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He had some of the defects of his masters: his elaborate finish and his audacious artificiality in the use of color and in composition mark Albani's influence. Despite that, he imparted to his work more of an intellectual character than his mentors. As a man
Cignani was eminently amiable, unassuming
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124:; 15 May 1628 – 8 September 1719) was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of
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Dwight C. Miller. "Cignani, Carlo." Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 25 Dec. 2016
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for the church of the Gesu in
Bologna. For a hall dedicated to the Farnese in the Palazzo Publico, he painted with
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Dizionario degli architetti, scultori, pittori, intagliatori d'ogni By
Stefano Ticozzi, page 449, 1832
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302:(1660–1724) and nephew Paolo Cignani (1709–1764) were also painters. His most noted pupils were
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One or more of the preceding sentences incorporates text from a publication now in the
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for
Bolognese artists was founded in 1706, Cignani was posthumously elected
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Picture collector's manual adapted to the professional man, and the amateur
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from down to up. These frescoes occupied
Cignani for some twenty years.
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He was born to a family of noble ancestry, but limited resources, in
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Giuseppe Maria Crespi and the
Emergence of Genre Painting in Italy
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Francis, king of France, curing
Scrofula on his entry to Bologna
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In 1681 Cignani returned to
Bologna from Parma. He opened an
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for The Easter Gift, 1832, with a poetical illustration by
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for life. His most famous pictures, in addition to the
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for painting from models and had as one of his pupils
744:. Fort Worth: Kimball Museum of Art. pp. 14–15.
192:He was also strongly influenced by the genius of
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395:(c. 1680), Oil on canvas, 99 x 99 cm,
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630:Possibly, Giovanni Battista Cairo, father of
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441:(1691), Oil on canvas, 130.5 x 161 cm,
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251:He accepted no honors offered him by the
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462:Incoronazione di Santa Rosa
425:San Francisco Museum of Art
16:Italian painter (1628–1719)
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749:Ippolito, Zanelli (1722).
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406:Joseph and Potiphar's Wife
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293:Joseph and Potiphars Wife
196:and by the masterworks by
121:[ˈkarlotʃiɲˈɲaːni]
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820:Italian Baroque painters
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356:Giovanni Battista Loreti
340:Giovanni Battista Loreti
320:Giovanni Girolamo Bonesi
304:Marcantonio Franceschini
202:Assumption of the Virgin
175:St Paul exorcising demon
674:Encyclopædia Britannica
578:Saint John and the Lamb
408:, Musee Fesch, Ajaccio
384:Dulwich Picture Gallery
310:. Other pupils include
267:already cited, are the
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810:Italian male painters
800:Painters from Bologna
545:The Finding of Moses,
451:Circolo della Scranna
364:Paolo Antonio Paderna
352:Stefano Maria Legnani
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229:Giuseppe Maria Crespi
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336:Bonaventura Lamberti
261:Principe in absencia
257:Accademia Clementina
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360:Francesco Mancini
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795:1719 deaths
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368:Sante Vandi
218:perspective
212:and by the
44:15 May 1628
784:Categories
600:References
265:Assumption
126:Guido Reni
289:The Hague
194:Correggio
412:Archived
298:His son
185:and the
130:Guercino
101:Children
91:Movement
85:Painting
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516:Gallery
421:Charity
401:Dresden
366:., and
214:Melozzo
179:Taruffi
150:Bologna
95:Baroque
48:Bologna
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447:Aurora
271:; the
105:Felice
505:Forlì
491:With
483:Forlì
470:Forlì
455:Forlì
206:Forlì
70:Forli
306:and
287:(at
275:; a
144:Life
128:and
59:Died
41:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.