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in 1844, and also established himself as one of the leading
Veronese painters during the Restoration period. He received important commissions from the local nobility and the Austrian officers based in Verona thanks to his being in favour with
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model were mainly destined. The artist's international fame and market appeal reached their height around 1851, following
Emperor Franz Josef's visit to his studio which guaranteed him an international clientele of the highest order.
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During his late period he was highly active as a painter and engraver, specialising in the interpretation of
Renaissance works, and he also became a connoisseur by working closely with the Veronese collector
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During the 1840s he received increasing public and critical acclaim, which coincided with his participating more frequently in exhibitions, such as the one at the academy in Venice in 1839 and at the
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and studied sporadically at the
Cignaroli Academy of Fine Arts there, while practising as a copyist and restorer in the studio of the fresco painter
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Ferrari made his debut at the 1837 exhibition at the Verona
Academy with a series of views of the city enlivened by
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Atheneum in 1840 and the
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