312:
because Emily felt unwell, and Freda escorts
Charlotte to the door. After Charlotte drives away, Edward tells a horrified Freda that he killed Monica, secure in the knowledge that a wife cannot be compelled to testify against her husband and that he expects to inherit Charlotte's money shortly because he has tampered with the brakes on her car. He is shocked when Phillip enters the room, having heard his confession, followed by his intended victim. She had returned to the house after meeting the lawyer at the estate's gate. Edward flees in his car, but the entrance is blocked by Charlotte's and Phillip's automobiles. With Phillip in pursuit, Edward switches to another vehicle, only to realise too late that he has taken Charlotte's car. He loses control and drives over a cliff to his death.
448:
Lewis
Gilbert later said "it was reasonably successful but by then Margaret had been in several really bad films and her name on a picture was rather counter-productive." He said she got "wonderful notices" but it was "too late for her. She'd already lost her audience. The film just scraped home, we
307:
Edward manages to marry lower-class but well-off widow Freda
Jeffries, who is closer to Edward's age than Monica, but much less trusting than her predecessor, keeping tight control over her fortune. As the death of a second spouse so soon after the first would be highly suspicious, he is powerless to
525:
gave the film 3/5 stars, writing: "After murdering his wife Mona
Washbourne for her money, Dirk Bogarde marries canny Margaret Lockwood who proves less easy to dispose of. When he meets Kay Walsh, however, murder is back on the agenda. A modest but entertaining melodrama, directed by Lewis Gilbert
311:
Edward lures
Charlotte to his mansion late one night while Freda and the servant are out. He reveals he knows that Charlotte is Dora, then he brazenly admits killing her sister before trying to make her leave. Suspicious, she remains where she is. However, Freda and Emily return home unexpectedly
300:
To his chagrin, he discovers that she intended to leave him all her money; instead, he only inherits the mansion from a previous will while her fortune is left in trust to her only relative, her sister Dora. She leaves £200 to the elderly maid, but Edward convinces the maid that this money was in
296:
Married for a year, Edward "Teddy" Bare kills his wealthy older wife Monica after she asks her lawyer
Phillip Mortimer to change her will. He stages it to look as if she accidentally asphyxiated while drunkenly trying to light the gas fire (he having assiduously encouraged her to drink heavily as
465:
wrote "This is an old-fashioned and thorough-going melodrama, adapted from the stage and retaining – notably in the big scene in which Bare confronts his victim’s sister – a decidedly theatrical flavour. It is conventionally but quite competently managed, achieving an occasional note of the
301:
lieu of wages, getting her to then work for free. Edward will receive the main inheritance only if Dora dies. An inquest rules it an accident, but
Phillip, Monica's lawyer, makes it clear that he suspects Edward. When Edward asks where Dora lives, Phillip tells him she is in Jamaica.
308:
do anything. The new couple meet
Charlotte Young, whose car has broken down. Charlotte is looking for a house to purchase for an equestrian school. As Edward was an estate agent before he married Monica, he shows her several properties, making Freda jealous.
435:
It was the first time I had come under another star's name – Margaret
Lockwood – and it just died, which was a pity because it was a very good movie and I had persuaded Maggie to do it. I remember being on tour in Cardiff with a play and I saw a poster for
466:
authentically squalid and shabby in developing Bare’s dealings with the three women. Margaret
Lockwood’s performance as the retired barmaid, although built up largely through mannerisms, has considerable spirit."
444:' and, at the very bottom, 'with Margaret Lockwood'. They altered the billing order because they saw it was dying and that, astoundingly, her name had killed it, though it was probably her best performance ever.
31:
452:"I'm glad I did it, but am still wondering exactly where it got me," said Lockwood in 1973. After making the movie, she did not appear in a feature film for another 21 years.
304:
Edward meets Freda, a merry widow, in a seaside hotel and woos her. He invites her to stay at the huge house which he has inherited. She becomes friendly with the maid.
409:"I think it was a very interesting plot, very claustrophobic," said Gilbert. "I think it was the best thing Margaret Lockwood did. She was great in the film."
960:
406:
Bogarde persuaded Margaret Lockwood to co star. "I was dubious about being able to play such a character, though I liked her honesty," said Lockwood.
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with a stylish and proficient cast. Lockwood, who would return to the screen only once more two decades later, is particularly effective."
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431:, the film was a "money maker" at the British box office in 1955. However Dirk Bogarde said "the film was a failure":
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described the film as " but enjoyable melodrama, well acted though with directorial opportunities missed."
403:(1954), he saw the play and thought it would make a good film, and he persuaded Bogarde to play the lead.
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stated "Unambitious but enjoyable melodrama, well acted though with directorial opportunities missed."
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wrote that the actors are skilled but "they are not offered many opportunities to make
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Dirk Bogarde later said "the unwholesomeness of the hero was what was fun about it."
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rated the film as "good", writing "Stagey thriller, played with panache."
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in the United States. The story concerns a husband who murders his wife.
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871:(18th ed.). London: Immediate Media Company. 2017. p. 160.
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described the film as " solid little murder thriller from Britain."
389:. Green wanted Dirk Bogarde to be in the play, but he declined, and
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was given a DVD commercial release by Simply Media in June 2015.
620:. Vol. 23, no. 5. Australia. 23 May 1956. p. 53
280:. The film was released on 20 September 1955, distributed by
598:
250:
and written by John Cresswell, based on the 1952 play
807:(13 ed.). HarperCollins Publishers. p. 135.
1001:
555:"Production of Murder Mistaken | Theatricalia"
1318:
820:British Sound Films: The Studio Years 1928–1959
594:"User-submitted review of "Cast a Dark Shadow""
503:British Sound Films: The Studio Years 1928–1959
360:as Charlie Mann, a business associate of Edward
847:(7th ed.). London: Paladin. p. 180.
987:
775:
802:
994:
980:
628:– via National Library of Australia.
29:
842:
573:British Film Institute Collections Search
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822:. London: Batsford Books. p. 291.
817:
639:
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635:
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700:
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1412:English-language crime thriller films
975:
750:Crowther, Bosley (28 November 1957).
707:British Entertainment History Project
455:
632:
776:Clyde Gilmour (29 September 1956).
663:
656:Eric Braun, "The indestructibles",
650:
286:Distributors Corporation of America
165:Distributors Corporation of America
13:
805:Halliwell's Film & Video Guide
694:
674:An Autobiography of British Cinema
645:An Autobiography of British Cinema
496:Halliwell's Film & Video Guide
16:1955 British film by Lewis Gilbert
14:
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889:
342:as Emily (Emmie), the Bares' maid
1367:Films produced by Herbert Mason
1362:Films directed by Lewis Gilbert
861:
836:
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796:
769:
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713:
381:The film was based on the play
297:part of his control over her).
1372:Films scored by Antony Hopkins
690:. 15 December 1955. p. 5.
686:"Other Money Makers of 1955".
679:
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586:
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1:
1342:British black-and-white films
949:at the British Film Institute
618:The Australian Women's Weekly
540:
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420:
376:
1402:1950s English-language films
1352:British films based on plays
1347:British crime thriller films
440:and it had 'Dirk Bogarde in
415:
7:
1392:Films shot in Hertfordshire
1382:Films set in country houses
1096:The Sea Shall Not Have Them
400:The Sea Shall Not Have Them
242:is a 1955 British suspense
183:20 September 1955
10:
1428:
1337:1950s crime thriller films
869:Radio Times Guide to Films
843:Halliwell, Leslie (1989).
372:as singer (her film debut)
284:in the United Kingdom and
194:27 November 1957
1387:Films shot in East Sussex
1128:Carve Her Name with Pride
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35:Theatrical release poster
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1056:Time Gentlemen, Please!
818:Quinlan, David (1984).
784:. Maclean's. p. 28
354:as Monica (Monnie) Bare
315:
291:
1136:A Cry from the Streets
1120:The Admirable Crichton
845:Halliwell's Film Guide
703:"Lewis Gilbert Side 6"
480:mysterious or tense."
446:
393:played the role. When
324:as Edward "Teddy" Bare
1397:Films about uxoricide
1377:Films set in Brighton
1240:Seven Nights in Japan
752:"The Sad Sack (1957)"
739:– via ProQuest.
725:Monthly Film Bulletin
462:Monthly Film Bulletin
449:just made a profit."
433:
1248:The Spy Who Loved Me
1168:The Greengage Summer
1040:There Is Another Sun
1016:The Little Ballerina
803:John Walker (1998).
721:"Cast a Dark Shadow"
701:Fowler, Roy (1996).
688:Kinematograph Weekly
647:, Methuen 1997 p 221
569:"Cast a Dark Shadow"
428:Kinematograph Weekly
202: (United States)
1407:1950s British films
1200:You Only Live Twice
782:archive.macleans.ca
676:, Methuen 1997 p 70
660:September 1973 p 38
614:"DRAMATIC THRILLER"
348:as Phillip Mortimer
1272:Not Quite Paradise
1232:Operation Daybreak
1160:Sink the Bismarck!
1144:Ferry to Hong Kong
1104:Cast a Dark Shadow
1088:The Good Die Young
1002:Films directed by
957:at Rotten Tomatoes
954:Cast a Dark Shadow
946:Cast a Dark Shadow
938:Cast a Dark Shadow
932:TCM Movie Database
927:Cast a Dark Shadow
919:Cast a Dark Shadow
908:Cast a Dark Shadow
897:Cast a Dark Shadow
778:"Maclean's Movies"
756:The New York Times
731:(252): 152. 1955.
643:Brian MacFarlane,
535:Cast a Dark Shadow
478:Cast a Dark Shadow
474:The New York Times
456:Critical reception
442:Cast a Dark Shadow
438:Cast a Dark Shadow
336:as Charlotte Young
239:Cast a Dark Shadow
24:Cast a Dark Shadow
1314:
1313:
1280:Shirley Valentine
1224:Paul and Michelle
1152:Light Up the Sky!
1112:Reach for the Sky
1072:Johnny on the Run
672:Brian McFarlane,
658:Films and Filming
340:Kathleen Harrison
330:as Freda Jeffries
328:Margaret Lockwood
274:Kathleen Harrison
266:Margaret Lockwood
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137:Gordon Pilkington
110:Kathleen Harrison
100:Margaret Lockwood
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95:Dirk Bogarde
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1080:Albert R.N.
521:Radio Times
397:was making
387:Janet Green
364:Walter Hudd
260:. It stars
258:Janet Green
78:Produced by
72:Janet Green
41:Directed by
1327:1955 films
1321:Categories
854:0586088946
737:1305816073
541:References
530:Home media
421:Box office
391:Derek Farr
377:Production
366:as Coroner
215:82 minutes
198:1957-11-27
187:1955-09-20
128:Jack Asher
51:Written by
1357:Film noir
1256:Moonraker
624:1 October
485:Maclean's
416:Reception
370:Lita Roza
334:Kay Walsh
270:Kay Walsh
244:film noir
134:Edited by
105:Kay Walsh
68:1952 play
1064:Cosh Boy
913:AllMovie
733:ProQuest
228:Language
142:Music by
88:Starring
59:Based on
1296:Haunted
1216:Friends
966:Variety
940:trailer
930:at the
788:29 July
761:7 April
231:English
220:Country
196: (
185: (
1307:(2002)
1299:(1995)
1291:(1991)
1283:(1989)
1275:(1985)
1267:(1983)
1259:(1979)
1251:(1977)
1243:(1976)
1235:(1975)
1227:(1974)
1219:(1971)
1211:(1970)
1203:(1967)
1195:(1966)
1187:(1964)
1179:(1962)
1171:(1961)
1163:(1960)
1155:(1960)
1147:(1959)
1139:(1958)
1131:(1958)
1123:(1957)
1115:(1956)
1107:(1955)
1099:(1954)
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1059:(1952)
1051:(1952)
1043:(1951)
1035:(1951)
1027:(1950)
1019:(1947)
875:
851:
826:
735:
1192:Alfie
902:IMDb
873:ISBN
849:ISBN
824:ISBN
790:2022
763:2015
626:2017
599:IMDb
580:2024
519:The
316:Cast
292:Plot
276:and
167:(US)
161:(UK)
963:at
911:at
900:at
501:In
472:of
385:by
256:by
70:by
1323::
780:.
754:.
729:22
727:.
723:.
705:.
665:^
634:^
616:.
596:.
571:.
505:,
272:,
268:,
264:,
995:e
988:t
981:v
881:.
857:.
832:.
792:.
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709:.
602:.
582:.
557:.
200:)
189:)
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