219:", an archetype referring to any individual's or culture's pattern that is dedicated to, yet bound by, order, reason, intellect, truth, and clarity that disavows itself of anything occult or irrational. The intellectual specialization of this archetype creates emotional distance and can predispose relationships to a lack of emotional reciprocity and consequent dysfunctions. She further states that a "Cassandra woman" is very prone to hysteria because she "feels attacked not only from the outside world but also from within, especially from the body in the form of somatic, often gynaecological, complaints."
252:, published an essay on the god Apollo in which she detailed a psychological profile of the "Cassandra woman" whom she suggested referred to someone suffering—as happened in the mythological relationship between Cassandra and Apollo—a dysfunctional relationship with an "Apollo man." Bolen added that the Cassandra woman may exhibit "hysterical" overtones, and may be disbelieved when attempting to share what she knows.
107:—either on the condition that she agree to accept his romantic advances, or without prior agreement from Cassandra, depending on the source—but when Cassandra refused Apollo's romantic advances, he placed a curse on her, ensuring that nobody would believe her warnings. Cassandra was left with the knowledge of future events but could neither alter these events nor convince others of the validity of her predictions.
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259:"As an archetype, Apollo personifies the aspect of the personality that wants clear definitions, is drawn to master a skill, values order and harmony, and prefers to look at the surface rather than at what underlies appearances. The Apollo archetype favors thinking over feeling, distance over closeness, objective assessment over subjective intuition."
166:, Cassandra's overlord and persecutor. Klein's use of the metaphor centers on the moral nature of certain predictions, which tends to evoke in others "a refusal to believe what at the same time they know to be true, and expresses the universal tendency toward denial, denial being a potent defence against persecutory anxiety and guilt."
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Individuals who resemble Apollo have difficulties that are related to emotional distance, such as communication problems, and the inability to be intimate ... Rapport with another person is hard for the Apollo man. He prefers to access (or judge) the situation or the person from a distance, not
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Foreseeing potential future directions for a corporation or company is sometimes called "visioning", yet achieving a clear, shared vision in an organization is often difficult due to a lack of commitment to the new vision by some individuals in the organization, because it does not match reality as
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According to Bolen, the archetypes of
Cassandra and Apollo are not gender-specific. She states that "women often find that a particular god exists in them as well, just as I found that when I spoke about goddesses men could identify a part of themselves with a specific goddess. Gods and goddesses
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as representing the human moral conscience whose main task is to issue warnings. Cassandra as moral conscience, "predicts ill to come and warns that punishment will follow and grief arise." Cassandra's need to point out moral infringements and subsequent social consequences is driven by what Klein
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wrote in 1999 that to understand that humanity is on a collision course with the laws of nature is to be stuck in what he calls the 'Cassandra dilemma' in which a person can see the most likely outcome of current trends and can warn people about what is happening, but the vast majority cannot, or
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has more generally fallen toward the opposite side of this dilemma: a failure to "get through" to the people and avert disaster. In the words of
Atkisson: "too often we watch helplessly, as Cassandra did, while the soldiers emerge from the Trojan horse just as foreseen and wreak their predicted
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authority figures, would not accept. In her frightened, ego-less state, the
Cassandra woman may blurt out what she sees, perhaps with the unconscious hope that others might be able to make some sense of it. But to them her words sound meaningless, disconnected and blown out of all proportion.
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What the
Cassandra woman sees is something dark and painful that may not be apparent on the surface of things or that objective facts do not corroborate. She may envision a negative or unexpected outcome; or something which would be difficult to deal with; or a truth which others, especially
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will not respond, and later if catastrophe occurs, they may even blame the person, as if their prediction set the disaster in motion. Occasionally there may be a "successful" alert, though the succession of books, campaigns, organizations, and personalities that we think of as the
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The
Cassandra metaphor is applied by some psychologists to individuals who experience physical and emotional suffering as a result of distressing personal perceptions, and who are disbelieved when they attempt to share the cause of their suffering with others.
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knowing that he must "get close up"—be vulnerable and empathic—in order to truly know someone else ... But if the woman wants a deeper, more personal relationship, then there are difficulties ... she may become increasingly irrational or hysterical.
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they see it. Those who support the new vision are termed "Cassandras"—able to see what is going to happen, but not believed. Sometimes the name
Cassandra is applied to those who can predict rises, falls, and particularly crashes on the global
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Bolen suggests that a
Cassandra woman (or man) may become increasingly hysterical and irrational when in a dysfunctional relationship with a negative Apollo, and may experience others' disbelief when describing her experiences.
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People have applied the metaphor in a variety of contexts, such as psychology, environmentalism, politics, science, cinema, the corporate world, and philosophy; it has been in circulation since at least 1914, when
357:, the media, to feminist perspectives on reality, and in politics. There are also examples of the metaphor being used in popular music lyrics, such as the 1982 ABBA song "Cassandra", Emmy the Great's "Cassandra",
256:
represent different qualities in the human psyche. The pantheon of Greek deities together, male and female, exist as archetypes in us all ... There are gods and goddesses in every person."
389:, where she uses the metaphor stating that no one believed her when she was telling the truth and asking, probably the same people, if they believed in her after they “set her life in flames”.
121:, Volume 5, published in 1914. "both of them agreed to treat the Cassandra-like prophecies which Thiebault kept sending from Salamanca as 'wild and whirling words.'" (The
301:, reminds the reader of the Helpful Cassandras that sense the winds of change before others and are critical to managing through Strategic Inflection Points.
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332:. Individuals sometimes acquire the label of 'Cassandras', whose warnings of impending environmental disaster are disbelieved or mocked.
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They have to bring you bad news and be
Cassandras against the senior management, against the fear of management of repercussions.
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Fear Before the March of Flames, Taking
Cassandra to the End of the World Party (song) on album The Always Open Mouth 2006
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havoc. Worse, Cassandra's dilemma has seemed to grow more inescapable even as the chorus of
Cassandras has grown larger."
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Eisenstein, L., 'The Cassandra Complex', pp. 37–41 in Haring-Smith, T., New Monologues For Women By Women – Vol II (2005)
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analyst Laurie Layton Schapira explored what she called the "Cassandra complex" in the lives of two of her analysands.
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Davies, P., "The Cassandra Complex: how to avoid generating a corporate vision that no one buys into" pp. 103–123 in
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being widely ignored. After Biden withdrew from the race, he remarked "vindication has never felt so unfulfilling."
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Laurie Layton Schapira, The Cassandra Complex: Living With Disbelief: A Modern Perspective on Hysteria p.10 (1988)
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records use of "Cassandra like" from 1670 and of "Cassandra-like" from 1863.) Later, in 1949, French philosopher
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Delamotte, D., Women Imagine Change: A Global Anthology of Women's Resistance From 600 B.C.E. p.86 (1997)
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has been described as the "modern Cassandra of American politics" due to his warnings about President
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AtKisson, A., Believing Cassandra: An Optimist Looks at a Pessimist's World, p.22 pp. 32–33 (1999)
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Jean Shinoda Bolen, Gods in Everyman: A New Psychology of Men’s Lives and Loves pp. 130–160 (1989)
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Based on clinical experience, she delineates three factors constituting the Cassandra complex:
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coined the term "Cassandra Complex" to refer to a belief that things could be known in advance.
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Lantos, J.D., The Lazarus Case: Life-and-Death Issues in Neonatal Intensive Care, p.160 (2001)
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being disbelieved when attempting to relate the facticity of these experiences to others.
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calls "the destructive influences of the cruel super-ego," which is represented in the
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Many environmentalists have predicted looming environmental catastrophes including
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The Cassandra Complex: Living With Disbelief: A Modern Perspective on Hysteria
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The Cassandra complex: living with disbelief: a modern perspective on hysteria
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Of what she describes as the negative Apollonic influence, Dr. Bolen writes:
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818:"For Dean Phillips, Biden's Withdrawal Offers 'Unfulfilling' Vindication"
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song "Cassandra Gemini" may reference this syndrome, as well as the film
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Orwell, S., Angus, I., Orwell, G., My Country Right or Left p.378 (2000)
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Klein, M., Envy and Gratitude – And Other Works 1946–1963, p. 295 (1975)
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Atkisson, A., Cassandra's Lyre (song) on album Believing Cassandra 2000
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Bachelard, Gaston, Le Rationalisme appliqué PUF, Paris, (1949).
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recorded a song called “Cassandra” to her 11th studio album,
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Gods in Everyman: A New Psychology of Men's Lives and Loves
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Gods in Everyman: A New Psychology of Men's Lives and Loves
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