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security. The other key figures who developed the festival were Philip Abrams, a professor of sociology who saw it as a social initiative, and George
Scurfield, an author, poet, and politician, whose abilities and sense of adventure and were vital to the establishment of the festival. The 1965 festival was the fruit of a Labour-dominant council in a traditionally conservative area and particularly the endeavours of Paul Rayment. The founding of the Cambridge Folk festival reflects its subsequent diversity when a war hero poet and politician worked with an eminent sociologist and a politically-driven electrician (brought up in a children's home) to bring something together representative of the 1960s zeitgeist in Cambridge. This was then handed over and brought to fruition by Ken Woollard, a local firefighter and socialist political activist, to help organise it.
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local folk clubs, who programmed local artists. From 2023, this longstanding practice was discontinued, and the
Festival rebranded the Club Tent as a third stage. There is a small tent called The Hub where young people can practise together or attend workshop sessions. In addition, there is a small marquee in the Flower Garden, which hosts workshops which vary from year to year. Regular fixtures have been the storytelling workshop and, since 2011, the
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Most artists perform more than once over the weekend on the different stages: Stage 1, within a large marquee in front of the main
Festival arena; Stage 2, a smaller marquee; a Floor Singers stage at the Coldham's Common camp site; and the Club Tent, hosted up to 2022 on the Festival's behalf by five
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Paul
Rayment's initiative, drive, commitment and political skill produced the folk festival. In his role as a councillor, he suggested the festival site of Cherry Hinton, managed the electrics of the first festival and volunteered to stay the night in the marquee for the first festival; there was no
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The setting up took about nine months and was developed by Paul
Rayment, Philip Abrams and George Scurfield before Ken Woollard was asked to run the festival. In the 1960s the Rayments, Sharkeys, Scurfields and Woollards were all associated with Cambridge Labour Party and the folk club to greater or
183:(based in part on conversations with Ken Woollard) acknowledges the three councillors and names them on part of the first page that covers the setting up of festival. These key figures responsible for setting up and founding the Cambridge Folk festival are named as Paul Rayment, Philip Abrams and
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Ken
Woollard was the first director of the Cambridge Folk Festival in 1965, and continued to work as Festival Organiser and Artistic Director up until his death in 1993. This role was then taken up by Eddie Barcan, who had worked as Ken's assistant from 1990. Eddie Barcan was replaced by Rebecca
200:(1958), the documentary film set at the 1958 Newport Jazz Festival in Rhode Island, and he involved Paul Rayment. Jack Sharkey also had the idea to hold the festival at Cherry Hinton Hall, and his engagement with folk music was instrumental to the original initiative.
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workshops run by the band Camus, where festival-goers can try their hand on practice sets of pipes. Elsewhere around the site, local musicians are invited by the festival to provide informal sessions, a regular favourite being the Irish sessions.
215:". The festival's popularity quickly grew. Woollard continued as Festival organiser and artistic director up until his death in 1993. In 2014 the festival celebrated its 50th event, including artists such as
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440:. The book features images taken at the festival by Elliott between 2000–2010 and was endorsed by the organisers. It includes quotes from some of the musicians featured in its pages such as
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The role of Paul
Rayment (1933–2013) is particularly relevant in the origins and establishment of the Cambridge folk festival (in the context of left wing 1960s political developments).
144:, England. The festival is known for its eclectic mix of music and a wide definition of what might be considered folk. It occurs over a long weekend (3½ days) in summer at
223:. Until 2015 it was run by Cambridge City Council. It was briefly run by a charity called Cambridge Live. In 2019 it was once again taken over by Cambridge City Council.
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Cambridgeshire
Archives, Entertainment sub-committee minutes, 11 November 1964, 23 December 1964, 3 February 1965, 7 April 1965, 13 April 1965, 3 May 1965
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The first festival sold 1400 tickets and almost broke even. Squeezed in as a late addition to the bill was a young
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have also all played at
Cambridge in recent years. In celebration of the 50th festival Delphonic Music released a
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would be a guest curator for the 2019 festival, selecting five artists for the line-up.
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Recent histories have obscured the early origins of the folk festival. Ken
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mentions three councillors who had an idea for a festival (but does not name them).
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lesser extents. Jack Sharkey had the original idea which may have been linked to
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was selected as the second guest curator of the 2018 Cambridge Folk Festival.
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is an annual music festival, established in 1965, held in the grounds of
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532:, Cambridge Folk Festival official site. Retrieved 24 March 2009.
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1974 Ten years of folk: A history of the Cambridge Folk Festival
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283:. Across a wider range of genres have been performances from
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album featuring tracks from 50 different artists, including
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BBC Radio 2's coverage of 2009 Cambridge Folk Festival
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In 2018, it was announced that Cambridge-born singer
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619:"The Northumbrian Piping Workshops | Camus"
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319:. Artists such as
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456:as well as
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391:Nick Mulvey
313:Cara Dillon
293:Chumbawamba
289:Graham Nash
213:I Am A Rock
150:BBC Radio 2
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823:Categories
674:Music News
629:24 October
603:12 January
578:12 January
480:References
415:Beth Orton
411:Kate Rusby
273:Kate Rusby
209:Paul Simon
63:Folk music
436:entitled
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384:Passenger
372:Joan Baez
370:In 2015,
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341:Jake Bugg
305:Levellers
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142:Cambridge
75:, England
73:Cambridge
31:is being
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526:Archived
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337:Idlewild
158:Sky Arts
154:BBC Four
124:on stage
35:. ›
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523:History
470:Elliott
247:Artists
164:History
88:Website
474:50Folk
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