658:
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405:Daniela Rocca
403:
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399:Gérard Herter
397:
394:
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387:John Merivale
385:
384:
378:
375:
374:flamethrowers
369:
366:
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348:Mayan goddess
344:
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340:archaeologist
331:
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257:
248:94.15 million
247:
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140:Color process
138:
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118:
115:
112:
108:
102:
99:
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96:Gérard Herter
94:
92:
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86:John Merivale
84:
83:
81:
77:
73:
69:
63:
60:
57:
56:
54:
52:Screenplay by
50:
43:
38:
33:
30:
19:
1949:
1943:
1942:
1935:
1917:
1910:
1903:
1896:
1889:
1882:
1875:
1868:
1861:
1854:
1847:
1840:
1833:
1826:
1819:
1812:
1805:
1798:
1791:
1784:
1777:
1770:
1765:Sins of Rome
1763:
1756:
1749:
1742:
1737:Double Cross
1735:
1728:
1721:
1714:
1707:
1700:
1693:
1686:
1679:
1672:
1613:
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1483:
1476:
1469:
1462:
1455:
1448:
1441:
1434:
1427:
1420:
1413:
1408:Black Sunday
1406:
1351:
1340:
1318:
1315:Warren, Bill
1297:
1278:
1259:
1240:
1219:
1206:
1194:. Retrieved
1190:the original
1183:
1160:
1137:
1129:Bibliography
1114:. Retrieved
1100:
1088:
1076:
1059:
1053:
1032:. Retrieved
1028:
1018:
1006:. Retrieved
1000:
990:
963:
951:
925:Howarth 2014
920:
913:Howarth 2014
908:
878:Howarth 2014
820:
744:
733:
728:
727:referred to
722:
715:
713:
683:
675:
674:
660:
654:
649:
646:Italian lire
639:
631:
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613:unit manager
610:
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559:
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370:
357:
353:
345:
338:A delirious
337:
325:
323:
318:
310:
300:
298:
279:
267:) is a 1959
255:
254:
253:
208:Running time
199: (Italy)
184:Release date
161:Galatea Film
29:
1898:Double Face
1615:The Odyssey
1534:Baron Blood
1196:20 November
1034:19 December
1029:Blu-ray.com
968:Shipka 2011
688:Arrow Video
583:Luigi Cozzi
494:from 1958.
468:sound films
466:. Very few
454:, director
393:Didi Perego
365:unicellular
360:Mexico City
276:horror film
91:Didi Perego
74:Nello Santi
71:Produced by
1973:1959 films
1967:Categories
1555:Rabid Dogs
1393:Mario Bava
1288:0313316414
1093:Hardy 1984
1002:Rue Morgue
956:Curti 2015
944:Curti 2017
901:Curti 2017
863:Curti 2017
844:Curti 2017
825:Curti 2017
813:Curti 2017
778:References
741:Phil Hardy
696:Kim Newman
680:photonovel
671:Home media
562:Mario Bava
543:Mario Bava
439:Production
315:Mario Bava
242:Box office
212:76 minutes
195:1959-08-08
151:Production
114:Mario Bava
1937:I Vampiri
1842:The Ghost
1573:I Vampiri
1142:McFarland
1081:Hale 1960
1068:0027-0407
783:Citations
692:Tim Lucas
641:I Vampiri
606:Tim Lucas
451:I Vampiri
327:I Vampiri
217:Countries
153:companies
120:Edited by
27:1959 film
1357:AllMovie
1185:AllMovie
756:See also
743:'s book
736:AllMovie
704:aperture
636:Lux Film
513:Director
501:Hercules
407:as Linda
302:Hercules
281:The Blob
234:Language
177:Lux Film
130:Music by
79:Starring
1723:Guarany
729:Caltiki
650:Caltiki
627:Release
621:Caltiki
617:Caltiki
602:Caltiki
598:Caltiki
506:Caltiki
496:Caltiki
319:Caltiki
261:Italian
237:Italian
193: (
1325:
1304:
1285:
1266:
1247:
1228:
1167:
1148:
1116:25 May
1066:
1008:19 May
226:France
1548:Shock
480:Steno
290:comet
286:Mayan
223:Italy
1346:IMDb
1323:ISBN
1302:ISBN
1283:ISBN
1264:ISBN
1245:ISBN
1226:ISBN
1198:2015
1165:ISBN
1146:ISBN
1118:2017
1064:ISSN
1036:2020
1010:2017
983:Eder
488:and
381:Cast
334:Plot
1355:at
1344:at
659:as
482:'s
1969::
1317:.
1182:.
1144:.
1140:.
1109:.
1060:29
1058:.
1044:^
1027:.
999:.
975:^
932:^
885:^
870:^
851:^
832:^
791:^
648:.
330:.
263::
1650:e
1643:t
1636:v
1385:e
1378:t
1371:v
1310:.
1291:.
1272:.
1253:.
1234:.
1211:.
1200:.
1173:.
1154:.
1120:.
1083:.
1070:.
1038:.
1012:.
985:.
554:.
274:-
259:(
246:₤
197:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
