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430:, encouraged achievement of individuals and was nationalist in persuading expatriates to exhibit at home, but defined nationality in only the broadest terms. Its eight exhibitions hoped to establish a high standard for other artists and concentrated on small, carefully hung groups of works by leading Canadian artists. It was supported by its lay members.
492:, who were "deeply disturbed by the tired, old-fashioned look of Canadian art as seen in the various annual exhibitions" and attempted to establish higher standards through small shows. Membership of the club was by invitation only. Homer Watson was the first president, and other founding members included the Scottish-born
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in 1907 to advance the standards of
Canadian art exhibitions and to exhibit the work of distinguished Canadian artists, particularly those who had studied abroad or lived there. It declined after the death of its co-founder
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The annual exhibitions organized in
Toronto, and in Montreal in 1910, included some of the finest work being produced by Canadian artists. Membership included painters and sculptors and was by invitation only.
520:. Their eight exhibitions were well received, but the Club disbanded in 1915, having lost some of its momentum because of the death by drowning of Morris in 1913 and because of the distractions of the
551:. Works by the members were well received by critics, and the club's activists played the roles of important catalysts for both artistic and institutional change.
427:
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The
Canadian Art Club, a private exhibiting society, originated in Toronto from 1907 and had a membership (by invitation only) of 20 artists. The club, modeled on
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The papers of the club can be found in the
Canadian Art Club Fonds CA OTAG SC009, Art Gallery of Ontario E. P. Taylor Research Library and Archives, Toronto.
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524:, personality clashes among some of the members and the modest financial reward. However, the Club helped to prepare the way for the
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of Paris (since 1890). The members in
Toronto in 1909 are shown in the photograph (at left is Edmund Morris (Archives of Ontario)).
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as secretary. The work of these artists was varied in style and subject, but generally it showed influence from
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To advance the standards of
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Linteau, Paul-André; Durocher, René; Robert, Jean-Claude; and Chodos, Robert (1983).
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in 1913, ceased to exist in 1915 but was not formally dissolved till 1933.
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The main instigators of the club were the painters Edmund Morris and
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641:. Art Gallery of Ontario E. P. Taylor Research Library and Archives
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Professional Native Indian
Artists Inc. (Indian Group of Seven)
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819:. Stuttgart: Arnoldsche Art Publishers. pp. 236–241.
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International
Society of Sculptors, Painters and Gravers
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816:Impressionism in Canada: A Journey of Rediscovery
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559:in such statements as "to us he was a hero".
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760:. Toronto, Clarke Irwin, (1958), p. 19.
632:"Canadian Art Club Fonds CA OTAG SC009"
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835:A concise history of Canadian painting
457:, James Kerr-Lawson, and the sculptor
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215:Canadian Review of Music and Art
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913:Canadian Conference of the Arts
786:. James Lorimer & Company.
555:often acknowledged his debt to
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938:Royal Canadian Academy of Arts
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693:. Edmonton Art Gallery, 1988.
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74:Federation of Canadian Artists
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732:"Canadian Landscape Painters"
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475:Marc-Aurèle de Foy Suzor-Coté
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579:Maurice Galbraith Cullen
777:. Retrieved 1 June 2012
813:Prakash, A.K. (2015).
604:Edmund Montague Morris
545:James McNeill Whistler
518:James McNeill Whistler
506:William Edwin Atkinson
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833:Reid, Dennis (1989).
802:. Dundurn Press Ltd.
796:Murray, Joan (1999).
775:The Canadian Art Club
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1076:NSCAD conceptual art
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615:References
535:Influences
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