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113:'s first artistic mentors. Although he painted individual portraits, he is known for his portrayals of ceremonies and dances, sometimes with over a dozen individual figures, with implied action and narrative. Sweezy developed a technique, employed by later Southern Plains artists, of painting an active
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With war horses running, feathers and banners flying on the wind from spears and lances, shields and quivers shining at men's sides and shoulders, and women singing war songs for their men, I think a war party setting out, or coming in victorious, must have been one of the splendid things in life to
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commissioned Sweezy to paint images of traditional
Arapaho life. Later, Sweezy also worked with anthropologist George Dorsey. Sweezy continued to be a prolific painter, expanding his media and materials into the mid-20th century. By the 1920s Sweezy was a full-time painter.
93:. For a season Sweezy was a professional baseball player, and later he worked as a tribal policeman. Although he never received formal art training, he loved drawing and painting from an early age. An agency employee encouraged him with a gift of watercolor paints.
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The corn road, we found, was different from the buffalo road in more ways than anyone, white or Indian, had realized, and the old people could not learn it in a hurry.
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see. If I had to miss that, I have had the next best thing: I have seen old warriors wearing their fine trappings, and I have heard them tell their stories...
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Sweezy worked in watercolors on paper and oil on canvas, as well as house paint on board. He was one of
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62:), meaning "Black." Sweezy's father was Hinan Ba Seth, meaning "Big Man." His tribe still hunted
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Mission School at
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Visions and voices : Native
American painting from the Philbrook Museum of Art
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Oklahoma
Historical Society's Encyclopedia of Oklahoma History and Culture.
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Sweezy's work can be found in the following public art collections:
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Treasures of
Gilcrease: Selections from the Permanent Collection.
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Carl Sweezy artwork in the
Smithsonian Institution's collection
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Carl Sweezy was born in 1881 near the
Darlington Agency on the
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Morand, Ann, Kevin Smith, Daniel C. Swan, and Sarah Erwin.
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379:. Norman and London: The Oklahoma University Press, 1995.
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Sweezy's mother died early, so he lived full-time at the
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Around 1895, when Sweezy was 14 years old, ethnographer
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407:Peyote Religious Art: Symbols of Faith and Belief.
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409:Jackson: University of Mississippi Press, 1999.
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423:. Tulsa, OK: Philbrook Museum of Art, 1996.
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507:Native American male artists
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23:Drawing by Carl Sweezy, 1904
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30:(1881–1953) was a Southern
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117:meeting by rolling up the
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462:Native American painters
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419:Wyckoff, Lydia L., ed.
254:August 8, 2009, at the
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54:. His Arapaho name was
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467:Native American Church
193:University of Oklahoma
115:Native American Church
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66:when he was a child.
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91:Ponca City, Oklahoma
375:Lester, Patrick D.
227:–Carl Sweezy, 1950
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262:(15 Nov 2009)
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451:Categories
370:References
42:Background
195:, Library
111:Dick West
71:Mennonite
351:Swan, 74
252:Archived
56:Wó’oteen
36:Oklahoma
97:Artwork
64:buffalo
32:Arapaho
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60:Wattan
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201:Death
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