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410:, who accentuated Earle's vocals. Williams liked this style of production, and asked Earle and Kennedy to rerecord several of the songs she was unhappy with. Morlix was infuriated by this decision, and resented the two new producers. According to Williams: "Those guys all started vibin' each other, and I'm goin', 'Can we just get this record made, please?" By this point, the relationship between Williams and Morlix was irremediable, and Morlix stepped down as producer. Morlix remained on the project as a guitarist, but was not credited as a producer.
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425:. For the first time in Williams' career, she recorded the songs live with her backing band, as opposed to recording each instrument and vocal take individually. Kennedy said: "That's why it became such a great record—because it was so super-charged with her great vocal, which she had never really tried before." Kennedy did not include
1126:(2004), David McGee and Milo Miles said it is a masterpiece of timeless quality and greater depth than anything else by Williams, who offers a perfect collection of "faces, fights, keening swamp guitar and sighing accordion, strong drink and stronger lust in an album about places shadowed by memory". The music writers of
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tape recorders. Scott took on a minimalist approach to mixing, as he wanted
Williams' vocals and guitar to be the most prominent aspect of the album. "So if you're going to play bass, guitar and drums along with her, you're going to play like she sings" said Scott. The process took a couple of weeks,
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Williams's cris de coeur and evocations of rural rootlessness—about juke joints, macho guitarists, alcoholic poets, loved ones locked away in prison, loved ones locked away even more irreparably in the past—are always engaging in themselves. And they mean even more as a whole, demonstrating not that
472:
When Earle left to finish his tour, the majority of the album was finished, although
Williams still wanted to add harmonies to some of the songs. Earle was under the impression that once the tour ended, he would return and work on the remaining songs. Instead of waiting for the tour to end, Williams
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was "the least amount of fun I've had working on a record." Earle believes the misquote likely arose from a radio interview in which he mentioned his frustration at having to leave right before the album was finished. "This is one of the things people think they know what they're talking about. So,
464:, and was intimidated by Earle's demeanor. Tensions between the two began to emerge towards the end of the sessions, although Earle says this was simply because he knew he would eventually have to go back on tour and leave. In the years after the album's release, Earle was misquoted as saying
1106:'s Kim Ruehl credited the album with solidifying Williams' status as one of the best singer-songwriters of all time, as she "single-handedly marries the genres of traditional and alternative country, roots rock and American folk music so smoothly, it almost feels like magic." In 2003,
701:." Williams was dismayed by how the media chose to focus on the behind the scenes issues plaguing the album's release as opposed to the music itself. Some journalists felt the detractions against Williams were sexist, as male artists known for their perfectionism like
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wrote: " genesis coincides with the birth of the
Americana radio format and with masterful nods to country, blues and rock, the finished product, released in June 1998, reflects the cornerstones of that burgeoning movement." Edd Hurt of
696:
published a damning article on
Williams, which portrayed her as an incompetent and stubborn musician. This portrayal was strengthened when the article took an out of context quote by Callari, who described her as a "bowl of
1120:, and ranked it No. 305 in 2012 revised list. In September 2020, Rolling Stone updated its Top 500 albums of all-time list, which reflected an updated and diverse judging pool, and the album rose to No. 98 on that list. In
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481:. Bittan added organ and accordion instrumentation to eight of the songs, and made separate overdubs to the guitars. Some additional singers were brought in to add backing harmonies, such as Emmylou Harris and
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675:. This left Williams without a label. Eventually, Williams' manager Frank Callari called Rubin and convinced him to sell the masters to another label. The masters were purchased by Danny Goldberg of
3478:
McCall, Michael (August 9, 1998). "Way Off the Fast Track; Lucinda
Williams takes her time making music. But with results like 'Car Wheels on a Gravel Road,' her career could shift into high gear".
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credited the album with "repositioning country-blues roots rock as contemporary
Southern art" and offering listeners "a sense of life and place that leap from every line and guitar lick".
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for nearly three years, and fans were growing impatient. Fans and music journalists blamed the lengthy recording process on
Williams' perfectionism, and the album became a running joke on
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said her "resonant, resolute and reassuring" answers to the questions romantic passion and pain pose are as ambitious as the "rich", commanding sound she crafted with producers
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With Earle and
Kennedy now serving as full-time producers, the recording sessions recommenced in the summer of 1996 in Nashville. These sessions were recorded on a
1178:, for instance), defined the genre as a space in which disparate elements of American music could combine to inspire work that only seemed folkish and unstudied."
391:. Williams was unhappy with her vocals in these sessions, and decided to start the entire album from scratch. "I was trying to grow. I didn't want to make another
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was finished by the summer of 1997, but its release was delayed when Rubin entered negotiations to switch the distribution of
American Recordings albums from
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395:" said Williams. Morlix believes ninety percent of the album was finished when Williams made her decision. Recording sessions resumed later that year in
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wrote: "Williams was mapping directions home. But home, never fixed to one place, was a profound in-between, more like the breeze that pushed her.
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297:. It remains Williams' best-selling album to date, with 872,000 copies sold in the US alone, as of October 2014. Additionally, it was certified
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features the cleanest production of any album in
Williams' career. Huey wrote: "Its surfaces are clean and contemporary, with something in the
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magazine said Williams transfigures "American roots rock into a heady, soul-baring and, would you believe, unabashedly sexy art form", while
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Lucinda Williams was two decades into her career at the cross-section of country and rock when she finally released her full-length opus...
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1748:– electric guitar (1–3, 9, 12), 12-string electric guitar (4), electric slide guitar (7), harmony vocal (9), acoustic slide guitar (13)
441:. Kennedy overdubbed many of the instruments, including the acoustic and electric guitars, keyboards, tambourines, and backing vocals.
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with popularizing Americana music, and defining parameters that would eventually becomes stapes within the genre. Stephen L. Betts of
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of the early 1990s. Some songs like "2 Kool 2 Be 4-Gotten" feature hip hop drum beats, and the original version of "Joy" featured a
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brought Williams a newfound level of attention, and her next album became highly anticipated within the country music scene.
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argued at the time that she proves herself to be the era's "most accomplished record-maker" by honing traditional
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rural life refreshing amid a music market overrun by timid, mass-produced female artists. Richard Cromelin of the
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3572:"'Car Wheels on a Gravel Road' Turns 20: Lucinda Williams & Producer Steve Earle Reflect on Her Masterpiece"
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composition, understated vocal emotions, and realistic narratives colored by her native experiences and values:
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old ways are best, although that meaningless idea may well appeal to her, but that they're very much with us.
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289:, and remained on the chart for over five months, eventually becoming Williams' first album to be certified
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2457:"Dandy Williams: Much delayed and breathlessly awaited, Lucinda's gritty new cycle of songs Wheels so good"
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407:
343:. The popularity of "Passionate Kisses" and subsequent covers of Williams' other songs from musicians like
152:
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1984:
states that another possible reason these sessions were scrapped was because American Recordings founder
1146:(2000), in which it was voted No. 836. Christgau later named it among his 10 best albums from the 1990s.
692:
444:
2749:"500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time"
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3062:
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1024:
430:
271:
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McGee, David; Miles, Milo (2004). "Lucinda Williams". In Brackett, Nathan; Hoard, Christian (eds.).
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2003:
Some sources claim Williams fired Morlix, although Morlix states he stepped down of his own accord.
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1988:
was also unhappy with the vocals. Ray Kennedy supported this claim in a 2020 article published by
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of the instruments (especially the drums) sounding extremely typical of a late-'90s major-label
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differed from the prevailing trend in country music at the time, which was to incorporate more
2624:
1766:– acoustic guitar (1, 10, 11), mando guitar (2, 10), harmony vocal (2), electric guitar (6, 8)
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Deluxe edition bonus disc (Recorded live on July 11, 1998, at Penn's Landing in Philadelphia)
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was named one of the year's best albums in many critics' top-ten lists. It topped the annual
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2899:
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Sweeting, Adam (July 10, 1998). "Lucinda Williams: Car Wheels on a Gravel Road (Mercury)".
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1802:– acoustic guitar (4, 5, 8, 9, 13), harmonica (4), harmony vocal (5), resonator guitar (12)
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553:, although Williams argues that Americana did not formally exist until the creation of the
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8:
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Anon. (September 2019). "The Making of Car Wheels on a Gravel Road by Lucinda Williams".
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voted it one of the ten best pop albums of the 1990s. It was also included in the book
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216:
164:
43:
3096:"American album certifications – Lucinda Williams – Car Wheels on a Gravel Road"
2999:(PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 302.
3920:
3761:
3633:
3599:
3420:
3070:"British album certifications – Lucinda Williams – Car Wheels on a Gravel Road"
2981:
1808:– electric guitar (4, 7, 11, 12), electric slide guitar (5, 7), Dobro guitar (13)
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676:
616:. Earle noted the hip hop style of production arose from a desire to experiment.
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220:
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in 2002. According to Williams: "Before that, there was alternative country and
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did not receive the same negative treatment for lengthy recording sessions.
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437:. The recording sessions lasted around ten days, after which Kennedy added
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has also been praised in retrospective appraisals. In a five-star review,
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319:. To support the album, Williams went on an Australian concert tour with
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During this period, Williams was invited to sing backing vocals for the
3662:
3173:"Lucinda Williams Plots 'Car Wheels on a Gravel Road' Anniversary Tour"
1985:
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142:
3416:"Lucinda Williams Revisits 1998's Epochal Car Wheels on a Gravel Road"
2838:
1001 Albums You Must Hear Before You Die: Revised and Updated Edition
2722:
1811:
1103:
572:
530:
348:
3035:"Swedishcharts.com – Lucinda Williams – Car Wheels on a Gravel Road"
715:
was released by Mercury Records on June 30, 1998. It debuted on the
406:
song "You're Still Standing There". Earle was working with producer
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3393:
3366:
2907:
1093:
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636:
635:, and discusses events that occurred in nondescript locations like
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494:
3306:"Lucinda Williams Reflects on 'Car Wheels on a Gravel Road' at 20"
1096:'s Steve Huey later said it was her "least folk-oriented record".
3683:
3667:
2719:"Lucinda Williams – Car Wheels on a Gravel Road, Deluxe Edition"
1738:
Lucinda Williams – vocals (all tracks), acoustic guitar (2, 5),
722:
at number sixty-five, and sold 21,000 copies in its first week.
3608:
Verna, Paul (July 18, 1998). "Reviews & previews: Albums".
604:
album." Earle and Kennedy's style of production favored mellow
597:
498:
1739:
534:
38:
3597:
Smith, RJ (July 1998). "Lucinda Williams: Lost in America".
2430:
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All tracks written by Lucinda Williams, except where noted.
3438:
Producing Country: The Inside Story of the Great Recordings
608:
for Williams to sing atop, which was greatly influenced by
3028:
2510:"Lucinda Williams, 'Car Wheels on a Gravel Road,' Mercury"
2661:"Lucinda Williams – Car Wheels on a Gravel Road CD Album"
2550:
2420:
2418:
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902:
3459:
Mayfield, Geoff (July 18, 1998). "Between the Bullets".
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was met with widespread critical acclaim. Reviewing for
259:
critics poll, and ranked No. 98 on the 2020 revision of
223:. The album was recorded and co-produced by Williams in
215:
is the fifth studio album by American singer-songwriter
4016:
It's a Long Way to the Top (If You Wanna Rock 'n' Roll)
2337:
2335:
649:
is a raw, exquisite travelogue of her American South."
506:
at MasterMix studios in Nashville, in the midst of the
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Williams described herself as insecure while recording
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influences, as evidenced by the commercial success of
1784:– organ (1, 3, 4), accordion (3, 5, 6, 8, 10, 11, 13)
309:
In 1992, Lucinda Williams released her fourth album,
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Love and heartbreak are important lyrical themes on
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evoke imagery of Williams' life while living in the
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2016:
1116:masterpiece and ranked it No. 304 on their list of
274:, and earned Williams an additional nomination for
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561:. was creeping in there already." Andy Greene of
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2836:Dimery, Robert; Lydon, Michael (March 23, 2010).
2347:
2163:
2136:
1916:
627:. Williams mentions various Southern cities like
4045:
3389:"Car Wheels on a Gravel Road – Lucinda Williams"
3330:
3127:"Lucinda Williams – Setting the record straight"
2957:
2773:
2546:"Lucinda Williams – Car Wheels on a Gravel Road"
2436:
2175:
2095:
1480:"Still I Long for Your Kiss" (Alternate version)
725:
3545:"Lucinda Williams: Car Wheels on a Gravel Road"
3198:"Lucinda Williams: Car Wheels on a Gravel Road"
3010:Anon. (August 31, 1998). "RPM Country Albums".
2022:
1957:Shipments figures based on certification alone.
1796:– electric guitar (3, 8, 10), Dobro guitar (6)
875:
371:Chameleon Records folded after the release of
4064:Grammy Award for Best Contemporary Folk Album
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1778:– 12 string electric guitar (1), mandolin (5)
1168:, like similar Americana albums of the time (
1090:Grammy Award for Best Contemporary Folk Album
268:Grammy Award for Best Contemporary Folk Album
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792:
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682:By this point, Williams had been working on
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1814:– electric guitar (7, 12), slide guitar (7)
1552:"Something About What Happens When We Talk"
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3703:
3491:"Lucinda Williams' Home-Grown Masterpiece"
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2539:
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1820:Richard "Hombre" Price – Dobro guitar (10)
29:
3928:Something About What Happens When We Talk
3100:Recording Industry Association of America
2894:
2608:
2606:
1027:found Williams' hard-edged evocations of
469:that's all there is to that" said Earle.
18:1998 studio album by Lucinda Williams
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3037:. Hung Medien. Retrieved March 1, 2022.
3016:. Vol. 67, no. 23. p. 9.
2507:
2487:
2424:
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2225:
2074:
2062:
1133:1001 Albums You Must Hear Before You Die
443:
335:". The cover reached number four on the
3515:
3435:
3331:Houlihan-Skilton, Mary (July 5, 1998).
2791:from the original on September 22, 2020
2579:"Car Wheels on a Gravel Road (Reissue)"
2576:
2534:
2498:
2241:
2213:
1754:– bass guitar (1–12), upright bass (13)
246:was voted as the best album of 1998 in
4046:
3477:
3303:
3124:
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2671:from the original on November 23, 2012
2603:
2543:
2465:. No. 440. New York. p. 74.
2451:
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2406:
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2326:
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2157:
2023:Pitchfork Staff (September 28, 2022).
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639:and dilapidated shacks. Jenn Pelly of
541:. Two genres commonly associated with
383:lasted from February to March 1995 in
327:. While on tour, Carpenter recorded a
3698:
3627:Wilonsky, Robert (December 3, 1998).
3607:
3596:
3569:
3557:from the original on October 28, 2018
3542:
3488:
3249:
3237:from the original on November 5, 2011
3171:Betts, Stephen L. (August 20, 2018).
3170:
3151:
3009:
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2951:
2936:
2932:
2781:"The 500 Greatest Albums of All Time"
2710:
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379:. The initial recording sessions for
282:". The album peaked at No. 68 on the
64:Room and Board (Nashville, Tennessee)
3811:Down Where the Spirit Meets the Bone
3724:
3413:
3276:
2994:
2963:
2940:
2508:Cromelin, Richard (August 9, 1998).
2237:
1164:gave similar commentary, and said: "
231:, and features guest appearances by
3264:from the original on August 4, 2020
3210:from the original on March 17, 2015
2577:Edwards, Gavin (October 30, 2006).
2469:from the original on March 22, 2017
1118:The 500 Greatest Albums of All Time
877:
555:Americana Music Honors & Awards
513:
361:The album was a total clusterfuck.
13:
3641:from the original on July 22, 2020
3584:from the original on July 22, 2020
3530:from the original on July 22, 2020
3374:from the original on July 22, 2020
3277:Frey, Darcy (September 14, 1997).
3139:from the original on July 22, 2020
2997:Australia's Music Charts 1988–2010
2817:from the original on July 23, 2020
2729:from the original on April 2, 2015
2653:
2591:from the original on April 2, 2015
2522:from the original on March 3, 2017
2442:
2025:"The 150 Best Albums of the 1990s"
1817:Micheal Smotherman – B-3 organ (9)
341:Grammy Award for Best Country Song
276:Best Female Rock Vocal Performance
242:Universally acclaimed by critics,
14:
4080:
3690:Lucinda Williams Official Website
3655:
3503:from the original on May 17, 2021
3401:from the original on June 5, 2012
3304:Greene, Andy (November 2, 2018).
3291:from the original on June 3, 2020
3250:Flans, Robyn (February 2, 2020).
3047:"Lucinda Williams Chart History (
2980:(liner notes). Lucinda Williams.
2914:from the original on May 23, 2021
2761:from the original on May 10, 2019
2716:
2616:The New Rolling Stone Album Guide
1901:
972:
934:
839:
794:
756:
421:connected to a twenty-four track
3839:Stories from a Rock n Roll Heart
3543:Pelly, Jenn (October 28, 2018).
1790:– harmony vocal (1, 4, 6, 8, 13)
1760:– drums, percussion (all tracks)
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991:
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567:notes that the overall sound of
219:, released on June 30, 1998, by
3907:I Just Wanted to See You So Bad
3516:Nichols, Lee (April 14, 2000).
3489:Mundy, Chris (August 6, 1998).
3252:"'Car Wheels on a Gravel Road'"
2988:
2926:
2888:
2829:
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2570:
2544:Martin, Gavin (July 25, 1998).
2481:
2400:
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1997:
1772:– 12 string electric guitar (1)
1149:Some journalists have credited
264:500 Greatest Albums of All Time
3686:(streamed copy where licensed)
3614:. Vol. 110, no. 29.
3570:Scott, Jason (June 30, 2018).
3465:. Vol. 110, no. 29.
3233:. No. June 30. New York.
3206:. No. July 23. New York.
3059:. Retrieved October 30, 2022.
2068:
1972:
1519:
1431:
1193:
1112:magazine called the record an
477:, who took the rough mixes to
452:) co-produced the majority of
1:
3279:"Lucinda Williams Is in Pain"
3117:
3074:British Phonographic Industry
1566:"Car Wheels on a Gravel Road"
1230:"Car Wheels on a Gravel Road"
1123:The Rolling Stone Album Guide
965:The Rolling Stone Album Guide
726:Critical reception and legacy
673:Sony Music Entertainment Inc.
304:
3362:"Lucinda Williams Biography"
2010:
1894:
1880:
1868:
1854:
1732:
1636:"Still I Long for Your Kiss"
1362:"Still I Long for Your Kiss"
1136:and in the third edition of
354:
301:in the UK on July 22, 2013.
7:
3769:Car Wheels on a Gravel Road
3675:Car Wheels on a Gravel Road
3663:Car Wheels on a Gravel Road
2978:Car Wheels on a Gravel Road
1426:Deluxe edition bonus tracks
1151:Car Wheels on a Gravel Road
1100:Car Wheels on a Gravel Road
1088:poll and earned Williams a
1082:Car Wheels on a Gravel Road
1015:Car Wheels on a Gravel Road
713:Car Wheels on a Gravel Road
693:The New York Times Magazine
684:Car Wheels on a Gravel Road
665:Car Wheels on a Gravel Road
654:Car Wheels on a Gravel Road
621:Car Wheels on a Gravel Road
594:Car Wheels on a Gravel Road
569:Car Wheels on a Gravel Road
543:Car Wheels on a Gravel Road
519:Car Wheels on a Gravel Road
466:Car Wheels on a Gravel Road
462:Car Wheels on a Gravel Road
454:Car Wheels on a Gravel Road
381:Car Wheels on a Gravel Road
244:Car Wheels on a Gravel Road
212:Car Wheels on a Gravel Road
187:Car Wheels on a Gravel Road
24:Car Wheels on a Gravel Road
10:
4085:
3414:Hurt, Edd (May 28, 2019).
3223:Christgau, Robert (1998).
1272:"Concrete and Barbed Wire"
659:
375:, so Williams signed with
4025:
3993:
3884:
3866:
3848:
3732:
3442:Wesleyan University Press
3436:Jarrett, Michael (2014).
2811:"Top Albums of the 1990s"
1954:
1939:
1924:
1913:
1910:
1885:
1873:
1860:Canadian Country Albums (
1859:
1847:
1830:
1529:
1526:
1523:
1518:
1450:"Down the Big Road Blues"
1441:
1438:
1435:
1430:
1203:
1200:
1197:
1192:
743:
740:
669:Warner Bros. Records Inc.
387:, with longtime producer
171:
163:
134:
122:
106:
80:
58:
50:
37:
28:
23:
3832:Good Souls Better Angels
3818:The Ghosts of Highway 20
3125:Anon. (August 1, 1998).
2867:All Time Top 1000 Albums
2619:(4th ed.). London:
2554:. London. Archived from
1965:
1143:All Time Top 1000 Albums
331:of Williams' 1988 song "
4054:Lucinda Williams albums
479:Los Angeles, California
419:microphone preamplifier
229:Canoga Park, California
72:Canoga Park, California
4069:Mercury Records albums
2787:. September 22, 2020.
1978:A 1998 article by the
1659:"2 Kool 2 Be 4-Gotten"
1244:"2 Kool 2 Be 4-Gotten"
1078:
614:direct-drive turntable
521:explores a variety of
457:
429:, and instead induced
363:
2900:"Xgau Sez: May, 2021"
2437:Houlihan-Skilton 1998
1073:
690:. In September 1997,
508:1998 tornado outbreak
447:
359:
325:Mary Chapin Carpenter
3900:The Night's Too Long
3825:This Sweet Old World
3523:The Austin Chronicle
3387:Huey, Steve (n.d.).
3360:Huey, Steve (n.d.).
3347:on February 29, 2016
2995:Ryan, Gavin (2011).
2462:Entertainment Weekly
1826:– harmony vocal (10)
1128:The Associated Press
1080:At the end of 1998,
1020:Entertainment Weekly
820:Entertainment Weekly
731:Professional ratings
633:Lafayette, Louisiana
629:Jackson, Mississippi
397:Nashville, Tennessee
225:Nashville, Tennessee
4009:Hang Down Your Head
3857:Live @ The Fillmore
3783:World Without Tears
3741:Ramblin' on My Mind
3629:"Long Journey Home"
1907:
1848:Australian Albums (
1705:"Changed the Locks"
1580:"Metal Firecracker"
1515:
1427:
1334:"Metal Firecracker"
1114:alternative country
732:
688:online music forums
551:alternative country
502:after which it was
493:, and worked on an
377:American Recordings
94:alternative country
3956:Get Right With God
3670:(list of releases)
3318:on August 22, 2021
3284:The New York Times
2558:on August 17, 2000
1906:
1513:
1425:
730:
458:
366:– Lucinda Williams
4041:
4040:
3914:Passionate Kisses
3893:Changed the Locks
3748:Happy Woman Blues
3481:Los Angeles Times
3451:978-0-8195-7465-7
3338:Chicago Sun-Times
3230:The Village Voice
3194:Christgau, Robert
2904:And It Don't Stop
2896:Christgau, Robert
2847:978-0-7893-2074-2
2515:Los Angeles Times
2455:(July 10, 1998).
1981:Los Angeles Times
1963:
1962:
1958:
1899:
1898:
1876:Sverigetopplistan
1806:Johnny Lee Schell
1729:
1728:
1509:
1508:
1421:
1420:
1060:The Village Voice
1034:Los Angeles Times
1012:
1011:
1003:The Village Voice
870:Los Angeles Times
787:Chicago Sun-Times
703:Bruce Springsteen
456:with Ray Kennedy.
435:1176 Peak Limiter
337:Hot Country Songs
333:Passionate Kisses
317:Chameleon Records
249:The Village Voice
208:
207:
204:
203:
4076:
4026:Related articles
4002:Cold, Cold Heart
3970:Are You Alright?
3875:Vanished Gardens
3755:Lucinda Williams
3726:Lucinda Williams
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3341:. Archived from
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3323:
3314:. Archived from
3300:
3298:
3296:
3273:
3271:
3269:
3246:
3244:
3242:
3225:"Consumer Guide"
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2898:(May 19, 2021).
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1908:
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1874:Swedish Albums (
1835:
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1065:Robert Christgau
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733:
729:
559:alternative rock
514:Music and lyrics
497:console and two
367:
339:chart and won a
278:for the single "
254:
217:Lucinda Williams
173:
172:
165:Lucinda Williams
157:Lucinda Williams
118:
117:
113:
44:Lucinda Williams
33:
21:
20:
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4077:
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3989:
3921:Six Blocks Away
3880:
3862:
3844:
3762:Sweet Old World
3728:
3723:
3658:
3653:
3644:
3642:
3634:Dallas Observer
3587:
3585:
3560:
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3506:
3504:
3452:
3444:. p. 250.
3426:
3424:
3421:Nashville Scene
3404:
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3183:
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3142:
3140:
3120:
3115:
3105:
3103:
3102:. July 22, 2013
3094:
3093:
3089:
3079:
3077:
3076:. June 25, 1999
3068:
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3033:
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2993:
2989:
2982:Mercury Records
2974:
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2893:
2889:
2882:
2874:. p. 259.
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2742:
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2715:
2711:
2705:Christgau 1998b
2703:
2699:
2694:Christgau 1998b
2690:Christgau 1998a
2688:
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2648:Christgau 1998a
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2017:
2013:
2008:
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2002:
1998:
1977:
1973:
1968:
1940:United States (
1918:Certified units
1904:
1842:
1833:
1735:
1730:
1648:
1608:"Drunken Angel"
1594:"Right in Time"
1510:
1500:
1492:
1422:
1412:
1376:
1258:"Drunken Angel"
1184:
1161:Nashville Scene
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728:
679:for $ 450,000.
677:Mercury Records
662:
516:
473:hired musician
393:Sweet Old World
373:Sweet Old World
369:
365:
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312:Sweet Old World
307:
262:Rolling Stone's
252:
221:Mercury Records
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178:Sweet Old World
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3656:External links
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3567:
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3450:
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3333:"Spin Control"
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2976:Anon. (1998).
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619:The lyrics of
592:believes that
588:Steve Huey of
579:'s 1997 album
515:
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489:served as the
483:Jim Lauderdale
358:
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345:Emmylou Harris
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3715:
3713:
3708:
3706:
3701:
3700:
3697:
3691:
3688:
3685:
3681:
3677:
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3669:
3665:
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3659:
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3595:
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3552:
3551:
3546:
3541:
3529:
3525:
3524:
3519:
3514:
3502:
3498:
3497:
3496:Rolling Stone
3492:
3487:
3483:
3482:
3476:
3472:
3468:
3464:
3463:
3457:
3453:
3447:
3443:
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3417:
3412:
3400:
3396:
3395:
3390:
3385:
3373:
3369:
3368:
3363:
3358:
3351:September 26,
3345:
3340:
3339:
3334:
3329:
3317:
3313:
3312:
3311:Rolling Stone
3307:
3302:
3290:
3286:
3285:
3280:
3275:
3263:
3259:
3258:
3253:
3248:
3236:
3232:
3231:
3226:
3221:
3209:
3205:
3204:
3203:Rolling Stone
3199:
3195:
3191:
3180:
3179:
3178:Rolling Stone
3174:
3169:
3165:
3161:
3157:
3156:
3150:
3138:
3134:
3133:
3132:No Depression
3128:
3123:
3122:
3101:
3097:
3091:
3075:
3071:
3065:
3058:
3057:
3052:
3050:
3043:
3036:
3031:
3023:
3019:
3015:
3014:
3006:
2998:
2991:
2983:
2979:
2972:
2965:
2960:
2953:
2948:
2942:
2938:
2934:
2929:
2913:
2909:
2905:
2901:
2897:
2891:
2883:
2881:0-7535-0493-6
2877:
2873:
2869:
2868:
2863:
2862:Larkin, Colin
2857:
2849:
2843:
2839:
2832:
2816:
2812:
2806:
2795:September 24,
2790:
2786:
2785:Rolling Stone
2782:
2776:
2760:
2756:
2755:
2754:Rolling Stone
2750:
2744:
2728:
2724:
2720:
2713:
2706:
2701:
2695:
2691:
2686:
2670:
2666:
2662:
2656:
2649:
2644:
2636:
2634:0-7432-0169-8
2630:
2626:
2622:
2618:
2617:
2609:
2607:
2590:
2586:
2585:
2584:Rolling Stone
2580:
2573:
2557:
2553:
2552:
2547:
2540:
2538:
2521:
2517:
2516:
2511:
2504:
2502:
2493:
2492:
2484:
2468:
2464:
2463:
2458:
2454:
2453:Browne, David
2448:
2446:
2438:
2433:
2427:, p. 92.
2426:
2425:Mayfield 1998
2421:
2419:
2412:
2408:
2403:
2397:
2393:
2388:
2382:, p. 74.
2381:
2376:
2374:
2366:
2361:
2359:
2357:
2355:
2353:
2351:
2343:
2338:
2336:
2328:
2323:
2317:
2313:
2308:
2302:, p. 20.
2301:
2296:
2290:
2286:
2281:
2275:
2271:
2266:
2259:
2255:
2250:
2244:, p. 250
2243:
2239:
2234:
2227:
2226:Wilonsky 1998
2222:
2215:
2210:
2208:
2206:
2198:
2193:
2191:
2189:
2187:
2185:
2183:
2181:
2179:
2171:
2166:
2159:
2154:
2152:
2150:
2148:
2146:
2144:
2142:
2140:
2132:
2127:
2125:
2123:
2121:
2119:
2117:
2115:
2113:
2111:
2109:
2107:
2105:
2103:
2101:
2099:
2092:, p. 72.
2091:
2086:
2080:
2076:
2075:Huey (a) n.d.
2071:
2064:
2059:
2057:
2055:
2053:
2051:
2043:
2032:
2031:
2026:
2019:
2015:
2000:
1993:
1992:
1987:
1983:
1982:
1975:
1971:
1959:
1953:
1949:
1946:
1943:
1938:
1934:
1931:
1928:
1923:
1919:
1914:Certification
1909:
1892:
1890:
1884:
1877:
1872:
1865:
1864:
1858:
1851:
1846:
1840:
1838:Chart (1998)
1837:
1836:
1825:
1822:
1819:
1816:
1813:
1810:
1807:
1804:
1801:
1798:
1795:
1792:
1789:
1786:
1783:
1780:
1777:
1774:
1771:
1768:
1765:
1762:
1759:
1756:
1753:
1750:
1747:
1744:
1741:
1737:
1736:
1724:
1721:
1718:
1714:
1710:
1707:
1704:
1700:
1696:
1693:
1690:
1686:
1682:
1679:
1676:
1672:
1668:
1664:
1661:
1658:
1654:
1650:
1644:
1641:
1640:
1638:
1635:
1631:
1627:
1624:
1621:
1617:
1613:
1610:
1607:
1603:
1599:
1596:
1593:
1589:
1585:
1582:
1579:
1575:
1571:
1568:
1565:
1561:
1557:
1554:
1551:
1547:
1543:
1540:
1537:
1533:
1517:
1504:
1501:Total length:
1498:
1494:
1488:
1485:
1484:
1482:
1479:
1475:
1471:
1468:
1465:
1461:
1457:
1455:
1452:
1449:
1445:
1429:
1416:
1413:Total length:
1410:
1406:
1403:
1400:
1396:
1392:
1389:
1386:
1382:
1378:
1373:
1370:
1367:
1366:
1364:
1361:
1357:
1353:
1350:
1347:
1343:
1339:
1336:
1333:
1329:
1325:
1322:
1319:
1315:
1311:
1309:
1306:
1303:
1299:
1295:
1291:
1288:
1285:
1281:
1277:
1274:
1271:
1267:
1263:
1260:
1257:
1253:
1249:
1246:
1243:
1239:
1235:
1232:
1229:
1225:
1221:
1218:
1215:
1214:Right in Time
1211:
1207:
1191:
1187:
1182:Track listing
1179:
1177:
1173:
1172:
1167:
1163:
1162:
1156:
1155:Rolling Stone
1152:
1147:
1145:
1144:
1139:
1135:
1134:
1129:
1125:
1124:
1119:
1115:
1111:
1110:
1109:Rolling Stone
1105:
1101:
1097:
1095:
1091:
1087:
1083:
1077:
1072:
1070:
1069:popular music
1066:
1062:
1061:
1056:
1055:
1050:
1049:
1044:
1040:
1036:
1035:
1030:
1026:
1022:
1021:
1016:
1007:
1005:
1004:
1000:
999:
969:
967:
966:
962:
961:
931:
929:
928:
927:Rolling Stone
924:
923:
919:
917:
916:
912:
911:
907:
905:
904:
900:
899:
874:
872:
871:
867:
866:
836:
834:
833:
829:
828:
824:
822:
821:
817:
816:
791:
789:
788:
784:
783:
753:
751:
748:
747:
739:
736:Review scores
734:
723:
721:
719:
714:
710:
708:
704:
700:
695:
694:
689:
685:
680:
678:
674:
670:
666:
657:
655:
650:
648:
644:
643:
638:
634:
630:
626:
622:
617:
615:
611:
607:
603:
599:
595:
591:
586:
584:
583:
578:
574:
570:
566:
565:
564:Rolling Stone
560:
556:
552:
548:
544:
540:
536:
532:
528:
524:
520:
511:
509:
505:
500:
496:
492:
488:
484:
480:
476:
470:
467:
463:
455:
451:
448:Steve Earle (
446:
442:
440:
436:
432:
428:
427:reverberation
424:
423:tape recorder
420:
416:
411:
409:
405:
400:
398:
394:
390:
386:
385:Austin, Texas
382:
378:
374:
368:
362:
352:
350:
346:
342:
338:
334:
330:
326:
322:
318:
314:
313:
302:
300:
296:
292:
288:
286:
281:
277:
273:
269:
266:. It won the
265:
263:
258:
251:
250:
245:
240:
238:
234:
230:
226:
222:
218:
214:
213:
198:
197:
193:
189:
188:
184:
180:
179:
175:
174:
170:
166:
162:
156:
154:
151:
149:
146:
144:
141:
140:
139:
137:
133:
130:
127:
125:
121:
109:
105:
100:
97:
95:
92:
90:
87:
86:
85:
83:
79:
73:
69:
66:
63:
62:
61:
57:
54:June 30, 1998
53:
49:
45:
40:
36:
32:
27:
22:
16:
3942:Can't Let Go
3873:
3867:Other albums
3855:
3837:
3830:
3823:
3816:
3809:
3802:
3797:Little Honey
3795:
3788:
3781:
3774:
3768:
3767:
3760:
3753:
3746:
3739:
3674:
3661:
3643:. Retrieved
3632:
3609:
3598:
3586:. Retrieved
3575:
3559:. Retrieved
3548:
3532:. Retrieved
3521:
3505:. Retrieved
3494:
3484:. p. 6.
3479:
3460:
3437:
3425:. Retrieved
3419:
3403:. Retrieved
3392:
3376:. Retrieved
3365:
3349:. Retrieved
3344:the original
3336:
3320:. Retrieved
3316:the original
3309:
3293:. Retrieved
3282:
3266:. Retrieved
3255:
3241:November 11,
3239:. Retrieved
3228:
3212:. Retrieved
3201:
3182:. Retrieved
3176:
3153:
3141:. Retrieved
3130:
3106:September 2,
3104:. Retrieved
3090:
3080:September 2,
3078:. Retrieved
3064:
3055:
3048:
3042:
3030:
3011:
3005:
2996:
2990:
2977:
2971:
2959:
2947:
2928:
2916:. Retrieved
2903:
2890:
2872:Virgin Books
2865:
2856:
2840:. Universe.
2837:
2831:
2819:. Retrieved
2805:
2793:. Retrieved
2784:
2775:
2765:September 9,
2763:. Retrieved
2752:
2743:
2731:. Retrieved
2717:Ruehl, Kim.
2712:
2700:
2685:
2673:. Retrieved
2655:
2643:
2614:
2593:. Retrieved
2587:. New York.
2582:
2572:
2562:November 11,
2560:. Retrieved
2556:the original
2549:
2524:. Retrieved
2513:
2491:The Guardian
2489:
2483:
2471:. Retrieved
2460:
2432:
2402:
2387:
2342:Huey (b) n.d
2322:
2307:
2295:
2280:
2265:
2260:, p. 73
2249:
2242:Jarrett 2014
2233:
2221:
2214:Nichols 2000
2165:
2085:
2070:
2063:Huey (a) n.d
2041:
2034:. Retrieved
2028:
2018:
1999:
1989:
1979:
1974:
1955:
1888:
1861:
1764:Buddy Miller
1675:Can't Let Go
1622:"Greenville"
1372:Duane Jarvis
1348:"Greenville"
1302:Can't Let Go
1185:
1169:
1165:
1159:
1154:
1150:
1148:
1141:
1138:Colin Larkin
1131:
1121:
1107:
1099:
1098:
1081:
1079:
1074:
1058:
1052:
1046:
1032:
1025:David Browne
1018:
1014:
1013:
1001:
963:
925:
913:
901:
868:
832:The Guardian
830:
818:
785:
717:
712:
711:
707:John Fogerty
691:
683:
681:
664:
663:
653:
651:
646:
640:
620:
618:
593:
587:
582:Come On Over
580:
577:Shania Twain
568:
562:
542:
525:, including
523:music genres
518:
517:
471:
465:
461:
459:
453:
449:
412:
401:
392:
380:
372:
370:
364:
360:
321:Rosanne Cash
310:
308:
284:
280:Can't Let Go
261:
247:
243:
241:
211:
210:
209:
194:
186:
185:
176:
99:country rock
39:Studio album
15:
4059:1998 albums
4033:Discography
3994:Other songs
3963:Righteously
3849:Live albums
3680:Adobe Flash
3561:October 28,
3518:"Out Front"
2665:CD Universe
2623:. pp.
2411:McCall 1998
2407:Anon. 1998a
2392:Anon. 1998a
2327:Greene 2018
2312:Greene 2018
2270:Anon. 1998a
2170:McCall 1998
2158:Anon. 1998a
1800:Steve Earle
1770:Ray Kennedy
1746:Gurf Morlix
1691:"Hot Blood"
1320:"I Lost It"
1308:Randy Weeks
1171:Fight Songs
1092:, although
1043:Ray Kennedy
1039:Steve Earle
699:corn flakes
491:audio mixer
431:compression
408:Ray Kennedy
404:Steve Earle
389:Gurf Morlix
233:Steve Earle
153:Ray Kennedy
148:Steve Earle
4048:Categories
3427:January 3,
3322:August 21,
3184:January 3,
3118:References
2952:Betts 2018
2937:Scott 2018
2933:Betts 2018
2396:Mundy 1998
2380:Anon. 2019
2365:Pelly 2018
2316:Scott 2018
2300:Verna 1998
2289:Flans 2020
2285:Mundy 1998
2274:Scott 2018
2258:Anon. 2019
2254:Scott 2018
2197:Flans 2020
2131:Scott 2018
2090:Anon. 2019
2079:Smith 1998
1986:Rick Rubin
1782:Roy Bittan
1776:Greg Leisz
1742:guitar (7)
1166:Car Wheels
647:Car Wheels
625:Deep South
602:roots-rock
475:Roy Bittan
415:Telefunken
305:Background
167:chronology
143:Roy Bittan
3984:Buttercup
3977:Real Love
3620:0006-2510
3611:Billboard
3577:Billboard
3550:Pitchfork
3507:March 25,
3471:0006-2510
3462:Billboard
3405:August 4,
3214:March 27,
3164:1368-0722
3056:Billboard
3049:Billboard
3022:0315-5994
2964:Hurt 2019
2941:Hurt 2019
2821:April 13,
2733:March 27,
2723:About.com
2675:March 27,
2595:March 27,
2526:April 21,
2494:. London.
2238:Frey 1997
2036:April 26,
2030:Pitchfork
2011:Footnotes
1889:Billboard
1843:position
1812:Bo Ramsey
1733:Personnel
1538:"Pineola"
1527:Writer(s)
1439:Writer(s)
1401:"Jackson"
1201:Writer(s)
1104:About.com
915:Pitchfork
718:Billboard
642:Pitchfork
637:backroads
547:Americana
487:Jim Scott
355:Recording
349:Tom Petty
285:Billboard
255:s annual
89:Americana
3645:July 22,
3639:Archived
3588:July 22,
3582:Archived
3555:Archived
3534:July 22,
3528:Archived
3501:Archived
3399:Archived
3394:AllMusic
3378:July 22,
3372:Archived
3367:AllMusic
3295:July 22,
3289:Archived
3268:July 23,
3262:Archived
3235:Archived
3208:Archived
3196:(1998).
3143:July 22,
3137:Archived
2912:Archived
2908:Substack
2864:(2006).
2815:Archived
2789:Archived
2759:Archived
2757:. 2012.
2727:Archived
2669:Archived
2589:Archived
2520:Archived
2467:Archived
1950:500,000
1642:Williams
1486:Williams
1368:Williams
1176:Old 97's
1094:AllMusic
1029:Southern
750:AllMusic
590:AllMusic
504:mastered
495:AMS Neve
450:pictured
439:overdubs
136:Producer
51:Released
41: by
3949:Essence
3885:Singles
3804:Blessed
3776:Essence
3684:Myspace
3668:Discogs
2918:May 23,
2625:875–876
2473:May 12,
1935:60,000
1932:Silver
1920:/sales
1911:Region
1063:critic
660:Release
610:hip hop
606:grooves
598:timbres
527:country
433:from a
293:by the
200:(2001)
196:Essence
191:(1998)
182:(1992)
129:Mercury
3618:
3469:
3448:
3162:
3020:
2878:
2844:
2631:
1831:Charts
1722:
1708:
1694:
1662:
1645:Jarvis
1625:
1611:
1597:
1583:
1569:
1555:
1541:
1530:Length
1489:Jarvis
1469:
1442:Length
1404:
1390:
1351:
1337:
1323:
1289:
1275:
1261:
1247:
1233:
1219:
1204:Length
920:9.5/10
744:Rating
741:Source
537:, and
499:Studer
299:Silver
107:Length
59:Studio
3682:) at
3155:Uncut
3051:200)"
1966:Notes
1947:Gold
1740:Dobro
1719:"Joy"
1680:Weeks
1524:Title
1505:64:37
1436:Title
1417:51:40
1387:"Joy"
1198:Title
1054:Uncut
535:blues
329:cover
315:, on
253:'
124:Label
82:Genre
68:Rumbo
3790:West
3647:2020
3616:ISSN
3600:Spin
3590:2020
3563:2018
3536:2020
3509:2021
3467:ISSN
3446:ISBN
3429:2022
3407:2005
3380:2020
3353:2015
3324:2021
3297:2020
3270:2020
3243:2011
3216:2015
3186:2022
3160:ISSN
3145:2020
3108:2021
3082:2021
3018:ISSN
2920:2021
2876:ISBN
2842:ISBN
2823:2018
2797:2020
2767:2019
2735:2015
2677:2015
2629:ISBN
2597:2015
2564:2011
2528:2020
2475:2011
2038:2023
1942:RIAA
1850:ARIA
1841:Peak
1725:6:08
1711:4:19
1697:7:38
1683:3:51
1665:4:53
1651:4:39
1628:3:46
1614:3:27
1600:4:32
1586:3:39
1572:4:42
1558:3:44
1544:4:18
1495:5:00
1472:3:50
1458:4:07
1407:3:42
1393:4:01
1379:4:09
1354:3:23
1340:3:30
1326:3:31
1312:3:28
1292:5:27
1278:3:08
1264:3:20
1250:4:42
1236:4:44
1222:4:35
1041:and
908:9/10
705:and
631:and
549:and
545:are
539:folk
417:V76
347:and
323:and
295:RIAA
291:Gold
272:1999
235:and
227:and
3666:at
3257:Mix
3013:RPM
2551:NME
1991:Mix
1927:BPI
1895:65
1891:200
1886:US
1881:60
1869:14
1863:RPM
1855:69
1716:13.
1702:12.
1688:11.
1670:10.
1520:No.
1477:16.
1463:15.
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